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A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Tonight our show is called Feed Your Heart. Host Miko Lee speaks with the collaborators and creators of the Asian American Pacific Islander Restorative Justice Network: Elli Nagai-Rothe & Tatiana Chaterji. Restorative Justice is a movement and a set of practices that stands as an alternative to our current punitive justice system. It focuses on people and repairing harm by engaging all the impacted people working together to repair the harm. RJ is built off of ancient indigenous practices from cultures around the globe, including Native American, African, First Nation Canadian, and so many others. To find out more about Restorative Justice and the work of our guests check out Info about the AAPI RJ Network on the Ripple website: www.ripplecollective.org/aapirjnetwork NACRJ conference in New Orleans: www.nacrj.org/2026-conference Show Transcript [00:00:00] Opening Music: Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express. [00:00:44] Miko Lee: Good evening. I'm your host Miko Lee, and tonight our show is called Feed Your Heart. And we are speaking about the collaborators and creators of the Asian American Pacific Islander Restorative Justice Network with the collaborators, Elli Nagai-Rothe and Tatiana Chaterji. [00:01:03] Restorative justice is a movement and a set of practices that stands as an alternative to our current punitive justice system. It focuses on people and repairing harm by engaging all the impacted folks working together to repair that harm. RJ is built off of ancient indigenous practices from cultures around the globe, including Native American, African, first Nation Canadian, and many others. So join us as we feed your heart. [00:02:01] Welcome to Apex Express. My lovely colleagues, Elli Nagai-Rothe, and Tatiana Chaterji. I'm so happy to speak with you both today. I wanna start off with a question I ask all of my guests, and Ellie, I'm gonna start with you and then we'll go with to you, Tati. And the question is who are your people and what legacy do you carry with you? [00:02:24] Elli Nagai-Rothe: Hmm. I love that question. Thank you. My people come from Japan and Korea and China and Germany. My people are community builders and entrepreneurs survivors, people who have caused harm, people who have experienced harm people who've worked towards repair dreamers, artists and people who like really good food. [00:02:51] And I carry their legacy of resilience and of gaman, which is a Japanese word that's a little hard to translate, but basically means something like moving through moving through the unbearable with dignity and grace. , And I carry a legacy to continue healing the trauma from my ancestral line the trauma and justice. And that's informs a lot of the work that I do around conflict transformation and restorative justice. [00:03:19] Miko Lee: Thank you so much. And Tati, what about you? Who are your people and what legacy do you carry with you? [00:03:25] Tatiana Chaterji: Thank you for the question, Miko. The first thing that comes to mind, my people are the people we're, we're, we're coming up on the cusp of a possible teacher strike, and I'm thinking about workers and the labor, movement and comrades in my life from doing work as a classified school worker for about a decade. [00:03:46] Then my people are also from, my homelands. The two that I feel very close to me are in Finland, from my mom's side, and then in Bengal, both India, west Bengal, and Bangladesh. And my people are also those who are facing facing the worst moments of their life, either from causing harm or experiencing harm as a survivor of violence. [00:04:08] I think about this a lot and I think about also the smaller conflicts and tensions and issues that bubble up all the time. So my people are those that are not afraid to make it better, you know, to make it right. And I carry, oh gosh, what legacy do I. I wanna say first kind of the legacy of the Oakland RJ movement that really nurtured me and the youth that I've encountered in schools and in detention on the streets in the community. [00:04:39] Youth who are young adults and becoming bigger, older adults and, and, and also elders. To me. So sort of that's whose legacy I carry in shaping the. Society that we all deserve. [00:04:52] Miko Lee: Thank you both for answering with such a rich, well thought out response that's very expansive and worldly. I appreciate that. Ellie, I think it was two years ago that you reached out to me and said, I'm thinking about doing this thing with Asian American Pacific Islanders around restorative justice and you're working on a project with Asian Law Caucus. Can you like roll us back in time about how that got inspired, how you started and where we're at right now? [00:05:22] Elli Nagai-Rothe: Yeah, absolutely. Yeah, I'd forgotten that we, I had reached out to you at the early stages of this miko. The idea for this emerged in the context of conversations I was having with Asian Law Caucus around, anti-Asian violence and restorative justice. There was an enthusiasm for restorative justice as a pathway toward healing for AAPI communities. One of the things that kept coming up in those conversations was this assumption that there are no, or very few Asian restorative justice practitioners. And I kept thinking this, that's not true. There are a lot, plenty of Asian practitioners. And I think that for me reflects the larger context that we're living in the US where Asians are both at the same time, like hyper visible, , right. In terms of some of the violence that was happening. If you roll back several years ago I mean it's still happening now, but certainly was, was at the height several years ago. So like hyper visible around that, but also in terms of like my model minority status, but also at the same time like invisibilized. So that strange paradox. And so my part of that was thinking about, well, what, what opportunities exist here, right? How can we actually bring together the restorative justice, Asian restorative justice practitioners in the Bay Area to be like regionally focused to come together to talk about how do we bring our identities into more fully into our work, , to build community with each other, and then also to build this pathway for new, for emergent practitioners to join us in this work. That's a little bit of the background of how it came to be, and I'd love Tati to speak more to some of that context too. [00:07:00] Tatiana Chaterji: Yeah, thanks Ellie. Definitely thinking about work that I was doing in Chinatown and San Francisco. I was working with Chinese Progressive Association just before actually Asian Law Caucus reached out to us with this idea. I wanna shout out Lewa and Cheyenne Chen Le Wu, who are really envisioning an alternative process for their the members of this organization who are immigrant monolingual Cantonese speakers and, and working class immigrants. What are the options available to them to respond to harm and violence in any, any number of ways? And one of the things that we really saw. [00:07:37] Miko Lee: Non carceral, right? Non carceral options to violence and harm, right? [00:07:42] Tatiana Chaterji: Yes, exactly. That's exactly what we were thinking of is, and in the period of time where people are talking about anti-Asian hate, they're talking about hate crimes and violence against Asian Americans, there's a simultaneous rhetoric and a belief that Asian people love police or want police interventions or actually believe al punishment. And no doubt that can be true for, for some of our community, but it is not the overwhelmingly dominant truth is what I would say. What I would say, and that actually by believing that Asian folks loved the police was its own bizarre and very toxic racial stereotyping that. Very vulnerable communities who are non-English speakers and living un under wage exploitation and other conditions. [00:08:34] And so what we were doing was looking at what are the ways that we think about justice and the right way to respond to things and our relational ecosystems. And we began with messages from our home and family dynamics and kind of went outwards and, and everything was presented in Cantonese. I'm not a Cantonese speaker. I was working closely with those two women I mentioned and many others to think about. What is. Not just the, the linguistic translation of these concepts, but what is the cultural meaning and what applies or what can be sort of furthered in that context. And there were some very inspiring stories at the time of violence across communities in the city, and particularly between the Chinese community and the African American community and leaders in those spaces working together and calling forth the abolitionist dreams that were kind of already there. [00:09:28] That people just want this kind of harm or violence not to happen. They don't want it to happen to anyone again. And this is some thing I think about a lot as a survivor, that that is the dominant feeling is like we, you know, vengeance are not desires for some sort of punishment or not, that this should not happen again. And what can we do to prevent that and really care for the healing that needs to happen. [00:09:53] Miko Lee: I appreciate you bringing up this solidarity between the African American and, and specifically Chinese American communities wanting a more abolitionist approach. We don't hear that very much in mainstream media. Usually it's pitted the Asian against black folks. Especially around the anti-Asian hate. We know that the majority of the hate crimes, violence against Asian folks were perpetrated by white folks. That's what the data shows, but the media showed it was mostly African American folks. So I really appreciate lifting that part up. So take us from that journey of doing that work with a Chinese progressive association, powerful work, translating that also from, you know, your English to Chinese cultural situations to this network that you all helped to develop the A API Restorative Justice Network, how did that come about? [00:10:45] Tatiana Chaterji: Part of the origin story is, is work that had been happening across the Bay Area. I was speaking about what's happening in Chinatown. There's also this coalition of community safety and justice that really has been diving into these questions of non carceral response to harm and violence. Then on the other side of the bay in Oakland, the Asian Pacific Environmental Network has been working with Restore Oakland to sit with survivors of crime and build up skills around circle keeping and response. So that's just a little bit of this beautiful ecosystem that we are emerging out of. It almost felt like a natural extension to go here, you know, with a pen and restore Oakland. They were thinking a lot about interpretation and language justice. And so this is also just pulling these threads together for more robust future and practice. [00:11:41] Miko Lee: Thank you so much for making those connections. We'll put a link in our show notes because we did a recent episode on the Coalition for Community Safety and Justice, and particularly the collective Knowledge based catalog, which captures all these different lessons. So I think what you're pointing out is that all these different groups are coming together, Asian American focus groups to, Pacific Islander focus groups to be able to find, alternatives to the Carceral system in an approach to justice. [00:12:08] Elli Nagai-Rothe: Well, so it came about through lots of conversations, lots of collaborations I feel so, honored to be able to collaborate with Tati in this work. And other folks who were, , partnering alongside the Asian Law Caucus in this larger grant that was being offered to address anti-Asian hate and violence. Ultimately through many conversations, just wanting to create a space that was created for and by Asian restorative justice practitioners. And as far as we know, it's the only. Gathering or, or network if it's kind in the Bay Area, maybe in the nation. Somebody who's listening maybe can chime in if that's true, that's not true. But as far as we know, that's the only space that's like this. And part of what we've wanted to create is certainly first and foremost because this is so much of the work of restorative justice, at least for us, is about relationships. At the end of the day, it's how we relate to each other and thinking of, of different ways than is often modeled in mainstream world about how we relate to each other. [00:13:11] We wanted to start with those relationships and so. We created space for current practitioners in the Bay Area to come together. And we had a series of both in-person and virtual conversations. And really it was a space to offer to really build this sense of community and these relationships to share our knowledge with each other, to offer really deep peer support. And specifically we were really interested in bringing and weaving more of our cultural and ancestral ways of being into our practice of restorative justice. And so what does that look like? Can we bring more of those parts of ourselves into our work, our lived experiences into our work, and how we address and hold conflict and harm. I'll speak for myself, such a nourishing space to be part of with other practitioners. Just really allowing more of like a holistic sense of ourselves into our work. And what all the things that could that have come from that. So we've been continuing to meet, so what has this been like two years now? [00:14:12] Almost? We had, in addition to the existing practitioners who were based in the Bay Area, we held a training for like an introduction to restorative justice training that built on the things we were thinking about and learning about with each other around our Asian identities. And that was for folks who were kind of in an adjacent field, social workers, therapists, educators, folks who are doing work with API community workers. And so then we train them up and then they join this net, this larger network. And we've continued to have conversations every month, in a community of practice space. For me, such a wonderful space to be able to connect, to continue, explore together how we can bring more of ourselves into our work in a more relational, integrated and holistic way. [00:14:56] Miko Lee: Thanks so much for that overview. I wanna go into it a little bit more, but I wanna roll us back for a moment. And Tati, I'd love if you could share with our audience what is restorative justice and what does a restorative justice practitioner do. [00:15:08] Tatiana Chaterji: The big one. Okay. I think of restorative justice as an alternative to criminal and punitive responses to harm and wrongdoing. I think that's where the definition really comes to life. Although people who are in the field will say that actually it's before the harm or wrongdoing happens, and that it's about cultural norms and practices of caring for each other in a communal way, having each other's back relying on relationships, which also includes effective communication and compassionate communication. So Restorative justice in how I've learned it in the, in the Oakland community was, a lot of the practices were carried by a European Canadian woman named Kay PRUs, who's one of my teachers and who had also, studied with first Nations people in Canada that ish and klingit people, and that there's been some controversy over how she carried those teachings and that there's native people on all sides who have sort of taken a stand. [00:16:12] I wanna name, this controversy because it feels important to talk about cultural appropriation, cultural survival, that circle practice and how circle is done in many restorative justice spaces will feel very foreign to a person who is indigenous, who perhaps has these ancestral practices in their own lineage, their own history and family. And this is because of colonialism and, and erasure and displacement, and. Reckoning with all of this as immigrants who are on native land, you know, from all, most of us in the API RJ network. Just what, what is this? What, how do we grapple with this? You know, how do we do an appropriate recognition of practices and traditions and how do we build and think about interconnection or the inherent and intuitive knowledge that we have to do non-car work, which is at the core, I've sort of expanded off of your prompt, but an RJ practitioner is someone who holds space for for these conversations, kind of when things are the hardest, when there is heartbreak and betrayal and harm or conflict and also what, the work of setting conditions for that not to happen or for the way that we move through those difficulties to go as best as possible. [00:17:43] Miko Lee: Thank you for expanding on that. I'm wondering if Ellie, you could add to that about like what is a circle practice, what does that look like? [00:17:51] Elli Nagai-Rothe: A circle practice. It can look like a lot of different things, but ultimately it's being in a circle, and being able to connect with each other. Again, I talked about how relationships are at the core. That might be when we're, when we're in circling together, we are relating to each other. We're telling our stories. We're weaving our stories together that might be happening when there's no conflict and when there's no harm. In fact, ideally that's happening all the time, that we're being able to gather together, to share stories, to be known by each other and so that if and when conflict does occur, we know how to, how to connect and how to come back to each other because the relationships matter. We know. Okay. 'cause conflict will happen. We will, we are gonna hurt each other. We're humans. That's part of being human. We're gonna mess up and make mistakes. And so a prac having a practice to come back together to say, well, what, what can we do to repair this? How can we make this right, as Tati was saying? [00:18:46] And, and so then circling, be circling up and having a circle practice can also mean when there is conflict, when harm has happened, how can we have people be able to hear one another, to understand what's happening and to repair as much as possible. Um, while doing that again in the ecosystem of relationships. So sometimes that's happening with a, a couple folks and sometimes that's happening with a whole community or a whole group of people. [00:19:10] Ayame Keane-Lee We're going to take a quick pause from the interview and listen to Tatiana recite an excerpt from the A API RJ Network Reflection document. [00:19:18] Tatiana Chaterji: Mirrors of each other. To prepare for our closing ritual, I pull a small table with a candle and incense from the back room into the circle. This is our last in-person gathering, and we want to end with building a collective altar for the future of RJ that is rooted in the wisdom of our Asian cultural lineages.Please think of an offering to make this vision a reality. I explain that we use our imaginations to sculpt the air in front of us, shaping it into the essence of the offering. As I have done in prison with incarcerated artists who create textures and depth of story without material props, supplies, or the frills of theater production on the outside. [00:20:01] I volunteered to go first and model how this is done. Standing and walking towards the altar. I bring my fingers to the center of my chest and pinch an imaginary ball of thread. I want to deepen my understanding of Bengali peacemaking and justice traditions. I say pulling the thread in a vertical motion, stretching up and down to create a cord of groundedness. Realizing there are actually many dimensions. I also pull the thread forwards and backwards in a lateral direction, saying this means looking to the past and dreaming the future. I hold this grided net, gather it around my body and ceremoniously place it on the altar. Others echo the desire for bringing forward parts of their Asian lineage that aren't accessible to them. People create shapes with their bodies, making offerings to the altar that symbolize taking up space, staying grounded in a world that is shaky, reciprocity with the earth, ancestors and descendants, bringing in more ancestors permission to create and play forgiveness to self and others. Timelessness with Earth as a mirror and patience. [00:21:14] Sujatha closes her eyes and forms an image for us through stream of consciousness. She says, I see indra's net infinite with shimmering diamonds. At each point, I notice the goosebumps raise on the skin of my arms as she continues it is as if she has reached inside of me pulling from the sutra of ra, which was part of my childhood. It is a piece of scripture and a spiritual concept that deeply grounds my practice in RJ as an adult. I see her hands, which she has raised, and fingers trembling, glimmering ever so slightly. She speaks slowly carrying us with her in a visualization de drops, mirrors. I cannot be who I am meant to be unless you are who you are meant to be. RJ is the material of the web. This was a rare moment of belonging for me, as I seamlessly reflected in the speech and cultural symbols of a peer seamless. This integration as South Asian and as an RJ practitioner, seamless, being able to hang onto a reference from religious traditions that are hidden in the diaspora or distorted by mainstream social messaging. [00:22:28] Ayame Keane-Lee We hope you enjoyed that look into the AAPI RJ Network Reflection. Let's get back to the interview. [00:22:35] Miko Lee: Can you each share what brought you to this work personally? [00:22:40] Tatiana Chaterji: Sure. As a young activist involved in Insight Women of Color against Violence and aware of the work of Critical Resistance, and I had a pretty clear politics of abolition, but I didn't. Really think that it impacted me as personally as it did when I was in my early twenties and I suffered a brain injury from a vehicular assault, a hit and run that may have been gang affiliated or, a case of mistaken identity. My recovery is, is, is complicated. My journey through various kinds of disabilities has shaped me. But I think the way that I was treated by the police and by the justice quote unquote justice system, which I now call the criminal legal system, it because there was no justice. I sort of don't believe that justice is served in the ways that survivors need. yeah, I really, I got very close to the heart of what an RJ process can do and what RJ really is. I got introduced to Sonya Shah and the work of Suha bga and I was able to do a surrogate victim offender dialogue and then later to facilitate these processes where people are kind of meeting at the, at the hardest point of their lives and connecting across immense suffering and layers of systemic and interpersonal internalized oppression. [00:23:59] Just so much stuff and what happens when you can cross over into a shared humanity and recognition. It's just, it's just so profound and and from that space of healing and, and, and compassion, I've been able to think about. Other ways that RJ can look and have sort of been an advan, what is it evangelical for it? You know, I think that because we don't see these options, I, I, because I knew people, I was able to connect in this way and I would just shout out David uim, who's the one who told me that even if I didn't know the person who harmed me, that this was possible. People so often give up, they're just like, well, I have to feel this way. I have to just deal with it. Swallow the injustice and the lack of recognition. Just sort of keep going. Grit your teeth. I think we don't have enough knowledge of what's possible and so we harden ourselves to that. Yeah, I'll stop there. Thanks for listening. [00:24:59] Miko Lee: Oh, that's the gaman that Ellie was talking about, right? In Chinese we say swallow the bitter. Right. To be able to just like keep going, keep moving. And I think so much of us have been programmed to just something horrible happens. You just swallow it, you bite it down, you don't deal with it and you move on. Which is really what RJ is trying to teach us not to do, to recognize it, to to talk to it, to speak to it, to address it so that we could heal. Ellie, what about you? How did you get involved? [00:25:30] Elli Nagai-Rothe: Yeah. And Tati, thanks so much for sharing. I always appreciate hearing. I like your story and what draws you to this work is so powerful. For me, I'll take it a little bit more meta further back. What draws me to this work is my family history. I'm multiracial. My family, my ancestry comes from many different places. And part of that my grandparents, my aunties, uncles, Japanese Americans who were, who were born, some of them, my grandpa, and his family here in Oakland, in this area. And, um, other my grand, my grandmother and her family in Southern California. During World War II, were unjustly incarcerated along with 125,000 Japanese Americans in ways that were so deeply harmful and traumatic and are so parallel to what is happening right now to so many communities who are being detained and deported. And that experience has deeply, deeply impacted certainly my community's experience, but my family's experience of trauma. [00:26:30] And I'm yonsei, fourth generation Japanese American. And though I wasn't directly involved or impacted by that incarceration, I feel it very viscerally in my body, that feeling of loss, of disconnection of, of severance from community, from family, from place, and, . Even before I knew what restorative justice was, I was in my body striving to find justice for these things that have happened? That drew me into conflict transformation work and ultimately restorative justice work. And that's where I found really at the, at the core, so much of this, this intuitively feels right to me. I didn't wanna have a place of, I wanted to heal. That was what I wanted to feel the feeling of, can we heal and repair and can I heal and repair what's happened in this, my experience and my family's experience and community's experiences? [00:27:23] That work ultimately led me to do restorative justice work here in the Bay Area. I started doing that work with schools and community organizations. And so I really hold the bigger possibilities of what's possible when we think differently about how we hold relationships and how we hold deep, deep pain and harm and what's possible when we can envision a different kind of, a world, a different kind of community where we can take accountability for things that have happened. And knowing that all of us at, at different places, I know that's true in my family line, have caused harm and also experienced harm, that those things can happen at the same time. And so how can we have a sense of humanity for what's possible when we actually come, come to each other with a humility of what, how can we heal? How can we heal this together? How can we make this as right as possible? So that's, that's a bit of my story. [00:28:13] Miko Lee: Thank you both for sharing. [00:28:15] Ayame Keane-Lee Next we're going to take a music break and listen to Miya Folick “Talking with Strangers” MUSIC [00:34:05] that was “Talking with Strangers” by Miya Folick [00:34:09] Miko Lee: I'm wondering, I know this, Asian American, Pacific Islander, RJ Circle, a bunch of it has been online just because this is how we do in these times and I'm wondering if there's something unique and empowering about doing this online. I bring that up because there have been many in person gatherings. I've been a part of this circle, so I'm really happy to be a part of it. For me, the vibe of being in person where we're sharing a meal together, we're in a circle, holding onto objects, making art together is very different from being online. And I'm wondering, if there's something uniquely positive about being online? [00:34:47] Tatiana Chaterji: I would just say that yeah, the intimacy and the warmth and the sort of the strength of the bonds that we have in this network are, are so beautiful and it's possible to have incredible, virtual experiences together. A lot of us do movement art or theater or creative. We have creative practices of our own. And when we lead each other in those exercises, we are really just a feeling of togetherness. Like that's so special. And for people who have had that online, they know what I'm talking about. That can be really, really incredible. And, you know, we've been in the Bay Area and really in Oakland, but we want to expand or we want to think about what are all the ways that we can connect with other people. Around this intersection of API identity and RJ practice. And so that's the potential, I guess is what I would say is just to really, move across time and space that way. [00:35:47] Miko Lee: Ellie, do you have thoughts on this, the online versus in real life? [00:35:51] Elli Nagai-Rothe: I think there's so many wonderful things about being in person because I feel like so much, at least I don't know about your worlds, but my world, so much of it is online these days on Zoom. There is something really special about coming together, like you said, to share a meal to be in each other's physical presence and to interact in that way. At the same time when we're online, there's still so much warmth and connection and intimacy that comes from these relationships that I've been building over now, like two years for some of us. The opportunities are more about being able to reach accessibility, right? Folks to be able to come online and, and potentially even broaden. I mean, who knows what that will look like right now it's regionally focused, but maybe there's a future in which that happens to be outside the Bay Area. [00:36:31] Miko Lee: And speaking of the future and where it's going. This initially started by, funding from one of the Stop the Hate grants, which sadly has concluded in the state of California. I'm wondering what this means for this, process that it doesn't have any set funding anymore what does the future look like? [00:36:52] Elli Nagai-Rothe: We really wanna continue this miko and being able to continue to meet and gather in community. Right now we're continuing to meet monthly in our community of practice space to support each other and to continue to explore really this intersection, right, of restorative justice in our idea, our Asian identities. There's so much more opportunity to continue to build together, to create a larger community and base of folks who are exploring and ex doing this work together. Also for the intention of what does that mean for our communities? How can we find ways to take this practice that many of us do, right? [00:37:27] As practitioners, how can we translate that to our community so that we know, we know at its core that this work, there are things from our cultural practices that are just. So familiar, right? Certain practices around how we you know, this radical, some of the things we talked about, radical acts of hospitality and care are so intuitive to our Asian communities. How can we translate that practice in our work so that we can continue to make this these pathways available to our community? So we hope to continue, we wanna continue to gather, we wanted to continue to build, um, and make space for more people to join us in this exploration and this opportunity for yeah, more expansion of what's possible for our communities. [00:38:11] Miko Lee: For me as somebody who's Chinese American and being a part of this network, I've learned from other Asian American cultures about some of the practices, well, I did know about things like tsuru folding a paper crane as part of the Japanese American culture, learning different things from different community members about elements that are part of their cultures and how they incorporate that, whether that's yoga or a type of, Filipino martial art or a type of Buddhist practice. And how they fit that into their RJ work has actually helped me kind of expand my mind and made me think about more ways that I could bring in my own Chinese American culture. So for me, that was one of those things that was like a blessing. I'm wondering what each of you has learned personally about yourself from being part of this network. [00:39:02] Tatiana Chaterji: What comes to mind is the permission to integrate cultural identity and practice more explicitly and to know that there are others who are similarly doing that. It's sort of this, this acceptance of sort of what I know and how I know it that can be special. You know, in the, in the similar way that I mentioned about cultural appropriation and the violence that various communities have felt under capitalism and white supremacist structures. Everything there is, there is, I don't, something, something so magical to just step outside of that and be like, this is, it's a mess. It's a mess out there. We are constantly battling it. How do we actually not make ourselves smaller right here? [00:39:50] Miko Lee: I totally hear that. And I'm thinking back to this gathering we had at Canticle Farms, where I think Tati, you said, when was the last time you were in a space where you were the only Asian person and how you walk through that mostly white space and what is that like for you and how do you navigate? And so many people in the room are like, what their minds were blown. For me, I'm in mostly Asian American spaces and Pacific Islander spaces, so I'm like, oh wow, that wasn't always true for me. So that's my time in my life right now. So it was really fascinating to kind of ponder that. [00:40:24] Tatiana Chaterji: Yeah. And I think many of us, I'm so glad that you feel that because many of us, don't really know what exactly our ancestral technologies might be, or even what to name. This gave us, again, permission to look back or to reframe what we know or that we've understood from community as being from various traditions, homelands, you know, longer legacies that we're carrying and just to, to, to, to celebrate that or to even begin to, to, to bring language to that and feel a place of our own belonging. Whereas, I mean, as a South Asian diasporic member of the diaspora, I see so many the words that are coming from Sanskrit, which has its own, history of castes violence and like sort of what the expansion and the co-optation is, is, is really quite massive to the point where I feel like I'm on the outside and I don't believe that I should own it any more than anyone else. But I think if there's a way that it's practiced that is in, in, in integrity and less commodified because it is ancient, because it is medicine. You know, that I, I deserve to feel that, you know, and to tend to be welcomed into it in, in this you know, outside of the homeland to be here in Asian America or whatever it is, and to claim it is something quite special. [00:41:50] Miko Lee: Love that. Thank you for sharing. Ellie, what about you? What have you learned from being in part of this network? [00:41:55] Elli Nagai-Rothe: I was just gonna say like, yes, Tati to all the things you just said. So appreciate that. I, it's very similar, similar in some ways to what Tati was saying, like the, the permission giving, the space that we, oh, permission giving that we give to each other, to to claim, like, to claim and reclaim these practices. And I think that's what I heard so often from people in this network and continue to hear that this, the time, our time together and the things that we're doing. Feel like it's, it doesn't feel like a so much about like our, what is our professional practice. And I say professional with quotes. It's more of like, how do we integrate this part, this really profound journey of ancestral reclaiming, of remembering, of healing. And, and when we do that, we're working from this really. A deep place of relationship, of interdependence, of where we're like, our identity and our sense of who we are is so connected to our communities. It's connected to the natural world. And so like how can we, that's part of what I've appreciated is like really in this deep way, how can we remember and reconnect to, in some cases, like practices, pre-colonial practices and wisdom that was suppressed or taken away, certainly in my and family experience, right? [00:43:11] It was very deliberately state sponsored violence severed those practices. And so some of this reclaiming as a part of my own healing has been really given me more voice and space to say like, yeah, I can, I can, I want to, and I, that's part of my own practice, but also share that with the, the groups that I'm part of. And that feels a little bit. We talked about that a little bit in the network of how do we share these practices in ways that feel authentic, like Tati said, with integrity, but also what does that mean to share these practices in spaces that are outside of, you know, Asian communities? I don't know, like that's a whole other conversation, right? It feels because there is so much cultural co-opting that's happening, right? And so I feel, I think that's why this network is so valuable and, and helpful to be in a space. Of course, it's a very diverse group of Asian identities and yet it's a space where we can feel like we can try on in these practices to see what that feels like in our bodies in ways that feel really like, have a lot of integrity and a lot of authenticity and to support each other in that. [00:44:12] And so that we can feel able to then share that in spaces than, in our communities and the work that we're doing in terms of, restorative justice work. [00:44:19] Miko Lee: So how can our audience find out more about these circles if they wanna learn more about how they could potentially get involved? [00:44:29] Elli Nagai-Rothe: The best way to go is to look at the Ripple Collective website, ripple collective.org. We have some information about, the A API Restorative Justice Network there. I'm hoping that we can continue this. I really am excited about, members of the network continuing to stay in relationship with each other, to support each other. Tati and I are gonna be offering a session at the upcoming national Association for Community and Restorative Justice Conference that's happening in New Orleans in July. We're gonna be sharing what we learned about our experiences with this network and centering our Asian identities and restorative justice practice. We're gonna be holding a a caucus space for Asian practitioners to come and join us. Yeah, so what else? Tati. [00:45:14] Tatiana Chaterji: We're also compiling reflections from various participants in the network around what this has meant. What, what have they learned or discovered, and what's to come. I think a question that I've had, a question that we've been stewing on with other South Asian, , practitioners is what does you know, what does caste how does caste show up and reckoning with harm doing? And our communities are not a monolith, and, and as we are treated as part of a, sort of like a brown solidarity, third world movement space in the West, there's just a lot of unrecognized and unnamed oppression that is actively happening. So, you know, really like being, being brave and humble to, to, to talk about that. [00:46:01] Miko Lee: Thank you both so much for sharing your time with me today. [00:46:05] Elli Nagai-Rothe: Thanks so much, Miko. [00:46:06] Tatiana Chaterji: Thanks, Miko. [00:46:07] Ayame Keane-LeeTo finish off our show tonight, we'll be listening to “Directions” by Hāwane. MUSIC [00:49:55] That was “Directions” by Hāwane. [00:49:57] Miko Lee: Thank you so much for listening tonight. Remember to reconnect to your ancestral technologies and hold in the power of tenderness. To find out more about restorative justice and the work of our guests, check out info about the A API RJ network on the Ripple website, ripple collective.org, and about the conference that Ellie and Tati will be presenting at at the NAC RJ Conference in New Orleans, both of which we'll have linked in our show notes. [00:50:30] Please check out our website, kpfa.org/program/apex Express to find out more about our show and our guests tonight. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating, and sharing your visions with the world because your voices are important. Apex Express is produced by Ayame Keane-Lee, Anuj Vaidya, Cheryl Truong, Isabel Li, Jalena Keane-Lee, Miko Lee, Miata Tan, Preeti Mangala Shekar and Swati Rayasam. Tonight's show was produced by me Miko Lee, and edited by Ayame Keane- Lee. Have a great night. The post APEX Express – 3.12.26- Feed Your Heart appeared first on KPFA.
After years of pressure from community members and a coalition of over 80 organizations, the California Department of Corrections and Rehabilitation has announced plans to close the infamous California Rehabilitation Center in Norco, CA, by the fall of 2026. But organizers say this is just the beginning—they are fighting to close more prisons in California and prevent the government from re-opening shuttered facilities for immigrant detention. In this episode of Rattling the Bars, host Mansa Musa speaks with Woods Ervin of the grassroots organization Critical Resistance about California's prison system and the growing abolitionist movement working to dismantle it.For full show notes and transcript, click here.Credits:Producer / Videographer / Post-Production: Cameron GranadinoHelp us continue producing Rattling the Bars by following us and becoming a monthly sustainer.Sign up for our newsletterFollow us on BlueskyLike us on FacebookFollow us on TwitterDonate to support this podcast
After years of pressure from community members and a coalition of over 80 organizations, the California Department of Corrections and Rehabilitation has announced plans to close the infamous California Rehabilitation Center in Norco, CA, by the fall of 2026. But organizers say this is just the beginning—they are fighting to close more prisons in California and prevent the government from re-opening shuttered facilities for immigrant detention. In this episode of Rattling the Bars, host Mansa Musa speaks with Woods Ervin of the grassroots organization Critical Resistance about California's prison system and the growing abolitionist movement working to dismantle it.For full show notes and transcript, click here.Credits:Producer / Videographer / Post-Production: Cameron GranadinoHelp us continue producing Rattling the Bars by following us and becoming a monthly sustainer.Sign up for our newsletterFollow us on BlueskyLike us on FacebookFollow us on TwitterDonate to support this podcast
Schools have become sites of policing and surveillance that mirror the criminal legal system. To address this, we need to understand what our guest calls the “school-to-prison nexus,” the intersecting web of racist, carceral systems that criminalize our youth.We discuss the history of organizing against the school-to-prison pipeline and how the call for “Counselors Not Cops” needs an abolitionist framework to succeed. We also highlight important wins from decades-long fights like the recent vote to end the school resource office (SRO) program in Chicago Public Schools.Episode Guest:Erica Meiners is a writer, educator and organizer. Their recent books include For the Children? Protecting Innocence in a Carceral State, a co-edited anthology The Long Term: Resisting Life Sentences, Working Towards Freedom, and the co-authored *Feminist and the Sex Offender: Confronting Sexual Harm, Ending State Violence* as well as 2022's Abolition. Feminism. Now. Most importantly, Erica has collaboratively started and works alongside others in a range of ongoing mobilizations for liberation, particularly movements that involve access to free public education for all, including people during and after incarceration, and other queer abolitionist struggles. They are a member of Critical Resistance, the Illinois Death in Custody Project, the Prison+Neighborhood Arts and Education Project, and the Education for Liberation Network. Erica is also a sci-fi fan, an avid runner, and a lover of bees and cats.Episode Notes:Transcript: upendmovement.org/podcast/episode-205/Support the work of upEND: upendmovement.org/donateTo understand the difference between reforms and abolitionist steps to end family policing, explore our framework tool at upendmovement.org/frameworkWe mention the Repeal CAPTA episode of The upEND Podcast. Learn more about the efforts to repeal the Child Abuse Prevention and Treatment Act at repealcapta.orgErica encourages people to check out the work of organizations like Critical Resistance, Dream Defenders, Movement for Family Power, and the blog Black on Both Sides.
Paula Lehman Ewing, an award-winning journalist and author, joins the podcast to discuss her debut book, "Reimagining the Four Stories of Abolition, Autonomy and Forging New Paths in a Modern Civil Rights Movement." Central to the conversation is the concept of the prison industrial complex and its pervasive impact on society, highlighting the need for a complete rethinking of justice beyond mere reform. Paula shares her insights on the systemic issues surrounding mass incarceration and emphasizes the importance of amplifying the voices of those directly affected. She draws on her experiences and interactions with individuals like Ken Oliver, who spent nearly three decades in prison, to underscore the resilience and intelligence of those within the system. The discussion also touches on grassroots movements and innovative approaches to achieving social equity, urging listeners to consider new definitions of justice that prioritize community and restorative practices.Paula Lehman Ewing, an award-winning journalist and author, converses about her pioneering work in criminal justice reform and her debut book, "Reimagining the Four Stories of Abolition, Autonomy and Forging New Paths in a Modern Civil Rights Movement." Ewing's exploration of the incarceration system unveils the often-unseen struggles of those locked away, emphasizing the necessity of rethinking our approaches to justice and social equity. Ewing's personal journey highlights the influence of her grandmother and mentor Ken Oliver, whose resilience and wisdom have shaped her understanding of the complexities surrounding incarceration and social justice advocacy.As the discussion progresses, Ewing delves into the intricacies of the prison industrial complex, explaining how it operates as a web of economic and surveillance systems that disproportionately affect certain communities. She draws historical parallels between current practices and past injustices, such as the convict leasing system in the post-Civil War era, revealing the continuity of exploitation within the justice system. Ewing's insights are particularly poignant as she addresses the real-life implications of these systemic issues, using examples from her research and interactions with incarcerated individuals who are striving to create change from within the system.Ewing advocates for a shift towards restorative justice, a model that focuses on healing rather than punishment, and she shares stories of individuals who have taken the initiative to create community-based solutions. The episode encourages listeners to engage with social movements and consider their roles in advocating for change. Ewing's call to action resonates as she urges the audience to remain curious, challenge binary thinking, and explore how they can contribute to a more just society. This conversation serves not only as an exploration of Ewing's work but also as an invitation for listeners to reflect on their understanding of justice and the importance of amplifying the voices of those affected by the prison system.Takeaways: Paula emphasizes the importance of remaining teachable and curious throughout life. The prison industrial complex is a complex network that extends control over society. Restorative justice offers a more effective way to serve victims than traditional incarceration. Ivan's story highlights the need for community investment to combat recidivism effectively. Abolition movements must think beyond binary political solutions to achieve real change. Critical Resistance aims to shift power from prisons to communities through grassroots initiatives. Links referenced in this episode:reimaginingtherevolution.comCompanies mentioned in this episode: BuzzFeed News Just...
Discover how the Left is envisioning a liberated future in today's political climate at the Socialism Conference, hosted by Haymarket Books, featuring key activists and organizers from diverse backgrounds.En el Socialismo Conferencia en Chicago, Laura Flanders y activistas discuten la abolición, descolonización e inmigración con un enfoque en estrategias más allá del ciclo electoral.This show is made possible by you! To become a sustaining member go to https://LauraFlanders.org/donate Thank you for your continued support!Description: Abolition, decolonization, immigration, Palestine — how is the Left thinking about the future in this perilous political moment? Socialists and activists showed up in the thousands to this year's Socialism Conference, a four-day event packed with discussion of today's most pressing issues and strategies for organizing. Laura Flanders & Friends was there, in Chicago (just days after the Democratic National Convention) for a live taping with three renowned organizers: Nick Estes, a citizen of the Lower Brule Sioux Tribe and author of “Our History is the Future: Standing Rock Versus the Dakota Access Pipeline, and the Long Tradition of Indigenous Resistance” and co-founder of The Red Nation, an organization dedicated to Native liberation; Rachel Herzing, an organizer, activist, and advocate fighting the violence of surveillance, policing and imprisonment and co-author of “How to Abolish Prisons: Lessons from the Movement Against Imprisonment”; and Harsha Walia, co-founder of No One Is Illegal, an anti-colonial migrant justice organization and author of the books “Undoing Border Imperialism” and “Border and Rule”. As you'll hear, they're not counting on politicians to step into office and grant their wishes. They're focusing beyond the election cycle. Join us as we envision a liberated future and explore all that it takes to get there. Plus Laura's commentary.“. . . Having Deb Haaland [serve as] the Secretary of Interior, has been good in the sense that we've gotten these really amazing reports on things that we've already known, that there was this massive systematic genocide of Native children . . . But at the same time, her department has overseen more oil and gas leases on federal lands than the Trump administration, and that's not an indictment of her as a person. That's an indictment of that department . . .” - Nick Estes“. . . We know every single fall in an election season that Black women get told we're the saviors of the entire world and everything relies on us, even though the rest of the time it's very happily that we're kind of left to die, quite literally. We are given this message on a regular basis, and I don't know what to say to people about that. The policies of the so-called United States are not life-affirming policies for Black people, for imprisoned people, and for people living as women.” - Rachel Herzing“I just think that the strongest counterforce to fascism and anti-colonialism is an organized Left. It is not a candidate . . . Sometimes I think we get fixated on what candidates will or won't do, and we don't think about the conditions that the Left can create to actually make those possibilities happen . . .” - Harsha WaliaGuests:•. Nick Estes (Lower Brule Sioux Tribe): Author, Our History is the Future: Standing Rock Versus the Dakota Access Pipeline, & The Long Tradition of Indigenous Resistance• Rachel Herzing: Co-Author, How to Abolish Prisons: Lessons from the Movement Against Imprisonment; Former Co-Director, Critical Resistance•. Harsha Walia: Author, Border and Rule & Undoing Border Imperialism; Co-Founder, No One Is Illegal Music In the Middle: Iman Hussein remix of “Diane Charlamagne” by Lefto Early Bird, released on Brownswood Recordings. And additional music included- "Steppin" by Podington Bear. Additional Credits: the crew for the socialism conference included Jordan Flaherty, Jonathan Klett, Baili Martin and Brooke Guntherie. And special thanks to Anthony Arnove and Sean Larson from Haymarket Books Laura Flanders and Friends Crew: Laura Flanders, along with Sabrina Artel, Jeremiah Cothren, Veronica Delgado, Erika Harley, Janet Hernandez, Jeannie Hopper, Sarah Miller, Nat Needham, David Neuman, and Rory O'Conner. FOLLOW Laura Flanders and FriendsInstagram: https://www.instagram.com/lauraflandersandfriends/Twitter: https://twitter.com/LFAndFriendsFacebook: https://www.facebook.com/LauraFlandersAndFriends/Tiktok: https://www.tiktok.com/@lauraflandersandfriendsYouTube: https://www.youtube.com/channel/UCFLRxVeYcB1H7DbuYZQG-lgLinkedin: https://www.linkedin.com/company/lauraflandersandfriendsPatreon: https://www.patreon.com/lauraflandersandfriendsACCESSIBILITY - The broadcast edition of this episode is available with closed captioned by clicking here for our YouTube Channel
It's one year since the start of the most recent wave of Israel's US-backed genocide of Palestinians. This episode was recorded last fall with Loubna Qutami (co-founder of the Palestinian Youth Movement and a member of the Palestinian Feminist Collective), and one of her mentors, and ours, Dylan Rodriguez (co-founder of Critical Resistance and the Critical Ethnic Studies Association). Both organizers and professors, Loubna (UCLA) and Dylan (UC Riverside) discuss Zionist repression, and why we must continue to fight it. >> LISTEN TO ALL 14 OF OUR PALESTINE EPISODES FROM THE PAST YEAR HERE.
“Solidarity, Spirituality and Liberatory Promise on a Turtle's Back” with Ashanti Omowali Alston This week, we're sharing words from anarchist, author, organizer and former participant in the Black Panther and Black Liberation Army, Ashanti Omowali Alston, in the key note address at the 2024 Another Carolina Anarchist Bookfair in so-called Asheville. The presentation was entitled “Solidarity, Spirituality and Liberatory Promise on a Turtle's Back”. You can support Ashanti's GoFundMe here. Transcript PDF (Unimposed) Zine (Imposed PDF) From the ACAB website: Trusting in solidarity, the mysterium of spirituality, and a promise from god knows where—a “where” that at this historical moment, might just be Palestine. What does it mean TO BE in the midst of all this right now? RIGHT NOW! M. Ashanti Alston is a revolutionary Black nationalist, anarchist, abolitionist, speaker, writer, elder motivator. A long-time member of The Jericho Movement, he is presently an advisory board member of the National Jericho Movement and co-founding board member of the Center for Grassroots Organizing (Vermont land project). He continues giving talks and writing inspirational analyses concerning the dismantling of the myriad oppressive regimes in which we find ourselves enmeshed. Ashanti is one of the few former members of the Black Panther Party who identifies as an anarchist in the tradition of ancestor Kwesi Balagoon (BPP & BLA). He developed abolitionist politics in the early years of Critical Resistance. He has helped save the life of a baby pig with animal liberationists, learned depth-queer politics from being challenged, and wants to see non-ego eldership partaking through sincerely loving the younger generations who truly want to ‘CARRY IT ON.” You can find other recordings from the 2024 ACABookfair at acabookfair.noblogs.org. Announcement Phone Zap for Granville CI in North Carolina Prisoners have been filing grievances at Granville CI, a prison in Butner, North Carolina, to no avail complaining about a lack of the legally mandated showers and access to the exercise yard, and are asking for phone calls and emails to demand a resumption of serving these basic needs despite any claims of understaffing: By Joseph ''Shine White'' Stewart How many prisoners must die and how long must we languish in solitary confinement subjected to these harsh and unconstitutional living conditions before there is a public outcry? The deficiencies in the day-to-day operations of this prison have been longstanding/persistent and well documented. In the past I've reported on the culture of abuse, negligence and unprofessionalism here at Granville Correctional. Over the past couple of months the conditions have only worsened. Those of us who are assigned to Restrictive Housing for Control Purposes (RHCP) are being deprived of showers, recreation, subjected to inadequate health care and other unconstitutional treatment. Pursuant to Chapter C subsection .1205(A) of the NCDAC policy and procedure manual, prisoners assigned to RHCP will have the opportunity to shower a least three times a week. Lately prison staff have been using the excuse that there is not enough staff to give us showers or even saying that they are too tired to do showers. As always I must maintain my integrity and be honest when reporting on these conditions. The laziness and neglect I am mentioning here doesn't apply to all the staff. Sergeant Jones, the second shift sergeant here in C-1 building, makes sure that we are afforded the opportunity to shower. However when it's not her shift or if she's not scheduled to work we're likely not to receive showers if there is a shortage of staff. Despite being demoted to a less restrictive solitary confinement setting I've yet to be offered to exercise outside. Pursuant to Chapter C section .1206 of NCDAC policy and process manual, prisoners assigned to RHCP shall he allowed one hour per day, five days per week to exercise outside of the cell, moreover the outdoor exercise cages should be used as the primary exercise area. During the exercise periods we are to be allowed to exercise unrestrained. As when it is time for us to take showers the same excuse is used to deprive us of any recreational time. They don't have enough staff. As mentioned I haven't been afforded outside exercise for almost three years now despite being demoted to a lower security level. Recreation here in C-1 building consists of us being placed in full restraints and allowed to pace up and down the tier for one hour. Lastly, custody staff are having any medical appointments cancelled claiming there isn't enough staff to escort is to the nurse's station. This includes mental health appointments as well. Of course the foregoing isn't all that needs to be addressed, however these are the issues that my peers and I find to be the most important, thus we entreat that the reader call and demand redress for the aforementioned issues. Warden James Williams and unit manager Eldridge Walker are responsible for promulgating the aforementioned policies and procedures and for the allowance of the aforementioned practices/customs, therefore they are the individuals who should be held accountable. Please contact these officials repeatedly: Granville Correctional Institution warden, James Williams - 919-575-3070 (call main line and ask for warden's office) Granville CI C-1 Unit Manager Eldridge Walker- 919-575-3070 (call main line and ask to be connected to Unit Manager Eldridge Walker) NCDAC Dep. Director of Rehabilitation/Correctional Services Maggie Brewer - maggie.brewer@dac.nc.gov - 919-733-2126 (call main line and ask to be connected to Brewer's office) NADAC Internal Affairs Director Anthony Smith - 919-715-2632 anthony.smith1@dac.nc.gov Script for calling and emailing: "I am (calling/emailing) to demand that prisoners being held in solitary confinement in the C-1 building be afforded the opportunity to shower and exercise outside according to NCDAC's policies and procedures and pursuant to their U.S. Constitutional rights. I am demanding that an internal investigation be conducted at the Granville Correctional concerning the grievances being made by prisoners there and I demand warden James Williams and C-1 unit manager he held accountable for the deliberate indifference they have demonstrated." . ... . .. Featured Track: Free Your Mind... And Your Ass Will Follow (instrumental) by Funkadellic from Free Your Mind... And Your Ass Will Follow
Activist, journalist, and lawyer Anoa Changa joins to talk about her father, Black Liberation Army (BLA) member and former political prisoner Baba Masai Ehehosi, who transitioned on April 1, 2024. The conversation touches Baba Masai's lifelong commitment to Black liberation, sovereignty, freeing political prisoners, and the abolition of the prison-industrial complex. Anoa shares personal reflections on her father's impact and experiences on life and activism, as well as his influence within organizations like Critical Resistance, The Jericho Movement for Political Prisoners, and the Republic of New Afrika.Listeners will gain insight into Baba Masai's enduring dedication to justice, his role in shaping movements against political repression, and his advocacy for prisoners' rights. We talk about the examples he set in his actions, the importance of inter-generational knowledge community, and how we can continue to honor and uplift his legacy through our organizing."Masai worked for the liberation of his people for over 50 years, and held a profound presence in the multiple organizations he was in. A co-defendant of Safiyah Bukhari captured by police in 1973 as a BLA member, Masai began working with the American Friends Services Committee (AFSC) and was staff of the AFSC's Criminal Justice Program in Newark, NJ after being released from 14 years of prison in Virginia. At AFSC, Masai worked to close security housing units and end torture against imprisoned people through AFSC's Prison Watch Program. At the time of his passing, Masai was also the current Co-Minister of Information for the Provisional Government of the Republic of New Afrika, an advisory board member ofThe Jericho Movementworking on the Jericho Medical Project for both state and federal prisoners, and was supporting the Prison and Gang Program of Al-Ummah and the Imam Jamil (Al-Amin) Action Network." — Critical Resistance You can read more about Baba Masai here. You can find Anoa here.You can find the Jericho Movement for Political Prisoners here.
Welcome to Dreaming in Color, a show hosted by Darren Isom, a partner with The Bridgespan Group, that provides a space for social change leaders of color to reflect on how their life experiences, personal and professional, have prepared them to lead and drive the impact we all seek. Today we welcome Mia Birdsong, a pathfinder, writer, and facilitator who engages the leadership and wisdom of people experiencing injustice to chart new visions of American life. As the Founding Executive Director of Next River, she nourishes communities toward a liberated future. In her book "How We Show Up" and the podcast miniseries "More Than Enough," she highlights community vitality and the guaranteed income movement. Previously, Mia was Co-Director of Family Story and Vice President of the Family Independence Initiative, promoting new narratives and leveraging data to support low-income families. Her public dialogues, TED talks, and other initiatives spotlight marginalized voices as leaders of change. A Senior Fellow at the Economic Security Project and a Future Good Fellow, Mia lives in Oakland, tending to bees, chickens, and plants on the occupied land of the Chochenyo Ohlone people.In this episode, Darren and Mia discuss what constitutes something as radical, a future without poverty, and finding joy and optimism in activism. This is Dreaming In Color. Jump straight into: (00:22.7) Introduction of Mia Birdsong, Founding Executive Director of Next River.(06:27.5) Cracked open: Mia shares her educational beginnings in Rochester and how an unexpected Public Enemy cassette tape on a school bus ignited her path to activism.(09:19.9) Critical Resistance and Mia's journey to becoming an abolitionist.(12:04.2) The American dream vs. the collective dream. (13:43.1) Ending poverty is not a problem of lacking solutions, but of lacking belief. Mia Birdsong explores her initial efforts advocating for a guaranteed income.(20:59.9) Dismantling power structures and moving beyond wealth and power hoarding. (22:51.2) We explore Mia's work with Next River and her unwavering commitment to guaranteed income, guaranteed housing, education and universal healthcare.(26:02.6) What is radical? Mia shares how many “unattainable radical beliefs” are actually being successfully performed all over the world and how discovering these stories of small communities implementing these systems for themselves inspires her work. (29:38.2) The path of least resistance: Mia discusses finding strength in vulnerability and staying optimistic vs. falling into cynicism. Episode ResourcesKeep up with Mia on Twitter, Instagram, & LinkedInLearn more about Mia through her website.Order Mia's book “How We Show Up” here. Listen to Mia's podcast “More Than Enough” here. Watch Mia's TEDX Talk “The Story We Tell About Poverty Isn't True” here.
In this episode we present excerpts from the recent conversation (June 2024) as part of SAND's “Conversations on Palestine” around the premiere of the film Where Olive Trees Weep hosted by the directors of the film and co-founders of SAND, Zaya and Maurizio Benazzo. You can watch this full conversation and 22 others. SAND has created a program with leading historians, spiritual teachers, trauma therapists, poets and performers to complement the themes explored in the film and provide a larger historical, cultural and social context to the plight of the Palestinian people. In this conversation, legendary activist and scholar Angela Davis and Dr. Gabor Maté, physician and author, explore the intersections between the Palestinian struggle for freedom and broader global movements for justice, equity, and human liberation. Drawing parallels between the oppression faced by Palestinians and the systemic injustice confronting marginalized communities around the world, Angela and Gabor will shed light on the common roots of violence, occupation, and dehumanization. They will examine how trauma, both individual and collective, perpetuates cycles of conflict and how healing these wounds is integral to achieving genuine liberation. Bios Angela Y. Davis, Distinguished Professor Emerita in the History of Consciousness and Feminist Studies Departments at the University of California, Santa Cruz, is an internationally renowned activist, scholar, and writer who has dedicated her life to combating oppression in the U.S. and abroad. With a long-standing commitment to prisoners' rights and a powerful critique of racism in the criminal justice system, Davis is a founding member of Critical Resistance, a national organization working to dismantle the prison industrial complex. She is the author of nine books, including Are Prisons Obsolete? and Women, Race, and Class, and has lectured in all fifty states and across the globe. Despite facing persecution for her activism and membership in the Communist Party, USA, which led to her false imprisonment and a massive “Free Angela Davis” campaign, Davis remains a tireless advocate for social justice and prison abolition. Gabor Maté, M.D. is a specialist on trauma, addiction, stress and childhood development. After 20 years of family practice and palliative care experience, Dr. Maté worked for over a decade in Vancouver's Downtown East Side with patients challenged by drug addiction and mental illness. For his groundbreaking medical work and writing he has been awarded the Order of Canada, his country's highest civilian distinction, and the Civic Merit Award from his hometown, Vancouver. Gabor is also the creator of a psychotherapeutic approach, Compassionate Inquiry, now studied by thousands of therapists, physicians, counselors, and others in over 80 countries. Topics 00:00 – Introduction and Welcome 01:28 – Background on the Conversation 02:10 – Angela Davis and Gabor Mate: Biographies 03:01 – Current Situation in Gaza and the West Bank 04:04 – Global Resistance and Solidarity 04:37 – Personal Reflections and Historical Context 05:42 – The Moral Litmus Test of Palestine 22:09 – The Role of Violence in Liberation Struggles 27:36 – The Impact of Incarceration 31:35 – Unity and Emotional Connection 42:17 – Reflections on Activism and Change 48:55 – Conclusion and Final Thoughts Episode artwork: Wadsworth Jarrell, “Revolutionary” (1972) Support the mission of SAND and the production of this podcast by becoming a SAND Member.
Song: The Change Music by: Mary L. Cohen Notes: “My dad played the copper fish mold.” — aren't you curious now? Listen in as Mary Cohen and I explore family music, personal structures for improvisation, creating connections between incarcerated and not-incarcerated people, and more… We wander a bit through grief and disconnection and finding what is, in a conversation that's real and messy and touches on fear and joy, building a caring community for ourselves, our neighbors, the global world… living with regret and streaming grace to the person we were when we made a mistake; restoring connection. It's a glimpse of the rich variety of resources Mary draws on as she shapes her life… I hope to add some into mine. Songwriter Info: Mary L. Cohen, Associate Professor of Music Education at the University of Iowa, is lead author of Music-Making in U.S. Prisons: Listening to Incarcerated Voices (2022). She co-founded the International Music and Justice Network: IMAJIN Caring Communities, a group of researchers from 18 countries who study music-making in prisons, and you are welcome to join by contacting Mary to get on the group email list (mary-cohen@uiowa.edu). From 2009 to 2020 she led the Oakdale Community Choir with incarcerated and non-incarcerated participants where participants have written over 150 songs, and the Oakdale Choir performed over 75 of these songs, available with the Creative Commons License. To continue working toward the choir's goals of building communities of caring through singing and songwriting, she founded the Inside Outside Songwriting Collaboration Project where partnerships between incarcerated and non-incarcerated songwriters create original songs, build relationships, and learn about transformative and generative justice. She has been a keynote for conferences in Germany, Canada, and Portugal, interviewed by the BBC3 Music Matters, and has over 40 publications in journal articles, book chapters, and conference proceedings. She leads weekly music groups inside the Juvenile Detention Center of Linn County. Sharing Info: The song is free to share, and Mary welcomes networking support and invites you to further your education and activism regarding environmental justice, restorative/transformative/generative justice, and simply acting with kindness to all you encounter. Song Learning Time Stamps: Start time of teaching: 00:05:45 Start time of reprise: 01:07:58 Links: Oakdale Community Choir website: https://oakdalechoir.lib.uiowa.edu/ Dave Camlin's new book is Music-Making and Civic Imagination: A Holistic Philosophy. His website: https://www.davecamlin.com/civic There is a new 30 minute documentary film about the Oakdale Community Choir called "The Inside Singers." The 3 minute preview of the film is available at https://vimeo.com/169192145. Iowa PBS did a short 8'30" video story on the Oakdale Community Choir. Find it here: https://www.pbs.org/video/the-oakdale-community-choir-coralville-iowa-bfe7bd/ Andy Douglas, local Iowa City nonfiction & spiritual author wrote Redemption Songs: A Year in the Life of a Community Prison Choir about his experiences singing in the Oakdale Community Choir For people interested in abolition of the prison industrial complex, here are some good resources: Mariam Kaba's We Do This Til We Free Us University of Santa Cruz's Visualizing Abolition resources (including the Music for Abolition collection) Critical Resistance online at https://criticalresistance.org/ The book Mary wrote with Stuart Paul Duncan Music-Making in US Prisons: Listening to Incarcerated Voices To hear two versions of the Oakdale Community Choir performing "The Change" visit https://oakdalechoir.lib.uiowa.edu/original-works/ Most recent one was December 14, 2016 concert themed "Look on the Bright Side" track 13 The first version was Fall 2014 and is available under "Original works" link (scroll down a bit) along with the Fall 2016 version. The simple score of the song is available on that link too. Voice Science Works with lots of tools for voice habitation: https://www.voicescienceworks.org/ "The Real Work" (song) by Gretchen Sleicher, words by Wendell Berry https://songsforthegreatturning.net/originals/therealwork/ Nuts & Bolts: 6:8, minor, round Join the A Breath of Song Mailing list to receive a heads up as a new episode is released, plus a large version of the artwork, brief thoughts from my slightly peculiar brain... and occasional extras when they seem vitally important! No junk -- I will never sell your address. I read out all your names into my living room when I send new mailings... I appreciate the connection to you who are listening and singing these songs with me. https://dashboard.mailerlite.com/forms/335811/81227018071442567/share Exchange energy with A Breath of Song with dollars at the Gratitude Jar (whoo-hoo!!!!), or by making comments, leaving reviews, suggesting songs or songwriters (including yourself) ..... your participation matters! https://www.abreathofsong.com/gratitude-jar.html
NOTE - this is the second part of our convo with Dylan Rodriguez. Hop back to the previous episode to catch the first half of the convo! The AirGo crew is joined by a longtime thought leader in the global movement for abolition, Dylan Rodriguez. Dylan is a teacher, scholar, organizer and collaborator who has maintained a day job as a Professor at the University of California-Riverside since 2001. His lifework focuses on liberationist, anticolonial, and abolitionist confrontations with the antiblack, colonial, and white supremacist violences that permeate the ongoing Civilization project. A founding committee member of transformative organization Critical Resistance, Dylan dives deep into the necessary work of insurgency, points to the ways that higher education feeds the colonial project, and provides some wisdom that we find really helpful in the midst of the Palestinian solidarity encampments that student organizers have been stewarding on college campuses across the country. SHOW NOTES Follow Dylan - https://www.instagram.com/dylanrodriguez73/ Read his book White Reconstruction: Domestic Warfare and the Logics of Genocide - https://www.fordhampress.com/9780823289394/white-reconstruction/ Follow AirGo - instagram.com/airgoradio Find One Million Experiments on tour! - www.respairmedia.com/events Bring us to your community by hitting us up - contact@respairmedia.com CREDITS Hosts & Exec. Producers - Damon Williams and Daniel Kisslinger Associate Producer - Rocío Santos Engagement Producer - Rivka Yeker Digital Media Producer - Troi Valles
The AirGo crew is joined by a longtime thought leader in the global movement for abolition, Dylan Rodriguez. Dylan is a teacher, scholar, organizer and collaborator who has maintained a day job as a Professor at the University of California-Riverside since 2001. His lifework focuses on liberationist, anticolonial, and abolitionist confrontations with the antiblack, colonial, and white supremacist violences that permeate the ongoing Civilization project. A founding member of transformative organization Critical Resistance, Dylan dives deep into the necessary work of counterinsurgency, points to the ways that higher education feeds the colonial project, and provides some wisdom that we find really helpful in the midst of the Palestinian solidarity encampments that student organizers have been stewarding on college campuses across the country. Note–this convo is the first part of our convo. Catch the second half on the next episode! SHOW NOTES Follow Dylan - https://www.instagram.com/dylanrodriguez73/ Read his book White Reconstruction: Domestic Warfare and the Logics of Genocide - https://www.fordhampress.com/9780823289394/white-reconstruction/ Follow AirGo - instagram.com/airgoradio Find One Million Experiments on tour! - www.respairmedia.com/events Bring us to your community by hitting us up - contact@respairmedia.com CREDITS Hosts & Exec. Producers - Damon Williams and Daniel Kisslinger Associate Producer - Rocío Santos Engagement Producer - Rivka Yeker Digital Media Producer - Troi Valles
There are three possible paths for markets, moving forward. Markets are at a critical juncture at the 50-DMA; earnings "beat-rate" has been low, and earnings misses have been severely punished. Looking at the Fed's liquidity strategies; the markets' possible direction from this point. In dealing with inflation, which data measurement matters? Him's, Her's, & Botox: The rise in Gen-Z use of cosmetics for better selfies. What is Stagflation, and do we really have it? Inflation tracks economic growth; stagflation = high inflation, low economic growth, & high unemployment. We currently have record low unemployment, inflation is about average, not high, and there is decently strong economic growth. This is not That '70's Show. YouTube chat response: You cannot double-count inflation. SEG-1: Markets Are at a Critical Juncture at the 50-DMA SEG-2: Three Paths for Markets Moving Forward SEG-3: Is There Really Stagflation? SEG-4: You Cannot Double-count Inflation Hosted by RIA Advisors Chief Investment Strategist Lance Roberts, CIO Produced by Brent Clanton, Executive Producer ------- Watch today's show video here: https://www.youtube.com/watch?v=I5d2BCsJQr8&list=PLVT8LcWPeAugpcGzM8hHyEP11lE87RYPe&index=1&t=3s ------- Articles mentioned in this report: "Economic Stagflation – Myth Or Reality?" https://realinvestmentadvice.com/newsletter/ "Stock Rally As Powell Sparks A Buying Frenzy" https://realinvestmentadvice.com/stock-rally-as-powell-sparks-a-buying-frenzy/ ------- REGISTER for our next Lunch & Learn: "Transitioning to Medicare" https://realinvestmentadvice.com/evrplus_registration/?action=evrplusegister&event_id=49 ------- The latest installment of our new feature, Before the Bell, "Markets' Critical Resistance at 50-DMA " is here: https://www.youtube.com/watch?v=MFiJNHKMRm4&list=PLwNgo56zE4RAbkqxgdj-8GOvjZTp9_Zlz&index=1 ------- Our previous show is here: "Who'll Win the Tax Cut Battle?" https://www.youtube.com/watch?v=iMV5vU7krsc&list=PLVT8LcWPeAugpcGzM8hHyEP11lE87RYPe&index=1 -------- Get more info & commentary: https://realinvestmentadvice.com/newsletter/ -------- SUBSCRIBE to The Real Investment Show here: http://www.youtube.com/c/TheRealInvestmentShow -------- Visit our Site: https://www.realinvestmentadvice.com Contact Us: 1-855-RIA-PLAN -------- Subscribe to SimpleVisor: https://www.simplevisor.com/register-new -------- Connect with us on social: https://twitter.com/RealInvAdvice https://twitter.com/LanceRoberts https://www.facebook.com/RealInvestmentAdvice/ https://www.linkedin.com/in/realinvestmentadvice/ #EconomicGrowth #EconomicStagflation #GDP #PCE #PriceIndex #StockMarket #FinancialConcerns #EconomicData #MarketPerformance #ElectionYear #FOMCMeeting #InterestRates #EmploymentReport #RetailSales #EarningsSeason #ShareBuybacks #FederalReserve #EconomyManipulation #Recession #Inflation #SocialSecurity #Medicare #Frugality #IncomeTaxes #Markets #Money #Investing
There are three possible paths for markets, moving forward. Markets are at a critical juncture at the 50-DMA; earnings "beat-rate" has been low, and earnings misses have been severely punished. Looking at the Fed's liquidity strategies; the markets' possible direction from this point. In dealing with inflation, which data measurement matters? Him's, Her's, & Botox: The rise in Gen-Z use of cosmetics for better selfies. What is Stagflation, and do we really have it? Inflation tracks economic growth; stagflation = high inflation, low economic growth, & high unemployment. We currently have record low unemployment, inflation is about average, not high, and there is decently strong economic growth. This is not That '70's Show. YouTube chat response: You cannot double-count inflation. SEG-1: Markets Are at a Critical Juncture at the 50-DMA SEG-2: Three Paths for Markets Moving Forward SEG-3: Is There Really Stagflation? SEG-4: You Cannot Double-count Inflation Hosted by RIA Advisors Chief Investment Strategist Lance Roberts, CIO Produced by Brent Clanton, Executive Producer ------- Watch today's show video here: https://www.youtube.com/watch?v=I5d2BCsJQr8&list=PLVT8LcWPeAugpcGzM8hHyEP11lE87RYPe&index=1&t=3s ------- Articles mentioned in this report: "Economic Stagflation – Myth Or Reality?" https://realinvestmentadvice.com/newsletter/ "Stock Rally As Powell Sparks A Buying Frenzy" https://realinvestmentadvice.com/stock-rally-as-powell-sparks-a-buying-frenzy/ ------- REGISTER for our next Lunch & Learn: "Transitioning to Medicare" https://realinvestmentadvice.com/evrplus_registration/?action=evrplusegister&event_id=49 ------- The latest installment of our new feature, Before the Bell, "Markets' Critical Resistance at 50-DMA " is here: https://www.youtube.com/watch?v=MFiJNHKMRm4&list=PLwNgo56zE4RAbkqxgdj-8GOvjZTp9_Zlz&index=1 ------- Our previous show is here: "Who'll Win the Tax Cut Battle?" https://www.youtube.com/watch?v=iMV5vU7krsc&list=PLVT8LcWPeAugpcGzM8hHyEP11lE87RYPe&index=1 -------- Get more info & commentary: https://realinvestmentadvice.com/newsletter/ -------- SUBSCRIBE to The Real Investment Show here: http://www.youtube.com/c/TheRealInvestmentShow -------- Visit our Site: https://www.realinvestmentadvice.com Contact Us: 1-855-RIA-PLAN -------- Subscribe to SimpleVisor: https://www.simplevisor.com/register-new -------- Connect with us on social: https://twitter.com/RealInvAdvice https://twitter.com/LanceRoberts https://www.facebook.com/RealInvestmentAdvice/ https://www.linkedin.com/in/realinvestmentadvice/ #EconomicGrowth #EconomicStagflation #GDP #PCE #PriceIndex #StockMarket #FinancialConcerns #EconomicData #MarketPerformance #ElectionYear #FOMCMeeting #InterestRates #EmploymentReport #RetailSales #EarningsSeason #ShareBuybacks #FederalReserve #EconomyManipulation #Recession #Inflation #SocialSecurity #Medicare #Frugality #IncomeTaxes #Markets #Money #Investing
Markets are right at the 50-DMA which is critical resistance. It's make or break time: If markets break to the upside, we'll try to retest previous market highs at around 5,200. 80% of earnings reports are behind us, and those were "not great" with a very low beat rate. The majority of growth came from large cap companies. Earnings misses were brutally punished; rewards were not that great. The pressure at the moment is to the upside with the Fed becoming somewhat dovish at the moment. External distracions like the whether we'll get a recession, what's happening with ther Yen, and the geopolitical situation: Pay attention to markets in the near term with bias to the upside. IF we break below the 100-DMA, then we'll have someething to talk about. Hosted by RIA Chief Investment Strategist, Lance Roberts, CIO Produced by Brent Clanton, Executive Producer ------- Watch the video version of this podcast: https://www.youtube.com/watch?v=MFiJNHKMRm4&list=PLwNgo56zE4RAbkqxgdj-8GOvjZTp9_Zlz&index=1 ------- REGISTER for our next Lunch & Learn: "Transitioning to Medicare" https://realinvestmentadvice.com/evrplus_registration/?action=evrplusegister&event_id=49 ------- Get more info & commentary: https://realinvestmentadvice.com/insights/real-investment-daily/ ------- Visit our Site: https://www.realinvestmentadvice.com Contact Us: 1-855-RIA-PLAN -------- Subscribe to SimpleVisor: https://www.simplevisor.com/register-new -------- Connect with us on social: https://twitter.com/RealInvAdvice https://twitter.com/LanceRoberts https://www.facebook.com/RealInvestmentAdvice/ https://www.linkedin.com/in/realinvestmentadvice/ #PumpAndDump #MarketCorrection #FederalReserve #InterestRates #20DMA #50DMA #100-DMA #InvestingAdvice #Money #Investing
After looking closely at how the family policing system operates, we zoom out to discuss how family policing is an extension of other carceral systems and how abolition is the solution. We just need to stretch our imagination. About Our Guest: Maya Schenwar is the director of the Truthout Center for Grassroots Journalism, and the board president of Truthout. She is the co-author (with Victoria Law) of "Prison by Any Other Name: The Harmful Consequences of Popular Reforms," and the author of "Locked Down, Locked Out: Why Prison Doesn't Work and How We Can Do Better." Her next book, a co-edited anthology entitled "Parenting Toward Abolition" (a collaboration with Kim Wilson), will be released in 2024. Episode Notes: Episode Transcript: upendmovement.org/episode1-7 Support the work of upEND: upendmovement.org/donate Continue learning with additional resources in our syllabus: upendmovement.org/syllabus Critical Resistance is building an international movement to abolish the prison-industrial complex and creates robust organizing resources. Just Practice builds communities' capacity to effectively and empathically respond to intimate partner violence and sexual assault without relying primarily on police or other state-based systems. Interrupting Criminalization offers political education materials, organizing tools, support skill-building and practice spaces for organizers and movements challenging criminalization and the violence of policing and punishment to build safer communities. Ujimaa Medics is a Black health collective. We spread emergency first response, community care, and survival skills to access health justice and long term wellness for all Black lives. Fumbling Toward Repair is a workbook by Mariame Kaba and Shira Hassan intended to support people who have taken on the coordination and facilitation of formal community accountability processes to address interpersonal harm & violence. Connect with Maya's work at mayaschenwar.com, Truthout.org, and loveprotect.org.
Surprise! It's another installment of TIYA REMIXED, in which I re-edit classic interviews from the archives as refreshers for fans and great introductory episodes for new folks.Dylan Rodriguez is a founding member of Critical Resistance, an organization that for decades has provided leadership and resources in the movement to abolish the prison industrial complex. As importantly, he's a down-to-earth dude who could absolutely handle a heaven of sushi buffets every day.Content warning: copaganda, collectivity vs. individualism, Geronimo Ji-Jaga, humility, rude baby.Patreon supporters make This Is Your Afterlife possible and get awesome bonus episodes. Become an Afterhead at patreon.com/davemaher. If you're looking for an introduction to abolition, I highly recommend Critical Resistance's "Resource Guide for Teaching and Learning Abolition."Dylan's books:White Reconstruction: Domestic Warfare and the Logics of GenocideAbolition for the People: The Movement for a Future Without Policing & Prisons (edited by Colin Kaepernick)Check out the Cops Off Campus coalition: copsoffcampuscoalition.comAnd, of course, Critical Resistance: criticalresistance.orgFollow Dylan on Twitter: @dylanrodriguez and Instagram: @dylanrodriguez73Follow me @thisisdavemaher on Instagram and Twitter.And check out my other podcast, Genre Reveal Party!, where I'm analyzing TV and movies with writer and cultural critic Madeline Lane-McKinley.---Music = Future: "Use Me" / Four Tet: "Two Thousand and Seventeen" / James Blackshaw: "The Cloud of Unknowing" / Johnnie Frierson: "Miracles"
Over the course of the past year, The Work and Us has been conducting surveys of incarcerated people to find out what they're thinking about prison labor, extraction, and freedom. In this conversation scholar-activist Ruth Wilson Gilmore and currently incarcerated organizer Stevie Wilson discuss some of the results, and what they mean for the struggle. This event took place on October 12, 2023. Speakers Ruth Wilson Gilmore is Professor of Earth & Environmental Sciences and Director of the Center for Place, Culture, and Politics at the City University of New York Graduate Center. Co-founder of many grassroots organizations including the California Prison Moratorium Project, Critical Resistance, and the Central California Environmental Justice Network, Gilmore is author of the prize-winning Golden Gulag: Prisons, Surplus, Crisis, and Opposition in Globalizing California (UC Press) and the forthcoming book Change Everything (Haymarket) . Recent honors include the SUNY-Purchase College Eugene V. Grant Distinguished Scholar Prize for Social and Environmental Justice (2015-16); the American Studies Association Richard A Yarborough Mentorship Award (2017); The Association of American Geographers Lifetime Achievement Award (2020); and election to the American Academy of Arts and Sciences (2021). Stephen Wilson is a currently incarcerated, Black, queer writer, activist and student. He is a founding member of Dreaming Freedom Practicing Abolition, a network of self-organized prisoner study groups building abolitionist community behind and across prison walls. Follow him on Twitter @AlwaysStevie. Minali Aggarwal is a graduate student worker, organizer, and artist. Her research focuses on race and politics, specifically the ways race is constructed and reified through cultural and political processes and institutions. She is a co-organizer of The Work and Us, an abolitionist participatory research project aimed at understanding and documenting the perspectives of imprisoned people on labor, prison, and the struggle for freedom. Special thanks to the Marguerite Casey Foundation for helping sponsor this talk. This event is co-sponsored by Haymarket Books and Study & Struggle. Watch the live event recording: https://youtu.be/_W2nyvQQ52U Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks
Join Barbara Smith,Tamika Middleton, Haley Pessin and Jaimee A. Swift as they discuss historical & contemporary issues Black feminists face. This event took place on October 18, 2023. To celebrate the fortieth anniversary of Home Girls: A Black Feminist Anthology Barbara Smith, Tamika Middleton, Haley Pessin, and Jaimee A. Swift will discuss the historical impact of Home Girls and contemporary issues that Black feminist activists face today. Home Girls, 40th Anniversary Edition published by Rutgers University Press, is available at Bookshop.org. Speakers: Tamika Middleton is Managing Director of Women's March. She is an organizer, doula, writer, and unschooling mama who is passionate about and active in struggles that affect Black women's lives. Tamika has organized for abolition, reproductive justice, and for domestic workers' rights. She is a consultant with Winds of Change Consulting, and a founding member of the Metro Atlanta Mutual Aid (MAMA) Fund and JustGeorgia. She serves as a Community Advisory Board member of Critical Resistance, a Leadership Team member of the Kindred Southern Healing Justice Collective and an advisory board member of Cypress Fund x The Grove. Haley Pessin is a socialist activist living in Queens, New York and is a member of the Tempest Collective. They co-edited the book Voices of a People's History of the United States in the 21st Century: Documents of Hope published by Seven Stories Press. Jaimee A. Swift (she/her) is the executive director and founder of Black Women Radicals, a Black feminist advocacy organization dedicated to uplifting and centering Black women and gender expansive people's radical activism in Africa and in the African Diaspora. She is also the creator and founder of The School for Black Feminist Politics (SBFP), the Black feminist political education arm of Black Women Radicals. The mission of the SBFP is to empower Black feminisms in Black Politics by expanding the field from transnational, intersectional, and multidisciplinary perspectives. She is the co-author, with Joseph R. Fitzgerald, of the forthcoming biography of Black feminist icon, Barbara Smith. Barbara Smith is an independent scholar and was co-founder and publisher of Kitchen Table: Women of Color Press. She has been writer in residence and taught at numerous colleges and universities for over twenty-five years. The author of many books, articles, and essays, including The Truth That Never Hurts ———————————— This event is sponsored by Haymarket Books, and Rutgers University Press. Watch the live event recording: https://youtube.com/live/oAg8nCQV83A Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks
Why keep advocating for solutions that don't work? In this episode, we'll discuss reforms in the family policing system and how these reforms don't actually help to end the harms perpetuated against Black children, families, and communities. We'll also be discussing the differences between reformist reforms and abolitionist steps. About Our Guests: Dylan Rodríguez is a teacher, scholar, organizer and collaborator who has maintained a day job as a Professor at the University of California-Riverside since 2001. Since the late-1990s, Dylan has participated as a founding member of organizations like Critical Resistance and Abolition Collective. He is the author of three books, most recently White Reconstruction: Domestic Warfare and the Logic of Racial Genocide. Maya Pendleton has been a part of the upEND movement since its inception. She currently works as a researcher and writer for the upEND movement, focusing on how we abolish the family policing system, the harms of the current system to children, families and communities, and the world we will build post family policing. Episode Notes: Episode Transcript: upendmovement.org/episode1-6 Episode Transcript: upendmovement.org/episode1-6 Support the work of upEND: upendmovement.org/donate Continue learning with additional resources in our syllabus: upendmovement.org/syllabus Explore the resource “Evaluating Reformist Reforms vs. Abolitionist Steps to End the Family Policing System” which was created and co-written by Maya. Dylan cites Michael Oher's conservatorship and exploitation by the Tuohy family. Dylan mentions that the U.S. Military's “Tactics in Counterinsurgency” publication. Follow Dylan on Twitter and Instagram. Follow Maya on Twitter and Instagram.
Gaslighting and double-standards are all over the media and at schools, where Zionists often get put on pedestals, while pro-Palestinian voices get silenced. A discussion of how censorship works on and off college campuses, featuring: Dylan Rodriguez, co-founder of Critical Resistance and the Critical Ethnic Studies Association, and professor of Media and Cultural Studies at UC Riverside Loubna Qutami, co-founder of the Palestinian Feminist Collective and the Palestinian Youth Movement, and assistant professor in Asian American Studies at UCLA Shownotes: Palestine Legal: 'Distorted Definition: Redefining Antisemitism to Silence Advocacy for Palestinian Rights' 'Professor 'un-hiring' fuels battle for academic freedom' (Toshio Meronek, Waging Nonviolence) 'Students fight smears as universities back Israel's genocidal attacks' (Nora Barrows-Friedman, Electronic Intifada) A Communique on Sabotaging Zionist Infrastructure: Shutting Down Friends of the IDF (IndyBay) 'The Lobby' (Al Jazeera documentary on the Israel lobby, featuring UC Davis) Dylan on Instagram | Twitter | YouTube Loubna on Academia.edu | Twitter Past episodes on Palestine: Queers for a Free Palestine with Kate Raphael; the Antizionist Boycott of Manny's with Deeg Support Sad Francisco and find links to our past episodes on Patreon. If you are in the Bay this weekend: THIS SATURDAY, 12/2/23 Palestine solidarity action c/o QUIT! and Gay Shame, 1 p.m. at Market and Castro THIS SUNDAY, 12/3/23 Howard Zinn Book Fair
On today's show we brought on Mohamed Shehk, Campaigns Director for Critical Resistance and member of the Arab Resource and Organizing Center here in the Bay Area. In this conversation we talk about some of the recent actions taking place to support the struggle for Palestinian liberation, including recent actions aimed at stopping military cargo intended for Israel from leaving docks in Oakland and Tacama. We talk about the role of direct action in our movements, the horrific situation in Palestine, and some of the ways you can get involved. This is Robert's last interview with The Response! You can follow him and his work at Upstream. Resources: Critical Resistance Arab Resource and Organizing Center The Palestinian Youth Movement US Campaign for Palestinian Human Rights Palestine Legal Our episode with Pedro Mancilla of the International Longshore and Warehouse Union (ILWU) and Anchor Brewery: Labor Battles and the Beer Industry For more on police abolition check out our episode: Mutual aid and police accountability with Tha Hood Squad Upstream's episode: Palestine Pt. 1 with Sumaya Awad Episode credits: Produced, hosted, and edited by Robert Raymond. Co-produced by Tom Llewellyn Theme Music by Cultivate Beats Follow The Response on Twitter and Instagram for updates, memes, and more. Our entire catalog of documentaries and interviews can be found at theresponsepodcast.org — or wherever you get your podcasts. Want to help spread the word? Please rate and review us on Apple Podcasts and Spotify — it makes a huge difference in reaching new people who may otherwise not hear about this show. The Response is published by Shareable.
Join Critical Resistance and abolitionists for a critical discussion on the ongoing war on Palestine. Prison industrial complex (PIC) abolitionists have always understood the work to dismantle the PIC to be connected to global movements against war, militarism, and colonialism. In the past few weeks, we've seen mass mobilization in solidarity with the Palestinian people as they face one of the deadliest assaults by the Israeli military in its history. On Wednesday, Nov 1, join us for a critical discussion on the ongoing war on Palestine. Dr. Angela Y Davis, Lara Kiswani (Executive Director of the Arab Resource and Organizing Center), Stefanie Fox (Executive Director of Jewish Voice for Peace), and Nadine Naber (INCITE! National) will join us in a discussion moderated by Mohamed Shehk (Campaigns Director of Critical Resistance) to help us understand the situation on the ground in Palestine, how our organizations and people everywhere can mount effective resistance to the genocidal war against Palestinians, and how we can use abolitionist strategies such as Dismantle-Change-Build, Divest/Invest & “Defund,” and “shrink and starve” to do so. Organized by Critical Resistance. This event is also a fundraiser for Middle East Children's Alliance (MECA), who are providing much needed aid to the people of Gaza. All funds will go to MECA after accessibility costs for this event. --------------------------------------------------------------- Speakers: Angela Y. Davis is Professor Emerita of History of Consciousness and Feminist Studies at UC Santa Cruz. An activist, writer, and lecturer, her work focuses on prisons, police, abolition, and the related intersections of race, gender, and class. She is the author of many books, from Angela Davis: An Autobiography (now available in a new edition from Haymarket Books) to Freedom Is a Constant Struggle. Lara Kiswani is the Executive Director of Arab Resource & Organizing Center (AROC), serving poor and working class Arabs and Muslims across the San Francisco Bay Area, and organizing to overturn racism, forced migration, and militarism. Stefanie Fox is the Executive Director of Jewish Voice for Peace. Nadine Naber is a scholar-activist and co-founder of organizations and programs such as: Mamas Activating Movements for Abolition and Solidarity; the Arab Women's Solidarity Association; Arab Movement of Women arising for Justice; the Arab American Cultural Center (UIC); and Arab and Muslim American Studies at UM, Ann Arbor. She is founder of Liberate Your Research Workshops. She has been a board member of groups like INCITE! Feminists of Color against Violence; the Women of Color Resource Center; the Arab American Action Network; Al-Shabaka; and the National Council of Arab Americans. She is Professor in the Gender and Women's Studies Program and the Global Asian Studies Program at the University of Illinois at Chicago. She is the author of many books focusing on Arabs, Arab Americans, and feminism within these communities. Moderator: Mohamed Shehk is the Campaigns Director of Critical Resistance --------------------------------------------------------------- This event is sponsored by Critical Resistance and Haymarket Books and is part of Until Liberation: A Series for Palestine by Haymarket Books, cosponsored by Palestinian American Organizations Network, Mondoweiss, Spectre, Dissenters, Tempest, Palestine Deep Dive, The New Arab, and more. Watch the live event recording: https://youtube.com/live/g9GjTMP9qZs Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks
A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Host Miko Lee is joined by Guest Host Aisa Villarosa for another episode focused on Filipinx American History Month. This episode is focused on artist, activist, I Hotel survivor and rebel rouser Jeanette Lazam. We also hear a poem from Emily Lawsin and music from Bay Area's Power Struggle. Learn more about and support collective resistance to militarization and genocide in Palestine: https://www.instagram.com/ucethnicstudiescouncil/ https://docs.google.com/forms/d/e/1FAIpQLSe7SomsNyhrKIuR-FzwTKjPC5bM1lCi3i6GsXJLRXJvKK7JrA/viewform Jeanette Lazams life and artwork: https://convergencemag.com/articles/coming-home-jeanette-lazam-returns-to-the-i-hotel/ https://www.instagram.com/lazamjg/ Emily Lawsin Power Struggle https://www.powerstrugglemusic.com/ https://beatrockmusic.com/collections/power–struggle. No More Moments of Silence Show Transcript 11.2.23 [00:00:00] Aisa Villarosa: In this episode, we're providing a content warning. Our guest, Jeanette Lazum, discusses personal instances of racist threats, police violence, and utilizes a racial epithet. [00:00:47] Miko Lee: Good evening and welcome to Apex Express. This is Miko Lee and I am so thrilled to have a guest co host this night, the amazing and talented Aisa Villarosa. Aisa can you please introduce yourselves to our audience? Say who you are, where you come from, and a little bit about yourself. [00:01:09] Aisa Villarosa: Thank you so much, Miko, and it's a joy to be with you and the Apex Express family. My name is Aisa, my pronouns are she, her, and I'm a Michigan born gay Filipino artist, activist, attorney with roots in ethnic studies organizing and teaching Filipino studies, in the wonderful Pa'aralang Pilipino of Southfield, Michigan. If you ever find yourself at the intersection of Eight Mile and Greenfield near Detroit, stop on by. And the genesis of our talk today started with a conversation around Filipino American History Month, right? [00:01:54] Miko Lee: That's right. And that's what we're going to be talking about tonight. so Tonight Aisa and I are going to be talking about Filipino American History Month. We know that it's the month of October, so Filipino history, that's something that's deep and should be all year round, just like all of our histories should be something that we study. Tell us a little bit about who we're going to be speaking to tonight. [00:02:17] Aisa Villarosa: We have the honor of speaking with Jeanette Lazam, who is a many decades long living legacy, an artist, an activist. Jeanette has worked in spaces like the capital of California, but has also faced down state violence. Both at the hands of the U. S. government through the very violent eviction of elders, primarily Filipino and Chinese elders, at the International Hotel or the iHotel in San Francisco, what was then Manila Town and Jeanette also is a survivor of political violence at the hands of the Ferdinand Marcos regime in the Philippines and is a champion of Nonviolent people power and that is only just the tip of the iceberg. Jeanette is also a prolific artist . She is the only surviving Filipino Manang to return to the iHotel After being a young person who stood and locked arms with the seniors to fight the eviction decades and decades ago, and she'll be sharing some of her story with us. [00:03:34] Miko Lee: I love this. We get to hear firsthand from experiences of people who were engaged in a fight for equality and still continue to do so. I love elders just taking the reins and keeping on fighting out there. Because we're talking about issues that are deep and complicated, including Marcos' dictatorship in the Philippines, and what went down at the iHotel in San Francisco, we'll have some links in the show notes so that folks can delve deeper and find out more. But Aisa can you back us up a little bit? And for folks that might not know, give us a little quickie about the iHotel. I know we talk about it in the interview, but for folks that don't know, give a little bit of background about the importance of the iHotel within Asian American movement spaces. Why do people need to know about this? [00:04:23] Aisa Villarosa: Such a great question and a grounding question Miko. The iHotel is both a physical site, it is in San Francisco, and it is also in many ways A symbol of the struggle for collective liberation, for housing rights, for justice in the city of San Francisco and beyond. And that is why often in many ethnic studies courses, in many Asian American and Pacific Islander courses, students learn about the iHotel. But as Jeanette will share with us, there is really no text that can describe the violence of an eviction, 3 a. m. in the morning on August 4th, 1977, when Armed police officers on horses essentially rounded up the peacefully protesting tenants and supporters of the International Hotel. And This was part of a larger movement, a violent movement across the country that was under the guise of urban renewal, but was really about the continued criminalization of Black and brown and Indigenous and AAPI people. And Jeanette was a survivor of that. It is a story that is painful and yet one that we must not forget and that our generations must learn from in order to continue the fight for social justice. [00:05:55] Miko Lee: Thanks, Aisa, for the little Asian American history lesson. We appreciate it. Folks should find out more if this is the first you're hearing about this. It is a seminal moment. I also think one of the things we didn't actually talk to Jeanette about is how Intersectional, the folks that were protesting at the iHotel were. That there were Black Panthers there, that there are folks from the disability movement. , that's one of those things that really gets hidden under the rug is the different people that were engaged in that fight. [00:06:23] Aisa Villarosa: Absolutely, Miko. The fight for the survival of the International Hotel was intersectional. It really is a demonstration of what healthy movement building can be. It is never easy. It's often complicated. And yet, They answered the urgency of the moment and they did so together. [00:06:46] Miko Lee: There were thousands of people that were involved in that movement. There were hundreds that were there. And tonight you get to hear from one person's story, a little bit about the iHotel, and mostly just from an amazing activist, artist, and social justice champion. So we get to listen to the brilliant interview with Jeanette. [00:07:08] Aisa Villarosa: It's so meaningful to hear from Jeanette and as someone who is living currently in San Francisco's Chinatown is someone who is revered enough to be on murals in Chinatown and yet popular culture and history often forget that Manila Town and Chinatown Coexist, that these are two powerhouse cultures, identities, people who, in some ways, as Jeanette shared, were forced together due to redlining, due to discriminatory housing practices, and yet the activists in Chinatown today are trying to preserve the stories of elders like Jeanette and also telling new stories through art and through activism and protest. [00:08:00] Miko Lee: Aisa, please introduce me to your mentor, the amazing Jeanette. [00:08:05] Aisa Villarosa: Thanks, Miko. We are so honored to have with us today Jeanette Gandianko Lazam. Jeanette, hi, how are you doing today? [00:08:14] Jeanette Lazam: I think I'm doing okay, yeah. I like the warmth, so I'm glad we have sunny days here in San Francisco that are not windy nor cold. [00:08:26] Aisa Villarosa: Are you cuddled up with Samantha? And for the audience Samantha is Jeanette's adorable cat. [00:08:33] Jeanette Lazam: Samantha is cuddled up by herself. Oh, [00:08:37] Aisa Villarosa: that's all right. She can support us from afar. [00:08:39] Jeanette Lazam: Yes, she most definitely will. [00:08:43] Aisa Villarosa: And you know, in these, heavy times, sometimes okay is okay. So we are, we're so happy to have you with us. I'm happy to be here. Thank you. Um, Miko, do you want to kick us off? [00:08:57] Miko Lee: So we are here talking about Filipino History Month and the significance of that. Can you tell us what the significance of the History Month is to you, Jeanette? [00:09:08] Jeanette Lazam: I think it's a time where, you know, for many Filipino and Filipino American organizations, they come to the fore. And what I mean by that is they come and expose the culture, the languages, not just one language, but the languages and the food, the this, the that. And it really comes to the surface. And you can see how much pride people have, I was talking with somebody the other day about the colonization of the Philippines. And when you look at the history of the Philippines, you have to take it for what it is. You can't take something out just because you don't like it. So many people have decided that the colonization of the Philippines shouldn't be… demonstrated during Filipino American History Month. I disagree. And so do a lot of other people. You have to tell that history because that's over 300 years of history right there in terms of the Filipino community. In a nutshell, culture, language, food, dance, They all come to the fore during this particular month, Filipino American History Month, and I'm really happy about that. That's what it means to me. [00:10:46] Aisa Villarosa: Thank you so much, Jeannette. What you're naming is so important that to be Filipino American is to take stock of the good, the bad, the joyful, the challenging. And you mentioned colonization. So much of what colonization forced upon us was almost an incomplete. identity, right? That we had to ignore the pain, pretend it's not there. Or there's the concept of hiyap, right? Which is shame. And, And you know, this really more than me and Miko, but for the listeners, can you share In terms of Filipino history, and because we are currently seeing a second Marcos regime, you've lived through some of the toughest attacks on civil rights, both here in the United States and in the Philippines. Can you just share a couple stories for the listeners about that time? [00:11:53] Jeanette Lazam: We're talking, Bongbong Marcos, who is now the president of the Philippines, his father, Ferdinand Marcos was the president of the Philippines for 20 some odd years. He declared martial law in 1971 and it stayed for 20 years in the Philippines. I don't think I've ever experienced direct fascism, up in your face and very personal. Civil liberties that people had. We're totally stripped the press in the Philippines was shut down and only one press was allowed to function which was the mouthpiece for Marcos. You could not congregate on corners of more than three people, you would get arrested. Many got arrested because they were journalists, because they were activists, because they were civil libertarians. Thank Anyone and anything that posed a threat to the Marcos regime was either arrested, deported, or killed. And I was there during the imposition of martial law and it was really scary. I have never experienced that kind of fear in my lifetime. In the United States, I was traveling with a group of friends. When I was about, I don't know, maybe nine, 10 years old, we stopped in Macon County, Georgia, and it was the 1960s, late 50s, 1960s, and we were very thirsty, so we all jumped out of the car, and I did not notice there were two water fountains, and I went to the first one, and it turned out to be a white people's water fountain. And um, about a few seconds later, as I was leaning down and drinking from it, I felt a very cold piece of steel against my neck. And I thought, it's not a knife, so it's got to be a gun. And sure enough, it was. And I'm nine or ten years old, and this sheriff is standing over me with this gun pressed against my neck and said to me, you're not allowed to drink at a white person's water fountain. And he said, if I could kill you right now. There'd be one less, and this is exactly what he said to me, one less nigga. And no one would mind. That point on, from that point on, I knew where the color line was. I'm not black, but I'm not white. And I wasn't allowed to drink at a white person's water fountain. scared the living daylights out of me. And I backed up from that water fountain. All of us backed up and we got into the car and we left that example of the incredible racism in the United States. just steered into my brain. I was just like, totally taken. I was so scared. I'm a kid. I'm nine years old, 10 years old. I'm a kid. And to have a gun pointed straight directly onto your, neck ain't no laughing matter. [00:15:50] Miko Lee: That sounds so scary. I'm sorry that you had to go through that. I'm wondering there's such a vivid memory that you have from being a child. I'm wondering at what point was a turning point for you in becoming an activist. [00:16:04] Jeanette Lazam: Oh, was that right then and there I was a kid from New York, so I knew that there were stratas and class levels and where people of color fell in, but it never came that home to me. I was finally able to take the whole question of low income or working class people of color, and racism. It all intersected on that one day. And I thought to myself, no we can't go on this way. And it was that moment I decided I have to do something about the situation. Because I am not going to allow people to do this without a fight. Yeah, it was that day. And it continued all the way when I lived in the Philippines. And martial law was declared. I fought it there and I fought it when I came back to the United States. [00:17:09] Miko Lee: Is there a difference in being an activist in the Philippines versus being an activist in the United States? [00:17:15] Jeanette Lazam: Yes. First of all, in the Philippines, you're dealing with an island nation. And so with an island nation, there are all these islands that you have to You know, deal with dialect, with culture, with this, with that , it's a very difficult process undertaking to do to bring out democratic notions when people have been so oppressed and repressed for over 300 years because the Americans come in after, the Spaniards. So we. We never as a nation never really experienced our own homegrown democracy, and it's very hard to deal with that over here in the United States. It's much different. You're not dealing with an island you're dealing with, yes, many states, but they're all contiguous and there has been a history of revolutionary. Fervor and revolutionary sentiment throughout the history of the United States, and it exposes itself in the labor movement, the gay and lesbian, bisexual, transgender, queer movement, women's movement. It gets manifested in those movements. In the Philippines, very difficult to do. So the concentration for revolutionary organizations happens within the larger cities in the Philippines. And the, New People's Army is more in the rural areas outside of the major cities. you can't compare it. It's like apples and oranges. You can't do it. You have to look at the concrete conditions where people at and work from there. You can't go into a situation and wish that it could be this way. It takes hard work and long days, [00:19:41] Aisa Villarosa: so many long days and Jeanette always appreciate your nuance and the ethos of humility that you are challenging organizers and activists to have right that we in whatever space we're in cannot come in with assumptions. And yet. At the same time as you were sharing, one could see similarities between the oppression in the Philippines. In the States, and that oppression is around, how is your home stolen? How is your home and your sense of safety ripped from you? And you just talked to us about your experience as a nine year old, not being safe enough to go to the drinking fountain you wanted, right? And I know that at this moment, you're talking to us from the Senior Center, the iHotel can you share? about what the iHotel means to you, knowing that you've had possibly more history with the iHotel than maybe anyone alive at this moment. [00:20:55] Jeanette Lazam: The iHotel has to be situated Within the context of a Manila town. Generally, anytime you get a Chinatown, there's some sort of other town that kind of is adjacent to it. And you have it in Stockton, you have it in Sacramento, you have it in Seattle, you have it in Portland, you have it here, you have it in Los Angeles. Manila Towns are very is the hub or was the hub of the Filipino community starting from the 1920s on up. And so the International Hotel, as part of Manila Town, plays a very significant role in how Manila Towns functioned, what they offered. What they did and why they were established. It's not just because of the proximity to Chinatown, the Chinatowns and Manila towns of the United States get set up mainly because of racism. We are not allowed to move or to buy outside of those established boundaries. And who established those boundaries, the local governments, the state governments. Which were predominantly white people. It's like the history of Oregon. Oregon was a state that was supposed to be set up for white people only. And many people don't know that. But the iHotel is a very significant place. Historically significant, it welcomes in the first Manong generation. Now these are the people who came before me. The Manong generation, mainly elderly men. Some of them are married and their wives and their children are in the Philippines and some of them are single. And they come to the International Hotel and stay, and then they go away. Merchant Marines it's the first generation, the Manong generation, that started this all. It's the Larry Itliongs and the Philip Veracruz and Joe Dionysus, that all started the activism of the Manong generation. And it's important for people to understand who and what. And where this Manong generation stood for and where they went in terms of labor and how they stood up, how they stood up against the brutal, the incredibly brutal oppression of the contractors and the large agribusiness of California, Oregon, and Washington, and then the Alaskan canneries. To understand that history is so important because that's where we begin in many ways. We begin with that history of understanding the plight. Of the Manong generation who lived in Manila town and who lived and sometimes died at the International Hotel. My father was one of those guys. And when I found that out, I was even more curious, more thirsty to want to know what did they go through and how in the world they withstood the onslaught. Of worker oppression and racism and still kept on going I look at myself and, that's my inspiration. That's what's kept me going for the last 60 somewhat odd years is looking at that initial generation, the Manong generation, and what they brought to our community. [00:25:34] Aisa Villarosa: And Jeanette, I love you because you keep it real, and I know we've talked about the Manongs both as what you're describing as revolutionary in so many ways, right? These are labor activists and fathers, and yet they were also human. And flawed. And so I've appreciated the stories you've talked about where Manila Town, at that time, as you describe it, before the violence and the eviction surrounding the iHotel, it was bustling. It was loud. It sounded noisy. When you talk about it, I picture people like my dad who were walking around and Zoot suits, because Filipino men at the time, I've read, were trying to go to tailors and were outfitting themselves in the best suits they could just to really stand up to some of the hostility and the racism they were encountering. [00:26:38] Jeanette Lazam: That is so very true. it put everybody else to shame. They were so sharp with their double breasted, sometimes zoot suits, polished shoes. Fedora hats. They were genuine and incredibly good looking. And I've seen, I have pictures of my father he's standing on this little bridge in Central Park with his friends, with his army buddies, and they were all dressed up. And you'd think they were going to a fancy dancy, whatever place. No, they had swag. That's the only thing I could say. [00:27:19] Miko Lee: I love that, and I could picture it perfectly, and I like the way that you describe all these people strutting around, and the way you describe it is so visual, and I was saying to you when we first got on how honored I am that I have a piece of your art that's hanging in my house, from the amazing Aisa and Lauren, and I'm just wondering if you could talk to us a little bit about it about your artistic practice. What inspires you and how do you combine your work as an activist with your work as an artist? [00:27:51] Jeanette Lazam: I had always wanted to draw, but I never really did because my sister, my oldest sister she was a graphic designer. And so I was always like in her shadow. Years passed, so I'm sitting there doodling, and and in twenty, sixteen or seventeen, I moved to Taos, New Mexico. And my bedroom window faces Taos Mountain. Taos Mountain is a vortex, and you can feel the incredible energy. That vibrates from that mountain and I would get this every morning and it was telling me draw. This is your time to draw So I did. So I started drawing the Pueblo. And I started drawing scenes in and around Taos. And Taos is a very artistic community to begin with. So that also provided a lot of inspiration. And as the years went by, I started to draw more and more outside of Taos. When I finally moved I started doing owls. I suddenly realized that there's a whole level of animals and insects and so forth that are on the endangered list. So I started drawing bees and bumblebees and all sorts of bees. Then I started doing the American bison or the buffalo, how all of these creatures Were on the endangered list or practically at that point where they didn't exist anymore. And I knew that I had to do something about that in terms of my art. And so I stayed with that for several years. And then I turned myself to culture. I started looking at the Inca, the Maya and the Aztec and how rich and often bloody, but rich. history they had in building civilizations that somehow disappear from the face of this earth. And I started looking at their colors, their color schemes were incredible. So I did that for a while and I wanted people to get exposed to that. However, In between that, I found myself getting wrapped around Philippine mythology, and when I went to look at our gods, our deities so forth and so on, our supernatural forces, I found very little. There weren't pictures so if there was something written, there were no pictures. And so I finally found a book that gave me some sense of what they looked like. And I have to say, fi Philippine mythology, whomever interacted with it, had an incredible creative mind. We had the most blood thirsty, , mythological creatures that I could think of. Anywhere from the Aswang, which everyone knows about, to this creature called the Pugot, P U G O T, which is mainly from the Ilocos region. And it's a huge mouth with a body from the mouth that walks on its legs and hands and feeds on children. And when I found, I was like, Oh yeah. I was absolutely mortified. But you know, that's what Philippine mythology is. We do have the supreme bakala, who is the supreme god, and all the other deities, his daughters and his sons. But there are also these horrendous and wicked mythological creatures. And the reason why I was trying to bring it out was, I firmly believe, and I found this out, In my research and drawing that you cannot. Cannot understand the history of the Filipino people unless you take into account their mythology and their religions, whether you disagree with it or not. That's part of the history of our people. And that part is incredibly rich. So I learned a lot from it. [00:33:02] Aisa Villarosa: It is rich, and it is a mythology that has been threatened by colonization, when you mentioned that it was difficult to find writings that is all by design due to colonial oppression and the myth that Filipinos We're always Catholic or always followed Spanish culture and religion is completely false, right? So I always appreciated your deep diving, not only into Filipino mythology and culture, but connecting those dots, especially to other indigenous cultures. Jeanette, for our listeners, can you briefly share for folks who aren't familiar with the Aswang, and because even for me, I remember watching the Filipino channels as a kid, and they're usually depicted as cheesy vampires, but we'd love to hear your [00:34:10] Jeanette Lazam: your take on them. They are. They are. They are vampires. They are usually women. They have the body up to the stomach of a woman and the rest is a fish tail and then they have bat wings and they fly around at night and your parents tell you about them because they want you to go to sleep and it's scary enough. They are very, very scary. [00:34:46] Aisa Villarosa: Yeah, that's effective. It also reminds me of, there's a wonderful older book by Dr. Clarissa Estes called Women Who Run With the Wolves, and it unpacks mythology and also often, it was a culture's way of depicting women's power and I have to say, as someone who identifies as gay, so much of your art has spoken to me, particularly because there is real homophobia in Filipino culture. Part of that's due to colonization and religion, but your art really centers deities who go beyond a sexual binary. I suppose somewhat similar to two spirit indigenous depictions, and that's really special. [00:35:39] Jeanette Lazam: I'm hoping to do more research on the movement of gay, lesbian, bisexual, transgender, queer Filipinos here in the United States. As well as in the Philippines, and try to be able to capture that in art. So I think that's my next real challenge. [00:36:04] Aisa Villarosa: I would love to see that. [00:36:06] Miko Lee: You are tuned into apex express, a 94.1 KPFA and 89.3 KPF. Be in Berkeley and online@kpfa.org Next up, take a listen to Live It Up. By Bay Area's Power Struggle. [00:36:21] Aisa Villarosa: You were listening to Live It Up by the artist Power Struggle. Jeanette, in terms of thinking about the future, talk to us more about that. Talk to us about your hopes and dreams. [00:40:01] Jeanette Lazam: My hope is that, in particular to the Filipino community here in the United States I hope that they will be open and above board take whatever knowledge my generation can give that generation, that they appropriate the genera that, they appropriate the knowledge and the history that my generation is releasing. It's important for several reasons. One, it makes our, history of Filipino people alive, very alive in the faces of the ones that are coming up after that generation. It also provides the continuity in our history. If there's a break in continuity, it's very hard to kind of climb back because what happens then is that people die. And if my generation dies, and it will, it's important that your generation and the generation after yours appropriates whatever we're giving, you don't have to like it. You don't have to love it. You just have to take it and then sort it out for yourself and then transfer it to the next generation. So there's a level of continuity. That's my hope and in the broader, population. I want people to understand what it took to build the United States, what it took the level of sacrifice that the working class of this country had to make in order for this country to be built. California's agribusiness. Would not be where it's at today if not for the Filipinos, if not for the Mexicans, and a few other Asians like Japanese. That's also true for Hawaii. Who built this country? Who built this country? And people have to answer that question with fervor and knowledge. [00:42:38] Aisa Villarosa: And with honesty. [00:42:39] Jeanette Lazam: Yes, total honesty. [00:42:44] Aisa Villarosa: Jeanette, you end… Each of your emails with, when I dream, I dream of freedom. And what you're saying to us is that in order for us to realize this freedom, we must do so collectively. [00:42:59] Jeanette Lazam: Yep. And that's no easy task. Because at every twist and turn of the struggle for true democracy in the United States, true social justice, You're going to be making allies and you're going to be leaving other allies behind because you no longer agree with some of the things they do, but it's not to mean that they're enemies. And you're going to be meeting new people, and you're going to get involved with their lives and their struggles. And get to know them. So it's every step of the way for the larger struggle at mind is a very intense and deep personal struggle. Do you choose to say you're gay or lesbian or bisexual, transgender or queer? Do you choose to say that openly and above board to let people know? That this is who I am that happened to me when they had the first time they had district elections in San Francisco, I was at a open forum and somebody asked so how is this going to affect at that time the Castro and everybody knew this person was talking about how is the district elections going to affect the Castro. I didn't see anybody raising their hands and I just said as a lesbian, it will affect me greatly because we finally will have some level of and form of representation on the board of supervisors. Sometimes it's a split second decision. Sometimes it's something that's well thought out. And that's also true when you're walking where you're working with people. Sometimes it has to be. A split second decision, and other times, it's longer. When I say I dream, I dream for freedom. I dream for freedom for all people. Freedom from the shackles of sexism, racism, homophobia. That's what I dream of. A true, functioning, honest democracy. Where social justice is not a movement, it is, it simply is. [00:45:46] Aisa Villarosa: It simply is. Gosh, that brings to mind the image of an ocean and that saying that the ocean is so many tiny drops. And what you're challenging us to do is, in those moments where there is a sometimes split second decision, that we choose bravery. And we choose truthfulness in those moments. Jeanette, thank you so much for talking with us today. We've pictured Filipino deities. We've jumped from the Castro to the Philippines. And I am always in awe of your imagination and your artistry and your advocacy. Thank you. [00:46:33] Miko Lee: Thank you so much for sharing with us, Jeanette. It was an honor to spend a little bit of time just learning from you, hearing about your artistry, your activism, and your vision for the world. We really appreciate you. [00:46:47] Jeanette Lazam: Oh, I appreciate people like you because it's through you that we have a voice and that's important. That's important. One of the first tasks is always going to be On some type of journalism and media, and we have to protect that we have to protect the progressive and revolutionary sources of media. [00:47:15] Miko Lee: Thank you for sharing your wisdom with us. [00:47:18] Jeanette Lazam: Thank you. [00:47:20] Miko Lee: I really loved talking with your mentor, Jeanette. Tell me what's your walk away. What did you hear her saying? [00:47:27] Aisa Villarosa: It was such a rich conversation and. One of the many things I adore about Jeanette is she is a world builder in that she encourages anyone who is in her space to exercise their imagination. And as someone who's been a bit of a veteran of the nonprofit industrial complex for, almost three decades now, it is shocking how frequently our imaginations are shunned, how we are often sent to work in siloed areas. The solution to so many of our heartaches is intersectional, is creativity. So my big takeaway is hearing Jeanette talk about the trajectory of her life and how it essentially led her to really lean into becoming an artist. She has shared that she became an artist rather later in life. It's a great example that You're never too old or too young to start anything, to lean into your true self, and so many of Jeanette's art pieces are odes to her identity as a social justice leader. How about you, Miko? What's your takeaway? [00:48:42] Miko Lee: She's just a delight. She's funny. She's smart. She has so much wisdom. I really love interviewing OGs because it's just constant pearls of wisdom. So I appreciate that. But I have another question for you, which is how did she come to be your mentor? When did you first meet? [00:49:00] Aisa Villarosa: I first interviewed Jeanette during the Earlier parts of the COVID 19 pandemic, at the time, and this is a bit of my personal story, I was struggling with coming out to my family as a gay Filipino, and Jeanette shared with me her identity as someone who is LGBTQ, and it was such a moment of connection, even if we have many decades between us. The story she shares of being an artist, of being a Filipino, a gay person, a civil rights defender. It's just a reminder that we don't have to be only one thing. We are so much more alive if we can lean into our multiple identities, and Jeanette is a living example of that. [00:49:56] Miko Lee: Oh, thanks for that. That is so right. We are all multifaceted. We are all these kaleidoscopes of change given where we are in life and the experiences we have. And it's a delight to talk with your mentor and somebody I've heard about from a long time. So thanks so much for celebrating Filipino History Month by really talking with somebody that you admire so much and I can see why. [00:50:23] Aisa Villarosa: Last week for our part one of Filipino American History Month, we talked with Pinay scholar, poet, activist, and historian, Emily Lawson, about her poem, No More Moments of Silence. It is Ate Em's chronicling of the power, complexity, heartache, and love. Behind Filipino American identity, held together by centuries of struggle against colonial oppression and white supremacy, our Makibaka heritage, one shared by Black, Indigenous, and people of color grappling with settler colonialism and government extraction. Now, to close out Filipino American History Month, I'm honored to share with you an excerpt from No More Moments of Silence, taken from a 2011 Michigan State University performance by Emily Lawson. No more moments of silence in memory of Joseph Aletto and Chongberry Zhang by Emily Lawson. With respect and apologies to Emmanuel Ortiz and Doria Roberts and thanks to Reverend Edwin Rowe who taught us to pray out loud with our eyes open at Vincent Chin's grave. This is a scream, not a shout out, at all of those right wing Christian conservatives and wannabe left wing liberals. Who start all of their speeches with a moment of silence. Crossing themselves, genuflecting, lighting boat of candles and incense for every single damn lost soul on this earth, but their own. This is not an old Simon and Garfunkel song. This is a fighting song for you flag waving, war on terrorism, 9 11 memorial addicts. Clean out your ears and your skeleton closets, because I cannot take any more moments of silence. You hear me? I cannot take any more moments of silence. For silence is what buried one million of my ancestors in a hundred American wars. Silence is what drove the stakes through the backs of my people, whipped with chains of cane fires as low paid migrant workers burned out of their bunkhouses as they slept and white collar neighbors watched in silence. See, I cannot take any more moments of silence. Silence for silence is what robbed our Filipino people of our multiple tongues as the noose of colonialism wiped out 7, 000 islands of surnames and languages. Leaving us with a bastardized Hollywood identity of John Wayne Dust Bowl movies with Panoi Indios playing Indians in silence. I cannot waste any moments of silence because they add up to decades and years like the 10 plus that kept my cousin estranged from her brothers and sisters who refused to acknowledge how they all inherited. The brunt of the beatings brought on by their father, in the bedroom of their mother, even ten years after their deaths. The wounds still lie wide open in silence. I cannot waste any more moments, for our concept of time has been warped by the violence that pervades our homes and hearts. Like the self righteous, now terminated governor, who stood at the cold stone podium, singing the heroic praises of the North Valley Jewish Community Center's staff. While signing a historic anti gun bill into law, looking down and right over the entire family of Joseph Aleto, who had also been shot nine times by a white supremacist a month earlier while he delivered mail. And the bold faced governor, in his corporate suit and tie, looked right past the family and only into the TV news cameras. As Joseph's mother, Lillian, hung her head in silence in the front row, ashamed that the governor couldn't even offer his condolences, didn't even mention her son's name, Joseph Aletto, what more, his death or existence. Her surviving children's fury helped her stand up, and that is why she is not silent. That is why they are not silent. That is why we cannot be silent anymore. For silence is what allowed the Warren cops to storm in a Hmong American family's home, barge down the steps to their Michigan basement, shoot 18 year old Chong Berizhong 41 times, killing him with 27 bullets at close range, and say the force was… Justified? Silence is what prevents our Hmong teenagers from telling their story. Afraid that they will be the next casualty of police brutality. Afraid that they will be deported for being unpatriotic. Sent to a landlocked country they have never seen. Even though they obey all laws, pay taxes, go to poor schools, and work three jobs no other Americans dare want. See, we cannot waste any more moments of silence. And this ain't about just taking back the night, I'm talking about taking back the day to day, because I am done with the silence. Our feet can no longer be bound. Our eyes cannot be taped. Yell your prayers as poems. Scream the names of the dead out loud. For I cannot take any more moments of silence because silence has already taken too much from me. Emily Lawson. September 11th, 2003. Revised September 17th, 2007. Detroit, Michigan. Amidst protest for an immediate ceasefire and end to occupation in Gaza, may all who continue to resist against colonization and militarization root in Atta Emily's call, now and always, no more moments of silence. Visit our Apex Express website to learn more. [00:57:06] Miko Lee: Thank you so much for joining us. Please check out our website, kpfa.org backslash program, backslash apex express to find out more about the show tonight and to find out how you can take direct action. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world. Your voices are important. [00:57:30] Miko Lee: Apex express is produced by me. Miko Lee. Along with Paige Chung, Jalena Keane-Lee, Preeti Mangala Shekar, Anuj Vaida. Kiki Rivera, Swati Rayasam, Nate Tan, Hieu Nguyen and Cheryl Truong tonight's show is produced by me Miko thank you so much to the team at kpfa for their support have a great night. The post APEX Express – 11.2.23- No More Moments of Silence: Filipinx Identity & Critical Resistance appeared first on KPFA.
This past May David Chávez, Steven Osuna, Alejandro Villalpando, and Jared Ware (co-host of MAKC) gave a panel presentation at the Abolitions Conference in DC. We wanted to have a conversation to share some of what we talked about, some of our reflections on the conference, discuss some of the possibilities, limitations and contradictions of Abolition within Academic spaces, as well as some of the potential ways that these spaces, jobs within them, or alternatives to them might be useful in advancing the abolitionist struggle. Before we get into this conversation we would like to thank organizers Whitney Pirtle and Tanya Golash-Boza for putting the conference together and welcoming us to it. And also shout out all the folks we were able to connect with there and the people who gave talks and shared their insights and their research. We will include links to our presentation from the conference and encourage folks to check out others from the conferences if they're interested. There is a lot of good work that was presented and good discussions that were had. Joining J for this conversation: David Chávez teaches History & Ethnic Studies at Compton College. With his dissertation, “From Delinquents to Street Terrorists: L.A.'s War on Black and Chicanx Youth, 1945-1965,” Chávez has studied the policing and criminalization of those populations in Greater Los Angeles. He also has many years of organizing experience, including with Critical Resistance. Steven Osuna is an associate professor of Sociology at CSU Long Beach. He has written extensively on street organizations, policing, the so-called war on drugs, and the ravages of capitalism and neoliberalism. He also has experience organizing in the Philippine solidarity movement and other struggles. Alejandro Villalpando is an assistant professor in the Department of Pan-African Studies and the Latin American Studies Program at Cal State LA. He earned his Ph.D. in Critical Ethnic Studies from UC Riverside, and an M.A. from Latin American Studies at Cal State LA. His work lies at the intersection of Black, Central American, and Ethnic Studies. He also organizes with the Coalition for Community Control Over the Police. We have had previous conversations with Alejandro and Steven and will link those in the show notes as well. It is July. Over the months of June and May we released over 14 new episodes of material. We probably will not be able to keep that pace up for this month, but we could definitely use some support from our listeners. We unfortunately just missed our sustainability goal for June. So if you are listening and are able to support the show become a patron for as little as $1 a month at patreon.com/millennialsarekillingcapitalism Links: Our presentation at the UCDC Abolitions Conference “Advancing the Abolitionist Struggle, Everywhere” (starts at approximately 4:31:30 into the recording) “The Day in Day Out Commitment to Abolition” - Alejandro Villalpando on Organizing, Building Connection, and the Abolitionist Horizon "We Need To Be Active In The Working Class Struggle For Socialism Globally" - Steven Osuna on Class Suicide One alternative to an academic conference is the recent Black Radical Organizing Conference, you can find video of it on Black Power Media Photos of panelists taken by Charles H.F. Davis III at the Abolitions Conference
In the sixth and final episode of Locating Legacies, series host Gracie Mae Bradley speaks to Ruth Wilson Gilmore. Often dismissed or set aside as a US-based movement, Gracie and Ruth sit down together to explore how we can think about the histories, legacies and politics of abolition in the British context and beyond. They map how local instances of political organising express themselves globally, as well as interrogating how past struggles express themselves in the present. Ruth Wilson Gilmore is the Director of the Center for Place, Culture, and Politics and professor of geography in Earth and Environmental Sciences and American Studies at the City University of New York. She is the co-founder of many grassroots organisations, including the California Prison Moratorium Project, Critical Resistance, and the Central California Environmental Justice Network. She is also the author of Golden Gulag: Prisons, Surplus, Crisis, and Opposition in Globalizing California, and Abolition Geography. About the Series: Locating Legacies is a fortnightly podcast created by the Stuart Hall Foundation, co-produced by Pluto Press and funded by Arts Council England. The series is dedicated to tracing the reverberations of history to contextualise present-day politics, deepen our understanding of some of the crucial issues of our time, and to draw connections between past struggles and our daily lives. Get 40% off books in our ‘Locating Legacies' reading list: plutobooks.com/locatinglegacies
Dr. Bertrand and Dr. Porcher have the privilege of co-hosting with Dr. Farima Pour-Khorshid and Yaribel Mercedes to discuss the multifaceted-ness of grief, and how to begin and/or continue on our journey of healing. We share our transparent experiences of grief personally and professionally, and how we are on our own healing journeys. We hope that you will explore how grief is present and manifesting in your life, accept it and allow it to guide your healing process. Dr. Farima Pour-Khorshid is a Bay Area educator, organizer, and scholar. She taught at the elementary grade levels in her community for over a decade and spent the latter half of her teaching career also supporting educators locally, nationally, and internationally through her roles as a university professor, teacher supervisor, educational consultant, and community organizer. She is now an assistant professor and teacher supervisor at the University of San Francisco in California. Much of her work is rooted in her grassroots education organizing within the Teachers 4 Social Justice organization, the Abolitionist Teaching Network, and the Education for Liberation Network which organizes the Free Minds Free People conference. She is committed to centering abolitionist teaching and healing-centered engagement within and outside of the field of education. As such, she is one of the editors, authors, and organizers of, "Lessons in Liberation: An Abolitionist Toolkit for K-12 Educators", a toolkit in collaboration with the Education for Liberation, Critical Resistance, and several other grassroots abolitionist and justice-centered collectives. Follow her @dr.farima_ on Instagram. Yaribel Mercedes is a doctoral student at Teachers College, Columbia University. She is also an educator who leads through a social, racial and moral justice leadership disposition to advance racial equity, inclusion, access, and opportunity in education. As a Black woman, she understands the impact of race in education, and her passion and purpose are grounded in her commitment to disrupt racist and oppressive systems, structures, and policies that marginalize and minoritize Black, Indigenous, racialized students of color. Additionally, she is a public scholar who uses social media to center the brilliance and beauty of Black scholars. Follow her @yari.mercedes on Instagram. --- Support this podcast: https://podcasters.spotify.com/pod/show/black-gaze/support
Twenty-five years ago, in 1998, abolitionist organizers held a conference at UC Berkeley called Critical Resistance to 25-years since the founding of Critical Resistance, an event that led to the creation of the seminal abolitionist movement organization. We're joined by Mohamed Shehk, National Campaigns & Projects Director with Critical Resistance, to discuss the organization's history and give us a peak into their 25th anniverary celebration event on Friday, May 5th. More info on Critical Resistance's 25th Anniversary event: https://criticalresistance.org/event/cr-25/ Check out Critical Resistance's website: https://criticalresistance.org/ —- Subscribe to this podcast: https://plinkhq.com/i/1637968343?to=page Get in touch: lawanddisorder@kpfa.org Follow us on socials @LawAndDis: https://twitter.com/LawAndDis; https://www.instagram.com/lawanddis/ The post Critical Resistance Celebrates 25 Years of Abolition w/ Mohamed Shehk appeared first on KPFA.
lovethylawyer.comA transcript of this podcast is available at lovethylawyer.com.Go to https://www.lovethylawyer.com/blog for transcripts. In collaboration with the Alameda County Bar Association, Love Thy Lawyer presents an interview with: Cynthia Chandler Alameda County Bar AssociationThe Alameda County Bar Association (ACBA) is a professional membership association for lawyers and other members of the legal profession. The ACBA provides access to ongoing legal education; and promotes diversity and civil rights in the Alameda County legal community. Our mission is to promote excellence in the legal profession and to facilitate equal access to justice.Senior Alameda County Assistant District Attorney Cynthia Chandler has an unusual background for a prosecutor. And we can expect her approach to criminal prosecution to be radically different than the traditional view of the job. Cynthia Chandler is a change agent, founder, business coach, and attorney. Her innovations include launching the first organization advancing the rights of HIV+ women in prison, creating the compassionate release process allowing for the release from prison of terminally ill people, co-founding the Eviction Defense Center in Oakland, CA, and co-founding Critical Resistance and Justice Now, early prison abolitionist organizations influencing the Black Lives Matter network. Cynthia has spent the last 20+ years campaigning to end and win reparations for coerced sterilization of people in prison, culminating in legislative victory in 2020 making California the 3rd state to provide reparations for survivors of historic State eugenics programs and the 1st state to provide reparations to people coercively sterilized in State prisons. Her work to end sterilization abuse is featured in the Emmy Award winning and Peabody nominated documentary Belly of the Beast. Cynthia currently is working to democratize the rule of law as Director of BALI | Bay Area Legal Incubator, where she supports diverse attorneys in building successful law practices. Cynthia has received numerous prestigious honors for her contributions to the legal profession, including the Auburn Lives of Commitment Award Celebrating Women of Moral Courage, ABA Pro Bono Publico Award, the California Women Lawyers Fay Stender Award, and the inaugural Ford Foundation Leadership for a Changing World Award. Cynthia earned a JD from Harvard Law School and a M.Phil. in criminology from University of Cambridge.cynthia.chandler@acgov.org Louis Goodman www.louisgoodman.com louis@lovethylawyer.com 510.582.9090 Special thanks to ACBA staff and members: Cailin Dahlin, Saeed Randle, Hadassah Hayashi, Vincent Tong and Anne Beles. (https://www.acbanet.org/) Louis Goodman www.louisgoodman.comhttps://www.lovethylawyer.com/510.582.9090Music: Joel Katz, Seaside Recording, MauiTech: Bryan Matheson, Skyline Studios, OaklandAudiograms: Paul Roberts louis@lovethylawyer.com
To say that Ruth Wilson Gilmore is a geographer, which she is, is not to convey the vast and varied ways in which she is influencing the makings of the future. She's a mentor and teacher to a new generation of social activism and creativity. She's a visionary of “abolition,” and that has become a fraught and polarizing word in our fraught and polarized public discourse. But when Ruth Wilson Gilmore speaks of “abolition,” she is working with a long, long view towards making a whole world, starting now, in which prisons and policing as we do them now become unnecessary, unthinkable. In this sense, abolition is not primarily a matter of what to get rid of, but what to build and to orient around — being present, for example, to human vulnerability and to the ingredients that make for deep human flourishing. Meeting Ruth Wilson Gilmore and drawing her out in this way is an exercise in muscular hope — and in understanding the passion of a new generation that is shaping what we will collectively become.Ruth Wilson Gilmore is a professor of Earth & Environmental Sciences, and American Studies, at the Graduate Center of the City University of New York, where she is also director of the Center for Place, Culture, and Politics. She grew up in New Haven, Connecticut. Her paternal grandfather was a janitor at Yale who helped organize the first blue-collar union at that university. And as a tool and die maker for the firearm manufacturer Winchester, her father played a central role in organizing the machinists at that company in the mid-1950s. She has co-founded several organizations, including the California Prison Moratorium Project, Critical Resistance, and the Central California Environmental Justice Network. She has authored and co-edited several books, including Golden Gulag, Abolition Geography, and the forthcoming Change Everything. Find the transcript for this show at onbeing.org.___________Please share On Being with friends, family, book clubs, neighbors, colleagues, and perfect strangers in the checkout line at the grocery store. And if you can take a minute to rate On Being in this podcast app, you'll be bending the arc of algorithms towards this community of conversation and living.Also: sign up for our Saturday morning ritual of a newsletter, The Pause, for replenishment and invigoration in your inbox — and of course all things On Being — at onbeing.org/newsletter. And delve more across our social channels: Instagram, YouTube, TikTok.
In this episode Dylan Rodríguez returns to the podcast. Dylan Rodríguez is a teacher, scholar, organizer and collaborator who has maintained a day job as a Professor at the University of California-Riverside since 2001. His lifework focuses on liberationist, anticolonial, and abolitionist confrontations with the antiblack, colonial, and white supremacist violences that permeate the ongoing Civilization project. He was elected to serve as President of the American Studies Association in 2020-2021, and in 2020 was named to the inaugural class of Freedom Scholars. Since 2021, he has served as Co-Director of the Center for Ideas and Society. Since the late-1990s, Dylan has participated as a founding member of organizations like Critical Resistance, Abolition Collective, Critical Ethnic Studies Association, Cops Off Campus, Scholars for Social Justice, and the UCR Department of Black Study, among others. He is the author of three books, most recently White Reconstruction: Domestic Warfare and the Logics of Genocide (Fordham University Press, 2021), which won the 2022 Frantz Fanon Book Award from the Caribbean Philosophical Association. In January of 2021 we published an episode with Rodríguez on his most recent book White Reconstruction: Domestic Warfare and the Logics of Genocide. In that conversation along with many of the other themes and topics from that book, Rodriguez began to frame out some thoughts with us on counterinsurgency. This past fall on Black Agenda Report, Dylan published an interview with Roberto Sirvent entitled "Insurgency and Counterinsurgency." In this episode we pick up that conversation, talking about counterinsurgency as a totality, as a curriculum, and as epistemic. We get into various elements of what that means to Rodriguez, and about the composition of the counterinsurgent bloc. We also talk about how we recognize it, resist it and embrace beautiful revolutionary wildness. For this month our book for incarcerated readers is Walter Rodney's Decolonial Marxism. A big thank you to Verso Books for donating the copies. We do need to raise some money for shipping for those and there's a link in the show notes where you can pitch in to that effort over at Massive Bookshop. We also have a big goal for this month, we're hoping to add 40 patrons for the show. Despite meeting our goal in February, we actually had more non-renewals than new patrons for the month. So we are hoping we can make up for that in March. Our show is totally supported by listeners like you, we don't sell ads and we don't run on any grants. So if you appreciate our work and get something out of it, then become a patron of the show for as little as $1 a month at patreon.com/millennialsarekillingcapitalism Links: More of Dylan's books, edited collections, and writings (in collections) can be found at Massive Bookshop. Dylan Rodríguez can be reached on Twitter (@dylanrodriguez), Instagram (dylanrodriguez73), and Facebook.
¡Mike Davis, presente! Three longtime allies of Mike Davis (1946–2022) will discuss the life and legacy of the author, geologist, historian, and organizer—and the inspiration we take from his life and work for the struggles ahead. Speakers: Angela Y. Davis is Distinguished Professor Emerita in the History of Consciousness and Feminist Studies Departments at the University of California, Santa Cruz. Dr. Davis grew up in Birmingham, Alabama, and has been an activist and Marxist-Feminist in the Black Power and abolitionist movements since the late 1960s. In the 1980s, her book Women, Race and Class helped to establish the concept of intersectionality. She also helped to develop the concept of prison abolition, especially in her books Are Prisons Obsolete? and Abolition Democracy: Beyond Prisons, Torture, and Empire. Recently, Dr. Davis has written about the international movement in solidarity with Palestine in Freedom Is a Constant Struggle: Ferguson, Palestine, and the Foundations of a Movement. Her work helped to lay the theoretical groundwork for the #DefundthePolice movement. Davis's memoir was recently published in a new edition by Haymarket Books. Geri Silva, who was born and raised in Los Angeles, has spent the past 40 years in all forms of struggle for human, political, and economic rights. Her activity covers the span from immigration rights to welfare rights to the right to decent housing for all in need. For the past 20-plus years she has fought against the rampant and ongoing abuses in the courts and at the hands of the police. Silva is a founding member of Mothers Reclaiming Our Children (Mothers ROC) in 1992, Families to Amend California's Three Strikes (FACTS) in 1996, Fair Chance Project (FCP) in 2009, California Families Against Solitary Confinement (CFASC) in 2011, and FUEL—Families United to End LWOP (Life Without Parole) in 2017. Ruth Wilson Gilmore is Professor of Earth & Environmental Sciences and Director of the Center for Place, Culture, and Politics at the City University of New York Graduate Center. Co-founder of many grassroots organizations including the California Prison Moratorium Project, Critical Resistance, and the Central California Environmental Justice Network, Gilmore is author of the prize-winning Golden Gulag: Prisons, Surplus, Crisis, and Opposition in Globalizing California (UC Press). Recent publications include “Beyond Bratton” (Policing the Planet, Camp and Heatherton, eds., Verso); “Abolition Geography and the Problem of Innocence” (Futures of Black Radicalism, Lubin and Johnson, eds., Verso); a foreword to Bobby M. Wilson's Birmingham classic America's Johannesburg (U Georgia Press); a foreword to Cedric J. Robinson on Racial Capitalism, Black Internationalism, and Cultures of Resistance (HLT Quan, ed., Pluto); Abolition Geography: Essays Toward Liberation (Verso), and, co-edited with Paul Gilroy, Stuart Hall: Selected Writings on Race and Difference (Duke). Forthcoming projects include Change Everything: Racial Capitalism and the Case for Abolition (Haymarket). Gilmore has lectured in Africa, Asia, Europe, and North America. In April 2019 novelist Rachel Kushner profiled Gilmore in The New York Times Magazine. Recent honors include the SUNY-Purchase College Eugene V. Grant Distinguished Scholar Prize for Social and Environmental Justice (2015-16); the American Studies Association Richard A Yarborough Mentorship Award (2017); The Association of American Geographers Lifetime Achievement Award (2020); and election to the American Academy of Arts and Sciences (2021). Watch the live event recording: https://youtu.be/u5xtmUWdWbc Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks
Diving into the modern abolitionist movement, we spend this hour with abolitionist activist and scholar Ruth Wilson Gilmore, discussing her latest collection of writing called Abolition Geography: Essays Toward Liberation. We get into some of the history of the modern abolitionist movement, and explore what it could mean to rely on community rather than the prison industrial complex to feel safe. Ruth Wilson Gilmore is a geographer and professor of Earth & Environmental Sciences, and American Studies, and the director of the Center for Place, Culture, and Politics at the City University of New York. She's also the co-founder of many grassroots organizations including the California Prison Moratorium Project, Critical Resistance, and the Central California Environmental Justice Network. Buy the book: https://www.versobooks.com/books/3785-abolition-geography —- Subscribe to this podcast: https://plinkhq.com/i/1637968343?to=page Get in touch: lawanddisorder@kpfa.org Follow us on socials @LawAndDis: https://twitter.com/LawAndDis; https://www.instagram.com/lawanddis/ The post Abolition Geography w/ Ruth Wilson Gilmore appeared first on KPFA.
In conversation with Chenjerai Kumanyika Ruth Wilson Gilmore is largely credited with creating carceral geography, the study of how the interplay between space, institutions, and political economies shape modern incarceration. The author of Golden Gulag: Prisons, Surplus, Crisis, and Opposition in Globalizing California and several often-anthologized essays, she is the co-founder of several social justice organizations, including the California Prison Moratorium Project and Critical Resistance. She is a professor of earth and environmental sciences and American studies at the Graduate Center of the City University of New York, where she is also director of the Center for Place, Culture, and Politics. Gilmore's many honors include the Angela Y. Davis Prize for Public Scholarship from the American Studies Association and the Association of American Geographers' Harold Rose Award for Anti-Racist Research. A collection of Gilmore's work from the last three decades, Abolition Geography offers scholars, activists, and all interested people a new way of reacting to the incarceration crisis. (recorded 9/22/2022)
In this episode we get into conversation with artist, educator & creative strategist Kate Deciccio who shares how her practice is a space to unpack the ways whiteness, colonization and the prison industrial complex have harmed our collective imagination. Kate also presents tangible ways we may heal and be nourished collectively by collaborative processes of building through community led abolition and also in personal accountability to whiteness through practices such as somatics. Kate DeCiccio is an Oakland based artist, educator & creative strategist. Her work centers portraiture for counter narrative, community storytelling & cultural strategy on behalf of abolition and collective liberation. DeCiccio is from Central Massachusetts where she grew up on occupied Nipmuc territory on her family's 4th generation farm. She is the 3rd generation of her Polish and Italian ancestors and descends from 11 generations of English colonizers. Before working as an artist full time DeCiccio was a mental health and substance abuse counselor and taught art at San Quentin Prison, St Elizabeths Forensic Psychiatric hospital & Leadership High School. The intersections of creativity, mental illness, addiction and ancestral investigation have been driving themes in her art practice since she was a teenager. DeCiccio is committed to repairing the harm of her inherited legacy and working to heal our collective imagination by learning how to stand squarely in truth, accountability, renewed resilience and unknown possibility. She is currently working on a body of work called Anatomy of the Colonial Fetish & Cynical Pilgrim, stay tuned! DeCiccio is a Co-Director at Performing Statistics, a project that supports youth organizers to close youth prisons across the country. Her collaborations include work with The People's Paper Coop, The Painted Desert Project, 826 National, Critical Resistance, Survived and Punished, Planting Justice and Dear Frontline. She's been commissioned by Amplifier Foundation to create work on behalf of The Women's March, The Science March and March For Our Lives. Her work has been featured in news and media sources including The Huffington Post, Teen Vogue, The Daily Show, LA Times and Navajo Times. She's exhibited at Galeria de La Raza, The Mission Cultural Center, The United States of Women, US Botanic Garden, Betti Ono Gallery, INTO ACTION, Interference Archive and Politicon. Her work is in the permanent collections of The Library of Congress and The Center for the Study of Political Graphics. Song featured: September Song by Agnes Obel Learn more about the work of Kate DeCiccio: www.katedeciccio.com IG: @k8deciccio What's happening at Performing Statistics: www.performingstatistics.org IG: @performingstatistics Additional resources: On Somatics: Book: My Body My Earth, Dr Ruby Gibson Book: My Grandmothers Hands, Resma Menakem https://generativesomatics.org On Abolition: https://www.interruptingcriminalization.com https://criticalresistance.org/abolish-policing/ https://www.commonjustice.org
We must imagine and create conditions and a society that reduces and prevents harm and violence and advances true safety for everyone—a society that doesn't include the prison industrial complex. Listen as Aaron and Damien explore and discuss “Beyond Criminal Courts: Divest and Defund”, a new digital collaborative project from Community Justice Exchange, Interrupting Criminalization, and Critical Resistance, which offers information and resources designed to help people learn about criminal courts and the criminal punishment system in this country, engage with abolitionist ideas and actions, and organize to divest and defund these systems. Follow us on social media and visit our website! Instagram, Twitter, Facebook, Website, Leave us a message, Merch store
In this episode we are honored to welcome Dr. Ruth Wilson Gilmore to the podcast. Ruth Wilson Gilmore is Professor of Earth & Environmental Sciences and Director of the Center for Place, Culture, and Politics at the City University of New York Graduate Center. Co-founder of many grassroots organizations including the California Prison Moratorium Project, Critical Resistance, and the Central California Environmental Justice Network, she is author of the prize-winning Golden Gulag: Prisons, Surplus, Crisis, and Opposition in Globalizing California. In this episode, we ask questions primarily from Wilson Gilmore's latest book Abolition Geography: Essays Toward Liberation. Along the way we talk about consciousness, conjunctural analysis, the horizon of abolition, and various modes of organizing against premature death. We also ask a couple of questions facing abolitionists today, and Ruth Wilson Gilmore offers some insights into the various forms of struggle in which she finds hope. We strongly encourage folks to pick up Abolition Geography which is packed full of insights from Ruth Wilson Gilmore's past 30 years of thinking and writing about abolitionist struggle, much of which she participated in directly. Our music as always is provided by Televangel. We want to give a huge thank you to all of our patrons for supporting the show. Our work here is only possible because of your support. We don't sell ads, we don't put our episodes behind a paywall and we don't charge guests fees. We don't do any of those things because we don't want any corporate interests influencing our content, and we want all of our episodes to be freely available to anyone who wants to listen. So if you aren't already a patron, and you enjoy this conversation please become a patron of the show. You can do so for as little as $1 a month or $10.80 per year at patreon.com/millennialsarekillingcapitalism.
Join host Ned Buskirk in conversation with artist Cara Levine, talking about This Is Not A Gun [her multidisciplinary project aiming to create awareness & activism around police brutality through collective creative action], DIG: A Hole To Put Your Grief In [her week-long performance project digging a large-scale hole in the ground, around which other artists utilized the site as a container for new works relating to grief & mourning], & the personal health story that brought her to so many edges of her own mortality.Check out Cara Levine: http://www.caralevine.com/ DIG, A Hole To Put Your Grief In: http://www.caralevine.com/#/dig/ DIG, A Hole To Put Your Grief In DOCUMENTARY: https://youtu.be/bbqMBUeIF-E This Is Not A Gun: https://thisisnotagun.com/ CARA SAYS SUPPORT:NIAD - https://niadart.org/ Equal Justice Initiative - https://eji.org/ Critical Resistance - https://criticalresistance.org/ Produced by Nick JainaSoundscaping by Nick Jaina"Ultimately" by Nick Jaina, with sounds from DIG, A Hole To Put Your Grief In DOCUMENTARY”YG2D Podcast Theme Song” Produced by Scott Ferreter & eO w/vocals by Jordan Edelheit, Morgan Bolender, Chelsea Coleman & Ned BuskirkTHIS PODCAST IS MADE POSSIBLEWITH SUPPORT FROMLISTENERS LIKE YOU.Become a podcast patron now at https://www.patreon.com/YG2D.
It's time for part two of our conversation. Listen as Aaron and Damien discuss the second half of a new resource binder called “So is this Actually an Abolitionist Proposal or Strategy?: A collection of resources to aid in evaluation and reflection” by Interrupting Criminalization, Project NIA, and Critical Resistance, which offers a variety of tools from a range of sources across the scope of movement work toward the abolition of the prison industrial complex. In this episode, we discuss the second four sections—Evaluating Candidates, Public Health, Schools, and Reproductive Justice—and how we can use this incredible resource guide in our work for social justice and collective liberation. Follow us on social media and visit our website! Instagram, Twitter, Facebook, Website, Leave us a message, Merch store
Our learning and unlearning work on abolition and abolitionist organizing continues in this two-episode series. Listen as Aaron and Damien discuss the first half of a new resource binder called “So is this Actually an Abolitionist Proposal or Strategy?: A collection of resources to aid in evaluation and reflection” by Interrupting Criminalization, Project NIA, and Critical Resistance, which offers a variety of tools from a range of sources across the scope of movement work toward the abolition of the prison industrial complex. In this episode, we discuss the first four sections—Basic Principles, Policing & Crisis Response, Detentions & Imprisonment, and Courts & Prosecution—and how we can utilize what we learn from this incredible resource guide in our work for social justice and collective liberation. Follow us on social media and visit our website! Instagram, Twitter, Facebook, Website, Leave us a message, Merch store
Our guest is writer, scholar, and activist Angela Davis. For more than 5 decades, Davis has been fighting for Black liberation, equal rights for women, queer and transgender people. Davis first received national attention in 1969, after being removed from her teaching position at UCLA for her social activism and membership to the Communist Party. In 1970, she was placed on the FBI's “Ten Most Wanted List” on false charges, which culminated in one of the most famous trials in recent U.S. history. A massive international “Free Angela Davis” campaign was organized, leading to her acquittal in 1972. Davis is a founding member of Critical Resistance, a national organization dedicated to dismantling the prison-industrial complex, and the author of books including Freedom is a Constant Struggle and Women, Race & Class. On May 24, 2022, Angela Davis came to the Sydney Goldstein Theater in San Francisco to talk to choreographer and activist Alonzo King.
Our returning guest Rebecca Kotz points to specific moments of our history (e.g. the de-funding of social welfare systems) which have resulted in a system that relies heavily on the prison industrial complex and prostitution industrial complex systems. Rebecca asserts that the only way forward is dismantling these systems and uprooting harmful ideologies that inflict sexual violence on one group to protect another dominant group. She instead hopes we can all work together to challenge these beliefs and instead create a system based on transformative justice, an approach that seeks safety and accountability without relying on alienation and punishment or systemic violence. Rebecca's Cited Sources Below: 8:00 | A Brief History of Neoliberalism by David Harvey 9:05 | Golden Gulag: Prisons, Surplus, Crisis, and Opposition in Globalizing California by Ruth Wilson Gilmore and Disposable Futures by Henry Giroux & Brad Evans 11:50 | Critical Resistance A World Without Walls abolition toolkit http://criticalresistance.org/resources/the-abolitionist-toolkit 15:40 | "Towards the Horizon of Abolition" an interview with Mariame Kaba https://thenextsystem.org/learn/stories/towards-horizon-abolition-conversation-mariame-kaba and We Do This 'Til We Free Us: Abolitionist Organizing and Transforming Justice by Mariame Kaba 22:50 | Creative Interventions Toolkit: A Practical Guide to Stop Interpersonal Violence https://www.creative-interventions.org/wp-content/uploads/2020/10/CI-Toolkit-Final-ENTIRE-Aug-2020-new-cover.pdf 23:00 | Generation FIVE Toward transformative justice: A liberatory approach to child sexual abuse and other forms of intimate and community violence http://www.generationfive.org/wp-content/uploads/2013/07/G5_Toward_Transformative_Justice-Document.pdf 30:30 | INCITE! & Critical Resistance's Statement on Gender Violence and the Prison Industrial Complex: https://incite-national.org/incite-critical-resistance-statement/ For other sources and recommended reading, check out Rebecca's resource page, http://www.rebeccakotz.com/resources.html
Join Seven Stories Press and Haymarket Books for a launch of Alaa Abd el-Fattah's important new book, "You Have Not Yet Been Defeated". “The text you are holding is living history.” — Naomi Klein, from the foreword to You Have Not Yet Been Defeated Alaa Abd el-Fattah is arguably the most high-profile political prisoner in Egypt, if not the Arab world, rising to international prominence during the revolution of 2011. A fiercely independent thinker who fuses politics and technology in powerful prose, an activist whose ideas represent a global generation which has only known struggle against a failing system, a public intellectual with the rare courage to offer personal, painful honesty, Alaa's written voice came to symbolize much of what was fresh, inspiring and revolutionary about the uprisings that have defined the last decade. To celebrate the launch of the first English language collection of his essays, social media posts, and interviews, Alaa's sister Sanaa Seif—herself an activist, filmmaker, and former political prisoner of the Sisi regime in Egypt—will be joined by Naomi Klein, Ruth Wilson Gilmore, and Sharif Abdel Kouddous for a conversation on the wide range of subjects covered in this important new book. To order a copy of You Have Not Yet Been Defeated visit: https://bookshop.org/a/1039/9781644212455 --------------------------------------------------------------------- Speakers: Sanaa Seif is an Egyptian filmmaker, producer and political activist. Imprisoned three times under the Sisi regime, she is currently touring the US promoting her imprisoned brother, Alaa Abd el Fattah's, newly published book, You Have Not Yet Been Defeated. Sharif Abdel Kouddous is an independent journalist based in Cairo. He has reported from across the Arab world for a number of print and broadcast outlets including Democracy Now, and is currently an editor and reporter at Mada Masr, Egypt's leading independent media outlet. Naomi Klein is an award-winning journalist, columnist, and international bestselling author of eight books including No Logo, The Shock Doctrine, This Changes Everything, No Is Not Enough and On Fire, which have been translated into over 35 languages. She is Senior Correspondent for The Intercept and an inaugural Marielle Franco fellow of the Social Justice Initiative Portal Project at the University of Chicago. In 2018, she was named the inaugural Gloria Steinem Endowed Chair in Media, Culture and Feminist Studies at Rutgers University, and is now Honorary Professor of Media and Climate at Rutgers. In September 2021, she joined the University of British Columbia as UBC Professor of Climate Justice and is the founding co-director of the UBC Centre for Climate Justice. Ruth Wilson Gilmore is Professor of Earth & Environmental Sciences and Director of the Center for Place, Culture, and Politics at the City University of New York Graduate Center. Co-founder of many grassroots organizations including the California Prison Moratorium Project, Critical Resistance, and the Central California Environmental Justice Network, Gilmore is author of the prize-winning Golden Gulag, as well as the forthcoming Change Everything, and Abolition Geography. Her recent honors include the SUNY-Purchase College Eugene V. Grant Distinguished Scholar Prize for Social and Environmental Justice; the American Studies Association Richard A Yarborough Mentorship Award; The Association of American Geographers Lifetime Achievement Award; and election to the American Academy of Arts and Sciences. --------------------------------------------------------------------------- This event is sponsored by Haymarket Books and Seven Stories Press. Watch the live event recording: https://youtu.be/QdUpDKJ7tKg Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks
Dylan Rodriguez is a founding member of Critical Resistance, a national abolitionist organization that has shaped my thinking about the abolition of police and the prison industrial complex. As importantly, he's a rad, righteous, down-to-earth dude who is fine with people creating Elvis-and-Tupac-style conspiracy theories that he's still alive after he dies. This is a long episode because I just couldn't cut much (though there is an extra 20 minutes on Patreon)! Content warning: copaganda, collectivity vs. individualism, Boyz II Men, academia, Geronimo Ji-Jaga, humility, rude baby. If you think this show's worth the cost of a coffee or a meal a month, subscribe for $5 or $15 at https://www.patreon.com/davemaher (patreon.com/davemaher). You'll get my mostly-unedited full convos with guests, every installment of the companion podcast This Is Your Aftershow, and shoutouts in future episodes. If you're looking for an introduction to abolition, I highly, highly recommend Critical Resistance's "https://criticalresistance.org/wp-content/uploads/2021/08/CR_GuideforTeachingLearningAbolition-1.pdf (Resource Guide for Teaching and Learning Abolition)." Also, check out Dylan's books: https://www.fordhampress.com/9780823289394/white-reconstruction/ (White Reconstruction: Domestic Warfare and the Logics of Genocide) https://www.kaepernickpublishing.com/abolition-for-the-people#:~:text=Abolition%20for%20the%20People%20brings,terrorism%20of%20policing%20and%20prisons (Abolition for the People: The Movement for a Future Without Policing & Prisons) (edited by Colin Kaepernick) Read the article he wrote in response to his invite to the UC Riverside Campus Safety Workgroup: http://utotherescue.blogspot.com/2021/06/a-public-response-to-ucr-chancellors.html (utotherescue.blogspot.com/2021/06/a-public-response-to-ucr-chancellors.html) Check out the Cops Off Campus coalition: https://copsoffcampuscoalition.com/ (copsoffcampuscoalition.com) And, of course, Critical Resistance: https://criticalresistance.org/ (criticalresistance.org) Follow Dylan on Twitter: https://twitter.com/dylanrodriguez (@dylanrodriguez) and Instagram: https://www.instagram.com/dylanrodriguez73/ (@dylanrodriguez73) Subscribe to my weekly newsletter, https://thisisdavemaher.substack.com/ (Definitive Answers)! And follow me @thisisdavemaher on https://twitter.com/ThisIsDaveMaher (Twitter) and https://www.instagram.com/thisisdavemaher/ (Instagram). --- Transcript: https://app.podscribe.ai/series/1246109 (This Is Your Afterlife on Podscribe) Music = Future: "Use Me" / James Blackshaw: "The Cloud of Unknowing" / Four Tet: "Two Thousand and Seventeen" / Johnnie Frierson: "Miracles"
It's our final episode of season 4 of the podcast, y'all! We read Lost in the Never Woods by Aiden Thomas, a Peter Pan redux with plenty of twists. We'll be back with more episodes in summer of 2022. If you want to pick one of the books we read for next season, join our Patreon! It's a pay-what-you-can model starting at $1/month. content warning for discussions of child death Recommend if you like… Peter Pan, any iteration Cemetery Boys by Aiden Thomas* Folk of the Air series by Holly Black* Brooklyn Brujas series by Zoraida Córdova* also, if you appreciate YA that is light on the romance aspect, then this book is for you * we've done episodes for all of these books! but you don't have to take our word for it – go ahead and scroll thru our episodes page
This is the first episode of our Creative Interventions series. In this series, we will explore the Creative Interventions Toolkit, which provides tools, resources, and a model for community interventions in interpersonal violence. We'll go section-by-section and talk to some of the folks whose work served as the source material for this project. You can find digital versions of the Creative Interventions Toolkit or purchase a physical copy by visiting www.creative-interventions.org. According to their website, “Creative Interventions provides vision, tools and resources to help anyone and everyone create community-based, collective responses to domestic, family, and sexual violence. The community-based approach centers those closest to and most impacted by harm, honors their expertise, and builds collective knowledge and power as the solution to violence.” The CI Toolkit has been around for a while now but AK Press released it in print for the first time last December. So, while we've talked about it in previous episodes, we wanted to use this occasion to spend more time with it in the hopes of spreading some of the tools, frameworks, skills, strategies, and roles in ending interpersonal violence that come out of this movement. We're starting this series off with a conversation with Mimi Kim and Rachel Herzing, setting the stage by talking about where the CI Toolkit came from, how it's structured, and how it proposes intervening in violence and, importantly, how its community-centered approach differs from others. Mimi Kim is the founder of Creative Interventions and a co-founder of INCITE! She has been a long-time activist, advocate and researcher challenging gender-based violence at its intersection with state violence and creating community accountability, transformative justice and other community-based alternatives to criminalization. As a second generation Korean American, she locates her political work in global solidarity with feminist anti-imperialist struggles, seeking not only the end of oppression but of the creation of liberation here and now. Mimi is also an Associate Professor of social work at California State University, Long Beach and Co-Editor-in Chief of Affilia. Her recent publications include “The Carceral Creep: Gender-Based Violence, Race, and the Expansion of the Punitive State, 1973-1983” (2020) and “From Carceral Feminism to Transformative Justice: Women of Color Feminism and Alternatives to Incarceration” (2018). She is currently working on a restorative justice pilot project addressing domestic and sexual violence in Contra Costa County, California. Rachel Herzing has been an organizer, activist, and advocate fighting the violence of surveillance, policing and imprisonment since the 1990s. Rachel was the director of research and training at Creative Interventions. Rachel was also the executive director of Center for Political Education, a resource for political organizations on the left, progressive social movements, the working class and people of color, and a co-director of Critical Resistance, a national organization dedicated to abolishing the prison industrial complex. Episode Resources & Notes Creative Interventions Website Creative Interventions Toolkit (Free PDF) Creative Interventions Toolkit in Spanish (Free PDF) Creative Interventions Workbook (Google Doc) Follow CI on Facebook Follow CI on IG Follow CI on Twitter Credits Created and hosted by Kim Wilson and Brian Sonenstein Edited by Ellis Maxwell Website & volunteers managed by Victoria Nam Theme music by Jared Ware Support Beyond Prisons Visit our website at beyond-prisons.com Support our show and join us on Patreon. Check out our other donation options as well. Please listen, subscribe, and rate/review our podcast on Apple Podcast, Spotify, and Google Play Join our mailing list for updates on new episodes, events, and more Send tips, comments, and questions to beyondprisonspodcast@gmail.com Kim Wilson is available for speaking engagements and to facilitate workshops. Please contact beyondprisonspodcast@gmail.com for more information Twitter: @Beyond_Prison Facebook:@beyondprisonspodcast Instagram:@beyondprisons
An epic book and an epic guest: Welcome to episode 60! Since the start of this podcast, the Lit Review has always wanted to feature Marx's Capital with someone who could really help organizers dig into it. Published in 1867, this 1,000+ page text offers a thorough, interdisciplinary critique of capitalism. This book is rich with history, philosophy, and is a classic of political economy. It is also… extremely difficult to read. Notoriously long, full of jargon, and extremely dense, Capital is one of those books that you can read for years and still not understand. Don't worry though, this episode has you covered, at least to start! Monica and Page invited radical activist, educator, author, and founder of Critical Resistance, Angela Davis—yes, THAT Angela Davis, to break down Marx's (and Engels'!) key ideas with her professorial brilliance, and to explain the importance and ongoing relevance of what Marx had to say. Transcript and key questions explored can be found at thelitreview.org!
Subscribe to Quotomania on Simplecast or search for Quotomania on your favorite podcast app!Angela Yvonne Davis is one of the most recognized political activists of the 1960s and 1970s. She rose to national attention in 1969 after being removed from her teaching position at the University of California, Los Angeles, for her membership in the Communist Party at the urging of then–California Governor Ronald Reagan. In 1970, Davis was charged as an accomplice to conspiracy, kidnapping, and murder. Her arrest sparked an international campaign to gain her release. In 1972, after a high-profile trial, she was acquitted of all charges. Davis was the vice-presidential candidate for the Communist Party of the United States in the 1980 and 1984 presidential elections.An advocate for prisoners' rights, she is a founding member of Critical Resistance, a national organization dedicated to abolishing the prison industrial complex. She writes and lectures on social injustice, social movements, and the intersections of race, gender, and class. She has published many books, including Angela Davis: An Autobiography (1974), Women, Race, and Class (1983), Blues Legacies and Black Feminism: Gertrude "Ma" Rainey, Bessie Smith and Billie Holiday (1999), and Abolition Democracy: Beyond Prisons, Torture, and Empire (2005).From https://www.radcliffe.harvard.edu/schlesinger-library/collections/angela-y-davis. For more information about Angela Y. Davis:Previously on The Quarantine Tapes:Ibram X. Kendi about Davis, at 10:00: https://quarantine-tapes.simplecast.com/episodes/the-quarantine-tapes-087-ibram-x-kendi“Angela Davis Still Believes America Can Change”: https://www.nytimes.com/interactive/2020/10/19/t-magazine/angela-davis.html“A Question of Memory: A Conversation with Angela Y. Davis”: https://www.goethe.de/ins/us/en/kul/art/one/22172673.html“Angela Davis: An Interview on the Futures of Black Radicalism”: https://www.versobooks.com/blogs/3421-angela-davis-an-interview-on-the-futures-of-black-radicalism