Podcasts about gotta groove records

Episode 137 Merry Moog 2024 Electronic Music for the Holidays Performed on the Moog and other Synthesizers   Playlist Time Track Time Start Introduction –Thom Holmes 04:34 00:00 1.     Hans Wurman, “Overture Miniature” from Electric Nutcracker (1976 Ovation). This Austrian composer made several remarkable, classically influenced Moog Modular albums from 1969 to 1976. This was one of his last big Moog projects and is difficult to find. 2:54 02:54 04:32 2.     Hans Wurman, “Danse De La Fee-Dragee ( Sugar Plum Fairy)” from Electric Nutcracker (1976 Ovation). Moog Modular synthesizer, Hans Wurman. 1:33 01:33 07:24 3.     Hans Wurman, “Danse Des Mirlitons (Flutes)” from Electric Nutcracker (1976 Ovation). Moog Modular synthesizer, Hans Wurman. 2:14 02:14 08:56 4.     Emerson, Lake & Palmer, “Nutrocker” from Nutrocker / The Great Gates Of Kiev (1972 Cotillion). Arranged by, Emerson, Lake & Palmer. Written by Kim Fowley. 03:48 11:08 5.     Sounds Of Broadcasting 2, “Night Of The Kings” from Sounds Of Broadcasting #6088 (1975? William B. Tanner Company, Inc.). Broadcast library track produced for the holidays. Produced using a Moog Modular Synthesizer. 01:01 14:56 6.     Jean Jacques Perrey and Sy Mann, “Jingle Bells” from Switched on Santa (1970 Pickwick). USA. Moog Modular Synthesizer. 01:44 15:56 7.     Jean Jacques Perrey and Sy Mann, “Christmas Bells” from Switched on Santa (1970 Pickwick). USA. Moog Modular Synthesizer. 01:52 17:40 8.     Douglas Leedy, “The Coventry Carol” from A Very Merry Electric Christmas to You (1970 Capitol). USA. Moog Modular Synthesizer and Buchla Synthesizer. 04:46 19:30 9.     Joseph Byrd, “Christmas in the Morning” from A Christmas Yet to Come (1975 Takoma). USA. ARP 2600 Synthesizer with an Oberheim Expander Module. 01:34 24:16 10.   Armen Ra, “O Come All Ye Faithful” from Theremin Christmas (2018 Sungod). USA. Moog Etherwave Pro Theremin. 04:43 25:50 11.   Beck, “The Little Drum Machine Boy” from Just Say Noël (1996 Geffen). USA. Roland TR-808 Rhythm Composer. 07:02 30:32 12.   Alan Horsey, “We Wish You a Merry Christmas” from Switched-On Christmas (1985 Snowflake Records). Italian album with electric organ by Alan Horsey. This is reminiscent of Hooked on Classics as the entire album seems to be woven together by a drum machine beat. This is played on organ. Seems a little late for disco. 03:10 37:30 13.   Denny Hinman, “Christmas in July” from Plays The Yamaha Electone E-70 (1980 Yamaha). Denny Hinman plays the Yamaha Electone E-70. A release by Yamaha. 01:45 40:36 14.   Miharu Koshi, “Belle Tristesse” (妙なる悲しみ)from We Wish You A Merry Christmas (1984 Yen). Japan. A compilation of specially recorded Christmas-themed songs from various artists on the Yen Records label. Written by, synth-pop with vocals by Miharu Koshi. Miharu Koshi is a keyboardist and singer with a long-standing collaborative association with YMO-founder Haruomi Hosono. 03:43 42:20 15.   Taeko Onuki, Inori (Prayer) from We Wish You A Merry Christmas (1984 Yen). Japan. A compilation of specially recorded Christmas-themed songs from various artists on the Yen Records label. Japanese synth-pop with vocals by Onuki. Maybe Ryuichi Sakamoto on keyboards. 03:44 46:02 16.   Frank Collett, “Jesu Joy of Man's Desiring (1970 Privately Made Release). USA. This is a special addition to the Merry Moog podcast. I found what is likely a one-of-a-disc private pressing by Frank Collett using the Moog Modular Synthesizer. This 45 RPM disc was recorded at Finetone Recording Studio in New York City and is inscribed with the hand-written message, “To John & Loretta: Merry XMAS. Composed and arranged by Frank Collett” This appears to be disc made of metal with a vinyl coating. One side includes his rendition of Bach's “Jesu Joy of Man's Desiring” plus a short tune called “Little Joey” (see below). The flip side contains the same recording of “Little Joey.” Dated December 22, 1970. Clearly made using a Moog Modular Synthesizer. Collett (1941-2016) was a noted session pianist and sometimes led and recorded with his own trio. He was raised in New York. In 1968 he was accompanist to Sarah Vaughan. The following year he moved to Las Vegas, Nevada.  He became the house pianist, with the orchestra in the main showroom of the International Hotel (which became the Las Vegas Hilton).  It was during this period that he made this recording in NY.  01:57 49:44 17.   Frank Collett, “Little Joey” (1970 Privately Made Release). Frank Collett using the Moog Modular Synthesizer. From a 45 RPM disc recorded at Finetone Recording Studio in New York City (see above). Dated December 22, 1970. Clearly made using a Moog Modular Synthesizer. Collett (1941-2016) was a noted session pianist and sometimes led and recorded with his own trio. Moog Modular Synthesiser, Frank Collett. Whose Moog Synthesizer did he use to make this recording? I can only speculate and guess that he made the recording at the studio of Gerson Kingsley in New York. 01:56 51:40 18.   Romantic Synthesizer, “Oh Tannenbaum” from Christmas Memories (1983 Dureco Benelux). French-Dutch album. Arranged, produced, synthesizers by Gerto Heupink, Robert Pot. 02:53 53:34 19.   Keiko Ohta (Ota), “Here Comes Santa Claus” from Electone X'Mas Present (1975 Canyon). Yamaha Electone GX-707 (GX-1), arranged by Keiko Ohta. Ohta was a female Electone star from Japan. The GX-1 was an early polyphonic synthesizer and a new branch of the Yamaha Electone family tree. 02:43 56:24 20.   Keiko Ohta (Ota), “Blue Christmas” from Electone X'Mas Present (1975 Canyon). Yamaha Electone GX-707 (GX-1), arranged by Keiko Ohta. Japan. Yes, the song originally made famous by Elvis Presley. Ohta was a female Electone star from Japan. The GX-1 was an early polyphonic synthesizer and a new branch of the Yamaha Electone family tree. 04:11 59:06 21.   Paul Haig, “Scottish Christmas” from Chantons Noël - Ghosts Of Christmas Past (1981 Les Disques Du Crépuscule). From a compilation album of Christmas-related tunes. Scottish songwriter, musician and singer. 02:46 01:03:16 22.   Les Cousins Dangereux, “What Child Is This” from Gotta Groove Records 2012 (2012 Gotta Groove Records). Holiday album with various artists. Les Cousins Dangereux is Mr. Tim Thornton. 01:59 01:06:00 23.   Joy Electric, “Angels We Have Heard on High” from The Magic Of Christmas (2003 Tooth & Nail Records). Joy Electric is Ronnie Martin from Ohio. American synthesizer-pop musician. Among his many releases is this crafty Christmas album. 01:48 01:07:58 24.   Koichi Oki, “Jingle Bells” from The Man From Yukiguni (1975 TIM/RS). Japan. Koichi Oki's Christmas album performed solely by his Yamaha Electone E-3. “Yukiguni” means snowland. Oki was a hugely popular Electone artist in Japan. 01:50 01:09:46 25.   Koichi Oki, “Winter Wonderland” from The Man From Yukiguni (1975 TIM/RS). Japan. Koichi Oki's Christmas album performed solely by his Yamaha Electone E-3. “Yukiguni” means snowland. Oki was a hugely popular Electone artist in Japan. 02:18 01:11:34 26.   Edhels, “Oriental Christmas” from Oriental Christmas (1985 Cabana Music). Recorded in France. Drums, Percussion, Keyboards, Jacky Rosati; Guitar, Jean Louis Suzzoni; Guitar, Bass, Keyboards, Composed by, Marc Ceccotti; Keyboards, Noël Damon. I was sent this as a promotional album back in 1985 with a kind little note from the artists. Sorry it took me so long to put the Christmas-related track in my podcast. This is great example of synth-pop from France in the 1980s. 04:22 01:13:52 27.   Bob Wehrman, John Bezjian and Dusty Wakeman, “Joy to the World” from Christmas Becomes Electric (1984 Tropical Records). Produced in L.A., a collection of pre-fab synthesizer classics. Not the same record of the same title as Douglas Leedy. 02:40 01:18:12 28.   Bob Wehrman, John Bezjian and Dusty Wakeman, “Ring Christmas Bells” from Christmas Becomes Electric (1984 Tropical Records). Produced in L.A., a collection of pre-fab synthesizer classics. Not the same record of the same title as Douglas Leedy. 01:46 01:20:50 29.   Romantic Synthesizer, “So This is Christmas” from Christmas Memories (1983 Dureco Benelux). French-Dutch album. Arranged, produced, synthesizers by Gerto Heupink, Robert Pot. We don't often hear an instrumental rendition of this Lennon and Ono X-mas tune. 03:22 01:22:34 30.   Swinging Buildings, “Praying For A Cheaper Christmas” from Chantons Noël - Ghosts Of Christmas Past (1981 Les Disques Du Crépuscule). From a compilation album of Christmas-related tunes. This group was once rumored to be New Order in disguise. But no, they were in fact The Bowling Balls in disguise. 03:07 01:25:54 31.   Bernie Krause, Philip Aaberg, “Feliz Navidad” from A Wild Christmas (1994 Etherean Music ). This delightful cassette is from Bernie Krause, known for his Moog explorations with Paul Beaver back in the day. All animal and ambient sounds recorded on location worldwide by Bernie Krause with the exception of the fish (courtesy of U.S. Navy). Animal samples, Bernie Krause and Phil Aaberg. Arrangements, new materials, all keyboards (Kurzweil 2000/Emulator III) Phil Aaberg. Percussion on Feliz Navidad performed by Ben Leinbach. 5:37 05:37 01:28:58 32.   The Original Cast: R2-D2, Anthony Daniels As C-3PO, “R2D2 We Wish You A Merry Christmas” from Christmas In The Stars: Star Wars Christmas Album (1980 RSO). Vocals, Arthur Boller, Donald Oriolo, Jr., Dori Greenberg, Ivy Alexenburg, Jake Yeston, Jessica Taylor, Marney Alexenburg, Ricky Haayen, Roddy McBrien, Russell Poses, Scot Randell, Stacy Greenberg; Keyboards, Derek Smith, Harold Wheeler, Pat Rebillot; Sound Effects (R2D2), Ben Burtt. The whole Star Wars crew seems to have a part in this holiday album. I wanted to highlight a track featuring the melodious electronic beeping of R2D2. 03:33 01:34:34 Opening background music: Sounds Of Broadcasting 1, “Christmas Logos” from Sounds Of Broadcasting #6088 (1975? William B. Tanner Company, Inc.). Broadcast library track produced for the holidays. Produced using a Moog Modular Synthesizer. Notice how the melody imitates a familiar tune without ever hitting the same notes. A copyright thing. Another name of this track might as well be, “It's Beginning to Sound A Lot Like Christmas.” Jean Jacques Perrey and Sy Mann, “Tijuana Christmas” from Switched on Santa (1970 Pickwick). USA. Moog Modular Synthesizer. Don Voegeli, “Chanukah” from Holiday & Seasonal Music (1977 EMI). USA. Produced at the Electrosonic Studio of the University of Wisconsin-Extension.   Opening and closing sequences voiced by Anne Benkovitz. Visual design by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For additional notes, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.  

This week we are joined by Heath, owner of Wax Mage Records and production manager for Gotta Groove Records in Ohio. Wax Mage is an independent label that has a wide variety of artists and puts out the best custom vinyl in the market. We talk about how Wax Mage started, a little insight into the process of making custom vinyl, some collaborations WM has done, preview of some of the custom vinyl, and more. Check it out on all streaming platforms today! Shop Blastbeats Vinyl for all your metal vinyl needs, use our promo code "NOISE" for 10% off your first order. Follow us and Wax Mage below, Subscribe to our YouTube Channel for full video episodes and weekly updates. Noise Avocation | YouTube | Wax Mage | Wax Mage Website

ORIGINALLY AIRED: 26 October 2022ABOUT CHAYLA HOPE:Chayla Hope is pop's next great voice.Making a name for herself in Cleveland's music scene pressing vinyl at Gotta Groove Records, opening for acts like The Marías and collaborating with up-and-coming producer Jesty Beatz (aka Holy Mattress Money), her sophisticated take on the sounds of the ‘80s and ‘90s recalls the influence of Kate Bush, Lady Gaga and Robyn, marrying inventive arrangements with an impressive range and infectious spirit.After years spent fronting and singing in alternative rock bands, including Emmy and multiple ADDY award-winning local favorites Seafair, pop is where Chayla was meant to be. “Pop is the music that raised me, the music my mom used to listen to while cleaning the house,” she says, planting her musical flag in the genre. “It's always been there for me as an anchoring and joyful force. It is me.”A proud member of the LGBTQIA+ community who found her performance identity doing drag, it's no surprise Chayla was selected to sing the theme song for Care Bears: Unlock The Magic which has numerous features in the show's soundtrack and merchandise, embodying its core themes of empowerment, inclusion, and self-understanding through her music.Throughout her life, Chayla has had to overcome obstacles like heartbreak and trauma by dressing up, performing, and powering through by the sheer force of her artistic and creative vision. She has long been fascinated by the juxtaposition of happy music masking sad lyrics, exploring the complicated nature of human experience through its most common facet: feelings. Singles “Love in Lo-Fi,” “Falling” and “Forget Me Not”—all mixed by 10-time GRAMMY award winner Josh Gudwin (Bad Bunny, Justin Beiber, Dua Lipa)—are early tastes of her debut album Damn, Feelings, out October 28, 2022.CONNECT WITH CHAYLA:Chayla's Website - Instagram - Facebook - TikTok - Twitter - YouTubeSUPPORT THIS SHOWSUBSCRIBE TO YOUR LIFE THE MIXTAPE MAGAZINE

Episode 112 Merry Moog 2023 Holiday Music Performed on the Moog and other Synthesizers Playlist   Sounds Of Broadcasting 1, “Christmas Logos” from Sounds Of Broadcasting #6088 (1975? William B. Tanner Company, Inc.). Broadcast library track produced for the holidays. Produced using a Moog Modular Synthesizer. Hans Wurman, “Overture Miniature” from Electric Nutcracker (1976 Ovation). This Austrian composer made several remarkable, classically influenced Moog Modular albums from 1969 to 1976. This was one of his last big Moog projects and is difficult to find. 2:54 Hans Wurman, “Danse De La Fee-Dragee ( Sugar Plum Fairy)” from Electric Nutcracker (1976 Ovation). Moog Modular synthesizer, Hans Wurman. 1:33 Hans Wurman, “Danse Des Mirlitons (Flutes)” from Electric Nutcracker (1976 Ovation). Moog Modular synthesizer, Hans Wurman. 2:14 Emerson, Lake & Palmer, “Nutrocker” from Nutrocker / The Great Gates Of Kiev (1972 Cotillion). Arranged by, Emerson, Lake & Palmer. Written by Kim Fowley. Emerson, Lake & Palmer, “Troika” from I Believe In Father Christmas (1995 Rhino Records). Arranged by, Emerson, Lake & Palmer. Moog and effects by Keith Emerson. Sounds Of Broadcasting 2, “Night Of The Kings” from Sounds Of Broadcasting #6088 (1975? William B. Tanner Company, Inc.). Broadcast library track produced for the holidays. Produced using a Moog Modular Synthesizer. Jean Jacques Perrey and Sy Mann, “Jingle Bells” from Switched on Santa (1970 Pickwick). USA. Moog Modular Synthesizer. Jean Jacques Perrey and Sy Mann, “Christmas Bells” from Switched on Santa (1970 Pickwick). USA. Moog Modular Synthesizer. Douglas Leedy, “The Coventry Carol” from A Very Merry Electric Christmas to You (1970 Capitol). USA. Moog Modular Synthesizer and Buchla Synthesizer. Joseph Byrd, “Christmas in the Morning” from A Christmas Yet to Come (1975 Takoma). USA. ARP 2600 Synthesizer with an Oberheim Expander Module. Armen Ra, “O Come All Ye Faithful” from Theremin Christmas (2018 Sungod). USA. Moog Etherwave Pro Theremin. Sounds Of Broadcasting 3, “Electronic Tinsel” from Sounds Of Broadcasting #6088 (1975? William B. Tanner Company, Inc.). Broadcast library track produced for the holidays. Produced using a Moog Modular Synthesizer. Beck, “The Little Drum Machine Boy” from Just Say Noël (1996 Geffen). USA. Roland TR-808 Rhythm Composer. Taeko Onuki, Inori (Prayer) from We Wish You A Merry Christmas (1984 Yen). A compilation of specially recorded Christmas-themed songs from various artists on the Yen Records label. Japanese synth-pop with vocals by Onuki. Maybe Ryuichi Sakamoto on keyboards. Unknown artist, “God Rest Ye Merry Gentlemen” from Electronic Computer Christmas Music (1990 Silver Bells Music). As the name suggests, this was a label dedication mostly to producing broadcast music for the holidays. They also release several albums of nature sounds. The studio musicians go unnamed. John Baker, “Christmas Commercial” from BBC Radiophonic Music (1968 BBC Radio Enterprises). A short piece used for broadcasting that was created by tape manipulation of the sounds of a mechanical cash register. It was part of collection of short works by BBC Radiophonic composers. “This record has been produced with the intention of entertaining rather than informing: the items chosen do not necessarily represent a survey of the music created at the BBC Radiophonic Workshop. The Workshop at the BBC Music Studios in Maida Vale, London, is equipped with tape recording machines and other electronic equipment for generating and manipulating sound. The composition and realization of this music and sound is done by a small number of specialized creative staff.” Christmas Baubles, “Orch” from Christmas Baubles And Their Strange Sounds (2002 Lo Recordings). Christmas Baubles was a Russian trio comprised of Alexander Zaitsev, Gennady Pleshkov, and Ilya Baramiya, who produced and performed this track. Sounds Of Broadcasting 4, “Cutesy Christmas Logos” from Sounds Of Broadcasting #6088 (1975? William B. Tanner Company, Inc.). Broadcast library track produced for the holidays. Produced using a Moog Modular Synthesizer. Michael Nyman, “Cream or Christmas” from Chantons Noël - Ghosts Of Christmas Past (1981 Les Disques Du Crépuscule). From a compilation album of Christmas-related tunes. From Nyman's minimalist era before he became famous for soundtracks. Cabaret Voltaire, “Invocation” from Eight Crepuscule Tracks (1987 Interior Music). This track was originally included on the holiday album Chantons Noël - Ghosts Of Christmas Past (1981 Les Disques Du Crépuscule), which suggested to me that it should be in this holiday podcast. Any excuse for a CV track. Paul Haig, “Scottish Christmas” from Chantons Noël - Ghosts Of Christmas Past (1981 Les Disques Du Crépuscule). From a compilation album of Christmas-related tunes. Scottish songwriter, musician and singer. Les Cousins Dangereux, “What Child Is This” from Gotta Groove Records 2012 (2012 Gotta Groove Records). Holiday album with various artists. Les Cousins Dangereux is Mr. Tim Thornton. Joy Electric, “Angels We Have Heard on High” from The Magic Of Christmas (2003 Tooth & Nail Records). Joy Electric is Ronnie Martin from Ohio. American synthesizer-pop musician. Among his many releases is this crafty Christmas album. Sounds Of Broadcasting 5, “Christmas Moog Choir” from Sounds Of Broadcasting #6088 (1975? William B. Tanner Company, Inc.). Broadcast library track produced for the holidays. Produced using a Moog Modular Synthesizer. Edhels, “Oriental Christmas” from Oriental Christmas (1985 Cabana Music). Recorded in France. Drums, Percussion, Keyboards, Jacky Rosati; Guitar, Jean Louis Suzzoni; Guitar, Bass, Keyboards, Composed by, Marc Ceccotti; Keyboards, Noël Damon. I was sent this as a promotional album back in 1985 with a kind little note from the artists. Sorry it took me so long to put the Christmas-related track in my podcast. This is great example of synth-pop from France in the 1980s. Pac-Man, “Snowflakes And Frozen Lakes” from Pac-Man Christmas Album (1982 Kid Stuff Records). Produced, Written by, Dana Walden, Patrick McBride. “A collection of Pac-Man's favorite Christmas songs.” Need I say more? Swinging Buildings, “Praying For A Cheaper Christmas” from Chantons Noël - Ghosts Of Christmas Past (1981 Les Disques Du Crépuscule). From a compilation album of Christmas-related tunes. This group was once rumored to be New Order in disguise. But no, they were in fact The Bowling Balls in disguise. Old Man Gloom, “Valhalla and Christmas Eve Parts I and II from Christmas (2004 Tortuga Recordings). Ambient/Noise band formed in New Mexico by guitarist/vocalist Aaron Turner and drummer Santos Montano. Guitar, Drum Programming, Drums, captured and organized sound, Kurt Ballou; Performed by Aaron Turner, Caleb Scofield, Luke Scarola, Nate Newton, Santos Montano. Sounds Of Broadcasting 6, “The Joyous Moment” from Sounds Of Broadcasting #6088 (1975? William B. Tanner Company, Inc.). Broadcast library track produced for the holidays. Produced using a Moog Modular Synthesizer. Bernie Krause, Philip Aaberg, “Feliz Navidad” from A Wild Christmas (1994 Etherean Music ). This delightful cassette is from Bernie Krause, known for his Moog explorations with Paul Beaver back in the day. All animal and ambient sounds recorded on location worldwide by Bernie Krause with the exception of the fish (courtesy of U.S. Navy). Animal samples, Bernie Krause and Phil Aaberg. Arrangements, new materials, all keyboards (Kurzweil 2000/Emulator III) Phil Aaberg. Percussion on Feliz Navidad performed by Ben Leinbach. 5:37 John & Yoko and The Plastic Ono Band With The Harlem Community Choir (remixed by Thom Holmes in 2001), “Happy Christmas (War is Over)” (1971 Apple Records). I had a CD player that was in disrepair and decided to “perform” this remix using it. I ended up calling this the Lennon and Ono Sliding Moment remix. Opening background music: Jean Jacques Perrey and Sy Mann, “Tijuana Christmas” from Switched on Santa (1970 Pickwick). USA. Moog Modular Synthesizer. Don Voegeli, “Chanukah” from Holiday & Seasonal Music (1977 EMI). USA. Produced at the Electrosonic Studio of the University of Wisconsin-Extension. Joy Electric, “Let it Snow” from The Magic Of Christmas (2003 Tooth & Nail Records). Joy Electric is Ronnie Martin from Ohio. American synthesizer-pop musician. Christmas Baubles, “Noisy Organ” from Christmas Baubles And Their Strange Sounds (2002 Lo Recordings). Christmas Baubles was a Russian trio comprised of Alexander Zaitsev, Gennady Pleshkov, and Ilya Baramiya, who produced and performed this track.     Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For additional notes, please see my blog, Noise and Notations.  

In this episode we cover all you need to know about how records are pressed! We are joined by Women in Vinyl fam Heath Gmucs, back to talk about all things manufacturing. Heath is the creator of Wax Mage Records and has been a press operator at Gotta Groove Records in Ohio for over a decade. We've covered the first steps already in our cutting and plating episodes (go check those out if you haven't), now let's get into the nitty gritty of how these “hot plastic babies” aka our records are pressed. Hang in there through some audio issues in the first half, they resolve after the ad. Want more? Listen to our cutting and plating episode refresher:https://podcasts.apple.com/ca/podcast/episode-39-refresher-tech-talk-cutting-and-plating/id1559469148?i=1000609588839Listen to Heath's Previous episode here:https://podcasts.apple.com/us/podcast/episode-seventeen-heath-gmucs-wax-mage-records/id1559469148?i=1000540606698Plus:Wax Mage: https://www.instagram.com/waxmagerecords/Gotta Groove: https://www.gottagrooverecords.com/Huge thanks to pop artist and former Gotta Groove press op Chayla Hope for the use of her song ‘Long Way' off her new album Damn, Feelings out June 9th. Find this and more at: https://www.chaylahope.com/THANK YOU TO OUR SUPPORTERS! The ones that make your vinyl needs even more accessible with so many great codes and resources. Other Record Labels - Who've gifted our listeners - you! - a 25% code in their store for the myriad of resources compiled there using the code WIVFRIENDS at checkout! https://www.otherrecordlabels.com/store Selektor Record Bags - Our new favorite record bag: https://www.theselektor.com/us/Koeppel Design (pronounced Kep-ul) - Sleek and sophisticated, handmade record collection organization! Get $10 off your first order of $75 using the code WOMENINVINYL at checkout! https://koeppeldesign.com/Eargasm - High fidelity ear plugs! keep your hearing protected in style! Eargasm has a great deal for you with 10% off your order using, you guessed it, discount code: WOMENINVINYL at checkout. www.eargasm.com/ Glowtronics - Custom slip mats - you already love the WIV branded slipmat, but think, you can make your own! Get 15% off using the code: WOMENINVINYL15 at www.glowtronics-store.com/ Nugen Audio - Innovative, intuitive, award-winning professional audio plugins and software for all your creative music producing and sound design needs! Use code WOMENINVINYL for 20% off at check out: https://nugenaudio.com/womeninvinyl/ Vinyl Revolution Record Show - Attend one of the longest running record shows out there. 55 dealer tables filled with vendors from all over the east coast and tons of rare and collectible vinyl records! Find more at: https://www.instagram.com/vinylrevolutionrecordshow/Want to be a sponsor too? Email us: info@womeninvinyl.com As always, join the conversation on Instagram or send us a note at: media@womeninvinyl.comCheck out www.womeninvinyl.com for past episodes, the store, job board, and the growing library of resources!Don't forget to like, subscribe and give us a review on your favorite podcast delivery method! You can also contribute to furthering our mission at https://www.patreon.com/womeninvinyl Where you'll find all of the B-Sides, Deep Cuts and amazing extras, including longer episodes and contribute to the creation of scholarships and educational opportunities to further the demystification and infiltration of more Women and Non-Binary identifying humans into the Vinyl Making Space!

Join your host Greg Howard Jr as he gets to the heart of what makes a musician tick with singer-songwriter CHAYLA HOPE!!!Chayla Hope is pop's next great voice.Making a name for herself in Cleveland's music scene pressing vinyl at Gotta Groove Records, opening for acts like The Marías and collaborating with up-and-coming producer Jesty Beatz (aka Holy Mattress Money), her sophisticated take on the sounds of the ‘80s and ‘90s recalls the influence of Kate Bush, Lady Gaga and Robyn, marrying inventive arrangements with an impressive range and infectious spirit.After years spent fronting and singing in alternative rock bands, including Emmy and multiple ADDY award-winning local favorites Seafair, pop is where Chayla was meant to be. “Pop is the music that raised me, the music my mom used to listen to while cleaning the house,” she says on planting her musical flag in the genre. “It's always been there for me as an anchoring and joyful force. It is me.”A proud member of the LGBTQIA+ community who found her performance identity doing drag, it's no surprise Chayla was selected to sing the theme song for Care Bears: Unlock The Magic and has numerous features in the show's soundtrack and merchandise, embodying its core themes of empowerment, inclusion, and self-understanding through her music.Throughout her life, Chayla has had to overcome obstacles like heartbreak and trauma by dressing up, performing, and powering through by sheer force of her artistic and creative vision. She has long been fascinated by the juxtaposition of happy music masking sad lyrics, exploring the complicated nature of human experience through its most common facet: feelings. Singles “Love in Lo-Fi,” “Falling” and “Forget Me Not”—all mixed by 10-time GRAMMY award winner Josh Gudwin (Bad Bunny, Justin Beiber, Dua Lipa)—are early tastes of her debut album Damn, Feelings, out October 28, 2022.Chayla's WebsiteInstagramFacebookTikTokTwitterYouTubeSUPPORT THIS SHOW

Enjoy this encore presentation of Episode 110 with guest Matt Earley, president of acclaimed vinyl pressing plant Gotta Groove Records in Cleveland. PLUS a sneak peek on next week's guest!

Clint Holley is the Owner and Chief Engineer of Well Made Music. Clint began a love affair with vinyl records when he was 12 years old. His parents would take him to local flea markets and with a few dollars, he was able to bring home stacks and stacks of wax! This passion for vinyl bloomed into a full-fledged career in 2009 when Clint was given the opportunity to cut master lacquers for Gotta Groove Records and start his own business as Well Made Music.Clint's unwavering passion for the vinyl format has allowed him to become trusted to cut treasured music by classic artists such as John Coltrane, Miles Davis, Charlie Parker, The Velvet Underground, Merle Haggard, Johnny Cash, George Jones, and Willie Nelson to name a few. Clint oversees the majority of Well Made Music's maintenance, scheduling, and contact. In 2017, Clint and Dave Polster created a live-to-lacquer recording studio entitled The Earnest Tube, located in Bristol, Virginia. wellmademusic.net/staff-contact-info 

This week on the podcast is our interview with Matt Earley, co-founder of Gotta Groove Records, a vinyl record pressing plant located in Cleveland, OH. Matt recounts the origins of Gotta Groove Records, the value they provide to musicians and audiophiles, the importance of quality control, and more. Matt's story highlights the power of partnering with another passionate person--and it's not to be missed.  Show notes: https://www.artsentrepreneurshippodcast.com/episodes/155-matt-early-gotta-groove-records-vinyl-record-pressing

If you're an avid vinyl collector then you've likely come across some very unique records crafted by Wax Mage Records. These works of art are unlike anything you've ever seen and since they're always created in such small runs, they are highly sought after and coveted. Taste of Vinyl had the honor of speaking to the creator and owner of Wax Mage Records, Heath Gmucs. While he does not divulge his well kept secrets, he does talk about his path to stumbling upon his passion and career for over a decade. He talks all about his time as a bass player in the band HotChaCha, their connection to Gotta Groove Records, and how he came to work at Gotta Groove where he was able to begin his Wax Mage journey. This one is for the vinyl heads! On The Platter: Core by Stone Temple Pilots --- Support this podcast: https://anchor.fm/tasteofvinyl/support

All the little chicks with the vinyl lips, go Cleveland Rocks, Cleveland Rocks! This week, Jenn and Robyn are joined by the multitalented Ren Harcar of Gotta Groove Records, in … you guessed it.. Cleveland! Ren has been working as the only female QA technician at Gotta Groove for the last 3 years! She candidly talks about her role in Quality Assurance, as well as her journey getting into the vinyl space. Ren shares with us how being an artist, and more visually gifted has helped her in her role, and we all collectively gush about Wax Mage and the brilliant things coming out of the Gotta Groove facility. Check out the Women in Vinyl blog post featuring Ren: https://womeninvinyl.com/2021/06/06/ren-harcar-quality-assurance-gotta-groove-records/Thank you to DineAlone Records, and the rocking babes of NoBro for use of their song - Don't Diehttps://dinealonerecords.comhttps://nobroband.comThanks so much to Ren Harcar and the Family at GottaGroove Records in Cleveland. https://www.gottagrooverecords.comRen on Instagram -  apt5F Ren's ETSY shop: https://www.etsy.com/shop/highvoltagegifts?ref=search_shop_redirect  The Women in Vinyl Store is live too! https://womeninvinyl.com/store/As always, join the conversations on Instagram or send us a note at MEDIA@WomenInVinyl.comCheck out www.womeninvinyl.com for past episodes and the amazing archive of interviews. Don't forget to like, subscribe and give us a review on your favorite podcast delivery method!You can also contribute to furthering our mission at: https://www.patreon.com/womeninvinyl Where you'll find all of the B-Sides, Deep Cuts and amazing extras, and help us start a not for profit to further the demystification, education and infiltration of more Women and Non-Binary identifying humans into the Vinyl Making Space!

Sometimes you need to hunt for gear because you're compulsive, but sometimes you need to hunt for gear because you actually use it for your livelihood. This week we have an awesome talk with Clint Holley from Well Made Music and Vince Slusarsz from Gotta Groove Records about how they tracked down the machinery they've built their businesses around and SO much more! Check out our Spotify and YouTube playlists featuring our guests! Contact us at: 12stompprogram@gmail.com or find us online at: 12stompprogram.com facebook.com/12stompprogram @12stompprogram on Twitter @12stompprogram on Instagram Copyright 2021 12stompprogram --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/12stompprogram/message Support this podcast: https://anchor.fm/12stompprogram/support

Scott Hull talks today with Matt Earley - VP of Gotta Groove Records. The Topic today is vinyl quality control. How do disk weight and disk color affect the quality of the record? What steps do we take to create the best possible vinyl records? Are Colored records noisier than Black Vinyl? Why 180 Gram records? Want to make your own record? Team up with Masterdisk and Gotta Groove Records for some killer vinyl Matt E. EarleyGotta Groove Records, Inc.WE WANT TO PRESS YOUR NEXT RECORD.This is what you get with a GGR pressing (click here).www.gottagrooverecords.comMusic heard :Artist - Ray AngrySong - Jake-IsmClick to listen on Spotify : Jake-ISMMusic mastered By Scott Hull @ masterdisk.

Heath Gmucs has worked as a press operator at Cleveland’s Gotta Groove Records for about nine years. Now, he's turning the mostly automated process of making vinyl into customized, hand-crafted works of art.

Coliseum Member Sign Up: https://www.patreon.com/romanusrecords Welcome to episode two of the Romanus Records podcast. This week I had the great pleasure of chatting with some of not only my favorite people in music but one of my favorite touring up and coming bands in LUNG this week. LUNG is a two piece electric chello and drums duo that plays something to the extent of heavy garage rock. It’s truly innovative and good luck pinning this band down to a specific genre. We chat with Kate about here time in college as a Opera major, Daisy’s time in Foxy Shazam, touring, art, and another case of bizarre high school mascots. The Romanus Records podcast comes out every Wed with interviews monthly from Romanus Artists, bands we love, independent labels, & DIY/Entrepreneur types. Follow us on our socials below and check out our brand new Patreon for Romanus Coliseum Members who can save 20% off any of our insane vinyl creations FOREVER for only $5 a month as well as early digital access and exclusive pre order content. We just dropped a limited number of beer filled records from Romanus Fest filled with upland beer to which man took advantage of this savings program. Help out the long term sustainability of our label and yourself if you looking to buy some spicy Romanus wax. Episode 3 drops next week with Heath Lawrence of Wax Mage Recods. Heath is in no certain terms likely the most innovative press operator in the United States with her insane Wax Mage customs made at Gotta Groove Records in Ohio. We will chat up Heath about Wax Mages development, crazy wax stories, and why she owns a metallic pink ford probe. Socials: Facebook.com/romanusrecords Instagram: romanusrecords

Coliseum Member Sign Up: https://www.patreon.com/romanusrecords Welcome to episode two of the Romanus Records podcast. This week I had the great pleasure of chatting with some of not only my favorite people in music but one of my favorite touring up and coming bands in LUNG this week. LUNG is a two piece electric chello and drums duo that plays something to the extent of heavy garage rock. It's truly innovative and good luck pinning this band down to a specific genre. We chat with Kate about here time in college as a Opera major, Daisy's time in Foxy Shazam, touring, art, and another case of bizarre high school mascots. The Romanus Records podcast comes out every Wed with interviews monthly from Romanus Artists, bands we love, independent labels, & DIY/Entrepreneur types. Follow us on our socials below and check out our brand new Patreon for Romanus Coliseum Members who can save 20% off any of our insane vinyl creations FOREVER for only $5 a month as well as early digital access and exclusive pre order content. We just dropped a limited number of beer filled records from Romanus Fest filled with upland beer to which man took advantage of this savings program. Help out the long term sustainability of our label and yourself if you looking to buy some spicy Romanus wax. Episode 3 drops next week with Heath Lawrence of Wax Mage Recods. Heath is in no certain terms likely the most innovative press operator in the United States with her insane Wax Mage customs made at Gotta Groove Records in Ohio. We will chat up Heath about Wax Mages development, crazy wax stories, and why she owns a metallic pink ford probe. Socials: Facebook.com/romanusrecords Instagram: romanusrecords

Nick Cavalier is a director of films, commercials, branded content and music videos. A visual and character-focused storyteller, Nick is known for his high production value docu-driven films with poetic hero centered themes. Nick has been honored with awards and selections at festivals such as SXSW, Palm Springs, and Cleveland International. His work is featured in multiple national publications including New York Times, VICE, Shorts TV, Devour, HYPEBEAST, Alternative Press, Funny Or Die, G4, MTV, Fast Company, Juxtapoz Magazine and many more. Nick is lauded for his award-winning feature film and character portrait on famed artist Derek Hess titled Forced Perspective, his short film about vinyl record resurgence Gotta Groove Records and his new short film on mental health and creativity titled Down Again.“I believe that video content can have soul. I believe the work MUST speak for itself. I believe that if a brand or agency, and the creatives behind the campaign see eye to eye, you build something worth watching. I believe in making the films I want to watch.”— Nick CavalierView all these films FREE and learn more about Nick here:http://www.nickcavalier.comSubscribe to the podcast for FREE and be notified when new episodes go live and catch up on all our past guests here: https://itunes.apple.com/us/podcast/level3studios-podcast/id1282562513?mt=2 More info available at http://www.level3studios.com

For close to a decade, Cleveland's Gotta Groove Records has earned its reputation as "the artist's preferred pressing plant." By having their quality assurance team play every 25th LP or 7" that comes off their presses, they're known for going the extra mile and implementing some of the highest standards in the industry, whether manufacturing limited 100-copy runs or thousands upon thousands for worldwide distribution. On the cusp of their 10th anniversary, Gotta Groove sales and marketing VP Matt Earley chats about where they've been, where they're going and how the vinyl business can stay vibrant and innovative. Visit GottaGrooveRecords.com and follow @gottagrooverecs on Facebook, Twitter and Instagram.

Director Nick Cavalier joins hosts Frank King and Kristin Walker to talk about his work and filming tough subjects. He was the director of the documentary Down Again. Kristin had interviewed Chimaira frontman Mark Hunter, the subject of Down Again, on our show. That film is an exploration of the connection between mental illness and creativity. The film explores the catharsis of making music and art and how the result affects the fans.What we wanted to check in with Nick about was how he as a filmmaker handles his own mental health challenges while filming intense, raw, vulnerable, and sometimes controversial material. Nick Cavalier is a director of films, commercials, branded content and music videos. A visual and character-focused storyteller, Nick is known for his high production value docu-driven films with poetic hero centered themes. Nick has been honored with awards and selections at festivals such as SXSW, Palm Springs, and Cleveland International. His work is featured in multiple national publications including New York Times, VICE, Shorts TV, Devour, HYPEBEAST, Alternative Press, Funny Or Die, G4, MTV, Fast Company, Juxtapoz Magazine and many more. Nick is lauded for his award-winning feature film and character portrait on famed artist Derek Hess titled Forced Perspective, his short film about vinyl record resurgence Gotta Groove Records and his new short film on mental health and creativity titled Down Again.“I believe that video content can have soul. It can be a cultural experience. I believe the work MUST speak for itself. I believe that if a brand or agency, and the creatives behind the campaign see eye to eye, you build something worth watching. I believe in making the films I want to watch.”— Nick Cavalierwww.nickcavalier.comhttp://www.downagainfilm.com

Nick Cavalier is a director of films, commercials, branded content and music videos. A visual and character-focused storyteller. Nick is lauded for his award-winning feature film and character portrait on famed artist Derek Hess titled Forced Perspective, his short film about vinyl record resurgence Gotta Groove Records and his new short film on mental health and creativity titled Down Again.    http://nickcavalier.com/blog/

Growing up in rural Pennsylvania, rock cellist Gordon Withers became fixated with the Washington, DC music scene early on, making pilgrimages to cities with killer record stores just to pick up new releases from influential bands like Jawbox. Fast forward to 2016, where Withers is now bandmates with Jawbox frontman J. Robbins in Office Of Future Plans -- not to mention a collaborator with BELLS≥, We All Inherit The Moon and The Pauses, among others. He's also known for releasing solo cover albums where the likes of Jawbox, The Joy Formidable and even Pink Floyd's iconic "The Dark Side of the Moon" are done entirely by cello, adding depth and new dynamics to the work he so greatly admires. Today, Gordon chats about being one of the first clients Gotta Groove Records ever had, some advice for those wanting to do Kickstarter campaigns for vinyl pressings, making his own Radio Shack catalogs as a kid, the influence of King Missile, an upcoming Jawbreaker project he's a part of, adventures in licensing when releasing an album worth of covers both digitally and physically, and much more. Visit gordonwithers.bandcamp.com to hear/purchase his solo work and officeoffutureplans.bandcamp.com to get acquainted with Office Of Future Plans!  

We all know what it's like to listen to vinyl, but what's it like to hand-pour or physically press them? Heather and Sarah from Gotta Groove and Wax Mage join me this week to talk about their side of the record industry and their unique, one-of-a-kind colored vinyl creations that are gaining them fans from all over the world. We also discuss the age old question of whether colored records sound better or worse than standard black pressings, Wax Mage's upcoming Heavy Haze compilation, what crazy requests for album variants they've heard from labels and bands, and much more! Visit Heather and Sarah at instagram.com/waxmagerecords, facebook.com/waxmagerecords, be sure to enter this week's Wax Mage contest for a free shirt, stickers and pins, aaaaand use the code VINYLEMERGENCY for 50% off anything at waxmagerecords.com! PLUS our flipbin contest winner is announced! Follow @VinylEmergency on Twitter, Facebook and Instagram, write the show at vinylemergency@gmail.com and while visiting our new sponsor MusicDirect.com, use the code EMERGENCY for 15% off any music purchase!