Podcast appearances and mentions of Joan Littlewood

Martin Kristenson gräver djupare i fenomenet music hall och får oss att rodna när texter citeras. Vi möter Marie Lloyd, Joan Littlewood, Paul McCartney, Johnny Rotten och Kermit och försöker hitta skillnaden på music hall, variety och vaudeville. Lyssna på alla avsnitt i Sveriges Radio Play.

The film Oh what A Lovely War! based on Joan Littlewood's play was released in 1969 and influenced a whole generation of people in what the Great War stood for. But what does the film really tell us about the First World War and what is its value more than 50 years on?Got a question about this episode or any others? Drop your question into the Old Front Line Discord Server or email the podcast.Send us a textSupport the show

Larry Dann is a British actor best known for his roles in the Carry On... Series and for appearing as Sergeant Alec Peters in over 200 episodes of The Bill. His first appearance on screen was in Adam and Evelyn at age 5. Afterward, he would appear in Carry On Teacher, Trouble in Store and The Bulldog Breed. He continued appearing in films as he grew up, appearing in What a Crazy World, All Neat in Black Stockings, The Body Stealers and Before Winter Comes and rejoined the Carry On... Series with small roles in Carry On Behind and Carry On England before playing the young romantic lead in Carry On Emmannuelle. He joined the Theatre Workshop in 1962 and appeared in numerous plays directed by Joan Littlewood including Oh, What a Lovely War! in London, Paris and New York. His autobiography, Oh What a Lovely Memoir, is available now and available here - https://www.devonfirebooks.com/product/larrydann-memoir . Larry Dann is guest number 354 on My Time Capsule and chats to Michael Fenton Stevens about the five things he'd like to put in a time capsule; four he'd like to preserve and one he'd like to bury and never have to think about again .Follow My Time Capsule on Twitter, Instagram & Facebook: @MyTCpod .Follow Michael Fenton Stevens on Twitter: @fentonstevens & Instagram @mikefentonstevens .Produced and edited by John Fenton-Stevens for Cast Off Productions .Music by Pass The Peas Music .Artwork by matthewboxall.com .This podcast is proud to be associated with the charity Viva! Providing theatrical opportunities for hundreds of young people. Get bonus episodes and ad-free listening by becoming a team member with Acast+! Your support will help us to keep making My Time Capsule. Join our team now! https://plus.acast.com/s/mytimecapsule. Hosted on Acast. See acast.com/privacy for more information.

Fred finally gets to meet the leading man from his favourite Carry On film, Larry Dann! Acting legend Larry kindly took the time to discuss his amazing career with Pete and Fred, including his time on the Carry On films, as well as working with other Giants of Comedy. Larry's life story (Oh What A Lovely Memoir!) are about to be published, details below: https://www.devonfirebooks.com/product/larrydann-memoir  Larry Dann's acting career began with a knock on the door, when a seven year old schoolboy was talent scouted by London's Corona Academy and invited to be in a film shooting at Denham Studios. This was the start of a career that saw him perform in hundreds of stage productions all over the world, star in four of the iconic "Carry On" movies and become a household name as Sgt. Alec Peters in ITV's "The Bill". In his highly entertaining autobiography, Larry recalls his 70-year career in showbiz, from dodging school to make movies, joining Joan Littlewood's groundbreaking Theatre Workshop, performing the original production of "Oh, What A Lovely Memoir" in the West End and on Broadway, starring in the cult horror movie "Ghost Story", nicking villains on the streets of Sun Hill and getting the custard pie treatment from Sooty & Sweep. As well as sharing the extraordinary highs and lows that an acting career can bring, this beautifully crafted memoir also tells the story of a young boy growing up in London during the Second World War, with a father fighting for his country and a mother dreaming of stardom. From working with villains in the East End to sleeping with cockroaches in New York, from personal tragedies to happy accidents, Larry has shared many of these adventures with Liz, his wife of 50 years. Featuring a special introduction by fellow legend Brian Murphy and dozens of rare photographs capturing Larry's life and career, "Oh, What A Lovely Memoir" is published by Devonfire Books. The limited edition hardback has now sold out, but the paperbacks are printing now and can be pre-ordered at devonfirebooks.com 

In his conversation with Nathalie Lamprecht, Alan Gilsenan discusses his documentary film The Laughing Boy (2022), which tries to uncover how the song The Laughing Boy, written by a young Brendan Behan and later used in his play The Hostage, travelled via Paris to Greece and there became an anthem of defiance for the Greek left. Gilsenan discusses the circumstances that facilitated this process; the importance of translation and the way the documentary draws attention to it; the image of Behan as a kind of James Dean that obscures his talent as a writer; and Brendan Behan's collaboration with theatre director Joan Littlewood.  

This week – Valerie Singleton, Downton Abbey, arguing on Twitter, David Crosby, Gentle Giant, the fictional 1976 TV drama ‘Climbers', crap films, the Joan Littlewood – sitcom continuum, Dennis Waterman’s Freddie Jaeger impression and Paul tries his hand at DIY.

Can you manage your nerves? Viv Groskop talks to legendary actor, Dame Sheila Hancock, ahead of a theatre audience to share reflections from her second memoir Old Rage. Dame Sheila reveals how she has always suffered from chronic stage fright and remains terrified until the end. They discuss how nerves are normal and getting through them. Dame Sheila is frank about shocking stories of sexism in the stage and screen world with overwhelming pressures to conform to a typical look or height. She talks about the experience of being spotted by Theatre Workshop's Joan Littlewood and how it was a liberation to be herself. Viv reflects that it's a constant struggle not to pigeon-hole yourself and how important it is to resist that pressure, even if others around you are doing it for you. Find out more about Dame Sheila Hancock's Old Rage. A new updated edition of Viv's book, How to Own the Room is out now. @vivgroskop

Since its conception in the 1960's, the Fun Palace has circulated widely in architecture culture, and mainly through its provocative collages, characterized by giant space-frame trusses framing a flexible shed of interactive cultural events, accessible to all. These images persist as inspiring propositions for a new physical infrastructure of cultural exchange, and while they are often primarily attributed to Cedric Price, the project was actually the result of close collaboration between Price and the experimental theatre director Joan Littlewood.Littlewood's radically inclusive programme aimed to counteract the elitism built into British society and arts policy of the time, reflecting her ambitions for a “theatre for all”. In this episode the architect and academic Ana Bonet Miro discusses how the Fun Palace was itself conceived as a kind of theatrical project. She also explains the impact this speculative project had on public discourse and the shaping of local developments of the time, how the Fun Palace might affect the way we conceive of public space today, and the kinds of lessons architects can learn from Littlewood and Price's collaboration. Power & Public Space is a co-production of Drawing Matter & the Architecture Foundation See acast.com/privacy for privacy and opt-out information.

In this podcast, we meet librarian Zoey Dixon who will tell you all about why Fun Palaces are so perfect suited to libraries.    About Fun Palaces Stella Duffy and Sarah-Jane Rawlings co-founded Fun Palaces in 2013 to create a celebration of Joan Littlewood's centenary on the 6th October 2014. As more communities, individuals and organisations across the UK asked if they could join in, it quickly became clear that it was never going to be a one-off.   Developed from Joan Littlewood and Cedric Price's never-built 1960s vision of one building for all arts and science, free to the local community of the East End, the 21st century Fun Palaces is about reclaiming public space, encouraging cultural venues to throw open their doors, shining a light on unsung community activism and supporting local people to step up to co-create their own community events. Learning from the communities that take part every year, Fun Palaces has changed and grown, and is now as varied as the people who take part.    In the UK and beyond, Fun Palaces are happening in lots of different shapes and sizes - in garden in Orkney, on streets and parks in London, on a village fence post in North Wales, a canal towpath in Sheffield, a travelling wheelbarrow in Mansfield, and even on a boat off the coast of Cornwall.    Thanks for listening to the Fun Palaces podcast. If you like what you hear please do subscribe to it and also rate and review us.    Credits:  Find out more at: www.funpalaces.co.uk Follow us on Twitter: @FunPalaces Follow us on Instagram: @FunPalaces Producer: Dan Vo  Editor: Samuel Gunn Guests: Zoe Dixon

The Playcast is back!We return with the first episode of the season brining you an interview with Caroline Bird. Caroline is the writer of Red Ellen which arrives at Nottingham Playhouse on Weds 13th April. Get your tickets hereBioCaroline won The Forward Prize for best poetry collection in 2020. She was shortlisted for the Costa Prize 2020, the TS Eliot Prize 2017, the Ted Hughes Award 2017, and the Dylan Thomas Prize twice in 2008 and 2010. She was a finalist for the Susan Smith Blackburn Prize 2014. She has also won an Eric Gregory Award (2002) and the Foyle Young Poet of the Year award two years running (1999, 2000), and was a winner of the Poetry London Competition in 2007, the Peterloo Poetry Competition in 2004, 2003 and 2002. Caroline was on the shortlist for Shell Woman Of The Future Awards 2011.Caroline has had six collections of poetry published by Carcanet. Her first collection Looking Through Letterboxes (published in 2002 when she was only 15) is a topical, zesty and formally delightful collection of poems built on the traditions of fairy tale, fantasy and romance. Her second collection, Trouble Came to the Turnip, was published in September 2006 to critical acclaim. Watering Can, her third collection published in November 2009 celebrates life as an early twenty-something with comedy, wordplay and bright self-deprecation. Her fourth collection, The Hat-Stand Union, was described by Simon Armitage as ‘spring-loaded, funny, sad and deadly.' Her fifth collection, In These Days of Prohibition (published July 2017) was shortlisted for the 2017 TS Eliot Prize and the 2017 Ted Hughes Award. Her sixth collection, The Air Year was published in February 2020, and was book of the month in The Telegraph, book of the year in the Guardian, shortlisted for the Costa Prize, and winner of the Forward Prize.Bird's poems have been published in several anthologies and journals including Poetry Magazine, PN Review, Poetry Review and The North magazine. Several of her poems and a commissioned short story, Sucking Eggs, have been broadcast on BBC Radio 4 and BBC Radio 3. She was one of the five official poets at London Olympics 2012. Her poem, The Fun Palace, which celebrates the life and work of Joan Littlewood, is now erected on the Olympic Site outside the main stadium.In recent years, Caroline has given poetry performances at Aldeburgh Festival, Latitude Festival, the Manchester Literature Festival, the Wellcome Collection, the Royal Festival Hall, the Wordsworth Trust, Cheltenham Festival, and Ledbury Festival, amongst others.Caroline Bird began writing plays as a teenager when she was the youngest ever member of the Royal Court Young Writer's Programme, tutored by Simon Stephens. In 2011 Caroline was invited to take part in Sixty Six Books by the Bush Theatre. She wrote a piece inspired by Leviticus, directed by Peter Gill. In February 2012, her Beano-inspired musical, The Trial of Dennis the Menace was performed in the Purcell Room at the Southbank Centre.Caroline's new version of The Trojan Women premiered at the Gate Theatre at the end of 2012 to wide critical acclaim. Caroline's plSupport the show (https://nottinghamplayhouse.co.uk/support-us/donate/curtain-up-appeal/)

In which we discuss how Philip Hedley came to join the first cohort of East 15 Acting School in the autumn of 1961 and examine something of the complex relationship between the school, it's founder Maggie Bury and the work of Joan Littlewood's Theatre Workshop. The cover shows the blue plaque which celebrates Margaret Bury and Joan Littlewood outside of East 15's Loughton campus.  Support the show (https://www.paypal.com/cgi-bin/webscr?cmd=_donations&business=EKHEKXBAZBQG6¤cy_code=GBP)

In this fifth podcast, host Dan Vo explores Tiny Changes, one of the core aspeects of Fun Palaces.   He'll speak with Carine Osmont in Farnham and Rizia Ali from the Boundary Estate in London about the tiny changes they've seen in their communities and in themselves in their time with Fun Palaces.    About Fun Palaces Stella Duffy and Sarah-Jane Rawlings co-founded Fun Palaces in 2013 to create a celebration of Joan Littlewood's centenary on the 6th October 2014. As more communities, individuals and organisations across the UK asked if they could join in, it quickly became clear that it was never going to be a one-off.   Developed from Joan Littlewood and Cedric Price's never-built 1960s vision of one building for all arts and science, free to the local community of the East End, the 21st century Fun Palaces is about reclaiming public space, encouraging cultural venues to throw open their doors, shining a light on unsung community activism and supporting local people to step up to co-create their own community events. Learning from the communities that take part every year, Fun Palaces has changed and grown, and is now as varied as the people who take part.    This year the emphasis was on tiny Fun Palaces - safe, socially-distanced, with community connection at their heart - and how anyone can get involved - even now.    Thanks for listening to the Fun Palaces podcast. If you like what you hear please do subscribe to it and also rate and review us.    Credits:  Find out more at: www.funpalaces.co.uk Follow us on Twitter: @FunPalaces Follow us on Instagram: @FunPalaces Producer: Dan Vo  Editor: Samuel Gunn Guests: Rizia Ali and Carine Osmont

Ewan MacColl sang "The First Time Ever I Saw Your Face" to Peggy Seeger down the phone. When they met, Peggy says, he was in the grip of his midlife crisis. "I'm fond of saying the poor boy didn't stand a chance," she tells Matthew Parris. This programme is her attempt to set the record straight. "I'd like to do a bit of justice to him, because there's an awful lot of myths, an awful lot of bad talk, misunderstandings." Ewan MacColl was born Jimmy Miller in Salford, which he wrote about in 1949 in his song, "Dirty Old Town." He made his name in theatre, was married to Joan Littlewood, and after the Second World War he was a powerful force behind the folk revival. He also with Peggy Seeger and Charles Parker created the famous Radio Ballads. Peggy is joined in discussion by Peter Cox, author of Set Into Song. The programme is heavily illustrated with MacColl's music and his voice. The producer for BBC audio in Bristol is Miles Warde

In which we discuss the professional life of Penny Cherns.Penny trained on the Directors' Course at the Drama Centre after completing a sociology degree at the University of Kent at Canterbury. She worked as Joan Littlewood's assistant and then continued as a freelance director up to the Millennium in major provincial repertory theatres directing classics, modern plays and musicals. She was also Associate Director at Chester, Watford and Nottingham Playhouse and worked at the RSC, the Royal Court and the New End theatres . She directed dramas for the BBC and Channel 4 television. Abroad she directed in Barcelona (in Spanish and Catalan) and for the British Council in India and South America. She has taught international workshops in Amsterdam, Barcelona,Buenos Aires, Oslo, Brazil and Uruguay; has taught and directed in America at Brandeis, Juilliard, Yale and the University of Iowa, and in England at LAMDA, RADA, Drama Centre and the Guildhall. She gained an MSc in European Studies from the LSE and conducts Conflict Resolution workshops. She created and led the MA in classical acting for LAMDA until 2020She recently directed at the Schoolhouse Theater in Connecticut and ACT theater in Seattle. And directed The Tempest at Teatro San Martin Buenos AiresPenny is a senior fellow of the higher education authority and has acted as external examiner for Loughborough, BSSD and Mountview Academy.Support the show (https://www.paypal.com/cgi-bin/webscr?cmd=_donations&business=EKHEKXBAZBQG6¤cy_code=GBP)

Today it's a Fun Palaces conversation between Kirsty Lothian and Makala Cheung the new co-directors of Fun Palaces. It's a podcast that pairs with the episode with Stella Duffy and Sarah-Jane Rawlings, picking up where they left off and giving us an idea of their vision for the future. But still asking, "What would Stella and Sarah-Jane do?"!    About Fun Palaces Stella Duffy and Sarah-Jane Rawlings co-founded Fun Palaces in 2013 to create a celebration of Joan Littlewood's centenary on the 6th October 2014. As more communities, individuals and organisations across the UK asked if they could join in, it quickly became clear that it was never going to be a one-off. Recently Kirsty Lothian and Makala Cheung became co-directors of the organisation.   Developed from Joan Littlewood and Cedric Price's never-built 1960s vision of one building for all arts and science, free to the local community of the East End, the 21st century Fun Palaces is about reclaiming public space, encouraging cultural venues to throw open their doors, shining a light on unsung community activism and supporting local people to step up to co-create their own community events. Learning from the communities that take part every year, Fun Palaces has changed and grown, and is now as varied as the people who take part.    This year Fun Palaces will run again in October. Get involved by registering your Fun Palaces event now.   Thanks for listening to the Fun Palaces podcast. If you like what you hear please do subscribe to it and also rate and review us.    Credits:  Find out more at: www.funpalaces.co.uk Follow us on Twitter: @FunPalaces Follow us on Instagram: @FunPalaces Producer: Dan Vo  Audio mix: Lewis Campbell Music mix: Samuel Gunn Guests: Kirsty Lothian and Makala Cheung.

Episode 029: A Taste of Honey by Shelagh Delaney Host: Douglas Schatz Guest: Nadine Holdsworth Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We'll discuss the play's origins, its themes, characters, structure and impact. For us the play is the thing. Shelagh Delaney's A Taste of Honey caused a sensation when it appeared at the Theatre Royal Stratford in 1958 because of its frank portrayal of a working-class, single mother and daughter, as well as its bold representations of a mixed-race relationship and a young homosexual as a central character. Delaney sent her first play to the renowned director Joan Littlewood who helped develop it into an historic production which went on to the West End and Broadway. Professor Nadine Holdsworth helps us to explore the enduring power and relevance of the play.

Today it's a Fun Palaces conversation between Stella Duffy and Sarah-Jane Rawlings as they prepare to step down as co-directors and say farewell (although it's really not goodbye forever!).    About Fun Palaces Stella Duffy and Sarah-Jane Rawlings co-founded Fun Palaces in 2013 to create a celebration of Joan Littlewood's centenary on the 6th October 2014. As more communities, individuals and organisations across the UK asked if they could join in, it quickly became clear that it was never going to be a one-off.   Developed from Joan Littlewood and Cedric Price's never-built 1960s vision of one building for all arts and science, free to the local community of the East End, the 21st century Fun Palaces is about reclaiming public space, encouraging cultural venues to throw open their doors, shining a light on unsung community activism and supporting local people to step up to co-create their own community events. Learning from the communities that take part every year, Fun Palaces has changed and grown, and is now as varied as the people who take part.    This year the emphasis was on tiny Fun Palaces - safe, socially-distanced, with community connection at their heart - and how anyone can get involved - even now.    Thanks for listening to the Fun Palaces podcast. If you like what you hear please do subscribe to it and also rate and review us.    Credits:  Find out more at: www.funpalaces.co.uk Follow us on Twitter: @FunPalaces Follow us on Instagram: @FunPalaces Producer: Dan Vo  Editor: Samuel Gunn Guests: Peter Lower, Yvonne Marjo, Ruth Murray, Degna Stone. Made with help from: Stella Duffy, Sarah Jane Rawlings, Ravina Bajwa, Kirsty Lothian and Daniel King.

"he changed his name on the top deck of a red London bus as it went by Bart's hospital"

In this episode, recorded live at East 15 in November 2020, Gerry McAlpine, a graduate of the school and currently head of the First year of the BA and Cert HE, talks about the spirit at the heart of Margaret Walker's drama school, established to promote and develop the ideas and working methods of Joan Littlewood's Theatre Workshop. The other voice you will hear sometimes is that of Andrea Brooks who currently runs the MA acting degree at East 15. The photograph is of the pond dug as part of the living history project a good example of East 15's working methods.Support the show

In this second podcast, host Dan Vo explores Tiny Connections, one of the core aspeects of Fun Palaces.   He'll speak with Degna Stone in Newcastle, Ruth Murray from New Mills and Yvonne Marjo from the Isle of Mull in Scotland about how they got involved with the Fun Palaces weekend with A Manifesto of Tiny Commitments. We also meet Peter Lower from Chippenham who we'll unwittingly take on a journey to write his own manifesto!   About Fun Palaces Stella Duffy and Sarah-Jane Rawlings co-founded Fun Palaces in 2013 to create a celebration of Joan Littlewood's centenary on the 6th October 2014. As more communities, individuals and organisations across the UK asked if they could join in, it quickly became clear that it was never going to be a one-off.   Developed from Joan Littlewood and Cedric Price's never-built 1960s vision of one building for all arts and science, free to the local community of the East End, the 21st century Fun Palaces is about reclaiming public space, encouraging cultural venues to throw open their doors, shining a light on unsung community activism and supporting local people to step up to co-create their own community events. Learning from the communities that take part every year, Fun Palaces has changed and grown, and is now as varied as the people who take part.    This year the emphasis was on tiny Fun Palaces - safe, socially-distanced, with community connection at their heart - and how anyone can get involved - even now.    Thanks for listening to the Fun Palaces podcast. If you like what you hear please do subscribe to it and also rate and review us.    Credits:  Find out more at: www.funpalaces.co.uk Follow us on Twitter: @FunPalaces Follow us on Instagram: @FunPalaces Producer: Dan Vo  Editor: Samuel Gunn Guests: Peter Lower, Yvonne Marjo, Ruth Murray, Degna Stone. Made with help from: Stella Duffy, Sarah Jane Rawlings, Ravina Bajwa, Kirsty Lothian and Daniel King.

The death of actress Barbara Windsor was announced today. A household name from EastEnders and the Carry On films, she was also acclaimed for her early performances at Joan Littlewood's Theatre Royal Stratford East. Cultural commentator Matthew Sweet discusses her career. The DCMS announced today the latest release of money from the Cultural Recovery Fund. Previously they issued grants and this time they’re issuing loans. What will this mean for the UK’s arts sector? Front Row asks minister Caroline Dinenage. The Chorus of the Royal Northern Sinfonia is premiering a new choral version of Ralph Vaughan Williams’ Fantasia on a Theme by Thomas Tallis, using the text of the original hymn on which the fantasia is based. Chorus Director Timothy Burke and soprano Joanna Finlay join Front Row. Spike Lee’s latest film is David Byrne’s American Utopia, a recording of the Broadway stage performance by the former Talking Heads frontman of his 2018 studio album. Kevin Le Gendre reviews the film which also features a number of Talking Heads hits, including Burning Down the House and Once in a Lifetime. Zaina Arafat talks about her debut novel, You Exist Too Much, a coming-of-age story set between the US and the Middle East. It follows a young woman struggling with her sexuality, her Palestinian heritage and an emotionally distant relationship with her conservative mother. Presenter: Tom Sutcliffe Producer: Timothy Prosser Studio Manager: Nigel Dix

In the grips of a drug crisis, why Portugal took a radical approach in 2001 and became the first country in the world to decriminalise all drugs. Also searching for those who disappeared during apartheid rule in South Africa, how mistakes with the initial production of the polio vaccine made thousands of children ill in 1995, plus the black women who helped propel NASA's space programme and Joan Littlewood a giant in 20th century British theatre. (Image: Staffers interview a new patient in Lisbon, Portugal (Credit: Horacio Villalobos - Corbis/Corbis via Getty Images)

The working class woman who shook up the British theatre establishment in the 1950s and 60s. Joan Littlewood introduced improvisation and helped break down class barriers. She set up a theatre in a working class area in the east end of London which put on plays written by amateur writers and actors, many without classical training. She delighted in the fact that the laziest person in the company might be working class and the poshest the one scrubbing the stage. She went on to create successes such as 'Oh! What a Lovely War' and 'A Taste of Honey'. Claire Bowes has been talking to her friend and biographer, Peter Rankin. Photo: Joan Littlewood outside the Theatre Royal Stratford in 1974 (Press Association)

In this first podcast, you're going to hear from Fun Palaces co-director Stella Duffy, on Fun Palaces Weekend this coming October 3rd-4th, how the original idea came about, and how this year will be about having tiny ones.   Fun Palaces Maker Lorena Hodgson will give you lots of ideas about how you can get involved with Fun Palaces this year and two Fun Palaces Ambassadors Lewis Hou and Beverley Nunn will give you some info about the Fun Palaces that are already live on the official Fun Palaces map. Also, Eddie McCleneghan drops by to read us a poem!   About Fun Palaces Stella Duffy and Sarah-Jane Rawlings co-founded Fun Palaces in 2013 to create a celebration of Joan Littlewood's centenary on the 6th October 2014. As more communities, individuals and organisations across the UK asked if they could join in, it quickly became clear that it was never going to be a one-off.   Developed from Joan Littlewood and Cedric Price's never-built 1960s vision of one building for all arts and science, free to the local community of the East End, the 21st century Fun Palaces is about reclaiming public space, encouraging cultural venues to throw open their doors, shining a light on unsung community activism and supporting local people to step up to co-create their own community events. Learning from the communities that take part every year, Fun Palaces has changed and grown, and is now as varied as the people who take part.    This year the emphasis is on tiny Fun Palaces - safe, socially-distanced, with community connection at their heart - and how anyone can get involved - even now. Usually the Fun Palaces HQ team try to visit as many Fun Palaces as they can, but this year they're staying at home and making their own and invite you to make your own tiny Fun Palaces too and put them on the map!   In the UK and beyond, Fun Palaces are happening in lots of different shapes and sizes - in garden in Orkney, on streets and parks in London, on a village fence post in North Wales, a canal towpath in Sheffield, a travelling wheelbarrow in Mansfield, and even on a boat off the coast of Cornwall - this year's Fun Palaces Makers have found ingenious ways to come together in safe and tiny ways.    Thanks for listening to the Fun Palaces podcast. If you like what you hear please do subscribe to it and also rate and review us.    Credits:  Find out more at: www.funpalaces.co.uk Follow us on Twitter: @FunPalaces Follow us on Instagram: @FunPalaces Producer: Dan Vo  Editor: Samuel Gunn Guests: Lewis Hou, Stella Duffy, Lorena Hodgson, Beverley Nunn and Eddie McCleneghan. Made with help from: Stella Duffy, Sarah Jane Rawlings, Ravina Bajwa, Kirsty Lothian and Daniel King

Theatre director and producer Jude Kelly talked to Aleks about growing up in ‘50s Liverpool, finding and fostering revolutionary theatre, and about a woman many refer to as ‘The Mother of Modern Theatre’.  Jude Kelly is a British theatre director and producer. She has directed more than a hundred plays and her work has appeared at the Royal Theatre Company, London’s West End, and the Châtelet in Paris. She was 26 years old when she took on the role of Artistic Director at the Battersea Arts Centre, and then 12 years at Britain’s biggest cultural institution, the Southbank Centre in central London. In 2010, Jude took a side step, and started her own thing, the Women of the World Festival.  To find out more about Jude Kelly and possibly how to attend one of her WOW fests… go to https://www.judekellystudios.com/ You can find more on Joan Littlewood on the British Library’s website, under the title, ‘An introduction to Joan Littlewood’s theatre practice’.

Ben and Garth review the Wikipedia page for Improvisational theatre. Rhubarb strikes comes full circle. Stephen Colbert and Seth Myers are good but Trump is getting old. Improv and other arts rank. Men who stare at goats and the Netflix episode game. Do the Superman pose and have a crowd chant your name. Hecklers, selling out, Joan Littlewood, Humour Door merch, smoking, Apu, Coca Cola, purple Power Aid, Pascall and Wiki Review semi-live. The 14 dimensions are: attention, perception, imagery and fantasy, inner speech, memory, higher-level thought processes, meaning or significance of experiences, time experience, emotional feeling and expression, level of arousal, self-control, suggestibility, body image, and sense of personal identity. Buy Kizlyar knives and Check out Coffee Goblin: https://www.instagram.com/bjo0se/ https://en.wikipedia.org/wiki/Improvisational_theatre Humour Door Facebook: https://www.facebook.com/HumourDoor Humour Door YouTube: https://www.youtube.com/channel/UCr5ucoBBUNfpjLfc0EWM0ww Humour Door Instagram: https://www.instagram.com/humourdoor/ Humour Door Twitter: @thehumourdoor humourdoor.com.au wikireviewpodcast@gmail.com Theme: I Live For The Bass Drum - DJ S3rl https://djs3rl.com

The Fun Palace was an idea conceived originally by influential theatre maker Joan Littlewood with architect Cedric Price in the early 1960s. Their building-based idea was never built, but writer and actor Stella Duffy OBE came up with the idea to resurrect it in a different way for Littlewood’s centenary in 2014. This has become a fast-growing annual event co-directed by Stella with Sarah-Jane Rawlings and is about to celebrate its fifth anniversary. In this episode, David Chadderton talks to Stella about her realisation of the Fun Palace idea for the twenty-first century on a countrywide scale, and she also makes some provocative suggestions about theatre, culture, outreach projects and diversity. The fifth Fun Palaces event will be on 6 and 7 October 2018. For information on fun palaces near to you or details of how to create a fun palace of your own, see the Fun Palaces web site.

Becks and Sam chat to RSC Deputy Artistic Director / tremendous superwoman Erica Whyman. Topics include #metoo, drama school, diversity and Joan Littlewood.

On Start the Week, Tom Sutcliffe considers the relationship between play and creativity. Steven Johnson examines how the human appetite for amusement has driven innovation throughout history. Writer and theatre maker Stella Duffy has revived Joan Littlewood's 1960s concept of The Fun Palace- a 'laboratory of fun' for all. The economist Tim Harford advocates embracing disorder in every area of our lives, from messy desks to messy dating. Journalist and former cricketer Ed Smith believes that creativity in sport is a combination of skill and luck. Producer: Kirsty McQuire.

Playwright David Hare chose 'Oh What a Lovely War' from the Joan Littlewood stage show and 'Simple Twist of Fate' by Bob Dylan, sung by Diana Krall.

international treasure dudley sutton Isotopica today treats with good friend and (official) national treasure Dudley Sutton, to mark the end of his lino cut illustrated poem exhibition at the Chelsea Arts club. We talk of his 60’s adventures in New york with Joan Littlewood, dope fuddled filming in Antigua and more recent collaborations with Andrew Kotting (testing soil temperature with bare buttocks and poems in a pedalo). Delishhhh! Dudley in andrew kottings "this Filthy earth"

Libby Purves meets artist Arabella Dorman; presenter and parish priest the Reverend Richard Coles; former baker Ted the Bread Davies and director Joan Littlewood's former assistant, Peter Rankin. Arabella Dorman is a war artist and portrait painter. Her exhibition, Before the Dawn, features work reflecting her time in Afghanistan over the last five years. The exhibition shows the reality of life for Afghan families and British soldiers at a time of transition with the withdrawal of British and US troops. Before the Dawn is at La Galleria Pall Mall, London. The Reverend Richard Coles is a parish priest in Northamptonshire and presenter of BBC Radio 4's Saturday Live. He was also half of the eighties pop duo the Communards with Jimmy Somerville. In his memoir he reveals his journey from a rock-and-roll life of sex and drugs to a life devoted to God and Christianity. Fathomless Riches - or How I went from Pop to Pulpit is published by Weidenfeld And Nicolson. Ted Davies is a former chef and baker with the RAF. He has written a children's book, Ted the Bread and the Harvest Festival, based on the character Ted, a teddy bear who is a baker in a small Welsh village. The character of Ted the Bread is inspired by Ted's own story when he was stationed in Tobruk in North Africa, baking bread for 2000 service staff a day. Ted the Bread and the Harvest Festival by Ted Davies and Lynn Dulson is published by Wilton 65. Peter Rankin worked as Joan Littlewood's assistant, becoming a close friend of the innovative theatre director. His biography Joan Littlewood: Dreams and Realities draws on their conversations, letters and Littlewood's personal archives to tell the story of how she rose from lowly beginnings to become a dominant figure in British theatre. Joan Littlewood: Dreams and Realities is published by Oberon Books. Producer: Paula McGinley.

Phil Collins, Mike Rutherford and Tony Banks of Genesis discuss a new documentary about the band and Sarah Churchwell reviews David Mamet's Speed the Plow starring Lindsay Lohan. Also on the programme Jude Kelly and Stella Duffy explain how this weekend they're hoping to fulfil Joan Littlewood's vision of making art and science available to all through the Fun Palaces initiative and Victoria Hislop reveals the real history behind her new novel. Presenter: John Wilson Producer: Ellie Bury.

Murray Melvin reflects on his acting career in the original productions of A Taste of Honey and Oh What A Lovely War and working with people such as Joan Littlewood, Ken Russell and Stanley Kubrick. This is a recording of a live Platform event from March 2014.

With Kirsty Lang. Oh What a Lovely War, Joan Littlewood's controversial musical satire about the First World War, is being revived in its original home, the Theatre Royal Stratford East. The 1963 production, which Littlewood intended would mock 'the vulgarity of war', was loved by audiences, but detested by some who saw its message as unpatriotic. Critic and historian Kathryn Hughes reviews the production and considers whether the play has the same impact today. After the success of the 'Child 44' trilogy, author Tom Rob Smith has just published a somewhat different type of crime novel. 'The Farm' is a psychological thriller, set in Sweden and England, which keeps the reader guessing throughout. He reveals how the main premise for the novel was inspired by a real life event very close to home. The first series of the television drama, Line Of Duty, found many fans for its study of police corruption. The writer, Jed Mercurio, has now written a second series with a new police officer, Detective Inspector Lindsay Denton played by Keeley Hawes, under investigation. The writer MJ Hyland reviews. How best to translate a novel is a perennial question, but some authors whose works have been published in China have also found the stories themselves being censored. Kirsty hears from journalist Jonathan Fenby and from literary-translation rights specialist Jenny Robson - and US based crime-writer Qiu Xiaolong and Booker Prize winner AS Byatt relate their two very different experiences. Producer: Rebecca Armstrong.

Fifty years since Oh What a Lovely War was first performed, Night Waves pays tribute to Joan Littlewood's revolutionary anti-war musical. In a programme recorded before an audience at the Theatre Royal Stratford East where the show received its premiere, Samira Ahmed and her guests, the critic, Michael Billington, Erica Whyman from the RSC, the historian, David Kynaston and Murray Melvin from the original cast, discuss how Oh What A Lovely War changed Britain's theatrical landscape and redefined the way the think about the First World War.

Dudley Sutton, Joan Littlewood, The Soviet Union, Sheffield, The Committee, Dr Chicago all mixed together, like a family, it's isotopica Dudley Sutton (far left as ever), in a still from Ken Russell's The Devils, with Michael Gothard and Vanessa Redgrave Mr sutton's Door  

With Mark Lawson. Barbara Windsor reflects on her career, as she receives a lifetime achievement award at the Bradford International Film Festival. Long before her best-known roles in the Carry On films and as Peggy Mitchell in EastEnders, she worked with Joan Littlewood at Theatre Royal, Stratford East and was nominated for awards for her performances in Sparrers Can't Sing and Oh, What A Lovely War! Playwright Enda Walsh and actor Cillian Murphy first collaborated on the acclaimed play Disco Pigs in 1996. Both have gone on to forge successful careers in theatre and film, and have re-united for Misterman, a one-man play at the National Theatre. They reflect on how they've both changed over time, and why it is impossible to be a celebrity in Ireland. Timothy Mo's new novel is called Pure - which is also the title of Andrew Miller's recent prize-winning novel . And the new biography of Simon Cowell is called Sweet Revenge, a title found on a number of romantic novels. Professor John Sutherland reflects on some of the most frequently used titles in literary history. Producer Erin Riley.

Nigel Hawthorne is now very well-known as Secretary to the Cabinet in the television series Yes, Prime Minister. In conversation with Michael Parkinson, he talks about his childhood in South Africa, dropping out of Cape Town University to become an actor, the move to England, the Theatre Royal, Stratford East with Joan Littlewood and eventual fame.[Taken from the original programme material for this archive edition of Desert Island Discs]Favourite track: Her Holle Rache (The Magic Flute) by Wolfgang Amadeus Mozart Book: Teach yourself French Luxury: Pencil and paper

Nigel Hawthorne is now very well-known as Secretary to the Cabinet in the television series Yes, Prime Minister. In conversation with Michael Parkinson, he talks about his childhood in South Africa, dropping out of Cape Town University to become an actor, the move to England, the Theatre Royal, Stratford East with Joan Littlewood and eventual fame. [Taken from the original programme material for this archive edition of Desert Island Discs] Favourite track: Her Holle Rache (The Magic Flute) by Wolfgang Amadeus Mozart Book: Teach yourself French Luxury: Pencil and paper