Podcasts about Enda Walsh

In this episode of Irish Stew, host Martin Nutty connects with key figures from Solas Nua, a dynamic Washington, D.C.-based arts organization devoted to contemporary Irish culture. Recorded during the Capital Irish Film Festival, the conversation features:Kate Meenan-Waugh, Board Co-ChairAndrew Dolan, Executive DirectorRex Doherty, Artistic Director of TheaterKate recounts her Irish upbringing, her background in education, and the path that led her to Solas Nua. Andrew delves into the opportunities and hurdles of running an arts organization without a permanent venue, highlighting the power of partnership-driven programming. Rex shares his journey of reconnecting with Irish heritage and describes how Solas Nua nurtures the growth of Irish theater and artists.Together, they explore Solas Nua's mission to promote Irish voices, innovative approaches to community engagement, and upcoming initiatives, including events spotlighting renowned playwright Enda Walsh.As Solas Nua marks its 20th anniversary, the guests reflect on the organization's evolving impact, the significance of cultural storytelling, and the enduring influence of Irish arts in the U.S.This episode is dedicated to the memory of Daniel Lee, the Irish King and beloved brother of John Lee.LinksSolas NuaWebsiteInstagramTwitter (X)FacebookEnda Walsh Festival - June 21 - 22Kate Meenan Waugh - Board Co-ChairProfile at Solas NuaAndrew Dolan - Executive DirectorLinkedInNEA - Artful Life InterviewRex DaughteryWebsiteLinkedInEpisode Details: Season 7, Episode 19; Total Episode Count: 122

CINEMA! E ANCORA CINEMA! Nuovo appuntamento con la mia rubrica "improvvisata" in cui esprimo opinioni su film visti da pochi minuti al Cinema per ricordarvi che il CINEMA è AL CINEMA! Il Mondo è un posto crudele e spietato. Ha senso credere ancora nella bontà? "Piccole cose come queste" di Claire Keegan, ora sul grande schermo grazie a Tim Mielants ed Enda Walsh, riflette su questo attraverso un racconto sofferente vissuto da un protagonista bisognoso di fare qualcosa di buono. Per se stesso e per qualcun altro.

Enda Walsh to write Chitty Chitty Bang Bang remake while 28 Years Later has a sequel already shot.

The Irish Aviation Authority, has launched the 'Drone Safely This Christmas' Campaign, supported by Drone Innovation Partnership and Dublin City Council. If you're thinking of getting a drone this Christmas, you need to make sure you register as an Operator on the IAA website and that you know the rules before you fly. This advice comes ahead of the busiest shopping days in the lead up to Christmas. Drone use is on the rise and the number of drones and operators registered in Ireland has risen exponentially over past number of years. Safety is paramount, and so since 2021, the IAA has registered over 8,000 drone operators and trained over 21,500 drone pilots. This year has seen a 24% increase in the number of pilots trained. Consumers who own a drone that is over 250gr or has a camera, are legally required to register as a drone operator. If you are a drone operator, drone safety is your responsibility. You need to ensure you are always in control of the drone and that you remain compliant with the law. Jim Gavin, Chief Operations Officer of the Irish Aviation Authority commenting on drone safety said: "Drone use has increased significantly in recent years. Piloting a drone is fun but it comes with responsibility to fly it safely while respecting people's privacy. Remember a drone is not a toy and can have very serious consequences if it collides with a person, an animal or another aircraft. So, if you do get a drone this Christmas, remember it's your responsibility to know the rules and fly it safely." Veronica Mariti Sesoko, Drone Innovation Partnership (DIP) Engagement Lead added: "As drones top Christmas wish lists, it's crucial to remember they are not toys. Fly responsibly by checking current regulations and following safe practices. The Drone Innovation Partnership (DIP), a collaboration between the Irish Aviation Authority, Dublin City Council, and Maynooth University, is working to ensure drones enhance public services and support emergency responses while keeping our skies safe through active stakeholder engagement, including citizens." "Thankfully the vast majority of drone users are compliant with the regulations. However, we are concerned, with the rapid growth of drone usage, that not all new pilots may be aware of their responsibilities which can lead to unsafe flying. If you see anyone not complying with the regulations, we encourage people to contact the IAA. Reckless use of a drone or inappropriate use of a drone camera may result in prosecution," Enda Walsh, UAS Manager/Drones Manager from the Irish Aviation Authority added. For more information on IAA Drone Safety Regulations and registration process, visit www.iaa.ie/drones.

Enda Walsh, IAA, UAS Manager talks about what you need to know if you're getting or gifting a drone this Christmas.

Aedín talks to Cillian Muphy, Emily Watson and Eileen Walsh, who star in the big release in cinemas this weekend, Small Things Like These, based on the novel by Claire Keegan, adapted for screen by Enda Walsh.

This week on Screentime John Fardy chats to Will, Matthew and Alexandra Reeve about the powerful new film about their father's life and career 'Super/Man: The Christopher Reeve Story'. Acclaimed playwright and screenwriter Enda Walsh along with director Tim Mielants join John to talk about bringing Claire Keegan's 'Small Things Like These' to the big screen. Plus, John hears all about this year's Cork International Film Festival now in its 69th year.

To mark the release of Cillian Murphy's new film Small Things Like These, Steven sat down with actress Eileen Walsh to discuss her role in the movie and the working relationship she has with Cillian. Eileen's career spans over 30 years, with her breakthrough performance coming in Enda Walsh's play Disco Pigs. This bonus episode explores Eileen's work to date, her long-standing friendship with Cillian and why she felt compelled to take on another role that focused on the Magdalene laundry subject 22 years after she first appeared in The Magdalene Sisters. Small Things Like These is in cinemas nationwide starting Friday, November 1st. Hosted on Acast. See acast.com/privacy for more information.

Soundtracking the inner spaces of trauma and anxiety, as composer and sound designer, Anna Mullarkey teams up with Enda Walsh.

A two-year in-depth study to help prepare Dublin and other European cities for the widespread use of drones in commercial and civic life has been launched at the offices of Dublin City Council by the Minister of State at the Department of Transport and the Department of the Environment, Climate and Communications, James Lawless T.D. The project is led by a research team from Lero, the Research Ireland Centre for Software and Maynooth University in collaboration with Dublin City Council (DCC), and the Irish Aviation Authority (IAA). Speaking at the launch, Minister Lawless said: "Ireland has an established record of leadership in regulation of emerging technologies. As drones begin to be used more and more across the globe, at home, we have seen them supplying emergency medicines, delivering fast food, used for search and rescue purposes and to enhance public safety, among a range of important applications. Earlier this year, the Government held a public consultation on the development of a policy framework for Unmanned Aircraft Systems (UAS), commonly referred to as drones. The research partnership being launched today between Lero, Maynooth University, Dublin City Council and the Irish Aviation Authority, with stakeholder engagement at its heart, is very much aligned with the Government's efforts to foster the industry's growth while mitigating safety, security, environmental, privacy, and other concerns." Welcoming the announcement, Dr Ciarán Seoighe, Deputy CEO of Taighde Éireann - Research Ireland, the newly established research and innovation funding agency, said: "Research Ireland supports partnerships such as this to bring key stakeholders together to drive progress and capitalise on the advantages offered by innovative and disruptive technologies. While exploring emerging technologies and systems to capture data and support responses to critical events, this collaborative approach helps us to better understand its potential benefits and impact on wider society. Investing in basic research is of strategic importance to Research Ireland, as it allows us to support a pipeline of transformative solutions to bring about real-world benefits." Project Coordinator Professor Tim McCarthy of Maynooth University and LERO believes the project is particularly timely as unmanned drone ecosystems are beginning to emerge globally and involve a wide variety of stakeholders and end-users. A vital aspect of the research project, according to Prof. McCarthy, will be the creation of a digital twin for Dublin City to explore and simulate urban drone flight ecosystems, allowing researchers to address issues that emerge in a safe and controlled environment. "This digital twin will capture inputs from all stakeholders, enable simulation of drone activities and provide prototype digital optimisation services in addressing various business, market, safety, privacy, nuisance and environmental concerns," he added. The partnership will also deliver a number of 'state of the art' drone applications to show the benefits of autonomous and remote piloting of drones to support life-saving and emergency response applications in a Dublin City setting. "This unique drone innovation partnership will contribute to Dublin City Council's Drone and Urban Air Mobility Strategy 2024-2029, an ambitious roadmap to support the integration of drones into city services and position Dublin and Ireland as a European leader in Drones and Urban Air Mobility," said Jamie Cudden, Smart City Lead Dublin City Council. Enda Walsh, manager of the IAA's UAS division, believes the partnership will deliver crucial insights for safely integrating UAS into urban environments while maximising benefits to society and laying the foundation for developing UAS Traffic Management (UTM) for the State. "The Drone Innovation Partnership project will look at stakeholder concerns and provide crucial information and analysis of the key aspects around security, environment, and privacy for UA...

Enda Walsh and Anna Mullarkey - Charlie Bonner - Be Kind Rewind

Esta semana, na estante do programa a que há quem chame Governo Sombra, temos um ensaio sobre o modo como a dissimulação e o engano, que não são um exclusivo humano, têm um papel importante na selecção natural das espécies: chama-se “Os Mentirosos da Natureza e a Natureza dos Mentirosos”; recolhemos uma obra de referência intitulada “Livros de Fotografia em Portugal”; encontramos “Remédio”, um livrinho de teatro de Enda Walsh, autor irlandês que vai estar no Festival de Teatro de Almada, ao mesmo tempo que a companhia que o leva à cena, os Artistas Unidos, perdeu de novo o espaço onde tinha o palco, na Politécnica; e a terminar há um ensaio sobre uma das polémicas associadas às chamadas guerras culturais do nosso tempo: “Racismo Woke”, de John McWorthen.See omnystudio.com/listener for privacy information.

Playwright Enda Walsh is the latest inductee into the Culture Club, where he picked his favourite music, TV, films, books and loads more.Click the ‘Play' button on this page to hear his choices.

Cillian Murphy has received global acclaim for his performance in the title role of Christopher Nolan's epic film Oppenheimer. He has been nominated for an Oscar, which follows the best actor award he picked up at this year's Golden Globes. On the small screen he played the Birmingham gangster Thomas Shelby for a decade in the BAFTA-winning Peaky Blinders, which made him a household name. Cillian was born in Cork in 1976 and initially music was his creative outlet. His band Sons of Mr Green Genes, which he formed with his younger brother, was offered a five album record deal, but the boys' parents thought his brother was too young and vetoed a career in music.Cillian changed tack and in 1996 was cast as Pig in Enda Walsh's play Disco Pigs, reprising the role in a film version in 2001. His breakthrough film role came playing Jim the bicycle courier in Danny Boyle's 28 Days Later in 2002 which he followed up with a starring role in Ken Loach's the Wind that Shakes the Barley. In 2005 he played Dr Jonathan Crane - Scarecrow - in Christopher Nolan's film Batman Begins, which was the start of their continuing creative collaboration.Cillian lives in Ireland with his wife, the artist Yvonne McGuinness, and their two sons. DISC ONE: The Boy in the Bubble - Paul Simon DISC TWO: The Wandering Minstrel - Séamus Ennis DISC THREE: Walter's Trip - The Frank and Walters DISC FOUR: Bullet the Blue Sky - U2 DISC FIVE: Somebody to Love - Queen DISC SIX: Everything in its Right Place - Radiohead DISC SEVEN: We Can Work it Out - The Beatles DISC EIGHT: If I Was A Painter - Lisa O'Neill BOOK CHOICE: Samuel Beckett: The Complete Dramatic Works LUXURY ITEM: An acoustic guitar and strings CASTAWAY'S FAVOURITE: We Can Work it Out - The BeatlesPresenter Lauren Laverne Producer Paula McGinley

Torna a trovarci il regista e attore teatrale Valter Malosti, che dopo "Lazarus" di David Bowie e Enda Walsh sta portando in tour per l'Italia un adattamento dell'"Antonio e Cleopatra" di William Shakespeare. È l'occasione per parlare del genio del bardo inglese, ma anche dello stato del teatro oggi e della sua importanza nel tessuto culturale di un paese. Playlist: Radiohead - "Exit Music (For A Film)"Fontaines D.C. - "I Love You"Bill Ryder-Jones - "Thankfully For Anthony"

Owen Blackhurst, Seb White, Tommy Stewart, and James Bird are here to chat about our Bob Marley x Admiral collaboration, Joe Jordan and Gennaro Gattuso, goose grease, Grindr and Feeld, football kinks, Football Focus, fake Oakleys, squaring up to Patrick Vieira, Irish playwright Enda Walsh, Italia 90, an angry Steve Staunton, playing pool with Jack Charlton, Paul Gascoigne pouring pints over his head, an Irish Wolfhound, Owen's army of dogs, Daniel Radcliffe, Lauren James, Emma Hayes, Lionel Messi, Mohamed Salah, Steve Buscemi, Mitchell and Webb, Wayne Rooney in the rondo, Reece James, Edgar Davids at Barnet, Banquet Records, Kevin Day at Crystal Palace, The Office, the Wolverhampton Civic, Wu-Tang Clan: Of Mics and Men, training tops, Seb sleeping in football shorts, sandbaggers, swearing at women's football, IDLES, independent record shops, Tower Records, pub darts, and remember, please subscribe to the magazine so that we can keep doing the podcast!Get the latest issue of MUNDIAL Mag hereSign up for the The Hat-Trick NewsletterFollow MUNDIAL on Twitter - @mundialmagFollow MUNDIAL on Instagram - @mundialmag Hosted on Acast. See acast.com/privacy for more information.

This week, we catch up with dairy farmer Enda Walsh on balancing returning home with travel, the mindset needed for farming full-time with your parents and the KPIs central to successful spring calving.

On this week's show, Keith spoke to Brendan Golden and James Gallagher who are both going for the IFA Connacht chair positions, John Noonan on an upcoming walk and Enda Walsh from Dairy Farm in Clarinbridge.

Ready for the biggest roadblocks, lessons learnt and latest expert insights on drone operations in aerial cities? Lorenzo Murzilli, CEO and Co-Founder of Murzilli Consulting moderated this unmissable panel with regulators from Austria, Ireland and Malta at Aerial Cities 2023. The session covers everything from the proof of concept phase, to the significations of Light UAS Operator Certificates (LUCs) to how to improve airspace access for drone operators, as well as cities' roles in shaping drone operations. Lorenzo was joined by Dominik Janisch, UTM Coordinator, Austro Control, Enda Walsh, UAS Manager at Irish Aviation Authority, Dr. Analiza Abdilla, Inspector at the Civil Aviation Authority in Malta and Justin Steinke, Senior Vice President Commercial Business, Spright.

Sounds From A Safe Harbour, Enda Walsh tells us more - Bonny Light Horseman with RTÉ Concert Orchestra will be in Ireland this September - The Road to Joe, A new production from Glass Mask Theatre and writer Carmel Winters.

11am-12pm Ours to Protect - Andrew St Ledger on the Reimaging the Great Forest of Aughty event this weekend  Update on the Galway International Arts Festival  Colm & Brenda Meaney currently starring in Enda Walsh's Bedbound  == 'Galway Talks with Keith Finnegan' broadcasts every weekday morning from 9am on Galway Bay FM.

Father and daughter, Colm Meaney and his daughter Brenda, have teamed up to work together on the new play by Enda Walsh called 'Bedbound'. Funnily enough, the pair play father and daughter and they joined Ian in studio this morning to tell him all about it. Starring Colm Meaney and his daughter Brenda Meaney, it runs from the 14 - 29 July at Bailey Allen Hall, University of Galway as part of Galway International Arts Festival and the 8 - 12 August at 3Olympia Theatre. Colm & Brenda join me this morning in studio. Colm returns to the Irish stage for the first time in over 40 years, to play the once-flamboyant furniture salesman. Brenda Meaney plays his daughter, confined to a small bed.

Marty is joined by father-daughter duo Colm and Brenda Meaney to talk about their latest collaborative project - Landmark Production's revival of Enda Walsh's 'Bedbound'.

Brenda & Colm Meaney spoke to Ryan about their careers on stage, coming home, and their upcoming major new revival of Enda Walsh's 'Bedbound' produced by Landmark Production and Galway International Arts Festival.

Oggi a Cult: al Piccolo Teatro Strehler arriva "Lazarus" di David Bowie ed Enda Walsh, con Manuel Agnelli, la regia di Valter Malosti e la partecipazione di CasadiLegno; "La classe è morta" (Mimesis ed.) è il titolo del libro fotografico dedicato a Carla Cerati; Federica Pellegrini firma (con Elena Stancanelli) il libro biografico "Oro" (la Nave di Teseo); Angelo Perini introduce la serata "The Spirit of Woodstock" ad Ares a cura di CUB Info e Spettacolo; Barbara Sorrentini in diretta dal Festival di Cannes...

Taking to the stage in Enda Walsh's ‘The New Electric Ballroom' at The Gate, Miriam chats with acting royalty (and sisters) Barbara and Jane Brennan

Welcome to First Thought Backstage with Galway International Arts Festival, a series where we sit down with theatremakers from GIAF 2022 to discuss the making of their shows. Writer and director Enda Walsh ‘s The First Child invites you to an opera like no other – an experience that takes opera to new realms, where a cast of singers is joined by an actor, a dancer and children in a multi-media extravaganza that is at times intimate, explosive and trilling. Listen to Dr Barry Houlihan, Archivist at University of Galway catch up with cast members The First Child in this post-show talk. Hear the cast members' thoughts on the characters they play as they take you on this powerful rollercoaster ride. First Thought Backstage is presented in association with University of Galway.

With many people likely to receive drones as Christmas presents, the Irish Aviation Authority has launched campaign warning operators against the misuse of their devices. For more on the campaign, Shane spoke to the Irish Aviation Authority's Drone Manager, Enda Walsh.

With many people likely to receive drones as Christmas presents, the Irish Aviation Authority has launched campaign warning operators against the misuse of their devices. For more on the campaign, Shane spoke to the Irish Aviation Authority's Drone Manager, Enda Walsh.

Getting a drone this Christmas? Find out how to register your new toy and avoid breaking the law with Enda Walsh, IAA Drones Champion.

Another October Saturday, that means another episode! Send the kids to bed cause this one's for the big kids. We're talking about Netflix's 2022 stop motion anthology The House. We demand more behind the scene sped up stop motion footage. We got HGTV bits, head colds and housing horror stories! SEND US MAIL!If you like the show, don't forget to rate, review, and subscribe. Follow our Instagram and Twitter @cartoonbookclub, and follow our hosts @thebrookesmith and @ryanwithcheese on Twitter&brookeerinsmith.comryangstevens.comBIG THANKS TO:Jacob Menke for our themeFollow them @menkemaster&Urvashi Lele for our art Learn more about Urvashi Lele's animations by visiting http://www.sirpeagreenstudios.com and follow their endeavors on instagram at @sirpeagreen and @maisonaudmi& a special thanks of the week to Enda Walsh for plunge into madness and thanks to all the cast and crew that makes The House one of our favorites.The State of Animation is House (A Judge)!Anthologies we mentioned:The HouseReal World Recs:Brooke: Extra Strength Mucinex (Sponsor Us!)Ryan: Night in the WoodsThis podcast is a part of Audio Mint. If you want to follow us, check us out on Instagram(@audiomintchi) or on Facebook, at Audio Mint. If you wanna support us even more, check out our Patreon by searching Audio Mint on the app or the website!

Writer and director Enda Walsh ‘s The First Child invites you to an opera like no other – an experience that takes opera to new realms, where a cast of singers is joined by an actor, a dancer and children in a multi-media extravaganza that is at times intimate, explosive and trilling. Listen to Dr Barry Houlihan, Archivist at NUI Galway catch up with cast members The First Child in this post-show talk. Hear the cast members' thoughts on the characters they play as they take you on this powerful rollercoaster ride.

With guests - Enda Walsh, Donnacha Dennehy and Paul Fahy - Eímear Noone - Sonya Kelly - Glenn Davis and Brooke Flanagan of Steppenwolf Ensemble & music from Anna Malarkey, ‘Falling Apart'.

Welcome to the official podcast of The Galway International Festival 2022. On the show we'll have interviews  with guests, take a look behind the scenes of this year's festival and give all the recommendations and  information you need to enjoy the best of the arts in Galway. Hosted by Andy Gaffney and Orla Higgins.  Episode two is all about theatre -   Founder of Landmark Productions Anne Clarke joins Orla to talk about their new production at this year's  festival The First Child. The First Child is a stunning new opera from Enda Walsh and Donnacha Dennehy  which runs from the 18th to the 24th of July.   Orla is also joined by Sonya Kelly who brings her new show The Last Return to the Druid Theatre from the 8th to the 23rd of July. Sonya chats about bringing her own unique style of writing to an audience as well as  her own beginnings in stand up comedy.  Also in this episode -   We take a look back at some festival memories with Judy Murphy and Andy joins some GIAF volunteers for  a bit of speed interviewing.   Information for all shows can be found at www.giaf.ie.   This podcast was produced by Andy Gaffney and Orla Higgins.  Special thanks to Flirt FM at NUI Galway.

In which the Mister and Monsters join me in reviewing THE HOUSE (2022), currently streaming on Netflix. The film, told in three parts but focusing around a house is directed by Emma De Swaef and Marc James Roels (segment "I: And Heard Within a Lie Is Spun"); Niki Lindroth von Bahr (segment "II: Then Lost Is Truth That Can't Be Won") and Paloma Baeza (segment "III: Listen Again and Seek the Sun"). Screenplay credit goes to Enda Walsh and story credit is attributed to Johannes Nyholm. Each story is delightfully creepy and the stop motion animation is beautiful. This will not be for everyone but we definitely think it's worth a watch so check it out. The film has a run time of 1 h 37 m and is rated TV-MA. Please note there are SPOILERS in this review. Opening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library. --- Support this podcast: https://anchor.fm/jokagoge/support

The House ou A Casa é uma animação stopmotion britânica, roteirizada por Enda Walsh e distribuída pela Netflix. E assim era uma casa muito engraçada. Dividida em três episódios antológicos, The House conta com as direções de Marc James Roels, Emma De Swaef, Niki Lindroth von Bahr e Paloma Baeza; unindo assim, através do olhar dos diferentes diretores, histórias únicas situadas na mesma casa, porém em universos distintos. Nossos Cubocasters Tiago Batista, Diego Ramon e Lissa Matrelo… Marestrelo… Mastrelo… A Lis, adentram a casa para discutir e debater as analogias e moral contidas na trama desse filme, buscando entender o que cada conto procurou abordar e se há alguma relação entre eles. Ouça também em nossos agregadores: Anchor, PodBeam, Google Podcasts, Deezer, Spotify, Amazon Music, Podcast Addict e no iTunes. O que foi debatido I - Conto: And Heard Within a Lie Is Spun II - Conto: Then Lost Is Truth That Can't Be Won III - Conto: Listen Again and Seek the Sun Cubo Indica Diego Ramon indica Os Box Trolls; Lis Maestrelo indica Ernest & Célestini e The Red Turtle; Tiago Batista Indica A Ilha dos Cães e Anomalisa; Siga a gente nas redes sociais onde produzimos outros conteúdo paras vocês assim como em nosso Instagram e no Twitter, mas também no Facebook caso seja cringe como nós. Então, nossas redes sociais sao todas @podcastaocubo.

Muziek van Gustavo Santaolalla bij het animatie-drieluik The House, van Emma De Swaef, Marc Roels, Niki Lindroth von Bahr en Paloma Baeza. Drie duistere stop-motion animatiefilms, met als gemene deler een mysterieus huis. Het script werd geschreven door de Ierse schrijver Enda Walsh, waarna verschillende regisseurs er hun eigen draai aan gaven. De muziek voor deze trilogie werd geschreven door de Argentijnse componist Gustavo Santaolalla, die met zijn scores voor bijvoorbeeld Brokeback Mountain, Biutiful en Babel overtuigend bewezen heeft met ongebruikelijke middelen betoverende muziek te kunnen maken. Zelfs zonder de beelden is de muziek ontroerend, huiveringwekkend en raadselachtig. Gustavo Alfredo Santaolalla (geboren in 1951) is een Argentijnse musicus, filmcomponist en -producent. Zijn muziekstijl is een combinatie van elementen van rock, soul, Afrikaanse ritmes en Latijns-Amerikaanse folk. In 2005 componeerde hij de muziek voor de film Brokeback Mountain. In 2006 won hij met de muziek voor die film een Oscar voor Best Original Score. In 2007 won hij diezelfde prijs nogmaals voor zijn muziek voor Babel. De soundtrack voor The House bestaat uit drie afzonderlijke delen: het verleden, het heden en de toekomst van het huis. In de slottrack van het derde deel is ook zanger Jarvis Cocker te horen, die trouwens ook een van de stemmen is in de film zelf. Muziek dus van Gustavo Santaolalla voor de film The House.

It has been said before, but this episode was largely off the rails, at least in the beginning and at the end, in the middle, we did actually talk about this....movie? Yeah, it's a movie. Even though IMDb says it's a series but Netflix plays it consecutively so it's a movie. It is Jacob's pick and the graphic designer and a friend of the podcast gave Jacob this week's pick and boy oh boy, we did not enjoy it. But we did have fun with it. This movie was directed by Emma De Swaif, Marc James Roels, Niki Lindroth von Bahr, and Paloma Baeza and was written by Enda Walsh. GD4AM: 25/100 IMDb: 6.9/10 Metacritic: 71/100 RT: 97% Across different eras, a poor family, an anxious developer, and a fed-up landlady become tied to the same mysterious house in this animated dark comedy. This movie is currently streaming on Netflix.

THE HOUSE MOVIE REVIEW Netflix has a new feature called The House and if you're looking for home improvement tips, you've come to the wrong movie. If you're into dark comedy, horror, and stop-motion animation… Welcome home. This animated film was written by Enda Walsh and directed (in three chapters) by Emma De Swaef &… Read More »Screener Squad: The House

THE HOUSE MOVIE REVIEW Netflix has a new feature called The House and if you're looking for home improvement tips, you've come to the wrong movie. If you're into dark comedy, horror, and stop-motion animation… Welcome home. This animated film was written by Enda Walsh and directed (in three chapters) by Emma De Swaef &… Read More »Screener Squad: The House

A new show from playwright Enda Walsh titled "Medicine" tells the story of a man struggling with mental illness, trying to process his past through an unconventional therapy method. The Irish Times says star Domhnall Gleeson's is "a force to be reckoned with." Gleeson joins us to discuss. "Medicine" runs at St. Anne's Warehouse through December 5th. 

With over 230 episodes in the STAGES archive, it's time to revisit conversations featured in previous seasons. STAGES spotlights such episodes, in case you missed them first time ‘round - or so you can simply savour a second listen. Either way, you'll be accessing precious oral histories from the people who were there, on and around our stages.Kate Gaul has established herself as a distinctive and inventive director, with directing credits including plays, opera, physical theatre, devised works, and classics for theatre companies and schools in Australia. She is Artistic Director of Siren Theatre Company where her passion is for text-based drama which challenges artists and audiences to have bold imaginative experiences.She has been a considerable force in playmaking in Australia over the past 25 years. Directing premiere productions and new Australian works. Her directing folio has covered a broad repertoire of stories – The Laramie Project, The Trouble with Harry, Svetlana in Slingbacks, The Ham Funeral, Run Rabbit Run, The Moors and Good With Maps, to touch on a few.A champion of the work of Irish playwright Enda Walsh, she has directed productions of his plays Penelope, The New Electric Ballroom and Misterman – this last play receiving extensive glowing accolades and huge success at the 2017 Edinburgh Festival.Opera credits include Castor + Pollux (Pinchgut), Eight Songs for a Mad King (Verbruggen Ensemble), The Cunning Little Vixen (Sydney Chamber Opera), Hansel and Gretel (Pacific Opera), Il Matrimonio Segreto, English Eccentrics, Les Mamelles de Tiresias, Cendrillon (Sydney Conservatorium), Dialogues of the Carmelites, Die Fledermaus (WAPPA). For Opera Australia, Kate was the assistant director of Rigoletto (Opera Australia) Aida, Opera Australia's Handa Opera on Sydney Harbour and revival director for the schools' production By the Light of the Moon, and OZ Opera production of Carmen, 2007.Kate directed a gender-bending H.M.S Pinafore for Hayes Theatre and its NSW tour in 2020.During the pandemic Kate has been a saviour in lockdown, regularly recommending a vast repertoire of world theatre that periodically played online. She has her finger on the pulse of exhilarating theatre and those who make it. If it's a must-see, Kate will urge us to see it.Kate Gaul is a vital artist and one whose productions never fail to impress, to engage and to prompt discussion.sirentheatreco.comThe Stages podcast is available from Apple podcasts, Spotify, Whooshkaa and where you find your favourite podcasts. www.stagespodcast.com.au

Sabina Brennan shoots the breeze with multi-talented actor, writer, voiceover artist, Norma SheahanHer weekly podcast is Heal Your Hole with Norma Sheahan - which is also the name of this episode.Norma is currently in Gaiety performing “Shirley Valentine” - Unlike COVID you'll want to catch it if you can.. She's RADA trained and has performed in most theatres. She won best actress for Enda Walsh's ‘Bedbound'. TV roles include The Clinic, Mooneboy, Bridget & Eamon, Damo & Ivor, Dead Still, Holding, Women on the Verge, can't cope won't cope… and so much more. Get bonus content on PatreonSupport this show http://supporter.acast.com/superbrain. See acast.com/privacy for privacy and opt-out information.

Seán Rocks previews the Dublin Theatre Festival, with a special guests includling Enda Walsh & composer Donnacha Dennehy, ANU's Louise Lowe, Thommas Kane Byrne, Philip McMahon, Caitríona Daly & Fishamble's Jim Culleton. Further details,    dublintheatrefestival.ie.

A very special Arena from the Galway International Arts Festival, Seán Rocks is joined by director & writer Enda Walsh, Domhnall Gleeson, music with Tolu Makay, Festival Director Paul Fahy, artists John & Joy Gerrard, dancers Stephanie Dufresne & Luke Murphy.

The Seamus Heaney Centre Podcast is created in a small back room by Stephen Sexton and Rachel Brown. It was produced by Conor McCafferty, with music by Nick Boyle, and editorial support by Dara McWade. Marian Keyes was a Seamus Heaney Centre Fellow alongside playwright and director Enda Walsh, and artist and author Oliver Jeffers. 

Ruszyły przygotowania do premiery musicalu "Once" w Teatrze Muzycznym w Toruniu. Z podcastowym mikrofonem zajrzałem na casting. Zapraszam do wysłuchania kolejnego odcinka, którego gośćmi są reżyser Tomasz Dutkiewicz, kierownik muzyczny Michał Rybka oraz Anna Wołek, dyrektor muzycznej sceny w Toruniu. Rozmawiam również z uczestnikami castingu. Podcast odsłuchasz na TuneIn, Apple Podcasts, YouTube, Spotify, Google Podcast, Deezer, Spreaker oraz w wielu aplikacjach podcastowych. Kolejny raz odwiedzam Kujawsko Pomorski Teatr Muzycznych w Toruniu. Nie ukrywajmy, sporo się tu dzieje w ostatnich miesiącach. Przypomnę, trwają próby do musicalu nawiązującego do kultowego serialu Przyjaciele. Warto dodać, że sam casting do "Friends The Musical Parody cieszył się ogromnym zainteresowaniem". Po odsłuchaniu tego odcinka koniecznie posłuchajcie tego z numerem 17-tym, który w całości poświęcony temu spektaklowi.Musical "Once" stworzyli w 2011 roku Enda Walsh, Glen Hansard i Marketa Irglova, nawiązując do filmu z 2007 pod tym samym tytułem w reżyserii Johna Carneya. Przypomnę, że Marketa i Glen zagrali główne role w filmie. Once zostało obsypane nagrodami m.in. prestiżowymi amerykańskimi nagrodami teatralnymi Tony (w tym za najlepszy musical i najlepsze libretto), a także nagrodą Grammy za najlepszą płytę musicalową. Napisana do filmu piosenka „Falling Slowly” otrzymała w roku 2008 Oscara w kategorii Najlepsza Piosenka Oryginalna. Swoją polską prapremierę "Once" miało w Teatrze Muzycznym Roma w Warszawie w maju 2018 roku. Musical reżyserował Wojciech Kępczyński.Oprawa muzyczna podcastu na podstawie licencji Epidemic Sound. --- Send in a voice message: https://anchor.fm/musicalowe-info/message

In this student-led episode, Kath, Addison, and Brooke discuss the Theatre of the Absurd in relation to Samuel Beckett's play Krapp's Last Tape and Enda Walsh's play Penelope. Bibliography Beckett, Samuel. Krapp's Last Tape. Faber and Faber Ltd, 2014. Billington, Michael. “Penelope | Theatre Review.” The Guardian, Guardian News and Media, 26 July 2010, www.theguardian.com/stage/2010/jul/26/penelope-druid-lane-galway-review. Dickson, Andrew. “Nonsense Talk: Theatre of the Absurd.” The British Library, The British Library, 3 Aug. 2017, www.bl.uk/20th-century-literature/articles/nonsense-talk-theatre-of-the-absurd. Hurt, John. “Krapp's Last Tape: John Hurt on Samuel Beckett's Loner Hero.” The Guardian, Guardian News and Media, 23 July 2014, www.theguardian.com/stage/2014/jul/23/john-hurt-samuel-beckett-krapps-last-tape. Lavey, Martha. “Welcome to Penelope.” Steppenwolf Theatre, www.steppenwolf.org/articles/welcome-to-penelope/. Steppenwolftheatre, director. Enda Walsh on Penelope. YouTube, YouTube, 19 Jan. 2012, www.youtube.com/watch?v=KOX9VM7o_KI. Walsh, Enda. Penelope. Nick Hern Books, 2010. Williams, Tom. “Penelope.” Theatre Reviews, 19 Dec. 2011, chicagocritic.com/penelope/.

In this 15-minute interview, playwright Enda Walsh and Galway International Arts Festival Artistic Director Paul Fahy discuss their ongoing collaboration on the Rooms series of immersive theatre installations.  ​ Changing Room, which premiered as part of GIAF's Autumn Edition, is the latest in the series and follows on from Room 303, A Girl's Bedroom, Kitchen, Bathroom, Office 33A and Waiting Room, collectively known as Rooms. The series has toured to Washington and New York, and most recently the entire series was presented at the Barbican, London in 2019. Find out more: https://www.giaf.ie/tours/rooms

Playwright Enda Walsh's short film Touch explores what it is to be isolated during the pandemic, art historians Jessica Fahy & Sarah Wilson guide listeners through how to read a painting from Fra Angelico to Jack B. Yeats, Mary McGill reviews The Pembrokeshire Murders, a new drama series based on the true story of Welsh serial killer, John Cooper.

Será una forma (otra más, aparte de ediciones de fetiches discográficos) de celebrar el que hubiera sido el 74ª cumpleaños de David Bowie. Transmitido online su musical "Lazarus" el 8 de enero en un primer pase y dos más, 9 y 10. Uno de los últimos empeños del artista que escribió junto a Enda Walsh esta historia inspirada en la novela de Walter Tevis "The man who fell to earth" y que se estrenó en 2015. Desde el fin de semana pasado ya se disfruta de ese disco que completa la trilogía de Paul McCartney con su nombre (mejor dicho, su apellido) que tuvo dos antecesores en 1979 y 1980. Once piezas grabadas durante el confinamiento. Noticia del día es también que "Super funk" será una serie de TV que cuente las luces y sombras (adicciones y problemas con la ley) de la vida de Rick James. Novedades foráneas son el single de estreno que es otro avance de "New fragility" de Clap Your Hands Say Yeah o la adaptación navideña de un tema de la banda de new wave americana ochentera The Waitresses por Haim. Mientras, Courtney Marie Andrews cuenta la historia de amor y de viaje que relataron Simon & Garfunkel hace décadas. Novedades de aquí son el villancico que clama por menos luces y más punk de Julieta 21; el avance más groovy del álbum de Sons of Med, el tándem (Terrae) formado por Humanoid y Dr.Think con ecos africanos, ancestros gallegos o txalaparta vasca y la colaboración en territorio vaquero entre The Wild Horses y Virginia Maestro. Además desde Granada se estrenan David y María como No sé a quién Matar y Martes Niebla (artista emergente del referéndum del año pasado) lanzan un nuevo single antes de que acabe el año. Por fin, Javier Ojeda se mete en esa piel soul que le sienta tan bien con una pieza que estará en "DeCantando" (que serán dos discos en uno) Escuchar audio

This week on No Script, Jackson is joined by special guest Maria Booth to discuss the musical "Once," which tells the story of singer-songwriters in Ireland. Maria, a singer-songwriter in Ireland herself, brings a unique perspective on the script. If you've never listened to the "Once" soundtrack... do yourself a favor and look it up!   You can also look up Maria and her music here: https://marianickolay.bandcamp.com ------------------------------ Please consider supporting us on Patreon. For as low as $1/month, you can help to ensure the No Script Podcast can continue.  https://www.patreon.com/noscriptpodcast  ----------------------------- We want to keep the conversation going! Have you read this play? Have you seen it? Comment and tell us your favorite themes, characters, plot points, etc. Did we get something wrong? Let us know. We'd love to hear from you. Find us on social media at:  Email: noscriptpodcast@gmail.com Facebook: https://www.facebook.com/No-Script-The-Podcast-1675491925872541/ Instagram: https://www.instagram.com/noscriptpodcast/ Twitter: https://twitter.com/noscriptpodcast/ ------------------------------ Our theme song is “Upbeat Soda Pop” by Purple Planet Music. Credit as follows: Music: http://www.purple-planet.com ------------------------------ Thanks so much for listening! We’ll see you next week.

Edição de 06 de Outubro 2020

As part of our monthly play series, we pick a play to discuss and this month's play is "Ballyturk" by Enda Walsh. The play was recommended to us by one of our listeners Meredith Bartmon for this month. We discuss what we noticed, what we liked, and questions that came up while reading the play. Note: There are some spoiler alerts! We highly recommend you read the play before listening to this episode! About BALLYTURK: Two unnamed male characters live in a single-room dwelling and discuss an imaginary town in Ireland called Ballyturk. Born in Dublin, Enda Walsh is an Irish Playwright. A multi-award-winning Irish playwright, his work has been translated into over twenty languages and has been performed internationally since 1998. He won Tony Award in 2012 for writing the book for the musical "Once", which went on to play on Broadway, in the West End, and a US tour. He current lives in London with his family. RELATED LINKS: "Review: A Fantasy Town Builds a Wall Against Time in ‘Ballyturk'" by By Ben Brantley (New York Times, Jan. 14, 2018) www.nytimes.com/2018/01/14/theate…w-enda-walsh.html GLISTENS: Sam - “The Election That Could Break America” by Barton Gellman Atlantic www.theatlantic.com/magazine/archiv…concede/616424/ Sarah - Ora Organic's "You're a Knockout" Natural Sleep Aid Supplement ____________________________________________ Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com --- Send in a voice message: https://anchor.fm/beckettsbabies/message Support this podcast: https://anchor.fm/beckettsbabies/support

As part of our monthly play series, we pick a play to discuss and this month’s play is "Ballyturk" by Enda Walsh. The play was recommended to us by one of our listeners Meredith Bartmon for this month. We discuss what we noticed, what we liked, and questions that came up while reading the play. Note: There are some spoiler alerts! We highly recommend you read the play before listening to this episode! About BALLYTURK: Two unnamed male characters live in a single-room dwelling and discuss an imaginary town in Ireland called Ballyturk. Born in Dublin, Enda Walsh is an Irish Playwright. A multi-award-winning Irish playwright, his work has been translated into over twenty languages and has been performed internationally since 1998. He won Tony Award in 2012 for writing the book for the musical "Once", which went on to play on Broadway, in the West End, and a US tour. He current lives in London with his family. RELATED LINKS: "Review: A Fantasy Town Builds a Wall Against Time in ‘Ballyturk’" by By Ben Brantley (New York Times, Jan. 14, 2018) https://www.nytimes.com/2018/01/14/theater/ballyturk-review-enda-walsh.html GLISTENS: Sam - “The Election That Could Break America” by Barton Gellman Atlantic https://www.theatlantic.com/magazine/archive/2020/11/what-if-trump-refuses-concede/616424/ Sarah - Ora Organic's "You're a Knockout" Natural Sleep Aid Supplement ____________________________________________ Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

John Connolly on his new novel, The Dirty South, Enda Walsh & Paul Fahy chat immersive theatre installation as part of the Galway Arts Festival & also Louise Burton & Simon Maher review new albums from Katy Perry, Gregory Porter & Emperor of Ice Cream.

New episode with Roy Alexander Weise (MBE), co-Artistic Director of the Royal Exchange Theatre, Manchester, and Director of plays such as 'Nine Nights, The Mountaintop, Master Harold and the boys' to name but a few. Roy spoke about the learnings he gained from biblical stories (fun fact Roy could’ve ended up a Pastor), the UK education system penalising ‘energy, and of course, the stories that made a huge impact on him like ‘The Chatroom’ a play by Enda Walsh. You can contact Roy on:Twitter: https://twitter.com/RAWeiseArtist And as always, please subscribe, rate and review because it really does help us grow. You're the best!Blacticulate

Siobhan McSweeney plays one of the best small screen characters at the moment, Sister Michael, and just took part in #DearIreland, a massive and innovative project to keep the Abbey Theatre in our lives. The Abbey commissioned writers like Enda Walsh, Sonya Kelly and Stacey Gregg, to write five- to 10-minute monologues. Each script is performed and filmed by 50 actors, often at home including Brendan Gleeson, Nicola Coughlan, Seána Kerslake and Siobhan McSweeney. The piece performed by Siobhan McSweeney recalled the famous city character, Katty Barry - a famous Cork character who owned and ran a shebeen on Dalton's Avenue near the Coal Quay. In the performance, Siobhan played Katty as she might be today - she died in 1982 - and how she would be coping with the current pandemic. Watch her performance here: Katty became so famous that she had a verse composed in her honour in the famous Cork anthem, The Boys of Fairhill. Alison and Siobhan also caught up on season three of Derry Girls and how Siobhan's getting on in lockdown in London. Listen back by pressing the play button at the top of the screen. Weekend Breakfast with Alison Curtis, Saturdays and Sundays from 8am!   

The NHB Playgroup from Nick Hern Books brings you one free play to read and discuss each week, followed by a Q&A with the writer. In this episode of The NHB Playgroup Q&A Podcast, we spoke to Enda Walsh about his beautiful, tender and dazzlingly theatrical drama Arlington. Enda's play premiered at Galway International Arts Festival in 2016, in a co-production between the festival and Landmark Productions, directed by Enda himself. It later transferred to St. Ann's Warehouse in New York. See more about The NHB Playgroup and find out how to get involved here: www.nickhernbooks.co.uk/playgroup Host: Siân Mayhall-Purvis Producer: Jon Barton Executive Producer: Matt Applewhite 

On this weeks Fni Wrapchat is Screenwriter of Calm With Horses Joe Murtagh. This episode is brought to you by Film Equipment Store on the Headstuff Podcast Network.   Calm With Horses is distributed by Element Distribution and is currently available to rent on various streaming platforms including Volta, iTunes, BFI Player etc.  Joe Murtagh is a London born Irish writer. He comes from a family of carpenters and labourers, though it's been said that Joe himself "couldn't hammer a nail straight", and after some site experience, he would wholeheartedly agree. So he's making a good go of writing. Joe's first feature film, CALM WITH HORSES (adapted from the short story of the same name by Colin Barrett) premiered at TIFF 2019 (DMC Film / Element Pictures / Film 4) and was directed by Nick Rowland with Cosmo Jarvis and Barry Keoghan starring. He is currently developing a number of features including DREADFUL NED (DMC) with Michael Fassbender attached and THE KITCHEN (DMC/Film 4) which will be Kibwe Tavares' debut feature. For television, Joe is developing an original series called THE WOMAN IN THE WALL (Troika/Motive) and is currently writing an episode of Enda Walsh's new series THE TROUBLES (Blueprint). In 2018 he wrote an episode of Mika Watkins' TV Series ORIGIN (Youtube Red/Left Bank Pictures). Joe was a 2016 Screen International Star of Tomorrow. #WeAreFni Learn more about your ad choices. Visit megaphone.fm/adchoices

On this weeks Fni Wrapchat is Screenwriter of Calm With Horses Joe Murtagh. This episode is brought to you by Film Equipment Store on the Headstuff Podcast Network.   Calm With Horses is distributed by Element Distribution and is currently available to rent on various streaming platforms including Volta, iTunes, BFI Player etc.  Joe Murtagh is a London born Irish writer. He comes from a family of carpenters and labourers, though it's been said that Joe himself "couldn't hammer a nail straight", and after some site experience, he would wholeheartedly agree. So he's making a good go of writing. Joe's first feature film, CALM WITH HORSES (adapted from the short story of the same name by Colin Barrett) premiered at TIFF 2019 (DMC Film / Element Pictures / Film 4) and was directed by Nick Rowland with Cosmo Jarvis and Barry Keoghan starring. He is currently developing a number of features including DREADFUL NED (DMC) with Michael Fassbender attached and THE KITCHEN (DMC/Film 4) which will be Kibwe Tavares’ debut feature. For television, Joe is developing an original series called THE WOMAN IN THE WALL (Troika/Motive) and is currently writing an episode of Enda Walsh’s new series THE TROUBLES (Blueprint). In 2018 he wrote an episode of Mika Watkins' TV Series ORIGIN (Youtube Red/Left Bank Pictures). Joe was a 2016 Screen International Star of Tomorrow. #WeAreFni (https://www.facebook.com/hashtag/wearefni?source=feed_text&epa=HASHTAG)

When the shadows of the past make the present untenable for three sisters in a small coastal town, a lonely fishmonger might just make the difference. Come see The New Electric Ballroom, January 10-12 at Rolling Bay Hall, and experience the magic of this fourth offering in Wilson Milam’s Irish Play Series. Listen here as Wilson and cast members Christen Muir (Breda), Michelle Allen (Ada) and Wayne Purves (Patsy) share their thoughts about this funny, tender, and occasionally pitch dark play. You’ll hear how the Irish Play Series came to be, what acting can teach us about parenting, and what lies in the future for Wilson and his merry troupe of players. The New Electric Ballroom is only on offer for three shows: Friday and Saturday, January 10 and 11 at 7:30, and Sunday January 12 at 5 pm. Get your tickets soon for this small venue – and plan to stay after the show (only an hour and a half long) to chat with the cast: you may have questions! To order tickets, visit Brown Paper Tickets.com. (https://www.brownpapertickets.com/event/4471759) Credits: BCB host and audio editor: Diane Walker; publisher: Chris Walker.

Blackwell's Broad Street was thrilled to be joined by author of the best-selling Grief is the Thing with Feathers, Max Porter. Max was in conversation with fellow author, Ali Shaw, discussing his latest book, Lanny. There is a village outside London, no different from many others. Everyday lives conjure a tapestry of fabulism and domesticity. This village belongs to the people who live in it and to the people who lived in it hundreds of years ago. It belongs to England's mysterious past and its confounding present. But it also belongs to Dead Papa Toothwort who has woken from his slumber and is listening, and watching. He is watching Mad Pete the village artist. He is listening to ancient Peggy gossiping at her gate, to families recently moved here and to families dead for generations. Dead Papa Toothwort hears them all as he searches, intently, for his favourite. Looking for the boy. Lanny. ‘It’s hard to express how much I loved Lanny. Books this good don’t come along very often. It’s a novel like no other, an exhilarating, disquieting, joyous read. It will reach into your chest and take hold of your heart. It’s a novel to press into the hands of everyone you know and say, read this.’ MAGGIE O’FARRELL ‘The writing is stunning and deeply affecting. The plot thunders along. This is a book that resolutely refuses to be categorised but to get somewhere close, think: Under Milk Wood meets Broadchurch.’ NATHAN FILER ‘It takes a special kind of genius to create something which is both so strange and yet so compulsive.’ MARK HADDON Max Porter’s first novel, Grief Is the Thing with Feathers won the Sunday Times/Peter, Fraser + Dunlop Young Writer of the Year, the International Dylan Thomas Prize, the Europese Literatuurprijs and the BAMB Readers’ Award and was shortlisted for the Guardian First Book Award and the Goldsmiths Prize. It has been sold in twenty-nine territories. Complicité and Wayward’s production of Grief Is the Thing with Feathers directed by Enda Walsh and starring Cillian Murphy opened in Dublin in March 2018. Max lives in Bath with his family. Ali Shaw is the author of The Trees, The Man who Rained and The Girl with Glass Feet, which won the Desmond Elliott Prize for first novels. He grew up in Dorset and studied English Literature and Creative Writing at Lancaster University. He has worked as a bookseller and at Oxford’s Bodleian Library. He lives with his wife and two-year-old daughter. Instagram: @blackwelloxford Twitter: @blackwelloxford Youtube: Blackwell's Bookshops Eventbrite: https://www.eventbrite.co.uk/o/blackwells-oxford-11264382560

Mary Hickson is the director of Sounds From A Safe Harbour festival, which returns to Cork city for its third edition from September 10-15, 2019, featuring the likes of Feist, Damien Rice, Efterklang, Thomas Bartlett and Caoimhin O Raghallaigh, and lots more. It's curated by Mary, alongside the Dessner brothers Aaron and Bryce, Enda Walsh and Cillian Murphy. I talked to Mary about the new Bon Iver album (she's worked with him on festivals and he appeared at Sounds From A Safe Harbour 2017), Cillian Murphy's musical potential, 37d03d festival in Berlin and beyond, and what to expect at Safe Harbour this year.

Confira os destaques do Caderno 2 desta terça-feira (20/08/19)See omnystudio.com/listener for privacy information.

Edição de 03 de Abril 2019

Disney's latest live action remake of one of their classic cartoons is Dumbo, reimagined by Tim Burton. Grief Is The Thing With Feathers was a novel by Max Porter and has now been adapted for the stage by Enda Walsh and starring Cillian Murphy. It has just opened at the Barbican in London. Vincent Van Gogh lived in London for a few years and Tate Britain is staging an Exhibition Van Gogh and and Britain looking at the artists who influenced him, his own work and the artists he has influenced. Ewan Morrison's novel Nina X is a kidnap story about a young girl who was brainwashed by a Maoist cult before eventually being rescued and rehabilitated. British artist Sean Scully is one of Britain's richest artists and BBC2's Arena has followed him for a year, painting and creating and opening exhibitions of his work around the world. Tom Sutcliffe's guests are John Tusa, Deborah Moggach and Alex Preston. The producer is Oliver Jones Podcast Extra recommendations Deborah: Judges Lodgings in Presteigne John: The Way We Live Now by Trollope Alex: Standing At The Sky's Edge at The Crucible in Sheffield Tom: Wild Swans by Jung Chang

Kate Gaul has been a considerable force in playmaking in Australia over the past 25 years. Directing premiere productions and new Australian works, her directing folio has covered a broad repertoire of stories – The Laramie Project, The Trouble with Harry, Svetlana in Slingbacks, The Ham Funeral and Richard the Third to touch on a few. She has worked with our leading theatre companies and taught at training institutions, including NIDA and WAAPA.A champion of the work of Irish playwright Enda Walsh, she has directed productions of his plays Penelope, The New Electric Ballroom and Misterman – this last play receiving extensive glowing accolades and huge success at the 2017 Edinburgh Festival.Kate is a vital artist and one whose productions never fail to impress, to engage and to prompt discussion.

Toni is currently filming the role of Lisa Devers in Joe Murtagh’s CALM WITH HORSES directed by Nick Rowland for Film 4 / DMC films. She recently appeared as Bridget Cleary in a new play by Margaret Perry PORCELAIN directed by Cathal Cleary for the Abbey Theatre. Further recent credits include Runt in Enda Walsh’s DISCO PIGS for Reality Check Productions (Best Ensemble Irish Times Theatre Awards 2018) and Robin in WE WERE MONSTERS presented as part of the Bram Stoker Festival 2017. Previous stage appearances include Donal Ryan’s SPINNING HEART directed by Paul Brennan at the Gaiety Theatre, BUG directed by Jed Murray for The Corps Ensemble and CLOSE TO THE SUN written by Stephen Darcy, staged at Smock Alley theatre as part of the Dublin Fringe Festival 2017. Recent film credits include action/drama CARDBOARD GANGSTERS directed by Mark O’Connor for Five Knight Films and short films TWELVE written by Tracey Martin (RedBear Productions), SMITHY & DICKIE-BOY by writer/director Hannah Quinn for Savage Productions and psychological horror short film HEN directed by Janna Kemperman. Further film and television appearances include Lucy O’Loughlin in RTE’s acclaimed medical drama THE CLINIC (Parallel) directed by Ian Fitzgibbon, Zara in renowned feature drama WHAT RICHARD DID directed by Lenny Abrahamson for Element Pictures and Angela in NOBLE written and directed by Stephen Bradley for Destiny Films. Toni also plays diva “Eva Valentine” in Amanda Bunker audio novels CHAMPAGNE KISSES & CHAMPAGNE BABES.

This week Julie, Miranda and, Zane will chat with Kutis Laing about which of life's truths can be gleaned from the Folk-Musical smash, Once!Find out more about Kurtis: [un]Featured Articles Podcast, The Good Time Boys- FURTHER READING -WIKI - Musical, FilmIMDBoncemusical.com- CELEBRITY SHOUTOUTS -John Carney, Glen Hansard, Markéta Irglová, Enda Walsh, Steve Kazee, Cristin Milioti, Ronan Keating, Tom Parsons, Keegan Joyce, Laura Dreyfuss, Joanna ChristieLike us on Facebook! Follow us on Twitter! Support us on Patreon!Email us: musicalstaughtmepodcast@gmail.comVisit our home on the web thatsnotcanonproductions.comOur theme song and interstitial music all by the one and only Benedict Braxton Smith. Find out more about him at www.benedictbraxtonsmith.com

Evanna is best known for her role as Luna Lovegood in the HARRY POTTER films, which earned her praise from critics and fans. She recently starred as the title character in the feature My Name Is Emily, for which she received an IFTA nomination for Best Actress in a Leading Role. Her other recent film and TV work includes Dynamite, Sinbad for Sky and Danny and the Human Zoo by Lenny Henry for BBC. For the past few years, Evanna has been studying acting in Los Angeles. You can catch her as Runt in Enda Walsh’s Disco Pigs at the IRISH REPERTORY THEATRE running through this weekend.

The Total Tutor Neil Haley will interview Director/Producer Francis Whately of HBO's DAVID BOWIE: THE LAST FIVE YEARS. In January 2016, David Bowie died at the age of 69, just days after he released the critically acclaimed Blackstar, a haunting album that explored questions of mortality. With intimate access to Bowie's friends and artistic collaborators, and a wealth of rare archival material, Francis Whately's insightful film examines the celebrated artist's remarkably creative final years, through the production of both Blackstar and its predecessor, The Next Day, as well as his stage musical, Lazarus. FEATURING | David Bowie, Tony Visconti, Ivo Van Hove, Toni Basil, Earl Slick, Gail Ann Dorsey, Gerry Leonard, Carlos Alomar, Catherine Russel, Sterling Campbell, Zachary Alford, David Torn, Enda Walsh, Donny McCaslin, Maria Schneider, Robert Fox Francis has been making films with the BBC for the last twenty years. He has worked on a wide variety of acclaimed films including documentaries on Mark Rothko and Jackson Pollock; a fashion film with the supermodel Kate Moss; A film with HRH the Duke of Edinburgh, to celebrate his 90th birthday and a hard hitting current affairs film on the state of women's rights around the world, with Hillary Clinton, Madeleine Albright and Condoleezza Rice.  Recently he made a tribute to British National treasure Dame Judi Dench, with Daniel Craig, Sir Ian McKellan and Piers Brosnan. His latest film is a feature length documentary entitled 'The Sidemen'. It discusses the role of some of the greatest unknown musicians who back stars like the Rolling Stones, Billy Joel, Prince, Otis Redding and David Bowie. It was released in July 2017.    

Norma Sheahan. "Moone Boy" "The Bailout" "Damo and Ivor" Norma trained at the Royal Academy of Dramatic Art, graduating in 2000. In 2000 she won Best Actress at the Evening Herald Irish Theatre Awards for her role in the world premier of Enda Walsh's play Bedbound. She was also nominated in the same year for Best Actress in the Irish Times/ESB Theatre Awards for her role in Enda Walsh's play Bedbound. Norma is in Pretty much in everything. She's great, and having spoke to her for a bit, a warmer more engaging person you'll not meet. www.imdb.com/name/nm1469010/ @fniwrapchat for previous episodes. . This Podcast was made possible with the support of Westland Studios, www.westlandstudiosdublin.com Andrew Edgar at A4 Sounds, Roger Kenny, Eoin Whelehan illustration and many thanks to Pat O'Connor for his original composition. Learn more about your ad choices. Visit megaphone.fm/adchoices

Norma Sheahan. "Moone Boy" "The Bailout" "Damo and Ivor" Norma trained at the Royal Academy of Dramatic Art, graduating in 2000. In 2000 she won Best Actress at the Evening Herald Irish Theatre Awards for her role in the world premier of Enda Walsh's play Bedbound. She was also nominated in the same year for Best Actress in the Irish Times/ESB Theatre Awards for her role in Enda Walsh's play Bedbound. Norma is in Pretty much in everything. She's great, and having spoke to her for a bit, a warmer more engaging person you'll not meet. www.imdb.com/name/nm1469010/ @fniwrapchat for previous episodes. . This Podcast was made possible with the support of Westland Studios, www.westlandstudiosdublin.com Andrew Edgar at A4 Sounds, Roger Kenny, Eoin Whelehan illustration and many thanks to Pat O'Connor for his original composition.

Loose Joints is a podcast where we talk to a guest and play music they like new and old. True to the name, the podcast features a loose collection of tunes, tied together by very little logic, just like our chats. Nialler9 and Sally Cinnamon are your hosts. For our return to our regular studio after a summer of live recordings (and 1 lost one featuring Enda Walsh - if a live podcast isn't recorded, then it's just a conversation right?), we are joined by radio presenter (Today FM / TXFM) and DJ Claire Beck to discuss angry swans, shushing at gigs, scaldy tunes, dressing for Halloween, how everyone loves Ed Sheeran and Claire tells us about a song that follows her around the place. Subscribe in iTunes. Also available in Stitcher, PocketCasts and TuneIn. Download: Loose Joints Podcast: Claire Beck (1hr 20 mins) Songs played Grandbrothers - Long Forgotten future Zombie Zombie - Hippocampe Kano - Another Life [Claire's favourite Italo Disco song] Mind Enterprises - Idol Sebastien Tellier - La Ritournelle [Claire's homesick song while travelling] King Krule - Dum Surfer Otis Redding - Dock of the Bay [Claire's song for a hopeful future] New Jackson feat. Margie Lewis - There Will Always Be This Love Baxter Dury - miami (baxter and Cocker too remix) Bjork - The Anchor Song [Claire's exit music] Previous Loose Joints Episodes and tracklists #10: Live at Another Love Story with Richie Jape and Conor O'Brien #9: Live at Science Gallery - Sample special #8: Cian Murphy ( I Am The Cosmos) #7:Greg Spring #6: Gib Cassidy. #5: Best of 2016 with May Kay. #4: Aisling Rogerson #3: Emmet Kirwan. #2: Oisin Davis. #1: Aidan Kelly. https://soundcloud.com/nialler9/sets/loose-joints-podcast-episodes

Irish playwright Enda Walsh talks to Róisín Ingle about indulging in a moment of "oddity" while working with David Bowie, having Roddy Doyle for a schoolteacher and falling in love with Cork and its language. The Dubliner was back home from London where he now lives, to oversee the run of his play Arlington recently at the Abbey, his first production on the theatre's main stage. Róisín Meets is a weekly podcast presented by Róisín Ingle and produced by Jennifer Ryan.

Ballyturk writer and director Enda Walsh talks about the split second spin and disposable energy that fuels creativity with theatre maker and Ballyturk actor Mikel Murfi. Ballyturk is a Landmark Productions and Galway International Arts Festival co-production in association with the Abbey Theatre. The world-class creative team includes set and costume design by Jamie Vartan, lighting design by Adam Silverman, sound design by Helen Atkinson with original music composed by Teho Teardo. Podcast recorded at the Abbey Theatre on 27 February 2017 Editor: Lisa Farrelly Sound Operator: Derek Conaghy

Podcast interview with actor Hugh O’Conor from Landmark Productions and Galway International Arts Festival's Arlington. Written & directed by Enda Walsh, choreographed by Emma Martin and playing on the Abbey Stage until 25 February 2017. Recorded at the Abbey Theatre on 18 February 2017. Interviewer & Sound Editor: Lisa Farrelly. Sound Operator: Derek Conaghy.

Podcast interview with award winning dance artist Oona Doherty from Landmark Productions and Galway International Arts Festival's Arlington. Written & directed by Enda Walsh, choreographed by Emma Martin and playing on the Abbey Stage until 25 February 2017. Recorded at the Abbey Theatre on 15 February 2017. Interviewer & Sound Editor: Lisa Farrelly. Sound Operator: Derek Conaghy.

Since he exploded into the international theatrical consciousness with his full length debut play Disco Pigs in 1997 Enda Walsh has been a sparkling presence in European playwriting.

Bryan Cranston played a hapless dad in Malcom in the Middle, a dentist to the stars in Seinfeld, and most famously a teacher-turned-drugs-lord in Breaking Bad. Now he has written an autobiography. Cranston discusses A Life in Parts which recalls the many odd parts he's played in real life - paperboy, security guard, dating consultant, murder suspect, husband, father and, of course, actor.One of the last projects David Bowie worked on was his musical Lazarus which includes new music and some of his best-known hits. The production which broke box office records when it played in New York has now transferred to a specially-built venue in London. We speak to Enda Walsh, Bowie's co-writer on the project, and the show's director Ivo van Hove about bringing Bowie's vision to life. Paul Beatty has become the first US author to win the Man Booker Prize, with his racial satire The Sellout. It marks the second win in a row for independent publisher Oneworld who also published last year's winner, A Brief History of Seven Killings by Marlon James. So what is their secret? How do they talent spot the authors who go on to win big? We will hear from one of the founders, Juliet Mabey.We remember theatre director Howard Davies whose death at the age of 71 was announced today. During his long career he won three Best Director Olivier Awards, and established and ran the Warehouse Theatre for the Royal Shakespeare Company, now the Donmar Warehouse in London. He also did much work for the Royal National Theatre, where he directed 36 productions. Former NT artistic director Nicholas Hytner recalls working with him there, and Matt Wolf, theatre critic for The International New York Times, assesses his work.Presenter: John Wilson Producer: Angie Nehring.

Enda Walsh has been writing plays for over twenty years. He was born in Ireland, and grew up with a dad who liked to role-play and a mom who was an actor. He didn’t want to write plays at first. He thought he might be in a band, or make movies. Instead he went to Cork in 1993 and started working with a theatre company. Since then, he’s written seventeen theatre plays, two radio plays, three screenplays, the script for a musical and one for an opera! Most of his plays and scripts are adult stories, about very serious adult topics. But he’s also written a theatre play of Roald Dahl’s The Twits and has been working on a movie version of Island of the Aunts (also called Monster Mission), by Eva Ibbotson. For Mr. Walsh, storytelling is part of his nature. “Irish people tell stories,” he said in an interview with the City University of New York television station. “That’s it!”

Enda Walsh, one of Ireland's best-loved contemporary playwrights, pops in to talk about the unexpected new form his contemporary opera, The Last Hotel, has taken: the critically acclaimed dark drama has been filmed and will be televised next week on Sky Arts. Also in studio is Phil Edgar-Jones, Director of Sky Arts, talking about the challenges of commercial arts television programming. In part two: for most a nightmare in glass and concrete, Hawkins House, familiar to anyone familiar with Dublin city centre, won't be missed when it is demolished. But what about the other brutal 'concrete monstrosities' between Pearse Street and the Liffey's south bank? Hugh takes a stroll with architectural historian Dr Ellen Rowley to see if they can be rehabilitated.

Theo Teardo presenta il suo cd " Ballyturk ", colonna sonora dell'omonimo spettacolo teatrale diretto da Enda Walsh. Seconda parte.

Theo Teardo presenta il suo cd " Ballyturk ", colonna sonora dell'omonimo spettacolo teatrale diretto da Enda Walsh. Prima parte.

Enda Walsh talks to Dan Rebellato about writing and directing Ballyturk. This is a recording of a live Platform event from September 2014.

Enda Walsh talks to Dan Rebellato about writing and directing Ballyturk. This is a recording of a live Platform event from September 2014.

In copertina un'opera di Serafino Rudari, un giovane artista veronese che non distingue la musica dal colore. Ma ci sono anche le più interessanti novità cinematografiche, da Lucy di Luc Besson a Pasolini che torna sul grande schermo interpretato da Willem Defoe per il film di Abel Ferrara. La voce di Cillian Murphy in un frammento esclusivo di Ballyturk, la commedia di Enda Walsh in scena a Londra e l'incredibile cartellone del Roma Europa Festival. La vita è più fresca con Refresh!

In copertina un'opera di Serafino Rudari, un giovane artista veronese che non distingue la musica dal colore. Ma ci sono anche le più interessanti novità cinematografiche, da Lucy di Luc Besson a Pasolini che torna sul grande schermo interpretato da Willem Defoe per il film di Abel Ferrara. La voce di Cillian Murphy in un frammento esclusivo di Ballyturk, la commedia di Enda Walsh in scena a Londra e l'incredibile cartellone del Roma Europa Festival. La vita è più fresca con Refresh!

Tom Sutcliffe and guests Rosie Boycott, Simon Jenkins and Maria Delgado discuss the cultural highlights of the week, including The Riot Club based on Laura Wade's controversial stage play Posh and which fictionalised the riotous behaviour of Oxford's notorious Bullingdon Club, which David Cameron, George Osborne and Boris Johnson have all been members of. Enda Walsh's new play Ballyturk at the National Theatre has been compared to Samuel Beckett's Waiting For Godot and stars Cillan Murphy, Mikel Murfi and Stephen Rea. Mr Mac and Me is the 8th novel from Esther Freud, a blend of fact and fiction it recounts the time spent by the architect Charles Rennie Mackintosh in a small fishing village in Suffolk through the eyes of a 12 year old boy. Constable, the Making of a Master, is a new exhibition at London's V&A, which presents his work for the first time alongside the Old Masters whose work he copied so fastidiously, and also features the two version of his most famous painting, The Haywain, side by side. And The Driver, a new three part series on BBC One, starring David Morrissey and written by Danny Brocklehurst is the story of an ordinary man who - because of family mystery, frustration with his job and his life - makes a terrible decision.

Tonight's Front Row reviews Woody Allen's Magic In The Moonlight, starring Colin Firth, and Samira Ahmed visits the new Constable exhibition at the V&A. Also in the programme: Enda Walsh on his latest play Ballyturk, and documentary-maker André Singer on Night Will Fall, the untold story of how Alfred Hitchcock became involved in the making of a Holocaust documentary - and why that film was suppressed. (Image: Full-Scale Study for The Hay Wain, John Constable, 1821. Copyright: Victoria and Albert Museum, London).

Bob Wilcox and Mark Bretz review (1) THE TRIALS OF BROTHER JERO, by Wole Soyinka, at The Black Rep, (2) Rx, by Kate Fodor, at West End Players Guild, (3) CABARET, by J. Kander, F. Ebb & J. Masteroff, at Stray Dog Theatre, (4) LAUGHTER ON THE 23RD FLOOR, by Neil Simon, at Hawthorne Players, (5) ONCE, by Enda Walsh, Glen Hansard, & Marketa Irglova, at the Fox, (6) VICTOR/VICTORIA, by B. Edwards, H. Mancini, L. Bricusse, & F. Wildhorn, at Family Musical Theater, (7) FALLING, by Deanna Jent, at Mustard Seed Theatre, (8) YOU CAN'T TAKE IT WITH YOU, by George F. Kaufman & Moss Hart, at Over Due Theatre Co., (9) A PATH FAR FROM HERE, by Taylor Gruenloh, at Tesseract Theatre Co., and (10) UNSORTED, by Wesley Middleton, at Metro Theater Co.

Miriam O'Callaghan talks to writer director Enda Walsh and his friend, actor Cillian Murphy from July 2011

Actress Barbara Windsor reflects on her career; Michael Frayn discusses his new novel Skios and Playwright Mark Ravenhill reads his new sonnet commissioned to mark Shakespeare's birthday; playwright Enda Walsh and actor Cillian Murphy talk about Misterman; The Brodsky Quartet celebrate their 40th birthday this year and Harry Shearer on Nixon.

Enda Walsh discusses his play Misterman, fresh from its New York run, with Dan Rebellato.

With Mark Lawson. Barbara Windsor reflects on her career, as she receives a lifetime achievement award at the Bradford International Film Festival. Long before her best-known roles in the Carry On films and as Peggy Mitchell in EastEnders, she worked with Joan Littlewood at Theatre Royal, Stratford East and was nominated for awards for her performances in Sparrers Can't Sing and Oh, What A Lovely War! Playwright Enda Walsh and actor Cillian Murphy first collaborated on the acclaimed play Disco Pigs in 1996. Both have gone on to forge successful careers in theatre and film, and have re-united for Misterman, a one-man play at the National Theatre. They reflect on how they've both changed over time, and why it is impossible to be a celebrity in Ireland. Timothy Mo's new novel is called Pure - which is also the title of Andrew Miller's recent prize-winning novel . And the new biography of Simon Cowell is called Sweet Revenge, a title found on a number of romantic novels. Professor John Sutherland reflects on some of the most frequently used titles in literary history. Producer Erin Riley.