Podcasts about Communards

Dexys, Madness, Bon Jovi, GNR, Dire Straits, Police, Marillion, Kim Wilde, Status Quo, The Communards and a lot more.

Découvrez l'histoire fascinante de la chanson culte « Don't Leave Me This Way », qui a marqué l'apogée de la musique disco des années 70. Plongez dans les coulisses de cette création musicale emblématique, de ses origines à ses nombreuses reprises.Cet épisode nous emmène en 1977, à l'époque où les sons de Philadelphie et de Motown s'affrontaient pour dominer la scène musicale. C'est dans ce contexte que les producteurs Gamble & Huff, du côté de Philadelphie, ont écrit cette chanson pour le groupe Harold Melvin & The Blue Notes. Leur version originale, bien que magnifique, n'a pourtant pas réussi à devenir un véritable tube.Un an plus tard, les géants de Motown décident de récupérer le titre et de lui donner une touche plus disco, avec l'ajout de cordes et d'un son plus dansant. Ils le proposent alors à Diana Ross, mais celle-ci décline l'offre. C'est finalement à la jeune et talentueuse Thelma Houston que revient l'honneur d'enregistrer cette version remaniée, qui deviendra son plus grand succès.L'épisode raconte avec passion la consécration de Thelma Houston, qui remporte un Grammy Award grâce à cette interprétation devenue culte. Mais ce n'est pas tout ! Vous découvrirez également les nombreuses reprises qui ont suivi, comme celle des Communards dans les années 80 ou encore la version française signée Sylvie Vartan.Plongez dans les coulisses d'un standard de la soul disco et laissez-vous emporter par les anecdotes fascinantes qui ont marqué l'histoire de ce titre légendaire

Sarah Jane Morris in conversation with David Eastaugh https://www.sarahjanemorris.co.uk/home The Sisterhood is ten songs I have written with my right hand man Tony Remy about the lives of ten female singers and singer-songwriters who have inspired me over the years and who have made their marks on musical history. Bessie, Billie, Miriam, Nina, Aretha, Janis, Joni, Ricky-Lee, Annie, Kate – who needs a second name in company like this? Pioneers of Music, we have respectfully researched the lives of these women who were/are all great artists and great cultural transformers. My lyrics tell their stories, as does the music we have created for each song, using the characteristic genre and stylistic markers appropriate to each artist. We fell in love with each one of these extraordinary women as we gained insights into their lives, their minds and the challenges they faced … and I am sure that you will too. We are excited to finally see the project come to life. Now is you chance to experience the same joy and excitement listening to it as we had making it.

RAAN! HE'S GOT A GAAN! Welcome back to The Chris Moyles Show on Radio X Podcast. This week we became obsessed with a certain set of viral twins from down under…Dom's interview with Tom Hardy got off to a rocky start when Captain Crapbeard had a stern talking to from the star of new Netflix film ‘Havoc'. Things only got worse when we asked him about his time on Barry Island… But despite all that, Dom still managed to secure Oasis tickets??The lovely Reverend Richard Coles dropped by to talk about his live tour, ‘Borderline National Trinket'. As a former member of 80s pop duo The Communards, we thought we'd give him a massive piano and ask him to tickle the ivories, for old times' sake.Katherine Ryan came in to talk about her latest tour ‘Battleaxe', and explained why she wouldn't trust Chris to look after her children. She also offered Dom a 'tight five'...And finally, we surprised Captain Crapbeard with a visit from a founding member of the best band in the world. He still hasn't recovered.More? You want more? Ok, fine.Captain remixes the Aussie TwinsChris' childcare adviceToby's headphonesEnjoy!The Chris Moyles Show on Radio XWeekdays 6:30am - 10am

Today the first of four episodes about Parisian revolutions. We start with the definitive nineteenth-century revolutionary and his definitive revolution: David talks to historian Bruno Leipold about why Karl Marx thought the Paris Commune in 1871 was the model of a workers' uprising and provided a vision of the socialist future. How had the Communards reinvented democracy? Was this a social, an economic or a political revolution? And how did Marx reconcile himself to its bloody failure? Bruno Leipold's intellectual biography of Marx and Marxism Citizen Marx is available now https://bit.ly/4i8Gmga A new edition of our free fortnightly newsletter is out tomorrow with guides to the events of the Paris Commune and much more. Sign up now https://www.ppfideas.com/newsletters Next time: Salon des Refusés w/Dominic Dromgoole Learn more about your ad choices. Visit megaphone.fm/adchoices

1871 : Paris se soulève, le peuple prend le pouvoir. Pendant 72 jours, les Communards tentent d'inventer un monde nouveau, affranchi des injustices et des privilèges. Mais l'espoir sera de courte durée et la répression s'abattra avec une violence inouïe. Finis les espoirs, noyés dans la Semaine sanglante. Revivez la Commune de Paris, le soulèvement héroïque et tragique des fédérés. Crédits : Lorànt Deutsch, Bruno Deltombe. Du lundi au vendredi de 15h à 15h30, Lorànt Deutsch vous révèle les secrets des personnages historiques les plus captivants !Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

1871 : Paris se soulève, le peuple prend le pouvoir. Pendant 72 jours, les Communards tentent d'inventer un monde nouveau, affranchi des injustices et des privilèges. Mais l'espoir sera de courte durée et la répression s'abattra avec une violence inouïe. Finis les espoirs, noyés dans la Semaine sanglante. Revivez la Commune de Paris, le soulèvement héroïque et tragique des fédérés. Crédits : Lorànt Deutsch, Bruno Deltombe. Du lundi au vendredi de 15h à 15h30, Lorànt Deutsch vous révèle les secrets des personnages historiques les plus captivants !Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

**VJ Gary & The Pac To The 80's Replay On traxfm.org. This Week Gary Features The Mighty Pop Year Of 1989 - With Kylie Minogue & Jason Donovan, Inner City, Four Tops, Michael Jackson, Rick Astley, Muchener Freiheit, Inxs, Duran Duran, Pet Shop Boys, Fine Young Canibals, Boy Meets Girl, Yazz, Stakker, Communards, Grange Hill Cast - "Just Say No", ABC, Depeche Mode & More. #originalpirates #80smusic #popclassics #80sclassics #remixes #danceclassics #80charts #80sdancemusic #topofthepops Catch VJ Gary's Pac To The 80's Show Every Sunday From 3PM UK Time On www.traxfm.org Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : https://www.facebook.com/profile.php?id=100092342916738 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: http://radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm**

For this week's Thursday Interview, Kieran is joined by Reverend Richard Coles, who used to be a musician with the Communards, a Strictly Come Dancing contestant and recently appeared on I'm A Celebrity… Get Me Out of Here!

Brenda Lee, Del Shannon, Lulu, Communards, Yazoo, Soft Cell, Sam Cooke, Lindisfarne,  Golden Earring, The Swinging Blue Jeans, Tony Joe White, The Beach Boys and loads more on todays Show.

In deze aflevering staan Bronski Beat en The Communards centraal. Waarom is Smalltown Boy van Bronski Beat nog altijd actueel? Waarom ging de zanger Jimmy Somerville weg bij Bronski Beat en richtte hij samen met Richard Coles The Communards op? En wat hebben David Bowie en Annie Lennox (Eurythmics) met dit alles te maken? En is 1984 een omslagpunt in de popmuziek? Regisseur Arjan Vlakveld vertrok naar Groot-Brittannië. Luister naar zijn verhaal en de verhalen die worden verteld door leden van Bronski Beat en The Communards. Podcast geluisterd? Check ook de mini-documentaires: Jimmy Somerville (Bronski Beat) (https://www.youtube.com/watch?v=u2FUi7bPKSk&ab_channel=Top2000agogo) The Communards - Don't leave me this way (https://www.youtube.com/watch?v=1J-gqqJ0HZU&t=1s&ab_channel=Top2000agogo)

pWotD Episode 2765: Richard Coles Welcome to Popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 215,917 views on Tuesday, 26 November 2024 our article of the day is Richard Coles.Richard Keith Robert Coles (born 26 March 1962) is an English writer, radio presenter and Church of England priest. He first came to prominence as the multi-instrumentalist who partnered Jimmy Somerville in the 1980s band the Communards. They achieved three UK top ten hits, including the No. 1 record and best-selling single of 1986, a dance version of "Don't Leave Me This Way".Coles frequently appears on radio and television as well as in newspapers and, from March 2011 until March 2023, was the co-host of BBC Radio 4's Saturday Live programme. He is a regular contributor to QI, Would I Lie to You? and Have I Got News for You. He is an author, the chancellor of the University of Northampton, a former honorary chaplain to the Worshipful Company of Leathersellers, and a patron of social housing project Greatwell Homes in Wellingborough.This recording reflects the Wikipedia text as of 02:00 UTC on Wednesday, 27 November 2024.For the full current version of the article, see Richard Coles on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Emma.

Episode 122 - lundi 18 novembre 2024Dans cette nouvelle édition de JVDDVA, n'ayant pas d'invité, nous revenons à la formule des trois sujets. 1er : les élections américainessuivi de Bruce Springsteen qui interprète Born in the USA. 2ème : Ciné Concert au Grand Rex pour les 40 ans du film "Retour vers le futur", en octobre 2025suivi de Huey Lewis and The News qui chante Back in Time. 3ème : une brève histoire de retraitesuivi de The Communards en duo avec Sarah Jane Morris qui interpètent Don't Leave Me This Way. Cette édition marque le retour de LA CAVE DU PERE CASTOR. Et comme le veut la tradition, on se quitte en musique avec un live, celui de Mylène Farmer, extrait de son spectacle NEVERMORE : Oui mais... non. JVDDVA revient le lundi 2 décembre 2024 pour une nouvelle émission. Bonne écoutewww.jvddva.com Alain. Cyril. Laurent. Philippe.

**DJ Ricky K Show Replay on www.traxfm.org. Ricky Featured 70's, 80's, 90's & Dance Classics tracks From Inner City, Doobie Brothers, Regina Spektor, Communards, Gorillaz, Robyn, Hanson, Technotronic, Maxi Priest, Fat Joe Feat Ashanti, Natasha Bedingfield, Starship & More. #originalpirates #80music #90smusic #danceclassics #popmusic Catch Ricky K Live Every Sunday From 11AM UK Time/9PM Australia Time Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : https://www.facebook.com/profile.php?id=100092342916738 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: http://radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm**

Another two hours of great nusic from Dexys, Madness, Bon Jovi, Dire Straits, Madonna, Kim Wilde, Status Quo, The Communards and loads more ! 

**VJ Gary & The Pac To The 80's Replay On traxfm.org. This Week Gary Featured The Mighty 80's Year Of 1988 With Glen Medeiros, Tracy Chapman, Sabrina, Phil Collins, Matt Bianco, Michael Jackson, Maxi Priest, The Communards, Acoisona, The Pogues, Kim Wilde, Battisi & More. #originalpirates #80smusic #popclassics #80sclassics #remixes #danceclassics #80charts #80sdancemusic #topofthepops Catch VJ Gary's Pac To The 80's Show Every Sunday From 3PM UK Time On www.traxfm.org Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : https://www.facebook.com/profile.php?id=100092342916738 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: http://radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm**

In this classic episode from the NMF Archive, Cally talks to Reverend Richard Coles about piano playing, ageing, emoting, love, faith, desire, losing his long-term partner David, grief, private education, coming out, The Communards, sitting in the front of planes, Strictly, social mobility, addiction, and his beloved sausage dogs Pongo and Daisy. Twitter: @RevRichardColes Instagram: @rkrcoles Richard's booksGriefcast with Cariad Lloyd Namaste Motherf**kers with guest Louisa Young More about Cally Instagram: @callybeatoncomedian Twitter: @callybeaton Produced by Mike Hanson for Pod People Productions Instagram: @podpeopleuk Music by Jake Yapp Cover art by Jaijo Part of the Auddy Network Learn more about your ad choices. Visit megaphone.fm/adchoices

Hello Interactors,Behind every map is intent. When it comes to making plans for a city, streets are more than mere passageways; they are the cartography of power, exacting politics and ideology for the unfolding of urbanity. Paris is the blueprint of social order and control portrayed as a symbol of beauty and progress. I wanted to unravel the threads of intent, from communal aspirations to the heavy hand of authoritarianism — a kind of narrative map of a city renowned as much for its revolutions as for its romance.Let's go.COMMON ROOTS, CONTRASTING COMMUNITIESI'll offer a word and you examine your emotional reaction to it. Communism. If you're like me, you've been trained to have negative thoughts. Maybe even stop reading. Communism has been associated with authoritarian, repressive regimes that denied basic freedoms and human rights. Ask anyone who lived under these conditions and you can see why it's been ideologically blackballed in America.Now I'll offer another word. Community. Ah, yes, good vibes. Who could possibly be against community? It's strange how two words with common origins can differ so much by changing two letters.The word Communism comes from Karl Marx and Friedrich Engel's Kommunismus as early as 1847 and is derived from the French word communisme which first appeared three years earlier in 1843. This word comes from the Old French word comun meaning "common, general, free, open, public."A group of people in common, “the common people” who are not rulers of property, clergy, or monarchy, is from the 14th century French word comunité meaning "commonness, everybody" or community.I had the experience of checking my own reaction to the word communist while reading about how communist ideals helped a politician in Paris help his community.The French Communist senator, Ian Brossat, lead housing policy in Paris for a decade. He said his “guiding philosophy is that those who produce the riches of the city must have the right to live in it.” He and the local government under Mayor Hildago are doing their best to live up to this. Over the past decade, the French Communist Party has emphasized social justice and economic equality, advocating for stronger public services, wealth redistribution, and workers' rights. They've also focused on environmental sustainability, aligning with broader movements to address climate change and social disparities.People from all over the world are drawn to Paris for its diverse array of small shops, cafes, expansive boulevards, monuments, and museums. It exudes old-world charm complete with cobblers, tailors, jewelers, and luthiers tucked in and among various neighborhoods — some more manicured than others. It's a dappled array of diverse color and verdant softscapes that when viewed from afar offers an impression of a picture-perfect pointillist painting.  Paris exists as a seemingly organic and emergent unfolding of placemaking complete with public spaces and parks for the taking — by all walks of life. For many, it's a composite of ideals that harken back to romantic images of a fashionable and stylistic ‘pick your favorite' century in Europe making it a perennial favorite destination for tourists.But surrounding the parks where healthy blossoms glow are stealthy property plots where wealthy funds grow. Amidst the green where healthy plants are planted longtime residents squirm as their neighbors are supplanted. Despite the city building or renovating “more than 82,000 apartments over the past three decades for families with children”, 2.4 million people are on the waiting list for affordable housing.(1)This isn't the first time economically disadvantaged people have been displaced from Paris. In 1853, one year after Napoleon Bonaparte's nephew Napoleon III declared himself emperor in a successful coup d'état, he wasted no time embarking on what many believe to be the biggest ‘urban renewal' project in history. It was famously led by a former prefect administrator, Georges-Eugène Haussmann. His swift and heavy hand pushed powerless Parisians to the periphery to build the Paris so many adore, only to have them return. A pattern that exists today.Napoleon III, exiled in England, was reluctant to return to a France in decline, marred by unemployment and poverty. By 1848, a massive influx of laborers had swollen Paris's population to over a million. Despite its picturesque image today, 19th-century Paris was a labyrinth of dilapidated buildings and narrow streets, lacking modern infrastructure, and grappling with increasing crime and deadly outbreaks, including a cholera epidemic that claimed 20,000 lives in 1832.The French author Honoré de Balzac wrote of Paris at the time, “'Look around you' as you ‘make your way through that huge stucco cage, that human beehive with black runnels marking its sections, and follow the ramifications of the idea which moves, stirs and ferments inside it.'”By 1848, France was besieged by societal strife as the monarchy's resurgence fueled public outrage, contrary to the Republic's ideals of liberty. Mass protests and strikes became common, culminating in a tragic clash at the Foreign Ministry where troops fired on protestors, killing 50. The slain were symbolically paraded through Paris, highlighting the oppressive turn of events. This ignited the Revolution of 1848; a diverse coalition, from students to disillusioned aristocrats, took to the streets, overwhelming the army and storming the King's palace. This mass uprising prompted the formation of a provisional government while monarchist officials, including Haussmann, fled the turmoil.In the power struggles of post-revolutionary France, neither Socialists nor Republicans could stabilize the economy or improve living conditions. As a result, calls for Napoleon III's return gained traction. He pledged to serve if elected, mirroring the American democratic elections model. He won a four-year term by a wide margin, but he did not have dominant support within the Assembly. Facing political opposition and public discontent as his term ended, Napoleon III dissolved the Assembly, fired his adversaries, and named himself emperor. A government for the people and by the people was attempted and failed. Long live the King. Authoritarianism was back to the cheers of many in the streets as Napoleon was pulled through the streets by carriage for three hours amidst roars of support.PARIS: FROM SIEGE TO CHICBy 1848, Parisians had erected numerous barricades, limiting Napoleon's access through the city. Originating in 1588 as a defense against soldiers, these barricades evolved from rudimentary stone walls into complex structures capable of withstanding cannon fire, serving both practical and symbolic roles in the city's history of civil resistance.Amidst the dawn of the Industrial Age in 1848, Napoleon III aimed to modernize Paris, differentiating it from the neo-gothic style of London's "Albertropolis." Preferring the era's new materials like iron and glass. Dismissing the gothic aesthetics, Napoleon, with Haussmann—a disciplined administrator with similar architectural sensibilities—set out to reshape Paris into a contemporary urban jewel.In the words of Hausmann reflecting in his memoir, “We ripped open the belly of old Paris, the neighborhood of revolt and barricades, and cut a large opening through the most impenetrable maze of alleys, piece by piece.”In Balzac's 1843 book Lost Illusions he captures the contrasting existence of society revealing the class Hausmann sought to favor at the expense of the other.The proletariat “live in insalubrious offices, pestilential courtrooms, small chambers with barred windows, spend their day weighed down by the weight of their affairs.” While the bourgeoisie enjoy “the great, airy, gilded salons, the mansions enclosed in gardens, the world of the rich, leisured, happy, moneyed people.”(2)Haussmann, satirically termed the "Artiste Démolisseur," enacted a policy akin to 'creative destruction' to achieve it. This is a concept Karl Marx alluded to and the Austrian Economist Joseph Schumpeter later popularized. In Marx and Friedrich Engels popular 1848 book “The Communist Manifesto” they used the term Vernichtung which describes the continuous devaluation of existing wealth to pave the way for the creation of new wealth.During the 1830s and '40s, monumental ‘devaluations' came at the expense of land and rivers paving the way for infrastructure like railroads and canals. Including other parts of the world. Americans, Indigenous and colonized, saw over 3000 miles of canals being dug by 1840 and 9,000 miles of railroad by 1850. We can all think of examples of ‘creative destruction' today — be it from bombs that fall or a wrecking ball.This 19th century period of transformation also saw France's first passenger train and the spread of a national railway network, all under Napoleon III's ambition to fortify France's economic stature. He promoted and founded new national banks to fund these transformations, fueling Marx's view that economic efficiencies could be gained through improved transportation.The rise of capitalism and the concept of 'the world market,' as Marx termed it, pushed for more efficient movement of people and goods, a task complicated by Paris's antiquated layout. Although Napoleon and Haussmann are credited with modernizing Paris, initiatives to improve urban circulation were already underway. Prior to 1833, significant canals, roads, and railways were constructed, and post-1832 cholera outbreak, efforts were made to expand the city and reduce congestion.Architectural and urban planning, including the design of the Place de la Concorde by Jacques Hittorff, aimed to push the city's boundaries. In 1843, Hippolyte Meynadier proposed major urban changes to improve air quality and circulation. Haussmann later embraced and amplified these existing plans with and without Napoleon's support. For example, Napoleon did not see the need to bringing running water to Paris, but Hausmann did it anyway.Hausmann was fond of expanding. Whereas these earlier plans were certainly grander than any in Paris, or possibly the world, Hausmann multiplied dimensions. Hittorf had drawn plans for some streets be obesely wide, even by today's standards, but Haussmann tripled the dimensions. For example, the road leading to the Arc de Triomphe, known now as the Champs-Élysées, was first drawn to be 120 feet wide. But Hausmann insisted it be 360 feet wide with an additional 40 feet of sidewalks on each side. He tripled the scale of a project that had already been tripled.What resulted was a diagonally criss-crossing web of stick straight boulevards with massive monuments strategically placed at nodes and termini. The Arc de Triomphe from above looks like a shining star with roads and boulevards as glimmering spires. Some scholars believe Hausmann, and his coconspirators, were the first to view the city as a technical problem to be solved from the top down. It was a civic product to be worked on with little regard for the people who were working within. This view of a city may have been influenced by the aerial photographer Nadar who from 1855 to 1858 perfected aerial photography in France. He patented the use of aerial photography for mapmaking and surveying in 1855. A WHOPPER OF A TRANSFORMATIONSoon after Hausmann finished the complete remaking of Paris in 1870, Friederic Engels published his 1872 book The Housing Question where he explored the housing crisis facing industrial workers of the 19th century. He criticized what became known as the Hausmannization of cities, writing,“By ‘Haussmann' I mean the practice which has now become general of making breaches in the working class quarters of our big towns, and particularly in those which are centrally situated, quite apart from whether this is done from considerations of public health and for beautifying the town, or owing to the demand for big centrally situated business premises, or owing to traffic requirements, such as the laying down of railways, streets, etc. No matter how different the reasons may be, the result is everywhere the same: the scandalous alleys and lanes disappear to the accompaniment of lavish self-praise from the bourgeoisie on account of this tremendous success, but they appear again immediately somewhere else and often in the immediate neighbourhood”Groups of people struggling to live in a city, “the common people”, those who were not rulers of property, clergy, or monarchy, began organizing as a community. Property owners spared by Hausmann's utter destruction saw their applications for building improvement permits rejected. In the years leading up to 1871, tensions were once again mounting in a city that had yet to form a municipal government.Meanwhile the Francho-Prussian War erupted in July of 1870 as France sought to assert its dominance in Europe fearing a pending alliance between Prussia and Spain. During the war, the French National Guard defended Paris. Given their proximity to growing working-class radicalism, sentiments began to be shared among soldiers.After a significant defeat of the French Army by the Germans, National Guard soldiers seized control of the city on March 18, killing two French army generals and refusing to accept the authority of the French national government. The community became a commune — common, general, free, open, and public.The commune governed Paris for two months, establishing policies that tended toward a progressive, anti-religious system of their own self-styled socialism. These policies included the separation of church and state, self-policing, the remission of rent, the abolition of child labor, and the right of employees to take over an enterprise deserted by its owner.Predictably, the Commune was ultimately suppressed by the national French Army at the end of May during "The Bloody Week” when an estimated 10-15,000 Communards were killed in battle or executed.The Commune's policies and outcome had a significant influence on the ideas of Karl Marx and Friedrich Engels, who described it as the first example of the dictatorship of the proletariat. Without it, it's unlikely Ian Brossat would have a Communist party fighting for fair living conditions. A modern day nod to those Communards slaughtered in 1871.Meanwhile, today's City Hall also ensures the persistence of the bucolic, romantic, idealistic — and perhaps classist — proprietors who help to sustain the manicured experience Hausmann set out to achieve nearly 200 years ago. Just as the government plays a role in controlling rent so less financially privileged can live and work there, so too does the government subsidize select city shops and restaurants that attract the well heeled. But they have their limits.The counselor in charge of managing commercial holdings said, “We don't rent to McDonald's, we don't rent to Burger King and we don't rent to Sephora.”These stores obviously exist, so clearly landlords across the city have long sold out to ‘world market' chains even Hausmann may frown upon. Even as the city take steps to ensure curated theme shops continue to exist. Hausmann may not have planned for this, but Paris did become a kind of a public theme park to the world.Given the history of radicals and conservatives toiling in a tug of war for centuries over what exactly the city should be and for whom, perhaps the conservative former housing minister now commercial developer, Benoist Apparu, put it best — “A city, if it's only made up of poor people, is a disaster. And if it's only made up of rich people, it's not much better.” (1)I, for one, was pleased to find a Burger King on the Champs-Élysées during my first trip to Paris as a teenager in 1984. After a few days of European food, I was ready for a Whopper. Of course, I was unaware of any of the socio-political or psychogeographical implications and ramifications of all this — both historically and in that moment. I was a middle-class mini-bougie white American eating comfort food while obliviously participating in the exploitive world of ‘rich, leisured, happy, and moneyed people' on a boulevard designed for it. But I was also in city that birthed liberty, the potential for revolutionary change, and the promise and struggle of egalitarian policies. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit interplace.io

Découvrez l'abonnement "Au Coeur de l'Histoire +" et accédez à des heures de programmes, des archives inédites, des épisodes en avant-première et une sélection d'épisodes sur des grandes thématiques. Profitez de cette offre sur Apple Podcasts dès aujourd'hui ! Créatrice du soutien-gorge moderne, Herminie Cadolle s'est d'abord illustrée comme communarde ! Virginie Girod vous raconte la suite de son histoire. Son engagement lui vaut plusieurs confrontations avec la police. Emprisonnée à la suite de la Commune, Herminie dénonce un de ses geôliers, le lieutenant Marcerou. C'est un homme violent qui malmenait les détenus bien au-delà de ce que le droit et la justice permettent. Il bat les enfants, et viole les femmes. Pour les Versaillais, partisans de la IIIe République, ce témoignage est une vengeance des Communards. L'enquête administrative capote. Herminie Cadolle va rebondir d'une manière inattendue. Elle part pour l'Argentine, alors en plein essor économique. La boutique de lingerie qu'elle y ouvre fonctionne bien, mais la révolutionnaire n'est jamais loin… Herminie prend une paire de ciseaux et coupe son corset sous la poitrine. La pièce obtenue peut maintenir la poitrine si on y ajoute des bretelles. Surtout, les poumons et l'estomac sont enfin libérés ! Pour faire connaître sa création, qu'elle nomme le corselet-gorge, la corsetière rentre en France et participe à l'Exposition universelle de 1889. La reine de l'événement sera cependant la tour Eiffel. Mais Herminie Cadolle persiste, elle dépose un brevet et remporte même la médaille de bronze à l'exposition universelle de 1900, à Paris. C'est le début du succès ! Herminie Cadolle ouvre une boutique rue Cambon et emploie plusieurs dizaines d'ouvrières. La communarde est devenue une cheffe d'entreprise ! Un récit inédit que Virginie Girod vous raconte également dans les pages de Madame Figaro, en kiosques le 29 mars. https://madame.lefigaro.fr Thèmes abordés : Commune, Exposition Universelle, IIIe République, soutien-gorge "Au cœur de l'histoire" est un podcast Europe 1 Studio- Présentation : Virginie Girod - Production : Caroline Garnier- Réalisation : Clément Ibrahim- Composition de la musique originale : Julien Tharaud - Rédaction et Diffusion : Nathan Laporte- Communication : Marie Corpet- Visuel : Sidonie Mangin Ressources en lignehttps://www.francetvinfo.fr/replay-magazine/france-2/20h30-le-samedi/video-herminie-cadolle-communarde-et-feministe-presente-le-premier-soutien-gorge-a-l-exposition-universelle-de-1889_4024163.html https://gallica.bnf.fr/blog/14022022/sens-dessus-dessous-lhistoire-du-soutien-gorge-de-la-fin-du-xixeme-aux-annees-1950?mode=desktop https://www.retronews.fr/societe/echo-de-presse/2016/07/01/la-femme-qui-inventa-le-soutien-gorge-moderne https://www.commune1871.org/la-commune-de-paris/histoire-de-la-commune/illustres-communards/560-la-saga-familiale-des-cadolle https://www.cadolle.com/fr/content/14-notre-histoire

The Reverend Richard Coles is back on tour with his ‘Borderline National Trinket' show and talks to us from his home in Sussex where he's “the only person in the village who hasn't won a BAFTA”. This looks back at his life – “a CV like the work of a fantasist” - and what he's learnt from 50 years of watching various types of stage entertainment and playing to audiences ranging from the Wollaston Over-‘60s Methodist Ladies Fellowship to a bunch of delinquent Spanish pop fans with catapults. And he talks fondly of the Communards and how ‘80s pop was a Golden Age. Among the highlights … … Morecambe & Wise at the Kettering Granada with Arthur Tolcher on the mouth organ. … finding your “pulpit voice”. … Sir Robert Helpmann's great gag about referees. … why time is a healer. … the “marble denim and mullets” of Legs & Co's interactive dance to the Communards on Top Of The Pops.   … on the literary circuit sandwiched between John Lydon and Marti Pellow – “dreams do come true”. … if he's ever met a shy vicar. … the stagecraft of Danny Baker, Adam Kay and Grayson Perry. … standing on a chair to conduct the RPO, aged 8 and the time he wrote a Magnificat For Choir And Snare Drum in A Minor. … seeing Bauhaus, John Otway and the 4-Be-2s. … sitting between Lenny Henry and Torvill & Dean at a Kylie show. … his teenage punk band Zerox playing Clash covers. … and why there are never any forks in a Green Room. Get ‘Borderline National Trinket' tickets here, last date March 11 at London's Shaftesbury Theatre …https://www.seetickets.com/tour/reverend-richard-colesSubscribe to Word In Your Ear on Patreon for early - and ad-free - access to all of our content: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

The Reverend Richard Coles is back on tour with his ‘Borderline National Trinket' show and talks to us from his home in Sussex where he's “the only person in the village who hasn't won a BAFTA”. This looks back at his life – “a CV like the work of a fantasist” - and what he's learnt from 50 years of watching various types of stage entertainment and playing to audiences ranging from the Wollaston Over-‘60s Methodist Ladies Fellowship to a bunch of delinquent Spanish pop fans with catapults. And he talks fondly of the Communards and how ‘80s pop was a Golden Age. Among the highlights … … Morecambe & Wise at the Kettering Granada with Arthur Tolcher on the mouth organ. … finding your “pulpit voice”. … Sir Robert Helpmann's great gag about referees. … why time is a healer. … the “marble denim and mullets” of Legs & Co's interactive dance to the Communards on Top Of The Pops.   … on the literary circuit sandwiched between John Lydon and Marti Pellow – “dreams do come true”. … if he's ever met a shy vicar. … the stagecraft of Danny Baker, Adam Kay and Grayson Perry. … standing on a chair to conduct the RPO, aged 8 and the time he wrote a Magnificat For Choir And Snare Drum in A Minor. … seeing Bauhaus, John Otway and the 4-Be-2s. … sitting between Lenny Henry and Torvill & Dean at a Kylie show. … his teenage punk band Zerox playing Clash covers. … and why there are never any forks in a Green Room. Get ‘Borderline National Trinket' tickets here, last date March 11 at London's Shaftesbury Theatre …https://www.seetickets.com/tour/reverend-richard-colesSubscribe to Word In Your Ear on Patreon for early - and ad-free - access to all of our content: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

The Reverend Richard Coles is back on tour with his ‘Borderline National Trinket' show and talks to us from his home in Sussex where he's “the only person in the village who hasn't won a BAFTA”. This looks back at his life – “a CV like the work of a fantasist” - and what he's learnt from 50 years of watching various types of stage entertainment and playing to audiences ranging from the Wollaston Over-‘60s Methodist Ladies Fellowship to a bunch of delinquent Spanish pop fans with catapults. And he talks fondly of the Communards and how ‘80s pop was a Golden Age. Among the highlights … … Morecambe & Wise at the Kettering Granada with Arthur Tolcher on the mouth organ. … finding your “pulpit voice”. … Sir Robert Helpmann's great gag about referees. … why time is a healer. … the “marble denim and mullets” of Legs & Co's interactive dance to the Communards on Top Of The Pops.   … on the literary circuit sandwiched between John Lydon and Marti Pellow – “dreams do come true”. … if he's ever met a shy vicar. … the stagecraft of Danny Baker, Adam Kay and Grayson Perry. … standing on a chair to conduct the RPO, aged 8 and the time he wrote a Magnificat For Choir And Snare Drum in A Minor. … seeing Bauhaus, John Otway and the 4-Be-2s. … sitting between Lenny Henry and Torvill & Dean at a Kylie show. … his teenage punk band Zerox playing Clash covers. … and why there are never any forks in a Green Room. Get ‘Borderline National Trinket' tickets here, last date March 11 at London's Shaftesbury Theatre …https://www.seetickets.com/tour/reverend-richard-colesSubscribe to Word In Your Ear on Patreon for early - and ad-free - access to all of our content: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Episode 38: June Miles-KingstonJune Miles-Kingston is a singer and drummer, best known for her work with various successful bands and singers in the 1980s. She was a founding member of the post-punk group the Mo-dettes and later became a session drummer and backing vocalist for a variety of British post-punk, new wave, and pop artists. She went on to play drums with Everything but the Girl, the Fun Boy Three and the Communards. As she mentions, there was a period where she appeared on Top Of The Pops every week.She then went on to study fine art at St. Martin's and filmmaking at the University of Sussex. Her film Dear Miss Bassey was awarded a prize at the London 'Shorts' Film Festival She continues to make music and films and is writing about her musical experiences.#hygystpod #June #DrummerHave You Got Your Sh*t Together? with Caitlin O'Ryan, is a podcast that celebrates not having your sh*t together! In each episode, Caitlin interviews guests who seemingly “have their sh*t together” - be that in life/love/work/hobbies. Throughout the conversation, the questions unveil whether they actually do, or whether the whole concept is a lie! With a mix of guests from various backgrounds, the podcast is sure to be relatable, honest, and an antidote to Instagram culture. Producer - Ant Hickman (www.ahickman.uk)Artwork - Tim Saunders (www.instagram.com/timsaunders.design)Photography - Patch Bell (www.patchstudio.uk)Music - Cassia - 'Slow' (www.wearecassia.com)Web: www.hygystpod.comInsta: www.instgram.com/hygystpodEmail: hygystpod@gmail.comRSS: https://feeds.acast.com/public/shows/644a8e8eadac0f0010542d86 Hosted on Acast. See acast.com/privacy for more information.

This episodes special guest is singer and former Communard Sarah Jane MorrisI met with Sarah and we had a wonderful chat, talking about growing up, school, clubbing, The Communards, Top Of The Pops, fame and much moreHope you enjoy this chat and if you do please feel free to support the podcast herehttps://www.buymeacoffee.com/stuwhiffenorhttps://supporter.acast.com/offthebeatandtrack orwww.patreon.com/offthebeatandtrackPlease also subscribe and follow the podcast on the social media links belowOff The Beat & Trackwww.offthebeatandtrackpodcast.comhttps://twitter.com/beatandtrackpodhttps://www.facebook.com/offthebeatandtrackpodcast/Support this show http://supporter.acast.com/offthebeatandtrack. Become a member at https://plus.acast.com/s/offthebeatandtrack. Hosted on Acast. See acast.com/privacy for more information.

A principios de década la música de baile dominaba gran parte de la escena y pronto su influencia se notó en muchos artistas procedentes del Pop, del indie e incluso del Rock. En este podcast podréis escuchar algunos ejemplos. 01 - Beats International - Dub Be Good To Me: el ex bajista de The Housemartins (Norman Cook) creó en el 89 este colectivo, formado por una vocalista, un rapero y un teclista. Este fue su gran éxito, un cover de una canción de SOS Band y el cual contaba con un sampler de la línea de bajo de la canción de Los Clash “Guns of Brixton”. Llego al número 1 en el Reino Unido en 1990. 02 - Ace of Base - The Sign (Long Version): Luego del gran suceso mundial que fue “All That She Wants”, en 1993 publican esta canción como single, logrando el número uno en US y Europa. 03 - Soho - Hippychick: El dúo de las hermanas Cuff lograron un solo éxito mundial, y fue este Hippychick en 1990, el cual contenía un sampler de la guitarra de Johnny Marr en la canción de The smiths “How Soon is Now” 04 - Stereo MC's – Connected: Procedentes de la escena del Hip-Hop británico, en 1992 lanzaron todo un revienta pistas como es “Connected”. Hasta mediados de los 2000 siguieron publicando material pero nunca repitieron el éxito, 05 - Lil Louis & The World - Nyce & Slo (Tony Humphries wildlife mix): DJ y productor de Chicago. Famoso por publicar en 1989 “French Kiss”, clásico del House. En 1990 lanza como single “Nyce & Slo” del cual se realizaron decenas de remezclas, la que aquí podéis escuchar fúe publicada originalmente en 12 pulgadas. 06 - Soul II Soul - Get a Life: Luego del gran suceso que fue el disco debut. El combo de Jazzie B lanza su segundo álbum “Volume II (1990 a new decade)”. Del cual se extrae este single. 07 - Saint Etienne - Only Love Can Break Your Heart: El trio británico debutan en mayo de 1990 con el cover de Neil Young “Only Love Can Break Your Heart” convirtiéndose en su single más exitoso hasta la actualidad. Como dato curioso, su vocalista Sarah Cracknell se incorpora al grupo un año más tarde. Por lo que esta canción es interpretada por Moira Lambert. 08 - Banderas - This Is Your Life (Remix by Massimino & Fabio B): Procedentes de The Communards, donde ejercían de coristas, publican su único álbum hasta la fecha “Rape” en 1991. Esta canción fue su primer single y el único que sonó en las radios. 09 - Mantronix feat. Wondress - Got to Have Your Love: Grupo de Hip Hop formado a mediados de los 80s, lograron con esta canción gran éxito en todas las pistas de baile del mundo entre 1989 y 1990. 10 - King Bee - Back By Dope Demand (Funky Bass Mix): Grupo de Hip Hop holandés, tuvieron varios singles de éxito a principios de década. 11 - Adventures of Stevie V - Dirty Cash (Money Talks) (Sold Out Mix 7' Edit): Proyecto británico de Hip-House, famosos por esta canción que sono entre 1989 y 1990. 12 - Primal Scream - Don't Fight It, Feel It (7' edit): Procedentes del Indie Britanico, en 1990 publican su opera prima “Screamadelica”, una fusión de Rock, Psicodelia, House y Balearic Beat. Este fúe su cuarto single. 13 - Stereo MC's - Step It Up: Segundo single de éxito, luego de Connected. Publicado en 1992. 14 - Beats International - For Spacious Lies (12' Version): Originalmente fue piublicado en 1989 por Norman Cook como solista, en 1990 se vuelve a lanzar bajo el nombre de Beats International. 15 - Happy Mondays - Step On (Twisting My Melon mix): Procedentes de la escena de Madchester, en 1990 publican su exitoso álbum “Pills 'N' Thrills And Bellyaches” del que se extrae esta canción como single. 16 - EMF - Unbelievable (Single Version): grupo británico formado en 1989, publican su mega éxito mundial en 1990. Nunca más volvieron a lograr tal asaña.

A principios de década la música de baile dominaba gran parte de la escena y pronto su influencia se notó en muchos artistas procedentes del Pop, del indie e incluso del Rock. En este podcast podréis escuchar algunos ejemplos. 01 - Beats International - Dub Be Good To Me: el ex bajista de The Housemartins (Norman Cook) creó en el 89 este colectivo, formado por una vocalista, un rapero y un teclista. Este fue su gran éxito, un cover de una canción de SOS Band y el cual contaba con un sampler de la línea de bajo de la canción de Los Clash “Guns of Brixton”. Llego al número 1 en el Reino Unido en 1990. 02 - Ace of Base - The Sign (Long Version): Luego del gran suceso mundial que fue “All That She Wants”, en 1993 publican esta canción como single, logrando el número uno en US y Europa. 03 - Soho - Hippychick: El dúo de las hermanas Cuff lograron un solo éxito mundial, y fue este Hippychick en 1990, el cual contenía un sampler de la guitarra de Johnny Marr en la canción de The smiths “How Soon is Now” 04 - Stereo MC's – Connected: Procedentes de la escena del Hip-Hop británico, en 1992 lanzaron todo un revienta pistas como es “Connected”. Hasta mediados de los 2000 siguieron publicando material pero nunca repitieron el éxito, 05 - Lil Louis & The World - Nyce & Slo (Tony Humphries wildlife mix): DJ y productor de Chicago. Famoso por publicar en 1989 “French Kiss”, clásico del House. En 1990 lanza como single “Nyce & Slo” del cual se realizaron decenas de remezclas, la que aquí podéis escuchar fúe publicada originalmente en 12 pulgadas. 06 - Soul II Soul - Get a Life: Luego del gran suceso que fue el disco debut. El combo de Jazzie B lanza su segundo álbum “Volume II (1990 a new decade)”. Del cual se extrae este single. 07 - Saint Etienne - Only Love Can Break Your Heart: El trio británico debutan en mayo de 1990 con el cover de Neil Young “Only Love Can Break Your Heart” convirtiéndose en su single más exitoso hasta la actualidad. Como dato curioso, su vocalista Sarah Cracknell se incorpora al grupo un año más tarde. Por lo que esta canción es interpretada por Moira Lambert. 08 - Banderas - This Is Your Life (Remix by Massimino & Fabio B): Procedentes de The Communards, donde ejercían de coristas, publican su único álbum hasta la fecha “Rape” en 1991. Esta canción fue su primer single y el único que sonó en las radios. 09 - Mantronix feat. Wondress - Got to Have Your Love: Grupo de Hip Hop formado a mediados de los 80s, lograron con esta canción gran éxito en todas las pistas de baile del mundo entre 1989 y 1990. 10 - King Bee - Back By Dope Demand (Funky Bass Mix): Grupo de Hip Hop holandés, tuvieron varios singles de éxito a principios de década. 11 - Adventures of Stevie V - Dirty Cash (Money Talks) (Sold Out Mix 7' Edit): Proyecto británico de Hip-House, famosos por esta canción que sono entre 1989 y 1990. 12 - Primal Scream - Don't Fight It, Feel It (7' edit): Procedentes del Indie Britanico, en 1990 publican su opera prima “Screamadelica”, una fusión de Rock, Psicodelia, House y Balearic Beat. Este fúe su cuarto single. 13 - Stereo MC's - Step It Up: Segundo single de éxito, luego de Connected. Publicado en 1992. 14 - Beats International - For Spacious Lies (12' Version): Originalmente fue piublicado en 1989 por Norman Cook como solista, en 1990 se vuelve a lanzar bajo el nombre de Beats International. 15 - Happy Mondays - Step On (Twisting My Melon mix): Procedentes de la escena de Madchester, en 1990 publican su exitoso álbum “Pills 'N' Thrills And Bellyaches” del que se extrae esta canción como single. 16 - EMF - Unbelievable (Single Version): grupo británico formado en 1989, publican su mega éxito mundial en 1990. Nunca más volvieron a lograr tal asaña.

June Miles-Kingston in conversation with David Eastaugh British singer and drummer, best known for her work with various successful bands and singers in the 1980s. She was a founding member of the post-punk group the Mo-dettes, which lasted from 1979 to 1982, and later became a session drummer and backing vocalist for a variety of British post-punk, new wave, and pop artists.

Writer, radio presenter, Church of England clergyman and multi-instrumentalist Richard Coles joins Steve to pick his Pride Playlist.Richard shares stories from his time in The Communards with Jimmy Somerville, coming to terms with his sexuality, his work as a Vicar and life as an author. Richard's Pride Playlist includes tracks from Bronski Beat, Prince, Soul II Soul, Noel Coward & The Smiths. Hosted on Acast. See acast.com/privacy for more information.

Then let the story really begin in 1968, though it has little to do with May. By chance it opens in January of that year, and it really concerns me rather than the world of political events, though these are always on my mind, as they were always on my mind. Future Imperfect: The Past Between My Fingers... (2021), Adrian Rifkin's short Bildungsroman sets beside each other the fault lines of events and moments recalled without a diary with the verification and sometimes undermining effects of new research of materials, the recovery of what was known, what might have been known, and what was merely probable, as if this were a history of the history of art. Adrian Rifkin speaks to Pierre d'Alancaisez about the uses of radical pedagogy, dreams, art history, and the economy of memory. Wagner and the Teletubbies also feature. Adrain's performance Hypotheses and Loving Contradictions at Haus der Kunst, 2017 The White Pube 

Then let the story really begin in 1968, though it has little to do with May. By chance it opens in January of that year, and it really concerns me rather than the world of political events, though these are always on my mind, as they were always on my mind. Future Imperfect: The Past Between My Fingers... (2021), Adrian Rifkin's short Bildungsroman sets beside each other the fault lines of events and moments recalled without a diary with the verification and sometimes undermining effects of new research of materials, the recovery of what was known, what might have been known, and what was merely probable, as if this were a history of the history of art. Adrian Rifkin speaks to Pierre d'Alancaisez about the uses of radical pedagogy, dreams, art history, and the economy of memory. Wagner and the Teletubbies also feature. Adrain's performance Hypotheses and Loving Contradictions at Haus der Kunst, 2017 The White Pube 

Then let the story really begin in 1968, though it has little to do with May. By chance it opens in January of that year, and it really concerns me rather than the world of political events, though these are always on my mind, as they were always on my mind. Future Imperfect: The Past Between My Fingers... (2021), Adrian Rifkin's short Bildungsroman sets beside each other the fault lines of events and moments recalled without a diary with the verification and sometimes undermining effects of new research of materials, the recovery of what was known, what might have been known, and what was merely probable, as if this were a history of the history of art. Adrian Rifkin speaks to Pierre d'Alancaisez about the uses of radical pedagogy, dreams, art history, and the economy of memory. Wagner and the Teletubbies also feature. Adrain's performance Hypotheses and Loving Contradictions at Haus der Kunst, 2017 The White Pube 

Then let the story really begin in 1968, though it has little to do with May. By chance it opens in January of that year, and it really concerns me rather than the world of political events, though these are always on my mind, as they were always on my mind. Future Imperfect: The Past Between My Fingers... (2021), Adrian Rifkin's short Bildungsroman sets beside each other the fault lines of events and moments recalled without a diary with the verification and sometimes undermining effects of new research of materials, the recovery of what was known, what might have been known, and what was merely probable, as if this were a history of the history of art. Adrian Rifkin speaks to Pierre d'Alancaisez about the uses of radical pedagogy, dreams, art history, and the economy of memory. Wagner and the Teletubbies also feature. Adrain's performance Hypotheses and Loving Contradictions at Haus der Kunst, 2017 The White Pube 

Then let the story really begin in 1968, though it has little to do with May. By chance it opens in January of that year, and it really concerns me rather than the world of political events, though these are always on my mind, as they were always on my mind. Future Imperfect: The Past Between My Fingers... (2021), Adrian Rifkin's short Bildungsroman sets beside each other the fault lines of events and moments recalled without a diary with the verification and sometimes undermining effects of new research of materials, the recovery of what was known, what might have been known, and what was merely probable, as if this were a history of the history of art. Adrian Rifkin speaks to Pierre d'Alancaisez about the uses of radical pedagogy, dreams, art history, and the economy of memory. Wagner and the Teletubbies also feature. Adrain's performance Hypotheses and Loving Contradictions at Haus der Kunst, 2017 The White Pube 

Then let the story really begin in 1968, though it has little to do with May. By chance it opens in January of that year, and it really concerns me rather than the world of political events, though these are always on my mind, as they were always on my mind. Future Imperfect: The Past Between My Fingers... (2021), Adrian Rifkin's short Bildungsroman sets beside each other the fault lines of events and moments recalled without a diary with the verification and sometimes undermining effects of new research of materials, the recovery of what was known, what might have been known, and what was merely probable, as if this were a history of the history of art. Adrian Rifkin speaks to Pierre d'Alancaisez about the uses of radical pedagogy, dreams, art history, and the economy of memory. Wagner and the Teletubbies also feature. Adrain's performance Hypotheses and Loving Contradictions at Haus der Kunst, 2017 The White Pube 

Join Holly and Maria for a new season of Criminalia, one that's all about arson. In this episode, get introduced to a creature known as the 'pétroleuse', and why according to the rumors around Paris in May of 1871, these 'unruly' female incendiaries were to blame for burning down much of the city.See omnystudio.com/listener for privacy information.

On this episode of the Paul Weller Fan Podcast, we hear from Sarah Jane Morris - a singer-songwriter who has been sharing her musical talents with us for over 40 years now.An artist who straddles rock, blues, jazz and soul and is in possession of a stunning four octave vocal range that'll blow your mind.Her connections to Paul Weller date back to the mid-80s, when she was part of The Communards and they joined the Red Wedge Tour. As you'll hear 1986 was an pretty incredible year for her, with the worldwide smash-hit of Don't Leave Me This Way! as well.She released her debut album, Sarah Jane Morris in March 1989, receiving great critical acclaim and selling over 100,000 copies. The second single Me And Mrs Jones attained cult status as the BBC banned it for its lesbian implications.Sixteen solo albums later, pop stardom on the continent, and a diverse set of musical collaborations on record, film and stage, Sarah Jane continues to steer her unorthodox career to greater heights.In the early 1990s, Paul Weller handed her a tune called Leaves Around the Door which she added to her live setlist, including for a performance captured on her Blue Valentine LIVE at Ronnie Scott's album.You may well recognise the song under the name A Year Late which Paul himself recorded and released later on as the b-side to You Do Something To Me)In another lovely Weller connection, in 2021, Sarah Jane recorded a new album called Let The Music Play, with the Italian producer Papik. Both artists chose songs from the 80s and rearranged them with a jazz/bosa/soul vibe. On the album, you'll find a stunning cover of You're The Best Thing by The Style Council along with songs from artists as diverse as Prefab Sprout, Barry White, Todd Rundgren, Simply Red and Everything But The Girl. Hosted on Acast. See acast.com/privacy for more information.

Episode 332: This 30-minute 80s and 90s dance and rock mix is an electrifying journey through the biggest hits of these two iconic decades. The mix is carefully crafted to keep you moving and grooving from start to finish, with a perfect blend of upbeat dance tracks and energetic rock anthems.From iconic bands like Bananarama, Style, Dalida, The Communards, Moon Martin to Eurythmics' Sweet Dreams, this selection of dance and rock hits is a perfect homage to the era when rock and disco ruled the airwaves. Made with LovedJ SamD

Episode 129:This week we're continuing with Post-Scarcity Anarchism by Murray Bookchin.You can find the book here:https://theanarchistlibrary.org/library/murray-bookchin-post-scarcity-anarchism-book[Part 1 - 4]Post-Scarcity AnarchismEcology and Revolutionary Thought[Part 5 - 8]Towards a Liberatory Technology[Part 9 - This Week]The Forms of Freedom - 0:48-The Mediation of Social Relations - 4:31[Part 10 - 11]The Forms of Freedom[Part 12 - 16]Listen, Marxist!Footnotes:30) 7:37For a discussion on the myth of the working class see “Listen, Marxist!” 31) 15:57If we are to regard the bulk of the Communards as “proletarians,” or describe any social stratum as “proletarian” (as the French Situationists do) simply because it has no control over the conditions of its life, we might just as well call slaves, serfs, peasants and large sections of the middle class “proletarians.” To create such sweeping antitheses between “proletarian” and bourgeois, however, eliminates all the determinations that characterize these classes as specific, historically limited strata. This giddy approach to social analysis divests the industrial proletariat and the bourgeoisie of all the historically unique features which Marx believed he had discovered (a theoretical project that proved inadequate, although by no means false); it slithers away from the responsibilities of a serious critique of Marxism and the development of “laissez-faire” capitalism toward state capitalism, while pretending to retain continuity with the Marxian project. 32) 27:35This is not to ignore the disastrous political errors made by many “leading” Spanish anarchists. Although the leading anarchists were faced with the alternative of establishing a dictatorship in Catalonia, which they were not prepared to do (and rightly so!), this was no excuse for practicing opportunistic tactics all along the way.

In this episode Cally talks to Reverend Richard Coles about piano playing, ageing, emoting, love, faith, desire, losing his long-term partner David, grief, private education, coming out, The Communards, sitting in the front of planes, Strictly, social mobility, addiction, and his beloved sausage dogs Pongo and Daisy. Twitter: @RevRichardColes Instagram: @rkrcoles Richard's booksGriefcast with Cariad Lloyd Namaste Motherf**kers with guest Louisa Young More about Cally Instagram: @callybeatoncomedian Twitter: @callybeaton Produced by Mike Hanson for Pod People Productions Instagram: @podpeopleuk Music by Jake Yapp Cover art by Jaijo Sales & advertising: info@theloniouspunkproductions.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Peter takes on Ian on this 'Scott Mills Treadmill Challenge' edition of PopMaster.

Although I'm a little late, I finally get around to honoring the 150th anniversary of the 1871 Paris Commune. My guest is Carolyn Eichner, author of https://bookshop.org/a/82618/9781978827684 (The Paris Commune: A Brief History). We do an even briefer history of the Commune on this episode, as well as a discussion of the Commune's legacy and the sites in Paris you can visit to honor the Communards.

‘One goal, one mission…one vision!'.November 1985, and the latest poptastic edition of NOW kicks off with the unifying cry from Freddie and the boys, after an unforgettable summer when music really did seem to change the world from London to Philadelphia and beyond. But how representative of those wonderful UK charts is Now, That's What I Call Music 6?Well, the events of Live Aid had certainly worked some magic for the chart placings for some with such luminaries as Queen, Elton, Phil and Tina all checking in across this double album. Elsewhere, some of the decades greatest pop stars where reinventing their sound as the second half of the 80s required some image and sound makeovers. Level 42, Eurythmics and Simple Minds were powering on, whilst new acts such as Fine Young Cannibals and The Communards were emerging and looking forwards to their own future decade success.Dance music was certainly evolving and while the DJs in Chicago were beginning to plug in their 808s, the dancefloor hits of NOW6 had a distinctive Europop feel, thanks to the Tarzan inspired Baltimora, Mai Tai and Maria Vidal's evergreen body rocking workout. Elsewhere, three fifths of Duran Duran were looking for your votes (mark x next to Arcadia for that particular side project), some 80s alternative greats were still providing memorable hits and Paul Hardcastle was switching his focus from Vietnam to The Great Train Robbery with the help of Bob Hoskins and Laurence Olivier. Yes, it was indeed the 80s!And of course, we can't revisit this compilation without mentioning THAT first Deal with God. Stranger Things indeed!Join Complete Control PR Madam and Popmaster champion Polly Birkbeck as we head back to Now, That's What I Call Music 6 and the rest of autumn 1985.And if all of this wasn't enough, discover Polly's first musical glam and punk loves, which bands she followed around the country in ‘85 (do fans still even do this outwith TikTok?), what was the best year for pop and why she doesn't really want to talk about Live Aid.As the tagline on the album instructed us, Feel The Quality indeed! See acast.com/privacy for privacy and opt-out information.

DAVID GAUSA presents SUTIL SENSATIONS RADIO / N#418 TRACKLIST JULY 29th 2022 / 29 JULIO 2022 LAST SHOW 16th SEASON 2021/22 A SPECIAL 2h 45m XL SHOW! LF SYSTEM 'Afraid To Feel' - Warner Dom Dolla ft. Clementine Douglas 'Miracle Maker' - Three Six Zero BLOND:ISH, Francis Mercier, Amadou & Mariam 'Sete' - Insomniac A-BO feat. ero808 'HYPNOSIS' - FUNKSHWAY Bob Sinclar ft. Steve Edwards 'World, Hold On' (Fisher Rework) - Yellow Productions Alex Mills 'Telepathy' - Ultra Franky Wah, ARCO 'Under The Sun' (Vintage Culture Remix) - Terracotta David Gausa feat. Alex Lark 'Memories Of You' - Sutil Records ANOTR x Abel Balder 'Vertigo' - No Art AN21 & HIISAK ft. Able Faces 'Alright' - Size --- TRACKS OF THE WEEK / TEMAS DE LA SEMANA Various Artists 'Unity' Pt.3 - Afterlife Airplayed: ANNA feat. Ravid 'Cosmovision' Binary Finary '1998' (Whitesquare Remix) --- James Hype & Tita Lau 'Disconnected' - Solotoko CID & Will K 'OoooH' - Repopulate Mars RETNA vs Mark Knight 'What I Need' - Toolroom LF SYSTEM 'Afraid To Feel' (CID Remix) - Warner Records Gy Fos 'Believe' (House Of Virus Remix) - Freakin 909 The Communards 'Never Can Say Goodbye' (The 2 Bears Remix aka Joe Goddard & Raf Rundell) - Believe Mochakk feat. Joni 'Da Fonk' - Nervous Fred again.. - Jungle - Atlantic Records --- THE LAIDBACK ROOM / LA SALA 2 LP Giobbi feat. DJ Tennis & Joseph Ashworth 'All In A Dream' - Counter Melle (MELA) Brown feat. Annie Mac 'Feel About You' - Virgin Confidence Man 'Woman' - Heavenly TSHA feat. Mafro 'Giving Up' - Ninja Tune DAVID GAUSA IN THE MIX: #CANELAFINA TAKEOVER Ryksopp ft. Alison Goldfrapp 'Impossible' (&ME Remix - taken from 'Profound Mysteries Remixes) - Dog Triumph Mind Against, Dyzen 'Freedom' - fabric Solomun 'Home' (Boys Noize Remix - taken from 'Nobody Is Not Loved' Remixes, Pt. 4) - NINL Red Axes 'Caminho De Dreyfus' (Adam Ten 303 Retouch - Rebolledo Remix - taken from 'Numro 03' VA EP) - Correspondant Super Flu 'Humbled K' (taken from 'Gargamel' EP - Monaberry CamelPhat, Mathame 'Believe' - Astralwerks David Gausa feat. Alex Lark 'Memories Of You' (Instrumental Mix) - Sutil Records Ryksopp ft. Beki Mari 'This Time, This Placev' (Township Rebellion Remix) - Dog Triumph --- THE CLASSIC / EL CLASICO Amadou & Mariam 'Se Te DJon Ye' (Original Mix) - Because Music --- If you want to know more about DAVID GAUSA, visit: Si quieres saber mas de DAVID GAUSA, visita: http://www.davidgausa.com http://instagram.com/davidgausa http://www.facebook.com/davidgausa http://twitter.com/davidgausa http://soundcloud.com/davidgausa http://www.mixcloud.com/davidgausa http://www.youtube.com/davidgausa http://www.sutilrecords.com http://www.facebook.com/sutilrecords

The Reverend Richard Coles has worn many hats. He is a broadcaster, a former vicar, and a former chart topper with The Communards. Murder Before Evensong is his debut crime novel.

Richard Coles has been both a chart-topping pop star and a Church of England vicar. He had a number one hit single with The Communards in the 1980s and now Richard Coles is a successful broadcaster and author who has just published his debut novel Murder Before Evensong. He is as his beloved husband David, who died in 2019, used to say a “borderline national trinket”. But his life hasn't always been so rosy. Rachel and Alice sit down with Richard to talk about his father's business collapsing when he was 13, his “mental crisis” after coming out to his mother at the age of 16 and how he was never allowed to have a church wedding to the man he loved. Cruse: www.cruse.org.ukNAT: www.nat.org.ukStonewall: www.stonewall.org.uk This podcast has been produced in association with Speakers for Schools: www.speakersforschools.org Producers: Anya Pearce and Lucy Dichmont Series producer: Ben Mitchell Hosted on Acast. See acast.com/privacy for more information.

Carolyn Eichner's new book, The Paris Commune: A Brief History (Rutgers University Press, 2022) was published on March 18th, the anniversary of the eruption of Paris Commune of 1871. In this accessible history of the 72-day uprising during which the working-class people of Paris established their own government; experimented with forms of radical democracy and social change; and resisted the forces of the French state and military, Eichner explores the Commune within the context of nineteenth-century political, economic, and cultural history in France and beyond its borders. Structured in three parts/chapters that take up the metaphorics of illumination, fluorescence, and explosion, the book follows the lives, ideas, and actions of Communards who sought to bring about a new society, and were ultimately crushed in their efforts. After two and a half months, the French government under the leadership of Adolphe Thiers crushed the Commune during the "Bloody Week" of May 21st-28th. Thousands of Communards met their violent ends in the streets of Paris while others were arrested, tried,  and deported. The book is short and rich, clear and dramatic, an excellent resource for students, readers academic and non, anyone interested in a smart, clear introduction to these events and figures with such mythological status in the histories of popular resistance and revolution. It is also a fascinating account for those more familiar with the Commune. Attentive to the role of women and gender throughout, and interested in understanding the Commune's achievements as well as its limitations, Eichner's account revisits some of the long-standing debates about the Commune's course, and its legacies. Bonne lecture! Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and its empire. If you have a recent title to suggest for the podcast, please send her an email (panchasi@sfu.ca). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Carolyn Eichner's new book, The Paris Commune: A Brief History (Rutgers University Press, 2022) was published on March 18th, the anniversary of the eruption of Paris Commune of 1871. In this accessible history of the 72-day uprising during which the working-class people of Paris established their own government; experimented with forms of radical democracy and social change; and resisted the forces of the French state and military, Eichner explores the Commune within the context of nineteenth-century political, economic, and cultural history in France and beyond its borders. Structured in three parts/chapters that take up the metaphorics of illumination, fluorescence, and explosion, the book follows the lives, ideas, and actions of Communards who sought to bring about a new society, and were ultimately crushed in their efforts. After two and a half months, the French government under the leadership of Adolphe Thiers crushed the Commune during the "Bloody Week" of May 21st-28th. Thousands of Communards met their violent ends in the streets of Paris while others were arrested, tried,  and deported. The book is short and rich, clear and dramatic, an excellent resource for students, readers academic and non, anyone interested in a smart, clear introduction to these events and figures with such mythological status in the histories of popular resistance and revolution. It is also a fascinating account for those more familiar with the Commune. Attentive to the role of women and gender throughout, and interested in understanding the Commune's achievements as well as its limitations, Eichner's account revisits some of the long-standing debates about the Commune's course, and its legacies. Bonne lecture! Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and its empire. If you have a recent title to suggest for the podcast, please send her an email (panchasi@sfu.ca). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The refusal of the Communards to accept the authority of the French government led to the Commune being brutally suppressed by the regular French army in May during ‘The Bloody ...

Wayne plays Jonathan in this end-of-the-week edition of the PopMaster Podcast.

On Episode 84 of The Paul Weller Fan Podcast, I am joined by singer, musician, activist & campaigner, Rhoda Dakar. We hear how her career began as lead vocalist with all female 2Tone band, The Bodysnatchers in 1979 and kick off the podcast with a great Paul Weller connection through The Jam and Rhoda being banned from seeing them live in concert in the late 70s / early 80s!. We hear about Red Wedge in the mid-eighties where Rhoda became Chair of the Steering Group, whilst making guest appearances on stage alongside the likes of Paul Weller, Billy Bragg, Dr, Robert, Lorna Gee, Junior Giscombe and The Communards. Rhoda also reveals all about recording a brilliant EP of songs at Black Barn (PW HQ) in 2017 called The LoTek Four, Vol I. Heck, we even hear another angle on the famous 'Mick Talbot gets left at motorway service station' story! Find more about Rhoda's music on Bandcamp here and live dates & tickets for Rhoda on tour here Visit my website for more links on all the things that we talk about at paulwellerfanpodcast.com Thanks for listening - make sure that you subscribe / follow and leave a review - and if you want to support the podcast financially, you can buy me a virtual coffee (£3) at paulwellerfanpodcast.com/shop