Podcast appearances and mentions of Tony Banks

Baseball and music were on Thursday's agenda. We were joined by Fisher Cats broadcaster Chris Jared who brought us up to date on the current homestand and the events taking place this weekend at Delta Dental Stadium. With us in studio was Brian Coombes of Rocking Horse Studio in Pittsfield and the Rocking Horse Music. The Club's latest album is set to be released Friday. It's titled, “The Last Pink Glow: An Interpretation of Jack Kerouac's The Haunted Life”. The album features the musical talents of Tony Banks one of the original members of Genesis.

Welcome back to the 80s! Boomtowners know the names Peter Gabriel, Phil Collins, Mike Rutherford and Tony Banks. They also know each was/is a member of the group, Genesis. This mini-episode features songs not only by the band, but also their various solo, duo, and group ventures.A shout out to those of you who have been with us since the beginning and welcome to our new listeners. As always, thanks to the people who helped us put this together: Alan (for all our artwork), DJ Phil B (for the technical stuff) and David Baerwald and David Ricketts, also known as David + David, for their amazing album which inspired the title of our podcast.Please tell all your friends about us and follow this page so you know when new podcasts are available. You can also follow us on Facebook, Instagram, X, Tribel, Mastadon, Threads, YouTube and Bluesky.Songs chosen by Dr. Dave & Benny Banzai. Track listing coming soon.Listen, enjoy, share, follow. And thanks for keeping 80s music alive!BB & DD

Beginnen wir heute wieder mit einem Beitrag aus der Serie Genesis ist nicht Tod lang lebe Genesis„Heute widmen wir uns einem Song, der die experimentelle Seite von Genesis auch in ihrer letzten Inkarnation beweist: Alien Afternoon vom 1997er Album Calling All Stations.Was auf den ersten Blick wie ein weiterer Track des unterschätzten Post-Collins-Albums erscheint, entpuppt sich bei genauerem Hinhören als faszinierendes Beispiel dafür, dass Genesis auch mit Ray Wilson am Mikrofon ihre progressive DNA nicht verloren hatte. Der Song ist eine gelungene Verschmelzung verschiedener Stile und Stimmungen, die in knapp sieben Minuten eine komplette musikalische Reise unternimmt.Tony Banks‘ charakteristische Keyboard-Arrangements treffen hier auf Mike Rutherfords kraftvolle Gitarrenarbeit, während Ray Wilsons dunklere, fast Peter Gabriel-eske Stimme dem Stück eine ganz eigene Atmosphäre verleiht. Besonders bemerkenswert ist der Aufbau des Songs: Er beginnt verhalten, fast mysteriös, um sich dann in verschiedene Richtungen zu entwickeln – von melodischen Passagen bis hin zu härteren, fast rockigen Abschnitten.Die Textebene ist dabei typisch Genesis-kryptisch: Bilder von Entfremdung und Isolation werden gemalt, die perfekt zur musikalischen Atmosphäre passen. ‚Standing on the edge of time‘ – eine Zeile, die fast prophetisch das Ende der Band vorwegzunehmen scheint.Live wurde der Song während der Calling All Stations Tour 1998 gespielt, wo er besonders durch die Dynamik zwischen den ruhigen und den energetischen Passagen überzeugte. Es war eine der wenigen Gelegenheiten, dieses Stück auf der Bühne zu erleben, da die Tour die letzte der Band sein sollte.Alien Afternoon steht beispielhaft für den mutigen Versuch von Genesis, sich nach dem Weggang von Phil Collins neu zu erfinden, ohne dabei ihre musikalische Identität zu verlieren. Der Song zeigt, dass die Band auch in ihrer letzten Phase noch in der Lage war, komplexe, vielschichtige Musik zu schaffen, die den Vergleich mit früheren Werken nicht scheuen muss.“Eine zweite Chance im Leben für Jeremy Clarkson https://www.autozeitung.de/jeremy-clarkson-lebensgefahr-207405.htmlhttps://www.chip.de/news/Kaum-bekannt-Diese-Extras-bietet-Googles-Notizen-App_185592729.htmlhttps://www.gamestar.de/artikel/lego-verklagt-held-der-steine-kritik,3422495.htmlhttps://wondery.com/shows/kampf-der-unternehmen/season/62/Warum heißt das erste Windows-Laufwerk immer C:? Die Antwort https://www.pcwelt.de/article/2515337/warum-heisst-das-erste-windows-laufwerk-immer-c.htmlDavid Gilmour wird nächstes Jahr definitiv am neuen Album arbeiten https://www.pulse-and-spirit.com/david-gilmour/neues-album-david-gilmour-wird-2025-definitiv-weitermachen/Und von Ute Mündleinhttps://reichepoet.blogspot.com/2019/05/gatekeeper-vs-door-opener-uber-den.html?m=1

What is your top ten Tony Banks solos?

Willkommen zur Fortsetzung von "The Lamb Lies Down On Broadway". Hier geht's um die Songs, die Geschichte im Detail und natürlich um die Nachwirkungen dieses großen Genesis-Albums. Im ersten Teil des Podcasts haben wir unter anderem geklärt, was es mit dem ominösen Lamm auf dem Broadway auf sich hat und wer sich hinter dem prügelnden Rael tatsächlich verbirgt. In dieser Folge geht es um die Songs und Geschichten hinter dem Album "The Lamb Lies Down On Broadway". Für Peter Gabriel war das Album das letzte als Teil von Genesis. Nach diesem Album hat er die Band verlassen und solo weitergemacht. Als Sänger hatte er vor allem auch bei den Texten das Sagen. Bis auf einen Song hat Peter Gabriel für die 22 restlichen Songs auf dem Album die Texte geliefert und war beispielsweise beim Opener des Albums auch sehr schnell dabei, die Geschichte voranzutreiben. "Sehr, sehr elegant wird hier das Setting entwickelt: New York, früher Morgen, [...] Rael steigt aus der U-Bahn [...]. Das ist dieser sehr, sehr effiziente Text, der quasi den äußeren Rahmen entwickelt", erklärt Kulturhistoriker Mark Bell im Podcast. Mit "The Lamb Lies Down On Broadway" erschaffen Genesis vollkommen neue Klangwelten und erfinden sich selbst ein wenig neu. Und einiges dabei ist ein echter Kompromiss, erklärt Kulturhistoriker Mark Bell im Podcast. Tony Banks möchte bei diesem Album eigentlich lange Stücke, Songs mit vielen Veränderungen und opulenten Strukturen. Peter Gabriel hingegen will die Gruppe zurückführen zu den (einfacheren) Wurzeln des Rocks. Was am Ende dabei herausgekommen ist, ist ein Kompromiss. Und für den hat Mark Bell eine sehr klare Bezeichnung: "Das ist für mich die ideale Synthese aus diesen beiden Welten!" Im zweiten Teil des SWR1 Meilensteins zu "The Lamb Lies Down On Broadway" steigen wir ganz tief in die einzelnen Geschichten der Songs ein und schauen auch, wovon die einzelnen Stücke zum Teil inspiriert worden sind. Außerdem sprechen wir im Podcast auch über die besondere und lange nachhallende Beziehung von Brian Eno zu "The Lamb Lies Down On Broadway" und allem was danach kam. Und natürlich reden wir auch inhaltlich darüber, was denn am Ende von "The Lamb Lies Down On Broadway" nun mit dem Protagonisten Rael passiert. __________ Alle Shownotes und weiterführenden Links zur Folge "The Lamb Lies Down On Broadway (Teil 2)" findet ihr hier: https://www.swr.de/swr1/rp/meilensteine/genesis-the-lamb-lies-down-on-broadway-teil-2-100.html __________ Ihr wollt mehr Podcasts wie diesen? Abonniert die SWR1 Meilensteine! Fragen, Kritik, Anregungen? Meldet euch gerne per WhatsApp-Sprachnachricht an die (06131) 92 93 94 95 oder schreibt uns an meilensteine@swr.de

Tony Banks reveals the creative exploration that defined Genesis' sound and his personal foray into orchestral music. From The post Tony Banks appeared first on The Strange Brew .

The three-piece version of Genesis became increasingly popular from 1978 onward, with 1986's Invisible Touch being their biggest yet. Phil Collins managed a successful solo career starting in 1981 and was popular enough that Mike Rutherford and Tony Banks expected him to leave. However, he came back for one more album, We Can't Dance, in 1991. It again spawned a number of hits, but also was their longest since The Lamb Lies Down on Broadway. 

In this exclusive interview, I sit down with Tony Banks from Genesis to explore his latest project, 18 Pieces for Orchestra. We discuss his journey from rock to orchestral music, his inspirations, and the challenges he faced transitioning to this genre. Hear Tony's thoughts on his favorite compositions, working with the Prague orchestra, and how classical influences shaped Genesis's music. This 3-CD box set offers over three hours of Tony's stunning compositions, showcasing a side of him you may not know. Dive into this journey beyond Genesis—don't miss it! Phil Aston | Now Spinning Magazine

Charlamos sobre el disco 'Selling England by the Pound' de Genesis, con Kyke Serrano (exteclista de Jarabe de Palo) como invitado. En esta cuarta parte comentamos la música, los sonidos y las letras de los tres últimos temas de ‘Selling England by the Pound' —«After the Ordeal», «The Cinema Show» y «Aisle of Plenty»—, y el estilo con el que Tony Banks empleó el sintetizador ARP Pro Soloist en algunas de estas canciones. Y hoy, por el camino, nos encontramos con Slash, Deep Purple, el órgano Hammond, sexo reptil y un castigo divino. Si quieres participar en la elección de los discos que tratamos en el pódcast, ¡visita discoprestado.com y date de alta en mi lista de correo! La música original de 'Disco prestado' forma parte de mi EP 'The Entertainer', disponible en todas las plataformas y marcaliana.com/musica Contacto: discoprestado@proton.me ¡Salud y buena música! Marc Aliana marcaliana.com

Charlamos sobre el disco 'Selling England by the Pound' de Genesis, con Kyke Serrano (exteclista de Jarabe de Palo) como invitado. En esta tercera parte comentamos: La música, los sonidos y las letras de las dos canciones siguientes del disco: «More Fool Me» y «The Battle of Epping Forest». El aspecto teatral de las actuaciones de Peter Gabriel con Genesis. Algunas de las tensiones que, ya en esta época, había entre los miembros de la banda. Cómo Phil Collins acabó sustituyendo a Peter Gabriel como cantante. Cómo funciona un órgano Hammond y cómo lo utiliza Tony Banks en el disco. La importancia del orden de las canciones al componer un álbum. La afinidad del rock progresivo por las métricas irregulares. Y por el camino nos encontramos con David Bowie, Deep Purple, Porcupine Tree, la cinta de casete y Robin Hood, entre otros. Si quieres participar en la elección de los discos que tratamos en el pódcast, ¡visita discoprestado.com y date de alta en mi lista de correo! La música original de 'Disco prestado' forma parte de mi EP 'The Entertainer', disponible en todas las plataformas y marcaliana.com/musica Contacto: discoprestado@proton.me ¡Salud y buena música! Marc Aliana marcaliana.com

The last time Genesis keyboard player extraordinaire Tony Banks came on the show was a few years ago, and we discussed a box set of his solo albums. Since then there has been a final Genesis tour, “The Last Domino?”, which I got to see the opening and closing nights of, and Tony now has a new boxset compiling his three classical albums “7”, “6”, and “5”. The first half of the interview we take a deep dive into that process which I hope you'll find interesting. Creating classical music isn't something we've really explored on the podcast before. In the second half of the interview Tony shares details of an upcoming boxset of “The Lamb Lies Down On Broadway”, and he also confirms details of a reissue of their 60's debut album “From Genesis To Revelation”, which in the past has been ignored from official Genesis reissue campaigns. We talk about how he feels he is perceived by Genesis fans, and whether he's tempted to emulate the very successful touring approach of former Genesis bandmate Steve Hackett, who incidentally he also clarifies his feeling about during our chat. I think this conversation is quite something. Hope you enjoy. Let me know what you think. Instagram: @sendingsignalspodcastX: @signalspodcast

Charlamos sobre el disco 'Selling England by the Pound' de Genesis, con Kyke Serrano (exteclista de Jarabe de Palo) como invitado. En 'Selling England by the Pound', los miembros de Genesis eran: Phil Collins a la batería, Tony Banks a los teclados, Mike Rutherford al bajo y a la guitarra, y Steve Hackett a la guitarra. En esta segunda parte comentamos: La música, los sonidos y las letras de las dos canciones siguientes, «I Know What I Like (in your Wardrobe)» y «Firth of Fifth». La afinidad de Peter Gabriel por crear personajes dentro de sus canciones. El estilo de Tony Banks, el teclista de Genesis. Cómo Steve Hackett (el guitarrista) se unió a la banda. La supuesta dicotomía entre bandas de composiciones propias y grupos de versiones o tributos. La posibilidad de que criarnos escuchando canciones en idiomas que no entendemos nos aísle de las letras, incluso cuando luego escuchamos música en nuestra propia lengua Además, Kyke nos cuenta la loca historia de algo que le pasó de adolescente tras responder a un anuncio clasificado en el que se buscaba teclista. Y por el camino nos encontramos con Toto, Dream Theater, The Musical Box, el VHS, el Casiotone y una ‘performance' no apta para diabéticos. Si quieres participar en la elección de los discos que tratamos en el pódcast, ¡visita discoprestado.com y date de alta en mi lista de correo! La música original de 'Disco prestado' forma parte de mi EP 'The Entertainer', disponible en todas las plataformas y marcaliana.com/musica Contacto: discoprestado@proton.me ¡Salud y buena música! Marc Aliana marcaliana.com

Charlamos sobre el disco 'Selling England by the Pound' de Genesis, con Kyke Serrano (exteclista de Jarabe de Palo) como invitado. En 'Selling England by the Pound', los miembros de Genesis eran: Phil Collins a la batería, Tony Banks a los teclados, Mike Rutherford al bajo y a la guitarra, y Steve Hackett a la guitarra. En este episodio comentamos: Las dos etapas de Genesis —con Peter Gabriel o Phil Collins a la voz— y las reacciones críticas de algunos puristas a la liderada por Collins. El concepto detrás de 'Selling England by the Pound' y el contexto musical en el que se publicó. La música, los sonidos y la letra de la primera canción del disco: «Dancing with the Moonlit Knight». La dicotomía entre virtuosismo y sencillez en la música. Algunas de las diferencias entre los métodos de producción musical de los años setenta y los actuales. Y por el camino nos encontramos con Jean-Michel Jarre, Pink Floyd, Frank Zappa, David Bowie, Martin Scorsese, Mecano, Masiel, José Luis Perales y ‘El último tango en París', entre otros. Si quieres participar en la elección de los discos que tratamos en el pódcast, ¡visita discoprestado.com y date de alta en mi lista de correo! La música original de 'Disco prestado' forma parte de mi EP 'The Entertainer', disponible en todas las plataformas y marcaliana.com/musica Contacto: discoprestado@proton.me ¡Salud y buena música! Marc Aliana marcaliana.com

D'Marco joins Randy for a reunion in multiple ways to talk about the 25th anniversary of the GSOT, why the opening game of the season was such a tone setter for the machine, why he'll never forget the scouting report on the running game in that game, an apology to Tony Banks, the pride that Rams defense took in their game going into that season, the way London Fletcher held him accountable and made him a better player and why they will never be able to take away the 1999 GSOT from St. Louis. Learn more about your ad choices. Visit megaphone.fm/adchoices

D'Marco joins Randy for a reunion in multiple ways to talk about the 25th anniversary of the GSOT, why the opening game of the season was such a tone setter for the machine, why he'll never forget the scouting report on the running game in that game, an apology to Tony Banks, the pride that Rams defense took in their game going into that season, the way London Fletcher held him accountable and made him a better player and why they will never be able to take away the 1999 GSOT from St. Louis. Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Jonathan Agnew speaks to musician, and founding member of Genesis, Tony Banks in the TMS commentary box at The Oval.Tony discusses having Allan Lamb invite him to England's dressing room, his classical music work, and having to swap shirts with a stranger to gain access to the MCG.

Welcome to Live From Progzilla Towers Edition 532. In this all request edition we heard music by Pink Floyd, Camel, Darwin's Radio, Last Plane Out, Meer, Gacharic Spin, The Clash, Supergrass, Mezzoforte, King Crimson, Neil Young & Crazy Horse, The Who, Poppy, Radiohead, Fanny, Ruby Dawn, Genesis, Wayne Shorter, The Mandrake Project, Holger Czukay, Tony Banks, Spock's Beard & Steven Wilson.

Welcome to Live From Progzilla Towers Edition 529. In this edition we heard music by Talking Heads, Camel, Anthony Moore, Tony Banks, Violeta De Outono, Fish, Athak, Coma Rossi, Kansas, Haze, Porcupine Tree, Quantum Fantay, Isobar, Genesis, Keneticus, Rush, Shakatak, Nine Stones Close, Agusa, Elemento 26, Snarky Puppy, Dali's Car, David Longdon & Howard Jones.

Fulham FC is among the most storied clubs in the history of English football. And, uniquely, it holds a special place in the history of soccer in America as well. After Egyptian businessman Mohamed Al-Fayed bought the club in 1997, he promised the club would return to the England's top flight within five years. The owner began spending in the transfer market to improve the club's roster. And one unexpected source of talent emerged starting in 1999 with the arrival of Marcus Hahnemann from Colorado Rapids on Major League Soccer (MLS) - the United States. Within a few years, Fulham brought key players into its squad from the US, those players became club legends, and the concept of Fulhamerica was born. Tony Banks, journalist and author of The Great Adventure: Al-Fayed's Rollercoaster Ride with Fulham FC, joined Founding Futbol to walk through the progression of the Fulhamerica evolution. He shares his thoughts on what prompted the influx of American talent, how some players fit and how the new era of American talent at the club differs from the first wave. Founding Futbol is a year-long exploration of the critical moments that have led to soccer's emerging popularity in America. Visit our website for more information: ⁠⁠FoundingFutbol.com Subscribe to Founding Futbol on your platform of choice. Host: Kent Malmros Guest: Tony Banks (Journalist, Author) Learn more about your ad choices. Visit podcastchoices.com/adchoices

Get that horny feeling with Prog-Watch this week!! (No, not like that!) But tune in to hear lots of brassy sounds from the likes of Tony Banks, Happy the Man, Thank You Scientist, The Alan Parsons Project, Gentle Giant, Snarky Puppy, Genesis, Caravan, Midnight Oil, Peter Gabriel, King Crimson, Chicago, Yes, Edgar Winter, and Van Morrison!

Former pro quarterback Tony Banks joins the guys in discussion of this years remarkable draft class set to tip-off tomorrow morning. With some huge names hitting the board and coming into the league this year, Tony takes a moment with Sean discussing top prospects to eye and where they may land. 

There are two distinct eras of music by The Doobie Brothers.  From their formation in 1970 until 1975, Tom Johnston was the lead vocalist, and the group had a mainstream rock sound, with some folk and “California Country” influences.  Starting in 1975, Michael McDonald joined the group as a keyboardist, as well as providing lead vocal work to help Johnston, who was having health problems at the time.  Over the following years, Johnston would have less influence as he neared retirement from the group in 1977.  Michael McDonald would influence the group into a more soulful sound, often called “blue eyed soul.”  Today we would call this “yacht rock.”Minute By Minute, the eighth studio album from the group, comes from the height of the McDonald era.  It is a high water mark for the Doobie Brothers both commercially and critically.  The album would spend 87 weeks on the Billboard 200 album charts in the U.S., topping the charts in five of those weeks.  It would also produce multiple nominations and wins at the Grammy awards in 1980 including Record and Song of the Year wins for “What a Fool Believes.”The Doobie Brothers would break up in 1982, then reform with Johnston back as front man in 1987.  Michael McDonald would rejoin the band full time in 2019 in time for their 50th anniversary tour. You can still find them on tour today.Rob brings us this soulful album for today's podcast.What A Fool BelievesThe lyrics of this hit narrate the story of a man who meets an old crush and tries to rekindle their relationship, only to find out that there never really was a relationship in the first place.  Michael McDonald and Kenny Loggins wrote this single, which became a number 1 hit in the US and Canada.Dependin' On YouMichael McDonald and Patrick Simmons wrote this song, and Simmons takes over lead singer duties.  It went to number 25 on the Billboard Hot 100.  The Latin-infused call-and-response song celebrates a rock solid love that is always there.Don't Stop to Watch the WheelsThis shuffle beat deeper cut is sung by Patrick Simmons, and was the B-side from the single release of “What a Fool Believes.” “Look out, hold on, don't stop to watch the wheels go 'round.  Look out, hold on, I got to cover ground.”Minute By MinuteThe title track finds Michael McDonald handling lead vocals, and was written by McDonald and Lester Abrams.  The single was released in April of 1979, and it went to number 14 on the US charts.  The smooth keyboard-driven sound reflects the  Motown inspiration, and is a hallmark song of the “yacht rock” genre. ENTERTAINMENT TRACK:Every Which Way But Loose by Eddie Rabbitt (from the motion picture “Every Which Way But Loose”)Clint Eastwood would take a break from his action and western movies for this comedy with an orangutan co-star named Clyde. STAFF PICKS:Don't Stop Me Now by Queen Bruce leads off this week's staff picks with a single from Queen's "Jazz" album.  While this tribute to hedonism did well in the UK, it only hit number 86 on the US charts.  It would grow in popularity over time, and would be featured in multiple commercials including Toyota, L'Oréal, and American Idol.Double Vision by ForeignerLynch features a song from Foreigner's second album of the same name.  It reached number 2 on the Billboard Hot 100.  Surprisingly, the inspiration for the song title was an event at a hockey game when a goalie had to be removed after a collision on the ice because he was experiencing double vision.Homicide by 999 Wayne brings us a band from London that is named for the number used in the UK to reach emergency services.  This punk-infused song takes a tongue-in-cheek look at serial killers.  While a top 40 hit in the UK, it didn't chart in the States.  You might recognize this song from the soundtrack to the John Wick series, “The Continental.”Follow You Follow Me by Genesis Rob closes out the staff picks with a softer song from the progressive group Genesis, the closer from their album “...And Then There Were Three...”  The group had condensed to the three members of Phil Collins, Mike Rutherford, and Tony Banks, after former member Steve Hackett chose to leave.   INSTRUMENTAL TRACK:Steamer Lane Breakdown by The Doobie BrothersWe get a little double dip of the Doobies as we exit today's podcast on this instrumental number.  Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Full Rig Details: https://bit.ly/SteveHackettRRSubscribe to PG's Channel: http://bit.ly/SubscribePGYouTube “I always apologize to the two Erics [Clapton and Johnson], ‘You have no idea how much I've ripped from you,'” joked Joe Bonamassa during a recent video with YouTuber Rick Beato. The Grammy-winning bluesman followed that up with a gracious response: “We all get it from somewhere.”That “somewhere” is a muse that molds every guitarist's individualistic style and voice. For example, Eddie Van Halen shook the world and confounded guitarists with his explosive two-hand, finger-tapped “Eruption” performance on Van Halen's 1978 debut. Yngwie Malmsteen put listeners in awe with his dazzlingly clean and swift sweep arpeggios. They both became synonymous with those talented techniques, and were heralded as pioneering groundbreakers. But where did they get the ideas from before expressing and executing them it in their signature style? Both took a page out Steve Hackett's prog-rock playbook. Hackett's two-hand tapping technique can be heard in the early '70s on Genesis' albums Nursery Cryme and Foxtrot. Hackett's sweep picking was first heard on the 1973 Selling England by the Pound track “Dancing with the Moonlit Knight.” Those contributions alone should've been enough to land Hackett in the Rock & Roll Hall of Fame. (His combined work on six Genesis albums in six years earned him a slot in 2010.) On top of that smashing success and influence, he's recorded nearly 30 solo albums—ranging from prog-rock and blues to world and classical—over a dozen live albums, and even traded licks with Steve Howe in the short-lived supergroup GTR. Hackett might not be recalled like the other guitar greats, but without his shoulders to stand on, those first-name giants might not have shone as bright. Hackett's headlining Ryman Auditorium tour stop in late October 2023 celebrated the 50th anniversary of Genesis' Foxtrot—a seminal, prog-rock tour de force that was recorded when singer Peter Gabriel, bassist/guitarist Mike Rutherford, drummer Phil Collins, keyboardist Tony Banks, and Hackett were in their early 20s. Before the show, PG's Chris Kies was invited onstage to go over the minimal-but-mighty setup used by Hackett. First tech Vince O'Malley detailed a Fernandes goldtop (once owned by Gary Moore) with its limitless Sustainer circuit and a treasured nylon-string Alvarez built by master luthier Kazuo Yairi in the 1970s. Then Hackett himself joined the fun and plugged his Fernandes into his pedalboard to show off all the sounds, tones, and colors he requires to honor his days in Genesis.Shop the Rig:D'Addario Pro-Arte' Nylon Light Tension EJ43 - https://sweetwater.sjv.io/jrGvL5Engl Powerball - https://sweetwater.sjv.io/VmvG53Marshall 1960A 4x12 Cabinet - https://sweetwater.sjv.io/XYvVeaCelestion G12T-75W Speakers - https://sweetwater.sjv.io/9gjXYyTech 21 SansAmp GT2 - https://sweetwater.sjv.io/zN57VMBoss PS-6 Harmonist - https://sweetwater.sjv.io/DKZ2NnEHX Attack Decay - https://sweetwater.sjv.io/1rMmNdFishman Aura - https://sweetwater.sjv.io/g1e2EBDigiTech Mosaic - https://sweetwater.sjv.io/k01mqNIbanez TS9 Tube Screamer - https://sweetwater.sjv.io/EKVmjeDigiTech Whammy WH-5 - https://sweetwater.sjv.io/q4LBROTC Electronic Flashback 2 X4 Delay - https://sweetwater.sjv.io/B0V6MLMXR EVH Phase 90 - https://sweetwater.sjv.io/vNbBJjVoodoo Lab Pedal Power 2 Plus - https://sweetwater.sjv.io/LXm31VDunlop 105Q Cry Baby Bass Wah - https://sweetwater.sjv.io/Gm4vNkRadial ProDI Passive Direct Box - https://sweetwater.sjv.io/PyqVbNErnie Ball Extra Slinkys - https://sweetwater.sjv.io/ZQvZA1Full Rig Details: https://bit.ly/SteveHackettRRSubscribe to PG's Channel: http://bit.ly/SubscribePGYouTubeWin Guitar Gear:...

In another engaging webinar with NXUnite, Jeff Porter is joined by Lauren Batterby, founder and CEO at Life Events Staffing, Scott Roseveare, president and co-founder of Risk Free Item Shop, and event consultant Tony Banks. These expert fundraisers share knowledge gained from decades in the nonprofit and charitable event industries, ensuring that your event will be engaging, profitable, and unforgettable.Several common themes emerge on key elements for a successful event. Events need a clear, realistic goal communicated effectively. Highlight the impact of donations to engage donors emotionally. By leveraging technology and compelling storytelling, we increase donor engagement. Recent years have taught us the power of remote outreach and inclusive events accessible to all audiences. Event organizers must be open to redefining traditional event norms as donor demographics continue to change. The best way to increase net profitability at an event is by focusing on what will bring in the most money versus cutting costs. As we embrace the lessons from recent years and chart a course towards inclusive, technology-driven, and emotionally resonant experiences, we unlock the potential for events that not only capture hearts but also elevate the impact of charitable endeavors.Main Topics Key elements of a successful fundraiser (02:35) The evolution of events since 2020 (09:55) Making events more engaging and profitable (16:48) Keeping fundraisers cost-effective (30:00) Offering a variety of auction items and price points (39:15) Online bidding software vs. paper bid sheets (45:20)   Episode Links https://lifeeventstaffing.com https://www.riskfreeitemshop.com https://thinkcs.org/people-tony-banks  If you enjoyed this episode please subscribe and leave us a review in the Apple podcasts app.Listen, rate, and subscribe!Apple PodcastsSpotifyGoogle Podcasts

Boney sits down with journalist Tony Banks to discuss his new book about the Mohammed Al Fayed years at Fulham and look ahead to Wolves on Monday. You can find the book on here: https://www.pitchpublishing.co.uk/shop/great-adventure

This episode profiles a band with two distinct phases in their career. Genesis began as an art rock progressive band and later evolved into a more musically accessible commercial band. The first half showcases the Peter Gabriel, Mike Rutherford, Tony Banks, Steve Hackett and Phil Collins lineup. The second half features selections from the trio of Collins, Rutherford and Banks era. Please feel free to donate or Tip the show at sonictyme@yahoo.comPlease have a look at these special interest sites.If you would, please make a donation of love and hope to St. Jude Children's HospitalMake an impact on the lives of St. Jude kids - St. Jude Children's Research Hospital (stjude.org)Get your Vegan Collagen Gummies from Earth & Elle, available thru Amazon at this link.Amazon.com: Earth & Elle Vegan Collagen Gummies - Non-GMO Biotin Gummies, Vitamin A, E, C - Plant Based Collagen Supplements for Healthier Hair, Skin, Nails - 60 Chews of Orange Flavored Gummies, Made in USA : Health & HouseholdKathy Bushnell Website for Emily Muff bandHome | Kathy Bushnell | Em & MooListen to previous shows at the main webpage at:https://www.buzzsprout.com/1329053Pamela Des Barres Home page for books, autographs, clothing and online writing classes.Pamela Des Barres | The Official Website of the Legendary Groupie and Author (pameladesbarresofficial.com)Listen to more music by Laurie Larson at:Home | Shashké Music and Art (laurielarson.net)View the most amazing paintings by Marijke Koger-Dunham (Formally of the 1960's artists collective, "The Fool").Psychedelic, Visionary and Fantasy Art by Marijke Koger (marijkekogerart.com)For unique Candles have a look at Stardust Lady's Etsy shopWhere art and armor become one where gods are by TwistedByStardust (etsy.com)For your astrological chart reading, contact Astrologer Tisch Aitken at:https://www.facebook.com/AstrologerTisch/Tarot card readings by Kalinda available atThe Mythical Muse | FacebookEmma Bonner-Morgan Facebook music pageThe Music Of Emma Bonner-Morgan | FacebookFor booking Children's parties and character parties in the Los Angeles area contact Kalinda Gray at:https://www.facebook.com/wishingwellparties/I'm listed in Feedspot's "Top 10 Psychedelic Podcasts You Must Follow". https://blog.feedspot.com/psychedelic_podcasts/Please feel free to donate or Tip Jar the show atsonictyme@yahoo.comPlease feel free to donate or Tip Jar the show at sonictyme@yahoo.com

Season 1, Episode 2: In Review - Invisible Touch by Genesis (with commentary from Nic Collins)   We are joined this week by Nic Collins, who helps us take an in-depth look at the 1986 Genesis classic, Invisible Touch. He also details his life of playing alongside his father, Phil Collins, and joining Genesis on their final farewell tour. Nic also discusses what we can expect from his own band, Better Strangers.   (Originally released on March 4, 2023)   Sam's 3 of the Week Picks... 1.) Cover Me - Bruce Springsteen, 1984 2.) Don't Shed a Tear - Paul Carrack, 1987 3.) I'm Still Waiting - Johnny Gill, 1991   Luke's 3 of the Week Picks... 1.) Living After Midnight - Judas Priest, 1980 2.) Laughing - David Crosby, 1971 3.) Kiwi - Quarters of Change, 2022   Follow us on Instagram @obu.fm.pod for updates! https://www.instagram.com/obu.fm.pod/?hl=en   We do not own any music included within this episode of OBU-FM. This episode is a Questone Entertainment Production in association with the Signal.

Rock & Roll Hall of Fame musician Steve Hackett joins WGN Radio's Dave Plier to talk about his musical journey, his time with Genesis featuring Phil Collins, Peter Gabriel, Tony Banks, Mike Rutherford, his influences and more. His tour marks the 50th anniversary of the legendary Genesis album Foxtrot which was pivotal in establishing the band […]

Abacab - Side OneCorey and Kevin are back to talk about side one of 1981's Verse, Chorus, Verse, Bridge, Verse Chorus, Abacab. The band were booed by the prog rock faithful on the subsequent tour but it was a step closer to the commercial success they would enjoy throughout the rest of their career. Will Kev be on board with this new direction and will Corey appreciate the lone Tony Banks-penned track on the album? The only way to find out is to turn on, tune in, and chicken out! Don't forget to follow us on social media and leave us a rating/review if you're enjoying the show!Facebook: https://www.facebook.com/UltimateCatalogueClashTwitter: https://twitter.com/UCatalogueClash Hosted on Acast. See acast.com/privacy for more information.

As 10 years olds in 1983, Genesis self-titled album was our introduction to the band with singles & MTV videos like Mama, That's All & Illegal Alien. We had no awareness of the band as prog superstars in the 1970s with Peter Gabriel & Steve Hackett and would only learn of that incarnation later in life. Phil Collins solo career was also on a huge upward swing after the release of Face Value (1980) and Hello I Must Be Going (1982). When Phil, Mike Rutherford and Tony Banks reconvened Genesis the band was gaining momentum from all sides and since they decided for the first time to credit all music to everyone equally, they felt the eponymous title made sense for a record they collaborated on together with fewer self-penned ideas coming in. But where does it stand in their legacy? They've eschewed the lengthy prog songs they wrote in the 70s for shorter, more pop friendly melodies. While Phil Collins singing and drumming were both strong on this album, are all these songs discernible from what he was doing in his solo career? Were they trading success for the ubiquity that would follow with Collins next solo release No Jacket Required (25 million sold) and their 1986 record Invisible Touch (over 15 million sold)? And what were they thinking with Illegal Alien? Would the adult contemporary/middle-of-the-roadness of this album define their sound and the image of Phil as a solo artist? We dive into all that as Genesis (1983) turns 40 on October 3. Ugly American Werewolf in London Website Ugly American Werewolf in London Store - Get your Wolf merch! Visit RareVinyl.com and use the NEW code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

As 10 years olds in 1983, Genesis self-titled album was our introduction to the band with singles & MTV videos like Mama, That's All & Illegal Alien. We had no awareness of the band as prog superstars in the 1970s with Peter Gabriel & Steve Hackett and would only learn of that incarnation later in life. Phil Collins solo career was also on a huge upward swing after the release of Face Value (1980) and Hello I Must Be Going (1982). When Phil, Mike Rutherford and Tony Banks reconvened Genesis the band was gaining momentum from all sides and since they decided for the first time to credit all music to everyone equally, they felt the eponymous title made sense for a record they collaborated on together with fewer self-penned ideas coming in. But where does it stand in their legacy? They've eschewed the lengthy prog songs they wrote in the 70s for shorter, more pop friendly melodies. While Phil Collins singing and drumming were both strong on this album, are all these songs discernible from what he was doing in his solo career? Were they trading success for the ubiquity that would follow with Collins next solo release No Jacket Required (25 million sold) and their 1986 record Invisible Touch (over 15 million sold)? And what were they thinking with Illegal Alien? Would the adult contemporary/middle-of-the-roadness of this album define their sound and the image of Phil as a solo artist? We dive into all that as Genesis (1983) turns 40 on October 3. Ugly American Werewolf in London Website Ugly American Werewolf in London Store - Get your Wolf merch! Visit RareVinyl.com and use the NEW code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Corey and Kevin are back to talk about side two of …And Then There Were Three… A first top ten hit for the band, the first album of the Collins era to feature six songs, and a whole lotta Tony Banks. But what does it all mean? Where will the album land compared to the two we've already covered? Will Corey finally break free of the prog days? Are all his fears are drifting by him so slowly now, fading away? What will Kevin think of the shorter Genesis songs? There's only one way to find out and that's to turn on, tune in, and chill out! Don't forget to follow us on social media and leave us a rating/review if you're enjoying the show!Facebook: https://www.facebook.com/UltimateCatalogueClashTwitter: https://twitter.com/UCatalogueClash Hosted on Acast. See acast.com/privacy for more information.

Welcome to Fulham Folklore, where we celebrate iconic FFC moments and personalities from down the years.  Following his death at the age of 94, we look back at Mohamed Al Fayed's tenure as chairman of Fulham FC. Sammy is joined by Drew Heatley and writer Tony Banks to evaluate his sixteen years as the club's custodian and the legacy he left behind. SHOW-LINKS: Pre-order Tony's book, 'The Great Adventure: Al-Fayed's Rollercoaster Ride with Fulham FC': https://www.amazon.co.uk/Great-Adventure-Al-Fayeds-Rollercoaster-Fulham/dp/1801505020 Our podcast on the Michael Jackson statue: https://pod.fo/e/18bceb If you enjoy Fulhamish, please consider contributing a small amount monthly to help pay our costs. As a bonus, you receive access to our exclusive Telegram group chats where you can chat with fellow FFC fans and Fulhamish listeners: https://levellr.com/communities/fulhamish Sign up for a £1p/m Shopify trial period ➼ http://shopify.com/fulhamish Learn more about your ad choices. Visit megaphone.fm/adchoices

Corey and Kevin are back to talk about side one of And Then There Were Three… Steve couldn't hack it (see what I did there?) so moving forward, there are only three members of the band (see what THEY did there?) Is Corey going to love the Tony Banks contributions? Is Kevin finally going to criticize a song in this catalogue? Well, there's only one way to find out and that's to turn on, tune in, and drop out! Don't forget to follow us on social media and leave us a rating/review if you're enjoying the show!Facebook: https://www.facebook.com/UltimateCatalogueClashTwitter: https://twitter.com/UCatalogueClash Hosted on Acast. See acast.com/privacy for more information.

Corey and Kevin are back to talk about side two of Wind and Wuthering, which means there aren't as many words to talk about given that two of the five tracks are instrumental! Will Corey follow Tony Banks on a rodentical rollercoaster ride? Will Kevin ever stop banging on (pun intended) about Phil Collin's drumming, and how will the boys rate side two? We're going to end up with our second completed album and then we have to talk about another lineup change next week! It's almost like Tony Banks and Mike Rutherford are difficult to work with…Don't forget to follow us on social media and leave us a rating/review if you're enjoying the show!Facebook: https://www.facebook.com/UltimateCatalogueClashTwitter: https://twitter.com/UCatalogueClash Hosted on Acast. See acast.com/privacy for more information.

Corey and Kevin are back to talk about side one from the second album in the Phil Collins era of Genesis. Described by Tony Banks as the band's most romantic album, Steve Hackett is back in full force. Wot (get it?) will Corey think of the instrumental that closes side one? Will Kev bang on and on about Phil Collins' drumming ability and which song will come out on top for the boys on a seriously eclectic opening side of Wind and Wuthering.Don't forget to follow us on social media and leave us a rating/review if you're enjoying the show!Facebook: https://www.facebook.com/UltimateCatalogueClashTwitter: https://twitter.com/UCatalogueClash Hosted on Acast. See acast.com/privacy for more information.

Welcome to Live From Progzilla Towers Edition 482. In this All Request edition we heard music by Magellan, Elbow, Andy Tillison Diskdrive, Gryphon, Big Big Train, Pinkroom, Marcelo Paganini, The Wombles, Marco Bernard, Marek Arnold's Artrock Project, Steve Hillage, Wind Rose, Jonas Lindberg & The Other Side, Gogol Bordello, The Dresden Dolls, Tony Banks, Zio, The Blackheart Orchestra & John Wetton.

This week on Prog-Watch it's all Bonus Tracks! From the likes of Tony Banks, Anekdoten, Pendragon, Asia, Uriah Heep, Brian May, Jethro Tull, Steve Hackett, Conspiracy, ELO, Yes, UFO, Fish, ELP, and the Doors! Come along to hear some lost and hidden gems!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/3136310/advertisement

For Play That Rock n' Roll's 60th episode, we are taking a look back at the full discography and career of the '80s New Wave band Wang Chung. In this episode, we cover their early days as "Huang Chung", their rise to pop stardom, their various high-profile soundtrack appearances, and what caused the band to go on hiatus for several years. We also discuss lead singer Jack Hues' side project with Tony Banks (from Genesis), the time they performed Nelly's "Hot In Herre" on national TV, and what the band is up to today. To give further insight into some of the topics covered, I have inserted clips of my 2021 interview with Wang Chung lead singer Jack Hues at relevant points. Learn more about your ad choices. Visit megaphone.fm/adchoices

Kyke Serrano nos presta ‘Selling England by the Pound' de Genesis. Este es el último de los cuatro episodios en los que el teclista y productor musical Kyke Serrano y yo charlamos sobre ‘Selling England by the Pound', de Genesis. Como siempre, si no habéis escuchado las tres partes anteriores os recomiendo que empecéis por ahí. Kyke Serrano es un teclista y productor musical ubicado en Dosrius (Barcelona). Fue teclista de Jarabe de Palo —con quienes ganó un Grammy Latino en 2009— y a lo largo de las últimas tres décadas ha colaborado, entre muchos otros, con artistas como Revólver, Tony Ronald, Lluís Llach, Dani Flaco, Els Pets, Lax'n'Busto o Bushido (Enrique Bunbury, Carlos Ann, Shuarma y Morti). Kyke también ha publicado dos discos en solitario: ‘Jam On Serrano' y ‘Jam On Serrano Session Two'. En el episodio de hoy, Kyke y yo comentamos la música, los sonidos y las letras de los tres últimos temas de ‘Selling England by the Pound' —«After the Ordeal», «The Cinema Show» y «Aisle of Plenty»—, y el estilo con el que Tony Banks empleó el sintetizador ARP Pro Soloist en algunas de estas canciones. También nos oiréis hablar de guitarras de doce cuerdas, que fueron muy populares en los años setenta y se usaron mucho en la grabación de ‘Selling England by the Pound'. Por si alguien no lo sabe, y para que entendáis mejor esa parte de la conversación, las guitarras de doce cuerdas se suelen tocar igual que las de seis (que es el número de cuerdas que tienen las guitarras convencionales). Pero, en una de doce, las cuerdas están agrupadas en seis pares; y, en cada par, ambas cuerdas producen o bien la misma nota, o bien la misma nota pero en la octava superior (o, para entendernos, la misma nota pero más aguda); lo cual crea un efecto de profundidad y amplitud, que puede apreciarse en canciones como «Wish You Were Here» de Pink Floyd, «Space Oddity» de David Bowie o «The Cinema Show», de la cual escucharéis fragmentos durante el episodio. Y hoy, por el camino, nos encontramos con Slash, Deep Purple, el órgano Hammond, sexo reptil y un castigo divino. Podéis mandar vuestros comentarios a discoprestado@proton.me Disco Prestado en Instagram: @discoprestadopodcast Disco Prestado en Facebook: @discoprestadopodcast Disco Prestado en YouTube: @discoprestadopodcast Transcripciones completas y lista de correo en discoprestado.com La música original de este podcast forma parte de mi EP 'The Entertainer EP', que podéis encontrar en marcaliana.com/musica y en todas las plataformas digitales. ¡Salud y buena música! Marc Aliana marcaliana.com

For Play That Rock n' Roll's 60th episode, we are taking a look back at the full discography and career of the '80s New Wave band Wang Chung. In this episode, we cover their early days as "Huang Chung", their rise to pop stardom, their various high-profile soundtrack appearances, and what caused the band to go on hiatus for several years. We also discuss lead singer Jack Hues' side project with Tony Banks (from Genesis), the time they performed Nelly's "Hot In Herre" on national TV, and what the band is up to today. To give further insight into some of the topics covered, I have inserted clips of my 2021 interview with Wang Chung lead singer Jack Hues at relevant points. My 2021 Interview with Jack Hues: https://www.youtube.com/watch?v=WmHG-EWRp14 Aerosmith's Disastrous 2009 Tour: https://www.youtube.com/watch?v=ezwnEHJRn Follow Jack Hues on Twitter: https://twitter.com/JackHues1 Follow us on Twitter at: https://twitter.com/playthatpodcast​​ Find us on facebook at: https://www.facebook.com/playthatpodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

The O'Leary Review Podcast Guest: Raphael Juarez   Show notes available: https://briandoleary.substack.com/p/developing-a-mindset-sales-coaching?sd=pf   I had the pleasure of welcoming sales development specialist Rafe Juarez on the show. Rafe specializes in cold-calling on behalf of clients in the “B2B” realm.   Rafe Juarez – Quick bio Raphael Juarez has spent years at every level of the sales cycle. With OnDemand Pipeline, he has been the Chief Conversation Starter for a variety of tech companies such as LivePerson, BDR.ai, Bridgepointe Technologies, PIXO VR, MaxOne, and Herff Jones. Specializing in tech startups, Raphael has engaged with a variety of stakeholders from executives in Fortune 500 companies to athletic directors and trainers at major universities to Major League Sports. In addition to his expertise in prospecting, Raphael is an experienced sales coach and trainer specializing in working with BDRs on cold-call script creation and one-on-one cold call role-playing. In the past, he has held positions as Head of Sales, Sales Development Director, and Channel Manager. Raphael is a graduate of Michigan State University and has his Sandler Sales Training certification.   Rafe's Links On Demand Pipeline https://ondemandpipe.com/   LinkedIn https://www.linkedin.com/in/raphaeljuarez/   Tom Woods School of Life https://tomschooloflife.com/   Tom Woods 100 One of the goals of this program is to get at least 100 people within the Tom Woods orbit on the podcast. “Tom's orbit” is loosely defined, but we have less than 90 to go now! WhoIsInTheTomWoodsWorld.com — A page with all my #TomWoods100 conversations. School mentioned Michigan State University   Sales Training Mentioned Sandler   Dunning-Kruger Effect A cognitive bias whereby people with low ability, expertise, or experience regarding a certain type of task or area of knowledge tend to overestimate their ability or knowledge. Some researchers also include the opposite effect for high performers: their tendency to underestimate their skills. In popular culture, the Dunning–Kruger effect is often misunderstood as a claim about general overconfidence of people with low intelligence instead of specific overconfidence of people unskilled at a particular task. (Wikipedia) https://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect     Books Mentioned Robert Kiyosaki - Robert Kiyosaki books   Elmer Wheeler - How to sell yourself to others   Quarterbacks Mentioned Joe Burrow 'He's as tough as it comes': Why the Bengals' Joe Burrow plays QB like a linebacker Tom Brady Brady's career from Pro Football Reference   Of course, I referenced two former Big Ten quarterbacks that DID NOT attend Rafe's alma mater, Michigan State, and, in fact, went to fierce rivals of the Spartans. Burrow attended Ohio State (but in two seasons at LSU, he led the Tigers to the National Championship in Heisman Trophy-winning 2019 campaign). Brady went to U of Michigan. He won 7 Super Bowls and is widely considered the greatest pro quarterback in history. Perhaps, instead, I should have mentioned the great Earl Morrall, Brian Hoyer, Tony Banks, or Kirk Cousins. For this I apologize to Spartan Nation.   Defending the Faith and Public Speaking https://sophiainstituteforteachers.org/shop/product/speak-the-faith-student-workbook   Fountain.FM Listen and support us at the same time over at Fountain.FM “Fountain is the only place where listeners and podcasters get rewarded for the value they provide for others.” Fountain is powered by the Bitcoin Lightning Network, “the payment system which allows us to transact with other people or businesses around the world using Bitcoin - the world's first and leading cryptocurrency.”     Go to BrianDOLeary.com for more information.    

The Shout is a 1978 British horror film directed by Jerzy Skolimowski (who is also an Actor was in Mars Attacks and played a General in Marvels The Avengers). It was based on a short story by Robert Graves (author of I, Claudius and great friend of Spike Milligan, with whom, from the 1960s until his death, he frequently exchanged letters, Many of which are collected in the book ‘Dear Robert, Dear Spike') Grave's short story was adapted for the screen by Skolimowski and Michael Austin screenwriter of Greystoke: The Legend of Tarzan, Lord of the Apes. The film was the first to be produced by Jeremy Thomas under his ‘Recorded Picture Company' banner. Thomas went on to produce and exec-produce 70 more films (to date) including Naked Lunch, The last Emperor, Crash, The Great Rock 'n' Roll Swindle, Sexy Beast and High-rise.Interiors were shot at Pinewood Studios, the film's sets were designed by the art director Simon Holland (Quadrophenia, Buster, Nuns on the Run and King Ralph). The North Devon coastline, specifically Saunton Sands and Braunton Burrows, were used for the bulk of the location shooting. The church of St Peter in Westleigh was used for the church scenes. The soundtrack is by Michael Rutherford and Tony Banks of the rock band Genesis (After the original first choice of David Bowie turned it down). When heard in theatres in Dolby Stereo, it was aurally separating and distorting. Reportedly, forty different music tracks were used for the sound, when it was usual for films of this era to use just 4.The film was nominated for the Palme d'Or at the 1978 Cannes Film Festival and received the Grand Prize of the Jury, in a tie with Bye Bye Monkey (A film staring Gérard Depardieu about a man who finds the corpse of King Kong and Kong's orphaned son, and takes it to a friend who lives in the city, and they decide to raise it.) Get bonus content on PatreonSupport this show http://supporter.acast.com/general-witchfinders. Hosted on Acast. See acast.com/privacy for more information.

There's a good chance Steve Hillage was beamed here from another planet and has been living among us as an alien for over 70 years. He starts out in the far out prog band Gong making super challenging music. He then goes solo and makes equally challenging music with producers like Nick Mason and Todd Rundgren while exploring where the mind (and his guitar) could go. Then, he decides techno and trance music has a similar spacey effect so he becomes System 7 and travels the world DJing. Along the way he produces albums by Simple Minds, Cock Robin, Tony Banks, the Charlatans, Real Life, and more. What a long, strange trip it's been! Here him try to explain it all. Enjoy!  www.stevehillage.com www.a-wave.com/system7 www.patreon.com/thehustlepod

The lead singer and co-architect of the wonderful Wang Chung joined me in London to discuss William Friedkin, the push-pull of art v. commerce, “Dance Hall Days”, creating the score to “To Live And Die In L.A.” before seeing a frame of the film, working with John Kalodner, Geffen Records, band dynamics, his solo works, Bob Dylan, the value of being challenged by art, “Primitif”, the spectrum of perfectionism, producing other artists, fiddling with Fairlights, collaborating with Tony Banks, band-name origins, Miles Davis, self-criticism, Jack's jazz combo, reconnecting with Wang Chung partner Nick Feldman, the impact of “Everybody Have Fun Tonight” and much more. Jack's site https://www.jackhues.com Catch Wang Chung on tour this August & September https://twitter.com/wangchung https://www.wangchung.com Get lots of hott bonus content by going to https://www.patreon.com/CraigAndFriends You'll get ad-free & early versions of these episodes, bonus episodes, Movie Club episodes and more while supporting the show. Donate to the Abortion Support Network https://www.asn.org.uk/fundraising/ Monkeypox Vaccine Info (UK) https://www.gov.uk/government/publications/monkeypox-vaccination-resources/monkeypox-waiting-for-your-vaccination Monkeypox Vaccine Info (USA) https://www.cdc.gov/poxvirus/monkeypox/considerations-for-monkeypox-vaccination.html Protect & Defend Trans Youth Fund https://www.pledge.to/protect-defend-trans-youth-fund#donate Donate to Amnesty International To Aid Ukraine https://tinyurl.com/448f36wu Rubber Child's Transition Assistance GoFundMe https://gofund.me/c2b3cd52 For ways to help fight the fascists and support Black Lives Matter & Black Trans Lives Matter: https://blacklivesmatters.carrd.co https://blacktranslivesmatter.carrd.co