Podcasts about loosegroove records

Chapter 540 - "Decided To Start From Ground Zero Again" ...as read by James JosephToday we welcome James Joseph from the band James And The Cold Gun to the podcast! When James and I chatted the band had just released their latest single, Fragile, which you'll hear part of in this episode, and had signed with Stone Gossard's Loosegroove Records! James talks about the music scene in Wales and the bands that made a difference, his time in and then stepping away from Holding Absence, the genesis and inspiration for James And The Cold Gun, and more! https://jamesandthecoldgun.com/homehttps://www.patreon.com/asthestorygrowsDiscordhttps://asthestorygrows.substack.com/Email: asthestorygrows@gmail.comChapter 540 Music:James and The Cold Gun - "Fragile"

Jason welcomes singer/songwriter, Jonny Polonsky, to the show to discuss his new record, and first on Loosegroove Records, Supernatural Radio. They also chat about Jonny's now power trio with Mathias Wakrat and Rage Against the Machine's Tim Commerford, 7D7D. The conversation digs into Jonny's career that has had its ups and downs, what he gets out of making music, coping with adversity, and at the same time, showing up in the studio and on the road with some of rock's most respected acts. That and so much more.Please consider donating to our June 2024 fundraiser benefitting The Trevor Project. They assist the LGBTQ+ community. Donate right HERE.Become a PatronWatch Us on YouTubeFollow Us on InstagramFollow Us on FacebookFollow Us on TwitterJoin the PJ Pod community Hosted on Acast. See acast.com/privacy for more information.

Brittany Davis is a gifted multi-instrumentalist, songwriter, and producer who is truly like no other. Their exceptional songwriting began, capturing the attention of Stone Gossard and his Seattle-based record label Loosegroove Records. Brittany is blind and self-describes themself as a vessel of sound and experiences music in spirit and colors. In conversation with host Anne Erickson, Brittany dives deep into their relationship with music, themes that went into their debut album Image Issues, their relationship with Stone Gossard, and shares some wisdom beyond their years about identity and why staying true to yourself is the most important thing. You can listen to the full interview with Brittany Davis now and read the full article on Consequence.net.Check out the latest about Brittany Davis here.And don't forget to like, review, and subscribe wherever you get your podcasts so you never miss an episode of Beyond the Boys Club!Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Brittany Davis - "Sepricon" from the 2024 album Image Issues on Loosegroove Records Last we spoke with Seattle artist Brittany Davis, they had released an EP via Loosegroove Records, the label ran by Pearl Jam guitarist Stone Gossard (who is also Davis's bandmate in the side project, Painted Shield). Now, they've returned with their debut full-length album, titled Image Issues, out March 1st on Loosegroove. It's an ambitious 26-track, concept-driven release, interspersed with spoken word pieces by Davis, and with deeply personal lyrics touching on their "discrimination as a Black, non-binary, blind musician, to traumatic family experiences touching on abuse, gun violence, and the prison system." The LP was co-produced by Josh Evans (Pearl Jam, Soundgarden, Brandi Carlile), with Gossard's full support. (“He is everywhere in spirit and conception and love and vision,” Evans told Spin Magazine.) Davis describes today's Song of the Day as "definitely born to funk...to soul funk! The record is an ode to James Brown and filled with thoughtless greatness...there really is no rhyme or reason to it...all primal instinct." Check out the music video below, directed by Tony-nominated modern dance choreographer Donald Byrd (The Color Purple, The Minstrel Show).  Read the full story at KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

James and the Cold Gun - "Something to Say" from their self-titled 2023 album on Loosegroove Records Often referred to as “South Wales' loudest group,” the Cardiff, UK-based garage rockers James and the Cold Gun share their self-titled debut album via Seattle's own Loosegroove Records, the label owned by Stone Gossard (Pearl Jam) & Regan Hagar (Malfunkshun, Brad, Satchel). Gossard describes the band as "a shot of pure adrenaline," and invited the group to open for Pearl Jam at their Hyde Park show.  Frontman James Joseph calls the new LP, "a no frills rock and roll ripper recorded ourselves in the garage where we first started jamming as a band, we think it's a great introduction to what we're about at our core, loud, energetic guitar rock." Read the full story at KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Jason and Paul welcome back friend of the show and The Sky I Scrape / Red Mosquito legend Stip to discuss how Lightning Bolt has aged over the last decade. Paul and Stip also grill Jason on the Loosegroove Records party in Beverly Hills where he got to meet Stone Gossard. All that and the Lyric and Live Cut of the Week - Sleeping By Myself.Become a PatronFollow Us on InstagramFollow Us on FacebookFollow Us on TwitterJoin the PJ Pod community Hosted on Acast. See acast.com/privacy for more information.

Da oggi puoi diventare un sostenitore di questo podcast. Come? Vai su ⁠patreon.com/fuoriorariopodcast⁠ per tutte le info. In questo episodio di Fuori Orario: Not Another Podcast si parla del debutto dei James and The Cold Gun, il gruppo di Cardiff che ha pubblicato a fine luglio il suo primo album via Loosegroove Records, ovvero l'etichetta discografica di proprietà di Stone Gossard (Pearl Jam, Brad, Painted Shield) e Regan Hagar (Malfunkshun, Brad). Pronti a farvi raccontare uno dei migliori debutti rock di questo 2023? A questo link⁠ ⁠⁠⁠https://tinyurl.com/podcast-fuoriorario⁠⁠⁠⁠⁠ trovi invece la musica, i film e i libri dei quali si parla in questo podcast.

Jonny is an American songwriter, rock guitarist, singer, , multi-instrumentalist, and record producer.He was born in a suburb of Chicago, and he began his career writing, recording and self-releasing homemade cassettes as a teenager, under the name The Amazing Jonny Polonsky.He has had a variety of music experiences in his career most notably recording and or performing with Johnny Cash, Neil Diamond and Dixie Chicks.His new album on Loosegroove Records is called “Rise of the Rebel Angels.https://www.jonnypolonsky.com *****Thank you so much for listening to the TAKIN' A WALK PODCAST SHOW hosted by Buzz Knight!  Listen to more honest conversations with a compelling mix of guests ranging from musicians, authors, and insiders with their own stories. Get inspired, get motivated, and gain insights from honest conversations every week that can help you with your own journey. Follow us on Facebook, Twitter, and Instagram, and be part of this blessed family.Website: https://takinawalk.com/Twitter: https://twitter.com/thebuzzknightLinkedIn: http://linkedin.com/in/buzzknightLinkfire: https://lnk.to/takinawalk Please consider subscribing, leaving a review, and sharing it with your friends and family!Learn more about your ad choices. Visit megaphone.fm/adchoicesSee omnystudio.com/listener for privacy information.

Jonny is an American songwriter, rock guitarist, singer, , multi-instrumentalist, and record producer. He was born in a suburb of Chicago, and he began his career writing, recording and self-releasing homemade cassettes as a teenager, under the name The Amazing Jonny Polonsky. He has had a variety of music experiences in his career most notably recording and or performing with Johnny Cash, Neil Diamond and Dixie Chicks. His new album on Loosegroove Records is called “Rise of the Rebel Angels. https://www.jonnypolonsky.com  *****Thank you so much for listening to the TAKIN' A WALK PODCAST SHOW hosted by Buzz Knight!   Listen to more honest conversations with a compelling mix of guests ranging from musicians, authors, and insiders with their own stories. Get inspired, get motivated, and gain insights from honest conversations every week that can help you with your own journey. Follow us on Facebook, Twitter, and Instagram, and be part of this blessed family. Website: https://takinawalk.com/ Twitter: https://twitter.com/thebuzzknight LinkedIn: http://linkedin.com/in/buzzknight Linkfire: https://lnk.to/takinawalk   Please consider subscribing, leaving a review, and sharing it with your friends and family! Learn more about your ad choices. Visit megaphone.fm/adchoices

Dubbed "South Wales' loudest group", Cardiff's James and the Cold Gun have returned with their highly anticipated debut self-titled album, which is due for release on 21st July via Seattle-based label Loosegroove Records, owned by Stone Gossard (Pearl Jam) & Regan Hagar (Malfunkshun, Brad, Satchel). It took James and the Cold Gun less than three years to go from writing songs in a garage in Cardiff — where the band also recorded their forthcoming album — to Hyde Park supporting Pearl Jam.

Jason and Paul dissect Kyle Meredith's interview with Stone Gossard. The chat traverses Brad's upcoming releases, the latest with Loosegroove Records, and both new and old Pearl Jam. All that and the Lyric and Live Cut of the Week - Daughter.Kyle's Interview with Stone GossardBecome a PatronFollow Us on InstagramFollow Us on FacebookFollow Us on TwitterJoin the PJ Pod community Hosted on Acast. See acast.com/privacy for more information.

As A Founding Member Of Pear Jam, Stone's Guitar And Song Writing Skills Have Helped Keep The Band Rocking For 30 Plus Years.  For Those Who Don't Know He Was Also Part Of "Mother Love Bone", "Temple Of The Dog", And In 1994 He Created His Own Label "Loosegroove Records", Which He Used To Turn The World On To "Queens Of The Stone Age" In 1998.  In 2000 He Shut Down The Label But In 2020 Decided To Bring It Back By Releasing A 1982 Album From "The Living" (A Band Featuring Duff McKagan) And Has Now Begun Signing Current Bands, Including A Fierce 3 Piece From The UK Called "Tiger Cub".  Ross Ford Gets Time With Stone In An Interview We Thought Got Lost Or Went Unrecorded, But In Some Kind Of KILO Vault Miracle Emily Nixx Found It.  Hallelujah!!

ArTEEtude Shophttps://www.arteetude.com/shop/Apple Podcast https://podcasts.apple.com/us/podcast/arteetude-west-cork-s-first-art-fashion-design-podcast/id1527081647Spotify Podcasthttps://open.spotify.com/show/3eBv4E5qgW8Vot0oojAr1tIn the next 3 episodes of Arteetude, Detlef Schlich, the producer and host, talks with Todd Fleischmann, a talented musician who has been a part of the Seattle music scene for decades. In the early 80s, Todd played bass for The Living, a punk rock band that also included Duff McKagan, Greg Gilmore and John Conte. McKagan and Gilmore may be best known for their roles in Guns N' Roses and Mother Love Bone, They recorded an album in the summer of 1982, featuring seven songs written by Duff McKagan. Unfortunately, the album was never released - until now. After almost four decades, the album, titled "1982," has finally seen the light of day and is available today through Loosegroove Records, the record company founded by Stone Gossard and Regan Hagar.During this podcast episode 167, we are joined by Todd Fleischmann, a resident of Seattle, a bustling port city on the west coast of the United States. In the first part of the episode, Todd discusses his rock 'n' roll lifestyle in the 1980s in Seattle. We had a conversation about how addiction is a common issue in the music world business, and we shared our insights on the topic. He discussed how some musicians become more interested in drugs and alcohol, leading to the spread of diseases like AIDS through the practice of sharing needles. Towards the end of this segment, we listen to a song called "Live by the Gun," performed by "The Living," the band that Todd played bass for in the early 1980s.In the second part of the episode (168), we discuss how to maintain creativity as an artist in your 40s, 50s, and 60s. Todd shares how he learned to play bass from his friend Duff McKagan, who later became a member of Guns N' Roses, and how he dove right into playing in a band just two weeks later, at the young age of 16. We also talk about the development of high school bands in Seattle during the 1980s, which later gave rise to successful Seattle bands like Pearl Jam or Guns n Roses. We touch upon the separation of punk rock from heavy metal rock, networking and marketing, and the realization of bigger punk rock events in halls. We conclude this segment by listening to "Two Generation Stand" by The Living.In the third and final part of the episode (169), we delve into the darker side of the music industry and discuss the cultural phenomenon of punk rock and its influence on society, highlighting some of the larger-than-life characters from Seattle. We also talk about the pursuit of happiness and the creative process of building construction work. Lastly, we talk about the phrase "You can't do that!" and how it doesn't exist in the vocabulary of the two podcasters. In the end, we listen to the energetic punk rock song NO, THANKS from 1982. Written by Duff McKagan and performed by THE LIVING.ArTEEtude is a podcast created and produced by Detlef Schlich that explores the intersection of art, digital culture, and true stories in West Cork. Schlich, a multi-disciplinary artist, operates his podcast with a cross-sectoral approach, believing that a visual artist should think beyond being just an antagonist and instead strive to be a protagonist. Through this podcast, he dives into the unknown depths of the creative mind to uncover new perspectives and ideas.Detlef Schlich is a podcaster, visual artist, filmmaker, ritual designer, and media archaeologist based in West Cork. He is recognized for his seminal work, including a scholarly examination of the intersections between shamanism, art, and digital culture, as well as his acclaimed video installation, Transodin's Tragedy. He primarily works in performance, photography, painting, sound, installations, and film. In his work, he reflects on the human condition and uses the digital shaman's methodology as an alter ego to create artwork. His media archaeology is a conceptual and practical exercise in uncovering the unique aesthetic, cultural and political aspects of media in culture.WEBSITE LINKS Todd FleischmanInstagramhttps://www.instagram.com/fleischmantodd/Facebookhttps://www.facebook.com/todd.fleischman.98YouTubehttps://www.youtube.com/watch?v=MQxcB0NGsigDetlef SchlichInstagramDetlef Schlich ArTEEtude I love West Cork Artists FacebookDetlef Schlich I love West Cork Artists Group ArTEEtudeYouTube Channelsvisual PodcastArTEEtudeCute Alien TV official WebsiteArTEEtude Detlef Schlich Det Design Tribal Loop Download here for free Detlef Schlich´s Essay about the Cause and Effect of Shamanism, Art and Digital Culturehttps://www.researchgate.net/publication/303749640_Shamanism_Art_and_Digital_Culture_Cause_and_EffectSupport this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/donations

ArTEEtude Shophttps://www.arteetude.com/shop/Apple Podcast https://podcasts.apple.com/us/podcast/arteetude-west-cork-s-first-art-fashion-design-podcast/id1527081647Spotify Podcasthttps://open.spotify.com/show/3eBv4E5qgW8Vot0oojAr1tIn the next 3 episodes of Arteetude, Detlef Schlich, the producer and host, talks with Todd Fleischmann, a talented musician who has been a part of the Seattle music scene for decades. In the early 80s, Todd played bass for The Living, a punk rock band that also included Duff McKagan, Greg Gilmore and John Conte. McKagan and Gilmore may be best known for their roles in Guns N' Roses and Mother Love Bone, They recorded an album in the summer of 1982, featuring seven songs written by Duff McKagan. Unfortunately, the album was never released - until now. After almost four decades, the album, titled "1982," has finally seen the light of day and is available today through Loosegroove Records, the record company founded by Stone Gossard and Regan Hagar.During this podcast episode 167, we are joined by Todd Fleischmann, a resident of Seattle, a bustling port city on the west coast of the United States. In the first part of the episode, Todd discusses his rock 'n' roll lifestyle in the 1980s in Seattle. We had a conversation about how addiction is a common issue in the music world business, and we shared our insights on the topic. He discussed how some musicians become more interested in drugs and alcohol, leading to the spread of diseases like AIDS through the practice of sharing needles. Towards the end of this segment, we listen to a song called "Live by the Gun," performed by "The Living," the band that Todd played bass for in the early 1980s.In the second part of the episode (168), we discuss how to maintain creativity as an artist in your 40s, 50s, and 60s. Todd shares how he learned to play bass from his friend Duff McKagan, who later became a member of Guns N' Roses, and how he dove right into playing in a band just two weeks later, at the young age of 16. We also talk about the development of high school bands in Seattle during the 1980s, which later gave rise to successful Seattle bands like Pearl Jam or Guns n Roses. We touch upon the separation of punk rock from heavy metal rock, networking and marketing, and the realization of bigger punk rock events in halls. We conclude this segment by listening to "Two Generation Stand" by The Living.In the third and final part of the episode (169), we delve into the darker side of the music industry and discuss the cultural phenomenon of punk rock and its influence on society, highlighting some of the larger-than-life characters from Seattle. We also talk about the pursuit of happiness and the creative process of building construction work. Lastly, we talk about the phrase "You can't do that!" and how it doesn't exist in the vocabulary of the two podcasters. In the end, we listen to the energetic punk rock song NO, THANKS from 1982. Written by Duff McKagan and performed by THE LIVING.ArTEEtude is a podcast created and produced by Detlef Schlich that explores the intersection of art, digital culture, and true stories in West Cork. Schlich, a multi-disciplinary artist, operates his podcast with a cross-sectoral approach, believing that a visual artist should think beyond being just an antagonist and instead strive to be a protagonist. Through this podcast, he dives into the unknown depths of the creative mind to uncover new perspectives and ideas.Detlef Schlich is a podcaster, visual artist, filmmaker, ritual designer, and media archaeologist based in West Cork. He is recognized for his seminal work, including a scholarly examination of the intersections between shamanism, art, and digital culture, as well as his acclaimed video installation, Transodin's Tragedy. He primarily works in performance, photography, painting, sound, installations, and film. In his work, he reflects on the human condition and uses the digital shaman's methodology as an alter ego to create artwork. His media archaeology is a conceptual and practical exercise in uncovering the unique aesthetic, cultural and political aspects of media in culture.WEBSITE LINKS Todd FleischmanInstagramhttps://www.instagram.com/fleischmantodd/Facebookhttps://www.facebook.com/todd.fleischman.98YouTubehttps://www.youtube.com/watch?v=MQxcB0NGsigDetlef SchlichInstagramDetlef Schlich ArTEEtude I love West Cork Artists FacebookDetlef Schlich I love West Cork Artists Group ArTEEtudeYouTube Channelsvisual PodcastArTEEtudeCute Alien TV official WebsiteArTEEtude Detlef Schlich Det Design Tribal Loop Download here for free Detlef Schlich´s Essay about the Cause and Effect of Shamanism, Art and Digital Culturehttps://www.researchgate.net/publication/303749640_Shamanism_Art_and_Digital_Culture_Cause_and_EffectSupport this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/donations

ArTEEtude Shophttps://www.arteetude.com/shop/Apple Podcast https://podcasts.apple.com/us/podcast/arteetude-west-cork-s-first-art-fashion-design-podcast/id1527081647Spotify Podcasthttps://open.spotify.com/show/3eBv4E5qgW8Vot0oojAr1tIn the next 3 episodes of Arteetude, Detlef Schlich, the producer and host, talks with Todd Fleischmann, a talented musician who has been a part of the Seattle music scene for decades. In the early 80s, Todd played bass for The Living, a punk rock band that also included Duff McKagan, Greg Gilmore and John Conte. McKagan and Gilmore may be best known for their roles in Guns N' Roses and Mother Love Bone, They recorded an album in the summer of 1982, featuring seven songs written by Duff McKagan. Unfortunately, the album was never released - until now. After almost four decades, the album, titled "1982," has finally seen the light of day and is available today through Loosegroove Records, the record company founded by Stone Gossard and Regan Hagar.During this podcast episode 167, we are joined by Todd Fleischmann, a resident of Seattle, a bustling port city on the west coast of the United States. In the first part of the episode, Todd discusses his rock 'n' roll lifestyle in the 1980s in Seattle. We had a conversation about how addiction is a common issue in the music world business, and we shared our insights on the topic. He discussed how some musicians become more interested in drugs and alcohol, leading to the spread of diseases like AIDS through the practice of sharing needles. Towards the end of this segment, we listen to a song called "Live by the Gun," performed by "The Living," the band that Todd played bass for in the early 1980s.In the second part of the episode (168), we discuss how to maintain creativity as an artist in your 40s, 50s, and 60s. Todd shares how he learned to play bass from his friend Duff McKagan, who later became a member of Guns N' Roses, and how he dove right into playing in a band just two weeks later, at the young age of 16. We also talk about the development of high school bands in Seattle during the 1980s, which later gave rise to successful Seattle bands like Pearl Jam or Guns n Roses. We touch upon the separation of punk rock from heavy metal rock, networking and marketing, and the realization of bigger punk rock events in halls. We conclude this segment by listening to "Two Generation Stand" by The Living.In the third and final part of the episode (169), we delve into the darker side of the music industry and discuss the cultural phenomenon of punk rock and its influence on society, highlighting some of the larger-than-life characters from Seattle. We also talk about the pursuit of happiness and the creative process of building construction work. Lastly, we talk about the phrase "You can't do that!" and how it doesn't exist in the vocabulary of the two podcasters. In the end, we listen to the energetic punk rock song NO, THANKS from 1982. Written by Duff McKagan and performed by THE LIVING.ArTEEtude is a podcast created and produced by Detlef Schlich that explores the intersection of art, digital culture, and true stories in West Cork. Schlich, a multi-disciplinary artist, operates his podcast with a cross-sectoral approach, believing that a visual artist should think beyond being just an antagonist and instead strive to be a protagonist. Through this podcast, he dives into the unknown depths of the creative mind to uncover new perspectives and ideas.Detlef Schlich is a podcaster, visual artist, filmmaker, ritual designer, and media archaeologist based in West Cork. He is recognized for his seminal work, including a scholarly examination of the intersections between shamanism, art, and digital culture, as well as his acclaimed video installation, Transodin's Tragedy. He primarily works in performance, photography, painting, sound, installations, and film. In his work, he reflects on the human condition and uses the digital shaman's methodology as an alter ego to create artwork. His media archaeology is a conceptual and practical exercise in uncovering the unique aesthetic, cultural and political aspects of media in culture.WEBSITE LINKS Todd FleischmanInstagramhttps://www.instagram.com/fleischmantodd/Facebookhttps://www.facebook.com/todd.fleischman.98YouTubehttps://www.youtube.com/watch?v=MQxcB0NGsigDetlef SchlichInstagramDetlef Schlich ArTEEtude I love West Cork Artists FacebookDetlef Schlich I love West Cork Artists Group ArTEEtudeYouTube Channelsvisual PodcastArTEEtudeCute Alien TV official WebsiteArTEEtude Detlef Schlich Det Design Tribal Loop Download here for free Detlef Schlich´s Essay about the Cause and Effect of Shamanism, Art and Digital Culturehttps://www.researchgate.net/publication/303749640_Shamanism_Art_and_Digital_Culture_Cause_and_EffectSupport this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/donations

Welcome to The Nothing Shocking Podcast 2.0 reboot episode 158 with our guest Keith Lowe of Brad. In this episode we discuss his debut solo EP “The Other Half of Silence,” on Loosegroove Records.  We also discuss the progress of the final Brad album, working with Shawn Smith on the Diamond Hand album, Fiona Apple, David Sylvain, and more!   For more information visit:   https://www.facebook.com/people/Keith-Lowe/100027278781952/   https://orcd.co/ddqze04   https://www.facebook.com/bradcorporation/   Hong Kong Sleepover: https://www.amazon.com/Butcher-Bolt-Explicit-Hong-Sleepover/dp/B07P5H6ZY2 or additional merchandise at https://thehongkongsleepover.bandcamp.com   Also don't forget to like our Facebook page which can be found right here: https://www.facebook.com/nothingshockingpodcast/ or follow us on twitter at  https://twitter.com/hashtag/noshockpod   Help support the podcast and record stores by shopping at Ragged Records. http://www.raggedrecords.org 

Grunge legend Stone Gossard joins me on Talkin' Rock. We discuss his record label, Loosegroove Records and the band Tigercub, which he's pushing. He tells me about starting the label and some of the many bands that he's signed over the years. Of course we talk about Pearl Jam. He tells me where they are as far as new music is concerned, and a loose timetable of when to expect it. We talk some Rock Hall, Chris Cornell, Duff McKagen and more.  Dorothy checked in for her 2022 exit interview. Ha! She looks back on Gifts From The Holy Ghost, the TV show Top Ten Revealed, Plans for 2023 including some collaborations, and that's just for starters.  -Meltdown- https://wrif.com/2022/12/13/stone-gossard-gives-pearl-jam-update-talks-about-loosegroove-records-the-rock-hall-duff-mckagen-more/ https://wrif.com/2022/12/12/dorothy-talks-about-2022-and-looks-forward-to-next-year-meltdown/ https://wrif.com/podcasts/talkin-rock-with-meltdown/  

Tigercub “Tigercub steps up to claim the front runner status as the new heavy. They emerge from Brighton UK under the 7 foot frame of Mr. Jamie Hall and his Tigercub.” ~ Stone Gossard Revolver announced that Loosegroove Records has signed Tigercub c/w US Headlines dates in conjunction with their US & Canada shows supporting Clutch & EYEHATEGOD. The signing of Tigercub on Loosegroove Records marks the reboot of the influential indie label that Gossard founded back in 1994 with Regan Hagar. Significantly Gossard and Hagar signed Queens of the Stone Age and released the band's debut album in 1998, providing a foundation to build to where they are now. “When we discovered Tigercub, it felt like the right time to start Loosegroove back up,” says Hagar. Stone adds “It's almost 23 years to date that Queens of the Stone Age debuted at Mercury Lounge in NYC. And now Tigercub makes their Big Apple debut in the same club on April 16th. This is just the beginning for this incredibly talented group from Brighton UK to enlighten us Yanks to the sound of the new heavy!” Tigercub's latest album ‘As Blue As Indigo' was met with rave reviews from metal, rock and alt press internationally, establishing the band's genre-pushing originality. Written over two years, ‘As Blue As Indigo' champions introspections drawing on the subjectivity of colour, paired with masterclass songwriting, mind-bending arrangements constructed with boundary-pushing production. https://open.spotify.com/artist/6ekYAO2D1JkI58CF4uRRqw https://music.apple.com/gb/artist/tigercub/658911023 https://tigercubtigercub.bandcamp.com/music https://www.youtube.com/channel/UCIq8QZNx4Ge6rbBejiSwQBw https://tigercubtigercub.us7.list-manage.com/subscribe?id=d9fefe5a42&u=5adb5e49f2c09c28ec6402fa3 Clutch CLUTCH shares more in common with The Grateful Dead, Rush, and the Allman Brothers than their heavy riffs and heady twists-of-phrase might suggest. Because like those bands, the supporters who adore CLUTCH are there for the experience, community, and authentic connection. To love CLUTCH is to feel a sense of ownership, membership, and belonging. A worldwide cabal of fans and critics cherish the band's dense and diverse catalog of underground classics, released through major labels, indies, and since 2009, Clutch's own Weathermaker imprint. Sunrise On Slaughter Beach, the band's thirteenth studio album, is a slamming summary of everything that makes the band great and another giant leap forward into career longevity. New bangers like “Red Alert (Boss Metal Zone),” “Nosferatu Madre,” “Skeletons on Mars,” “Jackhammer Our Names,” and “Mercy Brown” take their rightful place alongside the classics. Sunrise On Slaughter Beach is the natural culmination of what Clutch began as teenagers in the early ‘90s. Sunrise On Slaughter Beach introduces some “firsts” into the Clutch canon: vibraphone (from Gaster), theremin (J. Robbins), and female backup vocals from singers Deborah Bond and Frenchie Davis. The album's nine songs are a diverse ride, destined to please longtime fans and intrigue newcomers alike. It&rsq 00:00 Intro 01:22 Interview with Tigercub 25:44 The Song by Tigercub 29:24 Context 29:51 Interview with Clutch 44:48 The Song By Clutch 48:30 Outro

La recensione del nuovo singolo dei James and The Cold Gun, band di Cardiff che più che suonare post-punk, ricorda i Queens of The Stone Age. A questo link http://tiny.cc/fuori-orario-shop trovi la musica, i film e i libri dei quali si parla in questo podcast.

Lyndsey Marie and Stone Gossard of Pearl Jam talk about the launch ('94) and relaunch ('20) of Loosegroove Records, how he discovers new music, and his admiration for Tigercub, the rock trio signed to his record label. -------------------------------- Listen & Subscribe to 93X Interviews wherever you get your podcasts: Apple Podcasts: http://bit.ly/93XInterviews Spotify: https://spoti.fi/3w30p8p Amazon Music: https://amzn.to/3hosR0t Watch 93X Interviews on YouTube: https://youtube.com/playlist?list=PLx7Imb_FaNDAQ9DWs3P6lY-mLlEtfjgWL -------------------------------- 93X is Minnesota's Rock Station. Stream us online at 93X.com or on the iHeartRadio app

Issue no: 555. July 22 1995. This week we talk about Bush, Skunk Anansie, Reef, Biohazard, Dog Eat Dog, Sick Of It All, CIV, Slash, J Church, Sense Field, Silverchair, Loosegroove Records, Dollface, Six Ton Budge, Pearl Jam, plus all of the regulars including kommunikation, koncertz, albumz, singlez, news, and much more. Instagram: kerrangbackissues Twitter: @kerrangpod Email: kerrangbackissues@gmail.com

Issue no: 551. June 24 1995. This week we talk about The Black Crowes, The Offspring, Therapy, Skunk Anansie, Motorhead, Sugar Ray, Loosegroove Records, Kaos '95 Tour, Honeycrack, Reef, Kyuss, Pennywise, Clutch, Marillion plus all of the regulars including kommunikation, koncertz, albumz, singlez, news, and much more. Instagram: kerrangbackissues Twitter: @kerrangpod Email: kerrangbackissues@gmail.com

This week's guests are Brad/Pearl Jam guitarist Stone Gossard & Brad drummer Regan Hagar.  The two founded Loosegroove records in 1994 where they signed up & coming artists & celebrated a multi-genre roster with a slant to Hip Hop & Rock. Today Loosegroove is still lively & diverse with new releases from the long awaited Painted Shield, Duff Mckagan's The Living, Britney Davis, & Tiger Cub. In this episode, the four discuss why Loosegroove is not just a record label for Stone & Regan, but a vehicle for two friends to share ideas, bond & do something they truly believe in together. We hear why & how Loosegroove operates the way they do & how it lends to their longevity.  Stone & Regan give us some insight into Brad's writing process & we learn why working with Shawn Smith has left a lasting impression on them.  John & Amy open the episode with a discussion on disruption. Why are we subconsciously committed to homogeneity in our personal & group behavior? Amy explains why having a novel approach typically fuels empathy & why it is so important to rethink how we do things both socially & in our professional lives.Theme music by Michael Lerner. Listen to more podcasts at Ruinous Media. Check out all the Loosegroove artists here. Loosegroove.This episode's featured music is by Tiger Cub.As always, John & Amy remind us that We're Not Alone.The DR & the DJ Minor Figures was created by people who love coffee, for people who love coffee. Try Minor Figures Barista Oat with 20% off when you use the code DRANDDJ at us.minorfigures.com or find us in your local grocery store.The Flying Apron. Serving Seattle communities for over 18 years, Flying Apron is the “go to” specialty bakery & café for y

Seattle's Brittany Davis has released a debut EP on Pearl Jam Guitarist Stone Gossard's label, Loosegroove Records. Davis was born blind and started recording music around the age of 13 when they were homeless. They talk about their musical journey, reflecting on the past two years through music, collaborating with Gossard and addressing blindness in a song. “As much as blindness as disability is romanticized, nah dude, that stuff ain't romantic. That stuff impacts you in ways that a lot of people don't think about,” Davis says.   Support the show: https://www.kexp.org/sound/ See omnystudio.com/listener for privacy information.

This particular episode was a long time coming, for a variety of reasons. Josh Freese has had the type of career - and has the type of personality - that has made me want to interview him for a lot longer than I've had the capacity to actually conduct interviews. He might have played with everyone from Sting to Guns 'N' Roses to Nine Inch Nails to The Offspring to Dweezil Zappa to Juliana Hatfield to Kelly Clarkson, but if you've been involved in the punk rock scene at all for the last three decades, he's still Josh from The Vandals. Or, for a small number of us, Josh from Viva Death. Anyway, Josh just put out a new solo album, "Just A Minute: Vol. 1" - it was written and recorded from his home studio during quarantine. It's twenty songs in, you guessed it, twenty minutes, and it was released on Loosegroove Records, a label owned by Pearl Jam's Stone Gossard and Brad's Regan Hagar. It's wild: some of the songs are expertly crafted and fully thought-out punk rock songs and some of them sound almost like the descent into madness that a lot of us experienced when locked in our houses for an indeterminate amount of time. We cover a lot of ground over the course of 75 or so minutes: Danny Elfman, The Vandals, Stone Gossard and Pearl Jam, living in Long Beach, playing with Sting, Queens Of The Stone Age, setting up a home recording studio a decade ago and actually finding the time to use it during a pandemic, and a lot more. We also talked, obviously, about "Just A Minute: Vol. 1" and probably spent more time talking about "Just A Minute: Vol. 2," which should hopefully be out during the spring of '22. Buy "Just A Minute: Vol. 1" on vinyl: https://shop.thehardtimes.net/products/josh-freese-just-a-minute-vol-1-neon-coralvinyl?_pos=1&_sid=8d3887eea&_ss=r Buy other Josh Freese merch, like stickers and pins and t-shirts and plaid shorts and a guitar: https://www.etsy.com/shop/JoshFreeseGoods "Just A Minute: Vol. 1" Videos: "Heavy Metal Car Collection" - https://youtu.be/GpaSvkwDTrU "The Dwarves And The Queens" - https://youtu.be/ShnXbZDetyw Follow Josh on Instagram: https://www.instagram.com/joshfreese/ (*both laughs*) theme song is an excerpt from [laughs] track "Hurts To Laugh." © KALI MASI 2021 ℗ Take This To Heart Records 2021

Josh Freese is, hands down, a drumming great. From his work with Guns n Roses, to Nine Inch Nails, to the Offspring, to his continued work with DEVO, Josh has remained busy. And, apparently, a little downtime during the pandemic was just too much, so Josh wrote and recorded two new albums of music. And each song on these albums is only one minute long. Just A Minute Vol. 1 is available this Friday, October 29th. For more information, follow Josh on Instagram, or follow Loosegroove Records on Facebook.

Josh Freese's "Just A Minute, Vol. 1" comes out October 29th via Loosegroove Records. Mr. Freese talks to us all about his album of 1 min songs and his time with Guns N' Roses...is he on Hard Skool? Watch on our YouTube channel: www.youtube.com/c/AFDShow/videos Follow our new Twitter @TheAFDPodcast Support - www.patreon.com/theafdshow Merch - www.redbubble.com/shop/ap/59767776

“Introspection and Awareness" The French born drummer Greg Gilmore landed in Seattle as a young man and what better way to punctuate those formative teenage years than with a punk band? Joining forces with John Conte, Todd Fleishman, and Duff McKagan Gilmore and his pals played speedbag punk that fell somewhere between the Clash and The Germs. They became local favorites, opened for DOA in Vancouver and Seattle and thanks to a quick studio session, recorded seven tracks which are now seeing the light of day for the first time. Released on Loosegroove Records which is owned by Stone Gossard of Pearl Jam and Regan Hagar of Satchel and Brad, the band’s set is called The Living 1982 and of the document, Gossard says, is "a reminder that the Living are ground zero for the Seattle sound.” The songs are fast and dynamic and played with a frenzied punk spirit and youthful momentum. The idea to put these songs out came from Gilmore, who actually unearthed the recordings. He says: “The Living was the beginning of all things Seattle for me --a turning point in my life. I joined a band and a community. These guys are still my brothers. I've cherished these recordings since the days we made them. This record is a fantastic document of a loaded moment. I love it.” Well, in music years, The Living really were only around in music years for about a moment. After the band, broke up, Duff and Gilmore landed in Ten Minute Warning, then the two pals went to LA. McKagan ended up joining Guns N’ Roses and Gilmore headed back to Seattle where he played briefly with Skin Yard before co-founded Mother Love Bone. After the death of Mother Love Bone singer Andrew Wood, Gilmore went on to collaborate with Seattle producing legend Jack Endino for a series of albums. He also played with Land, Doghead, and Steve Fisk. As a drummer, Gilmore plays with thoughtful muscle. He’s an introspective guy and his playing has the perfect blend of cerebral athleticism. We talk about that introspection here among a lot of other things: travel, friendships, self-awareness, intellectualizing ourselves in and out of enjoyment and the ins and outs of being social. https://www.instagram.com/loosegrooverecords linktr.ee/loosegroove www.alexgreenonline.com Instagram: @emberseditor Twitter: @emberspodcast

Before Seattle's Duff McKagan went on to become the bassist for Guns N’ Roses and before Seattle’s Mother Love Bone started influencing the city’s grunge sound, there was The Living. It was an early 80’s Seattle punk band made up of a teenage Duff McKagan on guitar, Greg Gilmore (of Mother Love Bone) on drums, Todd Fleischman on bass, and John Conte as the band’s frontman. Seattle’s Loosegroove Records, which is co-run by Pearl Jam guitarist Stone Gossard, has just released The Living’s album, titled ‘1982,' for the very first time. “It’s Seattle hardcore, pre-grunge [...] it really showcases who the real king of grunge is and I think it might be Duff and Greg and Todd and John,” Gossard says. For this episode, drummer Greg Gilmore talks about the themes on the record and how it's finally seeing the light of day. Support the show: https://www.kexp.org/sound/ See omnystudio.com/listener for privacy information.

Donate to Seattle Theatre Group at http://stgpresents.org/donate Greg Gilmore is a Seattle musician. Greg's first Seattle band was called The Living, turns our they're about to finally be a big deal around here. There is a long lost recording being released on vinyl thanks to Loosegroove Records later this month. Greg would also go on to play in Ten Minute Warning and MotherLoverBone. He stopped by to the Moore Theatre talk to us about his recollections of what the music scene was like in Seattle at the end of the 70's, early 80's and into the 90's. Geoff and Steve have both known Greg for more than twenty years, but, rarely is it the time or place, out in bars or at clubs (or even on ferries) to speak about true experiences and perspectives. At two hours into our conversation, Greg said he was just getting warmed up... and we couldn't have been happier to oblige. Hope you enjoy! On April 16th Regan Hagar and Stone Gossard, atop their newly rebooted Loosegroove records will offer, for your listening pleasure, the long lost recordings of The Living. A band that played around the NW for about a year in 1982 before it went the way of most bands. It morphed, into something else. Luckily, in that year, the boys would go up to American Music in Fremont WA and lay to tape, what they'd been up to. Had it come out then, that recording would have been the first time the "world" would hear Greg Gilmore on drums, and, at a salty 17 years old, Duff Mckagan, making his debut as an absolute monster of a creative driving force. Seattle Today was lucky enough to have, both Greg, and then Duff come to The Moore Theatre to talk with us about that period in their lives. We were also blessed with a visit from the Mighty Blaine Cook, who would be the singer in the band that both Greg and Duff would follow up The Living with, Ten Minute Warning. Purchase the Living - 1982 at https://orcd.co/theliving1982 --- Send in a voice message: https://anchor.fm/seattletoday/message