Podcasts about Heritage Auctions

Buckle up The Stuff Dreams Are Made Of fans, Heritage Auctions is back with a gigantic multi-day, multi-session, multi-consignor auction. Across five sessions and four days (July 15, 16, 17, 18th), David and Ryan cover everything from the Cecille B. DeMille (yes, that one) collection, to the Bob Peak collection (yes, that one), including the original Apocalypse Now 1-sheet art (yes! that one!) to Rosebud sleds, to Indy whips, to the greatest pistol from the greatest [modern] western of all time: Tombstone! There's lots of lots coming over the next three episodes, so hydrate, stretch your ears, and get out your catalog to flip through along with your favorite co-hosts. Part 1 begins... now! Email: dreamsaremadeofpodcast@gmail.com SDAMO - Instagram https://www.instagram.com/propspodcast/ SDAMO - Bluesky https://bsky.app/profile/propspodcast.bsky.social SDAMO - Facebook https://www.facebook.com/propspodcast/ SDAMO - TikTok https://www.tiktok.com/@props.podcast David Mandel - Instagram https://www.instagram.com/davidhmandel/

Life has been snatched from the jaws of death! Or is it the other way? Either way, David and Ryan are back on the hot mics, dropping knowledge about props, costumes, movies, whisky, monkey radiator caps and, unfortunately, Nazis. In the smashing Season 11 premiere, the guys share where they've been, what they've been up to, and where this podcast is going (hint: it's going because it's been sponsored by Heritage Auctions as there's a gigantic summer movie memorabilia auction imminently upon us!) Email: dreamsaremadeofpodcast@gmail.com SDAMO - Instagram https://www.instagram.com/propspodcast/ SDAMO - Bluesky https://bsky.app/profile/propspodcast.bsky.social SDAMO - Facebook https://www.facebook.com/propspodcast/ SDAMO - TikTok https://www.tiktok.com/@props.podcast David Mandel - Instagram https://www.instagram.com/davidhmandel/

On today's show, we're chatting with Amanda Marcuson, the founder of BAG CRAP. Bag Crap is a vintage bag charm brand built on nostalgi and individuality Amanda is a longtime vintage collector, with a love of treasure hunting that grew over the years as she spent countless weekends at estate sales, thrift stores, and flea markets searching for quirky items.  She became a luxury handbag resale expert turned designer and charm curator. She uses vintage keychains and repurposed toys to transform nostalgic items into playful one-of-a-kind bag charms that celebrate sustainability.  Her business experienced the bag charm boom – she's been featured in several issues of VOGUE, GQ, and Nylon, and worn by style icons like Tracee Ellis Ross and Gabriella Karefa-Johnson. But Amanda feels in her heart that her one-of-a-kind bag charms, made from trinkets found all over the world, are more than just a trend item – we get into it all! It's a fun one, and I think you're really gonna love it –  so let's dive right in!  DISCUSSED IN THE EPISODE: [5:43] How Amanda's obsession with vintage handbags really began. [9:21] Was Beanie Baby the first resale trend craze? [13:04] While at FIT and in her fashion internships, Amanda was always crafting and upcycling.  [17:33] She learned about authentication and running a small business while working in the luxury handbag resale industry, including at The RealReal and Heritage Auctions.  [24:24] When the bag charm started to take off.  [31:51] We're hungry for the little things that make us happy, even just a charm on your bag that communicates your individuality! EPISODE MENTIONS:  @bagcrap Bag Crap “Vintage-lovers on Louis Vuitton x Murakami” Miu Miu kicks off the bag charm boom Lori Hirshleifer After Hours by Kiara Cooper Don't Let Disco LET'S CONNECT: 

The Stuff Dreams Are Made Of's first guest, author Rhys Thomas, returns to the podcast to sift through the aftermath of the seismic, $28,000,000 Ruby Slippers sale by Heritage Auctions this past December. They revisit his great book, The Ruby Slippers of Oz, and they review what fascinating new information has come to light since they had him on the podcast wayyyy back in 2020. Two big events have happened since: 1) The Wizard of Oz being remastered in glorious 4K Ultra-HD and 2) the recovery of the original slippers that were stolen from the Judy Garland museum in 2005. Plus, Rhys answers the real question on everyone's mind: are they made of real rubies? Get Rhys' book 'The Ruby Slippers of Oz: 30 Years Later' here: https://www.lulu.com/shop/rhys-thomas/the-ruby-slippers-of-oz-thirty-years-later/paperback/product-14qpq7jk.html?q=the+ruby+slippers+of+oz&page=1&pageSize=4 Yogi Berra's World Series Article: https://www.theatlantic.com/magazine/archive/2025/02/sports-memorabilia-heist-yogi-berra-world-series-rings/681093/ Email: dreamsaremadeofpodcast@gmail.com SDAMO - Instagram https://www.instagram.com/propspodcast/ SDAMO - Bluesky https://bsky.app/profile/propspodcast.bsky.social SDAMO - Facebook https://www.facebook.com/propspodcast/ SDAMO - TikTok https://www.tiktok.com/@props.podcast David Mandel - Instagram https://www.instagram.com/davidhmandel/

The Stuff Dreams Are Made Of's first guest, author Rhys Thomas, returns to the podcast to sift through the aftermath of the seismic, $28,000,000 Ruby Slippers sale by Heritage Auctions this past December. They revisit his great book, The Ruby Slippers of Oz, and they review what fascinating new information has come to light since they had him on the podcast wayyyy back in 2020. Two big events have happened since: 1) The Wizard of Oz being remastered in glorious 4K Ultra-HD and 2) the recovery of the original slippers that were stolen from the Judy Garland museum in 2005. Plus, Rhys answers the real question on everyone's mind: are they made of real rubies? Get Rhys' book 'The Ruby Slippers of Oz: 30 Years Later' here: https://www.lulu.com/shop/rhys-thomas/the-ruby-slippers-of-oz-thirty-years-later/paperback/product-14qpq7jk.html?q=the+ruby+slippers+of+oz&page=1&pageSize=4 Yogi Berra's World Series Article: https://www.theatlantic.com/magazine/archive/2025/02/sports-memorabilia-heist-yogi-berra-world-series-rings/681093/ Email: dreamsaremadeofpodcast@gmail.com SDAMO - Instagram https://www.instagram.com/propspodcast/ SDAMO - Bluesky https://bsky.app/profile/propspodcast.bsky.social SDAMO - Facebook https://www.facebook.com/propspodcast/ SDAMO - TikTok https://www.tiktok.com/@props.podcast David Mandel - Instagram https://www.instagram.com/davidhmandel/

Will Kocken with H.O.O.A.H, WI, joins to discuss what you can do this week: Invest in Veterans Week. He suggests reaching out one-on-one to have a conversation and donating to local veterans service organizations. Will also says that Northeast Wisconsin is very supportive of veterans and veteran service organizations. Then we connect with Tony Giese with Heritage Auctions out of Dallas. Originally from Coleman, Wisconsin, Tony is living his dream searching for and working with great sports memorabilia that goes up for auction. Maino and the Mayor is a part of the Civic Media radio network and airs Monday through Friday from 6-9 am on WGBW in Green Bay and on WISS in Appleton/Oshkosh. Subscribe to the podcast to be sure not to miss out on a single episode! To learn more about the show and all of the programming across the Civic Media network, head over to https://civicmedia.us/shows to see the entire broadcast lineup. Follow the show on Facebook and X to keep up with Maino and the Mayor! Guests: Will Kocken, Tony Giese

Derek Grady from Heritage Auctions joins your Trading Card Therapy host, The Doctor, Leighton Sheldon. Hear about an amazing story of a raw, ungraded 1952 Topps Mickey Mantle rookie card that Derek got graded which returned as an SGC 9.5. That card sold for 12.6 million dollars! Leighton is always buying collections! If you're interested in selling your cards, reach out for a free appraisal any time at Just Collect.

This week on the Experience, Jim reviews WWE Raw on Netflix, an atrocious match on AEW Collision, and Smackdown! Plus Jim talks about Penta's WWE debut, the sorry state of AEW, North Carolina jobbers, and more! Also, Jim talks with Tony from Heritage Auctions about wrestling collectibles! Follow Jim and Brian on Twitter: @TheJimCornette @GreatBrianLast Join Jim Cornette's College Of Wrestling Knowledge on Patreon to access the archives & more! https://www.patreon.com/Cornette Subscribe to the Official Jim Cornette channel on YouTube! http://www.youtube.com/c/OfficialJimCornette Visit Jim's official site at www.JimCornette.com for merch, live dates, commentaries and more! You can listen to Brian on the 6:05 Superpodcast at 605pod.com or wherever you find your favorite podcasts!See omnystudio.com/listener for privacy information.

Dr. Beckett and Rich Klein delve into the unique aspects of the sports card industry, profit centers, and the challenges of balancing overhead and sales-oriented divisions. The conversation highlights the importance of understanding direct and indirect costs, the intricacies of making internal departments profitable, and the broader industry trends. They also touch upon Beckett's past business decisions, the impact of a changing market, and potential future growth strategies. Additionally, the episode covers the successes and strategies of industry players like Topps, Panini, Upper Deck, Heritage Auctions, and COMC.    00:37 Scaling Business: Challenges and Strategies 01:21 Profit Centers and Cost Allocation 03:39 Variable Costs and Economies of Scale 06:08 Public vs. Private: Funding and Expansion 07:53 Leadership and Company Culture      

#206: Discover to secrets of gold investing, reselling, profiting and more with Trey Benedict. Learn the history of the gold market, how gold is valued, where to find opportunities for investing and reselling gold, the differences between the bullion and collector market, tips to avoid scams and so much more. Trey Benedict is the CEO and Co-Founder of Pure Technologies, a platform bring transparency, liquidity, and technology to the gold industry. He has extensive experience from Heritage Auctions, Tangible Investments, and Kevin Lipton Rare Coins. Link to Full Show Notes: https://chrishutchins.com/gold-investing-selling-buying-trey-benedict Partner Deals Gelt: Skip the waitlist on personalized tax guidance to maximize your wealth Cultural Care: Get $250 off flexible childcare with international au pairs Daffy: Free $25 to give to the charity of your choice Copilot: Free 2 months access to my favorite personal finance app with code HACKS2 MasterClass: Learn from the world's best with 15% off For all the deals, discounts and promo codes from our partners, go to: chrishutchins.com/deals Resources Mentioned Trey Benedict: LinkedIn Pure (Up to $150 off when buying/selling here) Coins American Eagle American Buffalo PAMP Lady Fortuna 230th Anniversary Flowing Hair Coin Grading Companies: PCGS vs NGC Costco Gold Bars: Price Guide and What to Know PCGS CoinFacts Heritage Auctions Stack's Bowers American Numismatic Association Professional Numismatists Guild ATH Episode #200: Debunking Tax Myths, Avoiding Audits and Maximizing Savings with Jasmine DiLucci Are Credit Card Rewards Taxable? Full Show Notes (00:00) Introduction (02:14) Understanding the Gold Market (04:50) The Many Different Reasons People Buy Gold (07:11) Trey's Journey with Gold and Coin Restoration (11:02) How Gold Is Valued and Priced (13:45) Spot Price and Gold Trading (24:01) Types of Coin Traders (26:37) How Can People Invest and Make Money in Gold? (30:37) How Often the U.S. Mint Releases Limited Coins (33:10) Pure: A Marketplace for Gold (43:26) Leveraging Discounted Gift Cards to Buy Gold (45:00) Ways to Mitigate Concerns Around Buying and Selling Gold (51:29) Vetting Coin Shops (53:47) Can You Trade Your Gold Jewelry? (55:01) Online Resources for Gold Info (56:12) Things to Avoid in the Gold Market Connect with Chris Newsletter | Membership | Twitter | Instagram | LinkedIn Editor's Note: The content on this page is accurate as of the posting date; however, some of our partner offers may have expired. Opinions expressed here are the author's alone, not those of any bank, credit card issuer, hotel, airline, or other entity. This content has not been reviewed, approved or otherwise endorsed by any of the entities included within the post. Learn more about your ad choices. Visit megaphone.fm/adchoices

David and Ryan are, along with the rest of the world, gobsmacked by the result of Heritage Auctions' ruby slippers sale. They break that down along with the rest of the wild and wacky 2024 for this year-ending, season-ending episode of the podcast. Join the guys they talk about the ghosts of Christmas Past, Present and Future on this round-up episode of the podcast and are joined by a super special guest (and fellow, budding TikTok legend) to talk about the fifteen minutes of prop bidding heard round the world. It's the last episode until 2025, so pour yourself some eggnog and tuck in to another evening with your favorite prop nerds! Email: dreamsaremadeofpodcast@gmail.com SDAMO - Instagram https://www.instagram.com/propspodcast/ SDAMO - Twitter https://twitter.com/propspodcast?lang=en SDAMO - Facebook https://www.facebook.com/propspodcast/ SDAMO - TikTok https://www.tiktok.com/@props.podcast David Mandel - Instagram https://www.instagram.com/davidhmandel/

Join this channel to get access to perks: https://www.youtube.com/channel/UCkHTY1eNYHr9JoTndx_m6kA/join New T-shirts & more are now available! http://tee.pub/lic/BAMG This week on Bronze and Modern Gods, we're diving into the world of comic book collecting with:

In the event you missed our live broadcast from Sunday, September 29 (what's wrong with you), you can catch all the fun and live performances of your two favorite podcasts hosts here. Join David and Ryan as they comb through Heritage Auctions' massive, 900-lot Game of Thrones Auction. They discuss their favorite swords, props, eggs, costumes, armor, helmets, gowns, take audience questions, and pick the worst Prometheus prop in the auction. Valar Bidaeris! Link to catalog PDF to follow along: https://entertainment.ha.com/c/s/d/frontmatter/7366_catalogpdf.pdf SDAMO - Instagram https://www.instagram.com/propspodcast/ SDAMO - Threads https://www.threads.net/@propspodcast SDAMO - Twitter https://twitter.com/propspodcast?lang=en SDAMO - Facebook https://www.facebook.com/propspodcast/ SDAMO - TikTok https://www.tiktok.com/@props.podcast David Mandel - Instagram https://www.instagram.com/davidhmandel/

The Stuff Dreams Are Made Of is back for a whole new season, and it begins with a once-in-a-lifetime auction: HBO and Heritage Auctions' official Game of Thrones auction.  In this first of two episodes covering all the auction action, David and Ryan page through the massive catalog and pick their top 10? 15? 20? favorite things from the over 900(!) lots on offer.  Join the guys as they pore over Valyrian steel, faceless faces, shields, banners, thrones (melted and unmelted), famous wheelchairs, armor, more Valyrian steel, catspaw daggers, Hound helmets, golden hands, dragon eggs, Dothrakiii, gowns, costumes, Hands of the king, and the legendary shame bell.  It would be a shame to miss it.  SHAME! Link to catalog PDF to follow along: https://entertainment.ha.com/c/s/d/frontmatter/7366_catalogpdf.pdf SDAMO - Instagram https://www.instagram.com/propspodcast/ SDAMO - Threads https://www.threads.net/@propspodcast SDAMO - Twitter https://twitter.com/propspodcast?lang=en SDAMO - Facebook https://www.facebook.com/propspodcast/ SDAMO - TikTok https://www.tiktok.com/@props.podcast David Mandel - Instagram https://www.instagram.com/davidhmandel/

Hello everyone on the Internet! Welcome to Episode 134 of UP YOURS...With More! We cover some news stories, Top 10 List from Last Week, Books we are looking forward to the Week of September 18 and SO MUCH MORE!!! News Articles New Disney Lego What is Grant Morrison Doing Batman on the Walk of Fame Wolverine #1 for $600K? Gonna Take You For A...Read? Shudder Streaming Spooky Stuff Rick and Morty is Returning..Soon

Tyler and Mike talk about what went down at PMC this year, from the panels to the cosplay to the crowds. You can find our photos on our Facebook page.Also in this episode:Heritage Auctions plans massive Power Rangers auctionGamescom preview of Rita's RewindNic Sampson discusses "Yellow Power Ranger," his one-man show at Edinburgh FringePower Rangers Prime to start comic continuity afreshMelissa Flores calls Prime a "true comic experience"Comic crossover with Usagi YojimboNearly all of BOOM! Studios' Power Rangers comics are in this Humble Bundle expiring Sept. 14Super7 announces Lord Drakkon for Ultimates lineDiscotek unveils slew of tokusatsu licenses (Kamen Rider V3 is now available for preorder)Find and rate us on Apple Podcasts and check us out on Spotify.Buy last-minute gifts or a little something for yourself from Entertainment Earth. Click our link for 10% off in-stock items and free US shipping on orders $79+: https://ee.toys/RANGERSupport this podcast at — https://redcircle.com/rangercast/donations

*) More polio vaccines arrive in Gaza: Palestinian Health Ministry A new shipment of polio vaccines totalling 350,000 doses has arrived in Gaza, according to the Palestinian Ministry of Health. It came as the vaccination campaign in the enclave continued amid a devastating Israeli war. The second batch of vaccines brings the total number of doses received by Gaza to around 1.6 million. *) US says 'time to finalise' Gaza truce deal as protests continue in Israel The United States has called for urgency and flexibility to finalise an agreement between Israel and Hamas for a truce in Gaza. State Department spokesperson Matthew Miller told reporters the United States will work "over the coming days" with mediators Egypt and Qatar "to push for a final agreement." The deaths of six hostages in besieged Gaza has sparked massive protests in Israel and a general strike against Israeli Prime Minister Benjamin Netanyahu. *) Dozens killed, scores wounded in Russian strike on Ukraine's Poltava: Kiev Two ballistic missiles have blasted a military training facility and a nearby hospital in Ukraine. At least 50 people were killed and more than 200 others wounded, according to Ukrainian officials. It was one of the deadliest Russian strikes since the war began. The strike hit the central-eastern city of Poltava, partially destroying a building used by the region's Military Institute of Communications. *) Lebanon's ex-central bank head arrested for alleged embezzlement: official Lebanon's former central bank governor Riad Salameh has been arrested over alleged embezzlement, a judicial official said. The public prosecutor "arrested Salameh after questioning him for three hours on suspicions of embezzlement from the central bank exceeding $40 million". It is the first time Salameh has appeared before Lebanon's judiciary since he left his post of 30 years at the end of July last year without a successor. And finally…. *) ‘Game of Thrones' props are up for auction After watching eight seasons of the epic saga “Game of Thrones,” fans can now purchase prized memorabilia from the HBO series. They can bid on a slew of costumes, props, set pieces and memorabilia from the hit show that ended in 2019 — including a melted version of the coveted Iron Throne. More than 2,000 items, distributed across 900 lots, will be on the auction block in October through Heritage Auctions.

The highest-graded copy of “Fantastic Four #1” ever offered by Heritage Auctions is expected to fetch seven figures when it goes under the hammer this month. But if you have comics, how do you know if you have a rare treasure or a dud? Joining guest host Tom Dunne to tell more about the world of comics is Stephen Mooney, Marvel Artist and Comic Collector.Image: Heritage Auctions

Topps's first major football & basketball products in years drop this week, but will the hobby be hyped for them without logos? Doug, Dan & C-Rad break it down on this week's episode of The Hype! The guys share their first reactions to 2023/24 Topps Chrome Basketball and if the lack to team logos will hurt Topps for the next few years even with exclusive autograpsh of the biggest rookie stars. Plus, the guys discuss a record breaking week in sports memorabilia after Babe Ruth's called shot jersey destroys records and Dan shares an inside scoop that Fanatics Fest 2025 could be heading to the west coast.

On this episode of Conduct Detrimental: THE Sports Law Podcast, Dan Lust (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@SportsLawLust)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠and Mike Kravchenko (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Find him on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) bring you the latest updates in sports law and discuss various topics including Dan's trip to Italy, Mike starting his 2L year, college football, and several legal issues in sports. They dive deep into Netflix's latest documentary on Connor Stallions and the legal drama surrounding his notice of allegations with the NCAA. The conversation then shifts to the NFLPA's lawsuit against DraftKings, touching on issues related to their licensing agreements and the recent collapse of the NFT market. In a similar vein, they discuss another lawsuit involving DraftKings, this time concerning deceptive marketing practices around their $1,000 deposit bonus. Moving on to significant developments in the NFL, Dan and Mike analyze the recent approval of private equity firms being allowed to purchase stakes in NFL clubs. They also explore the implications of a lawsuit between the Atlanta Braves and Heritage Auctions over the authenticity of Hank Aaron memorabilia, focusing on the legal battle over the iconic third base from Aaron's 715th home run. Throughout the episode, Dan and Mike also share updates on their latest sports law bets and offer a special giveaway for listeners. This episode is packed with some unprecedented stories and information for the people! Let us know your thoughts. Have a topic you want to write about? ANYONE and EVERYONE can publish for ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ConductDetrimental.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Let us know if you want to join the team. *** As always, this episode is sponsored by Themis Bar Review: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.themisbarsocial.com/conductdetrimental⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  Host: Dan Lust (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@SportsLawLust⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠)  Featuring and Produced by: Mike Kravchenko (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch on YouTube⁠⁠⁠⁠⁠⁠⁠) Connect with us:⁠⁠⁠⁠⁠⁠ Twitter⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠Website⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠Email --- Support this podcast: https://podcasters.spotify.com/pod/show/condetrimental/support

On this episode of Conduct Detrimental: THE Sports Law Podcast, Dan Lust (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@SportsLawLust)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠and Mike Kravchenko (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Find him on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) bring you the latest updates in sports law and discuss various topics including Dan's trip to Italy, Mike starting his 2L year, college football, and several legal issues in sports. They dive deep into Netflix's latest documentary on Connor Stallions and the legal drama surrounding his notice of allegations with the NCAA. The conversation then shifts to the NFLPA's lawsuit against DraftKings, touching on issues related to their licensing agreements and the recent collapse of the NFT market. In a similar vein, they discuss another lawsuit involving DraftKings, this time concerning deceptive marketing practices around their $1,000 deposit bonus. Moving on to significant developments in the NFL, Dan and Mike analyze the recent approval of private equity firms being allowed to purchase stakes in NFL clubs. They also explore the implications of a lawsuit between the Atlanta Braves and Heritage Auctions over the authenticity of Hank Aaron memorabilia, focusing on the legal battle over the iconic third base from Aaron's 715th home run. Throughout the episode, Dan and Mike also share updates on their latest sports law bets and offer a special giveaway for listeners. This episode is packed with some unprecedented stories and information for the people! Let us know your thoughts. Have a topic you want to write about? ANYONE and EVERYONE can publish for ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ConductDetrimental.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Let us know if you want to join the team. *** As always, this episode is sponsored by Themis Bar Review: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.themisbarsocial.com/conductdetrimental⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  Host: Dan Lust (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@SportsLawLust⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠)  Featuring and Produced by: Mike Kravchenko (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch on YouTube⁠⁠⁠⁠⁠⁠⁠) Connect with us:⁠⁠⁠⁠⁠⁠ Twitter⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠Website⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠Email --- Support this podcast: https://podcasters.spotify.com/pod/show/condetrimental/support

https://youtube.com/live/sA5ndYcCDZc?feature=share On tonight's high-energy episode of "Talking Guitars," we're taking you along on our unforgettable Los Angeles road trip! We jammed out at Sammy Hagar's "Best of All Worlds" tour in LA, visited the iconic Norman's Rare Guitars, and dove deep into Kramer's KILLER NEW & UPGRADED MODELS. Plus, we got an exclusive look at some stunning EVH Gear Special Edition Custom Shop models that are sure to blow your mind. And don't miss our discussion about an upcoming Heritage Auctions event featuring some rare Eddie Van Halen Steve Ripley guitars. Follow us for more epic content!

Go GTS Live, August 8, 2024: Breakapalooza!! - Join hosts Rob Bertrand, former host of Cardboard Connection Radio, and co-host, Chris Steuber, for a fun-filled episode of the best trading card and memorabilia news and talk in #TheHobby! (Season 9, Episode 15, Master Episode 339) Tonight's show was pre-recorded as Rob slowly returns to his old self. The guys started the show, as they always do, with our #GoGTSLiveQoftheWeek poll question and wanted to know... #GoGTSLiveQoftheWeekPoll – Who is your preferred grading company? ✅ (Even if you don't submit cards for grading, pick who you would, if you did.) #thehobby @PSAcard @beckettcollect @sgcgrading @CGCCards — Go GTS Live (@GoGTSLive) August 8, 2024 Special video segments include Steve Grad telling a story about getting former President Gerald Ford's autograph as well as Kelsey Schroyer talking to Heritage Auctions about their unique Power Rangers event later this year. We detailed the hobby's top stories in our weekly Hobby Happenings segment. Highlights include: a major six-figure heist at the National, arbiter finds for Panini in NFLPA dispute, a major flip and much more! We went hunting for

Star Wars auctions are heating up this summer. Heritage Auctions had a blazing July sale, with a million-dollar Y-wing and other incredibly iconic Star Wars props. White-hot bidding for carded Kenner figures like a Vinyl Cape Jawa, and prototypes like a Leia Boushh sample, led to some record-setting prices at Hake's latest catalog auction. And for the first time, collectors had the opportunity to bring home original concept art of Darth Revan and the characters from the 2003 video game Star Wars: Knights of the Old Republic. But that's only part of this month's fascinating coverage, live from the Galactic Newsdesk. Join host David Quinn for a new series that explores Star Wars news from around the galaxy. From film and series updates to the collector-related reports, to news from the theme parks, the publishing world and more, this episode covers the stories you may have missed but need to know! This is the Galactic Newsdesk: July Edition. And this is Star Wars: Prototypes and Production! To Listen to the Episode on the Prototype Archives Site: https://www.prototypearchives.com/podcast Links to the Episode on Various Podcast Platforms: APPLE PODCASTS: https://podcasts.apple.com/us/podcast/star-wars-prototypes-and-production/id1448205460 SPOTIFY: https://open.spotify.com/show/744L0XQhmpXn2AZeaxUhOZ CASTBOX: https://castbox.fm/channel/Star-Wars%3A-Prototypes-and-Production-id1904296?utm_source=website&utm_medium=dlink&utm_campaign=web_share&utm_content=Star%20Wars%3A%20Prototypes%20and%20Production-CastBox_FM STITCHER: https://www.stitcher.com/show/1054209 PANDORA: https://www.pandora.com/podcast/star-wars-prototypes-and-production/PC:1001054209 PODBEAN: https://www.podbean.com/podcast-detail/u4ywr-80960/Star-Wars-Prototypes-and-Production-Podcast AMAZON MUSIC: https://music.amazon.com/podcasts/c98fb265-c233-43d9-ae3b-1102bfb03e45/star-wars-prototypes-and-production PLAYERFM: https://player.fm/series/2473540 SOUNDCLOUD: https://soundcloud.com/david-quinn-908355451/tracks PODVINE: https://podvine.com/podcast/star-wars-prototypes-and-production iHEART: https://www.iheart.com/podcast/256-star-wars-prototypes-and-p-31050806/ https://podcasts.apple.com/us/podcast/star-wars-prototypes-and-production/id1448205460

Do you have an empty wall or perhaps shelf in your home or office that needs just the right object to help tie the room together? Might we suggest the original art from the Key Largo movie poster? Or perhaps a screen used Star Wars Y-Wing model? You are in luck as the Regular Joes will be happy to serve as your interior design consultants. You do have extra cash, right? Because this shopping trip is not gonna be cheap. This week, the Regular Joe's preview Heritage Auctions upcoming (July 25 - 26) Hollywood Signature Auction, featuring items from old Hollywood to the Marvel Studios Era. There really is something for everyone … to at least covet. Additionally, though they try to avoid it, a bit of talk of Star Wars: The Acolyte slips in. And of course there's also the usual Random Topics. Thanks for listening!

A mere week after The Stuff Dreams Are Made Of's triumphant return to your streaming devices -- there's another auction catalog to comb through! This time, it's Heritage Auctions' July 2024 multi-consignor entertainment memorabilia auction. Join the guys for a deep dive on their "Favorite Things..." There are Orson Welles Letters, John Ford Oscars, Greg-Jein-built Excelsiors, Save the Whales Paintings, full R. Crumb satires, Conan swords, post-war Wonder Woman pages, Star Wars art, Thor hammers, Home Alone costumes, Blade Runner prelims, and screen-matched, scratch-built, studio-scale Y-Wings that have David's attention! SDAMO - Instagram https://www.instagram.com/propspodcast/ SDAMO - Threads https://www.threads.net/@propspodcast SDAMO - Twitter https://twitter.com/propspodcast?lang=en SDAMO - Facebook https://www.facebook.com/propspodcast/ SDAMO - TikTok https://www.tiktok.com/@props.podcast David Mandel - Instagram https://www.instagram.com/davidhmandel/

Today I have a great hobby talk with Joe Orlando. Joe was the President of PSA and CEO of Collectors for a total of 22 years. We talk grading, auction houses and the National. Enjoy!! --- Support this podcast: https://podcasters.spotify.com/pod/show/goldenageofcardboard/support

Buddies! I had the great fortune to befriend the latest guest on "Mind of The Record Collector' during my latest visit to the Austin Record Convention in May. Ari Crane has been collecting records for several decades, traversing the country in search of the obscure, the unusual, and the rare pieces of wax many of us only hear about. A fixture on the record show circuit, the stories Ari shares here are GOLD (just like the ones he shared in Austin with me during our first meeting). He's been a record store owner, served as Consignment Director of Vinyl Records and Music Memorabilia for Heritage Auctions, and now leads his latest endeavor - Vinyl4Vets.com - putting vinyl and means to listen to it into the hands of the heroes who serve this country. It's a wide-ranging talk, including why Ari believes encapsulation (ie "slabbing") will move a section of the hobby forward in a way similar to sports cards, comics, etc., and he may even pull out some mega rare records in his own collection that he's decided to archive in this fashion. All this and MORE, here on Vinyl Community Podcasts and "Mind of The Record Collector"!   For more information on host Concert Buddie: https://www.youtube.com/@ConcertBuddie https://concertbuddie.com   For more information on Vinyl4Vets: https://vinyl4vets.com   For more on Vinyl Community Podcasts: https://vinylcommunitypodcasts.com   . . . . . Plus, save 10% today and every day at Vinyl Storage Solutions using the following code: VCP10 https://vinylstoragesolutions.ca

We explore the parallels between coin and sports card collecting, focusing on concepts like historic, contrived, and conditional rarity. They discuss the shift in both markets towards high-end items, the influence of wealthy collectors, and the crossover appeal among different collectible categories. The episode delves into the investment potential of collectibles, the generational transfer of the hobby, and the personal experiences of Steve and Chris in the auction business.    01:08 The Intersection of Coins and Cards 02:39 Market Trends and Investment Insights 07:33 Generational Collecting and Personal Stories 11:15 The Collecting Gene and Its Impact  

In this segment, Crawly talks to Mike Provenzale of Heritage Auctions, about one of the most incredible pieces of game used memorabilia ever to come to market, the jersey that Babe Ruth wore in the 1932 World Series when he hit his legendary "Called Shot" home run vs Charlie Root and the Cubs. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

In Season 3 Episode 49, Crawly and Dustin recap a familiar series loss, where the Cubs offense was abysmal, scoring six runs in three games, only two extra base hits, got shutout again, and had another one run loss vs the Cardinals, Crawly talks to Mike Provenzale of Heritage Auctions, about one of the most incredible pieces of game used memorabilia ever to come to market, the jersey that Babe Ruth wore in the 1932 World Series when he hit his legendary "Called Shot" home run vs Charlie Root and the Cubs the go over the latest Cubs news including the passing of former Cubs player and coach Mike Brumley, Ethan Roberts added to the 40 man roster and Jose Cuas DFA'd, plus we preview the upcoming series against the San Francisco Giants with a look at the pitching probables, key matchups, and let you know who's hot and who's not for each team. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

In this special Father's Day week episode Dr. Beckett interviews Steve Ivy and his son, Chris Ivy. Steve, co-founder of Heritage Auctions, joins his son Chris, who has carved out a significant niche within the sports memorabilia division at Heritage. The conversation explores their family dynamics, the influence of family in business, and the evolution of Heritage Auctions under their leadership. This heartfelt discussion also touches on the legacy of Dr. Beckett's own father and the traditions of collecting that bond fathers and sons.   04:15 Chris's Journey in the Sports Collectibles Industry 07:21 Building a Successful Team at Heritage 10:32 Challenges and Insights in the Collectibles Market    

Hometown Radio 05/31/24 6p: Pete Howard from Heritage Auctions

THIS VOYAGE, the Treksperts MARK A. ALTMAN (author, The Fifty Year Mission, writer/producer, Pandora, Agent X, The Librarians, writer/producer Free Enterprise), DAREN DOCHTERMAN (associate producer, Star Trek: The Motion Picture - Director's Edition) and ASHLEY E. MILLER (showrunner; DOTA: Dragon's Blood, writer, X-Men: First Class, Thor) talk about the recent discovery and return of the original Starship Enterprise model with Daren who worked with Heritage Auctions and Roddenberry Entertainment to authenticate the legendary miniature. Join us as we boldly go again this week in a deep dive into Star Trek's past on Inglorious Treksperts. **Join us on our new INGLORIOUS TREKSPERTS DISCORD Channel at: ⁠⁠⁠⁠⁠⁠⁠https://discord.gg/7kgmJSExeh⁠⁠⁠⁠⁠⁠ SUBSCRIBE TO TREKSPERTS PLUS TODAY... and get every episode of INGLORIOUS TREKSPERTS and our new podcast, INGLORIOUS TREKSPERTS presents DECK 78 along with additional bonus content and surprises all season long. For more details, visit trekkspertsplus.com. Don't miss us as the TREKSPERTS INGLORIOUS TOUR 2024 LIVE TOUR continues as we beam down to Trekonderoga in Ticonderoga, NY, Galaxycon in Oklahoma City, OK, San Diego Comic-Con, Raleigh, NC, Star Trek Las Vegas, San Jose, CA and many more this year!  For more information, go to galaxycon.com, creationent.com and comic-con.org. Learn all that is learnable about Star Trek in Mark A. Altman & Edward Gross' THE FIFTY-YEAR MISSION, available in hardcover, paperback, digital and audio from St. Maritn's Press.  Follow Inglorious Treksperts at @inglorioustrek on Twitter, Facebook and at @inglorioustreksperts on Instagram. And now follow the Treksperts Briefing Room at @trekspertsBR, an entirely separate Twitter & Instagram feed. "Mark A. Altman is the world's foremost Trekspert" - Los Angeles Times #StarTrek #TOS #TAS #TNG #DS9 #VOY #ENT #DISCO #PICARD #LLAP #comics #IDW #Marvel #DC #GoldKey #Discovery #DeepSpaceNine #STTMP #StarWars  #CaptainPike #StrangeNewWorlds #55YearTour  #casting #ST55 #StarTrek55 #TheCage #StrangeNewWorlds #SNW #Voyager #Janeway #Enterprise #TheSearchForSpock #StarTrekIII #BSG #TMP #Trekkies #Alien #Aliens #DavidFincher #BestofTrek #EnterpriseIncidents #IDW #comics #DS9 #DeepSpaceNine #PicardSeason3 #StarTrekPicard #Picard #Borg #PicardSeason3 #StarTrekPicard  trekspertsplus.com

Derek Higgins of the Society of Paper Money Collectors discusses the National Bank Note gathering hosted in Dallas recently by Heritage Auctions. Jeff explores factors affecting the modern world coin market, and the hosts delve into a Coin World issue from 1978.

Much to the delight of at least three people, David and Ryan are back on the mic spittin' truth about fake props. They have returned with new information, new insights, and some proactive thoughts regarding what can be done about the most insidious activity going on in our beloved hobby right now. In pursuit of educating the public, the guys go all the way back to the beginning of The Stuff Dreams Are Made Of and their first topic: "How do you know this stuff is real?" Bonus: how private deals are bad, brought to you by our sponsors, Propstore and Heritage Auctions (sic). SDAMO - Instagram https://www.instagram.com/propspodcast/ SDAMO - Threads https://www.threads.net/@propspodcast SDAMO - Twitter https://twitter.com/propspodcast?lang=en SDAMO - Facebook https://www.facebook.com/propspodcast/ SDAMO - TikTok https://www.tiktok.com/@props.podcast David Mandel - Instagram https://www.instagram.com/davidhmandel/

This week, Kristen joins Jeff to talk about the recent "Marc and Alice Davis Archives" auction hosted by Heritage Auctions. We talk about the first time we met Alice Davis back in 2011, and share our memories of touring her home gallery featuring all of Marc's art, and her relationship with Mary Blair - and then we talk about our successes during the auction, and share some of the history of the eight pieces that we won. Plus - Hayley Mills will hit the big screen again; the cast of Bambi gathered recently in Sacramento, and more.

The Art Market is exploding! We continue our Million Dollar Pages series, examining the recent Heritage Auctions results and look to the future as Rob shares art and covers he believes are on track to be Million Dollar Pages!

LIVESTREAM: TYPE 1 PHOTOS WITH GREG MISHKA - MERLEWORLD AFTER DARKJoin me and Greg Mishka of Greg's Fun Shop and GAS Trading Cards. We will look at several live auctions on Heritage Auctions and Goldin Actions. Many ending this week and many starting this week with Type 1 Photos. Including Merlin and Greg's Type 1 Photos. Plus, we will show off some of our photos in our PC and talk about what is hot and what isn't. Plus, show some examples of the different type of photos and also rejected photos. Join us on Friday May 5 at 10pm ET / 7pm PT for this special livestream. Come with your photo questions. Instagram:Merlin @merleworldcardsGreg Rivera @gregmishkaG.A.S. Trading Cards @gastradingcardsGreg's Fun Shop @gregsfunshopSupport the show

In a secret ceremony in February, FBI agents returned a pair of ruby slippers stolen from the Judy Garland Museum in Grand Rapids in 2005 to the Los Angeles collector who owns them.This latest twist in the tale of the sparkly shoes came to light after a federal grand jury indicted a second person in connection with the theft.Jerry Hal Saliterman of Crystal made his court appearance Friday in St. Paul on charges of theft of a major artwork and witness tampering. The indictment, which was unsealed Sunday, does not include much detail about Saliterman's alleged role in the theft, only that he “received, concealed and disposed of an object of cultural heritage.” Prosecutors also allege that Saliterman threatened to “distribute sex tapes” of a woman in an effort to prevent her “from communicating information to the FBI relating to the theft.” After the hearing, defense attorney John Brink said his client “hasn't done anything wrong,” and plans to enter a not guilty plea.The indictment does not detail how Saliterman may have been associated with Terry Jon Martin, 77, who pleaded guilty in 2023 to stealing the shoes. In January a judge sentenced Martin, who's receiving hospice care for a terminal illness, to time served.Authorities said that Martin's extensive criminal history and the fact that he lived just outside Grand Rapids, Garland's hometown, led the FBI to Martin.In a phone interview with MPR News on Monday morning, Judy Garland Museum founding director and curator John Kelsch said the FBI returned the slippers to their owner, Michael Shaw, in a ceremony at the museum on Feb. 1.Kelsch said that the FBI had planned to go public with the news of the shoes' return but then backtracked and told museum staff and others involved to keep quiet.“It was going to be released that week or around that time,” Kelsch said. “And then the FBI put an embargo on the news release and informed us not to say a word. Which we did not do. We didn't tell anybody. They are even today telling us that it is still a very active case.”In a news release Monday, the FBI's Minneapolis field office acknowledged that agents returned the shoes to Shaw in “a restoration of justice, healing the wounds inflicted on both Shaw and the museum itself.”Kelsch noted that the Judy Garland Museum never owned the slippers. Shaw lent them to the museum four separate times starting in 1989 for the 50th anniversary of “The Wizard of Oz.” It was during this final loan in 2005 that Martin broke in, smashed the display case with a sledgehammer, and took the shoes. He left only a single red sequin behind.Shaw filed an insurance claim and was eventually reimbursed for his loss. Kelsch said that Shaw bought the shoes back from the insurance company last month for an undisclosed amount and placed them in the care of Heritage Auctions. Shaw could not be reached for comment.The Dallas-based auction house said in its own news release Monday that it plans to take the shoes on an “international tour,” with stops in Los Angeles, New York, London and Tokyo before putting them up for bid in December.Kelsch said he's interested in putting the slippers on display in Grand Rapids permanently, but under much tighter security.A bill introduced in the Minnesota Senate last year would set aside an unspecified amount of money from the Legacy Amendment for the state to purchase the shoes. Federal prosecutors have estimated the slippers' market value to be about $3.5 million.The proposal would require that they be displayed publicly. That bill is scheduled to be heard Tuesday in a state Senate committee.Kelsch says bringing the slippers to Minnesota would be “rocket fuel” for the state's tourism marketing campaign.“The most asked question at the desk is: Tell us about what happened.”Kelsch said he expects that the museum will have a ruby slipper crime exhibit in the future.

David and Ryan return with another round of March Auction Madness!  This time it's for Heritage Auctions' Planet Hollywood collection which goes under the hammer from March 20th through 24th and features over 1,600 lots of Hollywood glory.  We have Shining Axes (hero and stunt), James Dean's monkey, Lt. Commander Data costumes, Apollo Creed costumes, Biff bats, Nurse Ratched's duty wear, Conan knives, Terminator jackets, Heston spacesuits, Leia blasters (hero and stunt), Indiana Jones whips (maybe a Raiders one?), Home Alone hats, Princess Bride ships, Joker over coats, Spaceballs: The Action Figures (no, Dave, I didn't see you playing with your dolls again), dino-DNA smuggling Barbasol cans, and Hocus Pocus spellbooks!  Get your hands off our lots, you damned dirty apes! It's almost too much to fit into one podcast... which is why we're doing two!  Join us again on Sunday, March 17th at 7pm GMT, 4pm EDT, 12pm PDT for our second-ever live-auction-catalog trawl as the guys are drawn into the gravitational well of Planet Hollywood! SDAMO - Instagram https://www.instagram.com/propspodcast/ SDAMO - Threads https://www.threads.net/@propspodcast SDAMO - Twitter https://twitter.com/propspodcast?lang=en SDAMO - Facebook https://www.facebook.com/propspodcast/ SDAMO - TikTok https://www.tiktok.com/@props.podcast David Mandel - Instagram https://www.instagram.com/davidhmandel/

  Transcript: Auctions, appraisals, and the professionals who perform them are some of the most misunderstood elements of the jewelry industry. That's exactly why Gina D'Onofrio, independent appraiser and Co-Director of Fine Jewelry at Heritage Auctions, joined the Jewelry Journey Podcast. She discussed what a consigner can expect when selling jewelry with an auction house; how appraisers come up with values (and why they might change); and how consumers can protect themselves by asking their appraiser the right questions. Read the episode transcript here. What you'll learn in this episode: What questions to ask appraisers and auction houses before selling your jewelry. What education and networking opportunities an aspiring appraiser should seek out. Why an appraisal includes multiple values, and why those values will change depending on the reason for the appraisal. What the process of selling jewelry with an auction house is like, and why you might choose an auction house over selling online or to a store. What a qualified appraiser will look for while inspecting a piece of jewelry.   About Gina D'Onofrio With work in the retail, auction and manufacturing sectors of the jewelry industry since 1989, Gina D'Onofrio's experience encompasses jewelry design and production, appraisals, buying and selling of contemporary, antique and period jewelry, sales and management. Gina operates an independent gemological laboratory, appraisal service and consulting firm and has been catering to private individuals, banks, trusts, non-profit organizations, insurance companies, legal firms and the jewelry trade in the greater Los Angeles area. Gina received her Master Gemologist Appraiser® designation, upon completion of appraisal studies, written and practical examinations and peer appraisal report review with the American Society of Appraisers. In addition, she was awarded the Certified Master Appraiser designation with the National Association of Jewelry Appraisers. In 2013 Gina received Los Angeles Magazine's coveted "Best in LA" award for her Jewelry Appraisal Services. She conducts presentations and entertaining speeches about appraisal and jewelry related topics to private and corporate groups in Los Angeles and throughout the USA.   Photos Available on TheJewelryJourney.com Additional Resources: Website Instagram Facebook Email   Transcript: Auctions, appraisals, and the professionals who perform them are some of the most misunderstood elements of the jewelry industry. That's exactly why Gina D'Onofrio, independent appraiser and Co-Director of Fine Jewelry at Heritage Auctions, joined the Jewelry Journey Podcast. She discussed what a consigner can expect when selling jewelry with an auction house; how appraisers come up with values (and why they might change); and how consumers can protect themselves by asking their appraiser the right questions. Read the episode transcript here. Welcome to the Jewelry Journey, exploring the hidden world of art around you. Because every piece of art has a story, and jewelry is no exception.   Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. This is the second part of a two-part episode. If you haven't heard part one, please head to TheJewelryJourney.com.    Today, I am glad to welcome back Gina D'Onofrio, an appraiser who just returned from being an independent appraiser. She returned to the auction house Heritage as co-director of jewelry. She was also on the podcast in the very beginning, and it's good to have her on again. Welcome back.   If you become a certain kind of appraiser, let's say real estate or antique jewelry or I'll call it regular jewelry, how do you continue your education in those areas? What do you do if you're a real estate appraiser and you want to be an expert, or an antique expert? What would you do to continue education in that area?   Gina: You mentioned real estate. So, you mean you're appraising houses and all of a sudden you want to appraise antique jewelry?   Sharon: No, if you're in a particular area, is what I mean. You work in jewelry. What do you do to further your education besides going to the conferences, handling the jewelry? Are there other things you can do to further your education in those areas? In that area, I should say.   Gina: If you're working in jewelry, you're basically filling all the educational holes that you might have. When you say you work in jewelry, if you work for a contemporary jeweler, then you need to have more exposure to vintage jewelry. If it's vice versa, maybe you're working with antique and estate jewelry and you're not as exposed to what present day Tiffany and Company and Cartier and Van Cleef & Arpels are doing, then you have to self-educate and gain more exposure to that kind of jewelry. As a jewelry appraiser, anything can cross your desk. Quite often, I might receive a collection that belongs to somebody, and she may have something that she bought last week and she may have something that her great-grandmother owned and she has inherited. You need to be able to recognize and evaluate and appraise both pieces. So, you do need a very well-rounded education.   Sharon: You raised the point of Cartier and David Webb and the high-end pieces that designers make, but not everything you see is going to be that. As you said, there's the piece that the grandmother passes down. Heritage, I presume, isn't all Cartier. What do you do then? What do you do if a piece comes across your desk and it's not a Cartier or it's not a David Webb? Do you look at a David Webb as the benchmark and then go from there?   Gina: No, you don't, because a piece that has no stamp or signature doesn't necessarily mean that it's not a fine piece. That's where having an understanding of jewelry manufacturing is critical. You do need to gain an education on how a piece of jewelry is made. GIA is teaching a class called jewelry forensics. In that class, they teach appraisers and other members of the industry how to look at a piece and recognize how it was fabricated. Was it made entirely by hand? Was it made by carving a wax and casting it? Was it made via CAD/CAM design and 3D printing? Was made by using a die struck method? These are all different methods of producing a piece of jewelry, and as an appraiser you need to have an education in that so when you're holding that piece of jewelry in your hand, A) you recognize how it was made, and B) you recognize the quality of the workmanship. That plays into the value of the piece.    For example, you might have a piece of jewelry, and you recognize that it was made entirely by hand. A great deal of time and effort has gone into making it, and the workmanship is excellent. Flawless, in fact. That is going to inform you as to what it would cost to replace that piece if your client wants to insure it for another piece that has been made entirely by hand.    Or, you might look at a piece that is mass produced using CAD/CAM and 3D printing, but it's a piece that's not finished very well. It's poorly made, and the setting work is very poor, too. In fact, some of the stones are a little bit loose because they weren't set properly, or perhaps they're not straight in the piece. That's going to tell you that it's a mass-produced piece. If it's not signed, you're going to be looking at other mass-produced pieces of the same type of lower quality in order to determine what it would cost to replace that piece. Understanding production is really important.   Sharon: Can you be an appraiser without having this background of manufacturing and that sort of thing? Could you be an appraiser?   Gina: You can. I'm really sad to say that there is no licensing of jewelry appraisers. There is no regulation, no government regulation. We self-regulate. That's why if you want to become a professional appraiser and you want to be the best appraiser you can be, you should join an organization that gives you excellent education and network with other very experienced appraisers who can help guide you in the right direction to get the education that you need.    Unfortunately, anybody can appraise jewelry and nobody can stop you. As a consumer, it's best to look for an appraiser that has reached the highest level they can possibly attain within an appraisal organization that requires their members to requalify every five years. The International Society of Appraisers has a requalification program. So does the American Society of Appraisers. They do require their members to requalify every five years. Then you have the National Association of Jewelry Appraisers that have different strata of membership, different tiers of membership, so look for an appraiser within that organization that has successfully completed the Certified Master Appraiser program, the CMA, and at the very least is a certified appraiser. Someone who has sat for the exams.   Sharon: What is requalification? Is that a test on paper or a computer, or is it just that you came to class?   Gina: It varies. It depends on which organization. I failed to mention the American Gem Society, I apologize. They also have an Independent Gemologist Appraiser program. For requalification, you have to attend a minimum amount of education every year. You have to prove you have done that. There is also an exam you have to take as well.   Sharon: You answered one of the questions I had, which is what you would ask somebody you want to be an appraiser for you. What would you ask them to know if they're good or not? What should I ask? What would somebody in the public ask if they're looking for an appraiser?   Gina: Yes. Everything that I just told you. Make sure that they have reached the highest designation they can within those appraisal organizations.   Sharon: I took some antique jewelry to an appraiser not knowing that they did all kinds of jewelry, but they weren't an expert in antiques. Was there any way to suss that out in advance?   Gina: That's a great question, Sharon. That's tricky. As I mentioned earlier, I feel that it's difficult to get a formal education in jewelry history today, so you are getting it piecemeal from wherever you can, which is why I developed my courses. There is no way to look at an appraiser and have them prove to you that they are a specialist in antique and period jewelry. Unfortunately, that's something that comes by way of reputation. You may have to ask, "How did you become proficient?" You may have to just ask them to explain that to you. It's a tricky one. As a consumer, I'm not quite sure how that could be proven.   Sharon: What would you suggest the public ask if you want to know if an appraiser is credentialed, a credible appraiser?   Gina: You ask them what level of certification, what designation, they have achieved within their appraisal organization. Are they a member of the ASA, the NAJA, the ISA, the AGS? If they are a member—you could be a member and not attain any education. You could be a candidate member, or you could just simply be a member. Ask them, "What education have you completed with these organizations? Are you designated? What is your designation? What is your experience with antique and period jewelry? Are you proficient with that type of jewelry?" Just outright ask them to show you what their education and designation is.    Most appraisers who have achieved this level of education and designation have spent a great deal of time attaining it and are proud of what they've achieved, and they usually put up on their website for everybody to see. But if they haven't done that, you can ask them for their professional profiles so you can read through what they've achieved, and you can even check it. You can call those appraisal organizations to see if the information you've been provided is true and accurate.   Sharon: I'm thinking about something you said earlier. If somebody says to me, "I don't have a formal education in this, but I've handled a million and one pieces in this era, and I can tell right away if it's fake or not and who made it," what do you say to that?   Gina: That's quite possible. Absolutely. Then that makes them a connoisseur and a specialist in antique and period jewelry. But are they an appraiser? Do they have an education in appraisal report writing? Can they write that appraisal report for you? That's the other part. That's the other side of the coin. That's the other thing they have to have to be an appraiser. Otherwise, they're an expert in that period of jewelry, but they're not necessarily an appraiser.   Sharon: That's interesting. When I thought about being an appraiser myself, it was the report writing that scared me off. That's very detailed and very scientific in a way. Very precise.   Gina: Yes, and that education is something that you can study.   Sharon: Okay. I think I'll pass.   Gina: You almost looked like you were considering it, Sharon.   Sharon: No, I think I've heard too much about the classes for the report writing and how they're pretty onerous, in a in a good way.   Gina: They're fascinating. I highly recommend it. Anyone out there who is writing appraisal reports and doesn't have a foundation in appraisal report writing from one of the major organizations, I really suggest that you go out and get that education. You'll be amazed at what you'll learn. It's going to make you even better at what you do.   Sharon: Why would you say it makes you better at what you do?   Gina: This education is written by appraisers, not just one appraiser, but collaborative groups of appraisers who have been immersed in that profession for many, many years. They have learned the best approaches and the pitfalls. They have studied the government requirements. They may have had a lot of experience in appraising for litigation, and this collective information has been formally put into a course. It's only going to help you as an appraiser. It's going to help you avoid ending up in court or possibly being disqualified as an appraiser for the IRS because you did not follow the proper procedures. If you know what pitfalls to avoid and how to arrive at a more informed opinion of value, it's only going to make your appraisal a better product for the person that's using it.   Sharon: That makes a lot of sense. I keep going back to Antiques Roadshow. They talk about the auction value and the retail value and the insurance value. It drives me crazy because you see the glassy-eyed look in somebody's eyes. I want to say, "Didn't you hear what they said?"   Gina: As an appraiser and as a specialist for an auction house, this is the biggest problem. This is the biggest obstacle for a private individual, understanding that there is not just one value. There are multiple values for the same piece of jewelry. It just depends on the market. It depends on whether it's the auction market, whether it is the liquidation market, or whether it is the retail market or whether it is the antique and estate jewelry market. Is it being sold as a brand-new piece? Is it being sold as a pre-owned piece in a retail scenario? Is it a custom-made designer piece? The same piece of jewelry could have various values depending on what you need that information for.   Sharon: I wonder, you talked about this handmade piece. Is there a replacement? Yes, there's an insurance value, but could you find a replacement somewhere in the market?   Gina: That's a great question. You know what? Appraisal organizations, we all have forums, email chat groups where we ask each other questions and use the collaborative brain trust of your peers to help you solve a problem, and a problem came up today. There was a photograph of a bracelet that was posted by a professional appraiser. This appraiser recognized the designer. The designer and the manufacturer—they are one in the same—was a French designer called Georges Lenfant. He was a manufacturer of chains, particularly beautifully constructed chains and bracelets, and he manufactured for all the major jewelry houses, Van Cleef & Arpels, Cartier, goodness me, so many of them. He was very active in the 50s and the 60s and the 70s. He had his own trademark that he would put inside a piece, but he didn't sign it. The piece was often signed with the jewelry house, Cartier, and then it had the Georges Lenfant stamp inside the piece. He was a French maker.  I tell you all of this to explain that today, when pieces of jewelry come to market made by this particular maker, there is an extra layer of interest and value because these pieces are so beautifully made. This appraiser posted a piece of jewelry by this maker. This is one of those pieces that wasn't signed by a major jewelry house, but the appraiser was very good and was able to recognize that it was the Georges Lenfant trademark and posed the question, "Can anybody tell me where I can find examples of this piece so I can arrive at an opinion of replacement value?" It was a 1970s bracelet made by this French maker. Where would you replace a 1970s piece made by this maker? It would be with somebody who typically sells vintage jewelry, high-end vintage jewelry. That should have been the answer to this question.    Unfortunately, one of the answers provided was, "Contact the manufacturer and ask them what they would charge you to make it today." It's not being made today, not that particular piece. It's a vintage piece by a collectible maker. I guess that's a very long example to your question. You need to determine, is this a piece that's typically being made today, or is this a vintage piece that has collectible value? Do you recognize who the maker is? Is there a stamp inside there? Is there some way you can look this up? If you can't look it up, who do you go to? How do you find out? You need to know to ask all these questions. All this happens by networking with your peers, by attending appraisal conferences, by self-educating, and by handling a lot of this jewelry.   Sharon: Do you have a favorite period that you like to appraise, or a favorite stone that you are more partial to?   Gina: Oh, boy. Gosh. Well, my focus is 20th century jewelry. I have no favorites. I love all periods of jewelry, but because I am very much immersed these days in jewelry from 1930 to 2000, which I feel is an area of education that is not being covered enough, I tend to focus on 20th century jewelry and preferably the latter half.   Sharon: I can understand. How do you bring the jewelry in, and what do you do with it once you have it?   Gina: A typical day as a consignment director at Heritage Auctions. Well, that varies from day to day, but if you're talking about the consignment process, I could be going to visit with a client. It could be in his or her home. I could be looking at the jewelry and studying the jewelry and learning about the history behind the piece from the owner. Based on that information and based on the collection, I could be coming up with estimate ranges of what the piece of jewelry may sell for at auction. At that point, the owner of the jewelry may consign it to the auction house, at which point I take the jewelry with me and it goes through the auction process.    It gets shipped to headquarters, where it is professionally photographed. If there are any repairs that need to be done, it's done at that point. If lab reports need to be obtained, they are submitted to the labs for grading reports or gem origin identification reports. Then they go through the cataloging process, where the pieces are tested, gemstones are measured, and weight estimates are provided and entered into the system. Then all this information is compiled into the digital online catalog. If it's a signature sale, it also goes into the printed catalog and it goes to print. Those catalogs are distributed to all the bidders.    Then the marketing begins. Biographies are written and researched. Anything that will assist in helping to provide more information to a potential bidder is entered. Then the publicity begins and the public previews begin. The pieces are shipped and sent off to our major satellite offices where they are set up in jewelry showcases, and they are available for public preview. Sometimes special events are planned around these previews, and the planning behind those special events takes place as well. Once all of that is complete, then the pieces are offered up on auction day. When the pieces have successfully sold at auction, then they are packaged up again, money is collected, and the pieces are shipped to the new owners.   Sharon: Do you ever have repeat clients or repeat people who call you and say, "Gina, I have something I want to show you," because you've developed a relationship?   Gina: Yes, definitely. I have regular consignors and I have regular buyers, and sometimes they are one in the same. There are people that are constantly refining their jewelry collections, so sometimes they'll sell a piece that they no longer need, but they're also collecting pieces that are more to their evolving tastes. We have collectors. Then we also have repeat consignors. I have many clients who have accumulated lovely jewelry collections over the years, and they're very slowly thinning the collection or letting each piece go once they're ready to sell it.   Sharon: Is that because they're aging out, let's say, or they get tired of a piece?   Gina: It could be either. If you're a collector and you're refining your collection, then yes, you're refining it and you're selling pieces that no longer fit in with your style that is evolving. If you're downsizing, you could be downsizing everything in your life, including your home, your clothes and your jewelry collection. Sometimes lifestyle. Especially today, lifestyles change. We no longer wear the jewelry we used to wear, and it's just sitting around. Maybe it's time to sell those pieces to put it into something else. Maybe you want to start a college fund for your child, and that jewelry you're no longer wearing anymore is going to go into that fund. There are all kinds of reasons why people sell their jewelry. Sometimes it's a divorce settlement. Sometimes it's by court order. We've had many sales that have been by court order. The government wants to collect their taxes and it's a liquidation. Jewelry is going up for sale because it's by court order.   Sharon: It's certainly true that lifestyles change very fast and what you wore. I think, "Well, you're a middle-aged woman now. Am I going to wear what I wore when I was 20?" It's very different.   Gina, thank you very much for being here. I learned a lot. It was great to talk with you and I hope you will come back soon.   Gina: Thank you so much, Sharon. It was such a pleasure to talk to you as well.   We will have photos posted on the website. Please head to TheJewelryJourney.com to check them out.   Thank you again for listening. Please leave us a rating and review so we can help others start their own jewelry journey.    

What you'll learn in this episode: What questions to ask appraisers and auction houses before selling your jewelry. What education and networking opportunities an aspiring appraiser should seek out. Why an appraisal includes multiple values, and why those values will change depending on the reason for the appraisal. What the process of selling jewelry with an auction house is like, and why you might choose an auction house over selling online or to a store. What a qualified appraiser will look for while inspecting a piece of jewelry.   About Gina D'Onofrio With work in the retail, auction and manufacturing sectors of the jewelry industry since 1989, Gina D'Onofrio's experience encompasses jewelry design and production, appraisals, buying and selling of contemporary, antique and period jewelry, sales and management. Gina operates an independent gemological laboratory, appraisal service and consulting firm and has been catering to private individuals, banks, trusts, non-profit organizations, insurance companies, legal firms and the jewelry trade in the greater Los Angeles area. Gina received her Master Gemologist Appraiser® designation, upon completion of appraisal studies, written and practical examinations and peer appraisal report review with the American Society of Appraisers. In addition, she was awarded the Certified Master Appraiser designation with the National Association of Jewelry Appraisers. In 2013 Gina received Los Angeles Magazine's coveted "Best in LA" award for her Jewelry Appraisal Services. She conducts presentations and entertaining speeches about appraisal and jewelry related topics to private and corporate groups in Los Angeles and throughout the USA.   Photos Available on TheJewelryJourney.com Additional Resources: Website Instagram Facebook Email   Transcript: Auctions, appraisals, and the professionals who perform them are some of the most misunderstood elements of the jewelry industry. That's exactly why Gina D'Onofrio, independent appraiser and Co-Director of Fine Jewelry at Heritage Auctions, joined the Jewelry Journey Podcast. She discussed what a consigner can expect when selling jewelry with an auction house; how appraisers come up with values (and why they might change); and how consumers can protect themselves by asking their appraiser the right questions. Read the episode transcript here.   Welcome to the Jewelry Journey, exploring the hidden world of art around you. Because every piece of art has a story, and jewelry is no exception.   Sharon: Hello, everyone. Welcome to the Jewelry Journey podcast. This is the first part of a two-part episode. Please make sure you subscribe so you can hear part two as soon as it's released later this week.   Today, I am glad to welcome back Gina D'Onofrio, an appraiser who just returned from being an independent appraiser. She returned to the auction house Heritage as co-director of jewelry. She was also on the podcast in the very beginning, and it's good to have her on again.  I got to know Gina when she was head of the western arm of the Association of Jewelry Historians, a volunteer position. I got to know her further when she was an independent appraiser. She recently returned to Heritage Auction House as co-director of the jewelry department. Why did she return to Heritage? That's one of the things she'll be sharing with us as she tells her story. Gina will also be describing why she chose to become an appraiser and what the job entails on a day-to-day basis. She'll tell us how she deals with the dual challenges of not only bringing in jewelry to appraise, but nurturing relationships that make clients keep coming back to her with jewelry. Gina, welcome to the podcast.   Gina: Thank you so much. It's such a pleasure to be back, Sharon. Great to talk to you again.   Sharon: I'm so glad that you are on the show again. Now, my first question is if I describe to you a piece of jewelry and you've never held it or seen it or anything, but I tell you it's this many years old and it's these stones, if it has stones, can you tell me how much you think it would be worth?   Gina: Well, appraising a piece of jewelry that I can't actually see and evaluate and hold in my hand to determine the different value characteristics it might have, it would be flippant of me to give you a value. I think it would be unfair, because you may describe it to me based on your knowledge of the piece or based on what somebody has told you about the piece. If I hold it in my hand, I might see something totally different. I may have a different opinion.  For example, you may say that someone told you it was an Art Deco brooch, that it was 1920s, and it was a sapphire and diamond piece. If I had a chance to look at it, I might determine that the sapphire was laboratory grown rather than natural, because they were producing sapphires in a lab in the 1920s. You may not have that piece of information. You may have part of it, that it's a sapphire, but you may not have the rest. So, for me to arrive at a value based on your description, it's just incomplete. It wouldn't be fair.   Sharon: Could you tell if a sapphire was lab grown or if it was natural if you just looked at it without a loupe or without a microscope?   Gina: No, not without a loupe. Definitely not. Sometimes I can determine with a loupe, depending on the sapphire and the nature of the inclusions it may or may not have. But I would have to say that nine times out of 10, I need that microscope to separate the lab grown from the natural. In fact, I was doing a lot of that today. I have a collection of pieces from a dealer, and they need me to tell them if it's laboratory grown or natural. Most of the pieces they have provided to me are circa 1920 through to 1940, and about 70% of them are lab grown.   Sharon: That's interesting. One would think that they're mostly all the same. They're all lab grown or they're all natural, or most of them are one or the other.   Gina: Yes, one would think. In fact, one of the pieces had both in the one piece. It had square calibre cut sapphires in the piece, and some of them were natural and some of them were lab grown. They were selected not for the value of the sapphires. They were selected so that they were all uniform in color. At the time, I have no doubt that those lab-grown sapphires were much more expensive than they are today, just like I imagine lab-grown diamonds will be 20 years from now. Right now, they are falling rapidly in price. I imagine in the future we'll be looking at those lab-grown diamonds just like we're looking at lab-grown sapphires that were produced in the early 20th century.   Sharon: That's interesting. Like this dealer, if I have several pieces of jewelry that I want to sell or I want to auction off, should I make the rounds of auctioneers and see what the best deal is, or should I choose the one I like, the auctioneer that I jibe with the most?   Gina: That's an interesting question. There's a lot of depends there. It depends on the piece that you have. Some auction houses will only take a certain price point and above in order for them to bring your piece to a successful sale. So, already, your piece may or may not be suitable for some auction houses.    The second part of your question, I think, is very important because the market is going to do what it's going to do. If the auction house is one of the more reputable, top-tier auction houses—Heritage Auctions is definitely one of them. If they are going to be putting the proper marketing behind your piece, professional photography, if they have an international bidding audience, then after that, it's going to be important to know that you have a comfortable relationship with the representative of that auction house and that they are going to be your advocate, because it's not just the estimate. In fact, the estimate is probably the very least important thing about your piece if you were going to be selling it at auction.  What's more important is what are they going to do for you? Are they going to represent your piece properly? Do they have the right audience for your piece? How many photographs of the piece are going to be taken? Is it going to be up for a public preview? Is it a traveling preview that your piece is going to be placed in? There are many aspects to this that need to be discussed with you as the consignor. Then also, what fees are you going to be charged? There's a lot of ifs. I wish I could give you a more direct answer, but if you were going to me, for example, at Heritage Auctions, I'm going to be exploring all those options with you so that you can make an informed decision.   Sharon: On the Antiques Roadshow, they say very often, "In a well-marketed auction, this would be X-Y-Z price." To me, a well-marketed auction is one that has to advertise. I'd see ads. That's it. What would you consider a well-marketed auction piece or auction?   Gina: Well, Sharon, coming from you, I think that's an excellent question since you are a marketing extraordinaire. These days, marketing is very different, isn't it? We're looking at more the digital aspect of marketing, because so many of us are online now, just like you and I are right now. Being online for marketing is what type of social media presence do you have? What type of email marketing do you have? Also, what is your bidding audience for marketing? How are you able to reach them? Through email, or are you just relying on more conventional forms of auction marketing, be it print advertising or be it public previews? I think in this present market, it's good to have a balance of both. But I am finding that digital marketing is becoming more and more critical.   Sharon: I would believe that. I'm curious, what are the fees involved? Is it the buyer who pays the fees or the auction house that pays the fees to the buyer? I never understood that.   Gina: Again, it depends. As far as the consignor goes, if you have the Hope Diamond, then I imagine that the buyer will have no fees to pay. It is such a highly coveted piece that everybody would be very competitive to have that on the cover of their auction catalog. But in the auction world, with most auction houses, both the buyer and the seller are paying fees. This is how the auction house survives. The fees are going to vary depending on the consignment. How many pieces are you consigning? What is the value of the pieces that you're consigning? That is going to vary. On the buyer end, the fees are very much locked in. I have to tell you, I don't join Heritage Auctions again for another two weeks, so I don't have the most current buyer's fees. But I believe that it is around 25%, give or take, up until a certain amount. Above that, the buyer's premium starts to go down in price. It's tiered depending on the value of the piece, the hammer price of the piece that you are purchasing.   Sharon: Can you negotiate? Let's say you do have the Hope Diamond. What is negotiable? How many pieces you are putting in, but how much you're getting for each piece or reserved prices?   Gina: As a consignor?   Sharon: Yes.   Gina: Fees can be negotiable if you have something important. If it's a lot of work to sell a piece, and by that I mean if you have 100 pieces that are probably going to auction for $1,000 or less, then you will probably pay the full rate because it's a lot of work to sell all those individual pieces for the amount of money that the auction house will receive. It really depends on what you have. But if you have something very important with important provenance like the Hope Diamond, then that's definitely negotiable.    As far as reserves go, reserves are something that the specialist should really set for you. That is something they will suggest to you. You may or may not agree with them, but at the end of the day, once you arrive at an agreed reserve, then that goes into your contract. That is contractual.    Sharon: Can you explain to everybody to make sure we're all on the same page, what is the reserve, what's a consigner, and what's the opposite?   Gina: Yes, the language. The consignor is the person that owns the jewelry. They are the person that is loaning the jewelry to the auction house to give them the opportunity to sell it on behalf of the consignor. So, the consignor owns the piece.    The reserve is the absolute minimum that the piece will hammer for, and hammer means the final bid, the highest bid that someone will pay for at auction. That is the absolute minimum that it will go for at auction. That is the reserve. It is also the opening bid for Heritage Auctions. For example, let's say a piece has an auction estimate of $1,500 to $2,500, and I may suggest to you that the reserve for that piece should be $1,000. The opening bid, the minimum is $1,000, so the bidding begins at that amount. If nobody else bids on that piece except for one person who has bid the reserve, $1,000, that is the price it will hammer for. That is the final sale. Does that make sense?   Sharon: It makes sense. I was wondering how long somebody has to pull the piece back, as they say. If they have the feeling they won't like what the hammer price is, can they pull it back?   Gina: The reserve, that $1,000 for that piece is in their written contract. And in the written contract, they have agreed to allow the auction house to take it through to completion. By the time it is photographed, cataloged, shipped, insured, marketed, the auction house has invested a certain amount of money in that piece. So, if there is a contract, if there is an agreement for the auction house to try and sell this on behalf of the consignor, they have to be allowed to take it through to completion. That is why it is in the contract, because the auction house is investing money in the piece.   Sharon: That makes a lot of sense. Jumping subjects, in jewelry you can do a lot of different things. Why did you decide to become an appraiser? You could have done a lot of things with a GIA, a gemological degree. Why did you decide to become an appraiser?   Gina: That's a great question. For me, I didn't initially plan on becoming an appraiser. I worked in different areas of the jewelry industry. I got my Gemological Diploma. I graduated in 1992. I got my FGA. I worked in retail and then I worked in design. At the time, I was also doing appraisals in Australia. We call them valuations. I was a valuer, but that was something that I did part time. I did what was required at the time. Then I worked for an antiques dealer and was involved in buying and selling of antique and estate jewelry. Then I worked for a manufacturer assisting in the production of jewelry. I worked in different areas of the jewelry industry. Many years later I decided to open my own business, and that business was going to be doing custom design work because I was able to draw, do renderings and was very good with production. The other half of my business was going to be appraisals. I was doing both, and the business pretty much decided for me what I was going to do full time. After I was established, I realized that there was such a demand for an independent appraiser that I had to stop jewelry designing and just focus on the appraisal aspect of it.   Sharon: Why an independent appraiser? I would think that if you go to an auction house, I would like to think it's an independent appraisal. If the appraiser works for the auction house, whether or not they do, it would still be an independent appraisal. Is that true or not?   Gina: Well, to answer that question, we probably need to back up a little bit and define what an appraisal is. An appraisal is a researched opinion of value. In order for me to arrive at a researched opinion of value, I need to know what you, the client, want to do with the information. Are you purchasing insurance for your piece? If that's the case, we need to appraise your piece for what it would cost for you to walk into a store that typically sells that piece of jewelry. We research that market. We research all the stores that typically sell your jewelry. The most common price is what I would appraise it for.    If you are selling that exact same piece of jewelry, that ends up being a different value. So, I have to understand what you want to do with that information. If you, as a private individual, want to sell your piece of jewelry, your options are to sell it at auction, to sell it directly to a dealer or a store that sells pre-owned jewelry, or you could put it online on eBay or one of the online auction platforms yourself as a private individual. In all cases, there is a cost to selling that we have to factor in, and we also have to research what pieces like yours have recently sold at auction. We look at the most common price to arrive at an opinion of resale value. That value is going to be different to what you would pay for it in a retail store.   Sharon: You reminded me that earlier today I happened to be looking at an estate jewelry site and they said, "You can consign your jewelry with us." I thought that was interesting. I wonder, do they pay more for it? Where would we get the most for it? Is there a rule of thumb?   Gina: Well, again, it depends. What type of marketing, what type of audience do they have, what type of track record do they have? I really can't speak to the online vendor you're referring to because I don't know who it is. But basically, you want to sell your jewelry with the company or the platform that has the biggest audience and the best track record, and the ones that are going to do the most in the form of marketing for your piece. And then also you have to look at the cost of selling and take all that into consideration. Who is going to represent your piece in the best possible way?   Sharon: What was the process that you had to go through to become an appraiser once you decided that's what you wanted to do, plus the rendering and the custom design? What did you have to do?   Gina: For me, my skill set is a culmination of having worked in different areas of the industry. Everything that I had done up until the point where I started to appraise independently assisted me in being able to evaluate a piece. Aside from that, having a Gemological Diploma, having experience in different areas of the jewelry industry, having handled thousands and thousands of antique and period pieces of jewelry, having worked for a manufacturer and understanding the process of manufacturing jewelry, understanding the difference between a handmade piece versus a cast, mass produced piece. My past experience helped me with all of that. That's one side of appraisal education, hands-on experience.    The other side is understanding how to write an appraisal report and appraisal theory, which is some of what I was trying to describe to you earlier with some of the questions you posed. For example, understanding the difference between resale value, liquidation value, fair market value, writing an appraisal for the IRS, writing an appraisal as an expert witness for settling a dispute in court. This is all education that you can gain by attending classes with an appraisal organization. Reputable appraisal organizations have what we call principles of value. They teach classes on writing appraisal reports for different reasons. You also need to have a solid foundation in jewelry history. Unfortunately, there's no one path to gaining education in jewelry history. It's something that you acquire through various appraisal conferences and appraisal organizations. It is ongoing. I myself found that there was a serious need for education in jewelry history, so I have developed my own courses and I have been teaching them. I've been teaching 20th century jewelry history to various organizations and also in shorter form for jewelry seminars. This is something that a jewelry appraiser really needs a solid foundation in.   The other part of being an independent jewelry appraiser is not just knowing jewelry history, jewelry theory, jewelry appraisal report writing and jewelry manufacturing, but they also need to understand who all the major jewelry designers are. They need to self-educate by going to those jewelry houses. Cartier, Tiffany and Company, David Webb, Chopard, all the major jewelry designers. Learn who they all are. Learn what is typical of their design. Start handling more and more pieces from these major jewelry designers at auction previews. Attend as many auction previews as you can. Attend as many conferences as you can, as many jewelry shows as you can. The more exposure that an appraiser has, the better an appraiser they will become.   Sharon: So, there's no license or something you can get that teaches you all this, like how to write the reports and the history and whatever else there is involved, which is a lot.   Gina: Yes, it's a lot. It's ongoing. I've been doing this for 35 years now. I'm still learning. I teach it and I'm still learning, and that's why I love it. It's never ending. You can learn the theory of appraisal report writing with an appraisal organization such as the ASA, the American Society of Appraisers, or the NAJA, National Association of Jewelry Appraisers or the ISA. I'm mentioning them all because I'm not showing favoritism for one over another. They all have their strengths. I'm a member of all three, but they all have education they can provide for appraisers.   Then there are organizations like the Accredited Gemologists Association, which I believe is a must because they provide education for the cutting edge of gemology, the latest treatments and techniques that you need to learn. They have conferences twice a year and also online education. Then you should join the American Society of Jewelry Historians so that you can network with other people who are trying to self-educate on jewelry history and become privy to some of the education that they provide.   There are also two major antique jewelry shows that you can attend in the US. One of them is the Miami Antiques Show that is in January, and the other one is the Jewelry Antique Show in Las Vegas at the end of May, early June. I attend the one in Las Vegas every single year. I attend as many jewelry previews as I can and visit many estate jewelry retailers, too. The more that you handle, the more that you inspect, the better you are going to be as an appraiser.   Sharon: What do you look for when you're inspecting and handling these pieces? What do you look for?   Gina: You're training your eye. I'm training my eye. I'm becoming a connoisseur. You can see behind me there are a lot of books there. I do read a lot of books on jewelry design, jewelry designers and jewelry history. Then I go out and look at jewelry from those particular designers, and I look for consistency in how a piece is being made. I look at how that piece has been found. I look at consistency in the design.    For example, if I am looking at pieces of jewelry by an American designer, David Webb, David Webb was very active in the 60s and 70s. He died, I believe, in the late 70s, but his jewelry designs are still being made today from his catalog of designs. He was a very active designer with an enormous collection of renderings. His pieces are still being made, and there's a consistency to how he liked to design his jewelry. His jewelry designs were always very big and bold. They were colorful, or they were very black and white chromatic. He had a way of signing his jewelry. He had certain influences that informed how he designed that jewelry. There was a consistency in all of that.    David Webb always liked to work in yellow gold and platinum. You don't typically see jewelry by David Webb that is white gold and platinum or white gold and yellow gold. It's platinum and yellow gold. That was his choice of metals. So, if you see something that's white gold and yellow gold, already, that's a red flag. But you wouldn't know to look for that unless you're handling a lot of pieces by that particular designer. Cartier, for example, their jewelry was manufactured in Paris, but also some of the jewelry is manufactured in the US. They sign their jewelry in a particular way. They have certain collections that they designed over the decades. Until you start handling more and more pieces by that jewelry house, you would not know how to recognize it unless you're reading the books and cross-referencing. Sharon, I am giving you very long answers to these questions. I hope that it's helping.   Sharon: No, it's interesting. It's making me think of other questions. For instance, you talked about the replicas from David Webb. They're still doing things from the catalog. Would that be worth as much as an original David Webb, as when he was alive, if you had a replica?   Gina: Well, when you say replica, you mean a newer David Webb piece versus an older David Webb piece, right? Because a replica means somebody who is not David Webb has replicated it, has copied it, and that's a different thing. I'm just clarifying for the audience.    Sharon: No, please.  Gina: We're talking about a newer David Webb piece made from the back catalog. I guess it depends on the piece. There are collectors of David Webb jewelry who like to think that they're buying an earlier piece of David Webb jewelry when David Webb was active. But newer David Webb jewelry is still collectible and still very desirable.   Sharon: That's interesting.   We will have photos posted on the website. Please head to TheJewelryJourney.com to check them out.   Thank you again for listening. Please leave us a rating and review so we can help others start their own jewelry journey.  

Transformer talk, spaghetti carbonara, goat horn jazz, and more transformer talk...it's the 126th episode of the Truth About Vintage Amps! Want to be a part of our show? Submit your question or voice memo to podcast@fretboardjournal.com. Some of the topics discussed this week: :48 Skip types out a tube chart 3:16 This week's sponsors: Emerald City Guitars, Amplified Parts, Stringjoy Strings, and Grez Guitars; the art of bargaining at a guitar show; the Bay Area Vintage Guitar Show; Premier and Alamo amps 7:43 A Marshall Major PA-200 head at Emerald City (link) 11:48 What's on Skip's bench: an RCA PA head; Bill Krinard's return to the podcast? 15:08 RIP Earl Yarrow & Shep the dog 18:26 Junior Bonner 21:40 More Earl Yarrow 23:50 Brandy and soda 24:30 What to use in my Princeton Reverb clone: A Soursound 12-watt transformer or a Hammond 14-watt? 28:01 What to do with one single can of El Pato; avant-garde guitarist Havard Skaset; Los Pericos Quadradas chips (link); Norwegian goat horn player Karl Seglem's "Mytevegar" (Bandcamp) 33:23 Help my humming Vintage 47 Mini 37:52 What to do with a 1964 Magnatone 401, one-to-three input transformer, how to not get shocked 42:43 Should we be burning-in our amps after repairs? 46:21 Converting a Bogen MO30 to a Fender Pro circuit 51:44 Recording a tube amp at low volume by pulling the phase inverter 53:21 1952/1953 Fender Tweed Deluxes with low gain instrument jacks, input impedance 55:44 Armadillo Amp Works cabinets 56:20 Is this serviced 1970 Fender Bassman head still a Fender Bassman? gifting a tweed Bassman to your nephew 1:01:25 Thanks for the TAVA show notes; what's the deal with my one-knob, early 1960s Gibson Skylark GA-5? 1:06:50 What output transformer to use on my Trainwreck clone? Dynaco transformers 1:09:03 Heritage Auctions' typewriter sale (link) 1:10:49 Spaghetti carbonara; gutting a Peavey VTX Heritage 130 to build a bass amp with an ultra-linear transformer; Sunn amps 1:14:40 The magic of Soundmasters; Sacramento ska band Filibuster; how a family of amps can basically have the same pre-amp circuitry; 807s vs. 6L6s or EL34s 1:24:43 Thoughts on the 2024 Vintage Guitar Price Guide 1:27:57 What could cause DC voltage to build up on the grid of a power tube aside from leaky coupling caps 1:35:10 Shoutout to the Fender greats: Richard Smith, Bruce Zinky, Lynn Wheelwright, Terry Foster; a circuit baffler of sorts!  1:37:47 Spaghetti carbonara & Los Pericos Quadradas redux Love the show? We have a Patreon where you can support it and get exclusive bonus content and surprises:  https://www.patreon.com/vintageamps

Beat the Kayfabe Effect at our Patreon: https://patreon.com/cartoonistkayfabe Ed's Links (Order RED ROOM!, Patreon, etc): https://linktr.ee/edpiskor Jim's Links (Patreon, Store, social media): https://linktr.ee/jimrugg ------------------------- E-NEWSLETTER: Keep up with all things Cartoonist Kayfabe through our newsletter! News, appearances, special offers, and more - signup here for free: https://cartoonistkayfabe.substack.com/ --------------------- SNAIL MAIL! Cartoonist Kayfabe, PO Box 3071, Munhall, Pa 15120 --------------------- T-SHIRTS and MERCH: https://shop.spreadshirt.com/cartoonist-kayfabe --------------------- Connect with us: Instagram: https://www.instagram.com/cartoonist.kayfabe/ Twitter: https://twitter.com/CartoonKayfabe Facebook: https://www.facebook.com/Cartoonist.Kayfabe Ed's Contact info: https://Patreon.com/edpiskor https://www.instagram.com/ed_piskor https://www.twitter.com/edpiskor https://www.amazon.com/Ed-Piskor/e/B00LDURW7A/ref=dp_byline_cont_book_1 Jim's contact info: https://www.patreon.com/jimrugg https://www.jimrugg.com/shop https://www.instagram.com/jimruggart https://www.twitter.com/jimruggart https://www.amazon.com/Jim-Rugg/e/B0034Q8PH2/ref=sr_tc_2_0?qid=1543440388&sr=1-2-ent

All of America and Dave's wife are wondering: Did Dave win the X-wing? Tune in to find out. Hear all about the wins, the losses, the endless sitting. Where does the Star Trek market stand?  And who or what was the mysterious Bidder 7101. Ryan and a slightly dazed Dave take us moment by moment, bid by bid, Shatner hairpiece by hairpiece through the incredible weekend in Dallas that was the Jein Collection. Plus special guest Heritage bigwig Joe Madalena talks with the guys about what it all means to the hobby and -- if you can believe it -- what's next.  And to the tune of Les Miserables' Inspector Javert: FIVE YEARS FOR WHAT YOU DID THE REST BECAUSE YOU TRIED TO RUN YES, 7101 SDAMO - Instagram https://www.instagram.com/propspodcast/ SDAMO - Threads https://www.threads.net/@propspodcast SDAMO - Twitter https://twitter.com/propspodcast?lang=en SDAMO - Facebook https://www.facebook.com/propspodcast/ SDAMO - TikTok https://www.tiktok.com/@props.podcast David Mandel - Instagram https://www.instagram.com/davidhmandel/

Everything is in the wrong order. The big stuff comes last and the small stuff comes first. What we're too responsible, and we end up with nothing? Holy Batman props, Batman! Why is there another X-Wing? Did we wrong the prop gods?  Everyone will have spent all their money on the TOS Trek stuff, right? Right? Dave already has a Stormtrooper from A New Hope. So what that this one is in perfect condition, complete, and a hero. Will having it change his sense of self worth? And do our children really need to eat? Like, every day? Houses are over-rated. Except that you need a place to put your cool stuff. Ryan's made it this long without a 2001 costume -- he won't suddenly burst into flames if he continue to not have one, will he?  But what if he does?  Khan!!!!! Consternation, stagnation, and indignation: this week on The Stuff Dreams Are Made Of. SDAMO - Instagram https://www.instagram.com/propspodcast/ SDAMO - Threads https://www.threads.net/@propspodcast SDAMO - Twitter https://twitter.com/propspodcast?lang=en SDAMO - Facebook https://www.facebook.com/propspodcast/ SDAMO - TikTok https://www.tiktok.com/@props.podcast David Mandel - Instagram https://www.instagram.com/davidhmandel/

David and Ryan have learned all there is to know about the Greg Jein collection (not that they'll stop talking about it anytime soon..) But who was Greg Jein: the man? To find out, they speak to two people who actually knew him: John Eaves, conceptual artist and model builder for Industrial Light and Magic, and Joe Maddalena, his friend and his "supplier of rare antiquities". Put your auction paddles down (just for a moment) and hear what surprised the guys so much about the Bigfoot of prop collecting.   Download the PDF of the Catalog to follow along!   https://entertainment.ha.com/c/s/d/frontmatter/7278_catalogpdf.pdf     SDAMO listeners get 50% off a copy of the physical catalog for only $25:   https://entertainment.ha.com/c/auction-home.zx?saleNo=7278     SDAMO - Instagram https://www.instagram.com/propspodcast/   SDAMO - Threads https://www.threads.net/@propspodcast   SDAMO - Twitter https://twitter.com/propspodcast?lang=en   SDAMO - Facebook https://www.facebook.com/propspodcast/   SDAMO - TikTok https://www.tiktok.com/@props.podcast   David Mandel - Instagram https://www.instagram.com/davidhmandel/

THIS VOYAGE, MARK A. ALTMAN (author, The Fifty Year Mission, showrunner, Pandora, writer/producer Agent X, The Librarians, writer/producer Free Enterprise), DAREN DOCHTERMAN (associate producer, Star Trek: The Motion Picture - Director's Edition, concept designer: Master & Commander, Westworld) and ASHLEY E. MILLER (showrunner; DOTA: Dragon's Blood, writer, X-Men: First Class, Thor) are joined by ROBERT WILONSKY (VP of Marketing and Publicity for Heritage Auctions) to talk about the incredible auction of The Greg Jein Collection taking place October 14 - 15th. This is a once-in-a-lifetime auction of the most magnificent #StarTrek collection ever assembled along with invaluable artifacts from BATMAN, BUCK ROGERS, BATTLESTAR GALACTICA, STAR WARS and more. Don't miss this special episode and an opportunity to get a archival catalog from the auction.   SUBSCRIBE TODAY TO TREKSPERTS PLUS... and get every episode of INGLORIOUS TREKSPERTS and our new podcast, INGLORIOUS TREKSPERTS presents DECK 78 along with additional bonus content and surprises all season long. For more details, visit trekkspertsplus.com.  Join Mark A. Altman (Pandora, The Librarians) and Ashley E. Miller (Thor, X-Men: First Class, DOTA: Dragon's Fire) at NIGHTMARE WEEKEND in Richmond, VA this October. Visit galaxycon.com for details. Learn all that is learnable about Star Trek in Mark A. Altman & Edward Gross' THE FIFTY-YEAR MISSION, available in hardcover, paperback, digital and audio from St. Maritn's Press. And if you're a James Bond fan, don't miss NOBODY DOES IT BETTER, in hardcover, paperback, digital and audio from Forge Books. And don't miss SECRETS OF THE FORCE, the definitive unauthorized, uncensored oral history of STAR WARS, now available in hardcover, digital and audio!!  Follow Inglorious Treksperts at @inglorioustrek on Twitter, Facebook, Blue Sky and at @inglorioustreksperts on Instagram and Threads. And now follow the Treksperts Briefing Room at @trekspertsBR, an entirely separate Twitter & Instagram feed. Email us at trekspertsplus@gmail.com "Mark A. Altman is the world's foremost Trekspert" - Los Angeles Times #StarTrek #TOS #TAS #TNG #DS9 #VOY #ENT #DISCO #PICARD #LLAP #comics #IDW #Marvel #DC #GoldKey #Discovery #DeepSpaceNine #STTMP #StarWars  #CaptainPike #StrangeNewWorlds #55YearTour  #casting #ST55 #StarTrek55 #TheCage #StrangeNewWorlds #SNW #Voyager #Janeway #Enterprise #TheSearchForSpock #StarTrekIII #BSG #TMP #Trekkies #Alien #Aliens #DavidFincher #BestofTrek #EnterpriseIncidents #IDW #comics #DS9 #DeepSpaceNine #TerryFarrell #NanaVisitor #PicardSeason3 #StarTrekPicard #Picard #Borg #PicardSeason3 #StarTrekPicard #M5 #TrueFoodKitchen #Andor #PIcardSeason3 #trekspertsplus.com #GregJein #HeritageAuctions

Luxury fashion company Balenciaga's disturbing child sexualization scandal goes a lot further than BDSM teddy bears. Glenn reviews the insane details in the ads that suggest this was no accident. As evil appears to flourish in our culture, Glenn reveals a terrifying dream he had 10 years ago that he believes was more than a dream. Louisiana Attorney General Jeff Landry joins to detail his lawsuit against the federal government and Dr. Fauci's seven-hour deposition. Do more Christmas trees equal more presents from Santa? Glenn puts the theory to the test. “China Uncensored” host Chris Chappell joins to explain what's really happening as protests break out across China. Glenn and Stu review the latest amazing historical pieces up for auction at Heritage Auctions. Learn more about your ad choices. Visit megaphone.fm/adchoices