Podcast appearances and mentions of sarah cascone

It is time once again for our Round Up episode for the month of September, where we talk about some of the most interesting and timely art news stories of the last month with our writers here at Artnet. This month, Art Angle co-hosts Ben Davis and Kate Brown are joined by senior writer Sarah Cascone, and the three stories they discuss all center around museums. The first is the announcement that longtime director of New York's Museum of Modern Art Glenn Lowry will retire after 30 years, which marks the end of an era, and perhaps the beginning of something new. Artnet's Katya Kazakina wrote an article speculating on who might replace Lowry, and the panel discusses what this means for the future of one of the world's most famous museums. There's been a lot of leadership around New York museums, with the news of Alex Rüger taking over the role of director at the Frick Collection from Ian Wardropper, who is stepping down in 2025; plus the departure of Klaudio Rodriguez from the Bronx Museum, which has seen three directors in just seven years. Next up, the trio takes a deep dive into an article penned by Ben Davis that shares the result of an analysis he did looking at the shows on view at over 200 museums across the United States to see which artists are cropping up most frequently. The results were surprising, and give us all a window into the cultural zeitgeist. Finally, we talk about the news of a rediscovered painting by beloved Baroque artist Artemisia Gentileschi that is going on view in Texas, based on a story written by Sarah Cascone.

It is time once again for our Round Up episode for the month of September, where we talk about some of the most interesting and timely art news stories of the last month with our writers here at Artnet. This month, Art Angle co-hosts Ben Davis and Kate Brown are joined by senior writer Sarah Cascone, and the three stories they discuss all center around museums. The first is the announcement that longtime director of New York's Museum of Modern Art Glenn Lowry will retire after 30 years, which marks the end of an era, and perhaps the beginning of something new. Artnet's Katya Kazakina wrote an article speculating on who might replace Lowry, and the panel discusses what this means for the future of one of the world's most famous museums. There's been a lot of leadership around New York museums, with the news of Alex Rüger taking over the role of director at the Frick Collection from Ian Wardropper, who is stepping down in 2025; plus the departure of Klaudio Rodriguez from the Bronx Museum, which has seen three directors in just seven years. Next up, the trio takes a deep dive into an article penned by Ben Davis that shares the result of an analysis he did looking at the shows on view at over 200 museums across the United States to see which artists are cropping up most frequently. The results were surprising, and give us all a window into the cultural zeitgeist. Finally, we talk about the news of a rediscovered painting by beloved Baroque artist Artemisia Gentileschi that is going on view in Texas, based on a story written by Sarah Cascone.

This episode features an interview with Sarah Cascone, VP of Marketing at Bluecore, a retail marketing platform that enables marketers to turn data into revenue-generating campaigns, in minutes.In this episode, Sarah educates us on what her team calls the Relationship Demand Gen Chain, how to foster a meaningful customer community, and how ruthless prioritization is a super power. Sarah also shares with us why she believes traditional outbound is fading away and that now, marketing is all about curating hyper-personalized content.Key Takeaways:Building out the Relationship Demand Gen Chain: Turning overall demand generation into pipeline. Sarah's four points of focus are: points of view - educating the market on your points of view; points of entry - how you're engaging with your target audience; points of leverage, where you can organically access your personas; and points of conversion - where your prospects have meetings with your sales team.People buy from people, not companies. When you build a community around what you stand for, it's a lot harder for prospects to walk away from that community anchored with your  service or product offering.Always have something to drive your target market to. When your prospects are ready to buy, they'll enter into that conversation with your sales team. So before that point, it's imperative to be connecting with your prospects and community at large organically and often.Quote: “ I think traditional outbound is fading away. That is why we've kind of pivoted our entire SDR team into this ABX account based experiences role. This goes back to in enterprise, where tech solutions are oversaturated, most prospects are not buying from just like a cold call or a cold email. So, the way we kind of integrate the SDRs and the ABX team, really is what they are, into that relationship demand gen chain totally elevates their value because we're becoming known and respected in all of the activities we're doing between thought leadership, events, and community, which gives them the ability and the time to curate their outreach based on the very specific research they're doing on the specific company so that they can speak to exactly what the person that they're going to email is feeling the pain that they're feeling, who, if we're doing our job right, has heard our point of view all along, has been part of our community, now they want to take a call with us…So goodbye, like cold calling and blast emails from the SDR. Hello, hyper-personalized curated that's built right into the marketing engine.”Episode Timestamps:*(03:25) - The Trust Tree: The Relationship Demand Gen Chain*(09:06) - The Playbook: Building a community around what you stand for*(36:14) - The Dust Up: You can take the girl out of NY but you can't take NY out of the girl*(40:33) - Quick Hits: Sarah's Quick HitsSponsor:Pipeline Visionaries is brought to you by Qualified.com, the #1 Conversational Marketing platform for companies that use Salesforce and the secret weapon for pipeline pros. The world's leading enterprise brands trust Qualified to instantly meet with buyers, right on their website, and maximize sales pipeline. Visit Qualified.com to learn more.Links:Connect with Ian on LinkedInConnect with Sarah on LinkedInLearn more about BluecoreLearn more about Caspian Studios

Meet Kristi and Chiarra, board members for the Indie Sellers Guild, a nonprofit dedicated to providing education and support to all online creative indie sellers around the world.  The Indie Sellers Guild got its start in 2022 while organizing the Etsy Strike, when about 17,000 shops put their Etsy storefronts on vacation mode, effectively preventing customers from shopping.  In this week's episode,  Kristi and Chiarra will explain how "reserves" are having a negative impact on small businesses and they will tell us how we can support Etsy sellers and the Indie Sellers Guild. Also: an audio essay from Angela.  And Amanda dissects the quandary of Meow Wolf: Can creativity be commoditized and profitable, while still ethical?Find the Indie Sellers Guild on IG: @indiesellersguildJoin the Indie Sellers GuildParticipate in the Market Research Study: https://indiesellersguild.org/surveyListen to the Etsy-sodes (episodes 90-93) anywhere you stream this show, or at clotheshorsepodcast.comAdditional reading about Meow Wolf:"Can an Art Collective Become the Disney of the Experience Economy?" Rachel Monroe, The New York Times Magazine."As the Experience Economy Booms, Meow Wolf Raises $158 Million to Expand Its Footprint Across America," Sarah Cascone, ArtNet."State of the Union," Alex DeVore, Santa Fe Reporter."Why Meow Wolf Coming to Phoenix Is Worrisome," Erin Joyce, Hyperallergic."Union Busting at Meow Wolf: Workers File Unfair Labor Practice Suit," Annie Levin, Observer."What Happened When a Trippy Art Collective Hit It Big—Then Unionized," Adele Oliveira, The New Republic."Meow Wolf complaints are piling up as new name joins Denver lawsuit," John Wenzel, The Denver Post."Meow Wolf Is Being Sued by Former Employees for Unfair Labor Practices," Zachary Small, Hyperallergic.It's time for an annual tradition: small business audio essays! Submit your story by 11/1 via email:  Amanda@clotheshorse.worldInclude your name, pronouns, and IG handle.If you want to share your opinion/additional thoughts on the subjects we cover in each episode, feel free to email, whether it's a typed out message or an audio recording:  amanda@clotheshorse.worldOr call the Clotheshorse hotline: 717.925.7417Find this episode's transcript (and so much more) at clotheshorsepodcast.comClotheshorse is brought to you with support from the following sustainable small businesses:​High Energy Vintage is a fun and funky vintage shop located in Somerville, MA, just a few minutes away from downtown Boston. They offer a highly curated selection of bright and colorful clothing and accessories from the 1940s-1990s for people of all genders. Husband-and-wife duo Wiley & Jessamy handpick each piece for quality and style, with a focus on pieces that transcend trends and will find a home in your closet for many years to come! In addition to clothing, the shop also features a large selection of vintage vinyl and old school video games. Find them on instagram @ highenergyvintage, online at highenergyvintage.com, and at markets in and around Boston.The Pewter Thimble Is there a little bit of Italy in your soul? Are you an enthusiast of pre-loved decor and accessories? Bring vintage Italian style — and history — into your space with The Pewter Thimble (@thepewterthimble). We source useful and beautiful things, and mend them where needed. We also find gorgeous illustrations, and make them print-worthy. Tarot cards, tea towels and handpicked treasures, available to you from the comfort of your own home. Responsibly sourced from across Rome, lovingly renewed by fairly paid artists and artisans, with something for every budget. Discover more at thepewterthimble.comSt. Evens is an NYC-based vintage shop that is dedicated to bringing you those special pieces you'll reach for again and again. More than just a store, St. Evens is dedicated to sharing the stories and history behind the garments. 10% of all sales are donated to a different charitable organization each month.  New vintage is released every Thursday at wearStEvens.com, with previews of new pieces and more brought to you on Instagram at @wear_st.evens.Deco Denim is a startup based out of San Francisco, selling clothing and accessories that are sustainable, gender fluid, size inclusive and high quality--made to last for years to come. Deco Denim is trying to change the way you think about buying clothes. Founder Sarah Mattes wants to empower people to ask important questions like, “Where was this made? Was this garment made ethically? Is this fabric made of plastic? Can this garment be upcycled and if not, can it be recycled?” Signup at decodenim.com to receive $20 off your first purchase. They promise not to spam you and send out no more than 3 emails a month, with 2 of them surrounding education or a personal note from the Founder. Find them on Instagram as @deco.denim.Gabriela Antonas is a visual artist, an upcycler, and a fashion designer, but Gabriela Antonas is also a feminist micro business with radical ideals. She's the one woman band, trying to help you understand, why slow fashion is what the earth needs. If you find your self in New Orleans, LA, you may buy her ready-to-wear upcycled garments in person at the store “Slow Down” (2855 Magazine St). Slow Down Nola only sells vintage and slow fashion from local designers. Gabriela's garments are guaranteed to be in stock in person, but they also have a website so you may support this women owned and run business from wherever you are! If you are interested in Gabriela making a one of a kind garment for you DM her on Instagram at @slowfashiongabriela to book a consultation.Vagabond Vintage DTLV is a vintage clothing, accessories & decor reselling business based in Downtown Las Vegas. Not only do we sell in Las Vegas, but we are also located throughout resale markets in San Francisco as well as at a curated boutique called Lux and Ivy located in Indianapolis, Indiana. Jessica, the founder & owner of Vagabond Vintage DTLV, recently opened the first IRL location located in the Arts District of Downtown Las Vegas on August 5th. The shop has a strong emphasis on 60s & 70s garments, single stitch tee shirts & dreamy loungewear. Follow them on instagram, @vagabondvintage.dtlv and keep an eye out for their website coming fall of 2022.Country Feedback is a mom & pop record shop in Tarboro, North Carolina. They specialize in used rock, country, and soul and offer affordable vintage clothing and housewares. Do you have used records you want to sell? Country Feedback wants to buy them! Find us on Instagram @countryfeedbackvintageandvinyl or head downeast and visit our brick and mortar. All are welcome at this inclusive and family-friendly record shop in the country!Located in Whistler, Canada, Velvet Underground is a "velvet jungle" full of vintage and second-hand clothes, plants, a vegan cafe and lots of rad products from other small sustainable businesses. Our mission is to create a brand and community dedicated to promoting self-expression, as well as educating and inspiring a more sustainable and conscious lifestyle both for the people and the planet.Find us on Instagram @shop_velvetunderground or online at www.shopvelvetunderground.comSelina Sanders, a social impact brand that specializes in up-cycled clothing, using only reclaimed, vintage or thrifted materials: from tea towels, linens, blankets and quilts.  Sustainably crafted in Los Angeles, each piece is designed to last in one's closet for generations to come.  Maximum Style; Minimal Carbon Footprint.Salt Hats:  purveyors of truly sustainable hats. Hand blocked, sewn and embellished in Detroit, Michigan.Republica Unicornia Yarns: Hand-Dyed Yarn and notions for the color-obsessed. Made with love and some swearing in fabulous Atlanta, Georgia by Head Yarn Wench Kathleen. Get ready for rainbows with a side of Giving A Damn! Republica Unicornia is all about making your own magic using small-batch, responsibly sourced, hand-dyed yarns and thoughtfully made notions. Slow fashion all the way down and discover the joy of creating your very own beautiful hand knit, crocheted, or woven pieces. Find us on Instagram @republica_unicornia_yarns and at www.republicaunicornia.com.Cute Little Ruin is an online shop dedicated to providing quality vintage and secondhand clothing, vinyl, and home items in a wide range of styles and price points.  If it's ethical and legal, we try to find a new home for it!  Vintage style with progressive values.  Find us on Instagram at @CuteLittleRuin.Thumbprint is Detroit's only fair trade marketplace, located in the historic Eastern Market.  Our small business specializes in products handmade by empowered women in South Africa making a living wage creating things they love like hand painted candles and ceramics! We also carry a curated assortment of  sustainable/natural locally made goods. Thumbprint is a great gift destination for both the special people in your life and for yourself! Browse our online store at thumbprintdetroit.com and find us on instagram @thumbprintdetroit.Picnicwear:  a slow fashion brand, ethically made by hand from vintage and deadstock materials - most notably, vintage towels! Founder, Dani, has worked in the industry as a fashion designer for over 10 years, but started Picnicwear in response to her dissatisfaction with the industry's shortcomings. Picnicwear recently moved to rural North Carolina where all their clothing and accessories are now designed and cut, but the majority of their sewing is done by skilled garment workers in NYC. Their customers take comfort in knowing that all their sewists are paid well above NYC minimum wage. Picnicwear offers minimal waste and maximum authenticity: Future Vintage over future garbage.Shift Clothing, out of beautiful Astoria, Oregon, with a focus on natural fibers, simple hardworking designs, and putting fat people first.  Discover more at shiftwheeler.comBlank Cass, or Blanket Coats by Cass, is focused on restoring, renewing, and reviving the history held within vintage and heirloom textiles. By embodying and transferring the love, craft, and energy that is original to each vintage textile into a new garment, I hope we can reteach ourselves to care for and mend what we have and make it last. Blank Cass lives on Instagram @blank_cass and a website will be launched soon at blankcass.com.

The company's origins are the stuff of legend. A scrappy band of Santa Fe artists with a penchant for building fantastical installations from mounds of trash each write down random words on slips of paper. They draw two from a hat, thus christening themselves Meow Wolf. That was 15 years ago. This weekend marks the opening of the fourth permanent Meow Wolf exhibition, located at the Grapevine Mills shopping mall outside Dallas, Texas. Featuring a story conceived by Wisconsin sci-fi and fantasy author LaShawn Wanak, and work by 30 Texas artists who collaborated with in the in-house artist team, "The Real Unreal," as the exhibition is titled, transforms a former Bed Bath and Beyond into an expansive art playground. Like the House of Eternal Return, Meow Wolf's first permanent location, the new exhibition appears to begin in the real world, in an ordinary suburban house—but the mundane trappings of family life quickly give way to the strange and unfamiliar, the boundaries between reality and fantasy blurring and disappearing. Since the 2016 opening in Santa Fe, Meow Wolf has amassed a devoted following for its interactive, immersive exhibitions, which use art to open portals into unknown realms. Obsessive fans have taken to Reddit to unravel all the secrets of the Meow Wolf universe. The Real Unreal is the company's first step in tying together the disparate sites and their inter-dimensional narratives in a more readily apparent way. And while you still may not have heard of Meow Wolf, the company is poised for even more explosive growth. Under the guidance of CEO Jose Tolosa, who came over from Viacom in 2022, the punk art collective-turned art and entertainment production company has plans to bring its spectacular artistic vision to a city near you, and to create new ways for you to engage with its unique, otherworldly storyline from the comfort of your own home. What started out as a crazy art funhouse, fueled by maker culture, has struck upon a business model that is primed to become an entertainment juggernaut. Ahead of the public opening in Grapevine, Artnet News senior writer Sarah Cascone spoke with Tolosa not only about the company's epic, world-building ambitions, but about staying true to its roots. So forget about the metaverse—Meow Wolf's handmade universe, at once artisanal and high-tech, is about to blow your mind.

The company's origins are the stuff of legend. A scrappy band of Santa Fe artists with a penchant for building fantastical installations from mounds of trash each write down random words on slips of paper. They draw two from a hat, thus christening themselves Meow Wolf. That was 15 years ago. This weekend marks the opening of the fourth permanent Meow Wolf exhibition, located at the Grapevine Mills shopping mall outside Dallas, Texas. Featuring a story conceived by Wisconsin sci-fi and fantasy author LaShawn Wanak, and work by 30 Texas artists who collaborated with in the in-house artist team, "The Real Unreal," as the exhibition is titled, transforms a former Bed Bath and Beyond into an expansive art playground. Like the House of Eternal Return, Meow Wolf's first permanent location, the new exhibition appears to begin in the real world, in an ordinary suburban house—but the mundane trappings of family life quickly give way to the strange and unfamiliar, the boundaries between reality and fantasy blurring and disappearing. Since the 2016 opening in Santa Fe, Meow Wolf has amassed a devoted following for its interactive, immersive exhibitions, which use art to open portals into unknown realms. Obsessive fans have taken to Reddit to unravel all the secrets of the Meow Wolf universe. The Real Unreal is the company's first step in tying together the disparate sites and their inter-dimensional narratives in a more readily apparent way. And while you still may not have heard of Meow Wolf, the company is poised for even more explosive growth. Under the guidance of CEO Jose Tolosa, who came over from Viacom in 2022, the punk art collective-turned art and entertainment production company has plans to bring its spectacular artistic vision to a city near you, and to create new ways for you to engage with its unique, otherworldly storyline from the comfort of your own home. What started out as a crazy art funhouse, fueled by maker culture, has struck upon a business model that is primed to become an entertainment juggernaut. Ahead of the public opening in Grapevine, Artnet News senior writer Sarah Cascone spoke with Tolosa not only about the company's epic, world-building ambitions, but about staying true to its roots. So forget about the metaverse—Meow Wolf's handmade universe, at once artisanal and high-tech, is about to blow your mind.

Born in Norilsk, an industrial Siberian town inside the Arctic Circle, Nadya Tolokonnikova was just 18 when she moved to Moscow and became a founding member of the Russian street art and performance art collective Voina in 2007. It was her strong feminist leanings that then inspired her to cofound Pussy Riot, known for playing incendiary highly political punk music while wearing balaclava head coverings.  The group rose to fame following a now legendary 2012 performance of the song “Punk Prayer,” at Moscow's Cathedral of Christ the Savior, when Tolokonnikova and two other Pussy Riot members were arrested and then convicted of “hooliganism.” She spent close to two years incarcerated in a brutal labor camp in Mordovia, Russia. But her time behind bars has not deterred Tolokonnikova from continuing to act as an outspoken critic of Vladimir Putin, or from leveraging the power of art in the name of activism.  This week marks the opening of her first ever gallery exhibition for Pussy Riot, held at Jeffrey Deitch in Los Angeles. The centerpiece of the exhibition is the new performance Putin's Ashes, in which Tolokonnikova leads a coven of women in a witch-like ritual to drive the Russian president from power, burning a giant portrait of Putin to the ground in the process. Ahead of the show's opening, Artnet News senior reporter Sarah Cascone spoke to Tolokonnikova about the challenges of presenting conceptual performance art in a white cube gallery, and how she continues to remain optimistic about political change in her native country despite the ongoing invasion of Ukraine and her continued persecution at the hands of the Russian government, which in December 2021 labeled her a “foreign agent.”

Born in Norilsk, an industrial Siberian town inside the Arctic Circle, Nadya Tolokonnikova was just 18 when she moved to Moscow and became a founding member of the Russian street art and performance art collective Voina in 2007. It was her strong feminist leanings that then inspired her to cofound Pussy Riot, known for playing incendiary highly political punk music while wearing balaclava head coverings. The group rose to fame following a now legendary 2012 performance of the song “Punk Prayer,” at Moscow's Cathedral of Christ the Savior, when Tolokonnikova and two other Pussy Riot members were arrested and then convicted of “hooliganism.” She spent close to two years incarcerated in a brutal labor camp in Mordovia, Russia. But her time behind bars has not deterred Tolokonnikova from continuing to act as an outspoken critic of Vladimir Putin, or from leveraging the power of art in the name of activism. This week marks the opening of her first ever gallery exhibition for Pussy Riot, held at Jeffrey Deitch in Los Angeles. The centerpiece of the exhibition is the new performance Putin's Ashes, in which Tolokonnikova leads a coven of women in a witch-like ritual to drive the Russian president from power, burning a giant portrait of Putin to the ground in the process. Ahead of the show's opening, Artnet News senior reporter Sarah Cascone spoke to Tolokonnikova about the challenges of presenting conceptual performance art in a white cube gallery, and how she continues to remain optimistic about political change in her native country despite the ongoing invasion of Ukraine and her continued persecution at the hands of the Russian government, which in December 2021 labeled her a “foreign agent.”

Born in Norilsk, an industrial Siberian town inside the Arctic Circle, Nadya Tolokonnikova was just 18 when she moved to Moscow and became a founding member of the Russian street art and performance art collective Voina in 2007. It was her strong feminist leanings that then inspired her to cofound Pussy Riot, known for playing incendiary highly political punk music while wearing balaclava head coverings. The group rose to fame following a now legendary 2012 performance of the song “Punk Prayer,” at Moscow's Cathedral of Christ the Savior, when Tolokonnikova and two other Pussy Riot members were arrested and then convicted of “hooliganism.” She spent close to two years incarcerated in a brutal labor camp in Mordovia, Russia. But her time behind bars has not deterred Tolokonnikova from continuing to act as an outspoken critic of Vladimir Putin, or from leveraging the power of art in the name of activism. This week marks the opening of her first ever gallery exhibition for Pussy Riot, held at Jeffrey Deitch in Los Angeles. The centerpiece of the exhibition is the new performance Putin's Ashes, in which Tolokonnikova leads a coven of women in a witch-like ritual to drive the Russian president from power, burning a giant portrait of Putin to the ground in the process. Ahead of the show's opening, Artnet News senior reporter Sarah Cascone spoke to Tolokonnikova about the challenges of presenting conceptual performance art in a white cube gallery, and how she continues to remain optimistic about political change in her native country despite the ongoing invasion of Ukraine and her continued persecution at the hands of the Russian government, which in December 2021 labeled her a “foreign agent.”

Few living artists have created an artwork as instantly recognizable as Shepherd Fairey's Hope poster, which has become the stuff of legend as the face of Barack Obama's 2008 presidential campaign. The image, which the New Yorker dubbed "the most efficacious American political illustration since Uncle Sam Wants You,” remains embedded in the public consciousness even if you don't know the street artist's name.  But Fairey has been creating powerful visuals for more than 30 years, dating back to 1989, when he began pasting stickers of Andre, the Giants face over the word obey on the streets of Providence during his studies at the Rhode Island School of Design. In the decades since, Fairey has become equally at home in the art museum as on the streets, bridging the divide between the fine art world and the skateboarding slash graffiti scene with work that reflects his commitment to activism—the Obama poster, it's worth noting, was a grassroots effort, not a campaign commission.  Ahead of Fairey's new solo show at Dallas Contemporary, Artnet News senior writer Sarah Cascone, sat down with the artist to talk about his long career from the DIY skate and punk scene to art world acceptance. "Shepard Fairey: Backward Forward" is on view at Dallas Contemporary, 161 Glass Street, Dallas, Texas, September 25, 2022–July 23, 2023.

Few living artists have created an artwork as instantly recognizable as Shepherd Fairey's Hope poster, which has become the stuff of legend as the face of Barack Obama's 2008 presidential campaign. The image, which the New Yorker dubbed "the most efficacious American political illustration since Uncle Sam Wants You,” remains embedded in the public consciousness even if you don't know the street artist's name.  But Fairey has been creating powerful visuals for more than 30 years, dating back to 1989, when he began pasting stickers of Andre, the Giants face over the word obey on the streets of Providence during his studies at the Rhode Island School of Design. In the decades since, Fairey has become equally at home in the art museum as on the streets, bridging the divide between the fine art world and the skateboarding slash graffiti scene with work that reflects his commitment to activism—the Obama poster, it's worth noting, was a grassroots effort, not a campaign commission.  Ahead of Fairey's new solo show at Dallas Contemporary, Artnet News senior writer Sarah Cascone, sat down with the artist to talk about his long career from the DIY skate and punk scene to art world acceptance. "Shepard Fairey: Backward Forward" is on view at Dallas Contemporary, 161 Glass Street, Dallas, Texas, September 25, 2022–July 23, 2023.

Tonight we have fossil vomit, dinosaur sentience, and Spanish Megaliths!   “Lost fossil 'treasure trove' rediscovered after 70 years”, by Harry Baker: https://tinyurl.com/38488jrj   “Did the asteroid that wiped out the dinosaurs have a sibling? Crater in West Africa hints maybe.”, by Stephanie Pappas: https://tinyurl.com/mt99tpe3   “Rare fossilized vomit discovered in Utah's 'Jurassic salad bar'”, by Jennifer Nalewicki: https://tinyurl.com/5n6f3axs   “Given the immense time period that dinosaurs existed for, why did none of them develop sentience?”, by Dr. Stephen Brusatte: https://tinyurl.com/2p97rdwb   “'Dinosaur mummy': Researchers believe they found one of the best preserved dinosaurs ever”, by Orlando Mayorquin: https://tinyurl.com/bdk7faz3   “Ice age children frolicked in 'giant sloth puddles' 11,000 years ago, footprints reveal”, By Laura Geggel: https://tinyurl.com/2zpk4njy   “A Study of Prehistoric Painting Has Come to a Startling Conclusion: Many Ancient Artists Were Tiny Children”, by Sarah Cascone: https://tinyurl.com/ubpfns76   “Giant Megalithic Complex of 500 Standing Stones Is Among The Largest in Europe”, by AFP: https://tinyurl.com/2tca2zbp       “Scientists Are Turning Dead Spiders Into 'Necrobots' And We Are So Creeped Out”, by Felicity Nelson: https://tinyurl.com/we8pbvyd   “An AI Just Independently Discovered Alternate Physics”, by Fiona MacDonald: https://tinyurl.com/2nsfu8m6   “Capitol Records Severs Ties With A.I. Rapper FN Meka, Apologizes to Black Community for “Insensitivity””, by J. Clara Chan: https://tinyurl.com/yc79yfm3   “An AI-Generated Artwork Won First Place at a State Fair Fine Arts Competition, and Artists Are Pissed”, by Matthew Gault: https://tinyurl.com/2s4k49jj   Esoteric Book Club can be found on: Facebook: @esotericbookclub Web: www.esotericbookclub.org Patreon: https://www.patreon.com/Esotericbookclub Paypal: paypal.me/esotericbookclub Youtube: EsotericBookClubPodcast  

Subscribe to DTC Newsletter - https://dtcnews.link/signup Hello and welcome to DTC Podcast, I'm Eric Dyck. Today we're getting to the core of customer retention with, Hannah Sinclair - Director of Retention Marketing at Steve Madden and Sarah Cascone - VP Marketing at Bluecore. Turn your customer data in to more revenue with Bluecore ➝ https://bluecore.com We all know Steve Madden as the billion dollar retail footwear giant, but what's more noteworthy are there incredible strides on the digital side of things. That's where retention director Hannah, and Blue Core come in. Bluecore is a retail marketing technology platform that enables marketers to quickly turn data into revenue-generating campaigns This podcast is all about meeting your customers where they are at, and the technology you can use to do it AT Steve Madden Scale. On with the show! Subscribe to DTC Newsletter - https://dtcnews.link/signup Advertise on DTC - https://dtcnews.link/advertise Work with Pilothouse - https://dtcnews.link/pilothouse Follow us on Instagram & Twitter - @dtcnewsletter Watch this interview on YouTube - https://dtcnews.link/video

The Saudi Crown Prince might have bought a fake Leonardo.Salvator Mundi, the most expensive painting in the world, has a fascinating yet murky history: is it worth $450 million? Its initial price tag was 49 British pounds and we are debating whether it is an original Leonardo or one of many similar but less valuable paintings created in the 16th century. If you like our content please become a patron to receive our premium episodes, and all of our public episodes ad-free as well. One of many renaissance era portraits of Christ holding a celestial bauble while making the sign of the cross surfaced in a New Orleans auction house in 2005, only to be sold later for almost half a billion dollars. If its chain of ownership is true, it began in the private collection of Louis XII of France, saw the execution of Charles I, and was centuries later sold from the estate of Sir Francis Cook to Warren and Minnie Kuntz, furniture dealers from New Orleans, for 49 British pounds in 1958. Three dealers from New York bought it on a hunch from the auction of the Kuntz estate for $1175, and turned it over to Diane and Mario Modestini, experts in painting restoration. 1 Diane decided after extensive work on the painting that it was from the hand of Leonardo himself. From there the painting took on a life of its own, and each step along its journey involved the exchange of tens to hundreds of millions of dollars. 2 Sketchy Swiss shipping magnate Yves Bouvier bought it for $83 million, and immediately sold it to Russian oligarch Dmitry Rybolovlev for $127 million. When Dmitry found out about Yves' markup (and when his ex wife hit him with a 4.8 billion dollar divorce judgment...), in a rage he put the painting up for auction at Christie's, and Saudi Crown Prince Mohammed bin Salman paid $450 million for it. When MBS tried to get the Louvre in Paris to assist in the painting's perception of authenticity by exhibiting it next to the Mona Lisa the French curators refused, so it now reportedly lives on his yacht. 3 The painting propelled British National Gallery curator Luke Syson to a glamorous career at the Met in New York and the Cambridge University museum, whose previous director is now the director of the royal family's private art collection. It also embroiled Yves Bouvier into a string of lawsuits against Rybolovlev spanning major cities around the globe, and according to the French tabloids also brought Bouvier into an arrangement with a group of escorts who were previously involved in a scandal involving French football stars, who solicited them when they were underage. 4 All of this is a deep look into the shady underworld of the high end art market, and how billionaires and their handlers carry rare antiquities on their yachts and jets to hide from banks, governments, ex-wives with divorce settlements, and tax collectors. 1. Report: How a Louisiana Family Unknowingly Owned $450M da Vinci Painting for Nearly 50 Years. The Advocate. September 2018. ⇤2. Sarah Cascone and Eileen Kinsella. 7 Unbelievable and Contentious Takeaways From a New Documentary About ‘Salvator Mundi,' the $450 Million ‘Lost Leonardo'. Artnet. August 2021. ⇤3. Sam Knight. The Bouvier Affair. The New Yorker. January 2016. ⇤4. Danielle Granger. What is the Real Story Behind Yves Bouvier's Ties to Zahia Dehar?. The Frisky. March 2020. ⇤

In August 2021, the world watched in horror as U.S. troops withdrew, and the Taliban retook control of Afghanistan, with over 600,000 displaced people fleeing the country since last January, according to the U.N. Refugee Agency. Among the many groups threatened by the Taliban's rule are artists, with the fundamentalist government viewing freedom of artistic expression as a threat to the Islamic faith. Fearing for their lives, some artists have felt compelled to destroy or censor their own work, or to seek asylum outside Afghanistan. For curators Barbara Pollack and Anne Verhallen, the crisis provided an opportunity for their arts organization, Art at a Time Like This, to help raise awareness of the plight of Afghan artists. The two had started the platform in March, 2020 as a way of staging both online and in-person exhibitions in response to lockdown restrictions following the outbreak of COVID-19. To organize the virtual show "Before Silence: Afghan Artists In Exile," the two partnered with the PEN America affiliated non-profit Artists at Risk Connection to bring together the work of nine Afghan artists now dispersed around the world. To learn more about the situation faced by these brave creatives, Artnet News senior writer Sarah Cascone spoke with Julie Trebault, director of the Artists at Risk Connection at PEN America; Alexandra Xanthaki, the UN Special Rapporteur in the field of cultural rights; and Shamayel Shalizi, an Afghan artist currently living in Berlin. https://artatatimelikethis.com/before-silence

In August 2021, the world watched in horror as U.S. troops withdrew, and the Taliban retook control of Afghanistan, with over 600,000 displaced people fleeing the country since last January, according to the U.N. Refugee Agency. Among the many groups threatened by the Taliban's rule are artists, with the fundamentalist government viewing freedom of artistic expression as a threat to the Islamic faith. Fearing for their lives, some artists have felt compelled to destroy or censor their own work, or to seek asylum outside Afghanistan. For curators Barbara Pollack and Anne Verhallen, the crisis provided an opportunity for their arts organization, Art at a Time Like This, to help raise awareness of the plight of Afghan artists. The two had started the platform in March, 2020 as a way of staging both online and in-person exhibitions in response to lockdown restrictions following the outbreak of COVID-19. To organize the virtual show "Before Silence: Afghan Artists In Exile," the two partnered with the PEN America affiliated non-profit Artists at Risk Connection to bring together the work of nine Afghan artists now dispersed around the world. To learn more about the situation faced by these brave creatives, Artnet News senior writer Sarah Cascone spoke with Julie Trebault, director of the Artists at Risk Connection at PEN America; Alexandra Xanthaki, the UN Special Rapporteur in the field of cultural rights; and Shamayel Shalizi, an Afghan artist currently living in Berlin. https://artatatimelikethis.com/before-silence

Yesterday, a sumptuous portrait of a woman with a confident regard and rouged cheeks, porcelain skin, and a powdered up do reminiscent of cool whip, hit the block at Sotheby's auction house. Titled Portrait of a Lady as Pomona by the 18th century French artists Nicholas de Largilliere, the painting was less notable as a market event than for what it sale meant to its sellers. The sellers, in this case, being the twenty heirs of Jules Strauss, a pioneering German art collector. In 2014, one of his great granddaughters Pauline Baer De Perignon began investigating the fate of his beloved artworks during World War II, including pieces by the likes of Renoir, Monet, Degas and Tiepolo. As a Jew living in Paris, Jules Strauss, like so many others of his religion faced persecution under the German occupation. While he avoided deportation, Strauss' forced to hand over a still unknown number of works to the Nazis, an ugly truth that Pauline's family chose to forget for decades. Lady as Pomona, it so happens is the first painting from his collection to be restituted to the family. And that's thanks in large part to the tireless efforts of Pauline, detailed in her new book, The Vanished Collection. In the run-up to this week's auction, we were pleased to welcome Pauline to The Art Angle to talk to Artnet News senior writer, Sarah Cascone about the challenges of tracking downloaded art, sifting through archival records and what the quest for restitution and justice means to the families of those who lost everything during the Holocaust. 

Yesterday, a sumptuous portrait of a woman with a confident regard and rouged cheeks, porcelain skin, and a powdered up do reminiscent of cool whip, hit the block at Sotheby's auction house. Titled Portrait of a Lady as Pomona by the 18th century French artists Nicholas de Largilliere, the painting was less notable as a market event than for what it sale meant to its sellers. The sellers, in this case, being the twenty heirs of Jules Strauss, a pioneering German art collector. In 2014, one of his great granddaughters Pauline Baer De Perignon began investigating the fate of his beloved artworks during World War II, including pieces by the likes of Renoir, Monet, Degas and Tiepolo. As a Jew living in Paris, Jules Strauss, like so many others of his religion faced persecution under the German occupation. While he avoided deportation, Strauss' forced to hand over a still unknown number of works to the Nazis, an ugly truth that Pauline's family chose to forget for decades. Lady as Pomona, it so happens is the first painting from his collection to be restituted to the family. And that's thanks in large part to the tireless efforts of Pauline, detailed in her new book, The Vanished Collection. In the run-up to this week's auction, we were pleased to welcome Pauline to The Art Angle to talk to Artnet News senior writer, Sarah Cascone about the challenges of tracking downloaded art, sifting through archival records and what the quest for restitution and justice means to the families of those who lost everything during the Holocaust. 

Subscribe to DTC Newsletter - https://dtcnews.link/signup Hello and welcome to the DTC podcast, I'm Eric Dyck Today we're getting to the core of your customer data with NOBULL Director of Loyalty and Retention Joy Huang and well as Bluecore VP of Marketing Sarah Cascone Learn more about Bluecore Multichannel Personalization at Bluecore.com In this podcast, you'll hear how NOBULL uses Bluecore to increase repeat buyers by 46% and expected customer lifetime value by 30% You'll also hear how NOBULL, one of my personal favorite DTC brands, maintains complete control and integrity of all stages of the customer journey (without using discounts EVER). Learn more about Bluecore Multichannel Personalization at Bluecore.com Subscribe to DTC Newsletter - https://dtcnews.link/signup Advertise on DTC - https://dtcnews.link/advertise Work with Pilothouse - https://dtcnews.link/pilothouse Follow us on Instagram & Twitter - @dtcnewsletter Watch this interview on YouTube - https://dtcnews.link/video

'Tis the season, once again, it's The Art Angle Christmas episode. Can you believe we made it through another one of these incredibly intense pandemic years? It's almost hard to believe and so we figured we would craft this festive little holiday-cast as something soothing and reflective, some old fashioned balm for the soul. No NFTs here. So what is the antithesis of NFTs? Why archeology of course and it just so happens that this year was filled with all kinds of fascinating revelations that continue to shape, and sometimes radically rewrite our understanding of the ancient world. On this episode Artnet News Senior Writer, Sarah Cascone, discusses what happened this year in the world of old news.

'Tis the season, once again, it's The Art Angle Christmas episode. Can you believe we made it through another one of these incredibly intense pandemic years? It's almost hard to believe and so we figured we would craft this festive little holiday-cast as something soothing and reflective, some old fashioned balm for the soul. No NFTs here. So what is the antithesis of NFTs? Why archeology of course and it just so happens that this year was filled with all kinds of fascinating revelations that continue to shape, and sometimes radically rewrite our understanding of the ancient world. On this episode Artnet News Senior Writer, Sarah Cascone, discusses what happened this year in the world of old news.

I'm sure you've heard it: For the past few months, the U.S. news media has been following the saga of pop star Britney Spears and the unusual conservatorship arrangement which prevents her from controlling her own finances or life decisions, put in place more than a decade ago after a very public breakdown. In June, Spears spoke out for the first time in court, asking for the conservatorship to be terminated. What, you may ask, does this have to do with art? It turns out that long before the #FreeBritney movement had people poring over her Instagram for clues or the New York Times documentary 'Framing Britney' revisited what her story said about the media and misogyny, she's been a surprisingly potent symbol for artists—in fact, maybe more than any other recent pop star. They've used her image to talk about sexism, about fame, about consumerism, and about and about the dark side of the 2000s. Why Britney in particular? And does today's reckoning with the recent past change the way that pop art takes on pop music? In this week's episode, Artnet News's Senior Writer, Sarah Cascone speaks to LA-based art journalist Janelle Zara about her artists' fascination with Britney Spears, asking these questions and a lot more.

I'm sure you've heard it: For the past few months, the U.S. news media has been following the saga of pop star Britney Spears and the unusual conservatorship arrangement which prevents her from controlling her own finances or life decisions, put in place more than a decade ago after a very public breakdown. In June, Spears spoke out for the first time in court, asking for the conservatorship to be terminated. What, you may ask, does this have to do with art? It turns out that long before the #FreeBritney movement had people poring over her Instagram for clues or the New York Times documentary 'Framing Britney' revisited what her story said about the media and misogyny, she's been a surprisingly potent symbol for artists—in fact, maybe more than any other recent pop star. They've used her image to talk about sexism, about fame, about consumerism, and about and about the dark side of the 2000s. Why Britney in particular? And does today's reckoning with the recent past change the way that pop art takes on pop music? In this week's episode, Artnet News's Senior Writer, Sarah Cascone speaks to LA-based art journalist Janelle Zara about her artists' fascination with Britney Spears, asking these questions and a lot more.

We wanted to make sure you had a chance to check out a very special new podcast miniseries we've rolled out. It's called Shattering the Glass Ceiling, and its dedicated to spotlighting boundary-breaking women in the art world and beyond who have build extraordinary careers around—and inspired by—art. Today, we'll be re-airing an episode of the series that is of special significance, it's an interview with the art collector Catherine Levene, whose day job is running the megawatt Meredith media company, publisher of such titles as People Magazine, Travel & Leisure, Entertainment Weekly, and many others. Before that, however, she was the co-founder and CEO of Artspace, the online art marketplace startup. Here, in the following episode, Artnet News's senior writer Sarah Cascone talks to Catherine about how she started collecting art, her road to Meredith, and why powerful women leaders in the workplace are so very important.

We wanted to make sure you had a chance to check out a very special new podcast miniseries we've rolled out. It's called Shattering the Glass Ceiling, and its dedicated to spotlighting boundary-breaking women in the art world and beyond who have build extraordinary careers around—and inspired by—art. Today, we'll be re-airing an episode of the series that is of special significance, it's an interview with the art collector Catherine Levene, whose day job is running the megawatt Meredith media company, publisher of such titles as People Magazine, Travel & Leisure, Entertainment Weekly, and many others. Before that, however, she was the co-founder and CEO of Artspace, the online art marketplace startup. Here, in the following episode, Artnet News's senior writer Sarah Cascone talks to Catherine about how she started collecting art, her road to Meredith, and why powerful women leaders in the workplace are so very important.

The second installment of this four-part podcast miniseries features Artnet News senior writer Sarah Cascone's interview with art collector and media executive Catherine Levene. Levene's 25-year career runs the breadth of the media space, beginning at the New York Times Company in both the corporate sales realm and later as part of its burgeoning digital strategy. After obtaining her MBA, Levene ventured into media startups, and ultimately started a new company, Artspace, alongside business partner Christopher Vroom in 2011. Artspace was one of the first platforms to introduce e-commerce to the art market, and in 2014 the publishing house Phaidon bought the company, helmed by Keith Fox. In 2020, Levene was announced as the new head of media organization Meredith Corp., becoming the first female executive to lead the magazine conglomerate that includes People, InStyle, Travel + Leisure, and Cooking Light. Born in Binghamton, New York, Levene has kept a pulse on the art world, beginning a collection that she continues to build year after year.

The second installment of this four-part podcast miniseries features Artnet News senior writer Sarah Cascone's interview with art collector and media executive Catherine Levene. Levene's 25-year career runs the breadth of the media space, beginning at the New York Times Company in both the corporate sales realm and later as part of its burgeoning digital strategy. After obtaining her MBA, Levene ventured into media startups, and ultimately started a new company, Artspace, alongside business partner Christopher Vroom in 2011. Artspace was one of the first platforms to introduce e-commerce to the art market, and in 2014 the publishing house Phaidon bought the company, helmed by Keith Fox. In 2020, Levene was announced as the new head of media organization Meredith Corp., becoming the first female executive to lead the magazine conglomerate that includes People, InStyle, Travel + Leisure, and Cooking Light. Born in Binghamton, New York, Levene has kept a pulse on the art world, beginning a collection that she continues to build year after year.

In this episode of the Fine Art Photography Podcast, we'll talk about the copyright battle between photographer Lynn Goldsmith and the Andy Warhol Foundation over a portrait of Prince. Was Warhol's use of the Goldsmith photograph transformative? A Federal Appeals court says no. Sources: AP. "US court sides with photographer in fight over Warhol art." Larry Neumeister. March 26, 2021. https://apnews.com/article/entertainment-new-york-copyright-music-prince-aea4afa0b71e816149476804e601555a Artnet. "The Andy Warhol Foundation Has Won Out Against a Photographer Who Claimed the Pop Artist Pilfered Her Portrait of Prince." Sarah Cascone. July 2, 2019. https://news.artnet.com/art-world/andy-warhol-prince-copyright-case-1590703 The Art Newspaper. "US appeals court rules that Warhol’s reliance on a photographer’s portrait image did not constitute ‘fair use’." Laura Gilbert. March 29, 2021. https://www.theartnewspaper.com/news/us-appeals-court-rules-that-warhol-portrait-series-violated-photographer-s-copyright The Verge. "The story of Richard Prince and his $100,000 Instagram art." Lizzie Plaugic. May 30, 2015. https://www.theverge.com/2015/5/30/8691257/richard-prince-instagram-photos-copyright-law-fair-use Wikipedia. "Cariou v. Prince." https://en.wikipedia.org/wiki/Cariou_v._Prince --- Support this podcast: https://anchor.fm/keith-dotson/support

In this episode of the Fine Art Photography Podcast, we'll talk about the copyright battle between photographer Lynn Goldsmith and the Andy Warhol Foundation over a portrait of Prince. Was Warhol's use of the Goldsmith photograph transformative? A Federal Appeals court says no. Sources: AP. "US court sides with photographer in fight over Warhol art." Larry Neumeister. March 26, 2021. https://apnews.com/article/entertainment-new-york-copyright-music-prince-aea4afa0b71e816149476804e601555a Artnet. "The Andy Warhol Foundation Has Won Out Against a Photographer Who Claimed the Pop Artist Pilfered Her Portrait of Prince." Sarah Cascone. July 2, 2019. https://news.artnet.com/art-world/andy-warhol-prince-copyright-case-1590703 The Art Newspaper. "US appeals court rules that Warhol's reliance on a photographer's portrait image did not constitute ‘fair use'." Laura Gilbert. March 29, 2021. https://www.theartnewspaper.com/news/us-appeals-court-rules-that-warhol-portrait-series-violated-photographer-s-copyright The Verge. "The story of Richard Prince and his $100,000 Instagram art." Lizzie Plaugic. May 30, 2015. https://www.theverge.com/2015/5/30/8691257/richard-prince-instagram-photos-copyright-law-fair-use Wikipedia. "Cariou v. Prince." https://en.wikipedia.org/wiki/Cariou_v._Prince --- Support this podcast: https://anchor.fm/keith-dotson/support

On this episode, against the backdrop of Myanmar's Civil Disobedience Movement that arose in the wake of the military junta's coup of 1 February 2021, I speak to acclaimed Burmese artist Moe Satt about his performance- and multimedia- based practice. We talk about how visual arts practitioners navigate censorship and restraints on civil liberties. We also discuss the way in which Myanmar's independent cultural organisations like AMCA are engaging in visual activism, how Generation Z and Boomers alike are splitting up across the virtual and actual domains and joining hands against the junta and, indeed, the importance of hands as symbols of solidarity in Moe's work, which we discuss in detail. Click here to access the Image Guide+ and view the images and material being discussed in the podcast: https://sites.google.com/view/artalaap-podcast-resources/episode-6. Credits: Producer: Tunak Teas Design & artwork: Mohini Mukherjee Marketing: Dipalie Mehta Intern: Aastha Anupriya Images: Moe Satt Audio courtesy: Vernouillet by Blue Dot Sessions [CC BY-NC 4.0] Additional support: Kanishka Sharma, Amy Goldstone-Sharma, Raghav Sagar, Shalmoli Halder, Arunima Nair, Jayant Parashar References: Ellen Pearlman 'A Brief History of Contemporary Art in Myanmar', Hyperallergic, 10 July 2017. Lisa Movius, 'The Artists on the frontline of Myanmar's deadly protests', The Art Newspaper, 1 March 2021. Nathalie Johnston, 'The Artists Fighting for a Different Future', Frieze, 19 February 2021. Sarah Cascone, 'After a Military Coup, Artists Across Myanmar Are Making Protest Art to Share Their Struggle for Democracy With the World', Artnet, 16 February 2021. Hannah Beech, 'Paint, Poems and Protest Anthems: Myanmar's Coup Inspires The Art of Defiance', The New York Times, 2 March 2021. Ma Thanegi, 'A brief history of Myanmar modern art', Artstream Myanmar. Yin Ker, 'Where Do We Come From? What Are We? Where Are We Going? Premises for Burmese Contemporary Art with Po Po, Tun Win Aung, Wah Nu and Min Thein Sung.', Afterall: A Journal of Art, Context and Enquiry 2018. 46: 26-37. Nathalie Johnston, ArtReview, 'Myanmar Artists Are Making History', 1 April 2020. Boris Groys, 'On Art Activism', e-flux Journal #56, June 2014. Nicholas Mirzoeff, 'The Right to Look', Critical Inquiry, Vol. 37, No. 3 (Spring 2011), pp. 473-496. Inêz Beleza Barreiros, "Theory is not just words on a page. It's also things that are made": Interview with Nicholas Mirzoeff', Buala, 27 June 2017.

You can find links to each of Sean's analysis pieces here. This article covers the week beginning May 17.

At the start of December, the Art Angle team had other, loftier ideas for the show's first Christmas episode. Maybe we would dig into the most important developments in the art world this past year or examine the growing pro-democracy protests in Hong Kong and their effect on the city's cultural community. But then, we lived through this year's edition of Art Basel Miami Beach, where superstar Italian artist Maurizio Cattelan duct-taped an ordinary supermarket banana to the wall of his gallery's booth at the fair, declared it an artwork, and priced its first edition at the eyebrow-raising sum of $120,000. From there, all hell broke loose. And after the astonishing sequence of events catapulted Comedian (the work's official title) beyond the art world and squarely into the center of pop culture, it became a stone-cold guarantee that, if your job has something—anything—to do with art, the banana will be one of the first topics of conversation your friends and extended family bring up during your holiday celebration. So we caved to the inevitable and made this episode your banana survival guide, covering everything you need to know about this (in)famous artwork in just over 20 minutes. First, Artnet News senior writer Sarah Cascone, who broke the story of the banana's initial sales from the floor of Art Basel Miami Beach, charts how this once-anonymous fruit duct-taped to the wall became an obsession for the world at large. Then, Artnet News national art critic Ben Davis parachutes in to explain what it all means in the context of art history, and why, as a sculpture, Comedian is both slightly more—and much, much less—than meets the eye.