Podcasts about sir tom stoppard

Sir Tom Stoppard is one of the most widely acclaimed playwrights and screenwriters of his generation. His award-winning body of work includes the screenplay for Shakespeare In Love and the plays Arcadia and The Real Thing. His latest work, Leopoldstadt (which has been described as perhaps his most personal play) is set in the Jewish community of early 20th-century Vienna. It won the Olivier Award for Best New Play after its successful run in the West End and is currently playing on Broadway. Tom Stoppard talks with Catherine Fairweather about his childhood, his writing process, the benefits of getting older and the tick tock of the universe.

In a new Broadway play, one of the world's greatest writers grapples with his own hidden past and its implications for our time. Sir Tom Stoppard's "Leopoldstadt" chronicles a family history he only learned about in his 50s when a relative told him that all four of his Jewish grandparents had been murdered by the Nazis. Jeffrey Brown talks to Stoppard for our arts and culture series, "CANVAS." PBS NewsHour is supported by - https://www.pbs.org/newshour/about/funders

In a new Broadway play, one of the world's greatest writers grapples with his own hidden past and its implications for our time. Sir Tom Stoppard's "Leopoldstadt" chronicles a family history he only learned about in his 50s when a relative told him that all four of his Jewish grandparents had been murdered by the Nazis. Jeffrey Brown talks to Stoppard for our arts and culture series, "CANVAS." PBS NewsHour is supported by - https://www.pbs.org/newshour/about/funders

In a new Broadway play, one of the world's greatest writers grapples with his own hidden past and its implications for our time. Sir Tom Stoppard's "Leopoldstadt" chronicles a family history he only learned about in his 50s when a relative told him that all four of his Jewish grandparents had been murdered by the Nazis. Jeffrey Brown talks to Stoppard for our arts and culture series, "CANVAS." PBS NewsHour is supported by - https://www.pbs.org/newshour/about/funders

Sir Tom Stoppard's Olivier Award-winning play Leopoldstadt closed because of Covid in March 2020. Tomorrow it returns to the same stage and the same cast will tell again the story a Jewish family, in Vienna in the first half of the 20 century. They fled the pogroms in the East and later suffered terribly under Nazi rule. The plot has parallels with Stoppard's own family - all four of Stoppard's grandparents perished in concentration camps. He talks about returning to the theatre, if he has revised the play in the interregnum, and if he is tempted to revisit his earlier plays. We hear from the first of the five museums and galleries shortlisted for the prestigious £100,000 Art Fund Museum of the Year 2021. This year's prize will reflect the resilience and imagination of museums during the pandemic, and today we hear from Catherine Hemelryck from the Centre of Contemporary Art in Derry-Londonderry. Ryan Bancroft has just finished his first year as the Principal Conductor for BBC National Orchestra of Wales, and this week he makes two appearances at the BBC Proms. He tells us how he became a conductor, his excitement for music by Welsh composers and his favourite aspects of American music. The Scottish government has announced easing of covid restrictions just in time for this year's Edinburgh Festivals to go ahead with renewed vigour. We speak with Shona McCarthy from The Fringe about what this might mean for audiences and performers. Novelist Nick Laird talks to us about writing grief as he creates an elegy for his father Presenter: Tom Sutcliffe Producer: Oliver Jones

Join Zoe and Tom as they unpick the hype around Sir Tom Stoppard's most recent play, a chronicle of the tragedy of European Jews in the 20th century through the fate of one sprawling family. Zoe was very very unimpressed, and Tom just unimpressed. Why did critics go wild for it? What appetite among British audience goers did it serve? What was it trying to do and where did it go wrong - and in some places, right?

This week we are bringing you the creatives behind the Curtain Call virtual play reading series “The Remote Read”. Tonight, May 2nd, we are producing a remote reading of Sir Tom Stoppard’s Play “A Separate Peace” Starring David Morrissey, Jenna Coleman, Denise Gough, Ed Stoppard and Maggie Service directed by award-winning stage and screen director Sam Yates. The reading will benefit the Felix Project and those professionals who have found themselves out of work during the Covid-19 pandemic. On today’s episode are the show’s producers. Myself and Matt Humphrey from Curtain Call and from Platform Presents, Gala Gordon and Isabella Macpherson. Due to the time we recorded this, Tim Kashani from Apples and Oranges Studios wasn’t able to join. This has been one hell of an adventure, and when we set out on this project merely two weeks ago, we had no idea how big it would become. All of the producers on this project could not be more proud of The Remote Read’s first offering. It takes a special type of person to be a producer, dropping everything and making sure everyone else is being looked after for the good of the production. But, as you can hear in this episode, we all love it. Get tickets at theremoteread.com

This week we are bringing you the creatives behind the Curtain Call virtual play reading series “The Remote Read”. This Saturday, we are producing a remote reading of Sir Tom Stoppard’s Play “A Separate Peace” Starring David Morrissey, Jenna Coleman, Denise Gough, Ed Stoppard and Maggie Service directed by award-winning stage and screen director Sam Yates. The reading will benefit the Felix Project and those professionals who have found themselves out of work during the Covid-19 Epidemic. On today’s episode is Director Sam Yates. Sam is an absolutely exciting young director, working on stage and screen. He was voted one of Screen International’s Stars of Tomorrow in 2016, and named a rising star in The Observer her in the UK. His productions have been Olivier nominated. We at Curtain Call are so grateful to Platform Presents co-producers Gala Gordon and Isabella Macpherson for suggesting Sam and then going out to get him. He’s phenomenal to work with and is exactly the right captain to steer the ship.

This week we are going to bring you the creatives behind the Curtain Call virtual play reading series “The Remote Read”. This Saturday, we are producing a remote reading of Sir Tom Stoppard’s Play “A Separate Peace” Starring David Morrissey, Jenna Coleman, Denise Gough, Ed Stoppard and Maggie Service directed by award-winning stager and screen director Sam Yates. The reading will benefit the Felix Project and those professionals who have found themselves out of work during the Covid-19 Epidemic. On today’s episode is Stage Manager Georgia Bird. Georgia has just come off of the Broadway production of The Inheritance. Her previous credits include too many West End productions to mention, and now Matt Humphrey and I have thrown her into the deep end and she’s literally writing the handbook on how to stage manage a digital, virtual production.

On today’s episode is Costume Designer Amelia Sierevogel.. This week we are going to bring you the creatives behind the Curtain Call virtual play reading series “The Remote Read”. This Saturday, we are producing a remote reading of Sir Tom Stoppard’s Play “A Separate Peace” Starring David Morriessey, Jenna Coleman, Denise Gough, Ed Stoppard and Maggie Service. The reading will benefit the Felix Project and those professionals who have found themselves out of work during the Covid 19 Epidemic. Amelia joined the team last week and has been working with Director Sam Yates to come up with a look and feel for a virtual production, something that neither of them have done before.  For more information, visit www.theremoteread.com

In today’s climate of increasing isolation, we want to bring you a daily dose of inspiration. Each episode, we’re giving someone in the theatre a chance to take a bow. From seasoned professionals to drama students; vocal coaches to the life coaches; you’ll find them right here. On today’s episode is actor, Ed Stoppard. You’ve seen Ed on the screen in Upstairs, Downstairs and on numerous London stages, most recently in his father’s play...that would be Sir Tom Stoppard, Leopoldstadt.

Leopoldstadt is the area of Vienna where poor Jews lived, and the title of Tom Stoppard’s new play. It’s about a family who come from there but, cultured, clever, successful and assimilated, no longer live there when the play begins. It follows their story from 1899 to 1955, from fin de siècle optimism to the aftermath of the Holocaust. Talking to John Wilson in the theatre, Sir Tom Stoppard speaks about how, in the 1990s, he came to appreciate his own Jewishness and how, now in his 80s, he came to write what might be his last play, about a family whose tragic story parallels that of his own. After the unprecedented success of South Korean film Parasite, which was the first foreign language film to win Best Picture at the Oscars on Sunday, Hyun Jin Cho, film curator at the Korean Cultural Centre, offers a guide for fans of the film of what to watch next. Oscar-winning film director Sir Steve McQueen discusses the first survey of his art in the UK for over 20 years. The show at Tate Modern sees the Turner Prize-winning artist revisit works which include film, photography and sculpture, that he’s created in the last two decades. Presenter: John Wilson Producer: Simon Richardson Image: Tom Stoppard Image credit: Jack Taylor/Getty Images

Playwright Sir Tom Stoppard discusses his new play, Leopoldstadt, in an extended interview. Leopoldstadt is the area of Vienna where poor Jews lived, and the title of Tom Stoppard’s new play. It’s about a family who come from there but, cultured, clever, successful and assimilated, no longer live there when the play begins. It follows their story from 1899 to 1955, from fin de siècle optimism to the aftermath of the Holocaust. Talking to John Wilson in the theatre, Stoppard speaks about how, in the 1990s, he came to appreciate his own Jewishness and how now, in his 80s, he came to write what might be his last play, about a family whose tragic story parallels that of his own.

Anita Waxman, co-founder and director of Ceras Health, has been involved with healthcare technology and the development of new modalities that have changed the course of medicine over the past thirty-five years. In 1975, Anita founded and served as CEO and Chairman of Howe-Lewis International, a management consulting and executive search firm. Howe-Lewis serves the biotechnology, medical electronics, and healthcare communities. It is dedicated to healthcare and not-for-profit communities and is retained by its clients to recruit the entire range of executive-level talent. From its founding, Howe-Lewis has demonstrated its commitment to partnering with both major, established institutions and with emerging, growing organizations to identify and attract the very best leaders.    In 1977, Anita was the co-founder of Diasonics Inc., the company that introduced both diagnostic ultrasound and Magnetic Resonance Imaging (MRI) to market. Diasonics was at the forefront in changing the way that medical imaging could diagnose disease. In 1984, Anita along with Dr. Nicholas Cummings founded American Biodyne Inc. She served on the board of directors through its growth and sale to Medco Containment Services (later acquired by Merck). Along with KKR, Merck Behavioral went through a leveraged buyout and as a freestanding company (known as Merit Behavioral) its revenues grew to over $800 million. The company was later sold to Magellan Behavioral Care. Ms. Waxman served on the Board of Directors of SOS International, a worldwide medical service company that, working in some of the most inhospitable places on earth, offered international standards of medical care where it was otherwise not available, or where cultural or language barriers prevented its proper implementation. Through her involvement with SOS International, Ms. Waxman became a Director and Co-Founder of International Medical Care, Ltd., which is a rapidly growing Geneva based company that staffs and operates family practice outpatient clinics and provides emergency room health services throughout the world. Currently, Anita is a cofounder, director, and consultant to Ceras Health, which is dedicated to reducing the cost of healthcare. Ceras Health, Inc.TM (Ceras Health) has developed a patent pending SaaS platform, I'M HOME!®, that supports patients' adherence to pre-and post-discharge care plans, provides patients and care team members with the ability to measure and track patient health data, and enables individuals to get better and stay better by providing access to condition specific health information.   In addition to her work in the healthcare industry, Anita has spent many years following her passion in the world of live theater. Anita Waxman is a multiple Tony Award-winning producer. As CEO of Alexis Productions, she has garnered seventy-one Tony nominations and sixteen Tony awards. Anita is currently working with Jimmy Buffett, Frank Marshall, and Grove Entertainment to bring Escape To Margaritaville, a musical based on the music of Jimmy Buffett, to the world's stage. Anita is also producing Little Dancer, a musical based on the story of Edward Degas. Through Alexis Productions, Anita produced and won multiple Tonys for The Real Thing written by Sir Tom Stoppard, and the successful revival of Cabaret starring Natasha Richardson and Alan Cumming. Other productions include Jesus Christ Superstar, Becoming Chaplin, Rocky, the Tony Award winning Best Revival of One Flew Over the Cuckoo's Nest, The Music Man, A Moon for the Misbegotten starring Gabriel Byrne, The Wild Party, The Waverly Gallery, Electra, A Night in November, A Little Night Music, Enron, American Idiot, Love Never Dies, Present Laughter starring Frank Langella, Mrs. Klein starring Uta Hagen, Wild Honey starring Sir Ian McKellen, The Vertical Hour, Bombay Dreams, Gypsy, the West End productions of Ragtime, the Broadway revival of Rodger and Hammerstein's Flower Drum Song, the hit revival of Noises Off, The Elephant Man starring Billy Crudup, and many more. Two of her shows have won Pulitzer prizes: The Young Man from Atlanta and Top Dog/Underdog. She is a member of the Broadway League. Ms. Waxman founded two theatrical investment funds, Alexis Fund I and Alexis Fund II. Some investments include Kinky Boots (NYC, London & Tour), Escape to Margaritaville, Hello Dolly, The Front Page, Glass Menagerie, Les Liaisons Dangereuses, Jersey Boys (AUS), Book of Mormon (AUS), Verso Truth in Deception, and Joan of Arc. She is currently producing Little Dancer, a new musical by Stephen Flaherty and Lynn Ahrens staring Tiler Peck and Terrence Mann, and Directed by Susan Stroman. Other upcoming projects include a new musical based on the music of Diane Warren, The Library, Terra Firma and more. She has served on the boards of the Donmar Warehouse in London, 5th Avenue Theatre in Seattle, The Magic Theatre in San Francisco, The Roundabout Theatre Company New York City, the Human Rights watch, SOS International, and American Biodyne.   Anita Waxman has also worked with orphanages around the world. Through her foundation NOAH'S ARK, she established a home for orphaned children in Russia: the Passin-Waxman Center for Children, which is known today as Anita's Kids, which has helped to educate and care for several hundred children in the past eighteen years. 

It's our last Writer's Routine of 2017! So now, for something a little bit different. Artist, illustrator and writer Richard Graham brings us his daily ritual!Richard upcycles old junk, furniture and other bric-a-brac to make 3D pieces of character art. With this, he then imagines a story involving the pieces, and writes picture books for kids! His first 'The Cranky Caterpillar' is a tale of an insect stuck in a piano, moodily beating the keys, until a girl finds him, and sings some colour into his life.I went down to Richard's 'Cranky Caterpillar Museum' in Kings Cross, where he makes actual art, writes stories and trudges through proper admin. We talk about the difference between art styles and why some creators choose these methods, also why writing a short and concise story is sometimes horrendously tough, and how sometimes it's best just to put down the pen and switch off for a while. You can look at more of Richard's work at mrmake.co.uk.Our Distinguished Diary today features the weird and wonderful writing routine of Sir Tom Stoppard, who received an Academy Award for his screenplay of 'Shakespeare in Love'.Make sure you subscribe to the show on your favourite podcast place, and you'll get some brand new routines and inspiration in 2018!writersroutine.com@writerspod See acast.com/privacy for privacy and opt-out information.

Kirsty Lang talks to the playwright Sir Tom Stoppard, who turns 80 this summer. The Old Vic's production of Rosencrantz and Guildenstern are Dead, starring Daniel Radcliffe and Joshua McGuire, will be broadcast live into cinemas across the UK on Thursday 20 April. Travesties, starring Tom Hollander and Freddie Fox, is on in the West End until the end of the month. Tom Stoppard talks about fleeing Czechoslovakia in 1939, his fascination with word play, and his secret role as a script doctor in Hollywood. Presenter: Kirsty Lang Producer: Timothy Prosser.

On Wednesday James Naughtie made an emotional sign off on the Today programme as he left the presenter seat after 21 years. What were listeners' favourite Naughtie moments? We hear highlights from two decades of broadcasting, from discussion of Auberon Waugh's nipples to the famous Jeremy Hunt gaff. In the aftermath of the Scottish referendum, and the SNP's success in the general election, BBC Scotland is also having a debate around the extent of its own independence. A committee in Holyrood has called on the BBC to release more budgetary power for BBC Scotland, with more money and services. With that as the backdrop, BBC Radio Scotland introduced a more analytical schedule to suit the new political landscape, but with more live music as well. Is it working for the listeners? Roger Bolton talks to Jeff Zycinski, the head of BBC Radio Scotland. BBC Radio 3 are looking ahead to the New Year with a brand new production of Artist Descending a Staircase, a radio play written over 40 years ago by Sir Tom Stoppard, one of the greatest living dramatists. Roger speaks to Sir Tom about the peculiarities and creative opportunities that come with writing for radio. In the world of The Archers, the Grundy family has had a tough start to the festive season but listeners welcomed an emotional twist in the story this week, ushering in a happier Christmas for 94-year-old Joe. Producer: Katherine Godfrey A Whistledown production for BBC Radio 4.

Life is full of peculiar ironies and thus, Tom Stoppard, quite possibly the most most dizzyingly proficient writer of the English tongue did not grow up speaking English. to college. He is, to use his old joke, a bounced check. He grew up in Czechoslovakia and spoke that language until the age of three-and-one half, or perhaps five. Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

John Wilson talks to Booker T, and meets members of the Author's Cricket team at Lords. Writer James Meek discusses his latest novel The Heart Broke In. Mark Lawson talks to Sir Tom Stoppard about Parade's End and Anna Karenina and meets Ian McEwan at the Edinburgh Book Festival to discuss his new novel, Sweet Tooth. Kirsty Lang talks to Philippa Gregory about her latest book, The Kingmaker's Daughter.

"World leaders need to answer to artists." This was the rallying cry of Natalia Kaliada, artistic director of the Belarus Free Theatre, at a benefit for the embattled dissident troupe organized by the PEN American Center that was held at Le Poisson Rouge on Wednesday. She added “politicians do not have steps; they have just words.” Belarus Free Theatre is the little theater company that could, and the media have been quick to pick up on its story. A few weeks ago the members of the company were either in jail or in hiding, the targets of a crackdown by Belarus’ government after recent election protests. Last week, they were in town for the Under the Radar festival at the Public Theater, but have used the trip as an opportunity to carry their battle into the public eye. The company spearheaded (not a lightly chosen verb) a protest rally at the U.N. Wednesday morning, and the PEN event was originally intended to celebrate the willingness of artists to join together to protest injustice, said Kaliada. But early that day, the group had received word, in the form of a terse text message, that the husband of one of the actors had been arrested. So it was a taut, tearful, and defiant face that they turned to an audience of supporters at Le Poisson Rouge’s cozy downstairs space. In times of trouble, we are counseled to find something to cheer about, noted Sir Tom Stoppard, the Czech-born playwright who hosted the evening’s event. For Stoppard, it was clearly the simple, unbelievable fact of the company’s existence. For the company, it may have been the warm support of the literary and theatrical community. For the event, put on at short notice (a more elaborate affair had been staged at The Public earlier in the week), resembled nothing so much as an old-fashioned jazz rent party, like the kind musicians used to put together when one of their number needed help meeting the bills.  In this case, the “session” started with some heartrending music by violinist and vocalist Iva Bittova, followed by readings of poems by imprisoned Belarussian poet Vladimir Neklyaev. Then, a scene from Stoppard’s disturbing “Cries From The Heart,” read by Billy Crudup and Margaret Colin, showed a government official training a lawyer in the delicate art of replacing all the words we recognize as dealing with torture, intimidation, cruelty, or repression with words for foods.  (“I want you to say,” taunts the chillingly reasonable official, “it’s not torture, it’s pizza.”)  Authors E.L. Doctorow and Don DeLillo read passages from books ("City of God," "Mao II") that touched on cruelty, war, or degradation. The evening concluded with a fierce performance by the Free Theater of the third part of a trilogy on life in Belarus called “Numbers.” Five actors moved through a rapid succession of scenes that enacted a range of damning statistics. The three cheerful men muttering hesitantly and throwing their arms up in confusion?  “70% of Belarussians have trouble expressing the idea of democracy.” The woman who gives birth to, and then pops, a balloon? The country has a high rate of abortion, stillbirths, and childhood diseases. The buckets full of empty shoes: “over 1,200 people vanish in Belarus each year.” As the demoralizing, often shocking, statistics succeeded one another on the video screen, the audience ought to have been left numb with despair on behalf of a country so defined by pain, loss, violence, and neglect. Instead, the performance—filled with a fierce energy and supple beauty—brought catharsis and epiphany, if the cheers and wild applause were anything to go by.  In Samuel Beckett’s “Waiting for Godot,” the work’s underlying nihilism is subverted by the sheer beauty of the language and the poignant souls of its characters. If you can write of the human condition, “Astride the grave and a difficult birth,” then you have already triumphed over death. In the case of the Belarus Free Theater, if your company’s brilliant work inspires others to stand for you and with you, in some sense no dictatorship can ever fully succeed. Click the link above to hear for selections from the benefit. (Unfortunately, much of “Numbers” was mimed and so is not featured here). Bon mots "We truly believe that the world leaders need to answer to artists...politicians do not have steps; they just have words."—Natalia Kaliada "If you believe in God's Judgement...then certain bacteria living in the anus of a particularly ancient hatchet fish at the bottom of the ocean are the recycled and fully sentient souls of Adolf Hitler, Joseph Stalin, Pol Pot."—E.L. Doctorow in "City of God." "I want you to say, it's not torture, it's pizza."—Tom Stoppard in "Cries from the Heart."

Multiple Tony Award-winning playwright Sir Tom Stoppard (for Rosencrantz and Guildenstern Are Dead, Travesties, The Real Thing and the Coast of Utopia) talks about his latest work to appear on Broadway, Rock 'n' Roll, including why he feels the play's love story, not its intellectual themes, ultimately drove the shape of the story and whether there's truth to the rumor that he wanted to cut the play but was persuaded not to by director Trevor Nunn; recounts the development of his epic The Coast Of Utopia and the extraordinary experience of seeing the trilogy performed in Russia; considers whether there's any thematic link between Utopia and Rock 'n' Roll, as bookends to the rise and fall of communism; recalls his overnight success (after seven years of writing) with Rosencrantz And Guildenstern Are Dead; reveals the play of his that he feels has perhaps not gotten its due before audiences; speaks out about those who claim viewers need to read up before seeing a Stoppard play; muses on the differences between theatre programs in the U.S. and Britain; and shares what rock and roll album is tops on his personal playlist right now.

Multiple Tony Award-winning playwright Sir Tom Stoppard talks about his latest work to appear on Broadway, "Rock 'n' Roll", including why he feels the play's love story, not its intellectual themes, ultimately drove the shape of the story and whether there's truth to the rumor that he wanted to cut the play but was persuaded not to by director Trevor Nunn; recounts the development of his epic "The Coast Of Utopia" and the extraordinary experience of seeing the trilogy performed in Russia; considers whether there's any thematic link between "Utopia" and "Rock 'n' Roll", as bookends to the rise and fall of communism; recalls his overnight success (after seven years of writing) with "Rosencrantz And Guildenstern Are Dead"; reveals the play of his that he feels has perhaps not gotten its due before audiences; speaks out about those who claim viewers need to read up before seeing a Stoppard play; muses on the differences between theatre programs in the U.S. and Britain; and shares what rock and roll album is tops on his personal playlist right now. Original air date - January 25, 2008.

Multiple Tony Award-winning playwright Sir Tom Stoppard talks about his latest work to appear on Broadway, "Rock 'n' Roll", including why he feels the play's love story, not its intellectual themes, ultimately drove the shape of the story and whether there's truth to the rumor that he wanted to cut the play but was persuaded not to by director Trevor Nunn; recounts the development of his epic "The Coast Of Utopia" and the extraordinary experience of seeing the trilogy performed in Russia; considers whether there's any thematic link between "Utopia" and "Rock 'n' Roll", as bookends to the rise and fall of communism; recalls his overnight success (after seven years of writing) with "Rosencrantz And Guildenstern Are Dead"; reveals the play of his that he feels has perhaps not gotten its due before audiences; speaks out about those who claim viewers need to read up before seeing a Stoppard play; muses on the differences between theatre programs in the U.S. and Britain; and shares what rock and roll album is tops on his personal playlist right now. Original air date - January 25, 2008.