Podcast appearances and mentions of Natasha Richardson

Send us a textKatie and Bridget pretend to be one another as they re-watch the Disney remake: The Parent Trap! It's a movie all about how beneficial it can be to pull off Ocean's 11-esq pranks even when you're only a preteen - it could bring your divorced parents back together! Apparently! Come along as we meet Haley and Annie, identical twins separated at birth who had no knowledge of one another their entire lives. No, seriously - that's a major plot point and totally not something we should discuss in therapy! When they meet at a summer camp, the two decide to switch places to each meet their estranged Mom and Dad, as well as break up Dad's new engagement to a seriously younger woman (hello - police?), AS WELL AS get their parents back together even though they had a shotgun wedding, pregnancy, and divorce all on a one week cruise... Listen, it's Disney okay!? We're all having fun here! Released in 1998, it was Lindsay Lohan's feature film and also stars Dennis Quaid, Natasha Richardson, Elaine Hendrix, Lisa Ann Walter, and Simon Kunz.

EPISODE 66 - “WHEN CLASSIC FILM'S SUPPORTING ACTORS STEAL THE SHOW” - 12/16/2024 There is nothing quite like watching a film when suddenly a supporting character comes in and walks away with the film. (Think THELMA RITTER, S.Z. SAKALL, or GALE SONDERGAARD in almost every one of their films!) This week we are focusing on some of our favorite supporting charters who come in and snatch that scene right about from under the big stars. From JOANNA BARNES' Gloria Upson declaring, “It was just ghastly!” in “Auntie Mame” to the impassioned monologue about love that BEAH RICHARDS delivers to SPENCER TRACY in “Guess Who's Coming To Dinner,” we take a fun look at these powerful performances that we're still talking about today. SHOW NOTES:  Sources: The Life and Death of Peter Sellers (1997) by Roger Lewis; But Darling, I'm Your Auntie Mame!: The Amazing History of the World's Favorite Madcap Aunt (1998), by Richard Tyler Jordan; Tennessee Williams & Company: His Essential Screen Actors (2010), by John DiLeo; “Judy Holiday, Winner of Oscar, Does of Cancer,” June 8, 1965, Los Angeles Times; “Mildred Natwick, 89, Actress Who Excelled at Eccentricity,” October 26, 1994, by Peter B. Flint, New York Times; “Steve Franken, Actor in ‘Dobie Gillis,' Dies at 80,” August 29, 2012, by Daniel E. Slotnik, New York Times;  “Madeleine Sherwood, 93, Actress on Stage, Film and ‘Flying Nun,' Dies,” April 26, 2016, by Sam Roberts, New York Times; “The Making of ‘TheParty',” January 13, 2017, by FilMagicians, Youtube.com; “Beah Richards, 80, Actress in Stalwart Roles,” September 16, 2000, by Mel Gussow, New York Times; “Joanna Barnes, Actress in ‘The Parent Trap' and its Sequel. Dies at 87,” May 12, 2022, by Richard Sanomir, New York Times; TCM.com; IMDBPro.com; IBDB.com; Wikipedia.com; Roger Ebert.com; Movies Mentioned:  Adams's Rib (1949), starring Katharine Hepburn, Spencer Tracy, Judy Holiday, David Wayne, Hope Emerson, Jean Hagen, and Tom Ewell; Born Yesterday (1950), starring Judy Holiday, Broderick Crawford, & William Holden; Auntie Mame (1958), starring Rosalind Russell, Forrest Tucker, Fred Clark, Roger Smith, Jan Handzlik, Corale Brown, Pippa Scott, Lee Patrick, Willard Waterman, Joanna Barnes, Connie Gilchrist, Patric Knowles, and Yuki Shimudo;  Cat On A Hot Tin Roof (1958), starring Elizabeth Taylor, Paul Newman, Burl Ives, Judith Anderson, Jack Carson, and Madeleine Sherwood; Spartacus (1960), starring Kirk Douglas, Laurence Olivier, Jean Simmons, Charles Laughton, Tony Curtis, & Joanna Barnes; The Parent Trap (1961), starring Haley Mills, Maureen O'Hara, Brian Keith, Joanna Barnes, Charles Ruggles, Ana Merkel, Leo G. Carroll, & Cathleen Nesbitt; The Americanization of Emily (1963), starring Julie Andrews & James Garner; The Time Traveler (1964), starring Preston Foster; Goodbye Charlie (1964), starring Tony Curtis, Debbie Reynolds, Ellen Burstyn, Pat Boone, & Joanna Barnes; Barefoot In The Park (1967), starring Jane Fonda, Robert Redford, Mildred Natwick, Charles Boyer, Herb Edelman, and Mabel Albertson; Don't Make Waves (1967) starring Tony Curtis, Claudia Cardinale, Sharon Tate, and Joanna Barnes; Guess Who's Coming To Dinner (1967), starring Katharine Hepburn, Spencer Tracy, Sidney Poitier, Katharine Houghton, Beah Richards, Roy E. Glen Sr, Cecil Kellaway, Isabelle Sanford, and Virginia Christine; The Party (1968), starring Peter Sellers, Claudine Longet, Denny Miller, Carol Wayne, Gavin MacLeod, Faye McKenzie, Marge Champion, Steve Frankel, Jean Carson, Corine Cole, J. Edward McKinley, and Herb Ellis; The Parent Trap (1998), starring Lindsay Lohan, Dennis Quaid, Natasha Richardson, Elaine Hendrix, & Lisa Ann Walter.  --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. On episode 75 of the Director Watch Podcast, the boys are joined by Pop Culture Confidential host Christina Jeurling Birro to discuss the first film in their Nancy Meyers series, The Parent Trap (1998). After nearly two decades of writing acclaimed screenplays that earned top dollar at the box office as well as an Oscar nomination, Nancy Meyers set out in the late 1990s to make her directorial debut with a remake of the 1961 Disney family film, The Parent Trap. Centering around two identical twins who discover each other while they are at summer camp who switch places on their return home in order to get their parents back together, Meyers used this property to not only establish her special cinematic we've all come to love, but as a vessel to handle her divorce from her co-collaborator for many years, director Charles Shyer. In doing this, she made a film that is far superior than the original, while also finding a star in the making with newcomer Lindsay Lohan. Ryan, Jay, and Christina break down their thoughts on the film, the plot of the film, Lohan's incredible performance, if Dennis Quaid and Natasha Richardson play the worst parents in the history of film, best camp movies, and the Disney live action film era of the late 1990s to early 2000s. You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 1h34m. The guys will be back next week to begin continue their series on the films of Nancy Meyers with a review of her film, What Women Want. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

MONOLOGUE Time to Jail Flag Burners? Liberal MP has profanity-filled meltdown in Commons committee as tensions boil over https://www.rebelnews.com/liberal_mp_has_profanity_filled_meltdown_in_commons_committee_as_tensions_boil_over Poilievre pledges to 'ban the terrorists' if elected — much to the Trudeau Liberals' chagrin https://www.rebelnews.com/poilievre_pledges_to_ban_the_terrorists_if_elected_much_to_the_trudeau_liberals_chagrin Sheila Gunn Reid, Alberta Bureau Chief for Rebel News. Host of The Gunn Show – Wednesday's 9pm Eastern KEEPING AN EYE ON YOUR MONEY PBO confirms carbon tax costs more than rebates https://www.taxpayer.com/newsroom/pbo-confirms-carbon-tax-costs-more-than-rebates  Kris Sims Alberta Director of The Canadian Taxpayers Federation taxpayer.com THE SOFA CINEFILE Maid in Manhattan - (2022) Romantic Comedy Starring Jennifer Lopez, Ray Fiennes, Natasha Richardson, Bob Hoskins A Senatorial candidate falls for a hotel maid, thinking she is a socialite, when he sees her trying on a wealthy woman's dress. Nick Soter is the founder of a Toronto community cinema club. THE LIMRIDLLER Sketching Moses Ponderous burden for Moses to bear. Means to consume pharmaceutical care. Mobile device Without keyboards or mice. Bound paper pad for a sketch to prepare. Aftermath of Hurricane Milton Joe Kovacs Executive News Editor at WND.com is the author of the new best-selling book, "Reaching God Speed: Unlocking the Secret Broadcast Revealing the Mystery of Everything." Joe lives and works in Florida. OPEN LINES STEELHEADS TALK The Brampton Steelheads went 2-1 over this past weekend including a big 6-3 win against the London Knights at home. And they will look to continue their hot start and get back into the win column tonight against the Windsor Spitfires Mike Karafilidis, Commentator for The Brampton Steelheads THERE'S SOMETHING HAPPENING HERE! Burn our beautiful Canadian flag? Get out! https://www.westernstandard.news/opinion/slobodian-burn-our-beautiful-canadian-flag-get-out/58554  Greg Carrasco, Host of “The Greg Carrasco Show, Saturday mornings 8-11am Sauga 960 AM   THE LIMRIDDLE ANSWER AND WINNERS  The answer to today's Limriddle is: Tablet The first five to answer correctly were: 1. Thomas LeBaron, Haliburton 2. Amy Lou Hoo, East York, Ontario 3. Bill Heller, Edinburg, Texas 4. Ben Demianiuk, Greater Sudbury, Ontario 5. Darcy Andrews, Oakville, Ontario Solution: Ponderous burden for Moses to bear. According to tradition, the first Yom Kippur took place after the Israelites' exodus from Egypt and arrival at Mount Sinai, where God gave Moses the Ten Commandments. Unfortunately, these were inscribed on heavy stone tablets, which he then had to carry all the way down the mountain. Means to consume pharmaceutical care. Pharmaceutical dosage is often administered in the form of a tablet, which is a small, compressed disk containing a measured amount of a medicine. Mobile device Without keyboards or mice. In modern times, a tablet is a portable computer pad, which typically has a large screen but no external mouse or physical keyboards. Bound paper pad for a sketch to prepare. Many years after Moses, the tablet took the form of a bound paper pad, sometimes with tear-away sheets – much easier to transport than large stones and considerably easier to write on. Learn more about your ad choices. Visit megaphone.fm/adchoices

We're seeing double this week as we cover “It Takes Two”‘s refined identical twin, “The Parent Trap”! Lindsay Lohan gets the Nancy Meyers treatment twice over in her film debut, and Lisa Ann Walter makes denim shirts and Dockers iconic as Best Supporting Chessy. Plus Elaine Hendrix feasting on the evil future stepmother role, an unflinchingly cool Natasha Richardson, a number of clearly gay men, one of the Flo's, an implacably off-putting Dennis Quaid, London in the 90s, Alan Silvestri and the lost art of a theme, and one brief tangent on Rizzoli & Isles.  Join us for The Best Supporting Aftershow and early access to main episodes on Patreon: www.patreon.com/bsapod Email: thebsapod@gmail.com Instagram: @bsapod Colin Drucker - Instagram: @colindrucker_ Nick Kochanov - Instagram: @nickkochanov

It's August, and all August That Aged Well is taking on Summer Vacation movies! Erika and Paul kick it off with Nancy Meyers' 1998 remake The Parent Trap, which introduced the world to Lindsay Lohan. Nay, it introduced the world to Lindsays Lohan! Both Lindsays, along with Dennis Quaid, Natasha Richardson, and two of the best staff members in cinematic history are here to charm the pants off you in this film…but how does the movie age?You can follow That Aged Well on Twitter (@ThatAgedWellPod), Instagram (@ThatAgedWell), Threads (@ThatAgedWell), and Spoutible (@ThatAgedWell)! SUPPORT US ON PATREON FOR BONUS CONTENT!THAT AGED WELL MERCH!Hosts: Paul Caiola & Erika VillalbaProducer & Editor: Paul Caiola

The cover and the trailer seem quirky, but Blow Dry is a serious movie about a silly hair-styling competition. Alan Rickman stars as Phil, a distant dad to Josh Hartnett, who looks like he's from Dumb and Dumber. He returns to town for a massive hair competition that his ex-wife Shelly, played by the late Natasha Richardson, is entering. Shelly faces fierce rivalry from Bill Neighy, who has a daughter played by Rachael Leigh Cook. He wants to win, so he plays dirty! Also, Shelly previously ran away from her marriage with Phil to be with her hair model, Sandra. What shenanigans! Oh, but Shelly has cancer, and that's no laughing matter.Remember to join our Discord for movie nights and further podcast discussions!Support this podcast at — https://redcircle.com/the-other-half/exclusive-content

Sisters? Hallie, we're like twins! Jack and Corey are joined by writers/directors Selyna Warren and Marissa Read (Foursome, Step Friend) to talk Nancy Meyers' beloved childhood classic THE PARENT TRAP (1998)! The three talk secret handshakes, Nancy Meyers movies, rich people porn, Oreos and peanut butter, going to camp, getting flashed, pulling pranks, Lindsay Lohan's star-making performance, It Takes Two, psychotic parents, Dennis Quaid's million dollar smile, Natasha Richardson's urge to cry, unexpected celebrity best friends, justice for Meredith, Crunchwrap Supremes and dual role movies.Support the pod by joining our Patreon at patreon.com/cinemapossessedpod and unlock the Cinema Possessed Bonus Materials, our bi-monthly bonus episodes where we talk about more than just what's in our collection.Instagram: instagram.com/cinemapossessedpodTikTok: https://www.tiktok.com/@cinemapossessedpodTwitter (X): twitter.com/cinemapossessedEmail: cinemapossessedpod@gmail.com Hosted on Acast. See acast.com/privacy for more information.

No, you haven't fallen asleep in a Venice alleyway - it's really the podcast! Today we're wandering La Serenissima and monologuing about our fathers as we discuss Paul Schrader's dreamy 1990 literary adaptation THE COMFORT OF STRANGERS with filmmakers and To The White Sea cohosts Jordan Fish and Ray Tintori! And yes, we do figure out which of us is which character from the film. We talk Ian McEwan, Harold Pinter, Gen X masculinity, befriending weirdos, dad stuff, vampires, and much more. Please, listen to our podcast - we insist. Further Reading: The Comfort of Strangers by Ian McEwan "What's Left of Generation X" by Kim Phillips-Fein "Ian McEwan: 'I had the time of my life'" by Rachel Cooke "Pinter's weasels" by David Edgar   Further Viewing: DON'T LOOK NOW (Roeg, 1973) DEATH IN VENICE (Visconti, 1971)   Follow Jordan and Ray: https://x.com/jwordfish https://x.com/raytintori https://linktr.ee/tothewhitesea   https://www.podcastyforme.com/ Follow Pod Casty For Me: https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

Amber speaks about concussion in athletes with Anthony Alessi, MD and board-certified neurologist who specializes in neurology, neuromuscular diseases, EMG, and sports neurology. Dr. Alessi is a Clinical Professor of Neurology and Orthopedic Surgery and the Director of the NeuroSport program at the University of Connecticut, and neurologist for the New York Yankees and Connecticut State Boxing Commission. In this conversation, they discuss Dr. Alessi's background in neurology and how he became the neurological consultant to the NFL Players Association, among other professional sports organizations. Dr. Alessi discusses the current science of concussions and traumatic brain injuries (TBIs), the challenges of working with athletes, the psychological impact of concussions, and the role of rehabilitation in recovery. Dr. Alessi debunks the myth that complete rest and avoiding screens is the best approach to concussion recovery, and shares what actually affects recovery time, including the role of exercise. He divulges insights about identifying concussions in race scenarios and emphasizes the need for awareness and action in protecting the brain health of athletes. He talks through symptoms and the steps for seeking treatment, including when to seek emergency care, what to look for in a specialist, and how to recognize if you need a different healthcare professional. He shares recommendations on how athletes, coaches, and parents can work with medical professionals and can exercise caution regarding unproven treatments and promises. Dr. Alessi highlights the plasticity of the brain and its ability to recover from injury with individualized treatment, including key considerations for treating athletes and guiding gradual return to activity. This conversation offers an in-depth look at the research, physiology, and real-world treatment of concussion in athletes, with actionable takeaways for anyone who works with athletes or regularly engages in sports or endurance activities. Dr. Alessi has offered to answer follow-up questions from listeners; send your questions for Dr. Alessi to amber@beagoodwheel.com. While this information comes from a medically trained professional specializing and actively working in the areas of neurology and sports medicine, this podcast is for informational purposes only and is not intended to replace professional medical advice.  This is an abridged version of the interview. To hear full-length and extended versions of every episode, subscribe to a membership on Ko-Fi. Memberships start at $3 per month and support the sustainability of the show. Check out all of the perks of membership at: https://ko-fi.com/beagoodwheel Don't miss an episode - subscribe and please rate us 5 stars!  Got feedback or questions?  Let us hear it: https://bit.ly/beagoodwheelpod Sign up for our newsletter! Get the latest: https://bit.ly/beagoodwheelnews Get involved! Join our community: https://beagoodwheel.com/community  Follow us on Instagram: https://www.instagram.com/beagoodwheel/  Mentioned in this episode:  Summary of key points from this episode, with printable PDF here: https://beagoodwheel.com/dr-anthony-alessi Healthy Rounds - Dr. Alessi's radio show discussing health topics with medical experts: https://podcasts.apple.com/us/podcast/healthy-rounds/id429232986 Death of Natasha Richardson: https://en.wikipedia.org/wiki/Natasha_Richardson Study by D Thomas et al - active injury management (i.e. incorporating light exercise or cognitive engagement) compared to complete rest post-concussion: https://pubmed.ncbi.nlm.nih.gov/36252936/ SCAT6 Sport Concussion Assessment Tool - intended for use by medical professionals and is mentioned in the episode as part of our discussion about generalized protocols: https://bjsm.bmj.com/content/bjsports/57/11/622.full.pdf CRT6 Concussion Recognition Tool - a similarly generalized tool intended for use by individuals without a professional healthcare background; as Dr. Alessi discusses, such a tool may not be needed if it's clear an athlete needs to be professionally assessed (i.e. if they fell at high speed): https://bjsm.bmj.com/content/bjsports/57/11/692.full.pdf ImPACT Tests - cognitive tests that include baseline and post-injury testing; as Dr. Alessi discusses, this only tests for one dimension of many potential symptoms of concussion and is not itself diagnostic: https://impactconcussion.com/ Early study by Dr. Ann McKee, PhD and Warren Distinguished Professor of Neurology and Pathology at Boston University School of Medicine - Tau protein in Chronic Traumatic Encephalopathy (CTE): https://pubmed.ncbi.nlm.nih.gov/19535999/ (discussion about CTE is included in extended version available to Ko-Fi subscribers) Send your follow-up questions for Dr. Alessi to amber@beagoodwheel.com

Reece and Bjorn discuss Paul Schrader's seductive and dangerous 1990 thriller, The Comfort of Strangers, starring Natasha Richardson and Rupert Everett as young lovers searching for passion in Venice, finding instead the not-so-comforting strangers, played by Christopher Walken and Helen Mirren.

Death to the fascist insect that preys upon the life of the podcast! Just playing, nobody preys upon us. But we're back in Symbionese Liberation Army territory this week to talk Paul Schrader's 1988 biopic PATTY HEARST! Join us for a spirited conversation about Natasha Richardson, Ving Rhames, the movie's angle on leftism, ideological and physical consent, and Disneyland in 1974. It's a good ep! Content warning: we talk about sexual violence on this episode. Further Reading: An Oral History with Ericka Huggins by Fiona Thompson Black Against Empire by Joshua Bloom and Waldo E. Martin FBI Records: The Vault - COINTELPRO Black Extremist Files Poisoner in Chief: Sidney Gottlieb and the CIA Search for Mind Control by Stephen Kinzer "Who Ran The S.L.A.?" by Dick Russell "How a Band of Yippies Shut Down Disneyland for Just the Second Time in History" by Stephen M. Silverman "Los Angeles Is Burning" by Sasha Frere-Jones Further Viewing: THE ENFORCER (Fargo, 1976) GUERILLA: THE TAKING OF PATTY HEARST (Stone, 2004)   https://www.podcastyforme.com/ Follow Pod Casty For Me: https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

Reece and Bjorn discuss Paul Schrader's 1988 true crime biopic, Patty Hearst, starring Natasha Richardson as the eponymous heiress who was kidnapped by and then joined (willingly?) the SLA.

Wrapping up our WRITER'S SHOCK triple feature, we're taking a weekend getaway into madness, monsters, and the unhinged nature of creative chaos that gave us Frankenstein, Dracula, and more in Ken Russell's GOTHIC, starring Gabriel Byrne, Natasha Richardson, Julian Sands, Timothy Spall, and Myriam Cyr. Make sure to subscribe on Apple Podcasts, Spotify, or anywhere you get your podcasts.Want to support the show and save 20% on Fangoria? Visit shop.fangoria.com/howimetyourmonster and enter PROMO CODE: HOWIMETYOURMONSTER at checkout!Looking for How I Met Your Monster merch? Check out TeePublic https://bit.ly/howimetyourmonstermerchQuestions and comments: howimetyourmonsterpodcast@gmail.com

Join Matt & I as we continue our series on Monsters of the Villa Diodati themed films that we would like to call “Monsters Among Us”. We discuss the 1986 film, ”Gothic”, which is my least favorite adaptation of the Summer of Darkness. We at least have Natasha Richardson and Julian Sands. Support The Conner & Smith Show on Patreon here: https://www.patreon.com/ConnerandSmith --- Send in a voice message: https://podcasters.spotify.com/pod/show/connerandsmithshow/message

National Eat what you want day.  Entertainment from 1965.  Minnesota became 32nd state, Only British Prime Minister assasinated, Adolf Eichmann captured.  Todays birthdays - Irving Berlin, Denver Pyle, Eric Bordon, Martha Quinn, Natasha Richardson, Cory Monteith.  Bob Marley died.Intro - Pour some sugar on me - Def Leppard    http://defleppard.com/Healthy food vs Junk food song - English Tree TVMrs. Brown, you've got a lovely daughter - Herman's Hermit'sGirl on the billboard - Del ReevesBirthday - The BeatlesBirthdays - In da club - 50 Cent   http://50cent.com/White Christmas - Bing CrosbyWe gotta get out of this place - The AnimalsMTV commercial Buffalo soldier - Bob MarleyExit - Its not love - Dokken   http://dokken.net/Follow Jeff Stampka on Facebook 

“I was quite set on theater. I was going to go out to Los Angeles for one year -- and that was it. Then I was going to go back to New York and devote myself to the theater. It didn't work out that way.” -- Jan Eliasberg80s TV Ladies "Director Ladies" series continues as Susan and Sharon welcome legendary director Jan Eliasberg. Jan began her television director career in the 1980s with an episode of Cagney & Lacey -- and she went on to be the first female director ever on Miami Vice, Crime Story and 21 Jump Street. She has also directed episodes of Dirty Dancing, L.A. Law, Dawson's Creek, Party of Five, Sisters, Parenthood, Nashville, Supernatural, Bull and NCIS: Los Angeles. Jan recently published her first novel, Hannah's War.In this enlightening conversation, Jan discusses how the American Film Institute (AFI) and “The Original Six” opened up opportunities for her and other female directors; how to navigate directing a network television show for the first time -- and how courage, tenacity and little guile can make all the difference …THE CONVERSATIONHow do you get 10,000 hours of experience when directing requires so much time, money and people: Europe or Yale?What can Shakespeare and Ibsen teach you about directing TV? Everything…Frances McDormand, Angela Bassett, John Turturo, Tony Shalhoub and Courtney Vance -- how do you quickly figure out what different actors need to create great performances?What happens when you direct a play about South African apartheid in St. Louis in the early 1980s?On shadowing directors: “I'm already a director -- what am I doing watching these people? I mean, they're good, but I'm good, too. And that was the kind of confidence -- or maybe you could say arrogance, fearlessness - -that it takes to go into a field that is predominantly male and actually make a dent and get a job.”How a twisty game of cat-and-mouse with Barney Rosensweig led to Jan's first directing gig -- on Cagney & Lacey. (S5, EP13 -- “Act of Conscience”).Directing L.A. Law -- and David Kelly's very first script!How asking others for advice is a gift that goes both ways.Directing two classic, fan-favorite episodes of Miami Vice.Jan gets her first feature film in 1988: How I Got Into College -- but you won't believe what happened to her on Day Two of filming…Past Midnight -- working with the great Rutger Hauer and Natasha Richardson.Is the window for women directors opening or closing? Jan gives us her take.So, join Susan, Sharon -- and Jan -- as they talk Dennis Farina, Michael Moriarty, Rutger Hauer, Paul Giamatti, Daniel Craig, Meg Foster, Sela Ward, Swoosie Kurtz, Kirsten Dunst, George Clooney, Patricia Arquette, Stanley Tucci -- and creamsicles!AUDIOGRAPHYFind out more about Jan at JanEliasberg.com.Buy Jan's new novel Hannah's War at Bookshop.Read Michael Cieply's 1988 article on Jan and other fired women directors at LA Times.  80s TV LADIES NEWSCatch 90s TV Baby Serita Fontanesi's “Not Ugly” podcast at Apple.CONNECTRead transcripts and more at 80sTVLadies.com.Get ad-free episodes and exclusive videos on PATREON.Find more cool podcasts at our host sight, Weirding Way Media.

This week, I filmed the Vanderpump Rules Reunion, and John developed a feud with an elusive gym. Also, I take a moment to pay tribute to my dear friend, Natasha Richardson. For more interviews and behind-the-scenes tea, tune in to Andy Cohen Live weekdays on Radio Andy by subscribing to SiriusXM. Use my link https://sxm.app.link/AndyCohen for a free trial!

So, we did mention them early on in the episode but it's important for us to note here that the Olsen Twins DID actually have their own version of this film in 1995, starring Kirsty Alley and Steve Guttenberg, called "It Takes Two". That's a little fun fact there for ya! Anyways, we're not here for that - we're here for 1998's debut of Lindsay Lohan (and subsequently Nancy Myers as a Director), "The Parent Trap", a classic Disney tale retold from its original release back in 1961! Also starring Dennis Quaid and Natasha Richardson, the film made us seriously examine just what it takes to be a good parent. And wonder aloud what it was like for Scott to have bunkbeds growing up and no one to share them with. Enjoy!Make sure to subscribe to Behind the Timeline for all of our newest updates and episodes! And if there's a movie or show you want us to cover, check out our website for the means to let us know what you wanna see!-Email: gobehindthetimeline@gmail.comTwitter: BehindtimelineInstagram: GobehindthetimelinePatreon: https://www.patreon.com/BehindTheTimeline?fan_landing=trueYouTube: https://www.youtube.com/channel/UCAPk2zW3jGm6b57uiVj-FEA

Conjure up your deepest, darkest fear. Now call that fear to life.Gothic is a 1986 British psychological horror film directed by Ken Russell, starring Gabriel Byrne as Lord Byron, Julian Sands as Percy Bysshe Shelley, Natasha Richardson as Mary Shelley, Myriam Cyr as Claire Clairmont (Mary Shelley's stepsister) and Timothy Spall as Dr. John William Polidori.The film is a fictionalized retelling of the Shelleys' visit to Lord Byron in Villa Diodati by Lake Geneva and it concerns their competition to write a horror story, which ultimately led to Mary Shelley writing Frankenstein and John Polidori writing The Vampyre.00:00 Intro12:26 Horror News 32:20 What We've Been Watching52:53 Film Review2:10:01 Name Game2:16:20 Film Rating2:22:36 OutroPodcast - https://podlink.to/horrorhangout​​​Patreon - https://www.patreon.com/horrorhangoutFacebook - https://www.facebook.com/horrorhangoutpodcastTwitter - https://twitter.com/horror_hangout_TikTok - https://www.tiktok.com/@horrorhangoutpodcastInstagram - https://www.instagram.com/horrorhangoutpodcast/Website - http://www.hawkandcleaver.com​​​Ben - https://twitter.com/ben_errington​​​Andy - https://twitter.com/AndyCTWritesHelen - https://www.instagram.com/helen.c.pain/Audio credit - Taj Eastonhttp://tajeaston.comSupport this show http://supporter.acast.com/thehorrorhangout. Hosted on Acast. See acast.com/privacy for more information.

To All the Men I've Tolerated Before is on a holiday break untl January 2024! In the meantime, we will be posting episodes of our livestream collaboration with Pop Culture Makes Me Jealous. Still Comfy? is an in-depth look at our favorite comfort shows and movies. After a conversation about the themes presented in the selected movie, wevdiscuss how the movie holds up against our Tolerator and Jelly Pops morals and viewpoints. Enjoy our review of the 1998 movie The Parent Trap starring Lindsay Lohan, Dennis Quaid, and Natasha Richardson. Nat and Jules set out to answer the question, what happens when you don't get to go to summer camp?You can watch Still Comfy? By subscribing to the playlist or joining us live on Tuesdays!While we're on holiday, please take an opportunity to follow the show on all social media platforms. All ways to support the show, including our socials, can be found at https://linktr.ee/menivetoleratedpod.We would also love for you to join us on Patreon! We have revamped the Patreon to include free content as well as content for our paying Patrons. We are also very excited to have on Patreon the exclusive series Misogyny Meltdown. Currently, the Misogyny Meltdown series is focused on our Misogynist of the Year Award. You can find the free article explaining our nominees on our Patreon feed. Make sure you are eligible to vote by following us on Patreon or subscribing to our newsletter.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5688404/advertisement

Want to see the video version of this podcast? Please visit Youtube here: https://www.youtube.com/watch?v=PEvvyaZBrJI Support us on Patreon here - http://www.patreon.com/filmcourage. BUY THE BOOK - THE DESECRATED https://amzn.to/3Oj6eHn Brooklyn born John Gray is an award winning writer-director-producer of films and television, and the creator of the long running TV series, Ghost Whisperer. He has written and directed many feature films and movies for television, including White Irish Drinkers, starring Stephen Lang and Karen Allen; Martin And Lewis, starring Sean Hayes and Jeremy Northam; the Emmy® nominated A Place For Annie, with Sissy Spacek; the Emmy® nominated mini-series Haven with Natasha Richardson and Anne Bancroft; Helter Skelter, and many others. Gray has directed numerous episodes of broadcast and cable series, including multiple episodes of the NBC series GRIMM and was also the producing director of the CBS series RECKLESS. Gray's acclaimed short films have played and are currently playing in film festivals all over the world including FRENCH KISS, which has also notched 6.3 million views to date on YouTube. He is married to writer-filmmaker Melissa Jo Peltier, and they make their home in New York and Cape Cod, MA. John's new novel The Desecrated follows Jennifer, a college dropout hoping to regroup, who joins the night shift at the NYC Morgue. MORE VIDEOS WITH JOHN GRAY https://bit.ly/3Wvk9j1 CONNECT WITH JOHN GRAY https://www.johngrayofficial.com https://www.imdb.com/name/nm0336726 https://twitter.com/JThomasGray https://www.instagram.com/bayrdge VIEWERS ALSO WATCHED 10 Screenwriting Lessons To Help You Improve Your Craft - https://youtu.be/Urmvgntxuss 21 Ways To Structure A Screenplay [WRITING MASTERCLASS] - https://youtu.be/OPxxJ2wBNTA Inside The Craft Of Screenwriting - https://youtu.be/p6bAiU66Mvw Learning Screenplay Story Structure - https://youtu.be/iywvNIWKbPI Learning The Craft Of Screenwriting - David Wappel [FULL INTERVIEW] - https://youtu.be/ECGULitEm2A CONNECT WITH FILM COURAGE http://www.FilmCourage.com http://twitter.com/#!/FilmCourage https://www.facebook.com/filmcourage https://www.instagram.com/filmcourage http://filmcourage.tumblr.com http://pinterest.com/filmcourage SUBSCRIBE TO THE FILM COURAGE YOUTUBE CHANNEL http://bit.ly/18DPN37 SUPPORT FILM COURAGE BY BECOMING A MEMBER https://www.youtube.com/channel/UCs8o1mdWAfefJkdBg632_tg/join SUPPORT FILM COURAGE BY BECOMING A PATRON https://www.patreon.com/filmcourage LISTEN TO THE FILM COURAGE PODCAST https://soundcloud.com/filmcourage-com (Affiliates) SAVE $15 ON YOUTUBE TV - LIMITED TIME OFFER https://tv.youtube.com/referral/r0847ysqgrrqgp ►WE USE THIS CAMERA (B&H) – https://buff.ly/3rWqrra ►WE USE THIS SOUND RECORDER (AMAZON) – http://amzn.to/2tbFlM9 Stuff we use: LENS - Most people ask us what camera we use, no one ever asks about the lens which filmmakers always tell us is more important. This lens was a big investment for us and one we wish we could have made sooner. Started using this lens at the end of 2013 - http://amzn.to/2tbtmOq AUDIO Rode VideoMic Pro - The Rode mic helps us capture our backup audio. It also helps us sync up our audio in post https://amzn.to/425k5rG Audio Recorder - If we had to do it all over again, this is probably the first item we would have bought - https://amzn.to/3WEuz0k LIGHTS - Although we like to use as much natural light as we can, we often enhance the lighting with this small portable light. We have two of them and they have saved us a number of times - http://amzn.to/2u5UnHv *These are affiliate links, by using them you can help support this channel.

We could've just as easily chosen Gothic for our Julian Sands tribute episode, as he puts on an incredibly bold and melodramatic performance, along with some opther stellar and emotional acting by Gabriel Byrne, Natasha Richardson, and Timothy Spall. This is a dramatization of the historically true party night between Lord Byron, the Shelley's and others which inspired Mary to come up with the story for Frankenstein. Truly a movie to be experienced!

Cyclical Living Unwrapped explores the gifts and challenges of cyclical life with experts in menstruation, perimenopause and cyclical living.This podcast is brought to you by Leora and Kate at Woman Kind.  We'll  hear about the limitations of the 'can do' inner summer energy, and how pacing is the way to go. How Natasha's inner autumn self-care has changed before and after having children, and the skills she's developed for experiencing rest in various ways, with young children.Natasha Richardson is the founder of Forage Botanicals, which makes natural remedies for periods and menopause. She has a Bsc (Hons) in herbal medicine and ran a successful clinic for over 10 years before writing her book ‘Your Period Handbook'. Now she has a team that takes patients while she focuses on product development and community relationships whilst raising her son and daughter. In 2021 she graduated from Oxford University with a Masters in design history where she has investigated women's medicine from 1850-2010. Find more info on Natasha:https://foragebotanicals.co.uk/If you are curious about your inner seasons and are navigating perimenopause, you might enjoy our self-directed online course Perimenopause Unwrapped, where you can shine a light on the unconscious processes that are colouring your perimenopause experience and bring more awareness, choice and compassion to your transition which you can find at https://woman-kind.co.uk/We'd be delighted to welcome you there and if you have any questions you can contact us through our site or email us at kindness@woman-kind.co.ukMore information about Katehttps://www.katecodrington.co.uk/Instagram @kate_codringtonSecond Spring: the self-care guide to menopause is available from your favourite bookshopMusicTrust Me (instrumental) by RYYZNCreative Commons — Attribution 3.0 Unported — CC BY 3.0Free Download / StreamMusic promoted by Audio LibraryArtworkKate's portrait by Lori FitzdoodlesMore information about Katehttps://www.katecodrington.co.uk/Instagram @kate_codringtonSecond Spring: the self-care guide to menopause is available from your favourite bookshopMusicTrust Me (instrumental) by RYYZNCreative Commons — Attribution 3.0 Unported — CC BY 3.0Free Download / StreamMusic promoted by Audio LibraryArtworkKate's portrait by Lori Fitzdoodles

Blaize and Jason weren't sure what to expect when they got to Patty Hearst and The Comfort of Strangers in their Schrader watchlist. So both of them were excited and suprirsed to find that these two movies were terrific films, filled with emotional and intellectual complexity that was unexpected. And beyond the fact that both star Natasha Richardson, there are many parallels to be drawn between the films, parallels which make for an interesting and insightful discussion. --- Send in a voice message: https://podcasters.spotify.com/pod/show/jason-sacks/message

This week! A literature episode. The hosts are back on Ken Russell with his adaptation of the Mary Shelley adaptation, Gothic (1986). Drusilla watched Death Game (1977) and they talk all about Colleen Camp. She also watched Ken Russell's Tommy and Listzomania. They discuss Ken Russell's unproduced script for Dracula. Josh comes in with book recs. The Icelandic semi-adaptation of Dracula called The Powers of Darkness and Riley Sager's The Only One Left. Also mentioned: the tragic death of Julian Sands, the Romantic period, the year with no summer, Cabaret, A Nightmare on Elm Street, Altered States, Kenneth Branagh's Frankenstein, Penny Dreadful, Suburbia, different Shakespeare adaptations, Dexter Fletcher, Derek Jarman, and Sting, From Wiki: “Gothic is a 1986 British psychological horror film directed by Ken Russell, starring Gabriel Byrne as Lord Byron, Julian Sands as Percy Bysshe Shelley, Natasha Richardson as Mary Shelley, Myriam Cyr as Claire Clairmont (Mary Shelley's stepsister) and Timothy Spall as Dr. John William Polidori. It features a soundtrack by Thomas Dolby, and marks Richardson's and Cyr's film debut.”NEXT WEEK: The Sentinel (1977) Website: http://www.bloodhauspod.comTwitter: https://twitter.com/BloodhausPodInstagram: https://www.instagram.com/bloodhauspod/Email: bloodhauspod@gmail.comDrusilla's art: https://www.sisterhydedesign.com/Drusilla's Instagram: https://www.instagram.com/hydesister/Drusilla's Letterboxd: https://letterboxd.com/drew_phillips/Joshua's website: https://www.joshuaconkel.com/Joshua's Twitter: https://twitter.com/JoshuaConkelJoshua's Instagram: https://www.instagram.com/joshua_conkel/Joshua's Letterboxd: https://letterboxd.com/joshuaconkel 

This week we are discussing the Lindsay Lohan (X2) film The Parent Trap, including the fantastic twin hijinx, the less enjoyable romance, mobile chili, pranks, fencing, handshakes, bad parenting, and more! The Parent Trap is a 1998 American romantic comedy film directed and co-written by Nancy Meyers, and produced and co-written by Charles Shyer. It is a remake of the 1961 film of the same name and an adaptation of Erich Kästner's 1949 German novel Lisa and Lottie (Das doppelte Lottchen). Dennis Quaid and Natasha Richardson star as a divorced couple who separated shortly after their identical twin daughters' birth; Lindsay Lohan stars (in her film debut) as both twins, Hallie Parker and Annie James, who are fortuitously reunited at summer camp after being separated at birth. David Swift wrote the screenplay for the original 1961 film based on Lottie and Lisa. Swift is credited along with Meyers and Shyer as co-writers of the 1998 version. I Love This You Should Too is hosted by Samantha & Indy Randhawa

Gay homosexuals Nick and Joseph discuss ⁠Gothic - a 1986 British psychological horror film directed by Ken Russell, starring Gabriel Byrne, Julian Sands, Natasha Richardson, Myriam Cyr, and Timothy Spall.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Additional topics include: OceanGate's submersible to the Titanic Rupaul's Drag Race All Stars and Queen of the Universe The death of Frederic Forrest And too many films to mention Want to send them stuff? Fish Jelly PO Box 461752 Los Angeles, CA 90046 Find merch here: https://fishjellyfilmreviews.myspreadshop.com/all Venmo @fishjelly Find them on Letterboxd: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://letterboxd.com/ragingbells/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://letterboxd.com/joroyolo/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Nick's Apple Music playlist: https://music.apple.com/us/playlist/lamour-de-nico/pl.u-PDb4zlpsLVrvqE1 Joseph's Apple Music playlist: https://music.apple.com/us/playlist/josephs-vibe/pl.u-6mo448yuBWzNE1 Check them out on YouTube: https://www.youtube.com/channel/UChVV6ezEYnPv9XaLZtUlZdw Nick's IG: ragingbells Joseph's IG: joroyolo --- Support this podcast: https://podcasters.spotify.com/pod/show/fish-jelly/support

On March 18, 2009, Natasha Richardson -- the talented star perhaps best known for her role as Lindsay Lohan's mother in The Parent Trap -- died after suffering what seemed like a minor injury at a ski resort in Canada. Her unexpected passing shocked the Hollywood community and forever changed the lives of her friends and family, but it's become an important cautionary tale that has probably ended up saving countless lives. Hosts: Derek Kaufman and Jason Beckerman Learn more about your ad choices. Visit megaphone.fm/adchoices

Jason & Jody are joined by Katie from the Horror at the Store podcast and The Comedy Store to review the Tales From The Crypt Season 1 opener "Fatal Caper"! This week's Tales From The Crypt episode stars Bob Hoskins, Natasha Richardson, Bob Hoskins, Greg Wise, Leslie Phillips & James Saxon Directed by Bob Hoskins Follow Dads From the Crypt! Twitter: @cryptdads Instagram: @dadsfromthecrypt Patreon: https://www.patreon.com/DadsFromTheCrypt

Andy, Michael, and Hunter celebrate the 25th anniversary of the beloved Disney remake, 1998's The Parent Trap starring Lindsay Lohan, Dennis Quaid, and Natasha Richardson. Find more Dis-Order: Every Disney Movie through the official RF4RM social media channels: Web | Twitter | Facebook | Instagram   Rate, review, & subscribe to Dis-Order on: Apple Podcasts | Google Play | Stitcher   Your feedback is appreciated. Send emails to podcast@rf4rm.com

National eat what you want day. Pop culture from 2022. CSS Virginia exploded, World oldest book, Spencer Perceval assassinated. Todays birthdays - Irving Berlin, Ceric Buden, Denver Pyle, Martha Quinn, Natasha Richardson, Cory Monteith.

Erin and Paul review two films currently featured in the Criterion Channel's "Erotic Thrillers" collection: Curtis Hanson's 1987 Hitchcockian suspense flick THE BEDROOM WINDOW, and Paul Schrader's 1990 adaptation of Ian MacEwan's THE COMFORT OF STRANGERS.

Comedian, actor and writer Jake Noll joins to discuss the 1994 drama NELL starring Jodie Foster, Liam Neeson and Natasha Richardson. Directed by Michael Apted, NELL tells the story of a young woman raised in an isolated North Carolina mountain cabin, making her first contact with the outside world after the death of her mother. NELL was released to a mixed critical reaction, but Jodie Foster received an Oscar nomination for her unique performance communicating only through an invented language (created by Foster herself.) So listen up, chickabees, as we spee all 'bout NELL, along with some diversions into Liam Neeson's accent work, dog reactions to movies, Spanking the Monkey, bad doctors, The Room, Room, Jodie Foster's Masterclass, tays in the winn, and much, much more!

Our show this week recounts the near-death experience of a very special man.Robert Neal Marshall has worked for many years in the Arts in various creative positions which include actor, director, producer, casting director, and playwright. He graduated from New York University Tisch School of the Arts with a BFA in Film and is currently Executive Director for Columbia Festival of the Arts in Maryland.Early projects took him to Berlin, Germany for Regina Ziegler Productions and Chicago, IL with Jack Lieb Productions. In the mid 1980's Marshall had a rare opportunity in London's West End as Assistant to Agent and Theatrical Producer Richard Armitage on several hit shows, including ME AND MY GIRL with Robert Lindsay and Emma Thompson and HIGH SOCIETY with Natasha Richardson.Marshall has independently produced stage productions in the West End at the Donmar Warehouse, at the famed Edinburgh Festival, in Southampton, UK, and back in the US. His documentary, MR OCEAN LINER, premiered on board Cunard's Queen Mary 2 and screened at the Elinor Bunin Munroe Film Center at Lincoln Center. Marshall's credits include multiple independent feature films and shorts as Production Manager and Line Producer.As Casting Associate with Pat Moran, CSA (HAIRSPRAY, THE WIRE) Marshall was a member of the team to win an Emmy® award for casting GAME CHANGE and an Emmy® nomination for casting season one of the comedy VEEP, both for HBO.As a member of SAG-AFTRA and Actors' Equity, Marshall's work features Off Broadway, Regional stage, Film & Television roles, including AWESOME 80'S PROM and HOUSE OF CARDS. For 12 years Marshall has been a guest lecturer for the Cunard Insights Enrichment Program.Raised in a theatrical family, Marshall's mother is actress turned photographer Bette Marshall. whose recent pictorial “Young Whitney - Stories and Photographs” is a behind-the-scenes glimpse into the pre-fame life of a yet unknown 18-year-old Whitney Houston. His father was Music and Entertainment Law attorney Paul G. Marshall.Marshall is also a survivor of a near-death experience having gone into V-Fib “The Widow Maker” in an ambulance where he was resuscitated by paramedics.Robert's critically acclaimed documentary, BACK FROM THE LIGHT on the aftereffects of surviving a near death experience is the topic of several inspirational talks and asks the question “What would you do if a loved one died… then came back to talk about it?”This week on the Paranormal Project, we will attempt to answer that question.

We continue our look back at the movies released by independent distributor Vestron Pictures, focusing on their 1988 releases. ----more---- The movies discussed on this episode, all released by Vestron Pictures in 1988 unless otherwise noted, include: Amsterdamned (Dick Maas) And God Created Woman (Roger Vadim) The Beat (Paul Mones) Burning Secret (Andrew Birkin) Call Me (Sollace Mitchell) The Family (Ettore Scola) Gothic (Ken Russell, 1987) The Lair of the White Worm (Ken Russell) Midnight Crossing (Roger Holzberg) Paramedics (Stuart Margolin) The Pointsman (Jos Stelling) Salome's Last Dance (Ken Russell) Promised Land (Michael Hoffman) The Unholy (Camilo Vila) Waxwork (Anthony Hickox)   TRANSCRIPT   From Los Angeles, California, the Entertainment Capital of the World, it's The 80s Movies Podcast. I am your host, Edward Havens. Thank you for listening today.   At the end of the previous episode, Vestron Pictures was celebrating the best year of its two year history. Dirty Dancing had become one of the most beloved movies of the year, and Anna was becoming a major awards contender, thanks to a powerhouse performance by veteran actress Sally Kirkland. And at the 60th Academy Awards ceremony, honoring the films of 1987, Dirty Dancing would win the Oscar for Best Original Song, while Anna would be nominated for Best Actress, and The Dead for Best Adapted Screenplay and Best Costumes.   Surely, things could only go up from there, right?   Welcome to Part Two of our miniseries.   But before we get started, I'm issuing a rare mea culpa. I need to add another Vestron movie which I completely missed on the previous episode, because it factors in to today's episode. Which, of course, starts before our story begins.   In the 1970s, there were very few filmmakers like the flamboyant Ken Russell. So unique a visual storyteller was Russell, it's nigh impossible to accurately describe him in a verbal or textual manner. Those who have seen The Devils, Tommy or Altered States know just how special Russell was as a filmmaker. By the late 1980s, the hits had dried up, and Russell was in a different kind of artistic stage, wanting to make somewhat faithful adaptations of late 19th and early 20th century UK authors. Vestron was looking to work with some prestigious filmmakers, to help build their cache in the filmmaking community, and Russell saw the opportunity to hopefully find a new home with this new distributor not unlike the one he had with Warner Brothers in the early 70s that brought forth several of his strongest movies.   In June 1986, Russell began production on a gothic horror film entitled, appropriately enough, Gothic, which depicted a fictionalized version of a real life meeting between Mary Godwin, Percy Shelley, John William Polidori and Claire Clairemont at the Villa Diodati in Geneva, hosted by Lord Byron, from which historians believe both Mary Shelley's Frankenstein and John William Polidori's The Vampyre were inspired.   And you want to talk about a movie with a great cast. Gabriel Byrne plays Lord Byron, Julian Sands as Percy Shelley, Natasha Richardson, in her first ever movie, as Mary Shelley, Timothy Spall as John William Polidori, and Dexter Fletcher.   Although the film was produced through MGM, and distributed by the company in Europe, they would not release the film in America, fearing American audiences wouldn't get it. So Vestron would swoop in and acquire the American theatrical rights.   Incidentally, the film did not do very well in American theatres. Opening at the Cinema 1 in midtown Manhattan on April 10th, 1987, the film would sell $45,000 worth of tickets in its first three days, one of the best grosses of any single screen in the city. But the film would end up grossing only $916k after three months in theatres.   BUT…   The movie would do quite well for Vestron on home video, enough so that Vestron would sign on to produce Russell's next three movies. The first of those will be coming up very soon.   Vestron's 1988 release schedule began on January 22nd with the release of two films.   The first was Michael Hoffman's Promised Land. In 1982, Hoffman's first film, Privileged, was the first film to made through the Oxford Film Foundation, and was notable for being the first screen appearances for Hugh Grant and Imogen Stubbs, the first film scored by future Oscar winning composer Rachel Portman, and was shepherded into production by none other than John Schlesinger, the Oscar winning director of 1969 Best Picture winner Midnight Cowboy. Hoffman's second film, the Scottish comedy Restless Natives, was part of the 1980s Scottish New Wave film movement that also included Bill Forsyth's Gregory's Girl and Local Hero, and was the only film to be scored by the Scottish rock band Big Country.   Promised Land was one of the first films to be developed by the Sundance Institute, in 1984, and when it was finally produced in 1986, would include Robert Redford as one of its executive producers. The film would follow two recent local high school graduates, Hancock and Danny, whose lives would intersect again with disastrous results several years after graduation. The cast features two young actors destined to become stars, in Keifer Sutherland and Meg Ryan, as well as Jason Gedrick, Tracy Pollan, and Jay Underwood. Shot in Reno and around the Sundance Institute outside Park City, Utah during the early winter months of 1987, Promised Land would make its world premiere at the prestigious Deauville Film Festival in September 1987, but would lose its original distributor, New World Pictures around the same time. Vestron would swoop in to grab the distribution rights, and set it for a January 22nd, 1988 release, just after its American debut at the then U.S. Film Festival, which is now known as the Sundance Film Festival.    Convenient, eh?   Opening on six screens in , the film would gross $31k in its first three days. The film would continue to slowly roll out into more major markets, but with a lack of stellar reviews, and a cast that wouldn't be more famous for at least another year and a half, Vestron would never push the film out to more than 67 theaters, and it would quickly disappear with only $316k worth of tickets sold.   The other movie Vestron opened on January 22nd was Ettore Scale's The Family, which was Italy's submission to that year's Academy Awards for Best Foreign Language Film. The great Vittorio Gassman stars as a retired college professor who reminisces about his life and his family over the course of the twentieth century. Featuring a cast of great international actors including Fanny Ardant, Philip Noiret, Stefania Sandrelli and Ricky Tognazzi, The Family would win every major film award in Italy, and it would indeed be nominated for Best Foreign Language Film, but in America, it would only play in a handful of theatres for about two months, unable to gross even $350k.   When is a remake not a remake? When French filmmaker Roger Vadim, who shot to international fame in 1956 with his movie And God Created Woman, decided to give a generational and international spin on his most famous work. And a completely different story, as to not resemble his original work in any form outside of the general brushstrokes of both being about a young, pretty, sexually liberated young woman.   Instead of Bridget Bardot, we get Rebecca De Mornay, who was never able to parlay her starring role in Risky Business to any kind of stardom the way one-time boyfriend Tom Cruise had. And if there was any American woman in the United States in 1988 who could bring in a certain demographic to see her traipse around New Mexico au natural, it would be Rebecca De Mornay. But as we saw with Kathleen Turner in Ken Russell's Crimes of Passion in 1984 and Ellen Barkin in Mary Lambert's Siesta in 1987, American audiences were still rather prudish when it came to seeing a certain kind of female empowered sexuality on screen, and when the film opened at 385 theatres on March 4th, it would open to barely a $1,000 per screen average. And God Created Woman would be gone from theatres after only three weeks and $717k in ticket sales.   Vestron would next release a Dutch film called The Pointsman, about a French woman who accidentally gets off at the wrong train station in a remote Dutch village, and a local railwayman who, unable to speak the other person's language, develop a strange relationship while she waits for another train that never arrives.   Opening at the Lincoln Plaza Cinemas on New York's Upper West Side on April 8th, the film would gross $7,000 in its first week, which in and of itself isn't all that bad for a mostly silent Dutch film. Except there was another Dutch film in the marketplace already, one that was getting much better reviews, and was the official Dutch entry into that year's Best Foreign Language Film race. That film, Babette's Feast, was becoming something more than just a movie. Restaurants across the country were creating menus based on the meals served in the film, and in its sixth week of release in New York City that weekend, had grossed four times as much as The Pointsman, despite the fact that the theatre playing Babette's Feast, the Cinema Studio 1, sat only 65 more people than the Lincoln Plaza 1. The following week, The Pointsman would drop to $6k in ticket sales, while Babette's Feast's audience grew another $6k over the previous week. After a third lackluster week, The Pointsman was gone from the Lincoln Plaza, and would never play in another theatre in America.   In the mid-80s, British actor Ben Cross was still trying to capitalize on his having been one of the leads in the 1981 Best Picture winner Chariots of Fire, and was sharing a home with his wife and children, as well as Camilo Vila, a filmmaker looking for his first big break in features after two well-received short films made in his native Cuba before he defected in the early 1980s. When Vila was offered the chance to direct The Unholy, about a Roman Catholic priest in New Orleans who finds himself battling a demonic force after being appointed to a new parish, he would walk down the hall of his shared home and offered his roomie the lead role.   Along with Ned Beatty, William Russ, Hal Holbrook and British actor Trevor Howard in his final film, The Unholy would begin two weeks of exterior filming in New Orleans on October 27th, 1986, before moving to a studio in Miami for seven more weeks. The film would open in 1189 theatres, Vestron's widest opening to date, on April 22nd, and would open in seventh place with $2.35m in ticket sales. By its second week in theatres, it would fall to eleventh place with a $1.24m gross. But with the Summer Movie Season quickly creeping up on the calendar, The Unholy would suffer the same fate as most horror films, making the drop to dollar houses after two weeks, as to make room for such dreck as Sunset, Blake Edwards' lamentable Bruce Willis/James Garner riff on Hollywood and cowboys in the late 1920s, and the pointless sequel to Critters before screens got gobbled up by Rambo III on Memorial Day weekend. It would earn a bit more than $6m at the box office.   When Gothic didn't perform well in American theatres, Ken Russell thought his career was over. As we mentioned earlier, the American home video store saved his career, as least for the time being.    The first film Russell would make for Vestron proper was Salome's Last Dance, based on an 1891 play by Oscar Wilde, which itself was based on a story from the New Testament. Russell's script would add a framing device as a way for movie audiences to get into this most theatrical of stories.   On Guy Fawkes Day in London in 1892, Oscar Wilde and his lover, Lord Alfred Douglas, arrive late at a friend's brothel, where the author is treated to a surprise performance of his play Salome, which has recently been banned from being performed at all in England by Lord Chamberlain. All of the actors in his special performance are played by the prostitutes of the brothel and their clients, and the scenes of the play are intertwined with Wilde's escapades at the brothel that night.   We didn't know it at the time, but Salome's Last Dance would be the penultimate film performance for Academy Award winning actress Glenda Jackson, who would retire to go into politics in England a couple years later, after working with Russell on another film, which we'll get to in a moment. About the only other actor you might recognize in the film is David Doyle, of all people, the American actor best known for playing Bosley on Charlie's Angels.   Like Gothic, Salome's Last Dance would not do very well in theatres, grossing less than half a million dollars after three months, but would find an appreciative audience on home video.   The most interesting thing about Roger Holzberg's Midnight Crossing is the writer and director himself. Holzberg started in the entertainment industry as a playwright, then designed the props and weapons for Albert Pyun's 1982 film The Sword and the Sorcerer, before moving on to direct the second unit team on Pyun's 1985 film Radioactive Dreams. After making this film, Holzberg would have a cancer scare, and pivot to health care, creating a number of technological advancements to help evolve patient treatment, including the Infusionarium, a media setup which helps children with cancer cope with treatment by asking them questions designed to determine what setting would be most comforting to them, and then using virtual reality technology and live events to immerse them in such an environment during treatment.   That's pretty darn cool, actually.   Midnight Crossing stars Faye Dunaway and Hill Street Blues star Daniel J. Travanti in his first major movie role as a couple who team with another couple, played by Kim Cattrall and John Laughlin, who go hunting for treasure supposedly buried between Florida and Cuba.   The film would open in 419 theaters on May 11th, 1988, and gross a paltry $673k in its first three days, putting it 15th on the list of box office grosses for the week, $23k more than Three Men and a Baby, which was playing on 538 screens in its 25th week of release. In its second week, Midnight Crossing would lose more than a third of its theatres, and the weekend gross would fall to just $232k. The third week would be even worse, dropping to just 67 theatres and $43k in ticket sales. After a few weeks at a handful of dollar houses, the film would be history with just $1.3m in the bank. Leonard Klady, then writing for the Los Angeles Times, would note in a January 1989 article about the 1988 box office that Midnight Crossing's box office to budget ratio of 0.26 was the tenth worst ratio for any major or mini-major studio, ahead of And God Created Woman's 8th worst ratio of .155 but behind other stinkers like Caddyshack II.   The forgotten erotic thriller Call Me sounds like a twist on the 1984 Alan Rudolph romantic comedy Choose Me, but instead of Genevieve Bujold we get Patricia Charbonneau, and instead of a meet cute involving singles at a bar in Los Angeles, we get a murder mystery involving a New York City journalist who gets involved with a mysterious caller after she witnesses a murder at a bar due to a case of mistaken identity.   The film's not very good, but the supporting cast is great, including Steve Buscemi, Patti D'Arbanville, Stephen McHattie and David Straithairn.   Opening on 24 screens in major markets on May 20th, Call Me would open to horrible reviews, lead by Siskel and Ebert's thumbs facing downward, and only $58,348 worth of tickets sold in its first three days. After five weeks in theatres, Vestron hung up on Call Me with just $252k in the kitty.   Vestron would open two movies on June 3rd, one in a very limited release, and one in a moderate national release.   There are a lot of obscure titles in these two episodes, and probably the most obscure is Paul Mones' The Beat. The film followed a young man named Billy Kane, played by William McNamara in his film debut, who moves into a rough neighborhood controlled by several gangs, who tries to help make his new area a better place by teaching them about poetry. John Savage from The Deer Hunter plays a teacher, and future writer and director Reggie Rock Bythewood plays one of the troubled youths whose life is turned around through the written and spoken word.   The production team was top notch. Producer Julia Phillips was one of the few women to ever win a Best Picture Oscar when she and her then husband Michael Phillips produced The Sting in 1973. Phillips was assisted on the film by two young men who were making their first movie. Jon Kilik would go on to produce or co-produce every Spike Lee movie from Do the Right Thing to Da 5 Bloods, except for BlackkKlansman, while Nick Weschler would produce sex, lies and videotape, Drugstore Cowboy, The Player and Requiem for a Dream, amongst dozens of major films. And the film's cinematographer, Tom DiCillo, would move into the director's chair in 1991 with Johnny Suede, which gave Brad Pitt his first lead role.   The Beat would be shot on location in New York City in the summer of 1986, and it would make its world premiere at the Cannes Film Market in May 1987. But it would be another thirteen months before the film arrived in theatres.   Opening on seven screens in Los Angeles and New York City on June 3rd, The Beat would gross just $7,168 in its first three days.  There would not be a second week for The Beat. It would make its way onto home video in early 1989, and that's the last time the film was seen for nearly thirty years, until the film was picked up by a number of streaming services.   Vestron's streak of bad luck continued with the comedy Paramedics starring George Newbern and Christopher McDonald. The only feature film directed by Stuart Margolin, best known as Angel on the 1970s TV series The Rockford Files, Newbern and McDonald play two… well, paramedics… who are sent by boss, as punishment, from their cushy uptown gig to a troubled district at the edge of the city, where they discover two other paramedics are running a cadavers for dollars scheme, harvesting organs from dead bodies to the black market.   Here again we have a great supporting cast who deserve to be in a better movie, including character actor John P. Ryan, James Noble from Benson, Lawrence Hilton-Jacobs from Welcome Back Kotter, the great Ray Walston, and one-time Playboy Playmate Karen Witter, who plays a sort of angel of death.   Opening on 301 screens nationwide, Paramedics would only gross $149,577 in its first three days, the worst per screen average of any movie playing in at least 100 theatres that weekend. Vestron stopped tracking the film after just three days.   Two weeks later, on June 17th, Vestron released a comedy horror film that should have done better. Waxwork was an interesting idea, a group of college students who have some strange encounters with the wax figures at a local museum, but that's not exactly why it should have been more popular. It was the cast that should have brought audiences in. On one side, you had a group of well-known younger actors like Deborah Foreman from Valley Girl, Zack Gailligan from Gremlins, Michelle Johnson from Blame It on Rio, and Miles O'Keeffe from Sword of the Valiant. On the other hand, you had a group of seasoned veterans from popular television shows and movies, such as Patrick Macnee from the popular 1960s British TV show The Avengers, John Rhys-Davies from the Indiana Jones movies, and David Warner, from The Omen and Time after Time and Time Bandits and Tron.   But if I want to be completely honest, this was not a movie to release in the early part of summer. While I'm a firm believer that the right movie can find an audience no matter when it's released, Waxwork was absolutely a prime candidate for an early October release. Throughout the 1980s, we saw a number of horror movies, and especially horror comedies, released in the summer season that just did not hit with audiences. So it would be of little surprise when Waxwork grossed less than a million dollars during its theatrical run. And it should be of little surprise that the film would become popular enough on home video to warrant a sequel, which would add more popular sci-fi and horror actors like Marina Sirtis from Star Trek: The Next Generation, David Carradine and even Bruce Campbell. But by 1992, when Waxwork 2 was released, Vestron was long since closed.   The second Ken Russell movie made for Vestron was The Lair of the White Worm, based on a 1911 novel by Bram Stoker, the author's final published book before his death the following year. The story follows the residents in and around a rural English manor that are tormented by an ancient priestess after the skull of a serpent she worships is unearthed by an archaeologist.   Russell would offer the role of Sylvia Marsh, the enigmatic Lady who is actually an immortal priestess to an ancient snake god, to Tilda Swinton, who at this point of her career had already racked up a substantial resume in film after only two years, but she would decline. Instead, the role would go to Amanda Donohoe, the British actress best known at the time for her appearances in a pair of Adam Ant videos earlier in the decade. And the supporting cast would include Peter Capaldi, Hugh Grant, Catherine Oxenberg, and the under-appreciated Sammi Davis, who was simply amazing in Mona Lisa, A Prayer for the Dying and John Boorman's Hope and Glory.   The $2m would come together fairly quickly. Vestron and Russell would agree on the film in late 1987, the script would be approved by January 1988, filming would begin in England in February, and the completed film would have its world premiere at the Montreal Film Festival before the end of August.   When the film arrived in American theatres starting on October 21st, many critics would embrace the director's deliberate camp qualities and anachronisms. But audiences, who maybe weren't used to Russell's style of filmmaking, did not embrace the film quite so much. New Yorkers would buy $31k worth of tickets in its opening weekend at the D. W. Griffith and 8th Street Playhouse, and the film would perform well in its opening weeks in major markets, but the film would never quite break out, earning just $1.2m after ten weeks in theatres. But, again, home video would save the day, as the film would become one of the bigger rental titles in 1989.   If you were a teenager in the early 80s, as I was, you may remember a Dutch horror film called The Lift. Or, at the very least, you remember the key art on the VHS box, of a man who has his head stuck in between the doors of an elevator, while the potential viewer is warned to take the stairs, take the stairs, for God's sake, take the stairs. It was an impressive debut film for Dick Maas, but it was one that would place an albatross around the neck of his career.   One of his follow ups to The Lift, called Amsterdamned, would follow a police detective who is searching for a serial killer in his home town, who uses the canals of the Dutch capital to keep himself hidden. When the detective gets too close to solving the identity of the murderer, the killer sends a message by killing the detective's girlfriend, which, if the killer had ever seen a movie before, he should have known you never do. You never make it personal for the cop, because he's gonna take you down even worse.   When the film's producers brought the film to the American Film Market in early 1988, it would become one of the most talked about films, and Vestron would pick up the American distribution rights for a cool half a million dollars. The film would open on six screens in the US on November 25th, including the Laemmle Music Hall in Beverly Hills but not in New York City, but a $15k first weekend gross would seal its fate almost immediately. The film would play for another four weeks in theatres, playing on 18 screens at its widest, but it would end its run shortly after the start of of the year with only $62,044 in tickets sold.   The final Vestron Pictures release of 1988 was Andrew Birkin's Burning Secret. Birkin, the brother of French singer and actress Jane Birkin, would co-write the screenplay for this adaptation of a 1913 short story by Austrian novelist Stefan Zweig, about a about an American diplomat's son who befriends a mysterious baron while staying at an Austrian spa during the 1920s. According to Birkin in a 2021 interview, making the movie was somewhat of a nightmare, as his leading actors, Klaus Maria Brandauer and Faye Dunaway, did not like each other, and their lack of comfort with each other would bleed into their performances, which is fatal for a film about two people who are supposed to passionately burn for each other.   Opening on 16 screens in major markets on Thursday, December 22nd, Burning Secret would only gross $27k in its first four days. The film would actually see a post-Christmas bump, as it would lose a screen but see its gross jump to $40k. But after the first of the year, as it was obvious reviews were not going to save the film and awards consideration was non-existent, the film would close after three weeks with only $104k worth of tickets sold.   By the end of 1988, Vestron was facing bankruptcy. The major distributors had learned the lessons independents like Vestron had taught them about selling more volumes of tapes by lowering the price, to make movies collectables and have people curate their own video library. Top titles were harder to come by, and studios were no longer giving up home video rights to the movies they acquired from third-party producers.   Like many of the distributors we've spoken about before, and will undoubtedly speak of again, Vestron had too much success with one movie too quickly, and learned the wrong lessons about growth. If you look at the independent distribution world of 2023, you'll see companies like A24 that have learned that lesson. Stay lean and mean, don't go too wide too quickly, try not to spend too much money on a movie, no matter who the filmmaker is and how good of a relationship you have with them. A24 worked with Robert Eggers on The Witch and The Lighthouse, but when he wanted to spend $70-90m to make The Northman, A24 tapped out early, and Focus Features ended up losing millions on the film. Focus, the “indie” label for Universal Studios, can weather a huge loss like The Northman because they are a part of a multinational, multimedia conglomerate.   This didn't mean Vestron was going to quit quite yet, but, spoiler alert, they'll be gone soon enough.   In fact, and in case you are newer to the podcast and haven't listen to many of the previous episodes, none of the independent distribution companies that began and/or saw their best years in the 1980s that we've covered so far or will be covering in the future, exist in the same form they existed in back then.    New Line still exists, but it's now a label within Warner Brothers instead of being an independent distributor. Ditto Orion, which is now just a specialty label within MGM/UA. The Samuel Goldwyn Company is still around and still distributes movies, but it was bought by Orion Pictures the year before Orion was bought by MGM/UA, so it too is now just a specialty label, within another specialty label. Miramax today is just a holding company for the movies the company made before they were sold off to Disney, before Disney sold them off to a hedge fund, who sold Miramax off to another hedge fund.    Atlantic is gone. New World is gone. Cannon is gone. Hemdale is gone. Cinecom is gone. Island Films is gone. Alive Films is gone. Concorde Films is gone. MCEG is gone. CineTel is gone. Crown International is gone. Lorimar is gone. New Century/Vista is gone. Skouras Films is gone. Cineplex Odeon Films is gone.   Not one of them survived.   The same can pretty much be said for the independent distributors created in the 1990s, save Lionsgate, but I'll leave that for another podcast to tackle.   As for the Vestron story, we'll continue that one next week, because there are still a dozen more movies to talk about, as well as the end of the line for the once high flying company.   Thank you for joining us. We'll talk again soon.   Remember to visit this episode's page on our website, The80sMoviePodcast.com, for extra materials about the movies we covered this episode.   The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment.   Thank you again.   Good night.

On this episode we memorialize the late great Angelo Badalamenti, legendary composer. Though most remember him fondly for composing the delightful music of Twin Peaks, we drop in on two of his most layered and deepest scores, with The Comfort Of Strangers & SecretaryIt's a Valentines Day special the Death By DVD way! With Death. Lots of Death. Well, not lots. Just Angelos. Rest in peace! 

This episode is all about how the understanding of ourselves as cyclical beings can help us navigate the climate emergency. Giulietta Durante of Hormones in Harmony, Natasha Richardson from Forage Botanicals and period educator Tara Ghosh all kindly volunteered to share their wisdom and experience, we talk about:·      How to manage climate anxiety·      How to manage your nervous system and make a difference·      How living cyclically helps you and the planet·      How to have difficult conversations about the climate emergency·      Being your own kind of activist·      Plus many great tips to make a difference to climate change in your everyday lifeHere is the info and links for my guests:Giulietta Durante: Hormones in HarmonyGiulietta is a menstrual cycle nutritionist on a mission to show you how your menstrual cycle can be the key to accessing the most complete version of yourself. Through hormone-healing nutrition she will inspire you to align with the powers of your menstrual cycle and deepen your connection to self so that you can explore and redefine what it means to live in harmony with your hormones. Giulietta's unconventional blend of hard science and a love for spirituality have earned her the title of ‘Hormone Whisperer'; and she loves nothing more than weaving together her extensive biochemical knowledge of hormones with more intuitive ways of healing to help you live your best hormonal life.Website https://www.hormonesinharmony.co.uk/Instagram  https://www.instagram.com/hormones_in_harmony/Natasha Richardson: Forage BotanicalsNatasha Richardson has a Bsc (Hons) in herbal medicine and is trained as a doula and antenatal teacher. She ran a successful clinic for over 10 years helping with menstrual complaints from menarche to menopause before writing her book ‘Your Period Handbook'. Now she has a team that takes patients while she focuses on product development and community relationships whilst raising her son and researching at Oxford University on her Masters in design history where she has investigated women's medicine from 1850-2010. Website https://foragebotanicals.co.uk/Instagram https://www.instagram.com/foragebotanicals/Tara GhoshTara Ghosh is a period educator and abdominal therapist passionate about sharing the simple ways to great health. Tara works with people 1:1 all over the world, as well as running Period Ready workshops for 8-12 years olds, how not to hate your period for teenagers and a 6-week course Embrace Your Cyclical Power for those in their 30s and 40s. Website https://taraghosh.com/Instagram https://www.instagram.com/_taraghosh_/More information about Katehttps://www.katecodrington.co.uk/Instagram @kate_codringtonSecond Spring: the self-care guide to menopause is available from your favourite bookshopMusicTrust Me (instrumental) by RYYZNCreative Commons — Attribution 3.0 Unported — CC BY 3.0Free Download / StreamMusic promoted by Audio LibraryArtworkKate's portrait by Lori Fitzdoodles

Nancy Jarecki, an entrepreneur and mother of three, didn't know what was hitting her as she walked the red carpet at Ali's Head Case premiere. What she thought was a strange little fainting spell was actually a subarachnoid hemorrhage. And while almost 50% of people do not make it, Nancy did. She shares the story of that day's events, the brain surgeries and many months of recovery, all of which, according to her doctors, were made better by her attitude and optimism. She seems to think that having part of her skull sewn into her abdominal wall for “safe keeping” is a hoot. And it kinda is! Let's just say that keeping a sense of humor is also part of the story. If you have questions or guest suggestions, Ali would love to hear from you. Call or text her at (323) 364-6356. Or email go-ask-ali-podcast-at-gmail.com. (No dashes) Links of Interest: “Nancy Jarecki: Head Strong” (Vogue, 02/02/11)See omnystudio.com/listener for privacy information.

In part two of Jonathan's conversation with Sam Mendes about his life in theatre, we hear the story of his stewardship of the Donmar Warehouse, the loneliness of the director, what his secret weapon is (according to the late Natasha Richardson), Mike Nicholls and the little man on his shoulder - and the end of that anecdote about Jonathan competing for Sam's favour with Tom Hollander for the part of Cyrano de Bergerac. Hosted on Acast. See acast.com/privacy for more information.

All aboard the Queen Elizabeth II -  get ready to fall in love! And then divorce! And then keep your twin daughters apart for 11 years!Is that not your idea of a good time? Too bad! This week, producer Bronte Jovevski (@crowdedhouseofficial) joins us to break down the classic remake of the twin-swap romantic comedy, The Parent Trap (1998).  We discuss Lindsay Lohan's tumultuous relationship to Hollywood, Natasha Richardson's radiance, Nancy Meyer's love of portraying exorbitant wealth onscreen, and of course the LEGENDARY visual effects this film has to offer. enjoy, follow us on instagram @matinee_podcast, and don't forget to rate & review!art by Alex Blackwellmusic by Nick Nausbaum

It's a classic twin mix-up with It Takes Two (Mary-Kate and Ashley Olsen, Kristie Alley, Steve Guttenberg) and The Parent Trap (Lindsay Lohan, Dennis Quaid, Natasha Richardson).(This episode contains spoilers)Where to watch It Takes Two?hooplaWhere to watch The Parent Trap?Disney+* As of August 2022 in the USAFor more shenanigans, follow us on Instagram @couplescutpodcast or TikTok @couplescutpodcast, Twitter @couplescutpod or send us an e-mail at CouplesCutPodcast@gmail.comTranscript available on our website: https://CouplesCut.buzzprout.com/

Join us for this film on The Manhattan Project where Paul Newman stars alongside relative newcomers Laura Dern, John Cusack and Natasha Richardson.

It was 1998. The 90s were ending and it was time for the offering of fresh blood to develop a new crop of teen stars. One of those stars? Lindsay Lohan. This week, Katie and Brad take a look back at Lindsay Lohan's first film, The Parent Trap. Joined by Natasha Richardson, Dennis Quaid, and Elaine Hendrix, The Parent Trap follows Lindsay as she plays a set of twins who find each other at summer camp after being separated at birth and set out to get their parents back together. And as wild as that plot is, somehow none of us had any problem with it as kids. Insane.But, does it hold up? Will The Parent Trap seduce us with a beautiful winery? Or will it torture us on a camping trip until we leave it alone forever? Find out in this week's episode of Well...I Liked It!

David and Rachel discuss the seemingly innocuous circumstances that led to the tragic death of actor Natasha Richardson and why we should all be very, very wary of a hit to the head.

It's double the fun as NostalgiaCast looks back at Nancy Meyers's 1998 remake of THE PARENT TRAP, starring Lindsay Lohan, Dennis Quaid, and the late, great Natasha Richardson! Cultured Vultures film editor and Rotten Tomatoes-approved critic Natasha Alvar joins Jonny and Darin to discuss the rise and fall of teenybopper Disney stars, not-bad-for-their-time motion capture twinning FX, and the evolution of Meyers's patented propensity for lifestyle porn. Let's get together and have a super-fun time, yeah yeah yeah!

Let's travel back in time, to when Lindsay Lohan made great movies, and two girls assaulted an evil soon to be step mother was, just good ole family fun! This week we learn of Sarah's person camp counsellor practices (sketchy at best), and that this movie spawned a generation of girls who knew how to pierce their owns ears... for better or for worse. Join Devin and Sarah as this week we rewatch the Lindsay Lohan, Dennis Quaid, Natasha Richardson classic, The Parent Trap.  See omnystudio.com/listener for privacy information.

Jessica Ashley, Lori's friend, mentor, and the Divorce Coach for Moms is back to break down the double trouble of 1998's romantic comedy, The Parent Trap starring Lindsay Lohan, Dennis Quaid, and Natasha Richardson. From the lowdown on Lohan and Lori's experience fencing, to Jessica feeling like a woman wearing pantyhose for the first time, the gal pals talk camp liabilities, 1986 weddings, having a "spare", transatlantic relationships, family secrets, and kids calling the shots. Get to know Jessica Ashley: Jessica Ashley is the Divorce Coach for Moms and the author of The Blended Family Q&A: 400 Questions to Spark Fun and Thought-Provoking Conversations. She is also the professor of a graduate communication class at Northwestern University. Jessica is mom to a 17-year old son and 7-year old daughter, and wears inappropriately high heels to the playground. Official Website Divorcecoachformoms.com The New York Times "It's a Good Time to Be a Relationship Coach" Schedule a complimentary call with Jessica The Blended Family Q&A: 400 Questions to Spark Fun and Thought-Provoking Conversations TikTok @divorcecoachformoms Instagram @divorcecoachformoms K.I.T. www.theuntitledgenxpodcast.com Support the pod on Patreon! Instagram.com/theuntitledgenxpodcast Facebook.com/theuntitledgenxpodcast untitledgenxpodcast@gmail.com

Happy Valentine's day, let's go to Reno! We will be talking about the 2002 Waking up in Reno movie with Patrick Swayze, Charlize Theron, Billy Bob Thornton, and Natasha Richardson. Are relationships like a loaf of bread? Does everyone in Arkansas really have that heavy of southern accents? If you haven't seen this movie, that is ok because we go through it, and break it all down as we throw in some humor to hopefully make you laugh a little. Thank you for listening and please tell a friend! Email us your thoughts and opinions, or just to say Hi, and we will mention you on the podcast. Thefilmobsessedcouple@gmail.com Follow us on: Our website: https://thefilmobsessedcouple.podbean.com/ or social media at: Instagram: https://www.instagram.com/thefilmobsessedcouple/ Facebook: https://www.facebook.com/thefilmobsessedcouple Twitter: https://twitter.com/obsessedcouple Tumblr: https://thefilmobsessedcouple.tumblr.com/

This week Zach and Sloane unwrap 2002's America spy action adventure extreme sports film: xXx. Zach and Sloane stay weirdly on topic this week because there was so much to discuss about this movie. Like why did they have a nuclear weapon attached to a solar power submarine when the weapon can only be diffused by deep water? Why did they cast Vin Diesel as an extreme sports star when he is about as nimble as a rhinoceros? Why did Asia Argento stay at her job even though she hadn't been paid in 2 years? Why did Natasha Richardson have to die in a skiing accident? These are the questions Zach and Sloane need answered on this week's Mummy Dearest! Support the show (https://www.patreon.com/mummydearestpodcast)