Podcasts about Screen International

The latest film releases include Karate Kid: Legends, The Phoenician Scheme, Bring Her Back, and Mountainhead. Weighing in are Alison Willmore, film critic for NY Magazine and Vulture, and Tim Grierson, senior U.S. critic for Screen International and author of This Is How You Make a Movie.

The latest film releases include The Accountant 2, Until Dawn, Havoc, and On Swift Horses. Weighing in are Tim Grierson, senior U.S. Critic for Screen International and author of This Is How You Make a Movie, and Alison Willmore, film critic for NY Magazine and Vulture.

The latest film releases include The Alto Knights, Snow White, Misericordia and Ash. Weighing in are Alison Willmore, film critic for NY Magazine and Vulture, and Tim Grierson, senior U.S. critic for Screen International and author of This Is How You Make a Movie.

This week on The Onion Bag the boys discuss the international break and England's squad, Ange being on thin ice, League Cup Final, potential smoke screen from FQ and an Interview from the Wide Bay region Plus, all the usual segments: Around The Grounds FLP and Tipping WAJMultiBobby Rant Enjoy your weekly hit of The Onion Bag

The latest film releases include Last Breath, My Dead Friend Zoe, Cold Wallet, and The Accidental Getaway Driver. Weighing in are Tim Grierson, senior U.S. critic for Screen International and author of This Is How You Make a Movie, and Katie Walsh, film reviewer for the Tribune News Service and the Los Angeles Times.

Mon, 17 Feb 2025 06:45:00 +0000 https://efm-industry-insights.podigee.io/68-2025-efm-morning-brief-with-screen-international 10ca421f28bea3cea9bdeb4285cc5a2f Kick off your EFM day with this short morning coffee companion: our daily EFM Morning Brief. 10 minutes to keep you up to speed with the latest news – today provided by our guest correspondent Louise Tutt from Screen International, followed by our "what's on for today" to help you navigate our EFM Industry Sessions and spot highlights and tips for the day. Make sure to tune into our EFM Morning Brief to stay on top of all the essentials and get the latest EFM buzz, hosted by Wendy Mitchell. EFM Morning Brief is part of the year-round podcast series Industry Insights – The EFM Podcast presented by the European Film Market of the Berlinale - hosted by industry analyst Johanna Koljonen and curator-producer Nadia Denton, it delves deep into the rapidly evolving film industry. full no EFM,European Film Market,Berlinale,Wendy Mitchell,Morning Brief,Screen International,Louise Tutt,Film Industry European Film Market

Highly-anticipated films hitting the big screen in 2025 include Wicked: For Good, Mission: Impossible – The Final Reckoning, Superman, 28 Years Later, Mickey 17, and more. Here for a preview are Tim Grierson, senior film critic for Screen International and author of This Is How You Make A Movie, and Shawn Edwards, film critic for FOX4 News in Kansas City.

The latest film releases include Wicked, Gladiator II, and The Piano Lesson. Weighing in are Christy Lemire, film critic for RogerEbert.com and co-host of the YouTube channel Breakfast All Day, and Tim Grierson, senior U.S. critic for Screen International and the author of This Is How You Make a Movie.

In this week's episode, Jamie is joined by the wonderful Raisah Ahmed, a Glasgow-based Screenwriter and Director working across Film and TV. Recently named a Screen International 2024 Rising Star, Raisah also serves on the BAFTA Scotland Committee, the Scottish Youth Film Foundation Board, and chairs the Glasgow Film Festival Industry Advisory Group.   We dive into: Raisah's journey into writing and directing. Her work within Children's TV. Tips on navigating development as a Writer. The importance of setting boundaries and maintaining a life outside of work. The joy of telling stories that those before her didn't get the chance to tell. Her experience in the writers' room for both series of C4's hit comedy We Are Lady Parts. The differences between writing and directing. The biggest lessons she's learned so far in her career, and much more.   Raisah Ahmed:   Raisah's Website: https://www.raisahahmed.com/  ScreenDaily Article on Raisah: https://www.screendaily.com/features/rising-stars-scotland-2024-raisah-ahmed-writer/director/5196190.article    Check out our website!: https://www.justgetarealjob.com   Donate to our Patreon page: www.patreon.com/justgetarealjob    Follow us on... Facebook: https://www.facebook.com/justgetarealjob/   Instagram: https://www.instagram.com/justgetarealjob/    TikTok: https://www.tiktok.com/@just.get.a.real.job  X: https://x.com/justgetarealjob    Spotify: https://open.spotify.com/show/5jhVdYlNMU8jrFUQxShMit    Apple Podcasts: https://podcasts.apple.com/gb/podcast/just-get-a-real-job/id1540434153    Artwork by Aimee Dinsdale: https://www.instagram.com/artbyaimeead/ 

The latest film releases include Here, A Real Pain, Blitz, and Emilia Perez. Weighing in are Amy Nicholson, host of the podcast Unspooled and film reviewer for The New York Times, and Tim Grierson, senior U.S. critic for Screen International and author of This Is How You Make a Movie.  

The latest film releases are Megalopolis, Wolfs, The Wild Robot, and Saturday Night. Weighing in are Christy Lemire, film critic for RogerEbert.com and co-host of the YouTube channel Breakfast All Day, and Tim Grierson, senior U.S. critic for Screen International and the author of This Is How You Make a Movie.

In this episode of Film Ireland presents, Gemma Creagh talks with BAFTA-nominated writer/director Virginia Gilbert about her powerful and evocative film Reawakening. Virginia Gilbert is an award-winning, BAFTA and IFTA nominated writer and director. Her screenwriting work has been placed on the BritList and she was named as a 'Star of Tomorrow' by Screen International. Her debut short as writer-director, Hesitation, won numerous awards internationally and was nominated for a BAFTA and an IFTA. Her debut feature A Long Way From Home, starring Academy-Award winner Brenda Fricker, BAFTA winner James Fox and Natalie Dormer, was nominated for the Michael Powell award for Best British Feature. Recent work includes the two-part series finale of BBC One's Silent Witness – Betrayal; award-winning Screen Ireland short Day Out, starring Martin McCann and Alisha Weir and Home, starring Max Irons, currently on the festival circuit. Previous television credits include Lord Haw-Haw for RTE 1; Money, Money, Money, RTE 2; the award-winning series Whores and IFTA-nominated series An Irish State of Mind for TG4. Virginia is also a published author. Her fiction work has featured on BBC Radio 4 and her debut novel, Travelling Companion, has been optioned for screen. Reawakening is her second feature as writer-director and her first as producer.

The latest film releases include Borderlands, Cuckoo, Good One and It Ends with Us. Weighing in are Tim Grierson, senior U.S. critic for Screen International and the author of This Is How You Make a Movie, and Katie Walsh, film reviewer for the Tribune News Service and the Los Angeles Times.

The latest film releases are Twisters, Oddity, Crossing, and Skywalkers: A Love Story. Weighing in are Monica Castillo, freelance film critic and senior film programmer at the Jacob Burns Film Center, and Tim Grierson, senior U.S. critic for Screen International and author of This Is How You Make a Movie.

Our great friend Tim Grierson from Screen International stops by to discuss two extremely movies on this brief, midweek pop-in at Breakfast All Day. First, we have an early review of the deeply unsettling horror movie "Longlegs," starring Maika Monroe and Nicolas Cage. It's in theaters Friday. Next, we have a late review of "Horizon: An American Saga - Chapter 1," the first part of Kevin Costner's sprawling Western epic. Chapter 2 was supposed to come out in August, but now has been pulled from the schedule. Who knows if there will even be Chapters 3 and 4 at this point? If there are, we'll review them, because we're professionals, dammit. "Horizon" is in theaters now. Alonso will be back on Friday for "Fly Me to the Moon," "Sing Sing" and Movie News LIVE! We look forward to seeing you then. We love starting our day with Coffee Bros.! The Dark Roast and Brazil are among our favorites, but we've enjoyed every roast we've tried. Take 15% off your order with our link and code BREAKFAST15. Shipping is free on orders of $50 or more: https://coffeebros.sjv.io/EKRRd9 Some links are affiliate links which means if you purchase something, we may receive a small commission.  

The latest film releases are La Bête, Monkey Man, Girls State, and Música. Weighing in are Amy Nicholson, host of the podcast Unspooled and film reviewer for the New York Times, and Tim Grierson, senior U.S. critic for Screen International and the author of This Is How You Make a Movie.

It's another Arthouse Tuesday here at Breakfast All Day, with two movies from the daring folks at Neon. First, Christy and Alonso review Alice Rohrwacher's "La Chimera," starring Josh O'Connor as a grave robber with a magical ability to find hidden Etruscan artifacts. It's in theaters starting March 29. Then, Christy and the always entertaining Tim Grierson of Screen International offer a spoiler discussion of "Immaculate," the Sydney Sweeney horror movie that opened over the weekend. So much happens that we knew we had to go in-depth, especially on that shocking ending. Thanks for checking in with us!

It's the '80s all over again here at Breakfast All Day -- but then again, did it ever stop being the '80s? First, Christy and Alonso review "Ghostbusters: Frozen Empire," which is not good, but at least it does a better job of blending the old and the new than 2021's "Ghostbusters: Afterlife" did. It's in theaters. Then we review "Road House," a remake of the 1989 cult favorite with Jake Gyllenhaal taking over the Patrick Swayze role. It's streaming on Prime Video. Finally, our good friend Tim Grierson from Screen International fills in on a review of "Immaculate," the new Sydney Sweeney horror movie which makes being a nun in Italy seem super dangerous. It's in theaters. And we start the whole episode off as we always do on Fridays with Movie News LIVE! Christy flies solo this time while Alonso's off recording his audiobook. Among the topics of discussion are trailers for "Beetlejuice Beetlejuice," "Furiosa" and the "Star Wars" prequel series "The Acolyte." Thanks so much for sharing some of your time with us and have a great weekend.

Thomas Payne (born 21 December 1982) is an English actor. He is known for appearing on AMC's The Walking Dead as Paul "Jesus" Rovia (2016-2018).Payne was born in Chelmsford, Essex, and grew up in Bath, Somerset, where he attended King Edward's School and was a prolific contributor to the school's drama department. He attended the Royal Central School of Speech & Drama, graduating in June 2005. He then appeared in Miss Pettigrew Lives for a Day.In January 2007, he first appeared in Waterloo Road for the BBC, playing sixth former Brett Aspinall. Despite being 24 at the time, Payne portrayed a 17-year-old character. He remained in the series until the end of the following season in March 2008. It was revealed afterwards that he would not be returning for the new season, beginning in January 2009.In 2009, Payne played George Best in Best: His Mother's Son, a BBC 2 film about the legendary footballer. In the same year he appeared in Marple: They Do It With Mirrors and Wuthering Heights for ITV.Payne was named as one of Screen International's Stars of Tomorrow 2007.On 8 March 2010, it was announced that Tom had joined the cast of Luck a new pilot for HBO directed by Michael Mann, written by David Milch, starring Dustin Hoffman and Nick Nolte. He plays the role of a Cajun jockey.In 2012, he was cast in the title role of The Physician (based on the book of the same name) alongside Stellan Skarsgard and Ben Kingsley.Payne was cast with a recurring role in Season 6 of The Walking Dead, as Paul "Jesus" Rovia, and promoted to series regular for season 7.Payne has been dating singer Jennifer Åkerman since late 2013. He later revealed on an episode of Talking Dead that they are engaged. His younger brother Will Payne is also an actor.

The latest film releases are Dune: Part 2, Spaceman, Shayda, and Problemista. Weighing in are Alison Willmore, film critic for NY Magazine and Vulture, and Tim Grierson, Senior U.S. Critic for Screen International and the author of This Is How You Make a Movie.

Launching Season Six, we go behind the scenes of the woman-strong Irish film Lies We Tell, a brooding tale of angels and demons, light and shadow, manners and mores, family secrets and family crimes, which The Guardian called “a tightly laced, elegantly cut gothic period drama.”A total rethinking of Irish writer Sheridan Le Fanu's 1864 novel Uncle Silas, the film centers on Maud Ruthyn, brilliantly portrayed by the rising young star Agnes O'Casey, great-granddaughter of the playwright, Sean O'Casey, who is trapped in the sprawling family estate Knowl (filmed at Ardgillan Castle in County Dublin) and by “the law being made and enforced by men.”The Guardian called her delivery “as sharp as a steak knife” and Screen International wrote, “A singular performance by Agnes O'Casey gives the pretty period piece a serrated edge.”Our episode starts with a prelude from Maedhbh Fiona Mc Cullagh, director of Washington, DC's Solas Nua Capital Irish Film Festival, which kicks off on Feb. 29th with Lies We Tell. Then Director Lisa Mulcahy and screenwriter Elisabeth Gooch talk about how they transformed a century-and-a-half-old Gothic period drama into a compelling woman-centered story relevant to today. We learn why Elizabeth found the 1864 Maude so annoying and Lisa talks about the budget pressures that led to the film's signature candle-lit ambiance, creating what Film Journal called “a tale of flawlessness and immersive beauty.”Then you'll meet Agnes O'Casey and hear about her UK upbringing, her Trinity College Dublin theatre training, her embrace of the Sean O'Casey lineage, her TV breakthrough in Ridley Road, her recent roles in films with the likes of Maggie Smith, Kathy Bates, Laura Linney, Stephen Rea, and a Cillian Murphy film yet to be released, and the challenges of being on camera in almost every scene of Lies We Tell.Join us to meet the makers and learn the backstory of the brilliant, woman-forwards Lies We Tell.Links:Lies We TellWebsiteIMDbAgnes O'CaseyWikipedia IMDbPortfolio ShowreelLisa MulcahyWebsiteIMDbTwitterElisabeth GoochIMDbMaedhbh Fiona Mc Cullagh LinkedInTwitterSolas Nua Capital Irish Film Festival

Thu, 15 Feb 2024 07:00:00 +0000 https://efm-industry-insights.podigee.io/49-2024-efm-morning-brief-with-screen-international 114f965993c59cef9cffb703bbb20d1f Kick off your EFM day with this short morning coffee companion: our daily EFM Morning Brief. 10 minutes to keep you up to speed with the latest news – today provided by our guest correspondent Louise Tutt from Screen International, followed by our "what's on for today" to help you navigate our EFM Industry Sessions and spot highlights and tips for the day. Make sure to tune into our EFM Morning Brief to stay on top of all the essentials and get the latest EFM buzz, hosted by Wendy Mitchell. EFM Morning Brief is part of the year-round podcast series Industry Insights – The EFM Podcast presented by the European Film Market of the Berlinale - hosted by industry analyst Johanna Koljonen and curator-producer Nadia Denton, it delves deep into the rapidly evolving film industry. full no EFM,European Film Market,Berlinale,Wendy Mitchell,Morning Brief,Screen International,Louise Tutt,Film Industry European Film Market 805

Thu, 18 Jan 2024 09:45:39 +0000 https://efm-industry-insights.podigee.io/47-international-film-sales-the-now-and-the-next 0cdd42704e4406bd8556a9ff9998a62b Industry Insights – The EFM Podcast is presented by the European Film Market of the Berlinale. Hosted by journalist, moderator and film festival consultant Wendy Mitchell, it delves deep into the rapidly evolving film industry. This episode explores the dynamic world of film sales as three industry experts delve into the post-pandemic landscape. Gain valuable insights into the evolving business in the theatrical and digital space, hear success stories in the realm of Arthouse cinema, and discover the pivotal role of a strong relationship to filmmakers. Guest speakers Alice Lesort, Katarzyna Siniarska and Jean-Christophe Lamontagne explore the importance of data, converse about regional nuances, and shed light on the growing interest of a new generation for Arthouse films. Tune in for a captivating discussion on current developments and the future of film sales! Katarzyna Siniarska is a sales agent and producer, a Co-President of Europa International, European sales agents association (2021 -) and a frequent collaborator of ACE, EPI and First Cut Lab+ programmes. Since January 2013, she has been a part of Warsaw-based boutique world sales agency New Europe Film Sales; first as a sales executive then the head of sales and a partner at the company. Jean-Christophe J. Lamontagne is passionate about promoting cinema and founded h264 in 2015. His goal: to increase the influence of works by forging close links between audiences and creators. He also directs and co-founds the Festival Plein(s) Écran(s), the first festival in the world to take place on Facebook. h264 is diversifying its activities and in 2019 launched a new aggregation service offering in a bid to improve the accessibility and distribution of works on digital platforms. 2021 marks a new stage for h264, which launches into feature film distribution following the acquisition of Fragments, with the aim of offering an innovative, integrated distribution model. Alice Lesort started her career as a sales agent at Le Pacte. Since 2018, she is Head of the International Sales department at the production, distribution, and sales company Les Films du Losange, which supports filmmakers from all over the world through a vast catalogue of over 300 films (including the works of Eric Rohmer, Barbet Schroeder, Jacques Rivette, Jean Eustache, Michael Haneke, Mia Hansen-Løve, Alain Guiraudie, Nicolas Philibert…). On top of managing the sales team, she oversees sales in America, French and German speaking Europe, the United Kingdom and for multinational platforms. Alice Lesort is co-president of Europa International (European organization for films' international distributors) since 2021, and is also part of the Advance on Receipts committee of the CNC. The host Wendy Mitchell is a journalist, moderator and film festival consultant. She is a contributing editor and Nordic correspondent at Screen International, the producer of the Sundance London film festival, the UK and Nordic delegate for San Sebastian, consultant for San Sebastian's Creative Investors' Conference, curator at Lübeck Nordic Film Days and frequent moderator for Cannes Marché du Film and Berlinale's European Film Market. The Berlinale's European Film Market is the first international film market of the year, where the film industry starts its business. Industry Insights - The EFM Podcast puts a spotlight on highly topical and trendsetting industry issues, thereby creating a compass for the forthcoming film year. The year-round podcast is produced in cooperation with Goethe-Institut and co-funded by Creative Europe MEDIA. full no Film Sales,EFM,Film Market,Industry Insights,Wendy Mitchell,Katarzyna Siniarska,Distribution,Jean-Christophe Lamontagne,Alice Lesort,Berlinale European Film Market

The latest film releases are The Zone of Interest, American Fiction, Wonka, and Chicken Run: Dawn of the Nugget. Weighing in are Tim Grierson, senior U.S. critic for Screen International and the author of This Is How You Make a Movie, and Alison Willmore, film critic for NY Magazine and Vulture.

Making your first feature film is hard. Making it for a 7 figure budget is nearly impossible. In the 10th episode of the Movie Moolah Podcast we talk about the perils of creating family films, how to attach recognizable names, the con artists that run rampant about the industry, and the importance of background work in creating a sustainable indiefilm career. Stimson is the director of Tim Travers and the Time Travelers Paradox, which stars Danny Trejo, Felicia Day, Keith David, and Joel McHale, and has been featured in outlets like Screen International and Deadline. Find Stimson Online: https://stimsonsnead.com/ Read the Deadline announcement https://deadline.com/2023/01/danny-trejo-joel-mchale-cast-tim-travers-and-the-time-travelers-paradox-1235245235/ Normally I'd link to the Film itself as well as cast bios, but given the currently ongoing SAG-AFTRA Strike, we're attempting to remain in compliance with promotional requirements. All information in this podcast is shared with the intention of informing the audience, not promoting the film itself. Check out the Guerrilla Rep Media Indie Film Biz Resource Pack. www.theguerrillarep.com/resources If you can, support this content on Patreon or Substack. Patreon: https://www.patreon.com/TheGuerrillaRep Substack: https://theguerrillarep.substack.com/

The latest film releases include The Hunger Games: The Ballad of Songbirds and Snakes, Next Goal Wins, Fallen Leaves, May December, and Saltburn. Weighing in are Tim Grierson, senior U.S. critic for Screen International and the author of This Is How You Make a Movie, and Amy Nicholson, host of the podcast Unspooled and film reviewer for The New York Times. 

Actress Tanya Reynolds talks about why being an introvert is a superpower, her final Sex Education scenes and when books come into your life and act like medicine.  Tanya is perhaps known best for her scene-stealing role as Lily Iglehart in the Emmy award-winning Netflix show Sex Education, but has been gracing our screens with roles in Outlander, Death in Paradise and more recently 2020's film adaptation of Jane Austen's Emma, alongside Anya Taylor-Joy and Bill Nighy. Tanya was named  as one of Screen International's Stars of Tomorrow in 2020, and has recently been treading the boards at London's Almeida Theatre in critically acclaimed play A Mirror. Tanya's book choices are: ** Angus, Thongs and Full Frontal Snogging by Louise Rennison ** Wuthering Heights by Emily Brontë **  My Brilliant Friend by Elena Ferante  ** Quiet by Susan Cain ** Everyone in this room will someday be dead by Emily Austen  Vick Hope, multi-award winning TV and BBC Radio 1 presenter, author and journalist, is the host of season six of the Women's Prize for Fiction Podcast. Every week, Vick will be joined by another inspirational woman to discuss the work of incredible female authors. The Women's Prize is one of the most prestigious literary awards in the world, and they continue to champion the very best books written by women. Don't want to miss the rest of season six? Listen and subscribe now! This podcast is sponsored by Baileys and produced by Bird Lime Media.

A big budget US remake of “The Wages of Fear?” Where do we sign up? Tune in as Chris talks "The Directors Company," jungle shoots, and sweaty screen offerings as the LSCE screens William Friedkin's 1977 masterpiece “Sorcerer.” Join us! Works Cited: Canby, Vincent. “Sorcerer, Action Movie Set in Latin America.” The New York Times. June 25, 1977. Article Link. Accessed 8/18/23. “Feature Reviews: SORCERER.” Boxoffice. New York: Boxoffice Media LP, 1977. Article Link Flatley, Guy.  “At the Movies: Roy Scheider, “Sorcerer Stat, Talks of Thrillers.” The New York Times. January 21, 1977. Article Link. Accessed 8/10/23. Friedkin, William. The Friedkin Connection: A Memoir. 2013. New York, Harper Collins. Kissel, Howard. “Arts & People: Films: Sorcerer.” WWD 134, no. 123 (1977): 9–. Article Link Mack. "Film Reviews: Sorcerer." Variety (Archive: 1905-2000), Jun 29, 1977, 26, Article Link Picture Grosses: “SORCERER” NICE 38G, ST. L.; “TALL” 50G, 2D. Variety. Vol. 287. Los Angeles: Penske Business Corporation, 1977. Article Link. “SORCERER” SWITCH. Screen International. London: Media Business Insight, 1977. --- Send in a voice message: https://podcasters.spotify.com/pod/show/lsce/message

This is the conclusion to Lance and Matt's discussion with Tim Grierson on Wilco's 13th studio album Cousin.Tim Grierson is the senior U.S. critic for Screen International. His writing appears frequently at the Los Angeles Times, Vulture and Rolling Stone. Grierson co-hosts the weekly film podcast Grierson & Leitch, and he is the author of seven books, including This Is How You Make a Movie and Wilco: Sunken Treasure.

In 2017, Women in Film and Television Ireland hosted a DOP Masterclass at Brooks Hotel. This live event featured insight into the craft of cinematography from two leading DOPs, Kate McCullough (The Farthest, The Queen of Ireland, His & Hers) and Frida Wendel (Striking Out, Ego). McCullough has recently been listed in Screen International's “Stars of Tomorrow 2020”. She received the Golden Frog for Best Cinematography on a Docudrama ‘I Dolours' at Camerimage 2018. In the same year she was nominated for an Emmy for her work on ‘The Farthest'. The Hollywood Reporter listed McCullough as top 10 to watch in Irish Film Industry 2017. More recently she was nominated for the IMAGO award 2019 for her work on ‘The Farthest'. Upon completing her studies at The National Film School, Lodz, Poland, McCullough shot the Irish box office hit ‘His and Hers'. This film went on to win the ‘World Cinematography Award in Documentary', Sundance 2010. McCullough is a member of the Irish Society of Cinematographers and Illuminatrix. Frida Wendel is a Swedish DOP who has a background in still photography and studied cinematography at Dramatiska Instituet between 2004 and 2008. She has since then made a number of popular commercials and promos for companies such as IKEA, Vero Moda and Burger King. She puts a lot of effort on visual storytelling and she is known for her work on EGO (2014), Akta manniskor (2014), Glada halsningar fran Missangertrask (2015) and more recently in Ireland on Blinder Films Striking Out, starring Amy Huberman and Neil Morrissey and directed by Lisa James Larsson for RTE. She is currently shooting Series Two. She is a member of The Swedish Society of Cinematographers FSF. This masterclass was chaired by award-winning cinematographer Michael Lavelle (Cardboard Gangsters, Can't Cope, Won't Cope, Patrick's Day).

It's finally time to discuss Cousin! This is a special episode as it is part 1 of 2 and the guys welcome back Tim Grierson to delve into reviewing the album.Tim Grierson is the senior U.S. critic for Screen International. His writing appears frequently at the Los Angeles Times, Vulture and Rolling Stone. Grierson co-hosts the weekly film podcast Grierson & Leitch, and he is the author of seven books, including This Is How You Make a Movie and Wilco: Sunken Treasure.

From a young age, Corin developed a dark and distinctive flair for creating monsters, animations and Super-8 horror films. He studied Theatre Design at Wimbledon School of Art before spending 5 years making his award-winning stop-motion film, BUTTERFLY. With a keen interest in music, he directed cinematic promos for many artists including: The Prodigy, Biffy Clyro, Keane, The Horrors, Paolo Nutini and Ed Sheeran. In 2011, Screen International selected Hardy as one of their ‘Stars Of Tomorrow.' In 2015 Corin's debut feature THE HALLOW launched at Sundance to international acclaim, taking home numerous awards including best horror film in Empire Film Awards, Best feature at Fantastic Fest, Strasbourg, and taking home 5 awards at the LA Scream Fest, including best director. He was nominated as Best Debut Director at BIFA. In 2018, Corin directed his second feature THE NUN. THE NUN went on to become the highest grossing film of the Conjuring franchise and is the 9th highest grossing horror movie of all time. Most recently, he became lead director, co-showrunner and executive producer of Season 2 of Sky & AMC+'s action crime saga GANGS OF LONDON. He directed half of the episodes in Season 1, which became Sky's most binge-watched show of 2020. On this episode Jess and Jenn dive into Corin's journey as a director starting out in stop motion, moving into music videos as well as his most recent years working in film and Television *SPOILER ALERT- there are lots of spoilers for the show Gangs of London. If you haven't caught up on the show yet, make sure to go watch the show on AMC+ (in America) and Sky (in the UK) Corin's origin story and his love for monster making and art turning into directing films for horror and action. How he made the transition from music videos into film and television How he came to be director and then co-showrunner for Gangs of London The casting process for Gangs of London including all the diversity and searches for the cast His creative process for Gangs of London and all the action sequences and the actors willingness to be a part of it Casting in the Indie space vs. Studio films Getting indies cast with certain levels of star names and how to create stars in the new world of streamers and studios Exciting projects coming up for Corin Corin's Drink of Choice (or 3!) Resources: Butterfly Stop Motion Short Film Corin Hardy IMDB Corin's Instagram Gangs of London Podcast with Corin ──────────────────────────── ⁠⁠⁠⁠⁠⁠⁠Stay Tuned with Tipsy Casting on IG⁠⁠⁠⁠⁠⁠⁠ Watch the ⁠⁠⁠⁠⁠⁠⁠Tipsy Casting YouTube Channel⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠Follow Jessica ⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠Follow Jenn ⁠⁠⁠⁠⁠⁠⁠ Learn More About ⁠⁠⁠⁠⁠⁠⁠Jess ⁠⁠⁠⁠⁠⁠⁠& ⁠⁠⁠⁠⁠⁠⁠Jenn's⁠⁠⁠⁠⁠⁠⁠ Casting Journeys  ⁠⁠⁠⁠⁠⁠⁠Get Casting Life Away Merch here!⁠ --- Send in a voice message: https://podcasters.spotify.com/pod/show/tipsycastingpodcast/message

Thu, 28 Sep 2023 13:00:00 +0000 https://efm-industry-insights.podigee.io/43-finance-trends-across-the-ecosystem 28ed775a397f6a1ac3c4be093f240d97 Industry Insights – The EFM Podcast is presented by the European Film Market of the Berlinale. Hosted by journalist, moderator and film festival consultant, it delves deep into the rapidly evolving film industry. This special EFM Industry Insights episode meets top global film executives attending San Sebastian's second-annual Creative Investors Conference, where industry experts Elisa Alvares, Carole Scotta, Juan Gordon, and John Sloss have gathered to discuss topics such as opportunities in the shifting US landscape; global trends across the film value chain; the outlook from leading streamers; specific challenges facing independent producers; examining the global marketplace for Spanish-language content; finding strength in new international collaborations; and future-proofing how the industry continues to evolve to best serve audiences. Elisa Alvares is an all-rounded financier with over 25 years' experience in international corporate and structured finance with a focus in Media & Entertainment/Media-tech. Further to a successful career across investment banking, asset management and commercial banking with the likes of Dresdner Kleinwort Wasserstein Bank, Taurus Finance and Bank Leumi, Elisa founded Jacaranda Group in London in 2018. Through Jacaranda Consultants, Elisa has advised VC-backed investment funds and family offices around the world on their investments into music, film, TV, games, interactive/EntTech. Over the years, Elisa has originated/executed on transactions in Media & Entertainment in excess of $1B. Jacaranda assists clients from new fund strategy phase to deal origination and structuring, including facilitating corporate governance, and overseeing deal negotiation, deal execution and monitoring as part of long-term strategies. Juan Gordon is one of the founders of Morena Films, established in 1999. He was previously General Director of the production and distribution company ESICMA, where he produced his first feature film Lluvia en los Zapatos, directed by Maria Ripoll. Already at Morena, Juan has been responsible for the development and production of films such as: Intemperie (Benito Zambrano, 2019); Yuli (Iciar Bollain, 2018); Immersion (Wim Wenders, 2018); May God come down and see it (Curro Velázquez, 2017); One Hundred Years of Forgiveness (Daniel Calparsoro, 2016); The Olive Tree (Iciar Bollain, 2016); The Sheep Don't Miss the Train (Álvaro Fernández Armero, 2015); The Cave (Alfredo Montero, 2013). Recent credits include the Netflix original film Amor de Madre. After graduating from Arizona State University, Carole Scotta founded Haut et Court in 1992 the same year she won the Fondation Hachette prize as best young producer. She first broke into the French distribution sector with the "Unreleased of America" which included among others Alison Ander's "Gas, Food, Lodging" and Alex Cox's "Highway Patrolman". In 1997 Carole Scotta produced "My life in Pink" by Alain Berliner, her first feature film (Golden Globe for Best Foreign Film). Since then, her company, Haut et Court, produced and distributed over 200 films most of which have won several awards in international festivals; among others the Palme d'Or in Cannes 2008 with "The Class" by Laurent Cantet and the International Emmy for Best Drama Series 2013 with "The Returned" by Fabrice Gobert. Carole also produced "Coco before Chanel" by Anne Fontaine with Audrey Tautou, which was the first French film on the international market in 2009. She is not only a producer and a distributor but also an exhibitor with the launch of the NOUVEL ODEON in 2010, a theater in the heart of the Quartier Latin in Paris and the LOUXOR, a renovated theater which first opened in 1921. John Sloss is founder and CEO of Cinetic Media, and partner in Sloss Eckhouse Dasti Haynes LawCo. Through Cinetic, John produces motion pictures and television, provides various content sales and corporate advisory services, and presides over a rapidly growing talent management division. He has produced or executive produced over 70 films including Richard Linklater's Academy Award-winning BOYHOOD, LAST FLAG FLYING, and “BEFORE” Series, Todd Haynes's THE VELVET UNDERGROUND, **WONDERSTRUCK **and I'M NOT THERE, Peter Farrelly's Academy Award-winning GREEN BOOK, Errol Morris's Academy Award-winning THE FOG OF WAR, Kimberly Peirce's Academy Award-winning BOYS DON'T CRY and many more. John founded Producers Distribution Agency in 2010, a theatrical distribution company. He also founded the groundbreaking digital production and distribution company InDigEnt alongside Gary Winnick and IFC Films. Wendy Mitchell is a journalist, moderator and film festival consultant. She is a contributing editor and Nordic correspondent at Screen International, the producer of the Sundance London film festival, the UK and Nordic delegate for San Sebastian, consultant for San Sebastian's Creative Investors' Conference, curator at LÜbeck Nordic Film Days and frequent moderator for Cannes Marché du Film and Berlinale's European Film Market. This podcast episode has been developed in collaboration with the San Sebastian International Film Festival. The Berlinale's European Film Market is the first international film market of the year, where the film industry starts its business. Industry Insights - The EFM Podcast puts a spotlight on highly topical and trendsetting industry issues, thereby creating a compass for the forthcoming film year. The year-round podcast is produced in cooperation with Goethe-Institut and co-funded by Creative Europe MEDIA. full no Berlinale,Film Business,Entertainment Business,Financing in Film,Creative Investors,Film Finance Trends,TV Series Finance Trends European Film Market

Summer's ending and we're here for the random array of movies that come around this time of year on Breakfast All Day. Our great friend Tim Grierson from Screen International helps out with a couple of reviews: "Blue Beetle," the latest superhero origin story from DC Studios, and "Strays," an extremely R-rated talking dog comedy. Then Alonso and Christy review "Oldboy" (2003), Park Chan-wook's twisted and tragic noir, which is back in theaters in a 4K remaster. And over at our Patreon, we recap episodes 5 and 6 of the latest "Heartstopper" season on Netflix. Thanks for sharing some of your time with us!   

Paul and Mia sit down with director Sinéad O Shea to chat about her fascinating career and her stunning new feature documentary. Pray For Our Sinners tells the story of a group of citizens who resisted the status quo of systematic brutality against women and children when the Catholic church was at the height of its power in Ireland. We strongly urge you to catch this one in the cinema if you can. Also, tonight is the night of FNI's Spring Networking Event. https://app.eventsframe.com/app/event/5423978594172928/ Sinéad O' Shea's second feature documentary, Pray For Our Sinners, premiered at the Toronto Film Festival 2022 and won acclaim on the US festival circuit. It was a nominee for Best Documentary at Chicago Film Festival and winner of Best Documentary at the Hamptons Film Festival.    Sinéad's first feature documentary A Mother Brings her Son to be Shot premiered at CPH:DOX 2018 where it was nominated for a FACT Award and won worldwide acclaim.  She was named as one of the top 10 European female filmmakers to watch by the European Film Network and Screen International and has also directed and produced films with Al Jazeera English, BBC, Channel 4 and RTE. Her first short drama, Humblebrag premiered at London BFI Festival 2019.  Pray For Our Sinners is to be released nationwide in Ireland from April 21st.  FNI Wrapchat is Produced by PBL, Paul Webster and Edited and Mixed by Mark Monks in the heart of Dublin City Centre at the Podcast Studios. Check out Film Network Ireland at https://wearefni.com/ https://www.facebook.com/groups/filmnetworkireland https://twitter.com/fni_film Learn more about your ad choices. Visit megaphone.fm/adchoices

Paul and Mia sit down with director Sinéad O Shea to chat about her fascinating career and her stunning new feature documentary. Pray For Our Sinners tells the story of a group of citizens who resisted the status quo of systematic brutality against women and children when the Catholic church was at the height of its power in Ireland. We strongly urge you to catch this one in the cinema if you can. Also, tonight is the night of FNI's Spring Networking Event. https://app.eventsframe.com/app/event/5423978594172928/ Sinéad O' Shea's second feature documentary, Pray For Our Sinners, premiered at the Toronto Film Festival 2022 and won acclaim on the US festival circuit. It was a nominee for Best Documentary at Chicago Film Festival and winner of Best Documentary at the Hamptons Film Festival.    Sinéad's first feature documentary A Mother Brings her Son to be Shot premiered at CPH:DOX 2018 where it was nominated for a FACT Award and won worldwide acclaim.  She was named as one of the top 10 European female filmmakers to watch by the European Film Network and Screen International and has also directed and produced films with Al Jazeera English, BBC, Channel 4 and RTE. Her first short drama, Humblebrag premiered at London BFI Festival 2019.  Pray For Our Sinners is to be released nationwide in Ireland from April 21st.  FNI Wrapchat is Produced by PBL, Paul Webster and Edited and Mixed by Mark Monks in the heart of Dublin City Centre at the Podcast Studios. Check out Film Network Ireland at https://wearefni.com/ https://www.facebook.com/groups/filmnetworkireland https://twitter.com/fni_film

This is a preview of a bonus episode. Listen to the whole episode for as little as $5 at: www.patreon.com/10kpostspodcast -------- This week we're joined by Tim Grierson, U.S. critic for Screen International, Host of Grierson and Leitch, and vice president of the Los Angeles Film Critics Association, to investigate how the website Rotten Tomatoes works, and the effects that judging a piece of art on a scale of 1-100 for a vague notion of 'good-ness' has had on film criticism and films as a whole. -------- Ten Thousand Posts is a show about how everything is posting. It's hosted by Hussein (@HKesvani), Phoebe (@PRHRoy) and produced by Devon (@Devon_onEarth).

You can learn more about Beyond the Big Screen and subscribe at all these great places: www.atozhistorypage.com www.beyondthebigscreen.com Click here to support Beyond the Big Screen! https://www.subscribestar.com/beyondthebigscreen https://www.patreon.com/beyondthebigscreen Click to Subscribe: https://www.spreaker.com/show/4926576/episodes/feed email: steve@atozhistorypage.com www.beyondthebigscreen.com https://www.patreon.com/historyofthepapacy Parthenon Podcast Network Home: parthenonpodcast.com On Social Media: https://www.facebook.com/groups/atozhistorypage https://www.facebook.com/HistoryOfThePapacyPodcast https://twitter.com/atozhistory Music Provided by: "Crossing the Chasm" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 Licensehttp://creativecommons.org/licenses/by/3.0/

The boys welcome their first guest ever on the show: Tim Grierson, author of Wilco: Sunken Treasure. Tim Grierson is the senior U.S. critic for Screen International and the vice president of the Los Angeles Film Critics Association. His writing appears frequently at Vulture, Rolling Stone and the Los Angeles Times. Grierson co-hosts the weekly film podcast Grierson & Leitch, and he is the author of seven books, including This Is How You Make a Movie and Wilco: Sunken Treasure. Find him on Twitter and Instagram at @timgrierson.

Cassian Elwes began his producing career with 1984's Oxford Blues, starring Rob Lowe and Ally Sheedy, and has enjoyed continuing success in film. His earlier roles include Men at Work with Emilio Estevez and Charlie Sheen, The Chase with Charlie Sheen, Kristy Swanson, and Henry Rollins, and The Dark Backward with Judd Nelson, Bill Paxton, and Rob Lowe.In 1989 he produced the independent film Never on Tuesday, which featured a cast of cameos including Charlie Sheen, Emilio Estevez, Judd Nelson, Nicolas Cage, and Cary Elwes.The Hollywood Reporter has said that Elwes was "involved in a virtual who's who of every great independent film of the last ten years." with films such as Thank You for Smoking, Half Nelson, and Frozen River (the last two of which garnered Oscar nominations for Ryan Gosling and Melissa Leo, respectively)."What people lose sight of," Elwes said to Screen International, "is that these films cost a tenth of the films that they competed against at the Academy Awards.The privilege was the recognition." Elwes is an expert in the field of arranging financing and distribution for independent films, having done so for 283 films during his tenure at William Morris Independent.Since leaving William Morris Independent, Elwes has been involved in arranging financing and distribution for 23 films, including Lawless, directed by John Hillcoat (The Road), starring Shia LaBeouf and Tom Hardy, and the thriller The Paperboy, directed by Lee Daniels (Precious), starring Matthew McConaughey and Zac Efron.Elwes produced the period drama The Butler, which was directed by Lee Daniels and featured an ensemble cast, including Forest Whitaker, Oprah Winfrey, John Cusack, Jane Fonda, Terrence Howard, Vanessa Redgrave, Alan Rickman, Liev Schreiber, Robin Williams, among others.He also produced Dallas Buyers Club starring Matthew McConaughey and Jennifer Garner, Ain't Them Bodies Saints starring Rooney Mara, Casey Affleck, Ben Foster, and Hateship, Loveship starring Kristen Wiig, Guy Pearce, Hailee Steinfeld, and Nick Nolte.On 29 October 2013, Elwes launched the Cassian Elwes Independent Screenwriter Fellowship, in conjunction with The Black List, to award one writer an all-expenses-paid trip to the 2014 Sundance Film Festival and mentorship from Elwes. Elwes and The Black List plan to award the fellowship annually.Please enjoy my conversation with Cassian Elwes.

Eoin Sweeney, TV and Radio Producer and Esther McCarthy, freelance film writer and Irish Correspondent for Screen International.

-플란다스의 개 Barking Dogs Never Bite (2000) -마음이 Hearty Paw (2006) Guest : Heejeon & Eugene

The Man of Steel attempts to protect the world from nuclear proliferation and is forced to fight his own twisted clone, Nuclear Man. Tune in as Chris talks "Street Smart," penny pinching, and blown opportunities as the LSCE screens the 1987 cult classic “Superman IV: The Quest for Peace.” Join Us! Works Cited: Cart. “Pictures: Film Reviews – Superman IV: The Quest For Peace.” Variety, Vol 328, Iss.1, July 29, 1987. Article Link. Accessed 8/8/22. Harris, Will. “Jon Cryer On Charlie Sheen's Work Ethic and Correcting Gene Hackman.” AV Club, May 9, 2013. Article Link. Accessed 8/9/22. Kempley, Rita. “It's Recurred! It's a Pain!:'Superman IV,' Slender & Stale ‘Superman IV.'” The Washington Post, July 25, 1987. Article Link. Accessed 8/8/22. Maslin, Janet. “Movie: ‘Superman IV: Quest for Peace.” The New York Times, July 25, 1987. Article Link. Accessed 8/8/22. MacCambridge, Michael. “Cannon Suffers More Losses In Quarter as Net Woth Sinks; ‘Superman IV,' ‘Masters' Falter. Variety, Vol 328, Iss. 6. Sep 2, 1987. Article Link. Accessed 8/7/22. Mills, Bart. “And Now…Mighty ‘Superman IV' To the Rescue.” The Los Angeles Times, Jan 2, 1987. Article Link. Accessed 8/10/22. NR. “Reviews: Superman IV: The Quest for Peace.” Screen International. July 25th, 1987. Article Link. Accessed 8/8/22. Richard, Julie. “Reeve Not Happy With Last Film's Promotion.” South Florida Sun-Sentinel, Jun 18, 1987. Article Link. Accessed 8/10/22. Rowlands, Paul. “Daniel Kremer On Sidney J. Furie (Parts 2 of 2).” Money Into Light. Article Link . Accessed 8/10/22. “September take off for Superman IV.” Screen International. Sep 13th, 1986. Article Link. Accessed 8/7/22. “Superman IV Hearing Rescheduled on Coast.” Variety, Vol 327, Iss. 2, May 6, 1987:8. Article Link. Accessed 8/8/22. Turnquist, Kris. “Reviews: Superman IV: The Quest For Peace.” Boxoffice, Vol 123 (10), Oct 1987. Article Link. Accessed 8/8/22. Trunick, Austin. Cannon Film Guide Volume 2: 1985-1987. Orlando, FL: Bear Manor Media, 2022. --- Send in a voice message: https://anchor.fm/lsce/message

Adventurer Allan Quatermain along with his fiancé organizes a search party to find his younger brother that leads him to discover an ancient lost city and the slavers who control it. Tune in as Chris talks Rib Lake, Shooting In Africa, and racial insensitivity as the LSCE screens the 1987 cult-classic “Alan Quatermain & The Lost City of Gold.” Join Us! Works Cited: “Cannon Posts Loss For Its 1st Period As Films Do Poorly.” The Wall Street Journal. Aug 7, 1987. Article Link. Accessed 7/27/22. Hartley, Mark. Electric Boogaloo: The Wild, Untold Story of Cannon Films! 2014. Warner Bros. Pictures, 2014. 106 Mins. Lor. “Film Reviews: Allan Quatermain and the Lost City of Gold.” Variety. Vol 326, Iss 2. (February 4, 1987) 23,26. Article Link. Accessed 7/27/22. Matthews, Tom. Boxoffice. Vol 123, Iss 4. (April 1, 1987) 38. Article Link. Accessed 7/27/22 Medalia, Hilla. The Go-Go Boys: The Inside Story of Cannon Films. 2014. MVD Visual, 2021. Blu Ray. “Production: Gary Nelson Directs Cannon's Second ‘Allan Quatermain' African Adventure.” Screen International. No. 513 (Sep 7, 1985) 14. Article Link. Accessed 7/27/22 Salem, Rob. “Stepfather Outclasses Quatermain's Hokey Heroics.” The Toronto Star. Feb 2, 1987. Article Link. Accessed 7/28/22. Steinmetz, Johanna. “Sequel's Hunt Ends in Mediocrity.” The Chicago Tribune. Feb 2, 1987. Article Link. Accessed 7/28/22. Trunick, Austin. Cannon Film Guide Volume 2: 1985-1987. Orlando, FL: Bear Manor Media, 2022. --- Send in a voice message: https://anchor.fm/lsce/message

A pair of LAPD detectives trail a psychopathic murderer who hates women. Tune in as Chris talks Richard Speck, Charles Bronson, & 80's mores as the LSCE screens the 1983 cult thriller “10 To Midnight.” Join us! Check us out on twitter @LSCEP Check out www.lscep.com Works Cited: Bilbow, Marjorie. “Marjorie Bilbow's Reviews: 10 To Midnight.” Screen International. April 16, 1983. Article Link. Accessed 6/14/22. Ebert, Roger. From Ten to Midnight. Chicago Sun Times. March 15, 1983. Article Link. Accessed 6/14/22. Forenek, Scott. “The Speck Murders: 40 Years Later.” Chicago Sun Times. July 9, 2006. Article Link. Accessed 6/14/22 Greene, Bob. “The Voice of Richard Speck.” Chicago Tribune. Dec 12, 1991. Article Link. Accessed 6/14/22 Hartley, Mark. Electric Boogaloo: The Wild, Untold Story of Cannon Films! 2014. Warner Bros. Pictures, 2014. 106 Mins. Johnson, Dirk. “Killer's Prison Video Sparks Illinois Lawmakers' Outrage.” The New York Times. May 16, 1996. Article Link. Accessed 6/14/22. Loyn. “Film Reviews: 10 To Midnight” Variety. March 16, 1983. Article Link.Accessed 6/14/22 Shepard, Richard F. “10 To Midnight.” The New York Times. Mar 13, 1983. Article Link. Accessed 4/28/22. Summers, Jimmy. “Reviews: 10 to Midnight.” Boxoffice. June 1, 1983. Article Link. Accessed 6/14/22. Trunick, Austin. Cannon Film Guide Volume 1: 1980-1984. Orlando, FL: Bear Manor Media, 2020. --- Send in a voice message: https://anchor.fm/lsce/message

After completing his training, a newly minted ninja returns to the plantation of an old friend and helps defend it against a greedy industrialist. Tune in as Chris talks Elvis Presley, Mike Stone, & bait & switch tactics as the LSCE screens the 1981 cult action classic "Enter the Ninja." Join us! Works Cited: Bethea, J.D. “Laughter is a Good Sign As Karate Kings Meet.” The Washington Post. June 22, 1968. Article Link. Accessed 6/8/22. Bilbow, Marjorie. “The New Films: Enter the Ninja.” Screen International. Sept. 12, 1981. Article Link. Accessed 4/29/22. Corcoran, John. “The King and Karate: The Story Behind Elvis Presley's Fascination with the Martial Arts.” Black Belt. Vol 36, no 3. March 1998. Article Link. Accessed 6/9/22 Donnelly, Tom. “ ‘Kung Fu,' ‘Cat Dancing.' Marilyn and Mamie: Donnelly's Revue. The Washington Post, July 29, 1973. Article Link. Accessed 6/8/22. Friedman, Robert. “Will Cannon Boom or Bust?” American Film. Jul 1, 1986. Article Link. Accessed 4/26/22. Harrington, Richard. “Enter the Ninja; Exit the Wise.” The Washington Post. Dec 26, 1981. Article Link. Accessed 4/28/22. Hartley, Mark. Electric Boogaloo: The Wild, Untold Story of Cannon Films! 2014. Warner Bros. Pictures, 2014. 106 Mins. Hess, Christopher. “Master Power: Mike Stone's Revolutionary Program Can Help You Achieve Martial Arts Excellence.” Black Belt. Vol. 37, no 12. December 1999. Article Link. Accessed 6/9/22 “International: Susan George.” Variety. Jan 07, 1981. Article Link. Accessed 6/8/22 Kendrick, James. “A Genre of It's Own.” In A Companion to the Action Film, Edited by James Kendrick, 35-54, Hoboken, NJ USA: John Wiley & Sones, Inc. 2019. Lor. “Film Reviews: Enter the Ninja.” Variety. Apr 7, 1982. Article Link. Accessed 6/11/22 Newitz, Annalee. “Why American's Became Obsessed with Ninjas.” Gizmodo.com. Feb 6, 2013. Article Link. Accessed 4/26/22. Rainville, Keith J. “Mike Stone: ‘The First Ninja'.” Vintage Ninja.net. June, 2021. Article Link. Accessed 6/8/22. Stone, Mike. “Priscilla Presley's Former Boyfriend Mike Stone Interview.” Elvis The Ultimate Fan Channel, Steve Francis. Oct 7, 2020. 1:12:51. Summers, Jimmy. “Enter the Ninja.” Boxoffice. Jun 1, 1982. Article Link. Accessed 6/11/22. Trunick, Austin. Cannon Film Guide Volume 1: 1980-1984. Orlando, FL: Bear Manor Media, 2020. --- Send in a voice message: https://anchor.fm/lsce/message

You'll always remember the films you love by those iconic images on the screen. It's the Director of Photography who captures these visuals, curating the aesthetic vision of a project. In our latest podcast, we celebrate the art form. WFT Vice-Chair, DOP Jaro Waldeck is in conversation with celebrated DOP Kate McCullough about the role, expertise and artistic input of a cinematographer on a project, as well as her impressive career to date. This event has been organised with the support of the BAI. About Kate McCullough Kate McCullough has recently been listed in Screen International's “Stars of Tomorrow 2020” and has won prestigious awards for her work on Normal People and Arracht. She received the Golden Frog for Best Cinematography on a Docudrama I Dolours at Camerimage 2018. In the same year, she was nominated for an Emmy for her work on The Farthest. The Hollywood Reporter listed McCullough as top 10 to watch in Irish Film Industry 2017. More recently she was nominated for the IMAGO award 2019 for her work on The Farthest. Upon completing her studies at The National Film School, Lodz, Poland, McCullough shot the Irish box office hit His and Hers. This film went on to win the ‘World Cinematography Award in Documentary', Sundance 2010. McCullough is a member of the Irish Society of Cinematographers and Illuminatrix. Most recently, the feature film An Cailín Ciúin which Kate lensed, was the first Irish language film to win the Grand Prix of the Generation Kplus International Jury for Best Film.

GHOSTED director Daniel Pacquette takes over for one episode only, turning the questions on Jade Asha. How do you keep going with rejection? How do you go back to survival jobs after achieving success? How do you keep positive in hard times? Find out the hard truth on how Jade deals with these things and much more....Support the show (http://paypal.me/jadeasha)

My guest this week is Elhum Shakerifar, a BAFTA nominated producer and winner of the 2017 Women in Film & TV's BBC Factual Award and one of Screen International's 2018 #Brit50 Producers on the Rise. Elhum's multi-award-winning credits include The Reluctant Revolutionary (Sean McAllister, 2012), The Runner (Saeed Farouky, 2013), multi-award-winning A Syrian Love Story (Sean McAllister, 2015), Even When I Fall (Sky Neal and Kate McLarnon, 2017), BIFA winner for Best Documentary, Almost Heaven (Carol Salter, 2017), ISLAND (Steven Eastwood, 2017), Of Love & Law (Hikaru Toda, 2017) and Ayouni (Yasmin Fedda 2020). Her work has been broadcast internationally and screened at festivals including Berlinale, IDFA, Rotterdam and CPH:DOX. Elhum was also a recipient of the 2016 BFI Vision Award. I was both excited and nervous to speak to Elhum because she has produced a body of work that is interrogative and curious and empathic and I wanted to come to the conversation with that same energy, knowing that we would likely cover some complex topics. And we did, we spoke about the vulnerabilities and ethical considerations inherent to making documentary, how she prioritises relationships and intentionality as opposed to access, what a greater level of respect for documentary filmmaking would look like, why and how she distributes her own films through her company Hakawati and also how she persists, to keep telling stories that are meaningful and difficult and heartfelt.  It was a really gratifying conversation and one that I'm really glad to have had, so I hope you enjoy it just as much. 

John Bleasdale talks to Wendy Mitchell, journalist, author and editor. Wendy is a contributing editor for Screen International. She has been a staff writer and editor at Entertainment Weekly, IndieWire, and Rolling Stone and has written for The Guardian, Variety, Time Out New York, Glamour, and Billboard. She consults for the San Sebastian and Zurich film festivals. She is also the author of Citizen Canine, available from all good book outlets. This charming and adorable collection of the best cinematic dogs is sure to delight dog lovers and movie-goers alike. The Citizen Canine pack includes sixty of the bravest, cutest, and furriest pooches ever to grace the silver screen. From top-billed hounds like Lassie and Benji to comedic scene-stealers like Asta from Bringing Up Baby and Puffy from There's Something About Mary, all your favorite furry friends are here. Whether you have a canine companion or just wish you did, Citizen Canine is your perfect guide to dogs, movies, and the magical moments when they come together.Support this show http://supporter.acast.com/writers-on-film. Hosted on Acast. See acast.com/privacy for more information.