Podcasts about laurence olivier award

Kerry Ellis is one of the biggest stars of musicals from the West End to Broadway. She originated the role of Meat, in Queen's We Will Rock You and was the first British Elphaba in the West End smash, Wicked, for which Kerry won the 2008 Whatsonstage.com Award for ‘Best Takeover in a Role'. She then immediately transferred to Broadway and played Elphaba at the Gershwin Theatre for 6 months, where she won the Broadway.com Audience Award for Favourite Female Breakthrough Performance. Her many other leading role credits include Nancy in Oliver! at Drury lane, Eliza Doolittle My Fair Lady, Ellen in Miss Saigon, Fantine in Les Miserables and Grizabella in Cats at the London Palladium. Kerry's first major CD release was the amazing Wicked in Rock, a collaboration with long time friend and Queen guitarist, Brian May. Her debut album Anthems was released in 2010 on Decca Records. The success of the album, which reached No.15 in the UK album chart, and No.10 in the UK pop club charts, led to a major tour which kicked off at the Royal Albert Hall. She has performed internationally, including performances at the Royal Variety Performance, at the Laurence Olivier Awards, duetting with Barry Manilow on BBC Television and Radio, at G.A.Y., on Loose Women, Alan Titchmarsh Show, BBC Breakfast, at the Henley Festival alongside John Barrowman and the Queen's Jubilee Concert at Buckingham Palace .Kerry Ellis is our guest in episode 503 of My Time Capsule and chats to Michael Fenton Stevens about the five things she'd like to put in a time capsule; four she'd like to preserve and one she'd like to bury and never have to think about again .For Kerry's tour dates, music, book and more, visit. - https://kerryellis.com .Follow Kerry Ellis on Instagram: @kerryellis79 & Twitter/X: @kerryjaneellis1 .Follow My Time Capsule on Instagram: @mytimecapsulepodcast & Twitter/X & Facebook: @MyTCpod .Follow Michael Fenton Stevens on Twitter/X: @fentonstevens & Instagram @mikefentonstevens .Produced and edited by John Fenton-Stevens for Cast Off Productions .Music by Pass The Peas Music .Artwork by matthewboxall.com .This podcast is proud to be associated with the charity Viva! Providing theatrical opportunities for hundreds of young people .To support this podcast, get all episodes ad-free and a bonus episode every Wednesday of "My Time Capsule The Debrief', please sign up here - https://mytimecapsule.supercast.com. All money goes straight into the making of the podcast. Hosted on Acast. See acast.com/privacy for more information.

Last night the winners of this year's Women's Prize were announced. The winner for fiction is Yael van der Wouden for her novel The Safekeep and the non-fiction prize by Rachel Clarke for her book The Story of a Heart, which tracks the lifesaving gift of a transplant. Anita Rani discusses the winning books with the Chair of Judges for the Fiction Prize, author Kit de Waal, and Chair of Judges for the Non-Fiction Prize, journalist and author Kavita Puri.Race Across The World reached its finale on BBC One this week, after a nearly 9,000-mile dash across Asia, from the Great Wall in north eastern China to the southernmost tip of India, via the Himalayan peaks of Nepal. This year's winner were mother and son team Caroline Bridge and her 21-year-old son Tom. Caroline talks to Anita about the experience.An entrepreneur and mother was refused entry to a tech event in London because she had brought her eight-month-old baby with her. Anita speaks to the woman in question, Davina Schonle, and the director and producer Jude Kelly about the issue of banning babies from events of this nature.It's festival season, with Glastonbury starting at the end of June. However it's not just the music and the atmosphere that festival goers need to be thinking about. The UK Health Security Agency has warned that measles is circulating across the country, with high numbers in the South West and London. Anita is joined by the UK Health Security Agency Deputy Director of Vaccination Programmes, Dr Julie Yates - who is the former public health lead in South West on Glastonbury.Grammy-nominated Ute Lemper has had a career spanning stage, film and music. She is renowned for her interpretations of Kurt Weill, Brecht and chanson legends like Marlene Dietrich. Ute won the American Theatre World Award and the Laurence Olivier Award for her performance as Chicago's Velma Kelly both on Broadway and in London's West End, and the Molière Award for her performance as Sally Bowles in Cabaret in Paris. Utel Lemper now has a new album, Pirate Jenny, celebrating the music of legendary composer Kurt Weill. She joins Anita to talk about her passion for his work.Presenter: Anita Rani Producer: Rebecca Myatt

Ute Lemper's decades-long career spans stage, film, and music, with over 30 recordings. Renowned for her interpretations of Berlin Cabaret, Kurt Weill, Brecht, and chanson legends like Marlene Dietrich and Edith Piaf, she has also starred in major musicals across Broadway, the West End, Paris, and Berlin. She won the American Theater World Award and the Laurence Olivier Award for her performance as Chicago's Velma Kelly in the West End and on Broadway, the Molière Award for her performance as Cabaret's Sally Bowles in Paris, among others, and earned Grammy nominations.Her global tours feature diverse projects, including Rendezvous with Marlene, Songs for Eternity, and tributes to Piazzolla and Brecht. She has composed music inspired by Bukowski, Neruda, and Coelho and released a bestselling autobiography in 2023. She released her self-penned and contemporary album Time Traveler just last year. Singing in five languages, she continues to perform worldwide. A longtime New York resident, she lives there with her family and four children.We talk about her newest album Pirate Jenny and her upcoming concert at Cadogan Hall on June 13th, 2025.

Kathleen MarshallKathleen began her Broadway career as an assistant to her brother Rob, the choreographer of Kiss of the Spider Woman, in 1993. The two also collaborated on She Loves Me, Damn Yankees , Victor/Victoria and Seussical. She was the artistic director for the Encores! series of staged musical revivals from 1996 through 2000. During that time, she choreographed The Boys from Syracuse, Li'l Abner and Call Me Madam and she directed and choreographed Babes in Arms and Wonderful Town.She also directed and choreographed the Broadway revival of Grease.  I was fortunate enough to catch the Encores! production of Wonderful Town when it transferred to Broadway.Kathleen was also the director and choreographer of the Broadway revival of Pajama Game which opened in February 2006 and which was the Broadway acting debut of Harry Connick Jr.  I'm happy to report I was there too!More pertinent, Kathleen directed and choreographed a Broadway revival of Cole Porter's Anything Goes in 2011, with Sutton Foster as Reno Sweeney.  The show ran at London's Barbican Centre in 2021 and was recorded for television (BBC) by Ross MacGibbon, later picked up by PBS in America.  Kathleen's production is as close to perfect as can be. In fact, she won the Laurence Olivier Award for Best Theatre Choreographer. Stephen RidleyIn 2021 Steve joined Kathleen as music supervisor and music director of Anything Goes at the Barbican.  He was also music supervisor of Oklahoma! at Wyndham's Theatre.  Steve conducted the highly-acclaimed Broadway transfers of The King and I at The London Palladium and the Dominion Theatre and An American in Paris at the Dominion Theatre, and he was the music director of the Olivier Award winning revival of Ken Ludwig's Crazy for You at the Novello Theatre.  He later was music supervisor of Kiss me, Kate at the Barbican, now being shown on PBS throughout the U.S.Steve is a music director, conductor and pianist based in London. He was born in Middlesbrough and is a graduate of the Royal College of Music. I'm thrilled that he joined us for this exciting episode!

In this week's Theatre Chat, Jeff and Richie break down the highlights of the 2025 Laurence Olivier Awards, including major wins for "The Curious Case of Benjamin Button" and "Oedipus". They dive into the growing buzz around revivals like "Fiddler on the Roof" and "Cats: The Jellicle Ball", explore how "Wicked" continues to dominate with smart marketing strategies, and analyze Broadway's impressive financial performance this season. From industry trends to behind-the-scenes insights, this episode covers all things theater for the week ending April 6th.   Follow and connect with all things @HalfHourPodcast on Instagram, and YouTube. Share your thoughts with us on all things Broadway on our podcast cover post on Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices

Fonseca, AMV and the family are live from the Orpheum Theare in San Francisco Back to the Future: The Musical is a musical with music and lyrics by Alan Silvestriand Glen Ballard and a book by Bob Gale. It is adapted from the 1985 film Back to the Future by Robert Zemeckis and Gale. The show features original music, as well as songgs featured in the film ("The Power of Love", "Earth Angel", "Johnny B. Goode" and "Back in Time").Originally planned to première in London's West End in 2015, the year to which the film trilogy's characters traveled in Part II,[a change in directors delayed the production. The musical premiered at Manchester Opera House in February 2020, ahead of a 2021 West End transfer. It starred Olly Dobson as Marty McFly and Roger Bart as "Doc" Brown, with Hugh Coles as George McFly. The production received positive reviews in London and won the Laurence Olivier Award for Best New Musical in 2022.The musical began performances on Broadway in June 2023 and ran until January 2025. Bart and Coles reprised their roles, and Casey Likes played Marty. A North American tour began in June 2024.

fWotD Episode 2872: Flight Pattern Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia’s finest articles.The featured article for Sunday, 16 March 2025 is Flight Pattern.Flight Pattern is a contemporary ballet choreographed by Crystal Pite, set to the first movement of Henryk Górecki's Symphony No.3. It premiered at the Royal Opera House, London, on 16 March 2017, making Pite the first woman to choreograph for the Royal Ballet's main stage in 18 years. The ballet won the Laurence Olivier Award for Best New Dance Production in 2018.Flight Pattern examines the plight of refugees, drawing inspiration from 20th and 21st-century events, particularly the refugee crisis caused by the Syrian civil war. The ballet starts with 36 dancers performing on stage and transitions to a series of duets and solos originated by the dancers Marcelino Sambé and Kristen McNally. The piece was mostly positively reviewed by critics, with many praising the performance of the two soloists and the choreography of the ensemble. In 2022, Pite expanded the ballet into Light of Passage, with Flight Pattern becoming the first part of the ballet. The narrative is non-linear and the movement uses lines created by the dancers' bodies and formations of queues to create tension on stage.This recording reflects the Wikipedia text as of 00:53 UTC on Sunday, 16 March 2025.For the full current version of the article, see Flight Pattern on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm long-form Danielle.

The nominations were recently announced for the 2025 Laurence Olivier Awards, celebrating the best of the last year of West End and London Theatre.This year saw nominations for musicals including FIDDLER ON THE ROOF, STARLIGHT EXPRESS, OLIVER!, THE CURIOUS CASE OF BENJAMIN BUTTON and NATASHA, PIERRE & THE GREAT COMET OF 1812 as well as plays such as KYOTO, THE YEARS, GIANT, OEDIPUS and THE FEAR OF 13.In this new video Mickey-Jo is talking through this year's snubs: the performers, creatives and productions we expected to be nominated... but weren't.Check out Mickey-Jo's thoughts and share your own in the comments!•00:00 | introduction03:16 | shows08:35 | designers15:26 | actors in plays19:22 | creatives23:45 | actors in musicals•get tickets to see MickeyJoTheatre LIVE at the Phoenix Arts Club:https://phoenixartsclub.com/events/mickeyjotheatre-live/About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 75,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

pWotD Episode 2864: Adrien Brody Welcome to Popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 372,061 views on Wednesday, 5 March 2025 our article of the day is Adrien Brody.Adrien Nicholas Brody (born April 14, 1973) is an American actor. Known for his intense roles on stage and screen, he has received several accolades including two Academy Awards, BAFTA Award, a Golden Globe Awards, a Critics' Choice Movie Award and a César Award in addition to nominations for three Primetime Emmy Awards, five Screen Actors Guild Awards, and one Laurence Olivier Award. Brody has won the Academy Award for Best Actor twice, for his portrayal of Władysław Szpilman in Roman Polanski's war drama The Pianist (2002), and László Tóth, a Holocaust survivor in Brady Corbet's period epic The Brutalist (2024). The former made him the youngest winner in the category, at age 29. He is also known for his performances in films such as King of the Hill (1993), The Thin Red Line (1998), The Village (2004), King Kong (2005), Hollywoodland (2006), Cadillac Records (2008), Predators (2010), Midnight in Paris (2011), See How They Run (2022), and Blonde (2022). He has frequently collaborated with filmmaker Wes Anderson, acting in his films The Darjeeling Limited (2007), Fantastic Mr. Fox (2009), The Grand Budapest Hotel (2014), The French Dispatch (2021), and Asteroid City (2023). On television, he has played Luca Changretta in the fourth season of the BBC series Peaky Blinders (2017), and Pat Riley in the HBO sports drama series Winning Time: The Rise of the Lakers Dynasty (2022–2023). He earned Primetime Emmy Award nominations for his roles as Harry Houdini in the History Channel miniseries Houdini (2014), and investor Josh Aaronson in the HBO series Succession (2021).On stage, he made his London theatre debut as death row inmate Nick Yarris in the Lindsey Ferrentino play The Fear of 13 (2024), garnering nomination for the Laurence Olivier Award for Best Actor.This recording reflects the Wikipedia text as of 02:16 UTC on Thursday, 6 March 2025.For the full current version of the article, see Adrien Brody on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Aria.

VEM: Robert Bengtsson EPISOD: 39 (Säsong 3 avsnitt 4) EN PODD AV: Simon Kölle www.linktr.ee/simonkolle PRODUCERAS AV: Simon Kölle & Amir Noghabai SÄSONG 3 GÖRS I SAMARBETE MED: FrameSage, med hjälp utav FrameSage kan du finansiera ditt filmprojekt.  Besök www.framesage.com  SÄSONG 3 SPONSRAS AV: Story Academy och Film Crew. Drömmer du om att jobba med film och TV? På Gotlands folkhögskola finns Story Academy och Film Crew – två utbildningar för dig som vill in i branschen. Om Episoden:  Skådespelare, musikalartist, instruktör och filmfotograf – Robert Bengtsson är en sann multitalang med en imponerande karriär både i Sverige och internationellt! Han har synts i stora produktioner som Tunna Blå Linjen, Beck, En helt vanlig familj och Rebecka Martinsson, men också briljerat på scen i musikaler som Jerry Springer the Opera (vilket gav honom den prestigefyllda Laurence Olivier Award), RENT, Dirty Dancing och The Book of Mormon. Just nu ser vi honom i Dreamgirls på Chinateatern. I det här avsnittet pratar vi om drivkraft, identitet och inkludering inom film och scenkonst. Hur har hans uppväxt i Sverige med colombianska rötter format honom som skådespelare? Vad är den största skillnaden mellan att arbeta med film/TV och scenkonst? Och hur förändrade en Olivier Award hans karriär? Vi dyker också ner i hans arbete med Action Lab, en plattform där skådespelare tränas i actionsekvenser och vapenhantering för film och TV. Hur föddes idén, och vad krävs egentligen för att göra trovärdiga stridsscener? Och såklart – hur ser han på svensk filmbransch idag och vilka råd har han till unga skådespelare? Missa inte detta inspirerande avsnitt av Filmbranschpodden!

Marianela Núñez is a Principal dancer of the Royal Ballet and Opera. Born in Argentina in 1982, Marianela knew she wanted to be a ballet dancer from the age of five and joined the Teatro Colón Ballet School in Buenos Aires when she was eight.She dedicated herself to becoming a professional ballerina and had the full support of her parents despite having to leave home at fifteen to join the Royal Ballet in the UK. After spending a year at the Royal Ballet School and learning English from watching episodes of Friends, she joined the corps de ballet and worked her way up the company to become Principal Dancer. She has danced the lead roles in the ballet repertoire on the London stage and around the world as a guest artist. In 2018, she celebrated her 20th anniversary with the Royal Ballet with a performance of lead roles in Giselle, The Winter's Tale, Manon, Marguerite and Armand, and Swan Lake in her anniversary year. Director of The Royal Ballet Kevin O'Hare called her “one of the greats of her generation”. Marianela has many awards for her dancing including the Laurence Olivier Award for Outstanding Achievement in Dance in 2013. She lives in London with her two cats.DISC ONE: Adíos Nonino (“Goodbye Grandad”) - Astor Piazzolla DISC TWO: Hoy Puede Ser Un Gran Dia (“Today Could Be a Great Day”) - Joan Manuel Serrat DISC THREE: Dancing Queen - ABBA DISC FOUR: Don't Stop Me Now - Queen DISC FIVE: Tchaikovsky: The Sleeping Beauty, Op. 66, TH 13 / Act 1: 8a. Pas d'action: Introduction (Andante) - Adagio ("Rose Adagio") Performed by The Orchestra of the Royal Opera House, Covent Garden, conducted by Mark Ermler DISC SIX: Adam: Giselle / Act 2: Lever du soleil et arrivée de la cour. Performed by The Orchestra of the Royal Opera House, Covent Garden, conducted by Richard Bonynge DISC SEVEN: Count on Me - Bruno Mars DISC EIGHT: I Can See Clearly Now - Johnny Nash BOOK CHOICE: The Collected Works of Jorge Luis Borges LUXURY ITEM: A cashmere blanket CASTAWAY'S FAVOURITE: Tchaikovsky: The Sleeping Beauty, Op. 66, TH 13 / Act 1: 8a. Pas d'action: Introduction (Andante) - Adagio ("Rose Adagio") Performed by The Orchestra of the Royal Opera House, Covent Garden, conducted by Mark Ermler Presenter Lauren Laverne Producer Sarah Taylor

We live in Time - We Live in Time ist ein Liebesdrama von John Crowley. In den Hauptrollen sind Florence Pugh und Andrew Garfield zu sehen. Der Film feierte im September 2024 beim Toronto International Film Festival seine Premiere und kam im Oktober 2024 in die US-Kinos. Kinostart in Deutschland ist der 09. Januar 2025. Dieses romantische Drama aus dem Jahr 2024, mit Andrew Garfield und Florence Pugh in den Hauptrollen, erzählt die Geschichte eines Paares, das sich über einen Zeitraum von zehn Jahren kennenlernt und liebt. Der Film verwendet nicht-lineares Erzählen und zeigt die Herausforderungen und Freuden, die das Paar erlebt, einschließlich einer schweren Krankheit. The Apprentice - The Trump Story: Dieser biografische Film aus dem Jahr 2024, mit Sebastian Stan als Donald Trump und Jeremy Strong als Roy Cohn, spielt in den 1970er und 1980er Jahren. Er zeigt den jungen Trump am Anfang seiner Karriere in der Immobilienbranche und seine Beziehung zu Cohn, der ihn in die Welt der Macht und des Reichtums einführt2. Blitz ist ein Drama von Sir Steve McQueen, das die Geschichte eines neunjährigen Jungen namens George erzählt, der während der Bombenangriffe der deutschen Luftwaffe im Zweiten Weltkrieg von seiner Mutter Rita aufs englische Land geschickt wird, um ihn dort in Sicherheit zu bringen. Trotzig und entschlossen, zu seiner Familie zurückzukehren, macht sich George auf eine gefährliche und abenteuerliche Reise1. Währenddessen sucht seine verzweifelte Mutter nach ihm Außerdem sprechen wir über die wichtigsten Serien Neustarts über die Feiertage und losen den/die Gewinner/in von unserem Gewinnspiel zum 3. Advent aus. WE LIVE IN TIME: Kinostart in Deutschland: 09.01.2025 Laufzeit: 1h 48m FSK 12 Originaltitel: We live in Time Produktion: StudioCanal, Film4, SunnyMarch, Shoebox Films, Canal+, Ciné+ Verleih: StudioCanal Regie: John Crowley Drehbuch: Nick Payne Besetzung: Andrew Garfield, Florence Pugh, Grace Delaney, Lee Braithwaite, Aoife Hinds, Adam James, Douglas Hodge, Amy Morgan We Live in Time ist ein Liebesdrama von John Crowley. In den Hauptrollen sind Florence Pugh und Andrew Garfield zu sehen. Der Film feierte im September 2024 beim Toronto International Film Festival seine Premiere und kam im Oktober 2024 in die US-Kinos. Der Kinostart im Vereinigten Königreich und in Deutschland ist Anfang Januar 2025 geplant. Inhalt: Almut (Florence Pugh) und Tobias (Andrew Garfield) begegnen sich in einem völlig unerwarteten Moment ihres Lebens, der den Auftakt ihrer gemeinsamen Geschichte bildet: der Zauber des Kennenlernens, wie sie eine Familie gründen und als Paar ihre Zukunft planen. Doch ihre Beziehung wird überschattet von einer Nachricht, die beide auf eine harte Probe stellt und sie schlussendlich erkennen lässt, jeden Moment ihrer besonderen Liebe im Hier und Jetzt zu genießen. WE LIVE IN TIME ist ein zutiefst bewegendes Romantik-Drama mit der Oscar-nominierten Florence Pugh ("Dune", "Don¿t Worry Darling") und dem zweimal Oscar-nominierten und BAFTA-preisgekrönten Schauspieler Andrew Garfield ("Tick Tick... Boom!", "The Amazing Spider-Man") in den Hauptrollen. Produktion: Regie führte der Ire John Crowley. Das Drehbuch schrieb Nick Payne. Zur Crowleys früheren Filmen gehören Boy A von 2007, Brooklyn – Eine Liebe zwischen zwei Welten von 2015 und Der Distelfink von 2019. Payne war mehrere Male bei den Laurence Olivier Awards nominiert und zuvor am Drehbuch für die Verfilmung des Romans Vom Ende einer Geschichte bete Timecodes: 00:00:00 Einleitung 00:03:32 We live in Time 00:07:58 Tipps für die nächste Sneak 00:11:31 The Apprentice - The Trump Story 00:19:19 Kinocharts und Neustarts 00:27:22 Beste Filme 2024 00:31:27 Blitz 00:38:57 Schwarz wie Schnee 3: Höhenrausch 00:41:41 Something in the Water 00:44:10 Carry-on 00:45:25 Shrinking 00:52:57 SW: Skeleton Crew Update 00:55:56 Serientipps für die Feiertage 00:58:16 Auslosung Gewinnspiel 01:03:07 Weihnachtswünsche zum Ende

RNIB Connect Radio's Toby Davey is joined again by Vidar Hjardeng MBE, Inclusion and Diversity Consultant for ITV News across England, Wales, Northern Ireland and the Channel Islands for the next in his regular Connect Radio theatre reviews.  This week Vidar was reviewing the Lawrence Olivier award winning comedy musical Pride and Prejudice* (*sort of) as the current touring production visited the Wolverhampton Grand Theatre with description by Professional audio describer Remy Lloyd. About Pride and Prejudice* (*sort of) Direct from its triumph in the West End where it won the Laurence Olivier Award for Best Comedy, this is a unique and audacious retelling of Jane Austen's most iconic love story. Men, money and microphones will be fought over in this irreverent but affectionate adaptation where the stakes couldn't be higher when it comes to romance.  This multi-award-winning production features a string of pop classics including Young Hearts Run Free, Will You Love Me Tomorrow and You're So Vain. It's the 1800s. It's Party Time. Let The Ruthless Matchmaking Begin. For more about the current tour of Pride and Prejudice* (*sort of) do visit the production website - https://prideandprejudicesortof.com And for more about access at the Wolverhampton Grand Theatre including details of audio described performances do visit - https://www.grandtheatre.co.uk/access/  (Image shows RNIB logo. 'RNIB' written in black capital letters over a white background and underlined with a bold pink line, with the words 'See differently' underneath)

pWotD Episode 2705: Maggie Smith Welcome to Popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 2,038,345 views on Friday, 27 September 2024 our article of the day is Maggie Smith.Dame Margaret Natalie Smith (28 December 1934 − 27 September 2024) was a British actress. Known for her wit in comedic roles, she had an extensive career on stage and screen over seven decades and was one of Britain's most recognisable and prolific actresses. She received numerous accolades, including two Academy Awards, five BAFTA Awards, four Emmy Awards, three Golden Globe Awards and a Tony Award, as well as nominations for six Laurence Olivier Awards. Smith was one of the few performers to earn the Triple Crown of Acting.Smith began her stage career as a student, performing at the Oxford Playhouse in 1952, and made her professional debut on Broadway in New Faces of '56. Over the following decades Smith established herself alongside Judi Dench as one of the most significant British theatre performers, working for the National Theatre and the Royal Shakespeare Company. On Broadway, she received Tony Award nominations for Noël Coward's Private Lives (1975) and Tom Stoppard's Night and Day (1979), and won the Tony Award for Best Actress in a Play for Lettice and Lovage (1990).Smith won Academy Awards for Best Actress for The Prime of Miss Jean Brodie (1969) and Best Supporting Actress for California Suite (1978). She was Oscar-nominated for Othello (1965), Travels with My Aunt (1972), A Room with a View (1985) and Gosford Park (2001). She portrayed Professor Minerva McGonagall in the Harry Potter film series (2001–2011). She also acted in Death on the Nile (1978), Hook (1991), Sister Act (1992), The Secret Garden (1993), The Best Exotic Marigold Hotel (2012), Quartet (2012) and The Lady in the Van (2015).Smith received newfound attention and international fame for her role as Violet Crawley in the British period drama Downton Abbey (2010–2015). The role earned her three Primetime Emmy Awards; she had previously won one for the HBO film My House in Umbria (2003). Over the course of her career she was the recipient of numerous honorary awards including the British Film Institute Fellowship in 1993, the BAFTA Fellowship in 1996 and the Society of London Theatre Special Award in 2010. Smith was made a Dame by Queen Elizabeth II in 1990.This recording reflects the Wikipedia text as of 02:34 UTC on Saturday, 28 September 2024.For the full current version of the article, see Maggie Smith on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Joey.

Eve Best is an acting ace. She's got loads of impressive screen credits to her name and is a theater legend with two Tony Award nominations, a Drama Desk Award win and a Laurence Olivier Award win as well. Now she's an absolute force on HBO's House of the Dragon. It probably goes without saying, she's always been a dream guest for Collider Ladies Night, but a recent Ladies Night guest skyrocketed Best to being a top priority. While chatting with Jessica Gunning for Baby Reindeer, a performance that appears to have put her on the path to snagging an Emmy nomination, Gunning pinpointed an actor who made a major impression on her during the early days of her career. That actor? Eve Best. Soon after chatting with Gunning, interview opportunities for House of the Dragon Season 2 popped up, and I jumped on it.Best plays Rhaenys, the Queen Who Never Was, in the Game of Thrones prequel series. Despite having a number of qualities that'd make her an ideal leader, Rhaenys was passed over to succeed King Jaehaerys I for being a woman. She eventually comes to terms with the decision and attempts to serve Westeros valiantly as a dragon rider and as the wife of Lord Corlys Velaryon of Driftmark (Steve Toussaint). Despite Viserys (Paddy Considine) naming Rhaenyra (Emma D'Arcy) his heir, Aegon II (Tom Glynn-Carney) takes the throne, solidifying the stark divide between the Greens, those who support Aegon, and the Blacks, those who continue to back Rhaenyra's claim. As a member of Team Black, Rhaenys begins Season 2 doing what she can to keep her side safe while strategizing for all-out war.With House of the Dragon Season 2 kicking off its highly anticipated run on Sunday, June 16, I recently sat down with Best for a Ladies Night conversation to discuss how she's honed her craft over the years, and Rhaenys' approach to being a strong leader with war brewing in Westeros. Hosted on Acast. See acast.com/privacy for more information.

“And when I went into the church hall, every little girl, every single one, was in pink ballet shoes. And I walked in with my green ballet shoes, which were half price in the sale. And I did want to run back out through those great big double doors. But I knew if I did I would never get to dance.” In this episode we speak to Arlene Phillips, who tells us about her difficult childhood and her resilience in pursuing her passion for dance until today, most recently rewarded with the Laurence Olivier Award for Best Theatre Choreographer in Guys & Dolls.Producer: Florence de Schlichting Hosted on Acast. See acast.com/privacy for more information.

Legendary Award Winning Costume Designer Jenny Beavan Episode! Jenny Beavan is an English Costume Designer who has received numerous accolades throughout her career spanning over four decades, including three Academy Awards, four BAFTA Awards, two Emmy Awards and a Laurence Olivier Award. Moderator: Designing Hollywood Producer Host Phillip Boutté Jr Sponsored by Western Costume Company

August Eriksmoen is an orchestrator and album producer of Broadway musicals and cast recordings, including a credit with Water for Elephants, now playing at the Imperial Theatre. The Beacon resident, who has been nominated for a Tony and a Grammy and won a Laurence Olivier Award from the Society of London Theatre for Come from Away, works with high-end equipment and expansive ensembles. Yet the main photo on his website shows him holding a mandolin, a shot taken during a performance by Bees in the Barn, his modern string band that is rooted in country music. "It's my favorite thing to do," he says. "I compose songs for film and TV and aspire to write for theater, but this format gives me a lot of space." When commissioned, Eriksmoen receives a piano sketch, the vocal parts and the number of instruments to write for (usually eight to 18 for Broadway shows and 25 to 100 for TV and film). "The band size is often dictated by the budget," he says. "I have no control over what the configuration of musicians will be." After devising parts in his head, he inputs them to notation software. Whenever possible, he knocks out a song per day and plays back the scores to see if he missed a flat here or a sharp there. Then, he attends early rehearsals to work with the composer and fine-tune. "I'm there to help the musicians with the interpretation and get instant feedback from the composer," he says. "We tweak the orchestration on the stands, right there." His film and TV work includes ABC's Once Upon a Time, the Hulu series Only Murders in the Building and the Disney film Descendants. Broadway credits include Prince of Egypt and Million Dollar Quartet. The Tony nomination recognized his score for the Steve Martin and Edie Brickell musical Bright Star, which is rooted in bluegrass. Bees in the Barn - consisting of Eriksmoen on mandolin, Sara Milonovich on fiddle, guitarist Jordan Shapiro and upright bass player Nate Allen - specializes in songs and instrumentals loosely based on 18th-century fiddle tunes that veer into experimental territory. The group releases its songs online and plays occasional gigs, like a recent show in Poughkeepsie sponsored by the Hudson Valley Bluegrass Association. Eriksmoen served as master of ceremonies. The sophisticated arrangements of his original songs can present musical minefields when played live. Jagged, percussive passages requiring pinpoint timing melt into fluid melodic moments. In some tunes, the rhythm lopes along and then the dynamic turns on a dime as the tempo begins racing and feet start tapping. Unlike nearly every country-rooted string band across the land, Eriksmoen notates the music and reads it off an iPad during performances. At the gig, he cued the other musicians to impending changes, which they hit with the precision of a Swiss watch. The compact compositions blend in elements of Tin Pan Alley ("Malted Waltz"), classical ("Waterbug," "Whiskey Tango Foxtrot") and gypsy jazz ("Fermata," "Memorial" and "Moose on the Loose"). Parts of "Fermata" evoke something Frank Zappa might have composed for a four-piece string band. The thrill ride "Eclipse" starts with a chugging vamp. After the fiddle plays a squiggly melody line, intricate shifting parts fray into strands that eventually interlock. Out of nowhere, a bluegrass-style guitar solo breaks out. Eriksmoen grew up in southern California and his father often played country. "I heard a lot of Chet Atkins," he recalls. His wife, Jessica Welch, a native of Arkansas, will perform Patsy Cline songs on Bannerman Island in July. After attending Berklee College of Music in Boston, Eriksmoen moved to Manhattan, then relocated to Beacon in 2011 after visiting friends. The Bees began to buzz six years later. He took up the mandolin in part, he says, because it's tuned like a violin and helps with his string arranging. "I get a better sense of the violinist's left hand, what intervals work and how I can move around note-wise," he says. During the Pough...

 “There's no point being a good actor in bad stuff. The crucial moment for an actor is to be good in a hit. Then it works.” Today's Tribute Episode is for Tom Wilkinson - a stellar actor who had more than 100 film and television appearances and garnered a BAFTA Award, a Golden Globe Award, a Primetime Emmy Award as well as nominations for two Academy Awards and two Laurence Olivier Awards. To learn more about this episode and others, visit the official Cinema Sounds & Secrets website!

Annette Badland is an English actress best known for her roles as Mae the Landlady in Ted Lasso, Charlotte in Bergerac, Margaret Blaine in Doctor Who, Mrs Glenna Fitzgibbons in Outlander, Babe Smith in EastEnders and as Dr Fleur Perkins in Midsomer Murders. She was nominated for the Laurence Olivier Award for Best Actress in a Supporting Role in 1993 for her performance as Sadie in The Rise and Fall of Little Voice; a role she reprised in the 1998 film adaptation Little Voice. Other TV credits include Inside No. 9, Big Boys, The Crown, Not Going Out and SO much more on TV, film, theatre and radio.Annette Badland is guest number 385 on My Time Capsule and chats to Michael Fenton Stevens about the five things she'd like to put in a time capsule; four she'd like to preserve and one she'd like to bury and never have to think about again .Follow Annette Badland on Twitter @AnnetteBadland .Follow My Time Capsule on Twitter, Instagram & Facebook: @MyTCpod .Follow Michael Fenton Stevens on Twitter: @fentonstevens and Instagram @mikefentonstevens .Produced and edited by John Fenton-Stevens for Cast Off Productions .Music by Pass The Peas Music .Artwork by matthewboxall.com .This podcast is proud to be associated with the charity Viva! Providing theatrical opportunities for hundreds of young people . Get bonus episodes and ad-free listening by becoming a team member with Acast+! Your support will help us to keep making My Time Capsule. Join our team now! https://plus.acast.com/s/mytimecapsule. Hosted on Acast. See acast.com/privacy for more information.

We had the distinct pleasure of meeting Thom Davis, Dramaturg and Vice President of the Board of Directors for Voices in Alliance (VIA Omaha).  VIA Omaha produced “The Inheritance Part 1” in October 2023 during their first season, and now are able to begin their 2nd Season with “The Inheritance Part 2.” It's important to note that you can still easily see “The Inheritance Part 2” without seeing "Part 1".  We do suggest, however, you hear all about "Part 2" on our podcast before you go, because Thom eloquently explains why this is such an important piece of theatre. This two-part play was written by Matthew Lopez and won a Tony Award, the Drama Desk Award, a Laurence Olivier Award, a Critics Circle Theatre Award, and an Evening Standard Theatre Award, and a GLAAD Media Award, just to name a few.  Needless to say, there has always been a lot of interest and appreciation in what this play means to so many. ”The Inheritance Part 2”opens May 10th and runs 8 performances until May 19th.  There will be a talk back session after their Sunday performance on May 12th.  This production is recommended for audiences over 18.     Voices in Alliance (VIA Omaha) Ticket & Contact Info: Tickets Info and Website: https://www.viaomaha.org/  Ticket Link:  Eventbrite link. Facebook:  https://www.facebook.com/VIAOmaha/  This production will be performed at the Bancroft Street Market, 2702 South 10th Street, Omaha, NE 68108.   HOW TO LISTEN TO THE PLATTE RIVER BARD PODCAST Listen at https://platteriverbard.podbean.com or anywhere you get your podcasts. We are on Apple, Google, Pandora, Spotify, iHeart Radio, Podbean, Overcast, Listen Now, Castbox and anywhere you get your podcasts. You may also find us by just asking Alexa. Listen on your computer or any device on our website: https://www.platteriverbard.com. Find us on YouTube: https://youtube.com/channel/UCPDzMz8kHvsLcJRV-myurvA. Please find us and Subscribe!    

This week Andrew and Ted watched Netflix's "The Beautiful Game", starring Bill Nighy (Mal) and Micheal Ward (Vinney). No ... these are not household names when it comes to acting but you will surely recognize Bill Nighy when you see him as for he is a working actor that has garnered both a Golden Globe as well as a British Academy Film Award as well as having been a nominee for an Academy Award, a Tony Award, and a Laurence Olivier Award. This isn't your typical modern movie, nope, this is a movie with a real life story and a moral. Mal (Bill Nighy) manages an English homeless soccer team. Vinny (Micheal Ward) is a homeless ex-professional soccer player. Together they take a group of homeless men, each with their own backstory to Rome to compete in the VERY REAL Homeless World Cup. While their goal is to win, they in fact discover who they really are and help, as team, to heal to make their individual lives better. Tune into "Streaming Without A Paddle" to find out if Andrew and Ted think this original film scores or is just a little bit wide of goal.

OmniArts Nebraska is gearing up to open their first production of the year, and their 12th season in 2024.  This production isn't holding anything back and we spoke to two of the talented individuals involved in this play: Christian Novotny, Director - and Reed Westerhoff, who plays the main character, John. This play, though visually simplistic in design and execution, is complex in story.  John finds himself torn between his steady relationship with his boyfriend, and suddenly finds himself in love with a woman. There are only four actors performing in this play, along with Reed Westerhoff, the other actors are Stephen Buhler, Anthony Delaney, and Francoise Traxler.  Costume design is by Sandra Zulkoski, Amelia Roth is stage manager, and technical direction is by Dustin Witte. We had a lovely conversation with Christian and Reed about this play at The Mill at Innovation Campus, so join us in this podcast to learn more about them and this dramatic play.  COCK won a Laurence Olivier Award in 2010 for an Outstanding Achievement in an Affiliate Theatre. COCK opens February 22nd and runs through the 25th at the Johnny Carson Theater at the Lied Center for Performing Arts.  It does contain adult themes and sexually explicit dialogue. OmniArts Nebraska CONTACT INFO: Tickets: Available at the Lied Center for Performing Arts:  www.liedcenter.or or call 402-472-4747. Website: https://www.omniartsnebraska.org/   HOW TO LISTEN TO THE PLATTE RIVER BARD PODCAST: Listen at https://platteriverbard.podbean.com or anywhere you get your podcasts. We are on Apple, Google, Pandora, Spotify, iHeart Radio, Podbean, Overcast, Listen Now, Castbox and anywhere you get your podcasts. You may also find us by just asking Alexa. Listen on your computer or any device on our website: https://www.platteriverbard.com. Find us on YouTube: https://youtube.com/channel/UCPDzMz8kHvsLcJRV-myurvA. Please find us and Subscribe!

pWotD Episode 2433: Tom Wilkinson Welcome to popular Wiki of the Day where we read the summary of a popular Wikipedia page every day.With 367,046 views on Saturday, 30 December 2023 our article of the day is Tom Wilkinson.Thomas Geoffrey Wilkinson (5 February 1948 – 30 December 2023) was an English actor. Known for his role on stage and screen he received numerous accolades including a BAFTA Award, a Golden Globe Award, and a Primetime Emmy Award as well as nominations for two Academy Awards and two Laurence Olivier Awards. In 2005, he was made an Officer of the Order of the British Empire (OBE). Wilkinson trained at the Royal Academy of Dramatic Art before making his West End debut portraying Horatio in Hamlet (1980) for which he received a nomination for the Laurence Olivier Award for Best Actor in a Supporting Role. He returned to the West End playing Dr. Stockmann in the Henrik Ibsen play An Enemy of the People (1988) receiving a Laurence Olivier Award for Actor of the Year in a Revival nomination.Wilkinson received the BAFTA Award for Best Actor in a Supporting Role for The Full Monty (1997) as well as two Academy Award nominations, one for Best Actor for In the Bedroom (2001) and Best Supporting Actor for Michael Clayton (2007). He became known as a character actor, acting in numerous films such as In the Name of the Father (1993), Sense and Sensibility (1995), Shakespeare in Love (1998), The Patriot (2000), Girl with a Pearl Earring (2003), Eternal Sunshine of the Spotless Mind (2004), Batman Begins (2005), Valkyrie (2008), The Ghost Writer (2010), The Best Exotic Marigold Hotel (2011), Belle (2013), Selma (2014), The Grand Budapest Hotel (2014), and Denial (2016).In 2009, he won a Golden Globe Award and a Primetime Emmy Award for Best Supporting Actor in a Miniseries or Movie for playing Benjamin Franklin in the HBO limited series John Adams (2008). His other Emmy-nominated roles were as Roy/Ruth Applewood in the HBO film Normal (2003), James Baker in the HBO film Recount (2008), and Joseph P. Kennedy Sr. in the limited series The Kennedys (2011).This recording reflects the Wikipedia text as of 02:20 UTC on Sunday, 31 December 2023.For the full current version of the article, see Tom Wilkinson on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm Amy Standard.

For episode 099 of Actorcast, we are joined by Olivier award-winning actress, Fiona Shaw! I had such a wonderful time speaking with Fiona. I had taken a master class with her several years ago, and ever since then I've been fascinated with her perspective on acting. We discuss what acting means to her, how actors get in their own way, how the entertainment industry has evolved, and how to determine if you are on the right path as an actor. You do not want to miss this episode! Fiona Shaw is an Irish film and theatre actress, known for her work with the Royal Shakespeare Company and the National Theatre, as well as in film and television.  She won the 1990 Laurence Olivier Award for Best Actress for roles in the plays Electra, As You Like It, The Good Person of Szechwan, and Machinal. She received three Olivier Award nominations for her roles in Mephisto, Hedda Gabler, and Happy Days. She made her Broadway debut playing the title role in Medea for which she earned a nomination for the Tony Award for Best Actress in a Play. She returned to Broadway in the Colm Tobin play The Testament of Mary. In film, she played Petunia Dursley in the Harry Potter film series. Other notable film roles include in My Left Foot, Persuasion, Jane Eyre, The Tree of Life, Colette, and Enola Holmes. Follow my work at https://patrick-mcandrew.com and @patrick.mcandrew Photo credit:  © Marie-Lan Nguyen / Wikimedia Commons

In this episode of The Directors' Take podcast, your hosts Oz Arshad and Marcus Anthony Thomas are joined by Annetta Laufer, a Writer/Director who has directed episodes of Dr. Who and the upcoming HBO series Get Millie Black. Annetta, like many of us, was stuck in an endless loop of directing short films, but remained true to her taste and principles, whilst waiting for the TV and Film industry to reach the place where her voice is situated. We dig down into her journey and talk about the following:   -Why did you begin directing? -Do you think schemes are helpful? -How did you get your break in TV directing? -What is the biggest difference between shorts and TV? -How do you prep when working in TV? -What is a script supervisor? -What are the most difficult challenges a director faces when working in TV?   Biography Annetta is a Writer/Director and the founder of Roman Candle Productions, a film production company focused on black and female–led films. Her short films have screened at national and international film festivals including Encounters Film Festival, London Short Film Festival, Aesthetica Film Festival, Pan African Film Festival and Uppsala Film Festival.Her short films have earned her the Best Film award at the BFM International Film Festival/Screen Nation for WINNIE AND THE DUPPYBAT, which was also a finalist for the HBO Short Film Award at the American Black Film Festival. She won the Best Screenwriter award at the Indian Cine Film Festival in Mumbai for SCARLET, Best Short Film award at the Black International Film Festival for AFRO PUNK GIRL and was BAFTA long-listed for her last short film THE ARRIVAL. Annetta is currently developing her feature film COLONY ROOMS, a drama set within the Caribbean community in 1960s Soho London, with the BFI and producer Joy Gharoro Akpojotor (Blue Story, Boxing Day). She is also developing her 2nd feature film WILD SWIMMING (RIVER MISTRESS) with producer Yvonne Isimeme Ibazebo (Netflix/Top Boy, Fox Searchlight/Rye Lane) and Film4, and developing her first TV series LEMON FISH with Buccaneer Media. As a director, Annetta directed the 2022 New Years Special of the British TV Series DOCTOR WHO for BBC Studios. She is also attached to Morgan Lloyd Malcolm's upcoming film adaptation of her Laurence Olivier Award winning play EMILIA, based on the life and times of Renaissance poet and Shakespeare contemporary Emilia Bassano. Manon Ardisson (God's Own Country) and Chiara Ventura from Ardimages UK are producing. Annetta is represented by Josh Varney and Hannah Linnen at 42 Management.   Nuggets of the week Annetta: The Last of Us Oz: Hustle Harder, Hustle Smarter by Curtis "50 Cent" Jackson Marcus: How Michelle Yeoh Threatened 'Everything Everywhere' Directors Daniel Kwan and Daniel Scheinert.   Credits Music by Oliver Wegmüller   Socials Annetta: Instagram The Directors' Take: Twitter (X) & Instagram Marcus: Twitter (X) & Instagram Oz: Twitter (X) & Instagram   If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at TheDirectorsTake@Outlook.com.

Who is Marv Goldberg? Marv Goldberg (born 1944) is an American writer and historian of music in the field of rhythm & blues . Goldberg grew up in the Bronx, New York and was a graduate of Stuyvesant High School (1960), City College of New York (Biology; 1964), and Pace College (now Pace University; Accounting; 1967). https://en.wikipedia.org/wiki/Marv_Goldberg Save this Website...you will need it! https://www.uncamarvy.com/ Louis Jordan - The King of the Jukebox The Rock and Roll Hall of Fame states that two of the most important originators of Rhythm and blues were Joe Turner and Louis Jordan, with his Tympany Five. The two artists helped to lay "the foundation for R&B in the 1940s, cutting one swinging rhythm & blues masterpiece after another".[22] The Hall also describes Jordan as "the Father of Rhythm & Blues," "the Grandfather of Rock 'n' Roll" and "King of the Juke Boxes".[43][16] Another source states that with Caldonia (1945), Jordan was "already crafting the classic rock ‘n' roll sound".[44] The Hall of Fame considers "his classic “Saturday Night Fish Fry” (1949) as an early example of rap and possibly the first rock and roll recording".[17] The Blues Foundation hints that Jordan was a precursor to R&B: "Louis Jordan was the biggest African-American star of his era and that his "Caldonia" reached "the top of the Race Records chart, as it was known prior to the introduction of term Rhythm & Blues in 1949".[45] Some have suggested that Chuck Berry modeled his musical approach on Jordan's.[46] Berry changed the lyric content from black life to teenage life, and substituted cars and girls for Jordan's primary motifs of food, drink, money and girls. Berry's iconic opening riff on "Johnny B. Goode"[47] bears a striking similarity to the intro played by the guitarist Carl Hogan on the 1946 hit "Ain't That Just Like a Woman"; Berry has acknowledged the debt in interviews.[48][49][50] Other sources also indicate that Little Richard was influenced by Jordan. In fact, the artist said Caldonia was the first non-gospel song he learned; and the shriek (or "whoop")[47] on the Jordan record "sounds eerily like the vocal tone Little Richard would adopt", in addition to the "Jordan-style pencil-thin moustache".[51][52] James Brown and Ray Charles also said that Jordan's style had an influence on their work.[52] B.B. King recorded an album called Let the Good Times Roll: The Music of Louis Jordan. The band included Earl Palmer, drums, Dr. John, piano, Hank Crawford, alto sax, David "Fathead" Newman, tenor sax, and Marcus Belgrave, trumpet.[53] Jordan was inducted into the Blues Hall of Fame;[6] and in 2018 he posthumously received a Grammy Award for lifetime achievement.[54] The Academy believes that he "led the way for rock and roll in the 50's. His recordings in the GRAMMY Hall Of Fame include: 'Ain't Nobody Here But Us Chickens', 'Caldonia Boogie', 'Choo Choo Ch'Boogie', and 'Let The Good Times Roll'".[55] According to Cleveland.com, "Louis Jordan had a profound impact on several African-American music genres that evolved during the first half of the 20th century ... He helped make jump blues, jazz and boogie-woogie mainstream forces. Jordan's legendary work would serve as a precursor to modern blues, rock and roll and R&B music".[56] In 1990, Five Guys Named Moe, a musical built around the songs of Louis Jordan, opened in London's West End and ran for over four years, winning a Laurence Olivier Award. It opened on Broadway in 1992 and received 2 Tony Award nominations. Tours and revivals have continued into the 2020s. Tom Gouker's Links Please Subscribe to SOMETHING came from Baltimore Youtube: https://www.youtube.com/channel/UCj7HKmMrFB4vAQm3SKzvftA Facebook:  https://www.facebook.com/tomfunproductions Itunes: ⁠https://podcasts.apple.com/.../scfb-186.../id1400504427...⁠ Anchor: https://anchor.fm/somethingcame-from-baltim⁠  --- Send in a voice message: https://podcasters.spotify.com/pod/show/somethingcame-from-baltim/message Support this podcast: https://podcasters.spotify.com/pod/show/somethingcame-from-baltim/support

Currently playing the role of Lance Du Bois in the hit Broadway show, "& Juliet", Paulo Szot is a Brazilian actor slash operatic baritone singer who opens up about his immigrant parents' huge influence on his love of theatre and performing. Thanks to Paulo's love for soccer, his lack of skills for the sport eventually led him to pursue performing instead. He recalls watching “A Chorus Line” which was also the moment he fell in love with the craft. This newfound calling led to Paulo's (literal) journey to study in Poland and connect to his roots. He shares his 23-day travel by cargo ship, and his academic and professional life in Poland, including joining a song and dance company. While the pop music style of “& Juliet” isn't exactly Paulo's strong suit, his supportive colleagues and love for trying out and throwing himself into new experiences prevail. He reflects on why he honors his job by respecting everyone and learning from people, highlighting that perfection is wrong and that as humans, we always have to leave space for the unexpected. Paulo Szot is a Brazilian operatic baritone singer and actor who is known for his powerful and versatile voice, which has allowed him to excel in various genres, including opera, musical theater, and popular music. He's performed everywhere, including with the Metropolitan Opera, the New York Philharmonic, the Chicago Philharmonic, and more. He won critical acclaim for his portrayal of Emile de Becque in the Broadway revival of "South Pacific," earning him a Tony Drama Desk Award, Outer Critics Circle Award, Theatre World Award, and Tony Award for Best Actor in a Musical. He was also nominated for the Laurence Olivier Award for the same role in his West End debut. Apart from “South Pacific”, he's also appeared in the Broadway production of “Chicago”. Szot continues to impress audiences worldwide with his remarkable talent and charismatic stage presence in the hit Broadway show “& Juliet”. Connect with Paulo: Website: www.pauloszot.com Instagram: @pauloszot Facebook: @pauloszot Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

Harvey Brownstone conducts an in-depth interview with Jerry Mitchell, Multi-Award Winning Director and Choreographer, Author, “Backstage Pass” About Harvey's guest: Today's guest, Jerry Mitchell, is a multi-award winning director and choreographer who's brought us some of the most beloved and iconic musicals in the past 40 years.   After dancing in Broadway shows including “Will Rogers Follies”, “Brigadoon” and “On Your Toes”, he's gone on to choreograph dozens of shows on Broadway, in London's West End, and for touring productions.  He choreographed the world premiere of the musical “Jeckyll & Hyde”.  He was the choreographer for many Broadway shows including “The Full Monty”, “Hairspray”, “Dirty Rotten Scoundrels”, “Legally Blonde”, “Pretty Woman: The Musical”, and “Kinky Boots” and “On Your Feet”, which he also directed.   He choreographed the Broadway revivals of “Grease”, “You're a Good Man, Charlie Brown”, “The Rocky Horror Show”, “Gypsy”, and “La Cage Aux Folles”.  He's been nominated for 8 Tony Awards and won 2 for Best Choreography, for “Kinky Boots”, and “La Cage Aux Folles”, for which he also won a Drama Desk Award and an Outer Critics Circle Award.    He's also received 4 Laurence Olivier Award nominations, 6 more Drama Desk Award nominations, and 3 more Outer Circle Award nominations.  In addition to his work in the theatre, our guest directed the movie versions of “Kinky Boots:  The Musical” and “Legally Blonde: The Musical”.   He was also the choreographer for a number of movies including “Scent of a Woman”, “In & Out”, “The Object of My Affection”, “One True Thing”, and “Hedwig and the Angry Inch”.  On TV, he's choreographed numerous shows including the 2004 Tony Awards, the 2016 live performance of “Hairspray”, and he got an Emmy Award nomination and WON an American Choreography Award for his work on “The Drew Carey Show”.    In Las Vegas, he created, directed and choreographed “Peep Show”, the longest-running live show at Planet Hollywood.    And on top of ALL THAT, this incredibly generous man created, and for many years directed, the hugely popular annual “Broadway Bares” burlesque and comedy extravaganza, for Broadway Cares/Equity Fights AIDS, a vitally important fundraising organization within the theatre community, that has raised over 25 million dollars for AIDS related causes across America.   If you're not familiar with “Broadway Bares”, you MUST GET our guest's wonderful book about this annual show, entitled “Backstage Pass”.    AND, in recognition of his dedication and contributions to Broadway Cares/Equity Fights AIDS, as well as his 3 decades of volunteer service through the arts, our guest will be receiving the prestigious Isabelle Stevenson Award at the upcoming Tony Awards on June 11.    For more interviews and podcasts go to: https://www.harveybrownstoneinterviews.com/ To see more about Jerry Mitchell, go to:https://www.facebook.com/jammyprod/https://www.instagram.com/jammyprod/https://www.tiktok.com/@jammyprod #JerryMitchell   #harveybrownstoneinterviews

ANA Check-in and booking services were temporarily disrupted Monday for every domestic flight as the country relaxes the entry requirements for all visitors from mainland China. A new stage adaptation of Studio Ghibli's “My Neighbor Totoro” won six awards in London at the 2023 Laurence Olivier Awards, while the musician and film composer Ryuichi Sakamoto, member of the legendary Yellow Magic Orchestra, passed away last week from cancer aged 71. Notebook pays its respects by visiting the DUG jazz-kissa cafe in Shinjuku established in 1961, it too beloved by music and film lovers alike. — Get in touch: notebook.podcast@gmail.com Leave a message: speakpipe.com/notebook Instagram: @notebook_pod Twitter: @notebook_pod — Learn more about your ad choices. Visit megaphone.fm/adchoices

Matt is a Laurence Olivier Award-winning British singer and actor. He has performed in The Lion King, Saturday Night Fever, Avenue Q, Kinky Boots, for which he won the Olivier for Best Actor in a Musical, and The Drifters Girl to name a few. He also placed 4th on The Voice UK in 2013. In December 2017, he received an MBE in the New Year's Honours list for his contribution to theatre.

This week's episode is an honorable tribute to late acting legend Dame Angela Lansbury who passed away tranquilly last year at ninety six. Dame Angela Lansbury was an Irish-British and American actress, dancer and singer whose extraordinary career graced the silver screen, prime time television and the stage. Her career had humble beginnings as she took small roles in classic low budget movies after signing a contract with MGM. Her breakout role was in The Manchurian Candidate (1962). This catapulted her into stardom and gave her an opening to branch out into Broadway. From Mame to Gypsy to Sweeney Todd to the King and I, she commanded the stage with star power. But, she was far from done with Hollywood as she gravitated toward sweet, matronly roles in children's films. She gained much notoriety as the voice of Mrs. Potts in Beauty and the Beast. Who can forget her magical antics in Bedknobs and Broomsticks? Anastasia, Nanny McPhee and Mary Poppins Returns are other family films she so beautifully acted in. Murder She Wrote, as we all know, was the television hit show that featured her as a widowed mystery writer who was also an amateur sleuth. Her impressive array of awards includes six Tony Awards, a Lifetime Achievement Award, six Golden Globes, a Laurence Olivier Award, an Honorary Academy Award, eighteen Primetime Emmy Awards and a Grammy. Peter Shaw was her producer husband whom she was married to for over fifty years until his passing. They had two children whom she had to rescue from the Charles Manson Cult and drugs when they hit their teenaged years. So charitable and loving, she was very active in AIDS awareness and in helping struggling artists get their big break. Along with my trusted co-host, good friend and performing arts connoisseur Anthony Bonilla, I pay an homage to the legacy of one of the most beloved actresses of all time.

This is a fun two part interview with Frank Ferrante. The first half we talk about Frank's Italian Roots. In the second half we talk about his career in acting specifically his one man show, "An Evening With Groucho."FRANK FERRANTE (Actor/Writer) is the recipient of New York's Theatre World Award for 'Outstanding Debut,' a New York Outer Critics Circle nomination, London's Laurence Olivier Award nomination for 'Comedy Performance of the Year,' Washington D.C.'s Helen Hayes nomination and two Connecticut Critics Circle Awards. He was picked a 'top ten' theater performance by the Wall Street Journal in 2017 and in 2019 the Chicago Tribune picked him as a 'top ten' stage performance for his role in cirque's Teatro ZinZanni. His New York, London and PBS performances in the title role in Groucho: A Life in Revue received not only acclaim from critics and audiences but from the Marx family.Ferrante was discovered by Groucho Marx's son playwright Arthur Marx as a 22 year old drama student at USC performing An Evening With Groucho for a 1985 senior project. Arthur subsequently cast Frank to portray Groucho Marx for the heralded 1986-87 production of Arthur's Groucho: A Life in Revue that played Off-Broadway at the Lucille Lortel Theatre for 254 performances. Ferrante, who was 23 at the time, portrayed legendary Groucho from age 15 to 85. Morrie Ryskind who co-wrote the Marx Brothers classic films Animal Crackers and A Night at the Opera and attended Ferrante's USC show said, "Frank is the only actor aside from Groucho who delivered my lines as they were intended." An Evening With Groucho WebsiteAn Evening With Groucho On Demand Also, you can check you local PBS schedule for An Evening With GrouchoYou can see Frank live in Chicago in Cabaret Zazoumosaic: Exploring Jewish Issuesmosaic is Jewish Federation of Palm Beach County's news podcastListen on: Apple Podcasts SpotifyFarmers and Nobles traces the research path of blogger and podcast host Bob Sorrentino. Bob began researching his family roots in 2008 beginning with his great-grandfather's calling card brought from Italy by his paternal grandmother Maria Luigia Piromallo. https://www.italiangenealogy.blog/farmers-and-nobles/Support the showPurchase my book "Farmers and Nobles" here or at Amazon.

JULIAN GLOVER INTERVIEW Julian Glover talks with Dan and Tom about his fascinating six-decade stage, movie, and television career in a fascinating, wide-ranging, and exciting interview. We also talk about Julian's recently released book called CUE TO CUE. In CUE TO CUE, Glover talks about his life, his career, and includes many photographs to bring it all home. By listening to this interview, you'll learn a lot about Julian Glover: his awards, working with family members, his audition to play James Bond, his passion for stage acting, and much move. We even talk about some fairly unknown filming facts such as who the waiter was that spilled shrimp all over Julian while filming a dinner scene in FOR YOUR EYES ONLY. We hadn't heard that one before. JULIAN GLOVER'S CAREER Spy movie fans will recognize Julian Glover from such roles as Kristatos in FOR YOUR EYES ONLY and Harcourt-Smith in THE FOURTH PROTOCOL. He has had roles in some of the biggest movie and television series such as STAR WARS, INDIANA JONES, HARRY POTTER, and GAME OF THRONES. Television fans will recognize him as Commander Anderson in SPY TRAP, his two roles in THE SAINT, QUILLER, REMINGTON STEELE, THE SPYS OF WARSAW and others. Julian Glover has recieved three Laurence Olivier Award nominations, winning once for his role as King Henry IV. He has also been awarded Commander of the Order of the British Empire in 2013. So take a listen, we cover all of these things and more. ORDER JULIAN GLOVER'S BOOK Click on the image below to order Julian Glover's book, CUE TO CUE. Clicking on image will take you to external website. SpyMovieNavigator receives no compensation if you order this book. You can check out all of our podcasts on your favorite podcast app or on our website. Ideas/Comments? Info@cracking-the-code-of-spy-movies Website Episode Page: https://bit.ly/3ILBejT  

Description: “Reckoning” is the new best-selling book from V (formerly Eve Ensler), author of “The Vagina Monologues” and founder of V-Day/One Billion Rising, the global movement to end violence against all women, gender-expansive people, girls, and the earth. Reckoning, writes V, is “the antidote to fascism”. In this Women's History Month special, which includes performances by V and Laurence Olivier Award-winning actress and Tony nominee, Noma Dumezweni, Laura speaks with V about why she changed her name, her long history working for peace, the current pushback against teaching African American history, and the abortion she had at the age of 23 when she was living in a halfway home. What is the reckoning we need, and where can it lead us? What happens if we do NOT reckon?“. . . There was no way I could bring up a child, and that child would've been destroyed. I realized that I could make a decision not to have that child. That was literally the first time in my life that I went and I made a choice about my own body.”  - V (formerly Eve Ensler)“We are living in a patriarchal paradigm . . . but it wasn't always here . . . It requires imagination for all of us to say, is this racist, patriarchal paradigm, the paradigm we choose to live in for eternity? Or do we want to live in a different paradigm and are we going to struggle to dismantle it?  - V (formerly Eve Ensler)Guest:   V (formerly Eve Ensler), Award-winning Playwright, Author & Founder V-Day & One Billion Rising; Best-selling Author, Reckoning, The ApologyThe Show is listener and viewer supported.  That's thanks to you!  Please donate and become a member.Full conversation & show notes are available at Patreon.com/theLFShow Chapters:(0:00:01) - Reckoning(0:10:06) - Bodily Autonomy and Reclaiming(0:22:11) - Rising UpChapter Summaries:(0:00:01) - Reckoning (10 Minutes)This chapter begins with a discussion about the importance of reckoning in today's world. Vee, the author, activist and playwright, formerly known as Eve Ensler, explains how changing her name was a key step in her own reckoning process. She then goes on to discuss how lack of reckoning leads to the repeating of terrible things that have already occurred in the past, particularly in terms of war and violence against women, trans people, and non-binary people. Vee then talks about the role of solidarity and how it is a place of belonging. (0:10:06) - Bodily Autonomy and Reclaiming (12 Minutes)This chapter of the podcast discusses the importance of bodily autonomy for women and the importance of imagining alternatives to the patriarchal paradigm that has been in place for the past 17,000 years. Tony nominee, Noma Dumezweni performance is featured and discussed, as is V's own experience with abortion. V talks about how her abortion was the first autonomous decision she made about her own body, and how it changed her life. The conversation then moves to how to reckon with the continued stealing of bodily autonomy from women and how to respond. (0:22:11) - Rising Up (8 Minutes)This conversation discusses the importance of creating a positive, revolutionary world in which people can turn their pain into power. Through the example of City of Joy, a revolutionary center in the Congo, the conversation delves into the power of creating a space where people can discover their divine power. It then turns to the biblical story of Eve, retelling it to show her as a brave character. The conversation then asks what is the state of the rising of people around the world, particularly those in Afghanistan, Iran, Congo, and Palestine.

Broadway Actor Brandon Victor Dixon (Hamilton, The Color Purple, Jesus Christ Superstar) discusses being part of the world premiere recording of MacGyver The Musical in this interview with Adam Rothenberg, host of the entertainment website Call Me Adam. Based upon the 80s TV Show MacGyver, MacGyver The Musical's cast recording will be released on January 27, 2023 on Broadway Records. In this interview we discuss: The backstory to how Brandon got involved with the recording of MacGyver The Musical How Brandon prepared for this role How Brandon "MacGyvered" his way back onto various Broadway stages The boundaries Brandon puts up when he is in a show or working on a project We wrap things up with some Rapid Fire Questions More on Brandon Victor Dixon: Brandon Victor Dixon is an American actor, singer and theatrical producer. As a musical theatre actor, he is known for Tony Award-nominated Broadway performances as Harpo in the 2005 musical The Color Purple and Eubie Blake in Shuffle Along, or, the Making of the Musical Sensation of 1921 and All That Followed (2016). He originated both roles, as well as the leading role of Berry Gordy Jr. in Motown: The Musical (2013) on Broadway, which earned a nomination for a Grammy Award for Best Musical Theater Album. In 2016, Dixon assumed the role of Aaron Burr in the Broadway company of Hamilton. Off-Broadway as well as in London's West End, Dixon played the role of Hayward Patterson in The Scottsboro Boys and was nominated for a 2014 Laurence Olivier Award for Best Actor in a Leading Role in a Musical. As a producer, Dixon's credits include Broadway revivals of Hedwig and the Angry Inch and Of Mice and Men (2014); the former won the 2014 Tony Award and the Drama Desk Award for best revival of a musical. In 2018, Dixon portrayed Judas Iscariot in NBC's live concert version of Andrew Lloyd Webber and Tim Rice's rock opera Jesus Christ Superstar, for which he received a Primetime Emmy nomination for Primetime Emmy Award for Outstanding Actor in a Supporting Role in a Limited or Anthology Series or Movie. Like What You Hear? For more Call Me Adam interviews visit: https://callmeadam.com Follow me @callmeadamnyc on Facebook & Instagram Special Thanks: Theme Song by Bobby Cronin Podcast Logo by Liam O'Donnell Edited by Adam Rothenberg Outro Music Underscore by CueTique P.S. This interview was originally presented as a video interview. Watch it on Call Me Adam's YouTube Page Learn more about your ad choices. Visit megaphone.fm/adchoices

Driven to inspire other people with art, Brandon Victor Dixon has been sharing his talent with the world for decades now. And this month, the actor slash theatrical producer is part of the much-anticipated world premiere of the award-winning "MacGyver: The Musical's" album which will be released on January 27th. Apart from theatre, Brandon is also doing advocacy work. He talks about the We Are Foundation which he created, and how he uses it to bridge gaps between art and us as communities. He brings up a good point on human behavior, what makes it for some people to be kind, and how art can be a gateway to understanding and helping them. In choosing a role or a piece, he considers the tools that can make his role and the exchange between him and the audience the most effective. He adds that the pieces choose him and come into his life at a time when he needs them the most. When he was just starting, Brandon had to pause his graduation to go on a national tour, come back, finish school, and then originate a role on Broadway for which he got a Tony nomination. He recalls his audition process for the role of Simba, why he thinks he shouldn't have been cast, and how he overcame his doubts and the challenges he encountered as it was happening. As one of the stars in the world premiere album of “MacGyver: The Musical”, Brandon talks about his character, doing comedy, and how his process usually adapts to the show his doing. Brandon reflects on his role as Haywood Patterson in “The Scottsboro Boys”, why he considers it his favorite role, and how it ultimately goes back to his advocacy: to change and help people with the power of art. Brandon Victor Dixon is an actor, singer, advocate, and theatrical producer known for his Tony Award-nominated Broadway performances as Harpo in the 2005 musical "The Color Purple" and Eubie Blake in "Shuffle Along, or, the Making of the Musical Sensation of 1921 and All That Followed". Apart from originating both roles, he also originated the leading role of Berry Gordy Jr. in Broadway's "Motown: The Musical", which earned a nomination for a Grammy Award for Best Musical Theater Album. In 2016, Brandon assumed the role of Aaron Burr in the Broadway company of "Hamilton". He also played the role of Hayward Patterson in "The Scottsboro Boys" both Off-Broadway and in London's West End, and was nominated for a 2014 Laurence Olivier Award for Best Actor in a Leading Role in a Musical. As a producer, his credits include Broadway revivals of "Hedwig and the Angry Inch which won the 2014 Tony Award and the Drama Desk Award for best revival of a musical, and "Of Mice and Men". In 2018, he played Judas in NBC's live concert version of Andrew Lloyd Weber and Tim Rice's rock opera, "Jesus Christ Superstar" where he received a Primetime Emmy nomination for Primetime Emmy Award for Outstanding Actor in a Supporting Role in a Limited or Anthology Series or Movie. His other stage credits include "Chicago", "The Lion King", "The Color Purple", "Rent", and "Shuffle Along" among others. His tv credits include "Power", "She's Gotta Have It", "Modern Love", and "The Best Man: The Final Chapters". Brandon is part of the much-anticipated album of the award-winning "MacGyver: The Musical'" which will be released on January 27th, 2023. Connect with Brandon: Instagram: @brandonvdixon Twitter: @brandonvdixon Website: www.brandonvictordixon.com Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

Brandon is an American actor, singer and theatrical producer. As a musical theatre actor, he is known for Tony Award-nominated Broadway performances as Harpo in the 2005 musical The Color Purple and Eubie Blake in Shuffle Along, or, the Making of the Musical Sensation of 1921 and All That Followed (2016). He originated both roles, as well as the leading role of Berry Gordy Jr. in Motown: The Musical (2013) on Broadway, which earned a nomination for a Grammy Award for Best Musical Theater Album. In 2016, Dixon assumed the role of Aaron Burr in the Broadway company of Hamilton. Off-Broadway as well as in London's West End, Dixon played the role of Hayward Patterson in The Scottsboro Boys and was nominated for a 2014 Laurence Olivier Award for Best Actor in a Leading Role in a Musical. As a producer, Dixon's credits include Broadway revivals of Hedwig and the Angry Inch and Of Mice and Men (2014); the former won the 2014 Tony Award and the Drama Desk Award for best revival of a musical. In 2018, Dixon portrayed Judas Iscariot in NBC's live concert version of Andrew Lloyd Webber and Tim Rice's rock opera Jesus Christ Superstar, for which he received a Primetime Emmy nomination for Primetime Emmy Award for Outstanding Actor in a Supporting Role in a Limited or Anthology Series or Movie. His latest endeavor is performing on the new World Premiere Recording of MacGyver the Musical on Broadway Records

Back in October of this year we lost a beloved star of the stage and screen, Angela Lansbury. Her performing career spanned 80 years in which she received six Tony Awards, six Golden Globe Awards, and one Laurence Olivier Award. And despite her years in television and movies (her last film role was Glass Onion in 2022), theater was always her first love, having appeared in 14 Broadway productions and four national tours. But as you'll hear in this special episode (with a big help from fellow podcaster Dan Delgado), it was a long and bumpy journey towards the role in Mame that would cement her Broadway career and earn her that first Tony Award. You'll hear from composer Jerry Herman and from Angela Lansbury herself in this unlikely audition story of how a character actress from the movies became a leading lady on Broadway.   Subscribe to WINMI and get Bonus Episodes   OR Make a one-time Donation to the podcast   Subscriptions and donations help support the production of this podcast, not only improving audio and recording capabilities, but it also helps create transcripts like the one available for this episode.   Episode research and sources: "Look Back at Angela Lansbury in the Original Broadway Production of Mame" - Playbill "How Angela Became Mame" - Medium But Darling, I'm Your Auntie Mame! by Richard Tyler Jordan (2004) Anyone Can Whistle - Wikipedia MAME - Wikipedia Sound bites came from these full interviews: Angela Lansbury Discusses Mame - Television Academy Broadway MAME - Sony MasterWorks Broadway ANYONE CAN WHISTLE - Sony MasterWorks Jerry Herman with Barbara Walters on 20/20 (1984) Lansbury with Barbara Walters (1985) Herman Interview for Musical Theater Guild Herman on NPR  “Open a New Window” - 1971 Tonys Awards "We Need a Little Christmas" Piano Version - Steven C Opening Night of MAME in 1966 - Fred Robbins, radio reporter At times certain reports or articles conflicted on particular details or order of events, so best efforts were made to rely on the most reliable sources and err on the side of those who knew more about the events surrounding Lansbury's journey.

For Video Edition, Please Click and Subscribe Here: https://youtu.be/X562TchJuok Versatile singer/actor Damon Evans is a native of Baltimore, MD. He is a graduate of the Interlochen Arts Academy and Brooklyn College where he majored in Africana Studies. He has had an active career on Broadway, Television, and Classical Music. Most American audiences are familiar with his work as an actor on the popular tv sitcom The Jeffersons. He also portrayed Alex Hailey in the mini-series Roots: The Next Generation which is still considered one of the ten most watched mini-series in television history. Prior to his television work he appeared on Broadway in such shows as The Me Nobody Knows, Via Galactica, Don't Bother Me I Can't Cope, and Lost in the Stars. On stage he has toured with Pearl Bailey in Hello Dolly and became the first African-American actor/singer to portray the role of Jesus Christ in the authorized production of Jesus Christ Superstar. He has also appeared on the London stage in Carmen Jones for which he was nominated for a Laurence Olivier Award for Best Actor in a Musical. He was also active in the Classical Music and has appeared at the New York City Opera, the Tulsa Opera, The Cincinnati Opera, the Virginia Opera, the Canadian Opera Company, the Royal Opera in London, and the Netherlands Opera in Amsterdam. He has appeared as soloist with the London Symphony Orchestra, the Berlin Philharmonic Orchestra, the London Philharmonic, the Boston Pops and the Dallas Symphony Orchestra amongst others. He has also recorded for EMI Records, Chandos Records, and Dorian Records. He's taught Voice and Musical Theater at Marymount Manhattan College and currently resides in Queens, NY with his husband and two dogs Princeton and Seewee.

He was just a choir boy from a poor family—but he outworked everyone and honed his talents all the way to the West End, Broadway, and Hollywood. Pick up a motivating life lesson or two about struggling, quitting, and fighting for your dreams in this inspiring chat with international actor and singer Jon Jon Briones, best known for his roles as Dr. Richard Hanover in Netflix's Ratched, Modesto Cunanan in The Assasination of Gianni Versace, and The Engineer in Miss Saigon, for which he was nominated for the Laurence Olivier Award for Best Actor in a Musical in 2015. DISCLAIMER: The views and opinions expressed by the podcast creators, hosts, and guests do not necessarily reflect the official policy and position of Podcast Network Asia. Any content provided by the people on the podcast are of their own opinion, and are not intended to malign any religion, ethnic group, club, organization, company, individual, or anyone or anything.

He was just a choir boy from a poor family—but he outworked everyone and honed his talents all the way to the West End, Broadway, and Hollywood. Pick up a motivating life lesson or two about struggling, quitting, and fighting for your dreams in this inspiring chat with international actor and singer Jon Jon Briones, best known for his roles as Dr. Richard Hanover in Netflix's Ratched, Modesto Cunanan in The Assasination of Gianni Versace, and The Engineer in Miss Saigon, for which he was nominated for the Laurence Olivier Award for Best Actor in a Musical in 2015.DISCLAIMER: The views and opinions expressed by the podcast creators, hosts, and guests do not necessarily reflect the official policy and position of Podcast Network Asia. Any content provided by the people on the podcast are of their own opinion, and are not intended to malign any religion, ethnic group, club, organization, company, individual, or anyone or anything. Hosted on Acast. See acast.com/privacy for more information.

Legendary director Peter Brook died last week at the age of 97. Brook was one of theater's most influential directors. His 1970 A Midsummer Night's Dream is among that play's most lauded and best-known productions. His 1968 book The Empty Space is a classic of theater writing. Over the course of his career, he directed actors including John Gielgud, Glenda Jackson, Ben Kingsley, Adrian Lester, Vivienne Leigh, Laurence Olivier, Paul Scofield, Patrick Stewart, and Frances de la Tour, and won multiple Tony and Emmy Awards, a Laurence Olivier Award, the Praemium Imperiale, and the Prix Italia. When we spoke to Brook in 2019, his new play, Why?, co-written and co-directed by longtime collaborator Marie-Hélène Estienne, was about to kick off a tour of China, Italy, and Spain, and his newest book, Playing by Ear: Reflections on Sound and Music, had just been released. Brook spoke with Barbara Bogaev about his remarkable career, his illustrious collaborators, and the process of making theater. From the Shakespeare Unlimited podcast series. This podcast episode, “My Age Is as a Lusty Winter,” was originally published December 10, 2019, and was rebroadcast July 5, 2022. © Folger Shakespeare Library. All rights reserved. It was produced under the supervision of Garland Scott and is presented with permission of rlpaulproductions, LLC, which created it for the Folger. It was edited by Gail Kern Paster. Ben Lauer is the web producer. With technical helped from Andrew Feliciano at Voice Trax West in Studio City, California, and Alan Leer at The Sound Company Studios in London.

Philip Quast graduated from the National Institute of Dramatic Art in 1979 and began his career with State Theatre Company of South Australia debuting as Adam in The Mystery Plays of Wakefield. He went on to appear in numerous productions with the company including On The Wallaby, A Hard God, No End of Blame and The Threepenny Opera. His first musical was in the title role of Nimrod Theatre Company's Candide. Philip also began appearing as a presenter on the Australian children's show Play School, a program he would continue to present for 17 years.He shot to prominence in 1987 when he appeared as Javert in the original Australian production of Les Misérables. This performance won him a Sydney Critic Award and in 1989, he travelled to London to play Javert on the West End and eventually in Les Misérables: The Dream Cast at The Royal Albert Hall.Philip's stage success continued as he won the coveted role of Georges Seurat in the original London production of Stephen Sondheim's Sunday in the Park with George at the National Theatre where he also performed in David Hare's Stuff Happens, A Funny Thing Happened On The Way to the Forum, South Pacific and most recently the award winning Follies (which screened live around the world.)He has won three Laurence Olivier Awards for Best Actor in a Musical; Sunday in the Park with George, South Pacific and The Fix.He has appeared with the Sydney Theatre Company in Coriolanus, Sondheim's Into the Woods,The Cherry Orchard, Democracy and the much-lauded production of Waiting For Godot. Most recently with Death of a Salesman.Philip has been a member of the Royal Shakespeare Company's seasons in London and Stratford Upon Avon with The White Devil, Macbeth, Troilus and Cressida and The Secret Garden.His other innumerable roles include Juan Peron in Andrew Lloyd Webber's 2006 production of Evita at the Adelphi Theatre, Judge Turpin in Sweeney Todd at London's Royal Festival Hall, The Lincoln Centre in New York and for The English National Opera. He played Georges in the Menier Chocolate Factory's production of Jerry Herman's La Cage aux Folles in the West End.His many film and television appearances include; Midsomer Murders, Morse, UltraViolet, Brides of Christ, The Damnation of Harvey McCue,Truth, Hacksaw Ridge,The Devil's Double and Picnic At Hanging Rock.Philip can be heard in over 15 cast recordings. He now devotes much of his time to directing, writing and teaching.Philip will be performing at this year's Adelaide Cabaret Festival with Moments In The Woods – Songs & Stories of Sondheim, directed by Mitchell Butel. Moments In The Woods also features Geraldine Turner, Queenie van de Zandt, Josie Lane and Mitchell Butel. The show plays June 23rd at Her Majesty's Theatre, Adelaide.The STAGES podcast is available to access and subscribe from Whooshkaa, Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Recipient of Best New Podcast at 2019 Australian Podcast Awards. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Philip Quast graduated from the National Institute of Dramatic Art in 1979 and began his career with State Theatre Company of South Australia debuting as Adam in The Mystery Plays of Wakefield. He went on to appear in numerous productions with the company including On The Wallaby, A Hard God, No End of Blame and The Threepenny Opera. His first musical was in the title role of Nimrod Theatre Company's Candide. Philip also began appearing as a presenter on the Australian children's show Play School, a program he would continue to present for 17 years.He shot to prominence in 1987 when he appeared as Javert in the original Australian production of Les Misérables. He travelled to London to play Javert on the West End and eventually in Les Misérables: The Dream Cast at The Royal Albert Hall.Philip's stage success continued as he won the coveted role of Georges Seurat in the original London production of Stephen Sondheim's Sunday in the Park with George at the National Theatre where he also performed in David Hare's Stuff Happens, A Funny Thing Happened On The Way to the Forum, South Pacific and most recently the award winning Follies (which screened live around the world.)He has won three Laurence Olivier Awards for Best Actor in a Musical; Sunday in the Park with George, South Pacific and The Fix.He has appeared with the Sydney Theatre Company in Coriolanus, Sondheim's Into the Woods,The Cherry Orchard, Democracy and the much-lauded production of Waiting For Godot. Most recently with Death of a Salesman.Philip has been a member of the Royal Shakespeare Company's seasons in London and Stratford Upon Avon with The White Devil, Macbeth, Troilus and Cressida and The Secret Garden.His other innumerable roles include Juan Peron in Andrew Lloyd Webber's 2006 production of Evita at the Adelphi Theatre, Judge Turpin in Sweeney Todd at London's Royal Festival Hall, The Lincoln Centre in New York and for The English National Opera. He played Georges in the Menier Chocolate Factory's production of Jerry Herman's La Cage aux Folles in the West End.His many film and television appearances include; Midsomer Murders, Morse, UltraViolet, Brides of Christ, The Damnation of Harvey McCue,Truth, Hacksaw Ridge,The Devil's Double and Picnic At Hanging Rock.Philip can be heard in over 15 cast recordings. He now devotes much of his time to directing, writing and teaching.Philip will be performing at this year's Adelaide Cabaret Festival with Moments In The Woods – Songs & Stories of Sondheim, directed by Mitchell Butel. Moments In The Woods also features Geraldine Turner, Queenie van de Zandt, Josie Lane and Mitchell Butel. The show plays June 23rd at Her Majesty's Theatre, Adelaide.The STAGES podcast is available to access and subscribe from Whooshkaa, Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Recipient of Best New Podcast at 2019 Australian Podcast Awards. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Today's motivation is to get up and put yourself in a different position. Audio Source More about Benedict: Benedict Timothy Carlton Cumberbatch CBE is an English actor. Known for his roles on the screen and stage, he has received various accolades throughout his career, including a British Academy Television Award, a Primetime Emmy Award and a Laurence Olivier Award. Quote of the Day: “The further you get away from yourself, the more challenging it is. Not to be in your comfort zone is great fun.” ― Benedict Cumberbatch Leave a review Support via Patreon --- Support this podcast: https://anchor.fm/motiv8/support

The brilliant, multi-talented Frank Ferrante, has enjoyed a 35-year career in the theater as an actor, director and producer.At age 23, he debuted Off-Broadway in the title role in Groucho: A Life in Revue written by Arthur Marx, son of the legendary comedian Groucho Marx. For that role, Frank won New York's Theatre World Award and a New York Outer Critics Circle nomination. He revived the role in London's West End, where he was nominated for the Laurence Olivier Award for ‘Comedy Performance of the Year.' Since then, he's reprised the role more than 3,000 times in over 500 cities throughout the world primarily in his touring solo show An Evening With Groucho, which was filmed at the Cincinnati Playhouse in the Park and re-titled Frank Ferrante's Groucho for broadcast on PBS.The Chicago Tribune named Frank a 2019 top ten theater performer for his work as comic host, The Caesar, in the cirque spectacular, Teatro ZinZanni – a role he's played for 20 years. At Philadelphia's Walnut Street Theatre, he directed and played the lead role of Pseudolus in A Funny Thing Happened on the Way to the Forum, which the Wall Street Journal called one of the country's top 10 performances of 2017.In 1995, he directed and developed the world premiere of the Pulitzer Prize finalist Old Wicked Songs.On television, he played a speaking mime on Rob Corddry's Emmy Award-winning comedy, Childrens Hospital, and his voice can be heard on the animated series SpongeBob SquarePants and Garfield. In October 2021, Frank received a 'star' on the Palm Springs Walk of Stars for his contributions to theater.

Born Iain Middleton in Falkirk, Scotland, Euan Morton has been acting on stage since childhood and continued to work in theatre after graduating from Mountview Academy of Theatre Arts. His breakthrough role was that of Boy George in the 2002 West End production of George's autobiographical musical “Taboo,” for which he received a Laurence Olivier Award nomination. In 2003, the musical moved to Broadway and Morton went on to win Tony Award, Drama Desk Award, Outer Critics Circle, and Drama League Award nominations. Other theatre credits include musicals such as “Sondheim on Sondheim,” “The Who's Tommy,” “Chess,” “Parade” (for which he won a Helen Hayes Award), “Hedwig and the Angry Inch,” and “Hamilton,” in which he currently plays King George III. In addition to his work in theatre, he has read a number of audiobooks, voiced the male Sith Inquisitor in the MMO game Star Wars: The Old Republic, and released two musical albums. Morton has been married to theatre producer Lee Armitage since 2004. The couple's son is theatre critic and actor Iain Armitage.

Stephen Sondheim was, put simply, among the most important figures in the history of musical theater. His major works include West Side Story, Gypsy, A Funny Thing Happened on the Way to the Forum, Company, Follies, A Little Night Music, Sweeney Todd: The Demon Barber of Fleet Street, Merrily We Roll Along, Sunday in the Park with George, and Into the Woods. Sondheim won eight Tony Awards, a Pulitzer Prize, an Oscar, eight Grammy Awards, a Laurence Olivier Award, and the Presidential Medal of Freedom. Stephen Sondheim died November 26 in Roxbury, Connecticut. He was 91. GUESTS: Steve Metcalf - Director emeritus of the University of Hartford’s Presidents’ College Alexandra Petri - Columnist for the Washington Post and the author of Nothing Is Wrong And Here Is Why Gene Seymour - A “writer, professional spectator, pop-culture maven, and jazz geek” Howard Sherman - Theater administrator, writer, and advocate; author of Another Day’s Begun: Thornton Wilder’s Our Town in the 21st Century Join the conversation on Facebook and Twitter. Cat Pastor contributed to this show.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Paradox House presents... Episode 5 of Scripted, hosted by Daisy Lewis. Week 5 is here and this week Daisy sat down with Dominic Cooke CBE. Listen in as we delve into process in theatre and screen as well as touching on the highly anticipated stage adaptation of Game of Thrones. Dominic graduated from Warwick University, his first job was as a TV runner led him to start his own theatre company, Pan Optic, which he ran for two years before becoming an assistant director at the Royal Shakespeare Company (RSC). He started his relationship with the Royal Court Theatre under Stephen Daldry in 1995. He then became an associate director at the Royal Court for Ian Rickson in 1999 during which time he directed Fireface by Marius von Mayenburg, Other People by Christopher Shinn and Redundant by Leo Butler. In 2003 he left the Royal Court and returned to the RSC for Michael Boyd where he directed his acclaimed version of The Crucible starring Iain Glen which won him the 2007 Laurence Olivier Award for Best Director; the play also won the Olivier for Best Revival. In 2013 he won the International Theatre Institute Award for Excellence in International Theatre and in the same year was awarded Honorary Doctorate of Letters by his alma mater, Warwick University. Cooke was appointed Commander of the Order of the British Empire (CBE) in the 2014 New Year Honours for services to drama. Dominic was artistic director and Chief Executive of the Royal Court Theatre 2006 to 2013 during which time he pioneered new writing by actively promoting the Royal Court's Young Writers' Programme and new, young writers such as Mike Bartlett (My Child), Polly Stenham (That Face), Penelope Skinner (The Village Bike) and Bola Agbaje (the Olivier Award-winning Gone Too Far!) For film, Dominic's feature directorial debut, On Chesil Beach starring Saoirse Ronan and Billy Howle, premiered at the Toronto International Film Festival on 7 September 2017. It is based on the novel of the same name by Booker Prize winning novelist Ian McEwan. His latest film The Courier starring Benedict Cumberbatch, Merab Ninidze, Rachel Brosnahan and Jessie Buckley, premiered at Sundance in January 2020. Enjoy!