Spotlight On

Today, the Spotlight again shines on media artist Tamiko Thiel, in the second of our two-part conversation.In our first talk, we explored Tamiko's journey from designing the world's first AI supercomputer in the eighties to becoming a pioneering media artist. Today, we dive deeper into her groundbreaking work in virtual reality and other philosophical matters.Tamiko's been creating immersive digital worlds since the mid-1990s when she worked with Steven Spielberg on a virtual space for seriously ill children. We'll talk about her project, Beyond Manzanar, which became the first VR artwork purchased by a major American museum, and how she uses emerging technologies to address political and environmental issues.–Dig DeeperVisit Tamiko Thiel at tamikothiel.comFollow Tamiko Thiel on Bluesky, Instagram, and LinkedInBeyond ManzanarBeyond Manzanar (demo)Starbright – VR Playscape For Hospitalized KidsZara HoushmandJapanese Americans at Manzanar“Moving a Body through Space”: An Interview with Tamiko ThielAI Causes Real Harm. Let's Focus on That over the End-of-Humanity HypeDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our new online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On digital media artist Tamiko Thiel.To mark our special milestone of 250 episodes, we are kicking off a two-part conversation with media artist Tamiko Thiel.Tamiko has lived at the crossroads of art and technology for over 40 years. She designed the Connection Machine, the first commercial AI supercomputer that now sits in New York's Museum of Modern Art. She's worked with everyone from Steven Spielberg to Richard Feynman, and pioneered virtual reality art before most people had heard of VR. Her Connection Machine even inspired Steve Jobs when he built his post-Apple computer, the NeXTcube.In part one, Tamiko shares her journey from Stanford engineer to acclaimed artist, and how her Japanese-American roots shape her work exploring identity, place, and space. Part two drops next week.–Dig DeeperVisit Tamiko Thiel at tamikothiel.comFollow Tamiko Thiel on Bluesky, Instagram, and LinkedInDanny Hillis, Richard Feynman, Tamiko Thiel & Colleagues Design the Connection MachineThe Female Supercomputer Designer Who Inspired Steve JobsCM-1/CM-2 "Feynman" T-shirtsDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our new online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On naturalist and classical pianist Hunter Noack.Redefining what a concert hall can be, Hunter Noack hauls a nine-foot Steinway grand piano to mountaintops, forests, and beaches for his series "In a Landscape: Classical Music in the Wild."Hunter grew up in Central Oregon, where his love for music and nature took root. His concert series gives audiences wireless headphones and encourages them to wander through stunning settings while the music plays. It's part performance, part exploration—turning national parks and historic sites into living concert venues.Since founding the series in 2016, Hunter's brought classical music to over 75,000 people across the American West, many experiencing live classical music for the first time. He's performed in sun, snow, and everything in between—all to break down barriers between listener, music, and landscape.(The musical excerpts heard in the interview are from Hunter Noack's album In a Landscape)–Dig DeeperVisit Hunter Noack at hunternoack.com and the In a Landscape project at inalandscape.orgPurchase Hunter Noack's In a Landscape from Qobuz and listen on your streaming platform of choiceFollow Hunter Noack on Facebook and In a Landscape on Instagram, Facebook, and YouTubeBeloved scenic outdoor concert series announces 2025 tour dates for 10th anniversaryDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our new online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On renowned saxophonist Noah Preminger.Boston-based saxophonist Noah Preminger has spent years pushing jazz into new territories before focusing on one of the art form's most enduring traditions. He's just released Ballads, a collection that finds this restless musical explorer settling into the quiet power of beautiful melodies.Noah's built his reputation on bold musical choices—from stark Delta blues interpretations to intricate duo sessions with bassist Kim Cass. But with this new record, he's aiming for something different—capturing that feeling when a saxophonist plays "as if it's their last day on earth," as he puts it.Recorded with pristine clarity for the new Chill Tone label, Ballads features Noah alongside pianist Julian Shore, bassist Kim Cass, and drummer Allan Mednard, creating music that feels both timeless and deeply personal.(The musical excerpts heard in the interview are from Noah Preminger's album Ballads)–Dig DeeperVisit Noah Preminger at noahpreminger.comPurchase Noah Preminger's Ballads from Bandcamp or Qobuz and listen on your streaming platform of choiceFollow Noah Preminger on Facebook, Instagram, and YouTubeDave LiebmanNoah Preminger & Kim Cass - Thunda + The DankDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our new online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On two artists who've taken the piano-guitar duo to bold new places. Sylvie Courvoisier and Mary Halvorson have just released Bone Bells, their third album, and a fresh showcase of their uncanny musical connection.These two players come from different worlds: Sylvie from European classical traditions and Mary from experimental jazz guitar circles. But when they join forces, something magical happens. Their music shifts from delicate to eruptive, structured to spontaneous, with a shared musical language they've built over nearly a decade.Bone Bells takes its name from a line in Hernan Diaz's Pulitzer-winning novel Trust. It carries that same haunting, enigmatic quality through eight compositions that blend composition and improvisation in ways only these two can pull off.Our conversation veered from structure to improvisation and led us to interesting places, a fitting companion to the new album.(The musical excerpts heard in the interview are from Sylvie Courvoisier & Mary Halvorson's album Bone Bells)–Dig DeeperVisit Sylvie Courvoisier at sylviecourvoisier.com and Mary Halvorson at maryhalvorson.comPurchase Sylvie Courvoisier & Mary Halvorson's Bone Bells from Bandcamp or Qobuz and listen on your streaming platform of choicePyroclastic RecordsDefending American arts, culture, and democracySilence is Not an Option: The Call to Action for Artists Under the Trump AdministrationDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our new online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On Phillip Golub, a Brooklyn pianist taking his music in bold new directions.Phillip's new project, Loop 7, is a set of minimalist compositions performed on a piano tuned to 22 notes per octave instead of the usual 12. Working with producer Joseph Branciforte, he's created something that lives between acoustic chamber music and studio art.It's a groundbreaking approach—Phillip's performance was captured on a special Yamaha piano in a unique way he tells us about. The recordings were then layered with guitar, vibraphone, and subtle electronics to create a technologically advanced and deeply human sound.Phillip has worked with jazz legend Wayne Shorter and brings that same spirit of innovation to his own music, blending jazz, classical, and experimental sounds in ways you've never heard before.(The musical excerpts heard in the interview are from Phillip Golub's Loop 7)–Dig DeeperVisit Phillip Golub at phillipgolubmusic.comPurchase Phillip Golub's Loop 7 from Grayfade or BandcampPhillip Golub Experiments with Loops on Mesmerizing LPInterview | Phillip Golub | Offerings of Love - 15 questionsIntroduction to EDO tuningsBeyond the Veil: Behold the Xenharmonic, or, Understanding Microtonal MusicHe Expects You To Read The Tea Leaves: An interview on the past & future of Wayne Shorter's orchestral workDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our new online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On Six Missing, the musical project of ambient artist TJ Dumser, who creates music that helps us connect with the present moment in ways we often forget.After encountering an intense phase of burnout, TJ turned his mental health struggles into Gentle Breath, a dark, lush EP that marks a new direction for this Austin-based artist. It's music that explores uncertainty with stunning depth—think Tangerine Dream meets the cosmic GAS records, but with TJ's distinct voice shining through.TJ's journey from New York workaholic to finding inner calm through his compositions offers a powerful look at how music can heal. His project name also comes from a supernatural experience at a Revolutionary War battle site …(The musical excerpts heard in the interview are from Six Missing's Gentle Breath EP)–Dig DeeperVisit Six Missing at sixmissing.com and TJ Dumser at tjdumser.comPurchase the Gentle Breath EP by Six Missing from Bandcamp or Qobuz and listen on your streaming platform of choiceFollow Six Missing on Instagram, SoundCloud, and YouTubeRupert Neve Spotlight: Six MissingSix Missing's Ambient Playlists: Amazon Music + SpotifyDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our new online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On violinist and composer Jenny Scheinman.Jenny Scheinman grew up on California's remote Lost Coast, and now she brings us music that captures the wild beauty of her roots. Her double album All Species Parade brings together jazz and folk to create something wholly original that feels like the natural world itself.With a dream team of collaborators including Bill Frisell, Nels Cline, and Julian Lage on guitars, Jenny's violin leads us through soundscapes that honor the land, its native peoples, and all living creatures.Jenny's made a career working with everyone from Lucinda Williams to Lou Reed, but this project takes her back home to create what she calls "nature worship music" that refuses to be domesticated.(The musical excerpts heard in the interview are from Jenny Scheinman's album All Species Parade)–Dig DeeperVisit Jenny Scheinman at jennyscheinman.comPurchase Jenny Scheinman's All Species Parade from Bandcamp or Qobuz and listen on your streaming platform of choiceFollow Jenny Scheinman on Bluesky, Instagram, Facebook, and YouTubeJenny Scheinman Finds Her Mojo on Northern California's Lost Coast with ‘All Species Parade'How Jenny Scheinman's Humboldt roots influenced new musicDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our new online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On Cary Baker, author of Down on the Corner: Adventures in Busking and Street Music.The music you hear on street corners and subway platforms has its untold history, and at age 16, Cary Baker followed a slide guitar's haunting melody through Chicago's Maxwell Street Market to find himself face-to-face with bluesman Blind Arvella Gray. That chance encounter sparked a lifelong obsession.Cary's book, Down on the Corner, traces the heritage of street music across 100 years, from blues legends in the 1920s to modern-day buskers armed with QR codes. He's spoken with everyone from Lucinda Williams to Billy Bragg about their days playing for tips, revealing how many music careers began with nothing but an open guitar case.The streets have always been America's most democratic stage, where doo-wop harmonies, folk ballads, and raw blues first reached public ears. Cary's book captures this vital tradition in all its gritty, authentic glory.–Dig DeeperVisit Cary Baker at carybaker.comPurchase Down on the Corner: Adventures in Busking and Street Music from Jawbone Press, Bookshop, Powell's, Barnes & Noble, or Amazon.Dig into this episode's complete show notes at spotlightonpodcast.com–• Don't miss our free livestream event with Howie Singer and Bill Rosenblatt, authors of the book Key Changes: The Ten Times Technology Transformed the Music Industry. It happens this Tuesday, March 11, at 3 PM ET. Register here: is.gd/keychanges• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our new online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On New York live music and venue impresario Michael Dorf.In addition to founding The Knitting Factory and City Winery, Michael has brought legendary artists together at Carnegie Hall for over twenty years, raising millions for music education while creating unforgettable tribute nights. He launched his first tribute show in 2004 after seeing how school music programs were vanishing.Now, he's put together what might be his most powerful lineup yet. Michael Stipe, Courtney Barnett, Chrissie Hynde, and others will perform on March 26th to celebrate the music of Patti Smith. The show will raise funds for over a dozen music education programs nationwide.–Dig DeeperVisit Michael Dorf at michaeldorf.comLearn more about People Have the Power: A Celebration of Patti Smith, happening March 26 at Carnegie Hall, at musicof.orgCity WineryIndulge Your Senses: Scaling Intimacy in a Digital World - a book by Michael DorfMichael Dorf Uncorked (email newsletter)Remembering the Original Knitting FactoryMichael Dorf and The Philosophy of IndulgenceShlomo Lipetz'Feedback Howled Every Night': Back to the Knitting Factory on East HoustonFounder Michael Dorf: How City Winery Survived the RecessionDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our new online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On Greg Lisher, a guitarist best known for alternative rock who has leaned hard into electronic music.Greg made his name playing with Camper Van Beethoven and Monks of Doom, but during the pandemic, he sat down at a keyboard and started exploring new sonic territory.The result is Underwater Detection Method, a collection of instrumental pieces that blend synthesizers with live strings and drums. It's an album that started as digital sketches and grew into something much more organic as Greg learned to play piano and brought other musicians into the mix.Greg's here to share how stepping outside his comfort zone led to some of his most adventurous music.(The musical excerpts heard in the interview are from Greg Lisher's album Underwater Detection Method)–Dig DeeperVisit Greg Lisher online at greglisher.comPurchase Greg Lisher's Underwater Detection Method from Bandcamp or Qobuz and listen on your streaming platform of choiceFollow Greg Lisher on Facebook and BlueskyCamper Van BeethovenMonks of Doom live at Moe's Alley - “Riverbed”Bruce Kaphan | pedal steel guitarGreg Lisher - “Zen and the Art of Long Distance Driving” (Official Video)Santa Cruz Guitarist Greg Lisher Changes KeysDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our new online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On Dorothy Lawson, a cellist who's helped redefine what a string quartet can be. Dorothy and the group ETHEL have spent years breaking down walls between classical, jazz, rock and world music.On March 13th at New York's Carnegie Hall, Dorothy teams up with bass legend Ron Carter to reimagine his landmark Kronos Quartet recording from 40 years ago, featuring arrangements of music by Thelonious Monk.Dorothy shares how ETHEL has evolved through four generations of musicians, their unique residency at the Metropolitan Museum, and why making deeply human music matters now more than ever.(The musical excerpts heard in the interview are from the album Vigil by ETHEL & Layale Chaker)–Dig DeeperVisit ETHEL at ethelcentral.orgPurchase ETHEL's music from Bandcamp or Qobuz and listen on your streaming platform of choiceFollow ETHEL on Facebook, Instagram, and YouTubeETHEL Uses Chamber Music to Smash the Status QuoRon Carter & ETHEL: Reflections on Monk & Bach - Carnegie HallThe Met Museum – Balcony Bar Residency - ETHELETHEL, Thomas Dolby, and David Byrne - "(Nothing But) Flowers"Dig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our new online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On flutist Jamie Baum.When COVID hit, Jamie found inspiration and solace in poetry. What started as daily readings of women poets became something much bigger: an album blending jazz and spoken word.As leader of her long-running Septet+, Jamie has crafted wide-ranging music for over twenty years. She has played everywhere, from major jazz festivals to tiny clubs in 35 countries, bringing her distinctive sound to collaborations with artists like Paul Motian, Randy Brecker, and Kenny Barron.Now, she's channeling the power of poetry through her ensemble, creating music that speaks to this moment while honoring timeless artistic traditions. Jamie's here to share how verses and melodies came together to tell these stories.(The musical excerpts heard in the interview are from the Jamie Baum Septet+'s album What Times Are These)–Dig DeeperVisit Jamie Baum at jamiebaum.comPurchase the Jamie Baum Septet+'s What Times Are These from Bandcamp or Qobuz and listen on your streaming platform of choiceFollow Jamie Baum on Facebook and YouTubeFlutist Jamie Baum Works with Poetry and Dynamic VoiceBill Moyers' A Poet a DayConcert: Jamie Baum Septet+–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our new online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On clarinetist Anat Cohen.Anat's been bringing her joyful spirit to jazz venues worldwide for two decades, blending swing, Brazilian rhythms, and melodies from her native Israel. Her 2024 album Bloom pairs her musical warmth with that of her quartet Quartetinho - Portuguese for "little quartet" - creating intimate conversations between clarinet, piano, bass, and percussion.Anat will mark her 50th birthday this spring with four special nights at Lincoln Center's Appel Room, sharing the stage with her equally talented brothers, Avishai and Yuval Cohen.Today, we'll hear about Anat's musical journey, from family jam sessions in Tel Aviv to becoming the first Israeli artist to headline the Village Vanguard and plenty of stories in between.(The musical excerpts heard in the interview are from Anat Cohen's album with Quartetinho, Bloom)–Dig DeeperVisit Anat Cohen at anatcohen.comPurchase Anat Cohen and Quartetinho's Bloom from Bandcamp or Qobuz and listen on your streaming platform of choiceFollow Anat Cohen on Instagram, Facebook, and YouTubeAnat Cohen: Journeys A 50th Birthday CelebrationAnat Cohen: 'Clarinetwork' At The VanguardAnat Cohen Quartetinho - Live from Jazz St. LouisDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our new online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On pianist and composer Marina Albero.From Barcelona's vibrant music scene to the heart of New Orleans, Marina keeps finding new ways to push musical boundaries. Her latest album, A Nomad of Sound, brings together jazz, classical, and world music traditions in a blend all her own.Marina has journeyed across continents and cultures—from her early years studying classical piano in Cuba to recent acclaim in Seattle, where she's twice been named Musician of the Year. Now she's taken her keyboards to New Orleans, collaborating with some of the city's finest players and even recording on Ellis Marsalis's personal piano.She's here to share stories from her musical travels and give us a glimpse into her adventurous new album, where traditional jazz meets Spanish flamenco, Cuban rhythms, and even some fiery keytar solos.(The musical excerpts heard in the interview are from Marina Albero's album A Nomad of Sound)–Dig DeeperVisit Marina Albero at marinaalbero.netPurchase Marina Albero's A Nomad of Sound from Qobuz and listen on your streaming platform of choiceFollow Marina Albero on Instagram, Facebook, Bandcamp, and YouTubeEllis Marsalis: Family Patriarch and a Hell of a PianistEllis Marsalis Center for Music“19 y 42” from A Nomad of Sound (Recording session video)Dig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our new online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On author Jonathon Grasse. His new book, Jazz Revolutionary, traces Eric Dolphy's journey from the clubs of 1940s Los Angeles to his groundbreaking work in New York's avant-garde jazz scene.Eric Dolphy's revolutionary voice in jazz was silenced far too soon. He was an artist who pushed the boundaries of what was possible on alto sax, flute, and bass clarinet, collaborating with giants like John Coltrane and Charles Mingus before his tragic death in 1964 at the age of 36. Jonathan's intimate portrait reveals the innovative musician and the gracious human being remembered by those who knew him.Enjoy the show.–Dig DeeperPurchase Jonathon Grasse's Jazz Revolutionary: The Life & Music of Eric Dolphy from Jawbone Press, Bookshop, Powell's, Barnes & Noble, or AmazonBest Eric Dolphy Tracks: 20 Free Jazz EssentialsRichard Brody on How Eric Dolphy Sparked My Love of JazzCharles Mingus and Eric Dolphy - Syncopated JusticeJohn Coltrane and Eric Dolphy Answer the Jazz CriticsJonathon Grasse on Eric Dolphy (The Music Book Podcast)Dig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our new online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On innovative percussionist and drummer Lisa Pegher.Lisa turns percussion into something you've never heard before. A pioneering artist who moves easily between classical concert halls and electronic music spaces, Lisa wields everything from traditional drums to cutting-edge AI technology.She's performed with major orchestras worldwide and premiered works by today's leading composers, but what sets Lisa apart is her drive to push percussion into new territory.Her project, A.I.RE, explores the evolution of rhythm—from pure acoustic sounds to an AI-generated musical landscape. With composers from New York's ICEBERG collective, Lisa has crafted a show that asks big questions about music's future while delivering an unforgettable live experience.(The musical excerpts heard in the interview are from Paul Dooley: Masks and Machines and A.I.RE Concert 2024)–Dig DeeperVisit Lisa Pegher at www.lisapegher.comPurchase Paul Dooley: Masks and Machines (feat. Lisa Pegher) from Bandcamp or Qobuz and listen on your streaming platform of choiceFollow Lisa Pegher on Instagram, Facebook, and YouTube.Dig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Bluesky, Facebook, and Mastodon.• Be sure to bookmark our new online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On award-winning jazz critic and author Paul de Barros.Throughout his storied career, Paul was editor and critic at the Seattle Times and has written for Downbeat and Earshot Jazz, amongst other outlets. He is also the author of Jackson Street After Dark: The Roots of Jazz in Seattle but today, he joins us to talk about the updated edition of his book Shall We Play That One Together? The Life and Art of Jazz Piano Legend Marian McPartland, which contains a new preface detailing the challenges of writing a biography about an often headstrong, living subject. The preface alone is worth the price of admission.From 1978 to 2011 (33 years for those counting at home), Marian McPartland hosted the weekly national radio program Piano Jazz, wherein she helped popularize jazz and jazz musicians through interviews and in-studio performances. Pick a name, almost any name—they were on Piano Jazz.Marian passed away in 2013 at the age of 95. She lived a fascinating life as a complex, able woman in the difficult world of professional music.Paul's book is a special document of a special person and her unique times.–Dig DeeperPurchase Shall We Play That One Together? The Life and Art of Jazz Piano Legend Marian McPartland from USC Press, Bookshop, Powell's, Barnes & Noble, or AmazonMarian McPartland's Piano JazzClint Eastwood On Piano JazzDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Bluesky, Facebook, and Mastodon.• Be sure to bookmark our new online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On the duo of songwriter, producer, and MC Küf Knotz and harpist, vocalist, and music therapist Christine Elise.Küf and Christine have turned the unlikely harp and hip-hop track combo into pure magic with their 2024 album Hypnagogia. The album explores the space between awake and dreaming, with surreal soundscapes and vivid imagery that pulls listeners in.They've shared stages with artists like Wyclef Jean, Rising Appalachia, and Digable Planets. Earlier this year, they joined me to discuss their unique sound and mission.(The musical excerpts heard in the interview are from the album Hypnagogiaby Küf Knotz and Christine Elise)–Dig DeeperCheck out Küf Knotz & Christine Elise at kufknotz.comPurchase Hypnagogia by Küf Knotz and Christine Elise on Bandcamp or Qobuz and listen on your streaming platform of choiceFollow Küf Knotz on Instagram, Facebook, and YouTubeFollow Christine Elise on Instagram and BlueskyThe Musical Story of Hip Hop Meeting the Harp in Philly with Kuf Knotz & Christine EliseKuf Knotz & Christine Elise - LIVE | Sofar PhiladelphiaPat “Pecue” Quinn | Illustration & BrandingDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Bluesky, Facebook, and Mastodon.• Be sure to bookmark our new online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On author Christoph Dallach, who joins me to discuss his book Neu Klang: The Definitive History of Krautrock.Christoph has spent years tracking down the pioneers who spent the late 1960s in West Germany's basements and practice rooms, creating sounds unlike anything else in rock and roll.Through conversations with members of bands like Can, Kraftwerk, and Tangerine Dream, Christoph uncovers how these artists shaped a distinctly German sound in the shadow of World War II. It's a story of cultural rebirth told by the musicians who lived it.A veteran music journalist who has interviewed everyone from Bob Dylan to Taylor Swift, Christoph brings fresh insight to this pivotal moment in music history.–Dig DeeperPurchase Neu Klang: The Definitive History of Krautrock from Faber & Faber, Bookshop, Powell's, Barnes and Noble, or AmazonFollow Christoph Dallach on InstagramChristoph Dallach's playlist for his book “Neu Klang: The Definitive History of Krautrock”Krautrock: The 1970s bands which helped post-war Germany overcome its dark historyWhen it comes to krautrock, it's impossible not to mention the warDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Bluesky, Facebook, and Mastodon.• Be sure to bookmark our new online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On bassist and composer Marwan Allam.Marwan's debut album, Bab Bhar, takes Arabic rhythms and Tunisian musical traditions and hands them to a jazz quartet, creating something that feels both ancient and brand new.Marwan tunes and plays his bass to echo the sound of the gimbri, a traditional three-string instrument from his native Tunisia. He's here to walk us through this groundbreaking approach and share how growing up at the crossroads of North African music shaped his creative path.(The musical excerpts heard in the interview are from Marwan Allam's album Bab Bhar)–Dig DeeperPurchase Marwan Allam's Bab Bhar on Bandcamp and listen on your streaming platform of choiceFollow Marwan Allam on Instagram and YouTubeMusic in Tunisia: Exploring 10 Rich HarmoniesExperiencing Maqam: An Introduction to Arabic MusicDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Bluesky, Facebook, and Mastodon.• Be sure to bookmark our new online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On composer, mandolinist, multi-instrumentalist, teacher, and label founder Joe Brent.Joe has worked with artists ranging from Regina Spektor to the Philip Glass Ensemble, but his collaboration with Grammy-nominated violinist Sara Caswell and bassist Andrew Ryan in 9 Horses was the impetus for our time together. 9 Horses creates music between classical precision and folk intimacy with mandolins and violins. On their latest album, Strum, 25 musicians create what Joe calls “identifiably human-made music.”Joe shares the story behind 9 Horses and much more, including why making deeply human music matters now more than ever.(The musical excerpts heard in the interview are from the 9 Horses album Strum)–Dig DeeperVisit Joe Brent at josephbrent.com and Adhyâropa Records at adhyaroparecords.comPurchase 9 Horses's Strum on Bandcamp or Qobuz and listen on your streaming platform of choiceFollow Joe Brent on Instagram, Facebook, Threads, and YouTubeFollow Adhyâropa Records on Instagram, Threads, Facebook, and YouTubeMandolins: A Brief HistoryDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. • Be sure to bookmark our new online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On Stephen Shaw and Jonathan Linden of Round Room Live.Round Room Live has become a powerhouse in family entertainment, from Broadway blockbusters to kids' favorite TV characters coming to life on stage.Stephen Shaw and Jonathan Linden launched the company in 2016 with a bold idea—take their experience from massive rock tours and use it to create live shows that capture the magic of beloved brands, from Sesame Street to Formula One. They've built Round Room into one of the most dynamic forces in live entertainment, with hit tours and exhibitions playing to packed houses worldwide. Their latest ventures include the just-launched Blippi tour and an upcoming 20th-anniversary spectacular for Nitro Circus. Stephen and Jonathan are here to pull back the curtain on how they bring beloved characters and stories to the stage.–Dig DeeperLearn more about Round Room Live at roundroomlive.comFollow Round Room Live on YouTube, Instagram, and FacebookRound Room – PhishHow Success Happened for Round Room Live Co-Presidents Stephen Shaw and Jonathan Linden–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com and The Tonearm for bonus content, web-only interviews + features, and our email newsletter. You can also follow us on Instagram, Facebook, Mastodon, and Bluesky. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On experimental music producers and label owners Taylor Deupree and Joseph Branciforte.Back in 2002, Taylor Deupree released an electronic album called Stil. That release captivated listeners with its quiet, repeating patterns and stark digital sound. Twenty years later, Taylor and producer Joseph Branciforte linked up to reimagine the album as Sti.ll, rebuilding the entire work using only non-electronic instruments.The new version takes all of the computer-generated sounds from the original and puts them in the hands of live musicians playing clarinets, strings, and percussion. It is an ambitious and adventurous project from two collaborators enmeshed in experimental music—Taylor runs 12k Music and has spent years blending electronic and natural sounds, while Joe's built Greyfade into a label that keeps finding creative ways to present creative music.They're here to walk us through this one-of-a-kind project while covering several other topics related to creativity and the modern music business.(The musical excerpts heard in the interview are from the albums Stil. and Stil.ll, played side-by-side.)–Dig DeeperVisit Taylor Deupree and 12k at 12k.comVisit Joseph Branciforte and greyfade at greyfade.comPurchase Stil. from 12k or Bandcamp, and listen on your streaming platform of choicePurchase Sti.ll from greyfade, 12k, Qobuz, Bandcamp, and listen on your streaming platform of choiceA Voyage of Seeing: On Hiroshi Sugimoto's SeascapesDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On legendary Danish organist Anders Koppel.Great music often runs in the family, and as proof, we have our first father-son episodes of Spotlight On. Last November, we had Benjamin Koppel, son and collaborator of today's guest.But today's story starts decades ago when Anders played Newport with his band Savage Rose. Fast forward to now, and Anders is back at the Hammond B3, making magic with Benjamin on alto sax and the incredible Brian Blade on drums.This trio came together naturally. Benjamin and Brian have been close friends and collaborators since 2011. Something special clicked when they invited Anders to join them on the organ. Their latest album, Time Again, swings hard while aiming for the heart.(The musical excerpts heard in the interview are from the album Time Again by Benjamin Koppel, Brian Blade, & Anders Koppel)–Dig DeeperLearn more about Anders Koppel at wisemusicclassical.comPurchase Time Again on Qobuz or Bandcamp, and listen on your streaming platform of choiceTime Again teaser videoCheck out Benjamin Koppel at benjaminkoppel.com and his check out his label Cowbell MusicBenjamin Koppel plays jazz with a novelist's narrative (Spotlight On podcast)The Savage RoseBrian Blade | DrummerAll About Jazz Organ: Inside the Hammond B-3Kenny Werner | PianistNewport Jazz Festival - 1969–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Bluesky, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On Christian McBride, a musician, recording artist, prolific composer, arranger, producer, cultural curator, dedicated educator, and mentor.Christian has been called the hardest-working person in jazz, and based on what I just rattled off, that might be underselling it. From his early days in Philadelphia soaking up the sounds of Philly Soul to sharing stages with legends like Ray Brown and Chick Corea, Christian has become a bridge between jazz's rich history and its vibrant future.These days, you'll find him leading his new band, Ursa Major, hosting NPR's Jazz Night in America, mentoring the next generation of musicians, and somehow finding time to work on a new big band album featuring twelve different vocalists. He's also preparing for an upcoming funk tribute show with none other than George Clinton and Savion Glover at NJPAC.Whether laying down the groove with Inside Straight, his Big Band, or any other celebrated ensemble, Christian brings an irresistible combination of soul, swing, and storytelling to everything he touches. Today, we'll explore his journey from Philly to the world stage, his passion for record collecting, and why he believes being uncomfortable might be the best way to grow as a musician.Quick note: this conversation occurred when our baseball teams were still in contention. One had a better outcome than the other, and neither made it all the way…–Dig DeeperVisit Christian McBride at christianmcbride.comListen to Christian McBride on Qobuz, Bandcamp, or your streaming platform of choiceFollow Christian McBride on Instagram, Facebook, and YouTubeTribute to Funk!The curious mind—and hard work—of bassist Christian McBrideJazz House Kids | School For JazzDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

What can be scarier than Halloween ghouls? How about a trip through the LSD underground?Today, the Spotlight shines On Erik Davis, and this trip is no bummer. Erik is an author, award-winning journalist, and teacher in San Francisco. He is the author, most recently, of Blotter: The Untold Story of an Acid Medium_, a study of LSD blotter art. And that's what he's joined us to talk about.Erik also wrote one of my favorite books, High Weirdness: Drugs, Esoterica, and Visionary Experience in the Seventies. His scholarly and popular essays on music, technoculture, drugs, and spirituality have appeared in many books, magazines, and journals. He is also one of the founders of Alembic, a center in Berkeley, California, devoted to meditation, movement, and visionary arts and culture.Enjoy our talk about the hysteria surrounding LSD, the cultural significance and risks of the LSD blotter art trade, as well as the intersection between that art and the illicit drug market.–Dig DeeperVisit Erik Davis at techgnosis.comSubscribe to Erik Davis's newsletter Burning Shore at burningshore.comPurchase Blotter: The Untold Story of an Acid Medium and other books by Erik Davis from MIT Press, Bookshop, Amazon, Barnes & Noble, and Powell'sEight LSD Blotters That Defined Psychedelic CultureInside the LSD Museum That the DEA Somehow Hasn't Torn to the Ground‘I'm high as a Georgia pine': Dock Ellis's no-hitter on LSD, 50 years onDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On Josh Johnson, the Los Angeles-based saxophonist, composer, multi-instrumentalist, and Grammy Award-winning producer.Josh joined me earlier this year to talk about his second solo album, Unusual Object, which came out this past April on Northern Spy Records. Equal parts futuristic jazz and modern composition, Josh uses processed saxophone and subtle samples in his unique compositions.In addition to examining Unusual Object, we discussed the relevance and impact of genre classifications in music, how Josh's Grammy has led to more opportunities and connections in various music communities, the impact of Chicago's artistic community on Josh's development as a musician, courage in the pursuit of creative avenues, and of course, it would not be an episode of Spotlight On if we did not dig into process. So we did.Josh will be at the Village Vanguard in New York from October 29 through November 3 with Vibraphonist Joel Ross's Good Vibes ensemble. It should be a good one.(The musical excerpts heard in the interview are from Josh Johnson's Unusual Object)–Dig DeeperVisit Josh Johnson at joshjohnsonmusic.comFollow Josh Johnson on InstagramPurchase Unusual Object at Northern Spy Records, Qobuz, or Bandcamp, and listen on your streaming platform of choiceMeshell Ndegeocello Wins Inaugural Best Alternative Jazz Album Award at 2024 GrammysThe lessons of Wayne Shorter, engine of imaginationJosh Johnson “Marvis” live performanceThe Conversations That Make a Voice // Josh JohnsonDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On composer and percussionist Shawn Mativetsky. A renowned tabla player, Shawn is a pioneer in bridging the worlds of Western and Indian classical music.We discussed the intricacies of traditional Indian music, including the setup and tuning of the instruments, the guru-disciple relationship, and the reception of Western musicians in the Hindustani community. We also explored the importance of deep learning, consistent practice, and research in mastering a musical instrument, with Shawn sharing his personal journey and commitment to his craft.Shawn and I spoke much earlier this year, around the April release of his album, Temporal Waves. Enjoy.(The musical excerpts heard in the interview are from the album Temporal Waves)–Dig DeeperVisit Shawn Mativetsky at shawnmativetsky.comVisit Temporal Waves at temporalwaves.comPurchase Temporal Waves on Qobuz or Bandcamp, and listen on your streaming platform of choiceFollow Temporal Waves on Instagram, Facebook, Threads, and YouTubeIntro to Tabla & North Indian Rhythm – Shawn MativetskyIntroduction to Classical TablaPandit Sharda SahaiCanadian Percussionists: Shawn MativetskyDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On Paul Stache, co-owner (with his wife and partner Molly Sparrow Johnson) of Smoke Jazz Club, one of New York City's premier live music venues. Smoke is celebrating its 25th anniversary throughout 2024 and Paul joined us to talk about the storied venue's past, present, and future.In addition to the club's 25th Anniversary Celebration plans, we hit on topics like how their business has navigated the transition to a digital world, insight into managing an independent venue, as well as many of the amazing artists who have graced their stage over the years. Enjoy.–Dig DeeperVisit Smoke Jazz Club online at smokejazz.comFollow Smoke Jazz Club on Instagram, Facebook, and YouTubeVisit Smoke Sessions Records at smokesessionsrecords.com or on BandcampSmoke Rises: A Jazz Room Returns on the Upper West SideSmoke Jazz & Supper Club reopens (video)Harold Mabern “The Iron Man: Live at Smoke” (video)Smoke Jazz Club NYC: Talking with Co-owner Paul Stache–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight is going to shine a little differently. Instead of a single guest, we will have three segments dealing with the importance of local music scenes.Our first guest is Shain Shapiro. Shain is a thought leader working at the intersection of music, culture, and urban policy. His book, This Must Be The Place: How Music Can Make Your City Better, came out last year on Repeater Books. Shain has defined a new way to think about the value of music and the creative economy in cities and places. He is the founder and chairman of Sound Diplomacy, a global research and strategy consultancy that demonstrates the impact of the creative industries on community development and economic growth. He is also the founder and executive director of the not-for-profit global Center for Music Ecosystems, where he collaborates with leaders and policymakers to foster policies that lead to social and economic development at local, national, and global levels.Our second segment features trumpeter and composer Thomas Marriott, who takes us through the modern history of the Seattle jazz scene, with its current challenges and opportunities.We end with Seattle House Mafia, a three-member DJ collective that tell tales of the evolution of Seattle's dance music scene.If you enjoy this episode, please let us know, and support live music wherever you are.–Dig DeeperVisit Shain Shapiro at shainshapiro.com and follow him on LinkedInVisit Thomas Marriot at thomasmarriott.net and follow him on Facebook and YouTubeVisit Seattle House Mafia at seattlehousemafia.com and follow them on Instagram, Facebook, Twitter (X), and YouTubeDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On drummer and composer Devin Gray.Like me, Devin is a born New Englander who made his way to Brooklyn, though unlike me, he splits his time between Brooklyn and Berlin.Devin has performed with Spotlight On alumni Angelica Sanchez and Satoko Fuji, as well as a who's who of the creative music scene: David Liebman, Sylvie Couvoisier, Tim Berne, Nate Wooley, and many others.Our conversation ranged from Devin's earliest exposures to music, his self-taught approach to drumming, genre divisions in music, local and regional art scenes, the different approaches to arts funding he's encountered in the US and Europe, the appeal of creating an artistic universe of work, sincerity and authenticity, more.Devin will be performing in Seattle in the next few days and I hope to continue our conversation then. Enjoy.(The musical excerpts heard in the interview are from Devin Gray's album Most Definitely)–Dig DeeperVisit Devin Gray at devingraymusic.comPurchase Devin Gray's Most Definitely on Qobuz or Bandcamp, and listen on SpotifyFollow Devin Gray on Instagram, Facebook, TikTok, Twitter (X), and YouTube7 Questions for Devin GraySatoko Fujii: composing beyond the jazz spiritMelt All the Guns (feat. Ralph Alessi & Angelica Sanchez)Dig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On Brad Mindich, an entrepreneur who works directly with artists, athletes, and others in music, culture, and sports to expand their legacies and create powerful connections with their fans.Brad currently does this work as the founder and CEO of Inveniem/Definitive Authentic, which helps its clients organize, catalog, present, and oftentimes monetize their archives directly to their audiences.Brad has worked with Metallica, Def Leppard, Stephen Stills, basketball star Devin Booker, Monty Python co-founder Eric Idle, and many others.Our conversation took some fascinating turns, exploring the concept of “pre-nostalgia”, the longing for a future that was imagined in the past. We discussed the powerful impact of nostalgia on individuals and communities and how it can evoke positive or negative emotions.We also talked about the cultural influences and connections between various subcultures, particularly Rastafarianism, with its historical and social roots in and connection to Hinduism and Indian immigrants.At its most basic, Brad's work is about preserving cultural heritage, something his family has contributed to. Brad's father owned the Boston rock station WFNX and was the longtime publisher of The Boston Phoenix, the fabled underground newspaper with roots stretching back to 1965.–Dig DeeperVisit Definitive Authentic at definitiveauthentic.com and Inveniem at inveniem.comFollow Definitive Authentic on Instagram, Facebook, and Twitter (X)The Inveniem Company: Dedicated to Preserving and Expanding the Cultural Legacies of Bands, Artists, and OthersWhat Happened to the Boston Phoenix?WFNX | The Music Museum of New EnglandBehind The Metallica Black BoxDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On Andy McCluskey, the singer, songwriter, musician, and producer best known as the lead singer and bass guitarist of Orchestral Manoeuvres in the Dark (also known as OMD). Andy joined Spotlight On producer and guest host Michael Donaldson to discuss topics as varied as the political messages behind their latest work, post-modern society, Kraftwerk, and the Bauhaus art school.OMD is not working the nostalgia circuit, though no one would blame them if they were. Instead, they continue to release new music that fans and critics rate as among the best of their classics and already have plans to spend a large portion of 2025 on the road.Bauhaus Staircase, OMD's latest album, and their recent EP, Kleptocracy, are out everywhere you get your music.(The musical excerpts heard in the interview are from the OMD album Bauhaus Staircase)–Dig DeeperVisit Orchestral Manoeuvres in the Dark at omd.uk.comPurchase OMD's Bauhaus Staircase from The OMD Store or Qobuz, and listen on your streaming platform of choiceFollow OMD on Facebook, Instagram, Threads, YouTube, and Twitter (X)Kraftwerk changed my life: 20 artists pick their favourite Kraftwerk records of all timeThe Man in the Machine: How Oskar Schlemmer's Triadic Ballet left its mark on David Bowie and New OrderDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On JUNO Award-winning oud player and guitarist Gordon Grdina.Gordon's work defies limitations, be they geographical, distance, time, or genre. He incorporates avant-garde jazz, free improvisation, indie rock, and Arabic tradition into his music.So much music, so many collaborators, and so much ground to cover in our talk. We made the most of our time together, exploring projects, processes, the fusion of musical traditions, appropriation, authenticity, and more.If you are open to the idea that music can be a tool for communication and understanding between people and peoples, Gordon Grdina will give you plenty to consider.(The musical excerpts heard in the interview are from Gordon Grdina's The Marrow with Fathieh Honari and the Grdina/Lillinger album Duo Work)–Dig DeeperVisit Gordon Grdina at gordongrdinamusic.comPurchase Grdina/Lillinger's album Duo Work from Qobuz or Bandcamp, and listen on your streaming platform of choicePurchase Gordon Grdina's The Marrow with Fathieh Honari from Qobuz or Bandcamp, and listen on your streaming platform of choiceFollow Gordon Grdina on Instagram and FacebookGordon Grdina - Free Form Improvisation on OudDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On trailblazing songwriter and now memoirist Steve Wynn.Steve first hit public consciousness in the early 1980s with his band The Dream Syndicate, frequently mentioned in the same breath as REM and The Replacements as the pioneers of American indie rock.The Dream Syndicate's initial run did not outlast the decade that birthed them, but Steve's career did, with over 30 years of solo albums and collaborations to his credit—including a relaunched Dream Syndicate in the early 2010s.Steve's latest projects are something of a pair—I Wouldn't Say It If It Wasn't True, a memoir recounting his early life through the initial run of The Dream Syndicate, and Make It Right, a new album of music inspired by the writing and reflections for the book.Our conversation spanned Steve's formative years, his musical relationships over time, his process, roads not taken, and a glimpse into his near-term future activities, which include a bunch of time on the road promoting the book and dates with the indie rock “supergroup” The Baseball Project.(The musical excerpts heard in the interview are from Steve Wynn's album Make It Right)–Dig DeeperVisit Steve Wynn at stevewynn.netPurchase Steve Wynn's memoir I Wouldn't Say It If It Wasn't True from Bandcamp or AmazonPurchase Steve Wynn's album Make It Right from Fire Records, Qobuz, or Bandcamp, and listen on your streaming platform of choiceFollow Steve Wynn on Instagram, Facebook, YouTube, and Twitter (X)Dig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On the acclaimed and intriguing composer, bandleader, and improviser Graham Reynolds.The Austin-based Reynolds has composed for countless film, television, dance, and theatrical productions, serving most notably as the sonic collaborator of director Richard Linklater. He is also Artistic Director of the new music-focused non-profit Golden Hornet.Graham joined me on the occasion of his solo release from earlier this year, Music for Prophet (Parts 1–4), on Fire Records. We discussed the benefits of having a dedicated workspace at home and the importance of balancing practical tasks with creative ones. We explored the relationship between composition and improvisation in music, Graham's feelings about live performance, our musical upbringings, the state of the arts and film, and, my favorite, the role of humor in music.(The musical excerpts heard in the interview are from Graham Reynolds' latest release, Music For Prophet)–Dig DeeperVisit Graham Reynolds at grahamreynolds.comPurchase Graham Reynolds' Music For Prophet at Fire Records, Qobuz, or Bandcamp; and listen on your streaming platform of choiceFollow Graham Reynolds on Facebook and InstagramGraham Reynolds | composer (IMDb)Golden Hornet | a composer laboratory for the 21st centuryAnother fearless collaboration: Graham Reynolds & Bill Burgess & Utah Hamrick at TEDxAustinDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On pianist and composer Satoko Fujii, an incredibly unique and prolific artist.Satoko works at the intersection of jazz, contemporary classical, rock, and traditional Japanese music, composing for ensembles of many sizes and configurations. However, she is especially adept with the jazz orchestra format. For all of her efforts, Satoko is widely decorated as an improviser, composer, arranger, and band leader.Satoko has released over 100 albums as leader or co-leader, at a clip of several each year. Music seems to tumble out of her.The discussion you are about to hear was recorded back in late March of this year. Satoko was a thoughtful and generous conversationalist and provided insight into her creative and production process and her evolution as an artist. She also shared a bit about the unique challenge of making a life as an artist in Japan.(The musical excerpts heard in the interview are from the albums Jet Black by the Satoko Fujii Tokyo Trio and Unwritten by the quartet Kaze, also featuring Satoko Fujii)–Dig DeeperVisit Satoko Fujii at satokofujii.comPurchase Unwritten by Kaze (featuring Satoko Fujii) on Qobuz and Bandcamp and listen on your streaming platform of choicePurchase the Satoko Fujii Tokyo Trio's Jet Black on Bandcamp and listen on Apple MusicFollow Satoko Fujii on Instagram, Facebook, Twitter (X), and YouTubeSatoko Fujii, a Pianist Who Finds Music Hidden in the Details of LifeDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On the musician and producer David John Haskins, better known to the world as David J, bassist and co-founder of both post-punk goth band Bauhaus and, subsequently, Love and Rockets.As if having such a luminary visiting our podcast isn't enough, today's talk is guest-hosted by Spotlight On producer Michael Donaldson, who filled in for me for this and another special episode we will tell you about soon.David came by to talk about Tracks from the Attic (released on Independent Project Records), his career-spanning triple album made up of home demos recorded between 1984 and 2004, hand-selected for inclusion by the artist himself. He also discussed the Love and Rockets tour opening for Jane's Addiction (which kicks off this week) and a lot of very, very interesting esoterica.(The musical excerpts heard in the interview are from David J's album Tracks from the Attic)–Dig DeeperVisit David J at davidjhaskins.comPurchase David J's Tracks from the Attic from Independent Project Records, Qobuz, or Bandcamp, and listen on your streaming platform of choiceFollow David J on Patreon, Facebook, Instagram, and Twitter (X)Love and Rockets (Bandcamp)The ultimate beginner's guide to BauhausShiva SavesDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight was meant to shine On drummer, percussionist, and composer Ches Smith, whose album Laugh Ash was released earlier this year on Pyroclastic Records. As we arranged to get together, Ches suggested we include Shara Lunon, the transdisciplinary poet, vocalist, composer, and improviser featured on the album.Laugh Ash is one of the most intriguing records I have encountered in quite some time, with its mix of form and improvisation, acoustic and synthetic, quiet and explosiveness.In addition to Ches and Shara, the album includes an all-star cast from today's creative music scene: flutist Anna Webber, clarinetist Oscar Noriega, tenor saxophonist James Brandon Lewis, trumpeter Nate Wooley, violinist Jennifer Choi, violist Kyle Armbrust, cellist Michael Nicolas, and bassist/keyboardist Shahzad Ismaily.It is an exciting work and we had a great conversation. Enjoy.(The musical excerpts heard in the interview are from Ches Smith's album Laugh Ash)–Dig DeeperPurchase Ches Smith's Laugh Ash on Qobuz or Bandcamp, and listen on your streaming platform of choiceVisit Ches Smith at chessmith.com and follow him on Instagram and FacebookVisit Shara Lunon at sharalunon.com and follow her on InstagramChes Smith's ‘Laugh Ash' Is Exhilarating MusicChes Smith About ImprovisationListN Up Playlist: Shara LunonDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today's episode is a recording of our recent live event, which took place at The Royal Room in Seattle, WA, on June 22, 2024. The event, Improvisation in Music and Life, featured me in conversation with and performances by James Falzone's Division Ensemble.The Division Ensemble is a group of master improvisers that includes James Falzone on clarinet, Ray Larsen on trumpet, Wayne Horvitz on piano, Abbey Blackwell on bass, and Rocky Martin on drums.During the live show, we explored the nature of improvisation in music and how its principles are relevant to all aspects of life. James and the band performed his compositions and a completely free, composed-in-the-moment piece.The music in this episode:G.F.O.P. (Falzone)There Is Often Another Way (Falzone)Brooklyn Lines (Falzone)Everything Is Now Equalized (an open improvisation) (Falzone/Larsen/Horvitz/Blackwell/Martin)Room 307 (Falzone)A Dream In Which Appeared Marc Chagall (Falzone)We are offering a poster, t-shirt, and mug based on the artwork from our live show, which is now available at spotlightonpodcast.com/store. Have a look.Special thanks to James Falzone and the members of his Division Ensemble: Ray Larsen, Wayne Horvitz, Abbey Blackwood, and Rocky Martin. Thank you to Aleida, Sheridan, Simon, Ben, and the entire team at the Royal Room. Thank you to David Gorman for the wonderful poster art. Thank you to Alyssa Seng, JazzED, and Tim Carey at Jazz Night School. And thank you to everyone who attended the live show.–Dig Deeper with the extensive show notes and links found at https://www.spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On Modena, Italy-based sound artist and percussionist Riccardo La Foresta.Riccardo has spent the last several years exploring the Drummophone—an array of bass drums that create sound by being confronted with compressed air and which, in turn, produce complex acoustic drones. By combining the Drummophone with other electro-acoustic devices and changes in the air pressure in the room where it is set up, a generative system results, one that can create endless possibilities in sound.In this engaging conversation, we discussed Riccardo's musical journey, his experimentation in percussion, and his exploration of new techniques and approaches to drumming. We also got into the evolution of drums and percussion instruments, the influence of acoustics on composition, and the potential for drumming education in conservatory settings.(The musical excerpts heard in the interview are from Riccardo La Foresta & James Ginzburg's album Six and Forty​-​Six)–Dig DeeperVisit Riccardo La Foresta at riccardolaforesta.comPurchase Riccardo La Foresta & James Ginzburg's Six and Forty​-​Six on Qobuz or Bandcamp, and listen on your streaming platform of choiceFollow Riccardo La Foresta on Instagram and YouTubeRiccardo La Foresta: playing drums without playing (video)Drummophone's ManifestoThe Experimental Underbelly of Italian Electronic MusicRiccardo La Foresta: ‘Curating has taught me how to share'Dig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On Berlin-based drummer, composer, and producer Janek van Laak.Janek grew up in post-reunification Berlin which gave birth to a vibrant culture of music and art. He joined me earlier this year, around the Sonar Kollektiv release of his debut solo album, Circle Of Madness, a work that makes me glad I do not own a record store because I have no idea where I would file it. That said, it might not get filed at all because it would be playing all day.Listeners will find jazz, improvisation, funk, some Berlin electronica, and more—sometimes all in the same song. Genre is not important when the music is this compelling.Janek was as much fun to talk to as his record is to listen to. Please enjoy both.(The musical excerpts heard in the interview are from Janek van Laak's album Circle Of Madness)–Dig DeeperPurchase Janek van Laak's Circle Of Madness on Qobuz or Bandcamp, and listen on your streaming platform of choice.Follow Janek van Laak on InstagramA Music Lover's Guide to BerlinRhythm and Raga: Learn the basics of Indian musicWhat Makes John Bonham Such a Good Drummer?Liquid Brain Orchestra on SoundCloudThe 15 Loudest Bands in the WorldJanek van Laak: Fifteen Questions about DrummingDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On Seattle pianist and composer Bill Anschell.We've had award winners of all types on the podcast, but as far as I can remember, Bill is the first to have won an award for humor: in 2014, Bill was the winner of the inaugural Paul Desmond Award, the website All About Jazz's celebration of the funniest jazz artists. We get to that and his satirical essay, “Careers in Jazz,” which is the all-time most-read piece on All About Jazz.As a much younger man, Bill left Seattle to study at Oberlin College and Wesleyan University. At Wesleyan, he worked with saxophone great Bill Barron and South Indian mridangam master T Ranganathan, developing an affinity for diverse and interesting rhythms that can be heard throughout his work.In Atlanta, Bill served as Jazz Coordinator for the Southern Arts Federation, the South's regional arts agency. While building their jazz program, Bill made time to publish a book on grant writing and created JazzSouth, a syndicated radio show heard on more than 200 stations around the world. And he worked as a sideman around town and led his own trio. Bill is a celebrated composer and his tunes have been heard in shows like The West Wing, NCIS: LA, The Wire, and Yellowstone.Our talk touched on the evolution of jazz, the impact and legacy of fusion music, the integration of electronic music into jazz, Bill's time in Atlanta, his potential upcoming projects, and more.(The musical excerpts heard in the interview are from Bill Anschell's album Improbable Solutions)–Dig DeeperVisit Bill Anschell at billanschell.comPurchase Bill Anschell's Improbable Solutions from billanschell.com or Qobuz, and listen to it on your streaming platform of choiceFollow Bill Anschell on Instagram and FacebookTop Five Funniest People In JazzCareers In Jazz - Bill AnschellDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On vocalist, composer, and improviser 王睿琪 Ruiqi Wang (pronounced as “Ray-Chee Wong”).Ruiqi Wang creates stunning experimental music, combining influences from jazz, contemporary Euro-classical music, and traditional Chinese music.Ruiqi Wang joined me earlier this year on the heels of the release of her debut album, Subduing the Silence, out through Orchard of Pomegranates. This profound, 36-minute album boasts an all-female cast of collaborators and expresses a musical vision seldom articulated in a debut work.In addition to composing, performing, and recording in a variety of contexts and projects, Ruiqi Wang is pursuing a Masters degree in Music Composition - Contemporary Jazz at the Bern Academy of the Arts in Switzerland.(The musical excerpts heard in the interview are from Ruiqi Wang's album Subduing the Silence)–Dig DeeperVisit Ruiqi Wang at ruiqiwangsings.comPurchase Ruiqi Wang's Subduing the Silence on Qobuz or Bandcamp, and listen on your streaming platform of choiceFollow Ruiqi Wang on Instagram, Facebook, and YouTubeCraft EnsembleAyelet Rose GottliebImprove Your Musical Concentration — John HollenbeckThe Center For Deep ListeningFifteen Questions: Ruiqi Wang Talks SoundBe sure to peruse this episode's extensive show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On singer, songwriter, and multi-instrumentalist Paul Chastain.Paul is one half of the duo The Small Square, with drummer, percussionist, and vocalist John Louis Richardson. He is also a songwriter for and co-founder of the group Velvet Crush and has worked with Matthew Sweet, Roger McGuinn, Susanna Hoffs, the late Tommy Keene, and many others.Paul and John released the second record from The Small Square, Ours & Others, on Farm to Label Records in October 2023. While separated by a continent and ocean (Paul lives in Japan, John in Wisconsin), they co-produced the record and created a modern sound using modern techniques rooted in classic songwriting and musicianship in the Beatles, Beach Boys, and Big Star tradition.Enjoy!(The musical excerpts heard in the interview are from The Small Square's album Ours & Others)–Dig DeeperPurchase The Small Square's Ours & Others from Qobuz, Bandcamp, or directly from Farm to Label Records. You can also listen to the album on your streaming platform of choiceFollow The Small Square on Facebook and InstagramVelvet Crush | Trouser PressA beginners' guide to the heyday of power-pop, 1972–1986Paul Chastain Talks Synthesizers, Songwriting, and The Small Square's ‘Ours & Others'Be sure to peruse this episode's extensive show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. • Check out Spotlight On's next live event at The Royal Room in Seattle on Saturday, June 22! More info here. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On musician, songwriter, journalist, and returning guest, Jeff Slate.Jeff joined us about two years ago and while that discussion was more focused on his work as a writer and cultural observer, this talk focuses on his music career.Based in New York City, Jeff has traveled quite an interesting road from his roots in the mid-80s post-punk world to rubbing shoulders and working with luminaries like Steve Jones of the Sex Pistols, Pete Townshend, Roger McGuinn, Jeff Tweedy, Willie Nile, Margo Price, and Sheryl Crow.Jeff has a new record out, The Last Day of Summer, featuring Dave Stewart, Duff McKagan, Earl Slick, as well as members of Paul Weller's band and Noel Gallagher's High Flying Birds. The album even boasts photos shot by famed rock photographer Bob Gruen.It was a real blast getting to know this side of Jeff's life and work. He's fun to spend time with and is someone who speaks his mind and who clearly cares. Check out Jeff's music (links are in the show notes) and enjoy our talk.(The musical excerpts heard in the interview are from Jeff Slate's album The Last Day of Summer)–Dig DeeperVisit Jeff Slate at jeffslatehq.comPurchase Jeff Slate's album The Last Day of Summer on Qobuz or listen on your streaming platform of choiceFollow Jeff Slate on Instagram, Facebook, Twitter (X), and YouTubeJeff Slate visits Spotlight On in 2022James Honeyman-Scott: The Complete 1981 Pretenders InterviewBe sure to peruse this episode's extensive show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. • Check out Spotlight On's next live event at The Royal Room in Seattle on Saturday, June 22! More info here. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On bassist and vocalist Katie Ernst. In addition to many other things, Katie is one half of the duo Wayfaring with last week's guest James Falzone.Katie is also co-leader of the Chicago-based jazz trio Twin Talk, and the indie rock band Edith Judith, and has garnered much acclaim for her Dorothy Parker poetry song cycle Little Words, which premiered at the Kennedy Center in Washington, DC.Katie is a working musician, performing as part of many jazz and improvised music ensembles in the Chicago area. She is also a committed educator, working with young musicians in her work as a teaching artist for the Jazz Institute of Chicago's Jazz Masters Residency Program in Chicago Public Schools, and by serving on the faculty at Birch Creek Music Academy summer program.I was very fortunate to see Katie perform as part of Wayfaring earlier this year and even more fortunate to have this conversation. Enjoy.(The musical excerpts heard in the interview are from Twin Talk's 2019 album Weaver and Wayfaring's recent Intermezzo)–Dig DeeperVisit Katie Ernst at katieernst.comListen to music from Katie Ernst's projects: Wayfaring, Twin Talk, and Edith JudithFollow Katie Ernst on Instagram, Facebook, and BandcampTwin Talk (website)Edith Judith – Bones And StructureKatie Ernst joins Iron & Wine on tourBe sure to peruse this episode's extensive show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. • Check out Spotlight On's next live event at The Royal Room in Seattle on Saturday, June 22! More info here. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines on clarinetist, penny whistle player, composer, improviser, and educator James Falzone.James and I have been collaborating on an upcoming live event, Improvisation in Music and Life, taking place on June 22 at the Royal Room in Seattle. This will be a unique program of performance and conversation between me and the five-piece James Falzone Division Ensemble. We will explore the nature of improvisation in music and how its principles can be useful in all aspects of life, not just for musicians. Tickets are available at theroyalroomseattle.com. We recorded this talk in person in a very special space at Cornish College, where James is both a Dean and Professor of Music. It was a thrill to consider that I passed through rooms where John Cage and Merce Cunningham likely met or spent time. James and I spoke for nearly two hours. His instinct to record in person on a Saturday in Seattle allowed us to go slow and let the conversation unfold. Enjoy! (The musical excerpts heard in the interview are from Six Artifacts, James Falcone's new improvised collaboration with Lisa Cay Miller and Bonnie Whiting, as well as the song “Who Put the Blood” by Wayfaring)–Dig DeeperVisit James Falzone at allosmusica.orgPurchase music from James Falzone and Allos Documents on Qobuz or Bandcamp, and listen on your streaming platform of choiceFollow James Falzone on Instagram, Facebook, and YouTubeSpotlight On: Improvisation in Music and Life with the James Falzone Division EnsembleBe sure to peruse this episode's extensive show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon.• Check out Spotlight On's next live event at The Royal Room in Seattle on Saturday, June 22! More info here. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines on jazz pianist, composer, and educator Francesco Crosara.Francesco was born and raised in Rome, Italy, where both jazz and classical music came into his life early on, particularly through his mother, the influential jazz singer, broadcaster, and educator Lilian Terry. Lilian presented many of the most important names in American jazz, and some—like Max Roach, Abbey Lincoln, Chick Corea, and Dizzy Gillespie—influenced young Francesco's artistic growth.We spoke in early March, several weeks after Francesco's recent album, Circular Motion, was released on Origin/OA2 Records. The record consists of all original material, including a revisiting of his compositions dating back over 40 years.It was a treat to sit across the table from Francesco, in person, and talk about music, pianists, and his work as an educator and mentor. Enjoy our talk.(all musical excerpts heard in the interview are taken from Francesco Crosara's album Circular Motion)–Dig DeeperVisit Francesco Crosara at francescojazz.comPurchase Francesco Crosara's Circular Motion from Qobuz or Bandcamp, and listen on your streaming platform of choiceFollow Francesco Crosara on Facebook, LinkedIn, and YouTubeMusic Discovery Center (MDC)Listen: Bill Anschell and Francesco Crosara Piano Duo | KNKXBe sure to peruse this episode's extensive show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. • Check out Spotlight On's next live event at The Royal Room in Seattle on Saturday, June 22! More info here. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On award-winning vocalist, composer, ethnomusicology researcher, and educator Kavita Shah.Kavita's work sits at the intersection of modern jazz, new creative music, and world traditions. The impetus for her visit today was her 2023 tribute to African legend Cesária Évora, Cape Verdean Blues (2023). We discuss that music as well as her personal experiences as a lifelong New Yorker of Indian origin, her work as an advocate for gender and racial equity in the arts, and more.(all musical excerpts heard in the interview are taken from Kavita Shah's album Cape Verdean Blues)–Dig DeeperVisit Kavita Shah at kavitashahmusic.comPurchase Cape Verdean Blues on Qobuz or Bandcamp, and listen on your favorite streaming platformFollow Kavita Shah on Instagram, Facebook, TikTok, Twitter (X), and YouTubeCheck out Folkalist Records at folkalistrecords.comMorna: on the trail of traditional music in the Cape Verde islandsOri-Gen Live Stream Rebroadcast | A Concert with Kavita ShahPermission to Daydream: A Conversation with Gwen Laster and Kavita ShahBe sure to peruse this episode's extensive show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon.• Check out Spotlight On's next live event at The Royal Room in Seattle on Saturday, June 22! More info here. Hosted on Acast. See acast.com/privacy for more information.