Podcasts about Westerlies

Set in the school hallways of Toronto, Degrassi is less about teenagers attending school and more about the architecture of growing up. Join us to learn more about one of the most successful media franchises in Canadian history on Muddy York, Toronto's #1 history podcast. As a bonus, Sarah Fisher, who played Becky Baker on Degrassi: TNG, joins us for an interview at the end of the episode. You can follow Muddy York on Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Toronto_History⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, Blue Sky: ⁠⁠⁠https://bsky.app/profile/muddyyork.bsky.social⁠⁠⁠ and Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/muddyyorkhistory/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Music: "Randy Butternubs" by DYALLA "Dover" by The Westerlies "Classic 1985 Movie Soundtrack" by Freedom Trail Studios "Elevators Need Rock Too" by Spence "My Achy Heart" by Audio Hertz "Sightlines" by Jeremy Blake "Looping Ascent" by Joel Cummins "Everything Is Gonna Be Just Fine" by Jeremy Blake

Metais e a voz humana01 – The Westerlies & Theo Bleckmann - Thoughts and Prayers02 – The Westerlies & Theo Bleckmann - Looking Out03 – The Westerlies & Theo Bleckmann - Another Holiday04 – Beth Anderson - Laurie Anderson05 – Beth Anderson - Hugo Ball06 - Beth Anderson – John Cage07 - Beth Anderson - Richard Kostelanetz08 – Augusto de Campos -  lygia fingers09 – Augusto de Campos – bestiário10 – Augusto de Campos -  tensão11 – Augusto de Campos – corsomProdução, gravação, edição e locução: marcelo brissacMúsica “Drácula” usada no prefixo e sufixo, autoria de marcelo brissac e livio tragtenberg

For decades, her remarkable achievements as United States First Lady have been overshadowed by her husband's big mistakes. Returning guest Heath Hardage Lee is back to help change that! Olivia introduces us to the remarkable and unfairly forgotten Pat Nixon. Music in this episode provided by The Westerlies, Aaron Kenny, Josh Lippi and the Overtimers, The Mini Vandals, Cooper Cannell, Doug Maxwell, Quincas Moereira, and the US Marine Corps Band. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Olympic flame has been lit. Join Adam Waiser and Grayson Miller for this bonus episode where we dive into Toronto's many bids to host the Summer Olympics. Some of them failed due to administrative mishaps; others were thwarted by political blunders. Learn all about it on Muddy York, Toronto's #1 history podcast. You can follow Muddy York on Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Toronto_History⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/muddyyorkhistory/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ All Music by The Westerlies: https://www.youtube.com/channel/UCoIyoWuQx_Ga7fQ35flEmQA/

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Last episode of Lush Life celebrating the last 7+ years of my favorites: Aimee-Jo Benoit, Kenna Burima, Rita Payés & Elisabeth Roma, Emily Steinwall, Ostara Project, The Westerlies, Sophie Alour, Caity Gyorgy & Mark Limacher, Sean Mason, Melissa Pipe Sextet & Melissa Pipe, Gretchen Parlato & Lionel Loueke, Dominique Fils-Aimé, Endea Owens, Audrey Ochoa, Five Alarm Funk, Emma-Jean Thackray, and Carn Davidson 9.Playlist: Aimee-Jo Benoit - Bird on a WireKenna Burima - Love SongRita Payés & Elisabeth Roma - El MarabinoEmily Steinwall - Courage, My LoveThe Ostara Project - Delta SkyThe Westerlies - Way Back ThenSophie Alour - Tout nuCaity Gyorgy & Mark Limacher - Nobody Else But MeSean Mason - SilkyMMelissa Pipe Sextet & Melissa Pipe - In Due TimeGretchen Parlato & Lionel Loueke - AkwêDominique Fils-Aimé - To Walk A WayEndea Owens - Cycles (What Goes Around Comes Back Around)Audrey Ochoa - The Head of a MouseFive Alarm Funk - Big SmokeEmma-Jean Thackray - Ley LinesCarn Davidson 9 - Suite 1985: III. Wisely If Sincerely

Alternamos novedades - la mayor parte - con algunos antojos: Kacey Musgraves, Evie Sands o Meritxell Neddermann. En la variedad, el gusto: “americana” de Allison Russell o Britti o Kate Henry a Sierra Ferrel, Katie Pruitt o Aoife O’Donovan. Lo cierto es que quizá no sea tan favorable ser una superwoman. Lloremos junt@s.  DISCO 1 AOIFE O’DONOVAN, San Francisco Girls Choir,The Knights,The Westerlies All My Friends (ESCA)  DISCO 2 KATIE PRUITT All My Friends (1) DISCO 3 BRITTI So Tired (1) DISCO 4 SIERRA FERRELL I Could Drive You Crazy (7)   DISCO 5 ALLISON RUSSELL Shadowlands (7) DISCO 6 THE 7 DAY WEEKEND & Sonya Rae Taylor High (ESCA) DISCO 7 BRING ME THE HEARTS Help Me 5)  DISCO 8 ELLES BAILEY Enjoy The Ride (ESCA) DISCO 9 KASEY MUSGRAVES Wonder Woman (10) DISCO 10 KATE HENRY Love Like Kerosene (1) DISCO 11 MERITXELL NEDDERMANN Story (Extended Version) (CD 2 - 6)  DISCO 12 EVIE SANDS It’s This I Am (6) DISCO 13 ELKIE BROOKS The Way You Do The Things You Do (THE NORTHERN SOUL SCENE - 17) DISCO 14 EVA VERDE & DANILO TARSO Potser Una Papallona (5)Escuchar audio

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Maridalen, The Westerlies, The Ostara Project,Niels-Henning Ørsted Pedersen & The Oscar Peterson Trio, Audrey Ochoam Solidaridad, John Scofield, Malleus Trio, Mareike Wiening, The Angelica Sanchez Nonet, Rebecca Hennessy, Jessica Lauren, Apollo Suns and Kate Wyatt.Playlist: Maridalen - LandkjenningThe Westerlies - CupidThe Ostara Project - Bye Bye (Interlude)Oscar Peterson Trio, featuring Niels-Henning Ørsted Pedersen - Viking's bluesAudrey Ochoa - It Never HappenedSolidaridad - YyzJohn Scofield, Vicente Archer & Bill Stewart - DistanciaMalleus Trio - Little TigersMareike Wiening, featuring Rich Perry, Glenn Zaleski, Alex Goodman & Johannes Felscher - Declaration of TruthThe Angelica Sanchez Nonet - RunRebecca Hennessy - Remember You're Not DoneJessica Lauren - ChichourletteApollo Suns - FonxyKate Wyatt - Duet

Selma Lagerlöf poetically recorded old Norse fairytales and profoundly influenced Swedish identity. Her work was so brilliant, she was the first woman to win the Nobel Prize for Literature in 1909. In old age, she turned her poetic pen to her own life, recalling winters in the 1860s at her beloved Varmland farmhouse, Mårbaka. For our annual Christmas Special, we bring her poignant memoirs to life, accompanied by an audio feast of traditional Swedish music. God Jul! Music featured in this episode was generously shared by Blås, Balg & Tagel, Haga Vokalensemble, MrsBean 1987, Kevin MacLeod, Aaron Kenny, DJ Williams, The Westerlies, and Wayne Jones. You can find a digital copy of Mårbaka and all Selma Lagerlöf's books at Gutenberg Project. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Aujourd'hui, épisode spécial halloween où nous l'on vous a sondé pour prendre connaissance de vos costumes d'Halloween. De plus, nous abordons la fin des saveurs de vapoteuse, la nouvelle série québécoise “Inspirez, Expirez” ainsi que le voyage de 4 jours à Moncton pour Léonie!   Voici les chansons qui ont joué lors de l'épisode:   La pente descendante - Alex Burger, Pardonne-moi - Arielle Soucy, Anyway, Mommy Love - Marco Ema,  L'Argent est dans ta tête - Ryzzlah et Raz Fresco, Bonne patch - comment debord,  Qaisimalaurittuq- Elisapie ft. The Westerlies

It's been a windy start to spring, but if you're sick of the westerlies you're out of luck. Not only are they expected to make a return over much of the North Island this weekend - they're also likely to be a feature of the incoming El Niño weather pattern. And forecasters say El Niño is likely to be one of the strongest in 80 years. For more on that, and what you can expect in your region, Chris Brandolino, Principal Scientist, Forecasting at NIWA joins the programme.

In this episode we discuss:(00:00) 401(00:28) Intro(02:41) Spy Balloons(08:34) Nuclear Power(11:32) Scomo is Right!(14:32) Joe Rogan is a dating red flag(19:49) Patrons(20:42) Friends of School Chaplaincy(21:43) Can Polls be trusted?(29:29) Michael Mansell(35:30) Islamic Voice Thought Experiment(48:08) Libya(56:10) UyghursChapters, images & show notes powered by vizzy.fm.To financially support the Podcast you can make a per-episode donation via Patreon or donate through PaypalWe Livestream every Tuesday night at 7:30pm Brisbane time. Follow us on Facebook or YouTube, watch us live and join the discussion in the chat room.You can sign up for our newsletter, which links to articles that Trevor has highlighted as potentially interesting and that may be discussed on the podcast. You will get 3 emails per week.We have a website. www.ironfistvelvetglove.com.auYou can email us. The address is trevor@ironfistvelvetglove.com.auOfficial Chinese Statement from 7 months agoThe airship is from China. It is a civilian airship used for research, mainly meteorological,purposes. Affected by the Westerlies and with limited self-steering capability,the airship deviated far from its planned course. The Chinese side regrets theunintended entry of the airship into US airspace due to force majeure.The Chinese side will continue communicating with the US side and properlyhandle this unexpected situation caused by force majeure

Also on this week's show, Tom Keenlyside's group, Kareem Kandi and The Westerlies.

The New York quartet debuts music from their new album "Move." Also on this week's show, music from Barney McClure, Brian Nova, Eugenie Jones and more.

Released exactly at the autumnal equinox on September 22, 2020, 'Shore' - the ambitious release by Robin Pecknold under the guise of his Seattle band Fleet Foxes - is a sonically adventurous journey through the musical heroes and influences that shaped him. This week's guest Tom Lawery guides us in unpacking this brightly dense album that “celebrates life in the face of death” Music featured in this episode: Sunblind (Solstice Version) - Fleet Foxes; St Petersburg - Supergrass; Your Protector - Fleet Foxes; Broke - Modest Mouse; Third Of May, Wading In Waist-High Water, Sunblind - Fleet Foxes; Broken Finger Blues - Richard Swift; The Kiss - Judee Sill; All My Happiness Is Gone - Purple Mountains; Can I Believe You, Jara - Fleet Foxes; Hockets For Two Voices IV - Meara O'Reilly; The Scientist - Coldplay; Featherweight - Fleet Foxes; I Want To Make It With You - Bread; A Long Way Past The Past - Fleet Foxes; the 1 - Taylor Swift; For A Week Or Two, Maestranza - Fleet Foxes; Living In Another World - Talk Talk; Young Man's Game - Fleet Foxes; Go Your Own Way - Fleetwood Mac; I'm Not My Season, Quiet Air-Gioia - Fleet Foxes; Down To The Sea - The Fathoms; Going To The Sun Road - Fleet Foxes; Delta Rain Dream - Jon Hassel and Brian Eno; Thymia, Cradling Mother, Cradling Woman - Fleet Foxes; Koyaanisqatsi (Resource Scene) - Philip Glass; Shore, Under Control (Strokes cover featuring Uwade Akhere; Live Queens, NY 8.13.22) - Fleet Foxes

The unofficial nature of the latest meeting between Chinese and United States senior diplomats points to the serious damage that Washington has brought to its ties with Beijing and the dire need to repair the great shortage of mutual trust, observers said.观察人士说，中美高级外交官最近一次会晤的非正式性质表明，华盛顿对中美关系造成了严重损害，迫切需要修复严重缺乏互信的问题。They made the observation as senior Chinese diplomat Wang Yi met in "an unofficial engagement" with US Secretary of State Antony Blinken at the request of the US side on the sidelines of the 59th Munich Security Conference on Saturday.2月18日，中国高级外交官王毅在出席第59届慕尼黑安全会议期间，应美方请求，同美国国务卿布林肯进行了“非正式接触”。Wang, a member of the Political Bureau of the Communist Party of China Central Committee and director of the Office of the Foreign Affairs Commission of the CPC Central Committee, made explicit "China's solemn position on the so-called airship incident", according to a statement by the Foreign Ministry.根据外交部的一份声明，中共中央政治局委员、中央外事工作委员会办公室主任王毅明确阐述了“中方对所谓飞艇事件的严正立场”。He asked the US to "change course (and) acknowledge and repair the damage that its excessive use of force caused to China-US relations".他要求美方“改弦更张，正视并解决滥用武力给中美关系造成的损害”。Earlier this month, the US military shot down a Chinese unmanned airship that was spotted in US airspace, triggering Beijing's strong protests.本月早些时候，美军击落了一艘在美国领空发现的中国无人驾驶飞艇，引发中方强烈抗议。China reiterated that the civilian unmanned airship, due to the Westerlies — prevailing winds from the west — and limited self-steering capability, deviated from its planned course and entered US airspace.中方重申，这是一艘民用无人飞艇，受超强西风带影响，加之自身控制能力有限，偏离了预定轨道，进入了美国领空。Before and following the shooting down of the airship, some senior US officials and politicians hyped the airship and China's so-called "threat" to the US.在飞艇被击落前后，美国一些高官和政客炒作飞艇和中国对美国的所谓“威胁”。An unnamed Foreign Ministry spokesperson quoted Wang on Sunday as saying at the talks with Blinken that "the US is in no position to smear China. What the US needs to do is demonstrate sincerity and face up to and resolve the damage that its abuse of force has done to China-US relations".2月19日，一位不愿透露姓名的外交部发言人援引王毅在与布林肯会谈时的话说，“美国没有资格抹黑中国。美方需要做的是拿出诚意，正视和解决其滥用武力给中美关系造成的损害。”Wang said that "if the US continues to dramatize, hype up or escalate the situation, China will surely respond by doing what is necessary", and "all consequences arising thereof shall be borne by the US side", according to the spokesperson.王毅表示，“如果美方执意借题发挥、炒作升级、扩大事态，中方必将奉陪到底，一切后果将由美方承担。”Wu Xinbo, dean of Fudan University's Institute of International Studies, noted that since the meeting between President Xi Jinping and US President Joe Biden in Bali, Indonesia, in November, the two governments' working teams from diplomacy, security, treasury and trade departments have embarked on dialogue to further implement the consensus reached by the two leaders.复旦大学国际问题研究所所长吴心伯指出，自去年11月习近平主席和美国总统拜登在印度尼西亚巴厘岛会晤以来，两国政府就外交、安全、财政和贸易等部门的工作开始进行对话，从而进一步落实两国领导人达成的共识。"Yet on the other side, Washington has not slowed down its pace in stepping up suppression against China, including in sectors such as leading science and technology. To be fair, the Biden administration's China policy is still double-faced," Wu said.吴心伯说：“然而另一方面，美方并没有放慢对中国的压制步伐，包括在领先的科学技术等领域。平心而论，拜登政府的对华政策仍然是两面派。”Foreign Ministry spokesman Wang Wenbin said on Wednesday that the US had released high-altitude balloons that illegally flew into China's airspace "more than 10 times without the approval of relevant Chinese authorities "since May, and China had handled the balloons "in a calm and professional manner".2月15日，中国外交部发言人王文斌表示，自2022年5月以来，美国“未经中方有关部门批准，至少10多次非法飞越中国领空”，中方“以冷静和专业的方式”处理了这些气球。When answering questions at a China session of the Munich Security Conference on Saturday, Wang Yi said the airship incident is "a political farce", and an underlying factor behind Washington's hyping up of the airship's accidental entry is "the US' wrong perception and strategic misjudgment of China".2月18日，王毅在慕尼黑安全会议中国分会场回答问题时表示，飞艇事件是“一场政治闹剧”，华盛顿炒作飞艇意外进入的另一个潜在因素是“美国对中国的错误认知和战略误判”。"A lot of balloons are flying over the Earth every day. Does the US want to shoot them all down? Such an action is no proof of the US' power, but the exact opposite," he said.王毅还表示：“地球上空每天都飘着很多气球，难道美国都要打下来吗？这种做法不能证明美国的强大，而是恰恰相反。”At the Saturday conference, Wang urged Washington to "stop doing such absurd things out of domestic political needs" and to "show sincerity and correct its mistakes".在2月18日的会议上，王毅敦促美国“不要再出于国内政治需要，在对外打交道过程中做出这种荒唐的事情”，“拿出诚意，改正错误”。SuXiaohui, an associate research fellow at the China Institute of International Studies, said, "High-level communications between Beijing and Washington have encountered serious obstacles due to the US domestic political atmosphere, the trade of barbs between the Democrats and Republicans, and anti-China sentiment in the country. 中国国际问题研究院国际战略研究所副所长苏晓晖说:“由于美国国内的政治氛围，民主党和共和党之间的交易，以及国内的反华情绪，北京和华盛顿之间的高层沟通遇到了严重的障碍。"For Beijing, it is still open to collaboration. It looks to stabilize the ties with the US through dialogues and put the relations back on track. Still, it takes two to tango, and Washington should work toward the same goal," Su added.苏晓晖补充道：“对于北京来说，它仍然对合作持开放态度。中方希望通过对话稳定中美关系，推动中美关系重回正轨。然而，一个巴掌拍不响，美方应该朝着同一个目标努力。”Policy researchers and media around the world have voiced grave concerns about rising China-US tensions over the airship, the Taiwan question and US restrictions on trade and semiconductor technologies related to China.围绕飞艇事件、台湾问题以及美国对华贸易和半导体技术限制，中美关系日益紧张，世界各地的政策研究人员和媒体对其表示严重关切。In Munich, Wang criticized the US CHIPS and Science Act as the use of one country's power to suppress Chinese companies, and said it disrupts the stability of global industrial and supply chains.在慕尼黑，王毅批评美国的《芯片和科学法案》是利用一国之力压制中国企业，并表示这破坏了全球产业链和供应链的稳定。The act is"100 percent unilateral and self-serving and it 100 percent violates the rules of the World Trade Organization", he said. "The US is standing against the free trade that it has been advocating."王毅说，这一行为“百分之百是单方面的、自私自利的，百分之百违反了世界贸易组织的规则”。“美国正在反对它一直倡导的自由贸易。”Speaking on overall China-US ties, Wang said that China's policy toward the US is based on clear and transparent principles of mutual respect, peaceful coexistence and win-win cooperation, yet "the US sees China as the gravest geopolitical challenge and strategic competitor".在谈到中美关系时，王毅表示中国对美政策是基于相互尊重、和平共处、合作共赢的明确透明原则基础上的，但“美国视中国为最严重的地缘政治挑战和战略竞争对手”。Saying that China has never been afraid of competition despite all the US talking about competing with China, Wang urged the US to view China's development in a fair and objective way, pursue a positive and pragmatic China policy, and work together with China to bring China-US relations back on track.王毅表示，尽管美国一直在说要与中国竞争，但中国从来不害怕竞争。他敦促美方公正客观地看待中国的发展，奉行积极务实的对华政策，与中方共同努力，推动中美关系重回正轨。Also at the conference, Wang announced that China will soon release a concept paper on the Global Security Initiative, which was proposed by President Xi last year.王毅还在会上宣布，中国将于近期发表“全球安全倡议”概念文件，这是习近平主席去年提出的倡议。It will provide more systematic thinking and more feasible initiatives to address global security challenges, and China welcomes the active participation of all countries, Wang said.中方欢迎各国积极参与，这将为应对全球安全挑战提供更系统的思考和更可行的措施。Semiconductor英 [ˌsemikənˈdʌktə(r)] 美 [ˈsemikəndʌktər]n. 半导体Initiative英 [ɪˈnɪʃətɪv] 美 [ɪˈnɪʃətɪv]n. 措施

With Skip's internet down, we recorded our 98th episode the old-fashioned way. Once you get past the distorted land line telephone, you'll hear about how you can win some truly amazing gear on our 100th episode (including a new Grez Mendocino Junior guitar!), plus what inspires Skip, screen resistors on power tubes, center taps on resistors, and one heck of a goat story. This week's episode is sponsored by Calton Cases, Jupiter Condenser Co., Amplified Parts and Grez Guitars. You can also use the discount code FRET10 to save 10% off your Izotope purchase. Support us on Patreon.com for added content and the occasional surprise. One of our patrons will win a Hello Sailor Fuzz Face this month!  Some of the topics discussed this week: :54 The Fretboard Journal 50 (link) ...and issue 1; NAMM Shows 6:15 Our 100th episode giveaways: Win a Grez Guitars Mendocino Junior; a Madsen Electronics GE Fuzz; or a First Coast Amplification Masco - 5F2A Princeton conversion... plus, Josephine Baker was a spy 11:57 What exactly does a Variac do on a dormant amp? 15:43 A super microphonic Deluxe Reverb 17:33 Screen resistors on power tubes: 1-watt resistors vs 3-watt resistors 22:10 Center taps on power transformers: Grounded, tapped-off, or artificial? 26:29 Replacing the rotary off-on switches on Gibsons; Carling rotary switches (link) 29:45 What inspires Skip 35:23 Skip and the Reserve Champion goat 47:09 How important is the orientation of film capacitors?   53:20 A 1974 Fender Pro Reverb with a hissing problem that goes away with the vibrato; rosemary seasoned foil-wrapped corn on the cob 59:08 Voltage on the chassis of a two-pronged Harmony H-195 1:03:50 Replica cabinets from Lightning Music in Marengo, Ohio; Electro-Harmonix Hum-Debugger pedals, Bruce Forman, James "Blood" Ulmer, the Westerlies 1:07:48 The Fretboard Summit at Chicago's Old Town School of Folk Music, August 25-27, 2022 (www.fretboardsummit.org) 1:09:18 Ananyo Bhattacharya's 'The Man From the Future: The Visionary Life of John Von Neuman' (Amazon link), vacuum tubes for computer memory, Nixie tubes, Fender Dimension IV Sound Exploder / Tel-Ray goo 1:12:26 The tone of Orange Drop capacitors: polyester versus polypropylene; spaghetti bolognese with a slug of El Pato 1:19:25 A Carl's Custom Amps Octal Princeton that can use either a 6L6, EL34, KT77, or 6CA7... and the difference in wattage 1:23:24 Musical instrument insurance; Heritage Insurance (link)  1:26:25 Do you need an insulator board on a turret board amp build? How to find time to work on amps when you have a busy life and family and other parenting tips.    1:36:22 Homework: How to add a tone control to a Gibson GA17-RVT?  Submit your amp questions, recipes and life hacks to the podcast via podcast@fretboardjournal.com and don't forget to share the show with friends on social media. 

In this episode, Lou provides a slice of biography, zooming in on John Brown's personal and economic challenges as a frontier entrepreneur and his often forgotten comeback in the early 1840s. While overlooked by unstudied and prejudiced scholars, Brown actually bounced back in the mid-1840s and distinguished himself as one of the leading experts on fine sheep and wool. Looking at Brown's attempt to intervene on behalf of wool growers in the 1840s, we get further insight into Brown's inclination to defend the underdog.  This observation provides a way to revisit the bias and prejudice that Brown's legacy has long faced both from the academy and Hollywood--a bias that we are still pushing back against today. The story of John Brown is not complicated: Brown is very consistent, and it is no surprise that his inclination to defend the downcast and the vulnerable would be a theme that flows from wool to slavery.This episode provides a special interlude and conclusion with special music by The Westerlies, featuring their song, "Burden Laid Down."  Visit the Westerlies website at westerliesmusic.com.

Vocalist Theo Bleckmann is in a league and a category of his own. Equally dazzling when interpreting the music of Kate Bush or singing the songs of Charles Ives, he made his ECM Records leader debut in 2017 with his album “Elegy”. More recently, he collaborated with the brass quartet The Westerlies for their haunting record “This Land.” Theo and I talked about his approach to recording versus performing live, his cherished collaborations with drummer John Hollenbeck and pianist Shai Maestro, and why clarity and authenticity are so important in creativity. Show Notes: Tracklisting: - Take My Life (from Elegy) - Elegy (from Elegy) - Knows Only God (God Only Knows) (from Songs You Like A Lot) - Comedy Tonight (from Elegy) - Look for the Union Label (from This Land) - Suspended In Gaffa (from Hello Earth!) - Army Dreamers (from Hello Earth!) Buy “This Land” here Buy “Elegy” here Theme music by The Respect Sextet Follow The Jazz Session on Twitter, Instagram and Facebook Subscribe to The Jazz Session's YouTube Channel upport The Jazz Session by becoming a member at Patreon. For $5 a month you'll get a weekly bonus episode called Track of the Week, plus early access to every show. For $10 a month you get all that plus an extra monthly bonus episode of “The Insider”, a spin-off interview series where Nicky chats to jazz industry insiders (broadcasters, artist agents, label heads, journalists) about the nuts and bolts of the business.

Vocalist Theo Bleckmann is in a league and a category of his own. Equally dazzling when interpreting the music of Kate Bush or singing the songs of Charles Ives, he made his ECM Records leader debut in 2017 with his album “Elegy”. More recently, he collaborated with the brass quartet The Westerlies for their haunting record “This Land.” Theo and I talked about his approach to recording versus performing live, his cherished collaborations with drummer John Hollenbeck and pianist Shai Maestro, and why clarity and authenticity are so important in creativity. Show Notes: Tracklisting: - Take My Life (from Elegy) - Elegy (from Elegy) - Knows Only God (God Only Knows) (from Songs You Like A Lot) - Comedy Tonight (from Elegy) - Look for the Union Label (from This Land) - Suspended In Gaffa (from Hello Earth!) - Army Dreamers (from Hello Earth!) Buy “This Land” here Buy “Elegy” here Theme music by The Respect Sextet Follow The Jazz Session on Twitter, Instagram and Facebook Subscribe to The Jazz Session's YouTube Channel upport The Jazz Session by becoming a member at Patreon. For $5 a month you'll get a weekly bonus episode called Track of the Week, plus early access to every show. For $10 a month you get all that plus an extra monthly bonus episode of “The Insider”, a spin-off interview series where Nicky chats to jazz industry insiders (broadcasters, artist agents, label heads, journalists) about the nuts and bolts of the business.

Releases include the last album to be issued by the Jim Knapp Orchestra, plus The Westerlies, Phil Parisot, and Tad Britton.

Big Red Machine - "Phoenix (feat. Fleet Foxes & Anaïs Mitchell)" from the 2021 album How Long Do You Think It's Gonna Last? on 37d03d. Last month, The National's Aaron Dessner and Bon Iver's Justin Vernon released their second album under the name Big Red Machine, titled How Long Do You Think It's Gonna Last?. The album features a heavyweight line-up of guests, including Taylor Swift, Sharon Van Etten, This Is The Kit, Ben Howard, Naeem, Lisa Hannigan, My Brightest Diamond's Shara Nova, and on today's Song of the Day, Robin Pecknold of Fleet Foxes and Tony Award-winning singer/songwriter Anaïs Mitchell.  "'Phoenix' was one of the last songs we wrote for this record," Dessner says via a press release. "I was thinking about The Band and the Grateful Dead... maybe imagining this Big Red Machine album was some version of The Last Waltz. Justin first heard it while driving and immediately the chorus melody came into his head. I shared the sketch with Robin Pecknold, who I've been a fan of forever and who I'd been dreaming would join us on this record. Robin wrote the verses and pre chorus as a kind of dialogue with Justin, recalling a conversation they once had backstage in Phoenix. Later Anais wrote words to the chorus and The Westerlies added their magic to the instrumental. JT Bates rumbles around in rare form on the drums on this song. I think it's what I always imagined Big Red Machine would sound like." Pecknold adds, “It was a high, high honor to work on this song, and beyond that it was a really interesting creative challenge. Justin's vocals and the beautiful chorus were already in place before I got my hands on it, so I felt my job melodically and lyrically was to set his entrance up in the best possible way. I felt like a pilgrim putting questions to an elusive sage, not needing clear answers, but happy for the chance to ask.” Read the full post on KEXP.org Support the show: https://www.kexp.org/donate See omnystudio.com/listener for privacy information.

در هشتمین قسمت پادکست جزباز می‌شنوید: در بخش استانداردهای جز از هربی هنکاک و ساخته ی مشهورش، واترملون من و همچنین کویینتت بزرگ دوم مایلز دیویس می‌شنوید. آیتم قصه های جز در این قسمت از هاروکی موراکامی و عشقش به موسیقی جز خواهد گفت. بهار راد شما را با این نویسنده‌ در کافه‌ی خودش همراه خواهد کرد تا به چند اثر محبوب که از میان آثارش انتخاب شده‌اند گوش کنید. و در آیتم جز معاصر علی نوروزی در بحث جذابی درباره استفاده از هوش مصنوعی در موسیقی جز حرف خواهد زد و دو آلبوم تازه‌منتشرشده را مرور خواهد کرد: The Westerlies, (Songbook Vol. 1) 2021 Lady Blackbird, (Black Acid Soul) 2021 OpenAI Jukebox: Broccaloo - Medieval Jazz 02 Broccaloo - Medieval Jazz 03 Musica Project's Jazzkell: Donya Quick - The Cube Squared Donya Quick - Lobophyllia II گویندگان: امید سلطانی بهار راد علی نوروزی لوگو و کاور: حمیدرضا زبیری حمایت مالی و ارزی از جزباز تمام آهنگ‌های این قسمت دریافت نسخه‌ی پی‌دی‌اف ویژه‌نامه‌ی مایلز دیویس پلی‌لیست موراکامی در اسپاتیفای Telegram | Twitter | Instagram | Email

The Episode CoversA Nearer Sun by The WesterliesPints of Guiness Make You Strong by Against Me!Website: https://redcircle.com/shows/two-tunes-podcastDonations: https://app.redcircle.com/shows/baeeceec-9527-475d-85b5-d9da2eea19d3/donationsInstagram: https://instagram.com/twotunespodcast?igshid=13gpurxc3bf2qDiscord: https://discord.gg/eYMwBuJ6GeRSS Feed: https://feeds.redcircle.com/baeeceec-9527-475d-85b5-d9da2eea19d3E-mail: twotunespodcast@gmail.comSupport this podcast at — https://redcircle.com/two-tunes-podcast/exclusive-content

The question is one that propelled a lengthy reporting process and led a pair of journalists from South Carolina across the Atlantic Ocean to Senegal: Who was Omar ibn Said, really?When two Post and Courier journalists started pursuing that question, they knew Omar was a Muslim scholar who, at age 37, was captured from his home in Futa Toro and forced onto a slave ship bound for Charleston. Omar had lived the rest of his life enslaved, first in South Carolina and then North Carolina.Throughout that time, Omar wrote at least 15 surviving texts in Arabic, including the only known surviving autobiography written in Arabic by someone still enslaved in America.When that autobiography was bought by the Library of Congress, digitized and made available to the public, Omar’s story sprang from obscurity.While Omar's writing gave insight into his life, his past and his faith, it also raised questions. He provided little detail about where he was from. That mystery of what place Omar had called home became key to The Post and Courier's Pulitzer Center-supported project.This week, the journalists behind that project, writer Jennifer Berry Hawes and photographer Gavin McIntyre, share details from their reporting process, the challenges they ran into along the way and what their days in Senegal taught them about who Omar really was.While some of the questions they sought out to answer didn't have a definitive resolution, their quest — with the help of translators, imams, historians and others — uncovered new revelations about Omar's life. Listen now for more.Read the project: 'I Am Omar': A quest for the true identity of Omar ibn Said, a Muslim man enslaved in the CarolinasUnderstand SC is a weekly podcast from The Post and Courier that draws from the reporting resources and knowledge of our newsroom to help you better understand South Carolina. This episode was hosted and edited by Emily Williams.  Background audio used in today's episode is by Gavin McIntyre. Music is "When the Ash Settles" by The Westerlies. 

In the summer of 1963, 15 girls between the ages of 12 and 15 were held in the Leesburg Stockade for the crime of demonstrating for integration in the deep south. For weeks their parents didn’t know where they were or if they were alive.   See photos and sources for this episode in the show notes at southernmysteries.com   Support The Show Want more Southern Mysteries? Become a member of the show on Patreon to support this independent show and enjoy the benefits of membership, including monthly bonus content. patreon.com/southernmysteries   Connect Twitter: @southernpod_ Facebook: Southern Mysteries Podcast Discussion Email: southernmysteriespodcast@gmail.com    Music Theme Song “Dark & Troubled” by Pantherburn. Special thanks to Phillip St Ours for permission for use.    Burden Laid Down by The Westerlies, Pink Horizon by Chris Haugen, St Francis by Josh Lippi and the Overtimers and Magic Forest by Sir Cubworth Licensed under a Creative Commons; Dark Times, Peace of Mind, Elegy and Virtues Instrumenti by Kevin MacLeod. Licensed under a Creative Commons Attribution 4.0 license. Source: http://incompetech.com

Theo and I talk about coffee, integration of different disciplines, maintaining old disciplines, the weirdness of ice skating, WinterIce with Uri Caine, the voice as a biological instrument, embodiment, effects of technology on live performance, the music of Kate Bush, Wilhelm Reich, the origin of his collaborations with Ben Monder, the recording process on Oceana, the Bleckmann woodshed, practicing what you aren't good at, developing a toolkit of extended techniques, Bob Ostertag, using loopers and other gadgets, Björk and her Medúlla vocalist crew, death metal vocals, getting softies from seeing laptops on stage, letting new technologies sterilize aesthetics, Theo's master-list of weird/adventurous vocalists, the bespoke music making and community building of Meredith Monk, whether or not "just putting in the time" is enough for artistic success, taking artistic risks, and inspiring resistance and refuge on This Land with The Westerlies.

Jazz trombonist and composer Kalia Vandever joins us to chat about conceptualizing her album In Bloom, funding this project through touring and crowdsourcing, identifying a recording engineer and studio, and developing her compositional voice throughout the process. We talk about her start in community education through the Herbie Hancock Institute Peer-to-Peer Program and the importance of encouraging students to connect with one another through community engagement initiatives. Kalia shares about her experience working in a historically male-dominated industry, her article “Token Girl”, and how to support women and artists of ALAANA backgrounds in professional and educational settings. And she offers strategies for developing jazz skills after being trained in a non-jazz idiom. Kalia Vandever is a trombonist, composer, and educator living in Brooklyn, NY. She released her debut album, "In Bloom" in May, 2019 which features all of her original compositions written for quartet and duo with guitar. She has toured and performed nationally with her quartet, as well as her solo project. She has performed in such venues as Carnegie Hall, Sydney Opera House, Walt Disney Concert Hall, Preservation Hall, the Hollywood Bowl, The Jazz Gallery, The Blue Whale, Dizzy's Club Coca-Cola, SMOKE Jazz Club, the Blue Note, and the Rose Theater at Jazz at Lincoln Center. Kalia moved from Los Angeles, CA to New York City in 2013 to study at the Juilliard School where she received her Bachelor of Music degree in Jazz Studies. She has played with the following musicians whom she admires greatly, Ingrid Jensen, Herbie Hancock, Tyshawn Sorey, Darcy James Argue's Secret Society, Fabian Almazan, Wynton Marsalis and the Lincoln Center Jazz Orchestra, Joel Ross, Maria Grand, and others. She is also known for her work as a composer and arranger. She has been commissioned to write pieces for the Tesla Quartet, Metropolis Ensemble, Katherine Kyu Hyeon Lim, and more. The transcript for this episode can be found here. Resources discussed in this episode: Kalia Vandever, In Bloom Kalia Vandever, “Token Girl” Herbie Hancock Institute Peer-to-Peer Program Jazz at Lincoln Center's Jazz Academy Kalia Vandever, Tesla Quartet, “Variation: Meditation” Kalia Vandever, The Westerlies, “Calling Me Back Home” For more information about Kalia Vandever, please visit her website, Instagram, and YouTube.

This content is for Members only. Come and join us by subscribing here In the meantime, here’s some more details about the show: It’s a warm welcome then to the man himself: Dr. Brad Stone - the JazzWeek Programmer of the Year 2017, who's here every Thursday to present The Creative Source - a two hour show, highlighting jazz-fusion and progressive jazz flavours from back then, the here and now, plus occasional forays into the future. Please feel free to get in touch with Brad with any comments or suggestions you might have; he’ll be more than happy to hear from you: brad@soulandjazz.com or follow him via Facebook or Twitter. Enjoy! The Creative Source 1st April 2021 Artist - Track - Album - Year Jeremy Pelt    Words by Paul West    Griot: This is Important!    2021 Jeremy Pelt    Carry Christ Wherever You Are    Griot: This is Important!    2021 Joseph Howell Quartet    Serenity    Live in Japan    2021 Joe Traina    Frenesi    Tip of the Hat    2020 Rick Margitza    County Mike    Sacred Hearts    2021 Ian Charleton Big Band    A Fresh Perspective    A Fresh Perspective    2020 Dave Kikoski w/Boris Kozlov    Quartet #1    Sure Thing    2021 Edward Simon    Uninvited Thoughts    25 Years    2020 Roberto Magris & Eric Hochberg    Laverne Hill    Shuffling Ivories    2021 Yelena Eckemoff    Weeding the Garden    Adventures of the Wildflower    2021 Lara Solnicki    Bit Her Sweet Christopher    The One and the Other    2021 Theo Bleckman & The Westerlies    Another Holiday    This Land    2021 Cowboys & Frenchmen    American Whispers: Pines    Our Highway    2021 William Parker    Paintings in the Sky    Migration of Silence Into and Out of the Tone World: The Music of William Parker, Volumes 1-10    2021 The post The Creative Source (#CreativeSource) – 1st April 2021 appeared first on SoulandJazz.com | Stereo, not stereotypical ®.

Join me on this very special Easter episode, as we celebrate an apocalyptic Easter! I am joined by Dr. Robby Waddell, Professor of New Testament at Southeastern University, as we discuss Easter, the book of Revelation, resurrection, and the end of all things. Order of the Day: Greeting ● Scripture: Revelation 4 & 5 ● A Conversation with Dr. Robby Waddell ● Reflection and Prayer: The Exsultet. You can find out more from Dr. Robby Waddell on Twitter - @robbywaddell. Subscribe or sends questions & comments to pneumaturgical@gmail.com. Music used on this episode: Porches and Universes by Puddle of Infinity; Antimatter by The Westerlies; all from Youtube Sound Library.

Trumpeter Chloe Rowlands is part of The Westerlies, a brass quartet whose most recent album is a collaboration with Theo Bleckmann called This Land. In this interview, Rowlands talks about the formation of The Westerlies and how she joined; the origin of the new album; her experience coming out as a trans woman in the jazz world; and much more. Learn more at https://www.westerliesmusic.com/. / / / I've been recording conversations with jazz musicians on The Jazz Session since 2007. I'm now living in a van and traveling the country, so I need your support more than ever. Please become a member today at thejazzsession.com/join. For $5 a month you'll get a weekly bonus episode called Track of the Week, plus early access to every show. For $10 a month you get all that plus an extra monthly bonus show. Theme music by The Respect Sextet Logo by Dave Vrabel Intro voice: Chuck Ingersoll Follow The Jazz Session on Twitter, Instagram and Facebook. Subscribe to my twice-monthly newsletter.

Trumpeter Chloe Rowlands is part of The Westerlies, a brass quartet whose most recent album is a collaboration with Theo Bleckmann called This Land. In this interview, Rowlands talks about the formation of The Westerlies and how she joined; the origin of the new album; her experience coming out as a trans woman in the jazz world; and much more. Learn more at https://www.westerliesmusic.com/. / / / I've been recording conversations with jazz musicians on The Jazz Session since 2007. I'm now living in a van and traveling the country, so I need your support more than ever. Please become a member today at thejazzsession.com/join. For $5 a month you'll get a weekly bonus episode called Track of the Week, plus early access to every show. For $10 a month you get all that plus an extra monthly bonus show. Theme music by The Respect Sextet Logo by Dave Vrabel Intro voice: Chuck Ingersoll Follow The Jazz Session on Twitter, Instagram and Facebook. Subscribe to my twice-monthly newsletter.

Trumpeter Chloe Rowlands is part of The Westerlies, a brass quartet whose most recent album...

The return of Garage a Trois to its original line-up (Charlie Hunter, Skerik, Stanton Moore) kicks off a show featuring plenty of new and upcoming releases delivering good energy, adventure, sophistication and dreams of wide open spaces. A special mention for the upcoming album by Argentinean singer Roxana Amed which confirms her as unique voice on today's jazz scene. The playlist features Garage a Trois; Pierrick Pédron; Dr. Lonnie Smith; Fabio Accardi; Roxana Amed; Giovanni Di Carlo; Frank Martino; Hitra; Jakob Bro; Warped Dreamer; Hubert Dupont, Antoine Berjeaut, Steve Arguelles; Francesco Chiapperini & Theo Bleckmann. Detailed playlist at https://spinitron.com/RFB/pl/12681941/Mondo-Jazz (up to the Westerlies).

The Natchez Rhythm Club changed the city of Natchez on April 23rd 1940. 209 people died and more than 200 were injured including civic and cultural leaders. All of the victims of one of the deadliest fires in US history were Black.    See photos and sources for this episode in the show notes at southernmysteries.com   Support The Show Want more Southern Mysteries? Become a member of the show on Patreon to support this independent show and enjoy the benefits of membership, including monthly bonus content. patreon.com/southernmysteries   Connect Website Twitter Facebook   Music Theme Song “Dark & Troubled” by Panthernburn. Special thanks to Phillip St Ours for permission for use ***Additional Music: Somber Ballads and Long Road Ahead B by Kevin MacLeod. Licensed under a Creative Commons Attribution 4.0 license. Source: http://incompetech.com/. Pale Rider by Blues Mini Vandals; Burden Laid Down by The Westerlies; Fresh Fallen Snow by Chris Haugen; Lost Cowboy by Coyote Hearing. Licensed Under Creative Commons. Beginnings in Dust, Devouring the Whole by Ross Gentry. Courtesy Headway Recordings Asheville.  The Natchez Burning by Howlin' Wolf. The Complete RPM & Chess Singles A's & B's 1951-62, Vol. 1 ℗ 2014 Acrobat Licensing Ltd. The Natchez Fire by Gene Gilmore. Originally issued on the 1940 single (Decca 7763) (78 RPM). “It’s Tight Like That” by Walter Barnes and His Royal Creolians. 1928.

In Episode 8 we chat with Sam Barrett

Featuring fresh jams from Brooklyn maestros Theo Bleckmann (with the Westerlies) and Lorenzo Wolff (featuring Grace McClean); maestro Jason Moran shining in collaboration with the uber hip double-sax quartet Walking Distance; brand new music from gigantic pop performance and production icons Pino Palladino and Blake Mills; west coast organ master Wil Blades; Italian film music icon Ennio Morricone; Denver coronet and compositional visionary Ron Miles; the one and only Bjork; and music from Victoria Reed's Aqua Madre and my 2014 release Outlaw Jazz.

Nominees for Earshot's Golden Ear awards have been announced, and we'll sample some of them on this week's Jazz Northwest . Nominated for Recording of the Year and Acoustic Jazz Ensemble of the Year is Thomas Marriott and we'll hear the title song from "Trumpet Ship." Also nominated and on this show are Ryan Burns' "Postponed Parade," and Johnaye Kendrick who has been nominated in the Vocalist of the Year category. Some of the other nominees will be featured on Jazz Northwest in coming weeks. Voting takes place this month. For more info and a list of all the nominees, see earshot.org . Also, this week, Daniel Hersog's Jazz Orchestra from Vancouver BC, Jovino Santos Neto from Bellevue to Brazil, The Westerlies whose "WestFest" is this week, and more. Jazz Northwest is recorded and produced by host Jim Wilke and airs Sundays at 2 p.m. Listeners may also subscribe to the podcast at KNKX, NPR, Apple, or Google.

Welcome to another episode of "The Quadpod," a podcast highlighting life at Baylor School in Chattanooga, Tennessee. Inspired by the many converging paths on our campus where faculty, staff, students, alumni and families meet, we bring you stories from all angles, told by many voices. On this episode, we will look at how Baylor's community is responding to social outcries for justice in the wake of the many protests against racially motivated violence that erupted this past summer. We will speak to students and alumni about what it is like to be “Black at Baylor,” and we'll hear plans from the administration about how to shape a better future for all Baylor students. This episode is hosted by Couriyah Stegall ('22) and features interviews with head of school Scott Wilson ('75) and Baylor's first African American graduate, Monty Bruell ('79). The episode concludes with a moderated discussion among current students and Mr. Tawambi Settles, Baylor's director of diversity and inclusion. Listen and discover what ties us together as a community. This episode features music from "The Westerlies" and "Podington Bear."

Novinka původem německého zpěváka a skladatele Theo Bleckmana a newyorského dechového kvarteta „The Westerlies“. Poslechněte si recenzi Otakara Svobody.

They receive about as much training as olympic athletes, and yet very few people have a sense of what life looks like for classical musicians today. This interview with Chilean-American violist Georgina Rossi covers a lot of ground: the nuts and bolts of a career in classical music, how society defines and compensates artistic labor, and simple things we as listeners can do to support the musicians that we love. Interwoven throughout the interview are excerpts from Georgina’s new album Mobili: Music for Viola and Piano from Chile. Enjoy! WORKS CITED Stone, Russell Dean. “‘He’s Got A Point, It’s Just That His Point Sucks’ – Artists React to Spotify CEO Saying They Need to Work Harder.” Vice, August 7, 2020. https://www.vice.com/en/article/5dzje3/daniel-ek-spotify-artists-pay-interview. Wark, McKenzie. Capital Is Dead: Is This Something Worse? Verso, 2019. MUSIC Interlude 1: Rafael Díaz, Al fondo de mi distancia se asoma tu casa (https://www.youtube.com/channel/UCrWhxGd6TZNb-u1n7Yqjwmw) Interlude 2: Carlos Botto, Fantasia Interlude 3: Juan Orrego-Salas, Mobili Interlude 4: David Cortes, Tololo (http://davidcortes.cl) Interlude 5: Rafael Díaz, ¿Habrá alguien que en sus manos sostenga este caer? All music from the album: Mobili: Music for Viola and Piano from Chile: https://www.newfocusrecordings.com/catalogue/georgina-isabel-rossi-mobili-music-for-viola-and-piano-from-chile/ Viola: Georgina Rossi (www.georginarossi.com) Piano: Silvie Cheng (www.silviecheng.com) Released by: New Focus Recordings (https://www.newfocusrecordings.com) Recorded at: Oktaven audiO (http://www.oktavenaudio.com/) WHERE TO HIRE CLASSICAL MUSICIANS Hire Juilliard Performers (www.juilliard.edu/stage-beyond/hire-juilliard-performers) WHERE TO STREAM MUSIC Bandcamp (bandcamp.com) A SELECTION OF MUSICIAN-LED COLLECTIVES & ENSEMBLES TO SUPPORT ACRONYM (www.acronymensemble.com/albums) American Composers Orchestra (americancomposers.org) American Stories Podcast ‎(podcasts.apple.com/us/podcast/american-stories/id1512423110) Argus Quartet (fundraising.fracturedatlas.org/argus-quartet) Cheng2Duo (https://www.cheng2duo.com) Digital Camerata (digitalcamerata.org/#support) Kettle Corn New Music (kettlecornnewmusic.com/support) Music for Food (musicforfood.net) New Focus Recordings (www.newfocusrecordings.com) Oktaven AudiO (http://www.oktavenaudio.com/) Project Music Heals Us (www.pmhu.org) Shouthouse (www.shouthousemusic.com) Switch Ensemble (www.switchensemble.com) Tak Ensemble (www.takensemble.com) Tenet Vocal Artists (https://tenet.nyc/support) The Crossing (www.crossingchoir.org) The Westerlies (www.westerliesmusic.com) Ulysses Quartet (www.ulyssesquartet.com) Versoi Ensemble (www.versoiensemble.org) Not included in this list are dozens of regional orchestras and summer music festivals across the country. Look up your local symphony, chamber orchestra, or music festival, and make a point of buying tickets and attending concerts! --- Send in a voice message: https://anchor.fm/capital-a/message

This week on Jazz Northwest, memories of jazz in Pioneer Square including two tunes featuring bassist Buddy Catlett, and a couple of pieces by pianist/composer Jovino Santos Neto for this month's (virtual) Savassi Festival in Brazil. Also, on this show are four gospel songs inspired by the Golden Gate Quartet, transcribed and arranged for brass quartet and played by The Westerlies. Jazz Northwest is recorded and produced by host Jim Wilke and airs Sundays at 2 p.m. Listeners may also subscribe to the podcast on Apple, or Google.

Atendendo a pedidos tentamos fazer um resumo da # que movimentou o mês de outubro na confraria café brasil, com mais de 700 mensagens. Recebemos os confrades Alexandre Gomes e Lucas Valente para uma conversa inicialmente sobre as vacinas para o novo coronavirus, mas que voou para além da imaginação. Participantes: Alexandre Gomes, Alexandre Tobias, Denise Santana, Lucas Valente, Sr. Mal Músicas: Cowboy Lullaby - JHS Pedals, When all of this is over - The Westerlies

Roadkill: a British four-part television political thriller starring Hugh Laurie as a self-made, forceful and charismatic politician positioned in the cabinet as Minister for Transport whose public and private life seems to be falling apart – or rather is being picked apart by his enemies (TVNZ OnDemand, from 9 November).A Suitable Boy: based on the novel by Vikram Seth, A Suitable Boy is a vast, panoramic tale charting the fortunes of four large families, exploring India and its rich and varied culture at a crucial point in its history (Netflix).The South Westerlies: A lighthearted drama about a town in the south west of Ireland that is earmarked for a Norwegian-owned offshore wind farm, and the woman who is tasked by her company NorskVentus to go undercover and quash local objections (Acorn TV).LISTEN ABOVE TO TARA WARD'S RECOMMENDATIONS.

Featuring a variety pack of jams produced by NYC bassist Ben “ benny cha cha” Rubin including the Analog Players Soctiety (with Amon Drum), Walking Distance feat. Jason Moran, and a fresh cut from NYC sax legend Donny McCaslin; the title track from my Pique-nique Records 7” release with Spencer Zahn “Chysanthemum”; a brand new single from pop diva KAYE; Theo Bleckmann's latest collab with a modern brass ensemble called The Westerlies; a selection from emerging artist Caroline Kuhn's latest release; the outer-galactic vision of Eulipion Corps; Seattle indie maestra Rae Isla; a solo piano and vocal prayer from Victoria Reed; and France's greatest non-dairy export, AIR.

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Riley Mulherkar has been recognized as a “smart young trumpet player” by The New York Times, praised by The Wall Street Journal as a “youngster to keep an eye on,” and is a 2020 recipient of Lincoln Center's Emerging Artist Award for his work as “an original bandleader, composer, arranger, educator, community activist and advocate for jazz and the arts.” Riley works with a number of leading artists of our time, including Wynton Marsalis, Anna Deavere Smith, and Alan Cumming, and is a founding member of The Westerlies, a new music brass quartet that creates the rarest of hybrids: music that is both “folk-like and composerly, lovely and intellectually rigorous” (NPR Music). Riley also serves as Artistic Director for Jazz at Joye in Aiken, bringing leading young talent to the historic city of Aiken, South Carolina. Born and raised in Seattle, Riley moved to New York in 2010 to study at The Juilliard School, where he completed his Bachelor's Degree in 2014 and his Master's in 2015. In 2014, he was the first recipient of the Laurie Frink Career Grant at the Festival of New Trumpet Music. Riley is actively engaged in educational initiatives, directing the Summer Advanced Institute at Seattle JazzEd, serving as an ambassador for Jazz at Lincoln Center's “Jazz for Young People” program in New York and St. Louis from 2016 – 2018, and serving as a judge for the Essentially Ellington festival and competition in 2020. Riley is an Edwards Artist and performs on Edwards trumpets. Support this podcast

Chamamos a maior pregadora do nome de Elena Ferrante para comentar o livro "A vida mentirosa dos adultos". A conversa foi tão boa que o episódio durou mais do que o habitual. Para quem ainda não leu, a primeira parte do programa não contém spoilers - reservamos os primeiros minutos para te dar motivos para ler esse livro! Entre para a nossa Varanda: linktr.ee/varanda. Nosso número de Whatsapp, que está aberto para você, é (32) 98404-0179. | Indicações: Eastsiders (série) / Succession (série) / Normal People (série e livro) / Bojack Horseman (série) / Desonra (livro do escritor J.M. Coetzee) | As músicas que abrem este episódio (Sons de porta / Meio Surf) são obra da ROMO. Já conhece essa banda delicinha? Acesse: linktr.ee/grupetoromo | As vírgulas sonoras deste episódio são as seguintes músicas: When the ash settles (The Westerlies), Sweetly my heart (Asher Fulero), Renunciation (Asher Fulero), Waiting (Andrew Langdon), Friday fugue (Trevor Garrod). --- Send in a voice message: https://anchor.fm/aquinavaranda/message

Epi. 6 of The Power of 4 presents Pierina Valentina. A recent graduate from FIU in International Relations, and an avid speaker in devoting her time and knowledge for change in education for the kids of the future. With her, the sizzling brass quartet from NYC known as The Westerlies. 

Revered Kalki astonishingly explains the wind patterns - Coriolis Effect,Westerlies,Trade winds in the language of a layman. Tune in to know more :) MY APOLOGIES FOR THE ERRONEOUS PRONUNCIATION OF THE WORD SOZHAGAG KATRU | சோழகக் காற்று- IT WAS INCORRECTLY PRONOUNCED AS SOZHA KATRU | சோழ காற்று Kindly support us by sending across your feedback @ https://www.k2kadhaikalam.com/ Please Subscribe and Share YouTube :https://www.youtube.com/channel/UCXr9iyVVdQWKg96VRsKqNgA Follow us on FB :https://www.facebook.com/KadhaiKadhayaaiKadhaikalam Follow us on Twitter :https://twitter.com/K2Kadhaikalam?s=08 Instagram :https://www.instagram.com/kadhaikadhayaaikadhaikalam?r=nametag

Revered Kalki astonishingly explains the wind patterns - Coriolis Effect,Westerlies,Trade winds in the language of a layman. Tune in to know. more :) MY APOLOGIES FOR THE ERRONEOUS PRONUNCIATION OF THE WORD SOZHAGAG KATRU | சோழகக் காற்று- IT WAS INCORRECTLY PRONOUNCED AS SOZHA KATRU | சோழ காற்று .Kindly support us by sending across your feedback @ https://www.k2kadhaikalam.com/ Please Subscribe and Share YouTube :https://www.youtube.com/channel/UCXr9iyVVdQWKg96VRsKqNgA Follow us on FB :https://www.facebook.com/KadhaiKadhayaaiKadhaikalam Follow us on Twitter :https://twitter.com/K2Kadhaikalam?s=08 Instagram :https://www.instagram.com/kadhaikadhayaaikadhaikalam?r=nametag

SIFF Artistic Director Beth Barrett discusses the road ahead; John Osebold livens up lunch; The Westerlies perform together from afar; actor Bradford Farwell channels Edgar Allan Poe; quarantined cats get squirrely; and Nancy and Joe prepare the perfect PB&J."Art Zone with Nancy Guppy" has temporarily morphed into "Art Zone Phones It In," a low-tech scrappy version filmed in the social distancing comfort of Nancy's condo. With Joe Guppy running camera (his iPhone), Nancy and her remote but mighty AZ team curate homegrown video performances by musicians, actors and comedians; present video interviews with artists, city leaders, and owners of art-based businesses; and feature laugh-out-loud moments like cooped-up cat roommates and Nancy giving Joe a much needed, and very bad, haircut.More information:SIFFJohn OseboldThe WesterliesAn Evening With Poe

…and so is Jazz Northwest. This week's show features the title music from The Westerlies brass quartet's new album "Wherein Lies the Good." It's a 15-minute suite originally composed for piano by Robin Holcomb but here arranged by Andy Clausen for brass quartet with two trumpets and two trombones. It's a slice of Americana played by a quartet that the New York Times described as “an arty quartet…mixing ideas from jazz, new classical, and Appalachian folk”. Also this week: Although the opportunities for actually experiencing live music have currently disappeared due to social distancing and the pandemic, we do have some recordings of earlier live performances in Seattle...including Cannonball Adderley at The Penthouse (1966), Jay Thomas at Tula's (2002) and The Seattle Repertory Jazz Orchestra at Kirkland Performance Center (2008). Jazz Northwest is recorded and produced by host Jim Wilke and airs Sundays at 2 p.m. Listeners may also subscribe to the podcast at KNKX, NPR, Apple , or

More great jazz by regional jazz artists is featured this week on Jazz Northwest. From Frankie's Jazz Club in Vancouver, B.C. to Seattle groups with Ann Reynolds, Kiki Valera, Spokane's Whitworth Jazz Ensemble and former Seattle residents The Westerlies new brass quartet album, and Frank Kohl with Portland's John Stowell, every week we explore the great variety of top jazz artists performing in our region. Jim frequently goes "on location" to concerts, clubs and festivals to capture live performances for this program. Next week, The Alex Dugdale Fade Quintet's performance in the Art of Jazz Series presented by Earshot at The Seattle Art Museum. Jazz Northwest is recorded and produced by host Jim Wilke and airs Sundays at 2 p.m. Listeners may also subscribe to the podcast at KNKX, NPR, Apple , Google or Spotify .

The Westerlies is a brass quartet including 3 former Seattle residents who formed the group when they were students at Juilliard and the Manhattan School of music. The quartet of two trumpets and two trombones is unusual in jazz, with no rhythm section or chordal instrument. Their repertoire is also unusually wide-ranging, including Americana, 20th century composers such as Bartok and Ives, original music and in their new album, spirituals inspired by the Golden Gate Quartet. The new album "Wherein Lies The Good" has just been released and they will celebrate with four performances in Seattle next week at the Westerlies Fest . Also featured on this week's show is new music by Portland trumpet player and composer Charlie Porter from his extended suite "Immigration Nation," and two albums nominated for Earshot's Golden Ear Awards for NW Recording of the year - Xavier Lecouturier's "Carrier" and Marina Albero's "A Life Soundtrack." Next week we feature a concert Tribute to Billie Holiday

We start 2020 where we left off in 2019, exploring great new releases. During the first hour we feature music ranging from the upcoming release of the Afrobeat ambassadors Antibalas, who are turning 20 this year, to a previously unreleased superb 1975 live performance by Pharoah Sanders. In the process we take a look at the vibrant Swedish scene with the music of Oddjob and its pianist Daniel Karlsson, two recent albums featuring saxophonist Greg Ward, a very original take on Cole Porter and the contagious music of Mwenso & the Shakes and the Horne Electric Band together with one of our favorite albums of 2019, "Everybody Wins" by Amendola vs. Blades. In the second part we focus, in particular, on the work of drummer Jim Black with his new trio and as a member of the outstanding Dark Dry Tears led by Italian bassist Danilo Gallo, and on another batch of genre-defying releases by International Anthem, featuring Jeff Parker, Resavoir 's drummer Jeremy Cunningham and the first European player signed by the Chicago label, British saxophonist Alabaster DePlume. The playlist also features Baptiste Trotignon, The Westerlies, Alice Ricciardi & Pietro Lussu, Michele Rosewoman, Lica Cecato and Paolo Baltaro Orchestra as well as Philipp Gropper. Happy listening! Detailed playlist at https://spinitron.com/RFB/pl/10151141/Mondo-Jazz (up to Horne Electric Band). Photo credit: Céline Pinget.

The Westerlies unique combination of two trumpets and two trombones, nothing else, has been described as "folk-like and composerly, lovely and intellectually rigorous." In the KNKX studios, these four Northwest natives, now based in New York, were simply four brass players having a lot of fun.

Shady, South and Kakadu fishing well. As is the blue water in between the Westerlies. Elsewhere a struggle thanks to lack of rain. But there is hope, the Tinny boys have flogged the GPS Marks for ten $5000 MDF Charity fish in the harbour, and are leaking them this week. Just like Julian Assange!

Shady, South and Kakadu fishing well. As is the blue water in between the Westerlies. Elsewhere a struggle thanks to lack of rain. But there is hope, the Tinny boys have flogged the GPS Marks for ten $5000 MDF Charity fish in the harbour, and are leaking them this week. Just like Julian Assange!

Shady, South and Kakadu fishing well. As is the blue water in between the Westerlies. Elsewhere a struggle thanks to lack of rain. But there is hope, the Tinny boys have flogged the GPS Marks for ten $5000 MDF Charity fish in the harbour, and are leaking them this week. Just like Julian Assange!

KNKX hosted students of Seattle JazzED's Summer Advanced Institute for a second time in August, and the kids set a new record for largest group to play in our studios. A total of 29 students split into 3 combos with mentors Riley Mulhelkar (trumpeter with the Westerlies, this Seattle native now lives in New York City), Sammy Miller (New York-based drummer who leads Sammy Miller and the Congregation), and Marina Albero (the Spanish pianist who's thrilled Seattle audiences upon her arrival in 2014). Each of the mentors stressed the importance of teamwork in jazz education, and these kids certainly got along well. Another point of mention to the students was to enjoy each moment you get to play, that seemed baked into the day with Seattle JazzED. The non-profit organization has been working hard to provide the best jazz education possible for Puget Sound area kids since 2010, and this year participation has grown to serve over 900 kids. Their space at the MLK F.A.M.E. Community Center in

Riley Mulherkar www.rileymulherkar.com has been recognized as a "smart young trumpet player" by The New York Times and a "youngster to keep an eye on" by The Wall Street Journal. He is a founding member of The Westerlies a Seattle Bred, NYC Based brass quartet www.wersterliesmusic.com Riley works with renowned artists, Wynton Marsalis, Dee Dee Bridgewater, Anna Deveare Smith and Alan Cumming. He has shows coming up late June with Alan Cumming at Joe's Pub and The Carlyle. He is also a regular member of the Lincoln Center Jazz Orchestra.  He's the Artistic Director for Jazz at Joy in Aiken, bringing leading young talent to the historic city of Aiken, South Carolina.  He's off to a great start to his career, and I also believe he is somebody to keep an eye on for great things in the future.

Teníamos una cuenta pendiente con él en el programa y la saldamos. Conversamos en esta edición de 'Club de Jazz' del 25 de octubre de 2017 con el trompetista Dave Douglas. El estadounidense es uno de los grandes referentes del instrumento. Lo descubrimos en los años 90 con proyectos asombrosos como el Tiny Bell Trio o sus trabajos con músicos como Mark Feldman y Erik Friedlander. Desde entonces, una carrera que incluye colaboraciones con John Zorn, Uri Caine, Chris Potter, Joe Lovano y otros muchos. Presenta "Little Giant Still Life", disco junto al cuarteto de metales The Westerlies y al baterista Anwar Marshall. Toda la información y derechos: http://www.elclubdejazz.com

Teníamos una cuenta pendiente con él en el programa y la saldamos. Conversamos en esta edición de 'Club de Jazz' del 25 de octubre de 2017 con el trompetista Dave Douglas. El estadounidense es uno de los grandes referentes del instrumento. Lo descubrimos en los años 90 con proyectos asombrosos como el Tiny Bell Trio o sus trabajos con músicos como Mark Feldman y Erik Friedlander. Desde entonces, una carrera que incluye colaboraciones con John Zorn, Uri Caine, Chris Potter, Joe Lovano y otros muchos. Presenta "Little Giant Still Life", disco junto al cuarteto de metales The Westerlies y al baterista Anwar Marshall. Toda la información y derechos: http://www.elclubdejazz.com

When European Settlers arrived in Western Australia they brought their own conceptions of water security and agriculture with them. Initially the land around what is now Perth was presented as a green and pleasant land. But the reality was very different. The water supply of south Western Australia fluctuates throughout the year and as a result, ground water resources and their demand rise and fall in response to prevailing patterns of rainfall. The flow of rivers varies according to the amount of rain the Westerlies bring to the region, leading past engineers to classify the region around Perth as a ‘hydraulically difficult country’. This tough reality complicates agricultural production in the region and turns Perth's suburban green spaces and gardens into a political hot potato. Add climate change into this already fraught mix, and it is expected that the current drying trend will contribute to further desiccate this already dry land. The title of a recent book about the water history of Western Australia, “Running out?”, seems to refer to this uncertain future. However, “Running out?” authored by Historian Ruth Morgan of Monash University in Melbourne, is by no means a story of doom and gloom. It argues that Western Australians have a strong sense of their vulnerability to water scarcity and climate variability and this has long fueled environmental anxieties. To understand these real or perceived perceptions of water vulnerability, Morgan’s book places those anxieties in their ever changing historical contexts. This edition of the podcast explores the history of these water anxieties with Ruth Morgan and asks the question - what lessons can be learned from the water history of Western Australia. Music credits “River” by Jeris “Nightmare (Australian Mix) - Cardboard Love” by DJStupid “Out in the rain” by offlinebouncer All tracks available from ccMixter

This week for my 40th (!) episode, one of my most fun chats with all four members of the wonderful brass quartet, The Westerlies (Riley Mulherkar, Zubin Hensler, Andy Clausen, and Willem de Koch)! We talk about the formation of the group, the challenges that come with it, ensemble philosophies, developing a unique ensemble voice, the balance in group energy, and most importantly, Big Truck City and The Love Square! Featured on this episode are two tracks from their last album, Wish the Children Would Come On Home: The Music of Wayne Horvitz: "The Store, The Campfire" and "Wish the Children Would Come On Home." For all things Westerlies: westerliesmusic.com facebook.com/westerliesmusic twitter.com/westerliesmusic ENJOY!

The Westerlies are a new young brass ensemble based out of New York City. They’re an all-over-the-musical-map group whose first album is already garnering critical praise. And this first bit of success could have something to do with their Seattle roots. All four musicians, all in their 20s , grew up in Seattle where they absorbed much of the local music scene. They’re the product of two of the best high school jazz programs in the country: Garfield and Roosevelt high schools. And their debut album, recorded in a family friend’s cabin on Lopez Island, is a reinterpretation of an eclectic mix of compositions by Seattlelite Wayne Horvitz.