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Well, here goes nothing. Zach and Amanda are back to reluctantly discuss the 2007 "movie" Because I Said So. There are so many things to discuss about this film. Not really any of them are super positive either. We apologize in advance, but enjoy anyways!! Take a listen and don't forget to like us on Facebook and follow us on Bluesky and Twitter. Make sure to leave a 5 star rating on Apple Podcasts. Have questions or comments? Send an email to dbcrazypod@gmail.com and we will answer them on the next podcast. Please subscribe on Apple Podcasts, Pandora, Amazon Podcasts, TuneIn, Spotify, or Google Podcasts and remember to rate and leave a comment. The feedback helps us tremendously! Create your podcast today! #madeonzencastr
Are you kids addicted to the IPad? Addicted to gaming? Do your kiddos have to walk you through modern technology because you somehow have missed a few steps in the past few years? Parenting is already hard, but with the ever changing world, and a technology based future, how do you balance proper usage and education? Tonight at 8pm EST on The Dad World Order Podcast we tackle technology. Come join, chat, and maybe learn a thing or two! Because I Said So!
With that being said, tonight we introduce a new style of episode titled, Because I Said So. In these episodes we will go over tough topics and questions you may have, about raising kiddos. From the difficult discussions, to just general guidelines on how to best handle being a parent. Tonight's topic: Bullying
OLIVER I know what we should call ourselves. Lil JIM Is it in English? OLIVER I am English, you idiot. LIL JIMMY You know what I meant. OLVER I'm sure I don't! STEV/PHEN Okay, genius—what is it you think we should go by? OLIVER The Strike Force Five! [Lightning strikes in the background— SETH runs away to hide under some furniture as the other boys begin to laugh—! SETH Don't laugh! I hate thunder! STEV/PHEN That wasn't thunder! [then, thunder follows] SETH AHH! STEV/PHEN That was Thunder! WHO THE FUCK AM I MISSING That's a good name, I think. JIMMY I You know what, you're right! SETH I hate it. LIL JIMMY (II) You hate everything. SETH I hate you. BIG JIMMY(I) That's perfect! We'll call ourselves— strike force five! thunder and lightning strike at the same time. SETH begins crying. {Enter The Multiverse} CUT TO: JOHNNY CARSON parks his DeLorean on the curb (read: sidewalk) CARSON Well, I'm sauced. L E G E N D S FUCK! Did I forget Steve Allen? wtf am I gonna do with Steve Allen?! Right! Who's the mom?! Not important! Why! You're not a feminist, are you?! Oh GOD, WE'RE GONNA CRASH AND DIE. GOOD. WHAT! I'm immortal, I'll just be—burps—reborn! FUCK THAT. GIMMIE THE WHERL. No, UOU're drunk. UR DRUNK. YEAH, but you were drunk FIRST. OH GOD, FUCK IT, I'll drive! TELSA You have arrived at your destination. Ah, shit, Oh, okay. I forgot I had autopilot enabled. *sleeping* Yikes. Who sent them out for coffee? Beyoncé. They own everything . Everything? I'm saying— Everything. Wow. NBC and Coca Cola, huh. Nice wager. Whatever, I still haven't been paid yet. Exactly. There that bitch go. Aha. Caught ya red handed! Or green handed Whatever— just Let's drop a house on this hoe. Facts. What kind of house? Idk? Make it like a duplex? How many stories; At least 3; At least And a basement. Correct. Just make sure she end up under that hoe. [a house drops on the wicked witch of the west. Or was it the east? I'm pretty sure it was the west I miss California Go back, then. I— am trying. YO. Yoooo. What happened. They dropped a house on my ass. Ah, damn. Is that where we at? For sure, dis a whole ass house up in here. Facts, bro. Dis a nice house. Hell yeah it is. But oh, shit— [the witch is barefooted] Yo ruby slippers is gone, bruh! Fuck them Ruby slippers, man! I got a house! I own property in this BITCH. Fo sho— where we at, tho? PANORAMIC VIEW OF LOS ANGELES. WE OUT WEST. AAAAAAHHHHHH SHIT. Call the homies. You're not green anymore! I was never “green” It was just a skin condition I picked up All that broomstick flyin around Damn. Facts. Yo, order some pizza. Alllllrrrriiiiiiiigghhhhhjt. [THE WICKED WITCH OF THE WEST HOSTS A HOUSE PARTY IN THE HOLLYWOOD HILLS] Giggidy! Who the fuck is this fool? I don't know. I don't know what day it is; I have sex with aliens. We've been playing games forever Nothing changes, names or weather I used to get the tens, And be on one, So if two is four, Two fifteens, two fifteens I don't want to mean to mean you Didn't mean to be mean, but I meant what I said When I said what I meant About you, So now I go south, For the winter South, till the sun comes out again South, East these days it ain't easy to forget you Dreaming of the west coast What's the dose for lost love? I might never know how to take it; The hard way, I guess Or dark, like my coffee The coffin's open Did you want to join? A double wide, for the shoe that fits The soul that grasps And the sole that holds An awkward foot Two for two, Or four, for free And I adore you, but Double down on your thoughts Two tens used to take me somewhere, Who knows though Now I fly south for the winter Knowing I might never come home It could be a targeted attack from the whites. that's fair, but still it might help. It will help, but only temporarily. Who knows I do. Please never say those two words next to each other ever again. Noted. I don't see any difference either way, No dissalusion, just indirection, in fact I've lost the infection and the undertones in my own dissonance, and everything seems distant Establishing dependence in intellogstions, I'd be gracious if you presented this Impending tragedy, rather as a… Message, sent I thought you were my best friend Missed connections I thought you were a bottle of my favorite elixir Dear, it doesn't make any different at all It doesn't make any difference at all If you can't play it Play it out, nice Brush strokes, Put the spokes on the back wheel, Just so everything is real (It isn't) Indifference in a nutshell is Irreverence and irrelevance It's hell, isn't it, If all the good girls are in it, Or going there Where are you? Somehow lost focus, reworked for greatness and I just realized I can't do this anymore I can't do this anymore I can't do this anymore; I can't stand it I'll call Matt lauer What! Why?! What for. Because he's Matt Lauer! What! He'll know what to do. [mattress flying through the air] KEVIN HART Nooooooooooooooooooooooooooooooooo— {Enter The Multiverse} This is a house of cards; You know it's a house of cards, right? This is a house of cards; I know it's a house of cards, right? This is my house of cards; I know it's a house of cards, right. {Enter The Multiverse} What up. I'm a walking pile of words. That's Hot. Is it? Ehhh… Two Jews walk into a bar. Oh, come on. —the problem is when they walked in, it was the 1930's. Yikes. Now when is it? NEW YORK CITY. MODERN DAY. [unintelligible Yiddish] Big time boys, And part time girls; Some people go around the back for it Geniuses ride around in private cars; Some people go around the back for it. Fat man goes down fast; two stabs to the back And he's all yours, All arms Some people come around the back for it Others have that charm, Paid an arm and a leg for it But all done now, it's not hard to know you're on a recorded line How does it feel to fall in love And be loved back I wouldn't know, I'm still at the Encore Sure at the show in a soft swung hammock, I don't know Of course, the girl doesn't want it at all Perfect little blonde, she'll get along well off with another one (for the other's it's once in a lifetime, if one.) {Enter The Multiverse} Integrity, you know. The elderly woman leans in over her shouldernat the elderly man. Integrity, puh! Iiiiicing on the cake! And all is well. Sir! “Sir” I beg of you. All nonsense; my cap or my crown? Have ye the strength to bare either? Apparently so. I beg to differ. My cap, then. He dawns the jokers court cap, and in contrast to his robes . Who.:: A whisper. A shadow, soon to vanish— And then, another figure, not parted But hidden, Miraculous gesture, The jester, imprisoned. Please don't do this tonight. If not tonight I don't know when. Whenever else! But not now! EXT. TOM'S RESTAURANT. MANHATTAN. DAY. It is a grey but not dreary day, overcast however with the silverline clouds of an otherwise beautiful sunlit day. [—The Legend Returns] Tales of a Superstwr DJ It's shining like three seeds of pomegranate in my hand— A desolate desert beach amidst a sandstorm, the sun beams down through the barrage of inescapable flying white pellets of sand. FUCK! Dapper gentlemen, All I want to see if your body Make sand stone ground, Clasp to nothing but perhaps, Warm and clean, crisp and fresh linen And I, you, my need Free to your whole body, A feast for the starving; A quest for the wicked. Yes, I need you. Now and forever. I need you. Now and forever. If we made love in the library, Any open book would be of you thereafter— And to give me a guitar would mean, That every note would sing your name. Just then, the Peloton beckoned, or the cleats, anyway, although the bath I'd run just the night before was still full, stone cold by now and just as well the coffee in my tumbler was luke warm, but I had cried myself an entire river the night before, and I was sure the pouting might have even sent me to a seperate dimension. I was being such a baby—and I had never been so upset to have actually gotten what I wanted. The handsome man was a distraction— a welcome one. I didn't want to ask his age, but I knew he was older than me, and he was beautiful. I didn't want to scare him away, but to be honest with myself or anything else, this was the first one I might have wanted in a long time—the first real one, anyway, or, somewhat real. Closer to normal along the spectrum, not some famous celebrity or a delusion of grandeur, but seemingly normal, smart, and handsome. Remember my imaginary friend RiffRaff? Wasn't it a dragon I think so. Huh. Turns out it's a rapper. That's… interesting. Even more odd: look at this. Don't scroll anymore. That is…fantastic. {Enter The Multiverse} It fees too close to home; I took the scenic route. God knows I don't belong here— I don't want to harm you It hits too close to home I have to play the part You just don't know the half of it You just don't know the art “The Scorn of Lorne” LORNE MICHAELS WHO is responsible for this? Nobody moves a muscle, not an inch. Not even wince or a blink, not a breath at all in the room, until— SETH MEYERS let's out a deeply exasperated sigh of concern and beffudlement. {Enter The Multiverse} CUT TO: Alright, where is it? GODDAMIT! What is it with you people! What people? I'm not people. —and why does everyone secretly smoke? Oh come on. It's common knowledge. What's “common knowledge”? Where is it? You are redundant! And you, are about to be decapitated. By whom, might I ask? The Network. Great. “To Cut Ties” Well… The man hanging from a singular kite in what appears to be midair with nothing and no one around in sight across a clear blue sky lets out a light sigh, as if to say..: [nothing] There's really nothing that can be done about this. Seth? Red tape. Red tape everywhere! Well, it's settled then. I'll just— Go ahead, right this way. Who is THIS? I own The Network. No you don't! You know—you're right. I am the network. Ah, Christ, we gotta get out of here. Correct. Where's Fallon? I— Dead. What! Finally. Or presumed missing. What: Go figure. Which is it. One of the two, and either way. —fff. We're boned. Definitely. Ah, Christ. You gotta see this. What is it. Haven't figured it out yet. What's it look like. Something. Something, eh? Yes, indeed. Well, not nothing. Not nothing. TINA FEYA is a special detective at the head of an elite task force designed to investigate distinctly extraordinary cases; the detective takes a long draw from a cigarette Ew, barf. I'm not doing that. No, your character is doing it. I don't think so. Don't think so. Do so. No, no—see; I don't think my character would smoke. Why? Because she has my name, and I don't smoke! CUT TO: Quadadimentional TINA FEY shoots pool and tosses back cold glass bottles of craft beer. ::||PAUSE. IV— Oh, I get it. Now you understand. I understand we can't be in the same room together. Why is thi— I will kill you. CUT TO: AREA 51. HOLDING CELL. DAY Ooh. Is this the part where? Yeus. Oof. Yeus. Alright, get in here. No, Wait— No, no. Get comfortable. With what? Your new cellmate. Don't tell me it's. CUT TO: I TOLD YOU. I'M NOT DOIN THE TONIGHT SHOW. YOU'RE DOIN THE TONIGHT SHOW— YOU KNOW WHY? WHY?! BECAUSE I SAID SO. Oh, well, since you said so. Really? fuck no. Move. GIVE ME BACK MY BODY, YOU FIEND. I WILL —*sniffs*—NOT, You're rUinInG it!!! I'm making improvements. yooooooooooouuuuuuu— CUT BACK TO. [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT, INC. circa 2018- 2024 | ALL RIGHTS RESERVED. The Complex Collective © -Ū. Then I showed up on the south side Said I was retired but I still ride When I'm in the valley it's g5 Old school soul, it's a G vibe
OLIVER I know what we should call ourselves. Lil JIM Is it in English? OLIVER I am English, you idiot. LIL JIMMY You know what I meant. OLVER I'm sure I don't! STEV/PHEN Okay, genius—what is it you think we should go by? OLIVER The Strike Force Five! [Lightning strikes in the background— SETH runs away to hide under some furniture as the other boys begin to laugh—! SETH Don't laugh! I hate thunder! STEV/PHEN That wasn't thunder! [then, thunder follows] SETH AHH! STEV/PHEN That was Thunder! WHO THE FUCK AM I MISSING That's a good name, I think. JIMMY I You know what, you're right! SETH I hate it. LIL JIMMY (II) You hate everything. SETH I hate you. BIG JIMMY(I) That's perfect! We'll call ourselves— strike force five! thunder and lightning strike at the same time. SETH begins crying. {Enter The Multiverse} CUT TO: JOHNNY CARSON parks his DeLorean on the curb (read: sidewalk) CARSON Well, I'm sauced. L E G E N D S FUCK! Did I forget Steve Allen? wtf am I gonna do with Steve Allen?! Right! Who's the mom?! Not important! Why! You're not a feminist, are you?! Oh GOD, WE'RE GONNA CRASH AND DIE. GOOD. WHAT! I'm immortal, I'll just be—burps—reborn! FUCK THAT. GIMMIE THE WHERL. No, UOU're drunk. UR DRUNK. YEAH, but you were drunk FIRST. OH GOD, FUCK IT, I'll drive! TELSA You have arrived at your destination. Ah, shit, Oh, okay. I forgot I had autopilot enabled. *sleeping* Yikes. Who sent them out for coffee? Beyoncé. They own everything . Everything? I'm saying— Everything. Wow. NBC and Coca Cola, huh. Nice wager. Whatever, I still haven't been paid yet. Exactly. There that bitch go. Aha. Caught ya red handed! Or green handed Whatever— just Let's drop a house on this hoe. Facts. What kind of house? Idk? Make it like a duplex? How many stories; At least 3; At least And a basement. Correct. Just make sure she end up under that hoe. [a house drops on the wicked witch of the west. Or was it the east? I'm pretty sure it was the west I miss California Go back, then. I— am trying. YO. Yoooo. What happened. They dropped a house on my ass. Ah, damn. Is that where we at? For sure, dis a whole ass house up in here. Facts, bro. Dis a nice house. Hell yeah it is. But oh, shit— [the witch is barefooted] Yo ruby slippers is gone, bruh! Fuck them Ruby slippers, man! I got a house! I own property in this BITCH. Fo sho— where we at, tho? PANORAMIC VIEW OF LOS ANGELES. WE OUT WEST. AAAAAAHHHHHH SHIT. Call the homies. You're not green anymore! I was never “green” It was just a skin condition I picked up All that broomstick flyin around Damn. Facts. Yo, order some pizza. Alllllrrrriiiiiiiigghhhhhjt. [THE WICKED WITCH OF THE WEST HOSTS A HOUSE PARTY IN THE HOLLYWOOD HILLS] Giggidy! Who the fuck is this fool? I don't know. I don't know what day it is; I have sex with aliens. We've been playing games forever Nothing changes, names or weather I used to get the tens, And be on one, So if two is four, Two fifteens, two fifteens I don't want to mean to mean you Didn't mean to be mean, but I meant what I said When I said what I meant About you, So now I go south, For the winter South, till the sun comes out again South, East these days it ain't easy to forget you Dreaming of the west coast What's the dose for lost love? I might never know how to take it; The hard way, I guess Or dark, like my coffee The coffin's open Did you want to join? A double wide, for the shoe that fits The soul that grasps And the sole that holds An awkward foot Two for two, Or four, for free And I adore you, but Double down on your thoughts Two tens used to take me somewhere, Who knows though Now I fly south for the winter Knowing I might never come home It could be a targeted attack from the whites. that's fair, but still it might help. It will help, but only temporarily. Who knows I do. Please never say those two words next to each other ever again. Noted. I don't see any difference either way, No dissalusion, just indirection, in fact I've lost the infection and the undertones in my own dissonance, and everything seems distant Establishing dependence in intellogstions, I'd be gracious if you presented this Impending tragedy, rather as a… Message, sent I thought you were my best friend Missed connections I thought you were a bottle of my favorite elixir Dear, it doesn't make any different at all It doesn't make any difference at all If you can't play it Play it out, nice Brush strokes, Put the spokes on the back wheel, Just so everything is real (It isn't) Indifference in a nutshell is Irreverence and irrelevance It's hell, isn't it, If all the good girls are in it, Or going there Where are you? Somehow lost focus, reworked for greatness and I just realized I can't do this anymore I can't do this anymore I can't do this anymore; I can't stand it I'll call Matt lauer What! Why?! What for. Because he's Matt Lauer! What! He'll know what to do. [mattress flying through the air] KEVIN HART Nooooooooooooooooooooooooooooooooo— {Enter The Multiverse} This is a house of cards; You know it's a house of cards, right? This is a house of cards; I know it's a house of cards, right? This is my house of cards; I know it's a house of cards, right. {Enter The Multiverse} What up. I'm a walking pile of words. That's Hot. Is it? Ehhh… Two Jews walk into a bar. Oh, come on. —the problem is when they walked in, it was the 1930's. Yikes. Now when is it? NEW YORK CITY. MODERN DAY. [unintelligible Yiddish] Big time boys, And part time girls; Some people go around the back for it Geniuses ride around in private cars; Some people go around the back for it. Fat man goes down fast; two stabs to the back And he's all yours, All arms Some people come around the back for it Others have that charm, Paid an arm and a leg for it But all done now, it's not hard to know you're on a recorded line How does it feel to fall in love And be loved back I wouldn't know, I'm still at the Encore Sure at the show in a soft swung hammock, I don't know Of course, the girl doesn't want it at all Perfect little blonde, she'll get along well off with another one (for the other's it's once in a lifetime, if one.) {Enter The Multiverse} Integrity, you know. The elderly woman leans in over her shouldernat the elderly man. Integrity, puh! Iiiiicing on the cake! And all is well. Sir! “Sir” I beg of you. All nonsense; my cap or my crown? Have ye the strength to bare either? Apparently so. I beg to differ. My cap, then. He dawns the jokers court cap, and in contrast to his robes . Who.:: A whisper. A shadow, soon to vanish— And then, another figure, not parted But hidden, Miraculous gesture, The jester, imprisoned. Please don't do this tonight. If not tonight I don't know when. Whenever else! But not now! EXT. TOM'S RESTAURANT. MANHATTAN. DAY. It is a grey but not dreary day, overcast however with the silverline clouds of an otherwise beautiful sunlit day. [—The Legend Returns] Tales of a Superstwr DJ It's shining like three seeds of pomegranate in my hand— A desolate desert beach amidst a sandstorm, the sun beams down through the barrage of inescapable flying white pellets of sand. FUCK! Dapper gentlemen, All I want to see if your body Make sand stone ground, Clasp to nothing but perhaps, Warm and clean, crisp and fresh linen And I, you, my need Free to your whole body, A feast for the starving; A quest for the wicked. Yes, I need you. Now and forever. I need you. Now and forever. If we made love in the library, Any open book would be of you thereafter— And to give me a guitar would mean, That every note would sing your name. Just then, the Peloton beckoned, or the cleats, anyway, although the bath I'd run just the night before was still full, stone cold by now and just as well the coffee in my tumbler was luke warm, but I had cried myself an entire river the night before, and I was sure the pouting might have even sent me to a seperate dimension. I was being such a baby—and I had never been so upset to have actually gotten what I wanted. The handsome man was a distraction— a welcome one. I didn't want to ask his age, but I knew he was older than me, and he was beautiful. I didn't want to scare him away, but to be honest with myself or anything else, this was the first one I might have wanted in a long time—the first real one, anyway, or, somewhat real. Closer to normal along the spectrum, not some famous celebrity or a delusion of grandeur, but seemingly normal, smart, and handsome. Remember my imaginary friend RiffRaff? Wasn't it a dragon I think so. Huh. Turns out it's a rapper. That's… interesting. Even more odd: look at this. Don't scroll anymore. That is…fantastic. {Enter The Multiverse} It fees too close to home; I took the scenic route. God knows I don't belong here— I don't want to harm you It hits too close to home I have to play the part You just don't know the half of it You just don't know the art “The Scorn of Lorne” LORNE MICHAELS WHO is responsible for this? Nobody moves a muscle, not an inch. Not even wince or a blink, not a breath at all in the room, until— SETH MEYERS let's out a deeply exasperated sigh of concern and beffudlement. {Enter The Multiverse} CUT TO: Alright, where is it? GODDAMIT! What is it with you people! What people? I'm not people. —and why does everyone secretly smoke? Oh come on. It's common knowledge. What's “common knowledge”? Where is it? You are redundant! And you, are about to be decapitated. By whom, might I ask? The Network. Great. “To Cut Ties” Well… The man hanging from a singular kite in what appears to be midair with nothing and no one around in sight across a clear blue sky lets out a light sigh, as if to say..: [nothing] There's really nothing that can be done about this. Seth? Red tape. Red tape everywhere! Well, it's settled then. I'll just— Go ahead, right this way. Who is THIS? I own The Network. No you don't! You know—you're right. I am the network. Ah, Christ, we gotta get out of here. Correct. Where's Fallon? I— Dead. What! Finally. Or presumed missing. What: Go figure. Which is it. One of the two, and either way. —fff. We're boned. Definitely. Ah, Christ. You gotta see this. What is it. Haven't figured it out yet. What's it look like. Something. Something, eh? Yes, indeed. Well, not nothing. Not nothing. TINA FEYA is a special detective at the head of an elite task force designed to investigate distinctly extraordinary cases; the detective takes a long draw from a cigarette Ew, barf. I'm not doing that. No, your character is doing it. I don't think so. Don't think so. Do so. No, no—see; I don't think my character would smoke. Why? Because she has my name, and I don't smoke! CUT TO: Quadadimentional TINA FEY shoots pool and tosses back cold glass bottles of craft beer. ::||PAUSE. IV— Oh, I get it. Now you understand. I understand we can't be in the same room together. Why is thi— I will kill you. CUT TO: AREA 51. HOLDING CELL. DAY Ooh. Is this the part where? Yeus. Oof. Yeus. Alright, get in here. No, Wait— No, no. Get comfortable. With what? Your new cellmate. Don't tell me it's. CUT TO: I TOLD YOU. I'M NOT DOIN THE TONIGHT SHOW. YOU'RE DOIN THE TONIGHT SHOW— YOU KNOW WHY? WHY?! BECAUSE I SAID SO. Oh, well, since you said so. Really? fuck no. Move. GIVE ME BACK MY BODY, YOU FIEND. I WILL —*sniffs*—NOT, You're rUinInG it!!! I'm making improvements. yooooooooooouuuuuuu— CUT BACK TO. [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT, INC. circa 2018- 2024 | ALL RIGHTS RESERVED. The Complex Collective © -Ū. Then I showed up on the south side Said I was retired but I still ride When I'm in the valley it's g5 Old school soul, it's a G vibe
OLIVER I know what we should call ourselves. Lil JIM Is it in English? OLIVER I am English, you idiot. LIL JIMMY You know what I meant. OLVER I'm sure I don't! STEV/PHEN Okay, genius—what is it you think we should go by? OLIVER The Strike Force Five! [Lightning strikes in the background— SETH runs away to hide under some furniture as the other boys begin to laugh—! SETH Don't laugh! I hate thunder! STEV/PHEN That wasn't thunder! [then, thunder follows] SETH AHH! STEV/PHEN That was Thunder! WHO THE FUCK AM I MISSING That's a good name, I think. JIMMY I You know what, you're right! SETH I hate it. LIL JIMMY (II) You hate everything. SETH I hate you. BIG JIMMY(I) That's perfect! We'll call ourselves— strike force five! thunder and lightning strike at the same time. SETH begins crying. {Enter The Multiverse} CUT TO: JOHNNY CARSON parks his DeLorean on the curb (read: sidewalk) CARSON Well, I'm sauced. L E G E N D S FUCK! Did I forget Steve Allen? wtf am I gonna do with Steve Allen?! Right! Who's the mom?! Not important! Why! You're not a feminist, are you?! Oh GOD, WE'RE GONNA CRASH AND DIE. GOOD. WHAT! I'm immortal, I'll just be—burps—reborn! FUCK THAT. GIMMIE THE WHERL. No, UOU're drunk. UR DRUNK. YEAH, but you were drunk FIRST. OH GOD, FUCK IT, I'll drive! TELSA You have arrived at your destination. Ah, shit, Oh, okay. I forgot I had autopilot enabled. *sleeping* Yikes. Who sent them out for coffee? Beyoncé. They own everything . Everything? I'm saying— Everything. Wow. NBC and Coca Cola, huh. Nice wager. Whatever, I still haven't been paid yet. Exactly. There that bitch go. Aha. Caught ya red handed! Or green handed Whatever— just Let's drop a house on this hoe. Facts. What kind of house? Idk? Make it like a duplex? How many stories; At least 3; At least And a basement. Correct. Just make sure she end up under that hoe. [a house drops on the wicked witch of the west. Or was it the east? I'm pretty sure it was the west I miss California Go back, then. I— am trying. YO. Yoooo. What happened. They dropped a house on my ass. Ah, damn. Is that where we at? For sure, dis a whole ass house up in here. Facts, bro. Dis a nice house. Hell yeah it is. But oh, shit— [the witch is barefooted] Yo ruby slippers is gone, bruh! Fuck them Ruby slippers, man! I got a house! I own property in this BITCH. Fo sho— where we at, tho? PANORAMIC VIEW OF LOS ANGELES. WE OUT WEST. AAAAAAHHHHHH SHIT. Call the homies. You're not green anymore! I was never “green” It was just a skin condition I picked up All that broomstick flyin around Damn. Facts. Yo, order some pizza. Alllllrrrriiiiiiiigghhhhhjt. [THE WICKED WITCH OF THE WEST HOSTS A HOUSE PARTY IN THE HOLLYWOOD HILLS] Giggidy! Who the fuck is this fool? I don't know. I don't know what day it is; I have sex with aliens. We've been playing games forever Nothing changes, names or weather I used to get the tens, And be on one, So if two is four, Two fifteens, two fifteens I don't want to mean to mean you Didn't mean to be mean, but I meant what I said When I said what I meant About you, So now I go south, For the winter South, till the sun comes out again South, East these days it ain't easy to forget you Dreaming of the west coast What's the dose for lost love? I might never know how to take it; The hard way, I guess Or dark, like my coffee The coffin's open Did you want to join? A double wide, for the shoe that fits The soul that grasps And the sole that holds An awkward foot Two for two, Or four, for free And I adore you, but Double down on your thoughts Two tens used to take me somewhere, Who knows though Now I fly south for the winter Knowing I might never come home It could be a targeted attack from the whites. that's fair, but still it might help. It will help, but only temporarily. Who knows I do. Please never say those two words next to each other ever again. Noted. I don't see any difference either way, No dissalusion, just indirection, in fact I've lost the infection and the undertones in my own dissonance, and everything seems distant Establishing dependence in intellogstions, I'd be gracious if you presented this Impending tragedy, rather as a… Message, sent I thought you were my best friend Missed connections I thought you were a bottle of my favorite elixir Dear, it doesn't make any different at all It doesn't make any difference at all If you can't play it Play it out, nice Brush strokes, Put the spokes on the back wheel, Just so everything is real (It isn't) Indifference in a nutshell is Irreverence and irrelevance It's hell, isn't it, If all the good girls are in it, Or going there Where are you? Somehow lost focus, reworked for greatness and I just realized I can't do this anymore I can't do this anymore I can't do this anymore; I can't stand it I'll call Matt lauer What! Why?! What for. Because he's Matt Lauer! What! He'll know what to do. [mattress flying through the air] KEVIN HART Nooooooooooooooooooooooooooooooooo— {Enter The Multiverse} This is a house of cards; You know it's a house of cards, right? This is a house of cards; I know it's a house of cards, right? This is my house of cards; I know it's a house of cards, right. {Enter The Multiverse} What up. I'm a walking pile of words. That's Hot. Is it? Ehhh… Two Jews walk into a bar. Oh, come on. —the problem is when they walked in, it was the 1930's. Yikes. Now when is it? NEW YORK CITY. MODERN DAY. [unintelligible Yiddish] Big time boys, And part time girls; Some people go around the back for it Geniuses ride around in private cars; Some people go around the back for it. Fat man goes down fast; two stabs to the back And he's all yours, All arms Some people come around the back for it Others have that charm, Paid an arm and a leg for it But all done now, it's not hard to know you're on a recorded line How does it feel to fall in love And be loved back I wouldn't know, I'm still at the Encore Sure at the show in a soft swung hammock, I don't know Of course, the girl doesn't want it at all Perfect little blonde, she'll get along well off with another one (for the other's it's once in a lifetime, if one.) {Enter The Multiverse} Integrity, you know. The elderly woman leans in over her shouldernat the elderly man. Integrity, puh! Iiiiicing on the cake! And all is well. Sir! “Sir” I beg of you. All nonsense; my cap or my crown? Have ye the strength to bare either? Apparently so. I beg to differ. My cap, then. He dawns the jokers court cap, and in contrast to his robes . Who.:: A whisper. A shadow, soon to vanish— And then, another figure, not parted But hidden, Miraculous gesture, The jester, imprisoned. Please don't do this tonight. If not tonight I don't know when. Whenever else! But not now! EXT. TOM'S RESTAURANT. MANHATTAN. DAY. It is a grey but not dreary day, overcast however with the silverline clouds of an otherwise beautiful sunlit day. [—The Legend Returns] Tales of a Superstwr DJ It's shining like three seeds of pomegranate in my hand— A desolate desert beach amidst a sandstorm, the sun beams down through the barrage of inescapable flying white pellets of sand. FUCK! Dapper gentlemen, All I want to see if your body Make sand stone ground, Clasp to nothing but perhaps, Warm and clean, crisp and fresh linen And I, you, my need Free to your whole body, A feast for the starving; A quest for the wicked. Yes, I need you. Now and forever. I need you. Now and forever. If we made love in the library, Any open book would be of you thereafter— And to give me a guitar would mean, That every note would sing your name. Just then, the Peloton beckoned, or the cleats, anyway, although the bath I'd run just the night before was still full, stone cold by now and just as well the coffee in my tumbler was luke warm, but I had cried myself an entire river the night before, and I was sure the pouting might have even sent me to a seperate dimension. I was being such a baby—and I had never been so upset to have actually gotten what I wanted. The handsome man was a distraction— a welcome one. I didn't want to ask his age, but I knew he was older than me, and he was beautiful. I didn't want to scare him away, but to be honest with myself or anything else, this was the first one I might have wanted in a long time—the first real one, anyway, or, somewhat real. Closer to normal along the spectrum, not some famous celebrity or a delusion of grandeur, but seemingly normal, smart, and handsome. Remember my imaginary friend RiffRaff? Wasn't it a dragon I think so. Huh. Turns out it's a rapper. That's… interesting. Even more odd: look at this. Don't scroll anymore. That is…fantastic. {Enter The Multiverse} It fees too close to home; I took the scenic route. God knows I don't belong here— I don't want to harm you It hits too close to home I have to play the part You just don't know the half of it You just don't know the art “The Scorn of Lorne” LORNE MICHAELS WHO is responsible for this? Nobody moves a muscle, not an inch. Not even wince or a blink, not a breath at all in the room, until— SETH MEYERS let's out a deeply exasperated sigh of concern and beffudlement. {Enter The Multiverse} CUT TO: Alright, where is it? GODDAMIT! What is it with you people! What people? I'm not people. —and why does everyone secretly smoke? Oh come on. It's common knowledge. What's “common knowledge”? Where is it? You are redundant! And you, are about to be decapitated. By whom, might I ask? The Network. Great. “To Cut Ties” Well… The man hanging from a singular kite in what appears to be midair with nothing and no one around in sight across a clear blue sky lets out a light sigh, as if to say..: [nothing] There's really nothing that can be done about this. Seth? Red tape. Red tape everywhere! Well, it's settled then. I'll just— Go ahead, right this way. Who is THIS? I own The Network. No you don't! You know—you're right. I am the network. Ah, Christ, we gotta get out of here. Correct. Where's Fallon? I— Dead. What! Finally. Or presumed missing. What: Go figure. Which is it. One of the two, and either way. —fff. We're boned. Definitely. Ah, Christ. You gotta see this. What is it. Haven't figured it out yet. What's it look like. Something. Something, eh? Yes, indeed. Well, not nothing. Not nothing. TINA FEYA is a special detective at the head of an elite task force designed to investigate distinctly extraordinary cases; the detective takes a long draw from a cigarette Ew, barf. I'm not doing that. No, your character is doing it. I don't think so. Don't think so. Do so. No, no—see; I don't think my character would smoke. Why? Because she has my name, and I don't smoke! CUT TO: Quadadimentional TINA FEY shoots pool and tosses back cold glass bottles of craft beer. ::||PAUSE. IV— Oh, I get it. Now you understand. I understand we can't be in the same room together. Why is thi— I will kill you. CUT TO: AREA 51. HOLDING CELL. DAY Ooh. Is this the part where? Yeus. Oof. Yeus. Alright, get in here. No, Wait— No, no. Get comfortable. With what? Your new cellmate. Don't tell me it's. CUT TO: I TOLD YOU. I'M NOT DOIN THE TONIGHT SHOW. YOU'RE DOIN THE TONIGHT SHOW— YOU KNOW WHY? WHY?! BECAUSE I SAID SO. Oh, well, since you said so. Really? fuck no. Move. GIVE ME BACK MY BODY, YOU FIEND. I WILL —*sniffs*—NOT, You're rUinInG it!!! I'm making improvements. yooooooooooouuuuuuu— CUT BACK TO. [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT, INC. circa 2018- 2024 | ALL RIGHTS RESERVED. The Complex Collective © -Ū. Then I showed up on the south side Said I was retired but I still ride When I'm in the valley it's g5 Old school soul, it's a G vibe
Send us a textEpisode 516"Home Alone"Cinematographer: Julio Macatwww.mmcpodcast.comJulio Macat's (ASC) first film was the huge box-office hit HOME ALONE. He then went on to photograph HOME ALONE 2, ACE VENTURA, Pet Detective, THE NUTTY PROFESSOR , THE WEDDING PLANNER, CATS and DOGS, BRINGING DOWN THE HOUSE and WEDDING CRASHERS all of which opened #1 at the box office in the U.S. The total domestic box office receipts of the films he has photographed is approximately $1.7 billion. Macat's extensive credits include the features SO, I MARRIED AN AXE MURDERER; MY FELLOW AMERICANS; the remake of MIRACLE ON 34TH ST; BECAUSE I SAID SO, and SMOTHER, both with Diane Keaton; and the action film BALISTIC, X vs SEVER. In moving from comedy to more dramatic work, Macat was asked by Antonio Banderas to photograph his directorial debut, CRAZY IN ALABAMA, a film about the civil right's movement in the 60's and also hired by Adam Shankman to film Nicholas Spark's A WALK TO REMEMBER. Macat also collaborated with Shankman on THE WEDDING PLANNER and BRINGING DOWN THE HOUSE with Steve Martin. Julio Macat has worked with numerous other directors on their feature film debuts, among them Jason Moore, (PITCH PERFECT) Tom Shadyac, Raja Gosnell, James Keach, Kaos, Vince DiMeglio and Lawrence Guterman. He has also photographed the films MOONLIGHT and VALENTINO, ONLY THE LONELY, the Morgan Freeman heist drama THE CODE , directed by Mimi Leder, and BLENDED, with Adam Sandler and Drew Barrymore. Other projects include the comedies DADDY'S HOME 1 and 2 and HORRIBLE BOSSES 2 for director Sean Anders with Will Ferrell, THE BOSS and LIFE OF THE PARTY with Melissa McCarthy and the upcoming Animated feature SHERLOCK GNOMES for which along with WRECK IT RALPH he was contracted as Visual and Lighting consultant by DISNEY and PARAMOUNT.. A native of Argentina and of Italian descent, Macat began his career at age 19, working his way up the ranks under such distinguished veterans as Mario Tosi, ASC and Academy Award¨-winning cinematographers John Alcott, BSC and Chris Menges, BSC. After studying filmmaking at UCLA, at the age of 26, Macat became a camera operator collaborating exclusively with Russian director Andrei Konchalovsky on four films, including RUNAWAY TRAIN, SHY PEOPLE and TANGO and CASH where he was promoted to film second unit photography. As cinematographer, Macat's early work included numerous music videos and concerts for performers such as Peter Gabriel, Melissa Etheridge, Phil Collins, Hall & Oats, Van Halen and Alanis Morrisette. He has photographed commercials in Europe, South America, Mexico, South Africa and extensively in the U.S., and has also directed many second units for feature films and commercials. Macat is a member of the American Society of Cinematographers and AMPAS since 2000 He is fluent in Spanish, Italian and some French. He lives in Los Angeles and Massachusetts with his wife, actress Elizabeth Perkins. #homealone #merrychristmas #christmas #homealone2Reach out to Darek Thomas and Monday Morning Critic!Instagram: https://www.instagram.com/mondaymorningcritic/Facebook: https://www.facebook.com/mondaymorningcritic/TikTok: https://www.tiktok.com/@mondaymorningcriticMondaymorningcritic@gmail.com
WHO is responsible for this? Nobody moves a muscle, not an inch. Not even wince or a blink, not a breath at all in the room, until— SETH MEYERS let's out a deeply exasperated sigh of concern and beffudlement. {Enter The Multiverse} CUT TO: Alright, where is it? GODDAMIT! What is it with you people! What people? I'm not people. —and why does everyone secretly smoke? Oh come on. It's common knowledge. What's “common knowledge”? Where is it? You are redundant! And you, are about to be decapitated. By whom, might I ask? The Network. Great. “To Cut Ties” Well… The man hanging from a singular kite in what appears to be midair with nothing and no one around in sight across a clear blue sky lets out a light sigh, as if to say..: [nothing] There's really nothing that can be done about this. Seth? Red tape. Red tape everywhere! Well, it's settled then. I'll just— Go ahead, right this way. Who is THIS? I own The Network. No you don't! You know—you're right. I am the network. Ah, Christ, we gotta get out of here. Correct. Where's Fallon? I— Dead. What! Finally. Or presumed missing. What: Go figure. Which is it. One of the two, and either way. —fff. We're boned. Definitely. Ah, Christ. You gotta see this. What is it. Haven't figured it out yet. What's it look like. Something. Something, eh? Yes, indeed. Well, not nothing. Not nothing. TINA FEYA is a special detective at the head of an elite task force designed to investigate distinctly extraordinary cases; the detective takes a long draw from a cigarette Ew, barf. I'm not doing that. No, your character is doing it. I don't think so. Don't think so. Do so. No, no—see; I don't think my character would smoke. Why? Because she has my name, and I don't smoke! CUT TO: Quadadimentional TINA FEY shoots pool and tosses back cold glass bottles of craft beer. ::||PAUSE. IV— Oh, I get it. Now you understand. I understand we can't be in the same room together. Why is thi— I will kill you. CUT TO: AREA 51. HOLDING CELL. DAY Ooh. Is this the part where? Yeus. Oof. Yeus. Alright, get in here. No, Wait— No, no. Get comfortable. With what? Your new cellmate. Don't tell me it's. CUT TO: I TOLD YOU. I'M NOT DOIN THE TONIGHT SHOW. YOU'RE DOIN THE TONIGHT SHOW— YOU KNOW WHY? WHY?! BECAUSE I SAID SO. Oh, well, since you said so. Really? fuck no. Move. GIVE ME BACK MY BODY, YOU FIEND. I WILL —*sniffs*—NOT, You're rUinInG it!!! I'm making improvements. yooooooooooouuuuuuu— CUT BACK TO. [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT, INC. circa 2018- 2024 | ALL RIGHTS RESERVED. © -Ū.
WHO is responsible for this? Nobody moves a muscle, not an inch. Not even wince or a blink, not a breath at all in the room, until— SETH MEYERS let's out a deeply exasperated sigh of concern and beffudlement. {Enter The Multiverse} CUT TO: Alright, where is it? GODDAMIT! What is it with you people! What people? I'm not people. —and why does everyone secretly smoke? Oh come on. It's common knowledge. What's “common knowledge”? Where is it? You are redundant! And you, are about to be decapitated. By whom, might I ask? The Network. Great. “To Cut Ties” Well… The man hanging from a singular kite in what appears to be midair with nothing and no one around in sight across a clear blue sky lets out a light sigh, as if to say..: [nothing] There's really nothing that can be done about this. Seth? Red tape. Red tape everywhere! Well, it's settled then. I'll just— Go ahead, right this way. Who is THIS? I own The Network. No you don't! You know—you're right. I am the network. Ah, Christ, we gotta get out of here. Correct. Where's Fallon? I— Dead. What! Finally. Or presumed missing. What: Go figure. Which is it. One of the two, and either way. —fff. We're boned. Definitely. Ah, Christ. You gotta see this. What is it. Haven't figured it out yet. What's it look like. Something. Something, eh? Yes, indeed. Well, not nothing. Not nothing. TINA FEYA is a special detective at the head of an elite task force designed to investigate distinctly extraordinary cases; the detective takes a long draw from a cigarette Ew, barf. I'm not doing that. No, your character is doing it. I don't think so. Don't think so. Do so. No, no—see; I don't think my character would smoke. Why? Because she has my name, and I don't smoke! CUT TO: Quadadimentional TINA FEY shoots pool and tosses back cold glass bottles of craft beer. ::||PAUSE. IV— Oh, I get it. Now you understand. I understand we can't be in the same room together. Why is thi— I will kill you. CUT TO: AREA 51. HOLDING CELL. DAY Ooh. Is this the part where? Yeus. Oof. Yeus. Alright, get in here. No, Wait— No, no. Get comfortable. With what? Your new cellmate. Don't tell me it's. CUT TO: I TOLD YOU. I'M NOT DOIN THE TONIGHT SHOW. YOU'RE DOIN THE TONIGHT SHOW— YOU KNOW WHY? WHY?! BECAUSE I SAID SO. Oh, well, since you said so. Really? fuck no. Move. GIVE ME BACK MY BODY, YOU FIEND. I WILL —*sniffs*—NOT, You're rUinInG it!!! I'm making improvements. yooooooooooouuuuuuu— CUT BACK TO. [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT, INC. circa 2018- 2024 | ALL RIGHTS RESERVED. © -Ū.
WHO is responsible for this? Nobody moves a muscle, not an inch. Not even wince or a blink, not a breath at all in the room, until— SETH MEYERS let's out a deeply exasperated sigh of concern and beffudlement. {Enter The Multiverse} CUT TO: Alright, where is it? GODDAMIT! What is it with you people! What people? I'm not people. —and why does everyone secretly smoke? Oh come on. It's common knowledge. What's “common knowledge”? Where is it? You are redundant! And you, are about to be decapitated. By whom, might I ask? The Network. Great. “To Cut Ties” Well… The man hanging from a singular kite in what appears to be midair with nothing and no one around in sight across a clear blue sky lets out a light sigh, as if to say..: [nothing] There's really nothing that can be done about this. Seth? Red tape. Red tape everywhere! Well, it's settled then. I'll just— Go ahead, right this way. Who is THIS? I own The Network. No you don't! You know—you're right. I am the network. Ah, Christ, we gotta get out of here. Correct. Where's Fallon? I— Dead. What! Finally. Or presumed missing. What: Go figure. Which is it. One of the two, and either way. —fff. We're boned. Definitely. Ah, Christ. You gotta see this. What is it. Haven't figured it out yet. What's it look like. Something. Something, eh? Yes, indeed. Well, not nothing. Not nothing. TINA FEYA is a special detective at the head of an elite task force designed to investigate distinctly extraordinary cases; the detective takes a long draw from a cigarette Ew, barf. I'm not doing that. No, your character is doing it. I don't think so. Don't think so. Do so. No, no—see; I don't think my character would smoke. Why? Because she has my name, and I don't smoke! CUT TO: Quadadimentional TINA FEY shoots pool and tosses back cold glass bottles of craft beer. ::||PAUSE. IV— Oh, I get it. Now you understand. I understand we can't be in the same room together. Why is thi— I will kill you. CUT TO: AREA 51. HOLDING CELL. DAY Ooh. Is this the part where? Yeus. Oof. Yeus. Alright, get in here. No, Wait— No, no. Get comfortable. With what? Your new cellmate. Don't tell me it's. CUT TO: I TOLD YOU. I'M NOT DOIN THE TONIGHT SHOW. YOU'RE DOIN THE TONIGHT SHOW— YOU KNOW WHY? WHY?! BECAUSE I SAID SO. Oh, well, since you said so. Really? fuck no. Move. GIVE ME BACK MY BODY, YOU FIEND. I WILL —*sniffs*—NOT, You're rUinInG it!!! I'm making improvements. yooooooooooouuuuuuu— CUT BACK TO. [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT, INC. circa 2018- 2024 | ALL RIGHTS RESERVED. © -Ū.
My guest today is my friend and PPT community favorite, Betsy Butterick! Betsy is a lifelong athlete who played college basketball, a coach, and communication specialist. She is known in the industry as “The Coaches' Coach”, mentoring leaders - from the boardroom to the locker room. Betsy has committed her life to helping leaders learn essential communication skills to help them better connect with the people they serve. As a communications expert and a generous teacher, she deeply understands the sociology of sports teams, and the importance of creating an optimal sports environment. More than anything, Betsy is committed to the lifelong practice of learning. If you are a coach, a leader, a parent, or around humans in general, you can learn something from Betsy. In our episode today, we chat about one of the most relevant topics in today's sports landscape: Coaching Gen Z! We cover: How to get athletes to buy-in and co-create their sports environment The challenges Gen Z faces that older generations did not. Modern coaching challenges that are causing coaches to leave their careers Simple tips to communicate with Gen Z, without sacrificing “old school values”. How psychological safety on a team impacts performance. Why strong-arming Gen Z athletes won't work, and what to do instead This episode gives coaches a new perspective and actionable tips to help them connect with their team in a way that makes the coach-athlete relationship and the team stronger. Follow Betsy: Instagram: betsy_thecoachescoach Facebook: www.facebook.com/betsbutter Website: www.betsybutterick.com Here's a glance at this episode: [1:42] Betsy talks about how catching up on reading led her to one of her newest favorite resources, “The Art of Disagreement”. She then defines ”Gen Z”. [2:50] Betsy asks coaches to finish the sentence, “Kids these days are… “ and explains what that helps her discover about a team. Lindsey and Betsy discuss the few defining challenges that Gen Z has that older generations didn't have. [6:33] How can I get Gen Z to listen to me? Why do they seem to care so much about what other people think of them? Betsy shares her perspective and explains the extreme way in which Gen Z internalizes failure. Rather than - “I failed”, it's - “I am a failure”. [9:46] Betsy shares an example of one big mistake she sees many coaches making when it comes to giving feedback to Gen Z athletes. Lindsey and Betsy discuss why many lifelong coaches are now leaving their careers because what they're doing is no longer working with this generation. [14:54] “It's not that old school values are irrelevant, I would argue they're more needed than ever. Our ability to connect with athletes today is paramount to our ability to transform them.” [16:56] Lindsey asks Betsy for a few actionable tips to give coaches who work with Gen Z. Betsy chats about the importance of co-creation and defines what that looks like. [21:00] Lindsey draws a parallel between the best practices for coaching Gen Z and the way she approaches parenting. [22:50] Betsy tells a story about working with a coach who had a sign saying “Because I Said So” mounted to the wall. [26:46] Betsy outlines the huge risk to coaches who want to strongarm their way into coaching athletes their way. The two discuss the importance of “psychological safety” in sports. [28:28] How has the attention span of Gen Z shifted, and what can we do as educators to meet them where they're at? Lindsey talks about the importance of practicing what you preach. [32:56] Betsy peels back the curtain to share the highlights and structure of her Gen Z workshops. [35:28] Betsy talks about her new workshop, “Updates from the Field, Coaching Gen Z in an Optimal Sport Experience” - based on the last 5 years of conversations she had with Gen Z athletes, and why it has become the most requested keynote. The BRAVR Method: The BRAVR™ is a step-by-step SYSTEM designed to get you and your athletes the focus, toughness and resiliency in practice (and beyond) that you ALL deserve. Trusted by hundreds of coaches to have highly productive, focused team practices. For the coach that KNOWS the mental game IS the game. www.positiveperformancetraining.com/bravr-system The Mindset Coach Academy Certification: If you are ready to step into your purpose as a Postiive Performance Certified Mindset Coach, join our waitlist to be the first to know when enrollment opens: https://www.positiveperformancetraining.com/MCACertification Psych of Competition: In the Psychology of Competition toolbox, you'll gain a scientific understanding of the psychology of competition, and be introduced to printable worksheets, on-the-go guided visualizations, and exercises you can use to help you and your team get your mind right before, during, and after competition: https://www.positiveperformancetraining.com/PSYCHOLOGY-OF-COMPETITION
My guest today is my friend and PPT community favorite, Betsy Butterick! Betsy is a lifelong athlete who played college basketball, a coach, and communication specialist. She is known in the industry as “The Coaches' Coach”, mentoring leaders - from the boardroom to the locker room. Betsy has committed her life to helping leaders learn essential communication skills to help them better connect with the people they serve. As a communications expert and a generous teacher, she deeply understands the sociology of sports teams, and the importance of creating an optimal sports environment. More than anything, Betsy is committed to the lifelong practice of learning. If you are a coach, a leader, a parent, or around humans in general, you can learn something from Betsy. In our episode today, we chat about one of the most relevant topics in today's sports landscape: Coaching Gen Z! We cover: How to get athletes to buy-in and co-create their sports environment The challenges Gen Z faces that older generations did not. Modern coaching challenges that are causing coaches to leave their careers Simple tips to communicate with Gen Z, without sacrificing “old school values”. How psychological safety on a team impacts performance. Why strong-arming Gen Z athletes won't work, and what to do instead This episode gives coaches a new perspective and actionable tips to help them connect with their team in a way that makes the coach-athlete relationship and the team stronger. Follow Betsy: Instagram: betsy_thecoachescoach Facebook: www.facebook.com/betsbutter Website: www.betsybutterick.com Here's a glance at this episode: [1:42] Betsy talks about how catching up on reading led her to one of her newest favorite resources, “The Art of Disagreement”. She then defines ”Gen Z”. [2:50] Betsy asks coaches to finish the sentence, “Kids these days are… “ and explains what that helps her discover about a team. Lindsey and Betsy discuss the few defining challenges that Gen Z has that older generations didn't have. [6:33] How can I get Gen Z to listen to me? Why do they seem to care so much about what other people think of them? Betsy shares her perspective and explains the extreme way in which Gen Z internalizes failure. Rather than - “I failed”, it's - “I am a failure”. [9:46] Betsy shares an example of one big mistake she sees many coaches making when it comes to giving feedback to Gen Z athletes. Lindsey and Betsy discuss why many lifelong coaches are now leaving their careers because what they're doing is no longer working with this generation. [14:54] “It's not that old school values are irrelevant, I would argue they're more needed than ever. Our ability to connect with athletes today is paramount to our ability to transform them.” [16:56] Lindsey asks Betsy for a few actionable tips to give coaches who work with Gen Z. Betsy chats about the importance of co-creation and defines what that looks like. [21:00] Lindsey draws a parallel between the best practices for coaching Gen Z and the way she approaches parenting. [22:50] Betsy tells a story about working with a coach who had a sign saying “Because I Said So” mounted to the wall. [26:46] Betsy outlines the huge risk to coaches who want to strongarm their way into coaching athletes their way. The two discuss the importance of “psychological safety” in sports. [28:28] How has the attention span of Gen Z shifted, and what can we do as educators to meet them where they're at? Lindsey talks about the importance of practicing what you preach. [32:56] Betsy peels back the curtain to share the highlights and structure of her Gen Z workshops. [35:28] Betsy talks about her new workshop, “Updates from the Field, Coaching Gen Z in an Optimal Sport Experience” - based on the last 5 years of conversations she had with Gen Z athletes, and why it has become the most requested keynote. The BRAVR Method: The BRAVR™ is a step-by-step SYSTEM designed to get you and your athletes the focus, toughness and resiliency in practice (and beyond) that you ALL deserve. Trusted by hundreds of coaches to have highly productive, focused team practices. For the coach that KNOWS the mental game IS the game. www.positiveperformancetraining.com/bravr-system The Mindset Coach Academy Certification: If you are ready to step into your purpose as a Postiive Performance Certified Mindset Coach, join our waitlist to be the first to know when enrollment opens: https://www.positiveperformancetraining.com/MCACertification Psych of Competition: In the Psychology of Competition toolbox, you'll gain a scientific understanding of the psychology of competition, and be introduced to printable worksheets, on-the-go guided visualizations, and exercises you can use to help you and your team get your mind right before, during, and after competition: https://www.positiveperformancetraining.com/PSYCHOLOGY-OF-COMPETITION
Send us a textIts Turkey month, but surprisingly there aren't much tday movies... so we are doing MANDY MOORE MONTH! Today were talking about:2007's Because I Said So where Daphne Wilder (Diane Keaton) is the proud mother of three women: Milly (Mandy Moore), Maggie (Lauren Graham) and Mae (Piper Perabo), and her love for her offspring knows no bounds. Because her youngest, always chooses the wrong man, she decides to take action to prevent Milly from repeating the mistakes of the past. Dating disaster ensues when Daphne tries to achieve her goal by placing an online personal ad for Milly.If you guys have any request for future movie request please send us an emailat whowatchesthispodcast@gmail.com - Theme Music -Lee Rosevere - Arcade Montage - Music For Podcast 3https://leerosevere.bandcamp.com/ Join the FB group page:https://www.facebook.com/WhoWatchesThisPodcast/YOUTUBE CHANNEL for commentary on shows and movies:https://www.youtube.com/channel/UCrexJV9qExxnAz45E0AJQMw
NextGen and Young Adults Pastor David Miller wraps up his two-part series with his message titled Because I Said So. Pastor Dave shows us in scripture that God's ultimate authority rests on us through the Holy Spirit, and we have power in the words we speak. We need to remember to watch what we say because our words have authority and consequences. Pastor Dave also urges us to lean on the Holy Spirt for help to speak life, not death, to ourselves and others!#HolySpirit #Family #TreeOfLifeChurchNB #Supernatural #Miracles #Prophecy #Anointing #AnointedTree of Life Church is located in New Braunfels, TX and we're all about connecting all people to the life, love and power of Jesus!Subscribe to receive our latest worship and messages.Stay Connected: Instagram | instagram.com/tolchurch | www.facebook.com/treeoflifechurch | www.treeoflifechurch.orgOriginally recorded on 9-29-24. Hosted on Acast. See acast.com/privacy for more information.
This week our starlet is Mandy Moore. It's time to take a Walk to Remember and Chase Liberty. Take a listen, Because We Said So. Follow LTP on Social Media
This week Kelley and Jordan go over, "Because I Said So." In this episode they ask for someone to invest into their futures, need Daphne to find a hobby, and try to guess each other's Taco Bell orders.Use our special link https://zen.ai/0LmmcoxSI8fB_4ix3nioEncL0–7XVkMKbLJizxRQqXv4 to save 30% off your first month of any Zencastr paid plan.Ready to shop better hydration, use our special link https://zen.ai/0LmmcoxSI8fB_4ix3nioEr1GvXnsPkWemdSR5s0AtUc to save 20% off anything you order.Listen to us on Apple Podcast, Spotify, or anywhere else you listen to podcastsApple Podcast: https://podcasts.apple.com/us/podcast/so-you-think-youre-iconic/id1528462095Spotify: https://open.spotify.com/show/1sV5jnnsnI7mcCk3pA7yVT?si=rD_0rUScQS2y2arFbbJZPg&dl_branch=1Instagram: https://www.instagram.com/sytyipodcast/Twitter: https://twitter.com/SYTYIPODCASTYoutube: https://www.youtube.com/channel/UClWbWmlH_IEXGy9Dbbeg--A
Who here has multigenerational group family trip or friends trip to Walt Disney World? It can be totally overwhelming with so many moving parts and considerations. But it doesn't have to be. Take a listen today as we give you our top 5 tips for planning the ultimate Disney reunion trip. Want your Disney Vacation planned by a Mousekemom? Fill out this 1 minute form: HERE Also go to https://mousekemomsblog.com for more detail on these episodes MousekeMoms Podcast is sponsored by Kingdom and Cruise Travel. We can plan your perfect luxury family getaway and are experts in Disney Destinations. Visit us on social media on Instagram at @mousekemoms_podcast or in our Facebook Group at @mousekemompodcast. Each week, the MousekeMoms, Lori, Jennifer & Juliana, moms turned travel agents dole out honest, no holds barred information you won't find anywhere else to help you plan your perfect Disneyland, Walt Disney World or Disney Cruise Line vacation. After all, Disney moms know best! Fasten your seatbelts, grab your cocktail and tune in.... BECAUSE I SAID SO!
We love our theme parks - but I think we love Disney Cruising more. A big part of cruising is to figure out what you want to do in the wonderful countries. We are here to help narrow down your list with the top DCL Excursions! Want your Disney Vacation planned by a Mousekemom? Fill out this 1 minute form: HERE Also go to https://mousekemomsblog.com for more detail on these episodes MousekeMoms Podcast is sponsored by Kingdom and Cruise Travel. We can plan your perfect luxury family getaway and are experts in Disney Destinations. Visit us on social media on Instagram at @mousekemoms_podcast or in our Facebook Group at @mousekemompodcast. Each week, the MousekeMoms, Lori, Jennifer & Juliana, moms turned travel agents dole out honest, no holds barred information you won't find anywhere else to help you plan your perfect Disneyland, Walt Disney World or Disney Cruise Line vacation. After all, Disney moms know best! Fasten your seatbelts, grab your cocktail and tune in.... BECAUSE I SAID SO!
Reserving Dining Reservations at Disney can be tricky and complicated, and we are here to help you out! We are covering the Top 5 Tips to getting your Walt Disney World Dining Reservations. Each week, the MousekeMoms, Lori, Jennifer & Juliana, moms turned travel agents dole out honest, no holds barred information you won't find anywhere else to help you plan your perfect Disneyland, Walt Disney World or Disney Cruise Line vacation. After all, Disney moms know best! Fasten your seatbelts, grab your cocktail and tune in.... BECAUSE I SAID SO! Want your Disney Vacation planned by a Mousekemom? Fill out this 1 minute form: HERE Also go to https://mousekemomsblog.com for more detail on these episodes MousekeMoms Podcast is sponsored by our friends at Kingdom and Cruise Travel. They can plan your perfect luxury family getaway and are experts in Disney Destinations. Best of all, their services are 100% FREE! Visit us on social media on Instagram at @mousekemoms_podcast or in our Facebook Group at @mousekemompodcast.
It's no secret that the MousekeMoms LOVE the top notch food and cocktails throughout Walt Disney World property- amiright? So we thought it would be cool to dream up a progressive dinner style theme park crawl. We'll explain. Each week, the MousekeMoms, Lori, Jennifer & Juliana, moms turned travel agents dole out honest, no holds barred information you won't find anywhere else to help you plan your perfect Disneyland, Walt Disney World or Disney Cruise Line vacation. After all, Disney moms know best! Fasten your seatbelts, grab your cocktail and tune in.... BECAUSE I SAID SO! Want your Disney Vacation planned by a Mousekemom? Fill out this 1 minute form: HERE Also go to https://mousekemomsblog.com for more detail on these episodes MousekeMoms Podcast is sponsored by our friends at Kingdom and Cruise Travel. They can plan your perfect luxury family getaway and are experts in Disney Destinations. Best of all, their services are 100% FREE! Visit us on social media on Instagram at @mousekemoms_podcast or in our Facebook Group at @mousekemompodcast.
We spend a lot of time talking about the parks and the resorts, so we thought we would change it up this week. Disney Springs is a great place to spend a non park day, a night out or a place to grab brunch before you leave for home. We are going to go over the basics of Disney Springs and some highlights! Each week, the MousekeMoms, Lori, Jennifer & Juliana, moms turned travel agents dole out honest, no holds barred information you won't find anywhere else to help you plan your perfect Disneyland, Walt Disney World or Disney Cruise Line vacation. After all, Disney moms know best! Fasten your seatbelts, grab your cocktail and tune in.... BECAUSE I SAID SO! Want your Disney Vacation planned by a Mousekemom? Fill out this 1 minute form: HERE Also go to https://mousekemomsblog.com for more detail on these episodes MousekeMoms Podcast is sponsored by our friends at Kingdom and Cruise Travel. They can plan your perfect luxury family getaway and are experts in Disney Destinations. Best of all, their services are 100% FREE! Visit us on social media on Instagram at @mousekemoms_podcast or in our Facebook Group at @mousekemompodcast.
We are so excited for this one (while not Jen) but we love an Espresso martini and so excited to tell you the top 5 expresso martini's at Walt Disney World! Each week, the MousekeMoms, Lori, Jennifer & Juliana, moms turned travel agents dole out honest, no holds barred information you won't find anywhere else to help you plan your perfect Disneyland, Walt Disney World or Disney Cruise Line vacation. After all, Disney moms know best! Fasten your seatbelts, grab your cocktail and tune in.... BECAUSE I SAID SO! Also go to https://mousekemomsblog.com for more detail on these episodes MousekeMoms Podcast is sponsored by our friends at Kingdom and Cruise Travel. They can plan your perfect luxury family getaway and are experts in Disney Destinations. Best of all, their services are 100% FREE! Visit us on social media on Instagram at @mousekemoms_podcast or in our Facebook Group at @mousekemompodcast.
We have so many tips for all kinds of Walt Disney World Vacations, but one size does not fit all. Sometimes you just need an extra large, amiright? This week we'll focus on those larger trips to Walt Disney World of seven days or more. Each week, the MousekeMoms, Lori, Jennifer & Juliana, moms turned travel agents dole out honest, no holds barred information you won't find anywhere else to help you plan your perfect Disneyland, Walt Disney World or Disney Cruise Line vacation. After all, Disney moms know best! Fasten your seatbelts, grab your cocktail and tune in.... BECAUSE I SAID SO! Also go to https://mousekemomsblog.com for more detail on these episodes MousekeMoms Podcast is sponsored by our friends at Kingdom and Cruise Travel. They can plan your perfect luxury family getaway and are experts in Disney Destinations. Best of all, their services are 100% FREE! Visit us on social media on Instagram at @mousekemoms_podcast or in our Facebook Group at @mousekemompodcast.
We always like to say that, when it comes to Disney vacation planning, one size does not fit all. For the MousekeMoms, we love a quick trip to Walt Disney World to satisfy our Disney fix. And today, we're going to talk about how to scratch that itch with the perfect itinerary for 3 days or less. Each week, the MousekeMoms, Lori, Jennifer & Juliana, moms turned travel agents dole out honest, no holds barred information you won't find anywhere else to help you plan your perfect Disneyland, Walt Disney World or Disney Cruise Line vacation. After all, Disney moms know best! Fasten your seatbelts, grab your cocktail and tune in.... BECAUSE I SAID SO! Also go to https://mousekemomsblog.com for more detail on these episodes MousekeMoms Podcast is sponsored by our friends at Kingdom and Cruise Travel. They can plan your perfect luxury family getaway and are experts in Disney Destinations. Best of all, their services are 100% FREE! Visit us on social media on Instagram at @mousekemoms_podcast or in our Facebook Group at @mousekemompodcast.
Spring is in the air which means it is time for EPCOT's Flower and Garden Festival and we are here to give you the highlights! Each week, the MousekeMoms, Lori, Jennifer & Juliana, moms turned travel agents dole out honest, no holds barred information you won't find anywhere else to help you plan your perfect Disneyland, Walt Disney World or Disney Cruise Line vacation. After all, Disney moms know best! Fasten your seatbelts, grab your cocktail and tune in.... BECAUSE I SAID SO! Also go to https://mousekemomsblog.com for more detail on these episodes MousekeMoms Podcast is sponsored by our friends at Kingdom and Cruise Travel. They can plan your perfect luxury family getaway and are experts in Disney Destinations. Best of all, their services are 100% FREE! Visit us on social media on Instagram at @mousekemoms_podcast or in our Facebook Group at @mousekemompodcast.
It's no secret that our friends at Kingdom and Cruise Travel are the leading experts on Disney travel. We've asked them this week to give us their top travel tips so that we could share them with you! FuelRod - sign up here https://fuelrod.refersion.com/affiliate/registration Amazon - Store: mousekemomsbl-20 Each week, the MousekeMoms, Lori, Jennifer & Juliana, moms turned travel agents dole out honest, no holds barred information you won't find anywhere else to help you plan your perfect Disneyland, Walt Disney World or Disney Cruise Line vacation. After all, Disney moms know best! Fasten your seatbelts, grab your cocktail and tune in.... BECAUSE I SAID SO! Also go to https://mousekemomsblog.com for more detail on these episodes MousekeMoms Podcast is sponsored by our friends at Kingdom and Cruise Travel. They can plan your perfect luxury family getaway and are experts in Disney Destinations. Best of all, their services are 100% FREE! Visit us on social media on Instagram at @mousekemoms_podcast or in our Facebook Group at @mousekemompodcast.
There is no doubt we love Disney Cruise Line, but we recently sailed together aboard Virgin Voyages and discovered some interesting things. So we wanted to share with you the obvious differences and surprising similarities Each week, the MousekeMoms, Lori, Jennifer & Juliana, moms turned travel agents dole out honest, no holds barred information you won't find anywhere else to help you plan your perfect Disneyland, Walt Disney World or Disney Cruise Line vacation. After all, Disney moms know best! Fasten your seatbelts, grab your cocktail and tune in.... BECAUSE I SAID SO! Also go to https://mousekemomsblog.com for more detail on these episodes MousekeMoms Podcast is sponsored by our friends at Kingdom and Cruise Travel. They can plan your perfect luxury family getaway and are experts in Disney Destinations. Best of all, their services are 100% FREE! Visit us on social media on Instagram at @mousekemoms_podcast or in our Facebook Group at @mousekemompodcast.
In the spirit of sweethearts, we've been talking about getting engaged at Disney and romantic date spots. Today we'd like to chat about the most romantic resorts at Walt Disney World for those special adult only trips. Each week, the MousekeMoms, Lori, Jennifer & Juliana, moms turned travel agents dole out honest, no holds barred information you won't find anywhere else to help you plan your perfect Disneyland, Walt Disney World or Disney Cruise Line vacation. After all, Disney moms know best! Fasten your seatbelts, grab your cocktail and tune in.... BECAUSE I SAID SO! Also go to https://mousekemomsblog.com for more detail on these episodes MousekeMoms Podcast is sponsored by our friends at Kingdom and Cruise Travel. They can plan your perfect luxury family getaway and are experts in Disney Destinations. Best of all, their services are 100% FREE! Visit us on social media on Instagram at @mousekemoms_podcast or in our Facebook Group at @mousekemompodcast.
It's February and love is in the air. There is little more magical than a proposal- but how about a Disney proposal? Join us today as we talk to Lori and several other guests from Kingdom and Cruise Travel, to hear all about their romantic Disney engagement stories. Each week, the MousekeMoms, Lori, Jennifer & Juliana, moms turned travel agents dole out honest, no holds barred information you won't find anywhere else to help you plan your perfect Disneyland, Walt Disney World or Disney Cruise Line vacation. After all, Disney moms know best! Fasten your seatbelts, grab your cocktail and tune in.... BECAUSE I SAID SO! Also go to https://mousekemomsblog.com for more detail on these episodes MousekeMoms Podcast is sponsored by our friends at Kingdom and Cruise Travel. They can plan your perfect luxury family getaway and are experts in Disney Destinations. Best of all, their services are 100% FREE! Visit us on social media on Instagram at @mousekemoms_podcast or in our Facebook Group at @mousekemompodcast.
Episode 51Have you ever stopped to consider that maybe our society discriminates against children? Together with gentle parenting expert Sarah Ockwell-Smith, we unpack this concept of childism and explore the urgent need for empathy, respect, and understanding in raising our children. We also talk all about the importance of changing the political as well as our personal behaviours if we want to elevate to change our parenting for the better. Sarah talks us through how neoliberalism is affecting parenting and the government's alarming tendency to prioritise the creation of efficient employees over children's welfare. We also talk about the importance of recognising children's legal rights, the outdated education system in England, and how to break harmful generational parenting cycles.Last but not least, Sarah shares her son's journey with ADHD the challenges encountered, the societal pressures faced, and the transformative power of empathy, structure, and an apology.Click her for a link to Sarah's Ockwell Smith's book: Because I Said So!www.sendparenting.com
Lion has been wearing his necklace for three days now. He was concerned about sleeping with it on. Apparently, it hasn't been an issue. I doubt he even feels it anymore. He didn't want to wear a necklace. As a matter of fact, years ago, when he wanted to wear The post Because I Said So appeared first on Male Chastity Journal.
Lion has been wearing his necklace for three days now. He was concerned about sleeping with it on. Apparently, it hasn't been an issue. I doubt he even feels it anymore. He didn't want to wear a necklace. As a matter of fact, years ago, when he wanted to wear The post Because I Said So appeared first on Male Chastity Journal.
Have you ever stopped to question the narratives spun by mental health professionals or the sensationalism surrounding adoption? This episode of 'Because I Said So' invites you to do just that. I'm challenging the idea that adoption is an inherently traumatic experience, laden with existential crises and psychological pitfalls. With the story of my friend Pat, who discovered he was adopted at 19 and reacted with nonchalance, I challenge this sensationalized narrative and question if it's a mere invention by mental health professionals to create a cash stream.I also explore the adoption specialist cabal, who often push narratives leading adoptive parents to feel guilty and inadequate. These narratives, such as 'bonding' with a biological mother's heartbeat, can negatively impact a child's behavior and trigger parental anxiety. Hear about the Romanian orphans adopted by American parents who thrived against the odds and debunk the theory that bonding must occur at birth. Stay tuned as I conclude with an invitation to join my mission - sparking a retro revolution in child-rearing. ParentGuru: Better Parenting Starts Here Thousands of stressed parents are finding their way to better parenting with the help of ParentGuru.Parenting With Love and Leadership Weekly Substack newsletter by Parenting Expert John Rosemond.Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showThanks for listening! Subscribe to my newsletter and follow me on Facebook, Instagram and Twitter.
S40 EP10 “PART 1 of EP400” COUCHPILOTSPODCAST.COM * PATREON On this episode of Couch Pilots Blake and Jason begin their final fight to celebrate their final episode of the show. This is Part 1 of a 4 Part series. We look back at what it would have been like to have seen the final episode of some of our favorite shows actually happen. In this episode we go back “IN OUR MINDSSSSS” to enjoy the final episode of “Because I Said So” and the infamous “Karaok Big E”. Come strap in for the beginning of the final journey of your favorite pilots. **NEXT WEEK: PART 2 of EP400**
“I love the process, and the craft of writing, and helping people who have a real deep yearning to put their own story on the page,” reflects best-selling author and collaborator Debra Ollivier, who has helped to develop, ghostwrite, and edit more than 20 titles, with a broad and eclectic mix of authors. Debra, who lived and worked in Paris at the front end of her writing career, is the author of two enlightening and engaging guides on what it means to be a French woman and why it matters—What French Women Know and Entre Nous—as well as books on wellness, mindfulness, yoga, parenting, cooking and performance training. Her work is featured in the best-selling anthologies Mothers Who Think and Because I Said So. She has served as a contributing editor for Salon and a managing editor for The Huffington Post, and has also written for Harper's, Playboy, The New York Times, Parents, Le Monde, and other publications. “I think for me I kind of have to be all in,” she says about the factors she considers when taking on a new project. “I do like working with people who are very purpose driven… I find that I work better when I have an intrinsic level of enthusiasm, and when I feel like I'm not only helping this author-slash-client, but I'm also making a contribution to the world, as cliché as that might sound.” Learn more about Debra Ollivier: Website Facebook Twitter LinkedIn Please support the sponsors who support our show. Daniel Paisner's Balloon Dog Film Movement Plus (PODCAST) | 30% discount Libro.fm (ASTOLDTO) | 2 audiobooks for the price of 1 when you start your membership Film Freaks Forever! podcast, hosted by Mark Jordan Legan and Phoef Sutton A Mighty Blaze podcast The Writer's Bone Podcast Network
A Diane Keaton, Stephen Collins romcom with musical numbers where Diane Keaton is very much outsung… no not First Wives Club, the lesser known, lesser good Because I Said So. Tune in as we discuss this Mandy Moore mother/daughter romp (or family drama) and debate where it went wrong and spend way more time than we expected talking about Atonement. Don't forget to rate, review and subscribe wherever you get your podcasts.
Flashback Episode of The Father Time Podcast with Jamie KalerColin Ferguson is an actor who you may know from "The Vampire Diaries", "Eureka", "Because I Said So", and so much more! In this episode from Jamie Kaler's original dad podcast "Father Time", Kaler takes a trip down the fatherhood rabbit hole with Colin Ferguson. This is a hilarious flashback show you won't want to miss.On Instagram at:https://www.instagram.com/cferg101/You can catch The Parent's Lounge live every Tuesday Night at 10pm EST/7pm PST at:https://www.facebook.com/theparentslounge#theparentslounge #colinferguson #fathertime #thevampirediaries #parentingpodcast #jamiekaler #jasongowin #katemulligan #comedians #parentingadvice #funnyparents #hilarious #cohosts #eureka # #funnydads #Haven #standupcomedy #fatherhoodJamie Kaler's Instagram - https://www.instagram.com/jamiekaler/Jason Gowin's Instagram - https://www.instagram.com/jasongowin/Kate Mulligan's Instagram - https://www.instagram.com/katestmomever/The Parent's Lounge TikTok - https://www.tiktok.com/@theparentsloungeshow
Michael Lehmann is probably most noted for directing the black comedy Heathers. He also directed 40 Days and 40 Nights, The Truth About Cats & Dogs, Hudson Hawk, Meet the Applegates, Airheads and Because I Said So. He also directs for television and has worked on the short-lived HBO comedy series The Comeback and NBC's The West Wing. He has guest directed on The Larry Sanders Show, Watching Ellie and Century City. Other credits include Big Love, True Blood, Californication, Snowfall, The Woman in the House Across the Street from the Girl in the Window, Veronica Mars, Jessica Jones, Blunt Talk, Tyrant, House of Lies and many more.
Pastor Alex Suber delivers a message entitled "Because I Said So."
Up until 1970, the word parent was a noun. Back then parents raised children. In 1970, the noun became also a verb; thus, today's parents...well, they parent. Back then, childrearing was problem free, relatively speaking. Parenting, by contrast, is - according to most of today's parents - the "hardest thing they've ever done." When parents raised children, grandparents were the go-to experts. Concerning parenting, however, psychologists and other mental health professionals are the go-to experts. And what, pray tell, do the new experts do? Why, they test, diagnose, and medicate! Then they test, diagnose, and medicate some more. Their goal, quite obviously, is to diagnose and medicate every single child and make lots and lots of money in the process. How is this working out? Listen to this episode of "Because I Said So!" and find out.ParentGuru: Better Parenting Starts Here Thousands of stressed parents are finding their way to better parenting with the help of ParentGuru.Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showThanks for listening! Subscribe to my newsletter and follow me on Facebook, Instagram and Twitter.
2023-03-05 -2 Sam 24 -"Because I Said So" by Imperial Berean
All together now!... Because, because, because, because becaaaauuuse, (to the tune of we're off to see the wizard) ... because I bloody well said so! Yes that's right our socks are talking about that old parental trick "just because"; Is there really a time where it's a good enough answer or should we just bin it off once and for all?Who Takes the Socks Off is a fortnightly podcast where a group of friends answer the questions you never knew you needed answering until you heard them.Socks socials - come join us in the sock drawer!Buzzsprout - https://socks.buzzsprout.com/Twitter - https://twitter.com/whotakesocksoffFacebook - https://www.facebook.com/whotakesthesocksoffInstagram - https://www.instagram.com/whotakesthesocksoffReview our thread count (5 stars only please we're sensitive socks)Goodpods - https://www.goodpods.com/podcasts/204195Podchaser / iTunes - https://ratethispodcast.com/socksEverything Else!Linktree - https://linktr.ee/whotakesthesocksoff
Designing Hollywood & John Campea Presents!!! Award Winning Costume Designer Shay Cunliffe Shay is best known for her designs in: • Peacemaker (2022) 5 Episodes • We're The Millers (2013) • The Bourne Legacy (2012) • The Bourne Ultimatum (2007) • 2012 (2019) • The Family Stone (2005) • Because I Said So (2007) Shay CunLiffe is an internationally recognized and prolific costume designer, Cunliffe most recently designed James Foley's 50 Shades Darker and the upcoming 50 Shades Freed. Other credits include Billy Ray's English language remake of the Argentinian Academy Award-winning film The Secret in Their Eyes, Lasse Hallström's A Dog's Purpose, and the comedy Get Hard, starring Will Ferrell and Kevin Hart. Earlier credits include The Bourne Legacy, directed by Tony Gilroy–the Jeremy Renner-starring sequel to The Bourne Ultimatum, directed by Paul Greengrass, for which she also designed the costumes. She has worked with an array of distinguished filmmakers, such as James L. Brooks, John Sayles, Gary Sinise, Taylor Hackford, Rob Reiner, Harold Ramis, Steve Zaillian, Brad Silberling, Amy Heckerling, David Mamet, Tarsem Singh, and Ken Kwapis. Cunliffe tapped into her musical theater roots when she teamed with Rob Marshall on the television movie version of Annie, for which she won a Costume Designers Guild Award and received an Emmy nomination.
Karen Leigh Hopkins became a writer, director, and producer because she repeatedly got cut out of films like The Breakfast Club and Three Amigos, and didn't want to go back to Sandusky, Ohio, and work on a factory line like her mother. With twenty-one bucks to her name, out of desperation, she wrote a screenplay in 12 days and sold it “overnight” which launched her writing career. Karen's writing credits include Welcome Home, Roxy Carmichael, Stepmom, Because I Said So, and Miss Meadows, which she also directed. Karen also wrote and directed A Woman's a Helluva Thing. She received an Emmy nomination for Showtime's What Girls Learn, and she won the Humanitas Award for ABC Family's Searching For David's Heart. She also sold and produced a branded series for the Web with Sony/Crackle. Karen co-wrote a series of films with Eleanor Coppola called Love is Love is Love, and she was a writer-associate producer on the Apple series Little Voice.Recently, she sold a series called Aqua Tofana to Netflix, for which she is writing the pilot. She's also writing a feature called Twisted Sister for Sony. And she wrote a horror film, Lil Holly O, that she hopes to direct. Beyond film and TV, Karen's also working on a book of short stories that cover subjects very meaningful to her like the 99c store, her dog, the miserable state of politics, evil people that get away with evil things, the theater of sex, and more.
FIXATED: BECAUSE I SAID SO Thank you for connecting with Pathway Church online. We are so excited you are watching with us. If you're in the Longview area, join us in-person every Sunday for a brand new Worship Experience! To share what God has done in your life through Pathway Church, click here: https://mypathway.ccbchurch.com/goto/forms/121/responses/new The post BECAUSE I SAID SO appeared first on Pathway Church of Longview Texas.
And...we're back with another critically acclaimed film! Just kidding, look it up on Rotten Tomatoes. This week, the red wine sisters break down the cheesiest movie, Because I Said So and honestly they love every minute of it. Tune in to hear all about polka dots, dramatic timing, apples and bananas, and Harvey Specter.
453 - Because I Said So
In today's episode I will lead you through a “Wave Imagery,” and share a few thoughts I have about what we might really mean when we say: "Because I Said So!" -MM *For more Mindful Motherhood content you can find me on Instagram @maggiemetz --- Support this podcast: https://anchor.fm/mindfulmotherhood/support
Sometimes, the language we are learning to speak is our family's own language of getting by in the world – every parent has a different way of teaching the lessons of life, a different language of teaching. In today's EXTRA on The Apple Seed, storytellers Milbre Burch and Mary Gay Ducey bring you "Minding His Mother," a story of a young boy struggling to mind his manners in the world – in the meantime, his mother turns every mistake he makes into an opportunity to help him grow. Enjoy learning to speak this mother's parental language as she sees her child's mistakes as learning opportunities. The story is from a collection of tales about mothers and their children, with the wonderful title "Because I Said So."