Podcasts about zoviet france

I spoke to  Brooklyn, New York Electronic artist Robert L. Pepper of Pas Musique.  "Come Follow Me," is the latest album released via Alrealon Musique. Influenced by artists as Faust, Coil, Zoviet France and NEU, Pas Musique was launched in 1995 in Brooklyn as a solo abstract-sound project of Pepper."Come Follow Me" album pays tribute to the late Frank Tovey a.k.a. Fad Gadget, one of Pepper's top musical influences. These 80's synthpop-inspired compositions with a touch of modern noise and lyrics that are inspired by metaphysical and philosophical themes, interlaced with abstract vocalizations.https://www.pasmusique.nethttps://pasmusique.bandcamp.comhttps://www.robertlpepper.netWatch The Interview :  https://www.youtube.com/@DJNocturna

As someone who enjoys the process of putting together mixes- specifically more conceptual ambient leaning mixes- I often think about how I would approach playing an event designed for sleep. I'm yet to play a set like this live, but I did tackle something similar in the Portals series by roughly mixing styles that aligned to specific sleep stages (eg, REM, deep etc). But in person, sleep is never as predictable as hypothetical sleep stages for a recorded mix, let alone the idea of a room full of people mirroring these stages at the same time. To approach an in-person set for sleep would be a daunting undertaking, but an extremely rewarding experience for both DJ and listener - the career highlight for an ambient DJ, maybe... They say the warm-up set is the hardest test for a DJ and I would tend to agree. But I'd love to see some of the world's best DJs execute 3.5 hours of music for a room full of people looking to do the exact opposite of dancing, or even listening for the entire duration… Sa Pa has executed this concept flawlessly.No stranger to the minutia and atmosphere needed to transport someone from a horizontal state into an elevated lucid dream, I can hardly think of anyone better to take control of such a situation than Berlin-based artist, Sa Pa. His latest release for Astral Industries (the undisputed label kings of lucid states no doubt) is the perfect example of transportive and psychedelic ambient music down to the finest grain of sound and texture. AI-33: Atmospheric Fragments by Sa Pa If Sa Pa's productions weren't enough to demonstrate his transportive power and worldbuilding tendencies, then his recent captures from his own Absurb Lustre events, or his mix for one of our 9128.live takeovers, may provide an additional glimpse of what to expect when he was given the reigns for an all-night sleep in event recently, in Leipzig.“For years I've kept a mental cache of what music would I'd love to play at a sleep in, but was never really sure if there'd be a chance, so small some dreams came true that night for me too - it was a pretty rare experience I'd say especially with everyone there really taking part in the concept”.It's not often we get the chance to host a set from an event that by its very nature, is designed to be experienced in person, but after several trials of this mix (on a plane, going to sleep, and waking up from sleep - and all states in between), the concept translates to an outstanding headphone session and the perfect concept for a defining moment in the isolatedmix series of sounds. “I think it was one of the deepest and most solitary DJing experiences I have ever been part of, and driving a three and half hour cloud through the pitch darkness was a beautifully liminal journey, caring for the dreams of those in the room, some 100-200 people or so”.A 3.5hr liminal state available in your own time and place, in the gentle hands and ears of Sa Pa, displaying the very essence of horizontal ambient music designed to immerse, weave and transport. Featuring tracks from, Luc Ferrari, Zenxen, Pinkcourtesyphone, cv313, Jason Lescalleet, Yann Novak, BJ Nilsen, Robert Henke, Rod Modell, Ryoji Ikeda, Steve Roach and Sa Pa, himself. Words from Sa Pa - ‘Diary of a Lonely DJ':There's something about gazing out of a train window or being 30-thousand feet high up in the troposphere, that evokes a feeling of what we try best to describe as liminality. With this in mind, Deutsche Bahn had me scuttling toward Leipzig from Berlin on a typically stark and windy day that could of been taken right out of a Wim Wenders classic; the treetops lining Urbanstraße on the way to Hauptbahnhoff looking as stripped and brittle as burnt skeletons in the snow.Some 8-to-10 degrees warmer in Saxony, I arrived at a city shrouded in mist, with the darkness of the early afternoon somehow made a touch warmer by that first Friday-feeling of the year. Onwards to Leipziger Baumwollspinnerei - a converted cotton mill where this evening's ‘Sleep In' would take place - the 14 tram would rumble past the pink and lilac glow of the city's opera house. Sleep Ins are no new thing, and to be in the arms of the proverbial morpheus with some 200 people in an industrial estate does have its abstract appeal, and I'd be lying if I said I wasn't a fan of the concept.At something like 6PM, it was encouraging to see so many people arrive dragging their mattresses with them, some eight-hours before the witching hour. Tuning in to the event, and finding a little respite backstage, I drifted in and out of consciousness, occasionally breaking REM sleep to acknowledge the sounds of “Simple Headphone Mind” and Zoviet France's remix of Panasonic, reverberating in the hall.With a medley of lullabies soundtracking the evening so far, preparing selections too deep even for my own Absurd Lustre event, provided a much needed boost of waking life before taking to the couch in the DJ booth. Over the course of the next three-and-a-half hours, in near pitch-darkness, I was able to draw from a rare cache of non-music and atmosphere, embraced at large by a small flotilla of sleeping souls, leaving port to navigate themselves through the inner landscapes of a technicolour head trip.With only the dimmed lights of my equipment and an exit sign illuminating the room, safe to say, it was a resolutely profound DJing experience and deep journey into the estranged fields of time and space. There were moments at the helm where I felt like a small craft adrift in a sea of voluminous black, while paradoxically part of a delicate collective sub-consciousness, sailing through a dream-like abyss. As if bridging a void between the physical world and something beyond the imagination, it was truly a strangely isolated place.Listen on Soundcloud the ASIP Podcast or the 9128.live iOS and Android appDownload MP3 astrangelyisolatedplace · isolatedmix 125 - Sa Pa (Sleep In) The start of the event, as attendees bring in mattresses ready for the night and Sa Pa' set. Sa Pa | Absurb Lustre | Soundcloud (Sa Pa) | Soundcloud (Absurb Lustre) | Instagram

A scheduling mishap had Mike and Tara sorting out an episode. The decision was made to leave the house and look for inspiration. What transpired was the discovery of a 10" by a very important historical project — "Gris" by :zoviet-france:. It was a sign to dig deep into the band, one that Mike and Tara are admittedly not insanely familiar with. So come along on our journey in discovering this fantastic 10" and diving into :zoviet-france:. For the ExtraNoisextra segment on the patreon, we share two more items we got on our adventure — a book of spicy Greek plays and a 1995 issue of "Gallery."

Jim O'Rourke takes a journey through his deep history with us and we were absolutely thrilled. We get into 1980s Chicago, setting up shows for Merzbow and Zoviet France, the cassette culture network, working and living in Europe with John Duncan and Christoph Heemann, and so much more. Jim has more stories than most people have had days, so sit back for a first hand historical account of the underground world. For the ExtraNoisextra segment on the Patreon, we have a great talk on Jim's history with and love of film.

Today's guest deejay is Kim Cascone. I know Kim through his label, Silent Records. Some of the earliest releases on Silent Records can instantly transport me back to the end of the last century. The From Here To Tranquility compilation series simultaneously turned me on to so many great musicians and blew my mind (check out my interview with Kim for solipsistic NATION here). The 50 Years Of Sunshine compilation album was a delightful celebration of the 50th anniversary of the discovery of LSD. And albums from Psychic TV, Zoviet•France*, Vuemorph, and Heavenly Music Corporation expanded my consciousness and my musical horizons. When I invited Kim to guest deejay on Soundwave I didn't expect him to play select tracks from his label, but I was surprised at how much he learned into guitar and instrumental music, which, as of the recording of today's mix, Kim was immersed in. And it was a welcome surprise because although we celebrate ambient music on Soundwave, the show's format is ambient and classical, instrumental and experimental. I'm thrilled when guests deejay explores other music forms on the show. Before we get to Kim's mix, I wanted to share that nearly two years into the pandemic, I finally caught COVID. I don't know if it was because I've been vaccinated and received my booster, and I caught the omicron variant, but I was barely sick. I was congested and tired. That was it, thankfully. I launched Soundwave in the early days of the pandemic to help cope with the stress and isolation of self-quarantine. I spent the last two years moving from dread of the virus to grim acceptance, and once I caught the virus, I barely noticed it. Of course, I don't want to suffer from long COVID. Bit if this is the worst of it, I count myself as very lucky. Join us next week when our guest deejay will be Harrold Roeland. See you then. Earth “Thrones and Dominions" Boris “Dronevil 2” Jozef Van Wissem and Jim Jarmusch “Flowing Light of the Godhead (Bonus Version)" Tony Conrad “April 1965” Hash Jar Tempo “Untitled 1“ Khem One “Lunadronus” Macuinas Ensemble “Long Strin --- Send in a voice message: https://anchor.fm/soundwavemix/message

And so it has come to pass, dear spacefans, that in the dark days of late autumn in the year 2021, we arrive at the 1300th transmission of the HEARTS of SPACE series. I'm STEPHEN HILL, and befitting the occasion, it's another of our centennial specials called A BRIEF HISTORY OF DARK AMBIENT. The term "dark ambient" was coined in the early 1990s by ROGER KARMANIK, founder of the record label Cold Meat Industry, to describe the music of RAISON d'ETRE and similar artists. The style is a gene-splicing of the Industrial, Ambient, Drone, and Noise genres, including the experimental side of early 1970s German electronic music — fondly dubbed 'Krautrock' — and the Industrial Music of the late 1970s & early 80s, such as the band THROBBING GRISTLE. During the 1980s, LUSTMORD, NOCTURNAL EMISSIONS & ZOVIET FRANCE were among the first to create consistently dark ambient music, featuring low drones and distressed chorales, liberally seasoned with industrial noise and electronic special effects. In the early 1990s RAISON D'ETRE augmented the industrial imagery with medieval iconography. During the late 80s & early 90s, a slower, more ethereal side of Gothic art rock emerged, called "ethereal wave" or "dark wave," including many of the early artists on the Projekt label. And an even more austere sub-genre called "Isolationist Ambient" arrived quietly in the 1990s, including the music of THOMAS KÖNER from Germany and BIOSPHERE from Norway. It's Program 1300 : A BRIEF HISTORY OF DARK AMBIENT, on this transmission...of Hearts of Space. Music is by RAISON D'ETRE, POPOL VUH, LIGHTWAVE, VOICE OF EYE + LIFE GARDEN, THOMAS KÖNER, BIOSPHERE, BLACK TAPE FOR A BLUE GIRL, ROBERT RICH + B.LUSTMORD, TROUM, PAUL SCHÜTZE, and RHYTHM & NOISE. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3...

Solénoïde (07.09.2020) - C’est une figure culte du mouvement ethno-ambient qui va être l'objet du fil rouge de cette émission. Connu pour avoir composé plusieurs musiques de film et de danse contemporaine, notre lauréat du jour est l'énigmatique RAPOON (aka Robin Storey, ancien membre de Zoviet France). Nos pérégrinations se poursuivront en Norvège à la rencontre de BUILDING INSTRUMENT, trio distillant un élixir sonore au pouvoir mystérieux. Cette escapade nous conduira ensuite à New York pour apprécier une production Tzadik, "Adramelech" du collectif ZION 80, un mélange de jazz-rock et d’afro-pop et enfin nous nous rendrons à Berlin pour succomber aux grooves futuristes de BURNT FRIEDMAN.

Vin Cassidy from Section 25 in conversation Section 25 formed in Poulton-le-Fylde near Blackpool, Lancashire, in November 1977. Initially the band was a duo, consisting of brothers Larry Cassidy (bass, vocals) and Vincent Cassidy (drums). In June 1978 they made their live debut with Phil Denton on guitar. Denton was replaced in November by Paul Wiggin. June 1979 saw the Cassidy brothers promote a charity gig in aid of International Year of the Child at Blackpool Imperial Hotel, featuring Section 25 and other local bands as well as Joy Division and Orchestral Manoeuvres in the Dark. As a result, Section 25 were invited to play at the Russell Club in Manchester, and joined Factory Records. Their debut 7", "Girls Don't Count", was released in July 1980 on Factory Records, produced by Ian Curtis and Rob Gretton of Joy Division. All Section 25 releases would be released through either Factory Records (until the demise of that label), or sister imprint Factory Benelux. Their debut LP, Always Now, appeared in 1981 and was produced by Martin Hannett at Britannia Row studio. The pochette sleeve was among the most expensive and elaborate in the label's history (designed by Peter Saville) utilising an exclusive 'marble' effect design printed on the inner jacket and a fold-out cover that resembled a match-book similar to the cover used by Cabaret Voltaire for their 2x45 album. The three-piece group played many gigs in Britain and Northern Europe between 1979 and 1981, both as a headline act and with other Factory Records artists, such as Joy Division, A Certain Ratio, Blurt, The Durutti Column, Crispy Ambulance and New Order. The group also released a self-produced second album, The Key of Dreams. However the original line-up split in September 1981 shortly after Paul Wiggin declined to fly to a concert in Helsinki supporting New Order, swallowing up most of their fee by travelling overland. With a North American tour already planned, his fear of flying made his departure inevitable. Factory label boss Tony Wilson then tried and failed to recruit then-unknown guitarist Johnny Marr as a replacement. Abandoning much of the existing live set, the Cassidy brothers prepared for an upcoming European tour with backing tapes and an extra percussionist John Grice. Following a warm-up date in London, the group visited Belgium, Holland and Germany in January 1982 in tandem with Factory labelmates Crispy Ambulance. The band then undertook their first North American tour, albeit restricted to the East Coast. 1983 – 2006 (From The Hip to Love & Hate) Joined by percussionist Lee Shallcross, Section 25 gradually evolved with a more electronic-dance direction, a process which culminated in the album From the Hip and remix single "Looking From A Hilltop", both released in 1984 and produced by Bernard Sumner of New Order. This second iteration of the band also featured the Cassidy brothers' sister Angela Flowers (vocals, keyboards) and Larry Cassidy's wife Jenny Ross (vocals, keyboards). The five-piece completed a lengthy second tour of North America in January 1985, where the single "Looking From A Hilltop" achieved a measure of club success. Later in 1985 the single "Crazy Wisdom" emerged on Factory Benelux as a 12", but the group again splintered, leaving husband-and-wife team Larry Cassidy and Jenny Ross to complete a fourth album, Love & Hate, finally released by Factory in 1988. Bad News Week was also released as a 12" single, remixed by Bernard Sumner. Section 25 then fell silent for more than a decade, although their entire back catalogue was reissued on CD on LTM as well as an archive DVD, So Far. There have also been several live and rarity CDs released by the same label. In 2001 the band regrouped and started composing new material. It was originally expected that this would form the basis for a new album, but these plans were derailed when Jenny Ross, after a long fight with cancer, died on 20 November 2004 at age 42. The LTM DVD So Far, an audio-visual history of the band released in January 2005, was dedicated to her memory. 2006 – 2009 (Part-Primitiv to Nature and Degree) Now with Ian Butterworth (formerly of fellow Factory act Tunnelvison) on guitar and Roger Wikeley on bass and keyboards, the Cassidy brothers performed their first live show in nearly two decades at their hometown Poulton-Le-Fylde in May 2006 followed by dates in Blackpool, Paris, Brussels, Leicester, London and Athens. A new studio album by the quartet, Part-Primitiv, was released by LTM in April 2007, together with Communicants, a DVD assembled from live performances in 2006. Larry and Vin Cassidy also featured in the 2006 Factory documentary film Shadowplayers, and a BBC television documentary on the label. The group performed at the Plan K venue in Brussels in December 2007 as part of the Factory Night (Once Again) event, being joined onstage by Peter Hook of New Order for a cover of "Temptation". It was then proposed that Hook and Section 25 play further shows together, performing a mixture of Section 25, Joy Division and New Order songs. Roger Wikeley left Section 25 in 2008 and was replaced by Stephen Stringer. In November this revised line-up played with Peter Hook in Paris, Brussels, Oss in the southern Netherlands and Krefeld in North Rhine-Westphalia, Germany.[citation needed] Ian Butterworth parted company with the Section 25 at the end of the year. Stephen Stringer moved on to guitar and Section 25's sound engineer and programmer Stuart Hill moved on to bass guitar. Both were no strangers to Larry and Vin, who had helped them record demos in 1983 and 1985. The band released a new album in 2009 called Nature + Degree through LTM Recordings. Several tracks featured vocals by Bethany Cassidy, daughter of Larry and Jenny, who joined the group as co-vocalist and keyboards player. Section 25 appeared at the "Factory Night (And Then Again)" event at Plan K on 12 December 2009, with Beth and Larry sharing vocals. The group also returned to the States for festival dates in Los Angeles and San Francisco. On 27 February 2010, it was announced that founding member, singer, and bass player for the group, Larry Cassidy, had died at the age of 56. 2010 – present (Retrofit to Elektra) Prior to Larry Cassidy's death, the band had completed work on a new album, Retrofit, which was released on 14 September 2010. The album features electro reworkings and updates of previously issued Section 25 tracks, as well as one new song "Über Hymn". The album closes with a new version of Looking From A Hilltop, produced and arranged by Stephen Morris of New Order. Limited copies came with an extra CD of a 16-minute recording of Larry Cassidy reading selected lyrics of Joy Division's Ian Curtis. This was recorded in January 2010 and would be Larry's last visit to a recording studio. The band opted to continue to perform with their current line up. Section 25 played the FAC251 club in Manchester on 20 November 2010, and in 2011 issued their first new release without Larry Cassidy, a download-only EP titled "Invicta" EP, via Hacienda Records. June 2012 saw a deluxe vinyl reissue of From the Hip (Fact 90), issued as a special edition on Factory Records with 'remixed' artwork by Peter Saville, as well as a split coloured-vinyl 12" with Stereograph featuring two dub versions of "Colour Movement Sex and Violence" and "Inner Drive". Saville also provided the cover image and title for their eighth studio album, Dark Light, issued on the Factory Benelux imprint in February 2013. "My Outrage" was also released as a 7" single. Also released during the same period were the 10" single "Invicta Max" (an expansion of the 2011 EP of the same name) and the official remix album "Eigengrau", featuring numerous remixes of earlier Section 25 recordings by Zoviet France, Absolute Body Control, Portion Control and Renaldo and the Loaf among others. In May 2014 the group issued an expanded 30th anniversary CD edition of From the Hip via Factory Benelux, with a bonus disc featuring original demos as well as a BBC radio session from 1984 plus a new recording of "Reflection". Both Bernard Sumner and Jon Savage contributed liner notes. The new version of Reflection (subtitled 'Younger Image') was also issued as a limited edition orange vinyl 7" single to mark Record Store Day in April 2014. On Record Store Day the band performed in Manchester with Factory peers Crispy Ambulance and Minny Pops. A review of the show in The Guardian newspaper described Section 25 as "a revelation" and "the best new/old band in Britain." In April 2015 Section 25 released "Mirror", another limited edition 7" single for Record Store Day, with guest vocals by Simon Topping, formerly of A Certain Ratio. The song dated from 1980 but had never before been recorded in the studio. Both the song and the packaging complemented a new CD edition of Always Now, re-mastered and featuring a bonus disc with their 1981 John Peel radio session as well as a complete live concert from 1980. The packaging replicated the original wraparound cover designed by Peter Saville. In 2016 the group released a new live album, "Alfresco", as a vinyl and CD package to mark Record Store Day in April. That same year the track "Hit" from their 1981 album Always Now was sampled by Kanye West on a new song, "FML", featured on his seventh studio album, The Life of Pablo.[6] In December 2017 the band announced on their Facebook page that they were working on a new album, to be released during the spring 2018. Vincent Cassidy also announced that their original guitarist, Paul Wiggin, will contribute on the new album. June 2018 saw the release of an eleven-track album Elektra, recorded at West Orange Studios during the early part of the same year. The album featured appearances by original guitarist Paul Wiggin and newest family member Michael Cassidy on bass. One of the tracks (FML) is an acoustic cover of the Kanye West track that sampled the band's Hit from their 1981 set Always Now.

Features tracks by Front Line Assembly, Skinny Puppy, Chemlab, Noise Unit, Project Pitchfork, Haujobb, Kenji Kawai, The Cure, Nekromantik, and Zoviet France.

"FROM DEMOCRACY WITH LOVE" This is a mix i put together for London clothes label Teatum Jones. It was for their London Fashion Show presentation in Sept 2012 at the world famous Dorchester Hotel. The collection walks through the political and cultural landscape of the cold war years and observes the exchangeable concept of being at once a villain and a hero. Tracklist: 1. RONALD REAGAN a time for choosing 2. PROPELLOR to run as sparks through stubble 3. KID KOALA speed of light (page 102) 4. :ZOVIET*FRANCE: the death of trees 5. ALT J bloodfood 6. THE CITY OF PRAGUE PHILHARMONIC out of africa 7. GIORGIO MORODER utopia (space runner) 8. TODD TERJE utopia 9. ÓLAFUR ARNALDS the land of nod 10. RIZ ORTOLANI oh my love 11. JOHN BARRY walkabout 12. SPARKS tryouts for the human race 13. NINA SIMONE just say i love him 14. CLIFF MARTINEZ is that what everybody wants? 15. JOHANN JOHANNSSON cause of labour is the hope of the world 16. ABIGAIL WASHBURN morning bright stars 17. ELTON JOHN v PNAU telegraph to the afterlife 18. GIORGIO MORODER from here to eternity 19. PENINSOLAR the search for eric haas 20. ALEXANDRE DESPLAT extremely loud and incredibly close 21. JOHN BARRY the man of my dreams 22. MARIELLE v JAKOBSONS crystal orchard 23. EURYTHMICS here comes the rain again (jc edit) 24. ÓLAFUR ARNALDS a family stroll 25. ÓLAFUR ARNALDS & NILS FRAHM a1 26. JOHANN SEBASTIAN BACH adagio in g minor 27. お幸せに 私は森で道に迷った。 28. GURUN GURUN ano uta (part timer remix)

"God Noise God" by Hanatarash from 3; "Sweatloaf Live" by Butthole Surfers from Double Live Bootleg; "Fuck Amerika" by Kings of Feedback from Open Your Ears; "Lubritorium Live on The Bazooka Joe Show 12.14.1991" by Hullabaloo; "Gaga" by Loving Six from Live And Direct; "Mean Mans Dream" by Gore from Mean Mans Dream; "Ahavas Olam" by The Sway Machinery from Hidden Melodies; "Dartania" by Linus Pauling Quartet from Succour - The Terrascope Benefit Album; "The Moon Is Made Of Cheese" by Jessamine from Alms: A Benefit for Ptolemaic Terrascope; "Blind-Mans Circus" by Sleep Chamber from Sleeping Sickness; "Voice Print Identification" by Zoviet France from Objekt 4

"God Noise God" by Hanatarash from 3; "Sweatloaf Live" by Butthole Surfers from Double Live Bootleg; "Fuck Amerika" by Kings of Feedback from Open Your Ears; "Lubritorium Live on The Bazooka Joe Show 12.14.1991" by Hullabaloo; "Gaga" by Loving Six from Live And Direct; "Mean Mans Dream" by Gore from Mean Mans Dream; "Ahavas Olam" by The Sway Machinery from Hidden Melodies; "Dartania" by Linus Pauling Quartet from Succour - The Terrascope Benefit Album; "The Moon Is Made Of Cheese" by Jessamine from Alms: A Benefit for Ptolemaic Terrascope; "Blind-Mans Circus" by Sleep Chamber from Sleeping Sickness; "Voice Print Identification" by Zoviet France from Objekt 4

"In 1913 Futurist Luigi Russolo developed several noise machines, which he named ‘intonarumori’. In his manifesto, The Art of Noise, Russolo argued that musical instruments could no longer satisfy man's thirst for sounds. Almost 100 years later, people are still exploring the possibilities of sound. This is what I tried to capture in this mix - testing the limits of sound, from shrieking highs to almost imperceptible lows, finding new ways of interpreting and portraying life through the medium of sound. Despite including over 100 artists, the mix by no means represents a completist viewpoint; so many perhaps important artists in the development of 'noise' were left out. It was not my intention to do a 'who's who' of noise music, but rather to show how the exploration of sound has developed over time and how fascinating these explorations are. I did at times take into account the historical significance of the piece/artist when choosing tracks, although I was steered mainly by what was sonically interesting to me. Well that's it - the mix should speak for itself. If you are interested in digging deeper please follow the links provided. Listen at maximum volume and enjoy." Marolo, January 2007 Tracklisting: Luigi Russolo – Risveglio Di Una Cita (1913) Marcel Duchamp – La Mariée Mise À Nu Par Ses Célibataires, Même John Cage – Imaginary Landscape 1 (1939) John Cage – Imaginary Landscape (1942) Halim El-Dabh – Wire Recorder Piece (1944) Pierre Schaeffer – Etude Aux Chemins De Fer (1948) Hugh Le Caine – Dripsody (1949) Edgar Varese – Interpolation, 3rd Interpolation (1954) John Cage – Radio Music (1956) 15 minutes Iannis Xenakis – Diamorphoses (1957) György Ligeti – Continuum, Glissandi (1957), Artikulation (1958) György Ligeti – Pièce Électronique #3 (1958) Edgard Varèse – Poème Electronique (1960) Stockhausen –  Kontakte (1960) Tod Dockstader – Four Elementary Tapes ¾ (1963) Stockhausen – Telemusik (1966) Beatriz Ferreyra – Demeures Aquatiques (1967) AMM – Ailantus Glandulosa (1966) Wozard Of Iz – Blue Poppy (1968) Pierre Henry – Prologue (1968) Jean-Claude Risset – Flight & Countdown (1968) Delia Derbyshire / John Peel – Voice Treatment (1969) La Monte Young – The Volga Delta (1969) 30 minutes Morton Subotnick – Wild Bull Part 2 (1968) Jean-Claude Risset – Mutations (1969) François Bayle + Robert Wyatt + Kevin Ayers – It (1970) Iannis Xenakis – Hibiki-Hana-Ma (1970) Luc Ferrari – Presque Rien  (1971) Yoko Ono – Toilet Piece (1971) Laurie Spiegel – Sediment (1972) La Monte Young – From Poem For Chairs, Tables, Benches, Two Sounds Faust – 11 (1973) Throbbing Gristle – Whorls of Sound (1975) Alvin Lucier – The Duke Of New York (1976) BBC Radiophonic Workshop – Central Control Room In Exillon City, Styre's Scouting Machine, Atomic Reactor Runs Wild (1978) Chrome – Inacontact / I am the Jaw (1979) Whitehouse – Politics (1980) Maurizio Bianchi – Industrial (1980) 45 minutes Merzbow – Music Concret/Tape Dada (1980) NON – Pagan Muzak Loops (1980) Frieder Butzmann – Tales of Death (1981) Esplendor Geometrico – PIE (1981) MB – Treblinka (1981) Throbbing Gristle – Medicine (1982) Borsig – Zu Den Anderen Gerollt Werden/Helmut (1982) E.g Oblique Graph – Black Cloth (1982) Esplendor Geometrico – Disco Rojo (1982) Consumer Electronics – Keloid (1982) SPK – War of Islam (1983) Alison Knowles – Assemblage (1984) Diamanda Galás – Panoptikon (1984) Controlled Bleeding – Knees And Bones (1985) Zoviet France – Signal (1986) Butthole Surfers – Hay (1987) 1 hour Merzbow – Chopin is Dead (1987) Hanatarash – Frogirl (1988) Esplendor Geometrico – Mekano-Turbo (1988) John Watermann – Still Warm (1989) Voice Crack & Borbotomagus – Untitled (1991) Jackofficers – Flush (1991) Iannis Xenakis – S.709 (1992) Scanner – Untitled (1993) Melvins - Magic Pig Detective (1994) Merzbow - Ananga-Ranga (1994) Fennesz – 3 (1995) Vromb – Facteur Humaine iii (1996) Mike Patton - I Killed Him Like a Dog, Screams Of The Asteroid, Porno Holocaust, Catheter, Raped On A Bed Of Sand (1996) 1 hour 15 minutes Restgeraeusch – 1H / 1Min (1996) Oval – Shop in Store (1996) Lucien Monbuttou – Kpiele, I Find The Enemy (1997) Jonathan Azande – Opaque Misery (1997) Francis Dhomont – Scherzo (1997) Aube – Vent Finalzinho (1997) Electricity – Dunia Wanja Wa Fujo, Indlela Yababi (1997) National Bird – Wakar Uwa Mugu (1997) Godfrey J Kola – Somalia! (1997) Mbuti Singers - Massacre Rite (1997) Jim O’Rourke – There As (1997) Toys’r’us – Untitled (1997) Fraughman – Of The Elements (1998) Boredoms – Super Shine (1998) Merzbow – Munchen (1998) 1 hour 30 minutes Merzbow – Soft Water Rhinoceros (1998) Scalpel – 2.08 (1998) Dumb Type – Zero Radius (1998) ATR – Brixton Academy (1999) Merzbow & Genesis P-orridge – Flowering Pain (1999) Voice Crack – Green Ellipse/Red Square (1999) Shizuo – Untitled (1999) Maldoror – Baby Powder on Peach Fuzz (1999) Zipper Spy – Untitled (2000) Dolores Dewberry – Paragraph (2000) Diane Nelson – Dissected Insect (2000) Winterkälte – Toxic Hotspot (2000) Signal – Centrum (2000) Massimo - Hey Babe, Let Me See Your USB And I'll Show You My Firewire (2001) 1 hour 45 minutes DJ Smallcock – YinYue (2001) Ryoji Ikeda – 00010 (2001) Cyclo – C4 C9 (2001) Tripod Sardine – TV (2000) Speedranch – Halfway up the Stairway of Mucus (2001) Fennesz / Jim O'Rourke / Peter Rehberg – We Will Diffuse You (2002) Huren – Satem (2002) Vromb – Subréalité (2002) Coh – Hurt Later / Terra Beyond / In Spaces Between (2002) Massimo – 6-1-8 (2002) Merzbow – Tadpole / Forgotten Land (2002) Merzbow – Black Gun Red (Kim Cascone mix) (2003) Wlliam Basinski – Disintegration Loops DLP4 (2003) KK Null – Andromeda 2 (2003) Space Machine – 4 (2004) Chessmachine – 16 Move (2004) 2 hours Zeena Parkins & Ikue Mori – Miura (2004) Otomo Yoshihide - Where There's Smoke, There's Weapons (2004) The Lappetites – Funeral (2005) Merzbow – Merzbuta track 4 (2005) Zeena Parkins – 16 Feet + Cello (2006) Drifting Stranger – Oh Daddy Love Me Good (2007)