Podcasts about Ian Curtis

Ian Curtis i zespół One Division śpiewali, że “Love will tear us apart again”, a ja myślę, że  gdybym ja zakładała nagle jakiś zespół, A UPRZEDZAM - nie zamierzam, to zrobiłabym remake, że LIFE will tear us apart again. Bo życie czasem ludzi i zmienia i rozdziela. Zmieniamy się my i nasze relacje. Czasami nadając im nową dynamikę, a czasami zamykając pewne etapy, znajomości i związki.Bo w tej filmowej reprezentacji relacji, ludzie robią różne rzeczy z MIŁOŚCI i to ta miłość ich rozdziela - zdradą, czy takim poczuciem, że ja z tej miłości właśnie podejmuję rozszarpujące serce decyzje, czasem się samopoświęcając, czasami ratując partnera z opresji i są happy endy a czasem ich nie ma. A ja myślę, że mniej filmowo czasami rozchodzą nam się relacji bliskie, nie tylko romantyczne.O tym dlaczego życie rozdziela, jakie znaczenie mają w tym inwestycje i jakość otaczających nas alternatyw, posłuchacie w tym odcinku z kategorii DO POMYŚLENIA . Za możliwość jego realizacji i dystrybucji kłaniam się w pas Patronom i Patronkom :)Montaż: Eugeniusz KarlovLiteratura:Le, B., Dove, N. L., Agnew, C. R., Korn, M. S., & Mutso, A. A. (2010). Predicting nonmarital romantic relationship dissolution: A meta-analytic synthesis. Personal Relationships, 17(3), 377–390. https://doi.org/10.1111/j.1475-6811.2010.01285.xRusbult, C. E. (1980). Commitment and satisfaction in romantic associations: A test of the investment model. Journal of experimental social psychology, 16(2), 172-186.

"Happy Birthday, Peter Hook" There's nothing about Peter Hook that I can tell you you don't already know, so let's just do a refresher run through his musical CV. In the late '70s Hook formed Joy Division with childhood pal Bernard Sumner after the two friends saw the Sex Pistols play in Manchester. The band only put out two albums and one of those albums, the legendary Closer was put out two months after the band had ceased to b,e due to the suicide of singer Ian Curtis on the eve of Joy Division's debut US/Canada tour. Rechristened New Order and consisting of the remaining members of Joy Division plus keyboardist Gillian Gilbert, New Order blended jittery post-punk rhythms with dance music. The result? Well, you know the result. They were one of the biggest bands of the '80s, spawning hits like True Faith, The Perfect Kiss, Subculture and Blue Monday, which was the biggest selling 12-inch of all time. It might still be. New Order dominated the '80s, but the '90s weren't too shabby—they had a #1 UK hit with World In Motion in 1990 and they had their biggest US hit with “Regret” in 1993. They kept crushing it, putting out Get Ready in 2001 and collaborating with Billy Corgan and Bobby Gillespie of Primal Scream. They were given the Godlike Genius award at the 2005 NME awards and got nominated for a Grammy in 2006 for Guilt Is a Useless Emotion. Then things got a bit sour, with Hook leaving the band in 2007 and forming his own outfit Peter Hook and the Light, a band that featured his son Jack and much to his fans delight, revisited the Joy Division and New Order songbooks. Over the course of his career Hook has worked with The Stone Roses, and Perry Farrell, he toured with the Durutti Column, put out albums with Revenge and Monaco and wrote one of the best music books ever: Substance; Inside New Order. This is a partial list, btw. Almost a partial partial list because when it comes to Peter Hook, there's a lot of ground to cover. But these are the basics. Do a deeper dive after you hear the show—the guy is a titan. As for his split with New Order and his boyhood pal Bernard, we don't have time to go over the legal end of that dissolution, so let's just say this. If you're hoping for a reunion you're wasting your good hope energy. Not going to happen. As a bassist, he plays with an authoritative blend of prowl and sting and not only is he one of the all time greats, he also happens to be a nice guy. This chat covers his fractured friendship with Sumner, why the New Order/Joy Division songbooks appeal to fans across generations and what Hooky has learned from his old material. www.peterhookandthelight.live www.bombshellradio.com www.embersarts.com www.stereoembersmagazine.com www.alexgreenbooks.com Stereo Embers The Podcast Twitter: @emberseditor Instagram: @emberspodcast Email: editor@stereoembersmagazine.com

* Sam Riley Talks Islands, Mint, and his Jack Kerouac - along with his 'cool, dark overcoat' in Doves, and breakout role as Joy Division's Ian Curtis in Control * More Bird City with Ryan Goldberg * Bro on the BBC & the working class * & Garland Nixon!

Students of classical music know that Johann Sebastian Bach was one of the most important and influential composers of all time…his use of instruments, four-part harmonies, and use of innovative structures in his material were all brilliant… When he was alive, he commanded plenty of respect…but after he died in March 1685, he was almost forgotten…the only reason we talk about him today is that there was a Bach revival in the 19th century…he became a retro hero in the world of classical music… No one knew anything about Robert Johnson when he was alive other than some myths and legends among hardcore fans of Delta Blues…but when his records were reissued in 1961, 23 years after he died, did his reputation explode… Charles Mingus was revered by fellow jazz artists…it was only after he passed away in 1979 that his influence on jazz was celebrated… We can also talk about posthumous praise for Nick Drake, Jeff Buckley, and Elliott Smith…and although Tupac and Biggie were big stars when they were shot, they became even bigger stars in death… I'm going to add another name to this list: Ian Curtis and Joy Division…when Ian took his own life in May 1980, he and the band were so skint that he had to give his dog away because he and his wife couldn't afford to feed him… Today, though, Ian and Joy Division are acknowledged as one of the most important and most influential post-punk bands ever…why?...what was the big deal about Joy Division? And why do they continue to be a big deal?...let's examine this. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ian Curtis passed away on May 18th, 1980. Joy Division was without their singer, songwriter, and leader. What happened next? How did they pick up the pieces and move forward? In this episode, the final episode on Ian Curtis, we look at the aftermath, take a look back on the impact Ian left, and how it changed the course of music for decades to come. Check it out this week on the Rock and Roll Heaven Podcast. Our social stuff: Patreon.com/rockandrollheaven Twitter: @rockandrolllt Instagram: Rockandrollheavenlt Facebook: Rock and Roll Heaven Pod Our website: https://rockandrollheavenl.wixsite.com/mysite Tick Tok: rockandrollheavenpod Email us! rockandrollheavenlt@gmail.com Check out the other awesome Pantheon Podcast at www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

En este episodio hablamos de Control, la película de Anton Corbijn que retrata la historia de Joy Division y la vida (y la tragedia) de su cantante, Ian Curtis. En Cine de barra no todo van a ser explosiones, fantasmas y señores dándose palos en un ring. A veces bajamos las luces, ponemos cara intensa y nos adentramos en territorios donde el blanco y negro no es una opción estética, sino un estado de ánimo. Sí, es un episodio serio… pero no demasiado. Porque aunque Control es una película sobria, elegante y emocionalmente devastadora, en Cine de barra somos incapaces de hablar de nada sin desviarnos, bromear o acabar comentando cosas que no vienen del todo a cuento. Aun así, hay respeto: Joy Division no es cualquier grupo, e Ian Curtis no es cualquier figura. Aquí se habla de música, de juventud, de creatividad, de enfermedades mentales (además de las nuestras) y de cómo alguien puede cambiar la historia de la música con canciones que parecen escritas a las tres de la mañana mirando al techo. La película sirve como excusa perfecta para repasar el impacto del grupo, su estética, su legado y ese magnetismo extraño que sigue atrapando a generaciones que no habían nacido cuando Joy Division ya se había convertido en leyenda. También se comenta la mirada casi documental de Corbijn, la contención emocional y esa sensación constante de que nadie en pantalla está disfrutando demasiado de la vida… salvo cuando suena la música. En la charla participan Luigi, Plissken y Benalmadelman, aportando reflexiones, datos, opiniones más o menos atinadas y alguna que otra chuminada campestre. Pero si hay alguien que juega en casa en este episodio es Valdis, auténtico creyente del templo Joy Division y declarado fan desde la infancia. Cuando él habla, los demás escuchan… o al menos lo intentan. Un episodio diferente, melancólico pero entretenido, ideal para escuchar con auriculares, mirando por la ventana aunque no esté lloviendo. Porque a veces apetece ponerse intensito, hablar de música triste y recordarnos que incluso desde la oscuridad se pueden crear cosas absolutamente brillantes. Dale al play. La barra está en penumbra y Love Will Tear Us Apart ya está sonando.

On May 18th, 1980, the world lost Ian Curtiss. How did it happen? What led up to the tragic events on that day? This week on the rock ‘n' roll heaven podcast, we talk about the final months of Ian Curtis' life and the legacy he left behind. Our social stuff: Patreon.com/rockandrollheaven Twitter: @rockandrolllt Instagram: Rockandrollheavenlt Facebook: Rock and Roll Heaven Pod Our website: https://rockandrollheavenl.wixsite.com/mysite Tick Tok: rockandrollheavenpod Email us! rockandrollheavenlt@gmail.com Check out the other awesome Pantheon Podcast at www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Ian Curtis lived a double life. By 1979, Joy Division was taking off. But Ian‘s personal life was entering a downward spiral. His epilepsy was getting worse, and his home life was falling apart. But in that year, Ian would leave a lasting legacy with a landmark album and a baby daughter. Join us for part five on Ian Curtis this week on the Rock and Roll Heaven podcast. Our social stuff: Patreon.com/rockandrollheaven Twitter: @rockandrolllt Instagram: Rockandrollheavenlt Facebook: Rock and Roll Heaven Pod Our website: https://rockandrollheavenl.wixsite.com/mysite Tick Tok: rockandrollheavenpod Email us! rockandrollheavenlt@gmail.com Check out the other awesome Pantheon Podcast at www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we pick back up on our series on Ian Curtis. Our social stuff: Patreon.com/rockandrollheaven Twitter: @rockandrolllt Instagram: Rockandrollheavenlt Facebook: Rock and Roll Heaven Pod Our website: https://rockandrollheavenl.wixsite.com/mysite Tick Tok: rockandrollheavenpod Email us! rockandrollheavenlt@gmail.com Check out the other awesome Pantheon Podcast at www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Venha de lá esse 2026, carregado de nova e boa música! Neste episódio, em vez do habitual fresquinho, decidimos fazer uma espécie de antevisão de vários fresquinhos que nos irá trazer este novo ano, a nível nacional e internacional. Mais à frente viajamos ao Brasil de 1959, e ao enorme "Chega de Saudade" de João Gilberto, para depois avançarmos vinte anos e aterrarmos em Manchester, à história de Ian Curtis e aparecimento dos seus Joy Division , retratados no filme "Control", de Anton Corbijn. Rádio Clube Altamont, uma parceria Altamont.pt e Futura - Rádio de Autor.

Ian, Curtis and three lads from Salford set out to make punk music. But there was a vision for something greater. What started in the dark, dingy punk bars of Manchester would evolve into a a movement that would change music forever. And it all started with one gig with a silly band name. Find out how Joy Division got its name and found its roots this week on the rock and roll Heaven podcast! Our social stuff: Patreon.com/rockandrollheaven Twitter: @rockandrolllt Instagram: Rockandrollheavenlt Facebook: Rock and Roll Heaven Pod Our website: https://rockandrollheavenl.wixsite.com/mysite Tick Tok: rockandrollheavenpod Email us! rockandrollheavenlt@gmail.com Check out the other awesome Pantheon Podcast at www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Write up: in 1976, the Sex Pistols took northern England by storm. The punk movement was in full swing, and it was about to influence the next generation of musicians. In a ruckus concert venue in Manchester, Curtiss would meet his fellow bandmates, Peter Hook, Tony Maso,n and Bernard Sumner. Learn all about the punk culture of the 70s and how it influenced Ian, Curtis, and Joy Division, this week on the rock and roll heaven podcast! BUY AWESOME CANDLES: https://cinemascentscandleco.etsy.com Our social stuff: Patreon.com/rockandrollheaven Twitter: @rockandrolllt Instagram: Rockandrollheavenlt Facebook: Rock and Roll Heaven Pod Our website: https://rockandrollheavenl.wixsite.com/mysite Tick Tok: rockandrollheavenpod Email us! rockandrollheavenlt@gmail.com Check out the other awesome Pantheon Podcast at www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

What about Ian Curtis? This question stuck with me for nearly 4 years. Now, as a long-overdue IOU, we are pleased to bring you the story of this outstanding artist. Ian was a visionary. In this, our first chapter, we will see how he became a quiet leader with a passion for music. We will also learn about the unfortunate undertow of struggle in his life that would lead to his untimely and tragic passing. Don't miss part one of the great Ian Curtiss available now on rock ‘n' roll heaven! Want cool candles?? Buy them here: https://cinemascentscandleco.etsy.com Our social stuff: Patreon.com/rockandrollheaven Twitter: @rockandrolllt Instagram: Rockandrollheavenlt Facebook: Rock and Roll Heaven Pod Our website: https://rockandrollheavenl.wixsite.com/mysite Tick Tok: rockandrollheavenpod Email us! rockandrollheavenlt@gmail.com Check out the other awesome Pantheon Podcast at www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Yesterday on Jack Tame's show, I was talking about the new Springsteen film - Springsteen: Deliver Me From Nowhere - and Jack asked me why there have been so many music biopics recently? It got me thinking about how musicians and their origin stories and struggles with fame have always made for good films, and we've always made them. But Jack is right, there have been quite a few biopics about musicians recently - think Better Man about Robbie Williams, A Complete Unknown about Bob Dylan, Bob Marley: One Love, Back to Black about Amy Winehouse, Maria about Maria Callas … and there's plenty more on the way. In 2028, each Beatle is getting their own film, thanks to director Sam Mendes. The truth of the matter is probably that they make money. Marvel and comic book superhero cinema dominance is cooling off, and so in recent years Hollywood has turned to the music biopic genre to replace it. It makes sense really. Like comic book heroes, many of these artists lives are steeped in mythology perfect to mine for drama, their stories are part of pop culture. And apart from paying for music rights - they aren't too expensive to make. And, we love them. We love the comfort of their familiarity and a bit of nostalgia. The music industry also love music biopics, it's a wonderful way for the industry to reconnect an artist with their audience and create new fans. The Springsteen movie is about the making of his acoustic, folk inspired album Nebraska. I listened to the album in the car on the way home from watching the film. Tick, job done. For me, the genre was revitalised with 2005's Walk the Line, which told the story of flawed genius Johnny Cash and his wife June's relationship. It told it - warts and all. Around that time, Ray, about Ray Charles, was also released, as was Control, the story of the troubled life and times of Ian Curtis, lead singer of new wave band Joy Division. Since then, we have been tapping our toes and reliving our own relationships with the music of Elvis, Elton John, Freddie Mercury and NWA. As popular as the genre is, and as much as we enjoy the ride, it's tricky for filmmakers to get these films right. Artists' stories often follow the same narrative beats so can be samey, but it can be risky taking a unique approach. Taking on a lead role can be rewarding for actors in awards season, but fans are judgy when watching an interpretation of their heroes. Springsteen: Deliver Me from Nowhere is a good case in point. Aside from a few concert scenes, mostly we watch Springsteen record an album in his bedroom and studio while slipping into depression. It's hardly a glossy, mainstream rollicking ride. If you're looking for something to watch this long weekend, and watching Jeremy Allen White as Bruce Springsteen isn't your thing, then hunt out some of our own music stories - which have been turned into excellent documentaries. Marlon Williams: Ngā Ao E Rua - Two Worlds, The Chills: The Triumph & Tragedy of Martin Phillipps, Alien Weaponry - Thrash Metal and Te Reo Māori, Shihad - Beautiful Machine, Heavenly Pop Hits - The Flying Nun Story. So many good choices. It's also worth noting Life in One Chord - the Shayne Carter story - will be available to rent from DOC PLAY from November 6th. All beautifully told stories that enrich our lives. LISTEN ABOVESee omnystudio.com/listener for privacy information.

In this episode, P J interviews Sarah and Ian Curtis from C Squared Games about their upcoming board game, Iberia: Kings and Emirs. The conversation explores the game's inspiration, design process, and unique mechanics that emphasize population management and accessibility. The hosts discuss the importance of player dynamics, the role of wonders in gameplay, and the significance of historical themes in the game. The episode concludes with details about the Kickstarter launch and the creators' journey in the board game industry.

A (relatively) in-depth analysis of the English rock band Joy Division (as well as some other general stuff) in (just over) thirty minutes.Bernard Sumner and Peter Hook formed the band (initially called Warsaw) after attending a 1976 Sex Pistols concert. While Joy Division's first recordings were heavily influenced by punk, they soon developed a sparse sound and style that made them one of the pioneering groups of the post-punk genre. Their self-released 1978 debut EP An Ideal for Living drew the attention of Tony Wilson, who signed them to his independent label Factory Records. Their debut album Unknown Pleasures, recorded with producer Martin Hannett, was released in 1979.Despite a short career, Joy Division have exerted a wide-reaching influence and achieved widespread critical acclaim.I do hope you enjoy this episode.Mathew Woodallhttps://www.facebook.com/share/1F15mx4ea3/https://buymeacoffee.com/lownoiseWhy buy me a coffee?Low Noise is proudly ad-free. If you would like to to say thank you for any of the content you have enjoyed (and help support the continuation of creating more), the above link provides a way to make a small donation of your choice (I also function on coffee!).Feel free to leave a note with your donation to let me know what you enjoy about the podcast or any topics you would like me to discuss in the future.

Vanguardistas have more fun—so if you don't already subscribe to the podcast, join the Vanguard today via Apple Podcasts or extratakes.com for non-fruit-related devices. In return you'll get a whole extra Take 2 alongside Take 1 every week, with bonus reviews, more viewing recommendations from the Good Doctors and whole bonus episodes just for you. And if you're already a Vanguardista, we salute you.  Grab the popcorn, because we've got a load more sweet and salty reviews for you this week on the Take. We'll let you find out which are which. First up, ‘Honey, Don't', the neo-noir crime comedy from Ethan Coen that follows ‘Drive-Away Dolls' as the next in a soon to be trilogy. Plus, two new indie flicks: Cork-set drama Christy, following two brothers forging a new life outside the care system, and the odd-couple holiday drama ‘Signs of Life'. There's ‘The Conjuring: Last Rites' too... but is it really really the last one this time?   Our guest this week is the ever-excellent Sam Riley—a stalwart on British screens since his breakout role as Ian Curtis in the Joy Division singer's biopic ‘Control'. This time he's starring in ‘Islands', a mysterious sun-soaked thriller out next week. He plays tennis coach Tom—who seems to have the perfect life hitting rallies all day and chasing holiday flings all night—but things get complicated when he gets wrapped up in a dodgy family drama. Sam sits down with Simon to unpack his role in the movie, plus they talk middle-aged angst, holidays in the German Skegness, and that time he almost got arrested in Aberdeen... Keep an ear out for Mark's review of the film next week too.   There's top correspondence from you Wittertainees as always too, as we dive ever deeper into the cinema seating debate and beyond. Don't miss another top Take!      Timecodes (for Vanguardistas listening ad-free):  Honey, Don't: 08:15  Box Office Top Ten: 14:00  Sam Riley Interview: 26:15  The Conjuring: Last Rites: 38:49  Signs of Life Review: 52:33  Christy Review: 58:13        You can contact the show by emailing correspondence@kermodeandmayo.com or you can find us on social media, @KermodeandMayo  Please take our survey and help shape the future of our show: https://www.kermodeandmayo.com/survey   EXCLUSIVE NordVPN Deal ➼ https://nordvpn.com/take Try it risk-free now with a 30-day money-back guarantee!  A Sony Music Entertainment production.      Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts and follow us @sonypodcasts    To advertise on this show contact: podcastadsales@sonymusic.com  Learn more about your ad choices. Visit podcastchoices.com/adchoices

On the July 15 edition of Music History Today podcast, Johnny Cash gets dropped, and it's time for Gangnam Style and Rock of Love. Plus, there's a ton of birthdays including Linda Ronstandt, Ian Curtis, and Marky Ramone.For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY  PODCAST NETWORK LINKS - ⁠https://allmylinks.com/musichistorytoday⁠ 

Peter Hook, bold pioneer of the high, clambering, tune-filled bassline, is touring this autumn with Peter Hook & the Light. We talk to him in Prestatyn - about to deejay at mate's birthday - about the first gigs he ever saw and played, heavy-handed club owners, tough crowds on dance floors, the world audience for his two old bands and few key moments of a long life onstage, which involves … … why you should never read your reviews. … how Ian Curtis was precisely the opposite of how people imagined him. ... why deejaying is “the loneliest job in the world” and three tunes to play when it all goes wrong - “and I don't play Blue Monday for obvious reasons”. … seeing the Nolans at Salford Rugby Club, aged 15. … his bell bottoms, clogs and Heavy Metal phase. … seeing Led Zeppelin and the Sex Pistols the same week – “the Pistols were so bad they were relatable. I thought I could do that!” … Stiff Kittens' first gig: “a third-rate punk band aping all the others”. … how DJs need to be “belligerent” and why people find them hard to love – and the book he's writing, ‘How Not To Be A DJ'. … how Ian Curtis's vision of an international Joy Division following has finally been realised – “and with three generations in the crowd”. … radiogram-wrecking early adventures in bass guitar. … and the reasons he wanted to leave New Order and the thrill of maintaining their legacy. Peter Hook & The Light tickets here: https://peterhookandthelight.live/Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Peter Hook, bold pioneer of the high, clambering, tune-filled bassline, is touring this autumn with Peter Hook & the Light. We talk to him in Prestatyn - about to deejay at mate's birthday - about the first gigs he ever saw and played, heavy-handed club owners, tough crowds on dance floors, the world audience for his two old bands and few key moments of a long life onstage, which involves … … why you should never read your reviews. … how Ian Curtis was precisely the opposite of how people imagined him. ... why deejaying is “the loneliest job in the world” and three tunes to play when it all goes wrong - “and I don't play Blue Monday for obvious reasons”. … seeing the Nolans at Salford Rugby Club, aged 15. … his bell bottoms, clogs and Heavy Metal phase. … seeing Led Zeppelin and the Sex Pistols the same week – “the Pistols were so bad they were relatable. I thought I could do that!” … Stiff Kittens' first gig: “a third-rate punk band aping all the others”. … how DJs need to be “belligerent” and why people find them hard to love – and the book he's writing, ‘How Not To Be A DJ'. … how Ian Curtis's vision of an international Joy Division following has finally been realised – “and with three generations in the crowd”. … radiogram-wrecking early adventures in bass guitar. … and the reasons he wanted to leave New Order and the thrill of maintaining their legacy. Peter Hook & The Light tickets here: https://peterhookandthelight.live/Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Peter Hook, bold pioneer of the high, clambering, tune-filled bassline, is touring this autumn with Peter Hook & the Light. We talk to him in Prestatyn - about to deejay at mate's birthday - about the first gigs he ever saw and played, heavy-handed club owners, tough crowds on dance floors, the world audience for his two old bands and few key moments of a long life onstage, which involves … … why you should never read your reviews. … how Ian Curtis was precisely the opposite of how people imagined him. ... why deejaying is “the loneliest job in the world” and three tunes to play when it all goes wrong - “and I don't play Blue Monday for obvious reasons”. … seeing the Nolans at Salford Rugby Club, aged 15. … his bell bottoms, clogs and Heavy Metal phase. … seeing Led Zeppelin and the Sex Pistols the same week – “the Pistols were so bad they were relatable. I thought I could do that!” … Stiff Kittens' first gig: “a third-rate punk band aping all the others”. … how DJs need to be “belligerent” and why people find them hard to love – and the book he's writing, ‘How Not To Be A DJ'. … how Ian Curtis's vision of an international Joy Division following has finally been realised – “and with three generations in the crowd”. … radiogram-wrecking early adventures in bass guitar. … and the reasons he wanted to leave New Order and the thrill of maintaining their legacy. Peter Hook & The Light tickets here: https://peterhookandthelight.live/Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

"Joy Division" grubunun solisti Ian Curtis'in 1980'deki intiharından sonra kalan üyeler tarafından kurulan "New Order" grubunun 1983 yılında yayınladığı parçayla ilgili tüm detaylar.

***This show is brought to you by DistroKid. Go to http://distrokid.com/vip/the500 for 30% off your first year!*** Two months after the death of Joy Division's vocalist Ian Curtis, the remaining members of the band decided to release their second and final studio album, Closer. Matt makes his third appearance on the podcast to talk about their effect on the post-punk era and the later version of the group, New Order.  Follow Matt on Social Media: https://www.instagram.com/matthewpinfield/ DistroKid Artist Of The Week: Chris Berardo https://www.youtube.com/watch?v=MDjJXH0ThW8 Follow Josh on Instagram: https://www.instagram.com/joshadammeyers/ Follow Josh on TikTok: https://www.tiktok.com/@joshadammeyers Follow Josh on Twitter: https://twitter.com/JoshAdamMeyers Follow Josh on Facebook: https://www.facebook.com/joshameyers Josh's Website: https://www.joshadammeyers.com/ Follow The 500 on Instagram: https://www.instagram.com/the500podcast/ Follow The 500 on Twitter: https://twitter.com/the500podcast Follow The 500 on Facebook: https://www.facebook.com/The500PodcastWithJAM/ Email the show: 500podcast@gmail.com Check the show's website: http://the500podcast.com Learn more about your ad choices. Visit megaphone.fm/adchoices

DJ Jesse Luscious plays some of the best of the new records from Śmierć, Split Dogs, City Mouse, Smokers, & Pardon Us, revisits 2 classic Philly punk bands Pagan Babies & Ruin, recognises the 45th anniversary of Ian Curtis/Joy Division's death, and spins new tracks from GLU, Bobbie Peru, The Dirty Nil, Half Naked Shrunken Heads, Glowing Brain, False Gods, Onslaught, & The Haunted. He adds classics from X, The Kinks, Motörhead, Beth Ditto & The Gossip, Peter And The Test Tube Babies, Suicidal Tendencies, The Partisans, D.I., The Specials, T.S.O.L., Rubber City Rebels, The BellRays, Rollins Band, & Swingin' Utters, and presents the Luscious Listener's Choice! GLU- Forget Me Nots D.I.- Guns Rubber City Rebels- I Don't Wanna Be A Punk No More X - Because I Do Bobbie Peru- Cottonmouth TSOL- Abolish Government/Silent Majority (edit) Specials- Concrete Jungle Kinks- Too Hot Dirty Nil- Spider Dream City Mouse- Shine Your Light Śmierć- Prawda Split Dogs- Stay Tuned Smokers- Steal My Thunder Pardon Us- Wide-Eyed Optimist Half Naked Shrunken Heads- Let's Build A Boy Gossip- Standing In The Way Of Control Bellrays- Zero P.M. Wire- Ex-Lion Tamer Pagan Babies- The Bitch Ruin- Proof Rollins Band- What Am I Doing Here Swingin' Utters- Sunday Stripper Glowing Brain- Chilling Technology Motörhead- Teach Them How To Bleed False Gods- Voice Of Treason Onslaught- Emotional Blackmail Haunted- Labyrinth Of Lies Suicidal Tendencies- I Want More Partisans- 17 Years Of Hell Peter And The Test Tube Babies- Moped Lads Joy Division- Dead Souls

Jim and Jimmy explore iconic cultural moments from the 70s through 90s, connecting the dots between classic films, personal memories, and music history touchpoints.• Smokey and the Bandit and its filming locations throughout Georgia• Memorial Day memories spanning from 1977 to 1990• Joy Division's tragic story and how Ian Curtis's suicide led to New Order's formation• The existence of "Callin' Oates," an emergency Hall & Oates hotline• Deep dive into Elton John's "Captain Fantastic and the Brown Dirt Cowboy" album and its autobiographical themes• The significance of They Might Be Giants' "Istanbul (Not Constantinople)" and The Clash's "Train in Vain""Music in My Shoes" where music and memories intertwine.Learn Something New orRemember Something OldPlease like and follow the Music in my Shoes Facebook and Instagram pages and share the podcast with your friends on social media. Contact us at musicinmyshoes@gmail.com.Send us a one-way message. We can't answer you back directly, but it could be part of a future Music In My Shoes Mailbag!!!

On the May 18 edition of the Music History Today podcast, the music world has a Sister Souljah moment and loses a man with great potential, and the Beatles begin their first headlining tour. Also, happy birthday to Martika and Rob Base.For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY  PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday

Macclesfield, nahe und südlich von Manchester gelegen, wurde 2004 von der britischen Zeitung The Times der wenig ruhmreiche Titel als "kulturloseste Stadt" des Landes verliehen – und das, obwohl beispielsweise Ian Curtis und Stephen Morris von Joy Division dort gelebt hatten. Wahrscheinlich würde das Urteil 2025 deutlich positiver ausfallen, hat sich doch nicht nur 2006 (auch als Reaktion auf die Schmähung) die "Literarische und philosophische Gesellschaft Macclesfield" gegründet, sondern 2019 zudem das dort beheimatete Trio Cassia sein Debütalbum "Replica" veröffentlicht. Mit dessen tanzbaren Pop-Songs, denen bei aller Energie auch immer eine gewisse Melancholie innewohnt, und zu deren Inspirationsquellen Jazz wie Afro-Beat gehören, machten Sänger und Gitarrist Rob Ellis, Bassist Lou Cotterill und Schlagzeuger Jacob Leff sich bereits viele Freunde. Der 2022 in Berlin aufgenommene Nachfolger "Why You Lacking Energy?" vergrößerte die Fan-Gemeinde unter Beibehaltung des Stils noch einmal signifikant, und nach abermals drei Jahren erschien nun am 11. April das Drittwerk "Everyone, Outside", eingespielt im eigenen Studio der drei in Macclesfield. Von dort aus ging es noch vor Veröffentlichung des Albums auf die erste Headliner-Konzertreise durch die USA und Mexiko. Momentan befinden sich Rob, Ellis und Jacob auf großer Europa-Tour, die sie am morgigen 7. Mai auch ins Neuköllner Hole 44 führen wird. Tags zuvor besuchen sie uns im studioeins, um sich im Interview vorzustellen und natürlich mit ein paar live gespielten Songs auf das "richtige" Konzert einzustimmen.

Macclesfield, nahe und südlich von Manchester gelegen, wurde 2004 von der britischen Zeitung The Times der wenig ruhmreiche Titel als "kulturloseste Stadt" des Landes verliehen – und das, obwohl beispielsweise Ian Curtis und Stephen Morris von Joy Division dort gelebt hatten. Wahrscheinlich würde das Urteil 2025 deutlich positiver ausfallen, hat sich doch nicht nur 2006 (auch als Reaktion auf die Schmähung) die "Literarische und philosophische Gesellschaft Macclesfield" gegründet, sondern 2019 zudem das dort beheimatete Trio Cassia sein Debütalbum "Replica" veröffentlicht. Mit dessen tanzbaren Pop-Songs, denen bei aller Energie auch immer eine gewisse Melancholie innewohnt, und zu deren Inspirationsquellen Jazz wie Afro-Beat gehören, machten Sänger und Gitarrist Rob Ellis, Bassist Lou Cotterill und Schlagzeuger Jacob Leff sich bereits viele Freunde. Der 2022 in Berlin aufgenommene Nachfolger "Why You Lacking Energy?" vergrößerte die Fan-Gemeinde unter Beibehaltung des Stils noch einmal signifikant, und nach abermals drei Jahren erschien nun am 11. April das Drittwerk "Everyone, Outside", eingespielt im eigenen Studio der drei in Macclesfield. Von dort aus ging es noch vor Veröffentlichung des Albums auf die erste Headliner-Konzertreise durch die USA und Mexiko. Momentan befinden sich Rob, Ellis und Jacob auf großer Europa-Tour, die sie am morgigen 7. Mai auch ins Neuköllner Hole 44 führen wird. Tags zuvor besuchen sie uns im studioeins, um sich im Interview vorzustellen und natürlich mit ein paar live gespielten Songs auf das "richtige" Konzert einzustimmen.

David J Haskins in conversation with David Eastaugh https://davidjhaskins.com/music Both album & book are being released 6th June 2025 The Mother Tree is a poignant five-track album featuring David reciting his poetry to the accompaniment of lush, dramatic, atmospheric music, showcasing his multidimensional musical artistry. The bulk of the title piece was composed over the course of 3 days, in a remote part of Massachusetts where he was living in 1997, this following the passing of his mother, Joan Nancy. Rhapsody, Threnody & Prayer is a book of his poetry collected over the course of many years. The poems encompass a large array of experiences, places, relationships, infatuations and obsessions. Love found and love lost. They include tributes to departed cultural icons like Ian Curtis, Kurt Cobain, Mark Linkous, Jeff Buckley, and Jack Kerouac. David J Haskins Live Dates: June 10 - HQ (Record release event), Denver CO June 12 - Electron Gardens, Atlanta, GA June 14 - Fleetwoods, Asheville, NC June 18 - The Slipper Room, NYC, NY June 24 - Zebulon, Los Angeles, CA

Everyone needs a Beach Boy break every now and then, and I'm happy as a clam to announce this sharp left turn with Mogwai's Stuart Braithwaite, as we take a mutual descent into the heart of darkness.  Our examination of every last triumphantly bleak release by post-punk progenitors Joy Division is a dependably in-depth celebration of this great band's “eerie spatially.”Here's just a few of the many things that Stuart discusses with Discograffiti in this podcast:The avalanche of crazily top-shelf singles Joy Division released between their two LPs, including “Love Will Tear Us Apart”;The obscure song from which Joy Division cribbed the riff for “Love Will Tear Us Apart”;The super-cool but maddening-at-the-time decision to do an exclusive release of Stuart's all-time favorite Joy Division 45 through a French fanzine;The unfortunate inverse ratio of the band's success to Ian Curtis's worsening epilepsy and suicidal urges;The crucial role that mundane conversation held in Joy Division's band rehearsals;The details surrounding Ian Curtis's tragic suicide;Stuart's favorite album of all time;And a track-by-track rundown of Joy Division's posthumous classic Closer.Listen: linktr.ee/discograffitiI support a wife and a six-year-old son with Discograffiti as my sole source of income. If you're a Joy Division & Mogwai superfan like me, you'll want The Director's Cut of this episode. It's ad-free and features 13 additional minutes of essential material. Purchase it as a one-off, get the entire Season 1 & 2 Series as a bundle (listed under Collections), or better yet…Subscribe to Discograffiti's Patreon and receive a ceaseless barrage (4 shows a week!) of must-hear binge-listening. And now with our 2025 Patreon Membership Drive, you'll also get an episode all about YOU and a FREE copy of Metal Machine Muzak at the Lieutenant Tier or higher: Patreon.com/DiscograffitiCONNECTJoin our Soldiers of Sound Facebook Group: https://www.facebook.com/groups/1839109176272153Patreon: www.Patreon.com/DiscograffitiPodfollow: ⁠⁠https://podfollow.com/1592182331⁠⁠YouTube Channel: https://www.youtube.com/channel/UClyaQCdvDelj5EiKj6IRLhwInstagram: https://www.instagram.com/discograffitipod/Facebook: https://www.facebook.com/Discograffiti/Twitter: https://twitter.com/DiscograffitiOrder the Digital version of the METAL MACHINE MUZAK 2xLP (feat. Lou Barlow, Cory Hanson, Mark Robinson, & W. Cullen Hart): www.patreon.com/discograffiti/shop/197404Order the $11 Digital version of the MMM 2xLP on Bandcamp: https://discograffiti.bandcamp.com/album/metal-machine-muzakOrder the METAL MACHINE MUZAK Double Vinyl + Digital package: www.patreon.com/discograffiti/shop/169954Merch Shop: https://discograffitipod.myspreadshop.com/allVenmo Dave A Tip: @David-GebroeWeb site: http://discograffiti.com/CONTACT DAVEEmail: dave@discograffiti.comFacebook: https://www.facebook.com/hooligandaveInstagram:  https://www.instagram.com/davidgebroe/Twitter: https://twitter.com/DaveGebroeThere is no other Patreon in existence where you get more for your money. 4 shows a week is what it takes these days to successfully blot out our unacceptable reality…so do yourself a favor and give it a shot for at least one month to see what I'm talking about.  If you're already a member, please comment below about your experience.  www.Patreon.com/discograffiti#joydivision #mogwai #stuartbraithwaite #iancurtis #unknownpleasures #thebigfire #postpunk #neworder #thecure #newwave #manchester #lovewilltearusapart #thesmiths #factoryrecords #bernardsumner #stephenmorris #depechemode #closer#discograffiti #metalmachinemuzak #soldiersofsound #andyourdreamscometrue

Kevin Cummins has an international reputation as one of the world's leading photographers and is famed for his iconic portraits of musicians including Ian Curtis, Bowie, The Smiths, Iggy Pop, Bjork, Debbie Harry, Bob Marley, Public Enemy, Patti Smith and Oasis. These photographs have appeared on magazine covers and in galleries and museums worldwide, including Brooklyn Museum, Sydney Opera House, and the Pace Gallery, His work is included in the permanent collections of the National Portrait Gallery, V&A Museum and Manchester City Art Gallery. Kevin had a 20-year association with the NME, where he created many of the best-known images in modern music history. From the acting world he's photographed Helen Mirren, Ralph Fiennes, Vanessa Redgrave, Stephen Graham, Gary Oldman, and Richard E. Grant. His work has appeared on over 500 magazine covers and he's published many books documenting much of his own work with his latest, Oasis The Masterplan, being his sixteenth. It's out in April but you can pre-order it now. It documents twelve months of seismic change at the start of their career through the photographs he took that cemented the identity of Oasis and helped to define the band. You can buy the book, here - https://www.waterstones.com/book/oasis-the-masterplan/kevin-cummins/9781788405683Kevin Cummins is our guest in episode 478 of My Time Capsule and chats to Michael Fenton Stevens about the five things he'd like to put in a time capsule; four he'd like to preserve and one he'd like to bury and never have to think about again .Buy Oasis The Masterplan by Kevin Cummins, here - https://www.waterstones.com/book/oasis-the-masterplan/kevin-cummins/9781788405683For everything Kevin Cummins, visit - http://www.kevincummins.co.ukFollow Kevin Cummins on Instagram & Twitter/X: @dkcmanc .Follow My Time Capsule on Instagram: @mytimecapsulepodcast & Twitter/X & Facebook: @MyTCpod .Follow Michael Fenton Stevens on Twitter/X: @fentonstevens & Instagram @mikefentonstevens .Produced and edited by John Fenton-Stevens for Cast Off Productions .Music by Pass The Peas Music .Artwork by matthewboxall.com .This podcast is proud to be associated with the charity Viva! Providing theatrical opportunities for hundreds of young people . Get bonus episodes and ad-free listening by becoming a team member with Acast+! Your support will help us to keep making My Time Capsule. Join our team now! https://plus.acast.com/s/mytimecapsule. Hosted on Acast. See acast.com/privacy for more information.

John Aizlewood in conversation with David Eastaugh http://www.johnaizlewood.com/ https://www.amazon.co.uk/Joy-Division-New-Order-Decades The definitive illustrated story of Joy Division + New Order. There's no template for making it as a globally successful pop group. Some of the ingredients remain constant and beyond the music, there's a mix'n'match selection of premature death, drugs, drink, destroyed friendships, lukewarm solo projects and bungled finances. The saga of Joy Division and New Order has all those clichés, yet both groups defined their times and overturned their musical landscape. First, there was Joy Division. Their music reflected both the barren urban landscape of their native Manchester in the late 1970s and singer Ian Curtis's heart of darkness. They remain forever set in aspic, not merely – if “merely” is the right word – by the suicide of their extraordinary and extraordinarily volatile singer, but by two albums as close to perfection as music can come. From the ashes of Joy Division rose New Order, who recruited a keyboardist because of – rather than in spite of – the fact she couldn't play. On the cusp of the British dance music boom, with what seemed like remarkable prescience, they invested in The Haçienda, a club in their native Manchester. In its pomp, the queues were around the block, but its debts would sink their heroically hopeless record label, Factory. If Joy Division were sublime musical darkness, New Order were bathed in sunlight and their globally popular music bridged the chasm between indie and dance and inspired a generation. Having conquered the world while maintaining their credibility, they snatched defeat from the jaws of victory and imploded in a tsunami of recrimination, while still making fabulous music to this day. You couldn't make it up: there's no need to.

THIS IS A PREVIEW. IF YOU WANT TO LISTEN TO THE FULL EPISODE, CHECK OUT FRUITLESS ON PATREON HERE: https://www.patreon.com/user?u=11922141EPISODE ON PATREON: https://www.patreon.com/posts/120294489Caleb (@theboghog) joins Josiah to discuss Control (2007), Joy Division, and the life and work of Ian Curtis.Music by SHADE08 & Joy Division ★ Support this podcast on Patreon ★

El 18 de mayo de 1980, Ian Curtis, músico, padre, marido y cantante de Joy Division se ahorcó. Tenía 23 años. La carrera de Joy Division fue tan fugaz como recordada, dos discos, un par de años y un puñado de canciones que crearon un ambiente y una escena en el postpunk que marcó el camino a decenas de bandas que quedaron iluminadas por la oscuridad de la banda de Mánchester. Tras la magia de Unknonw Pleasures, un disco que catapultó a Joy Division, el grupo volvió a la carrera al estudio para crear una colección de canciones marcadas por las peculiares influencias literarias de aquellos veinteañeros, pero también por la agonía, las dudas existenciales, el dolor y finalmente la muerte. Esta semana nos vamos a adentrar el Closer, su segundo disco, su trabajo póstumo, un álbum que marcó también el final de una década, de una época y el comienzo de otra.ESCUCHA EL PROGRAMA DEDICADO A UNKNOWN PLEASURES

El 18 de mayo de 1980, Ian Curtis, músico, padre, marido y cantante de Joy Division se ahorcó. Tenía 23 años. La carrera de Joy Division fue tan fugaz como recordada, dos discos, un par de años y un puñado de canciones que crearon un ambiente y una escena en el postpunk que marcó el camino a decenas de bandas que quedaron iluminadas por la oscuridad de la banda de Mánchester. Tras la magia de Unknonw Pleasures, un disco que catapultó a Joy Division, el grupo volvió a la carrera al estudio para crear una colección de canciones marcadas por las peculiares influencias literarias de aquellos veinteañeros, pero también por la agonía, las dudas existenciales, el dolor y finalmente la muerte. Esta semana nos vamos a adentrar el Closer, su segundo disco, su trabajo póstumo, un álbum que marcó también el final de una década, de una época y el comienzo de otra.ESCUCHA EL PROGRAMA DEDICADO A UNKNOWN PLEASURES

In Episode #190 of The XS Noize Podcast, host Mark Millar speaks to legendary bassist Peter Hook, co-founder of Joy Division and New Order. Peter Hook & the Light will soon tour North America, the UK, and Ireland. The band will perform the full Substance albums by Joy Division and New Order on live dates. Peter Hook first revisited the seminal Joy Division album Unknown Pleasures in May 2010 for a commemorative charity concert and has followed it each year by performing subsequent albums from the repertoire of his bands, Joy Division and New Order. Peter Hook & The Light have since moved through each of those albums, culminating in the Factory Records Substance compilations, and recently celebrated over four decades of the continuing influence of Joy Division and Ian Curtis with the Joy Division: A Celebration concerts where both of the band's albums were played in full. In this interview, Peter discusses his time with Joy Division and New Order, working with Damon Albarn on Gorillaz, the upcoming tour, and more.  Listen via YouTube | Apple Podcasts | Spotify | Amazon Music | RSS – Find The XS Noize Podcast's complete archive of episodes here. Previous XS Noize Podcast guests have included Humanist, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, John Lydon, Bernard Butler, Steven Wilson, Matt Goss, Billy Nomates, Midge Ure, Travis, New Order, The Killers, Tito Jackson, Simple Minds, Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, The Brand New Heavies, Villagers, and many more.

Lord of the Les Paul and Mariscal of the Marshall Stack, Scott Gorham shot to worldwide prominence with the legendary rock band Thin Lizzy. He created what would become known subsequently as “The Twin Guitar Attack” - a harmonised lead guitar style developed alongside players such as Brian Robertson and Gary Moore, driving home the larger-than-life persona of frontman and bass player Phil Lynott. At the height of their powers, Thin Lizzy were a world-straddling colossus of a band - hard rocking for sure but real songwriters, too. And just incredible live! I caught up with Scott at what used to be Olympic Recording Studios in Barnes (Led Zeppelin, Queen, Lizzy ... they all made records there). It's now a cinema complex and restaurant with a private members club hidden away for those in the know.  We talk about Scott's early exposure to the guitar and live music, his relocation from California to London, and an audition for Thin Lizzy which I suspect would have broken most of us. We discuss the iconography of Gibson's Les Paul model. In particular, the heavily supervised shopping trip for the mini-humbucker Deluxe model with which Scott has become synonymous. We go deep on the semantics of scratch plates, amplifiers the size of a family SUV, and what happens when your guitar gets famous without you.  But it wasn't all gold tops, champagne and caviar, life in Thin Lizzy could be tempestuous and Scott is candid about the darker times including how golf helped with the pain of recovery from addiction. Hey, if it works… right? We talk in depth about Scott's secret double life as a visual artist, discuss two of the rarest materials in the universe and share a fond hope that benevolent extraterrestrial life might just have our backs after all. Now, what no-one knew - because he had kept it a secret from the world - is that Scott Gorham is an extremely skilled artist and some of his extraordinarily detailed pencil drawings from the Thin Lizzy period have been rediscovered and are now available as fine art prints. He's had his first gallery showing and it's all going rather well. You can see more here: https://scottgorhamworld.com Take a look at Pain, Curiosity and Apocalypse, three works that we discuss in detail.  Be advised - the language gets a little fruity as we progress. It doesn't get too awful, but listeners with delicate sensibilities or the under-fives should proceed with caution. This episode was brought to you by the kind sponsorship of Guitar Tech Courses. Founded by British luthier James Collins (himself a graduate of the prestigious Galloup School of Guitar Making in Michigan) and an accredited repair technician for Gibson guitars for several years now, Guitar Tech Academy offers an online archive of instructional videos covering the maintenance and set-up of just about every modern guitar design from the wrap-around bridge of a '54 Goldtop to Bigsbys, Strat and Tele bridges, acoustics and archtops, too. It's all there. James will guide you through the theory and practice of setting up your guitar for your playing - follow this link https://www.guitartechcourses-academy.com and sign up today - you will never have sounded better! Join me next time for a chat with Superstar auctioneer Claire Tole-Moir of Bonhams London, who has been responsible for the sale of iconic instruments used by Eric Clapton, Peter Green, Slash, Ian Curtis and many more! A Fretboard Journal Podcast.  https://www.fretboardjournal.com    

Jordan and Alex don their most severe clothing and geometric haircuts to dive in the Big Bang of post-punk and goth: Joy Division's “Unknown Pleasures!” They'll trace the band's origins to a pre-fame Sex Pistols gig in Manchester attended by virtually every member of the city's musical luminaries to the maddening conditions of recording with insane genius producer Martin Hannett, who maybe tried to suffocate and/or poison their drummer? They'll also re-litigate 1980s Manchester's most famous rock feud…among people who aren't in the Smiths: Joy Division/ New Order's Peter Hook and Bernard Sumner! Also get ready to be so sad hearing about Ian Curtis' life! Too Much Information: Two men in their 30s struggling to delicately parse mental health issues via granular trivia!See omnystudio.com/listener for privacy information.

To understand the story of Joy Division, and how they became New Order requires some patience, and much more. The "why?" in the equation is also discussed, including the lack of support in the area of mental health in that era. The suicide of Ian Curtis might have crashed most bands, but the survivors carried on with a New Order! The impact of Joy Division carries on today. The full story unfolds in this episode: joy, pain, recovery, fortitude and incredible music! Tom Taylor wrote an article about Ian Curtis's final days for Far Out Magazine here! Check out all of our episodes here! And listen to our Live 365 channel here! Learn more about your ad choices. Visit megaphone.fm/adchoices

To understand the story of Joy Division, and how they became New Order requires some patience, and much more. The "why?" in the equation is also discussed, including the lack of support in the area of mental health in that era. The suicide of Ian Curtis might have crashed most bands, but the survivors carried on with a New Order! The impact of Joy Division carries on today. The full story unfolds in this episode: joy, pain, recovery, fortitude and incredible music! Tom Taylor wrote an article about Ian Curtis's final days for Far Out Magazine here! Check out all of our episodes here! And listen to our Live 365 channel here! Learn more about your ad choices. Visit megaphone.fm/adchoices

The shadow(play) of this band and this record in particular, looms large.  From its iconic cover to the deification of singer Ian Curtis after his suicide shortly after the albums release to their transformation into the stadium filling New Order afterward, everything about Joy Division feels big and important.  But what about the music itself?  Sure it influenced everyone from The Cure to U2, Tears For fears to Interpol but does it hold up on its own merits in 2024?  We dig into the fading new dawn and attempt to remember everything.    Recommended Listening   HHPP Spotify Track:  Shadowplay  https://open.spotify.com/track/4ZuC5MfGjRQs3pZtPxqMYP?si=ba5d22e63b474e3e   Spotify Playlist:  https://open.spotify.com/user/1298220429/playlist/4gy1wWwypkoFS2lUztvZ44?si=waSq07DBQlq3x9G1_nK0pg   Contact us at:  huntsmanhillpodcast@gmail.com   huntsmanhill.com instagram.com/huntsmanhill https://twitter.com/HuntsmanHill   Our Music manhuntsman:   https://open.spotify.com/artist/7tFBWn0UFkdOEMf67TRD6W?si=vzllkbDwSEmfZFlj02GLRw Academy O.C:   https://academyoc.bandcamp.com/album/academy-o-c   Omertà 68:   https://open.spotify.com/artist/6dfiCa0qTlbPQUrqtIkStS?si=6SCjNtXbSO2xRBDuBKJelQ Mid City Three:   https://open.spotify.com/artist/2LW7wWSHd9bi3n3Q5N8i35?si=aVFU0HdnRzqI1UOTAfc-ig

‘Play high, Hooky! Play high!' Ian Curtis had been Joy Division's conductor and lightning rod, giving his crucial nod of approval to Peter Hook's upper-register bass sound and pulling the strings elsewhere. In May 1980, though, after Ian's death, the renamed New Order faced an uphill battle. How they not only survived, but thrived spectacularly, is one of the great redemptive stories of rock and roll. Spotify Playlist: https://open.spotify.com/playlist/6SPnBqYphsObL9HQKoyYYN?si=6f223859504d425a Facebook: https://www.facebook.com/profile.php?id=100063297726030 Youtube: https://www.youtube.com/@KnownPleasuresPodcast Instagram: https://www.instagram.com/knownpleasurespodcast/ Twitter: @pleasuresknown The Known Pleasures Theme Song: https://www.youtube.com/watch?v=dvn2bfFxC-0

Legendary Dutch music photographer and filmmaker Anton Corbijn is the man who's made black and white photography his own since 1979, while shooting everyone from Joy Division to Depeche Mode to Bowie to The Rolling Stones. He became the visual creative director of Depeche Mode and U2 around the time he started directing some of the most iconic music videos of our time, from 'Enjoy The Silence' to Nirvana's 'Heart Shaped Box'.  In 2007, Anton directed the Ian Curtis biopic Control starring Sam Riley, followed by Hollywood studio picture The American, starting George Clooney, in 2010.  We talk about all of this and Corbijn's latest documentary Squaring The Circle in this week's podcast.  Give the show a follow on Instagram and TikTok at @midnightchatspod. This episode was recored in July 2023. Further links: One of Anton's icon Joy Division tube station photos Nirvana's 'Heart Shaped Box' Depeche Mode's 'Enjoy The Silence' Control trailer The American trailer Squaring The Triangle trailer Credits: Interview and editing by Stuart Stubbs Mixing and Mastering by Flo Lines Artwork by Kate Prior  See omnystudio.com/listener for privacy information.

Ian Curtis, Janis Joplin, Pete Steele, Layne Staley, Jon Nodtveidt, Kurt Cobain, and on and on, the list is endless....so do musicians actually have shorter lives? in this episode I go through some of the reason that might indeed be true!! Wine is fine but whiskeys quicker.....support the show over athttp://patreon.com/alanaverillgo and check out ELUSIVE GOD right here :https://elusivegod.bandcamp.com/https://linktr.ee/elusive_godhttps://www.instagram.com/elusive.god.doom/https://www.metal-archives.com/bands/Elusive_God/3540457868https://www.youtube.com/watch?v=rdhOHm13mrEPrimordial on Spotifyhttps://open.spotify.com/artist/0BZr6...sponsored byMetal Blade recordshttps://metalblade.indiemerch.com/promo code AA 2024 for 10% off your orderships worldwidefor professional band backdrops or other requests contact :alan.averill@gmail.comVerminous Serpenthttps://open.spotify.com/artist/54Wpl...Dread Sovereignhttps://open.spotify.com/artist/60HY4...Support this show http://supporter.acast.com/agitators-anonymous-the-alan-averill-podcast. Hosted on Acast. See acast.com/privacy for more information.

Joy Division was exploding on the scene in 1980 and about to embark on a North American tour when their frontman Ian Curtis was found dead at age 23. Listen to the accompanying playlist on Spotify at https://open.spotify.com/playlist/7kMfciTD1sY2KVpsYeeDNh?si=7aed6d0ba85b49de .Support the show

Numero Group has released a double A sided 7” featuring Joy Division covers by Bedhead and Codeine. The first Joy Division cover I ever heard was probably by Paul Young. The second probably by Grace Jones. I didn't like either, and actually hated the whole idea of a Joy Division cover with as much intensity as I loved the originals. There was nothing like Ian Curtis, there was nothing like the real thing, so why even try. Over time I heard covers done by Midwest American bands - a slow core - tempered approach to the anguish, and I started paying more attention. While not the real thing, Bedhead- Disorder & Codeine - Atmosphere - capture the spirit, like they have walked on fire and can't feel it anymore.Without seeking anyone's approval, if you are a fan of Joy Division, I hope you enjoy it. Features - Galaxie 500, Bedhead, Codeine, Low, Thurston Moore and more. Tune into new broadcasts of Matt Pape Mixtape, Friday from 12 - 1 AM EST / 5 - 6 AM GMTFor more info visit: https://thefaceradio.com/matt-pape-mixtape///Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

Richey Edwards - The renowned British rock star.  Edwards left an indelible mark on the music industry with his mysterious, poetic and thought-provoking lyrics and a dark, enigmatic persona reminiscent of Jim Morrison and Ian Curtis.  But when he vanished in 1995, more questions were posed, than answered. What became of the guitarist from The Manic Street Preachers, who is still loved today by millions of fans worldwide....

"Movement" There's nothing about Peter Hook that I can tell you you don't already know, so let's just do a refresher run through his musical CV. In the late '70s Hook formed Joy Division with childhood pal Bernard Sumner after the two friends saw the Sex Pistols play in Manchester. The band only put out two albums and one of those albums, the legendary Closer was put out two months after the band had ceased to b,e due to the suicide of singer Ian Curtis on the eve of Joy Division's debut US/Canada tour. Rechristened New Order and consisting of the remaining members of Joy Division plus keyboardist Gillian Gilbert, New Order blended jittery post-punk rhythms with dance music. The result? Well, you know the result. They were one of the biggest bands of the '80s, spawning hits like True Faith, The Perfect Kiss, Subculture and Blue Monday, which was the biggest selling 12-inch of all time. It might still be. New Order dominated the '80s, but the '90s weren't too shabby—they had a #1 UK hit with World In Motion in 1990 and they had their biggest US hit with “Regret” in 1993. They kept crushing it, putting out Get Ready in 2001 and collaborating with Billy Corgan and Bobby Gillespie of Primal Scream. They were given the Godlike Genius award at the 2005 NME awards and got nominated for a Grammy in 2006 for Guilt Is a Useless Emotion. Then things got a bit sour, with Hook leaving the band in 2007 and forming his own outfit Peter Hook and the Light, a band that featured his son Jack and much to his fans delight, revisited the Joy Division and New Order songbooks. Over the course of his career Hook has worked with The Stone Roses, and Perry Farrell, he toured with the Durutti Column, put out albums with Revenge and Monaco and wrote one of the best music books ever: Substance; Inside New Order. This is a partial list, btw. Almost a partial partial list because when it comes to Peter Hook, there's a lot of ground to cover. But these are the basics. Do a deeper dive after you hear the show—the guy is a titan. As for his split with New Order and his boyhood pal Bernard, we don't have time to go over the legal end of that dissolution, so let's just say this. If you're hoping for a reunion you're wasting your good hope energy. Not going to happen. As a bassist, he plays with an authoritative blend of prowl and sting and not only is he one of the all time greats, he also happens to be a nice guy. This chat covers his fractured friendship with Sumner, why the New Order/Joy Division songbooks appeal to fans across generations and what Hooky has learned from his old material. www.peterhookandthelight.live www.bombshellradio.com www.embersarts.com www.stereoembersmagazine.com www.alexgreenbooks.com Stereo Embers The Podcast Twitter: @emberseditor Instagram: @emberspodcast Email: editor@stereoembersmagazine.com

Peter Hook shares stories & anecdotes about the rare records & recordings of Joy Division, the artwork of "Unknown Pleasures", unheard Joy Division tapes, Sex Pistols Manchester Free Trade Hall show & more. Peter is recovering from Covid New Order Substance was made for Tony Wilson's car Burying grief immediately after Ian Curtis' death Band-financing “An Ideal for Living” record The 45 single sounded dreadful New Order didn't want to play Joy Division The popularity of Joy Division so many years later What could have been on Joy Division's 3rd LP Did Ian hear or see the "Closer" album package? The band's music activity in the days after Ian's death What was the plan for “An Ideal for Living”? Changes for “An Ideal For Living” 12” repress Band changing name from “Warsaw” to “Joy Division” FAC-02 compilation & other early records “Licht Und Blindheit” single from France Band involvement with record artwork The image for “Unknown Pleasures” artwork The popularity of “Unknown Pleasures” artwork / Disney The fractures within the band members in later years Status of Joy Division master tapes Additional/unheard Joy Division music Ian Curtis' daughter & personal mementos Ticket stubs from the Sex Pistols Manchester show Memories of the Sex Pistols Free Trade Hall show Buying his 1st bass guitar When the Sex Pistols returned to Manchester Did Peter's parents ever see him play live? The runout groove of FAC-40 – Joy Division “Still” Interview wrapup Peter Hook & the Light play Joy Division & New Order "Substance" Albums - Tour Dates Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

In May 1980, the band Joy Division was devastated by the death of lead singer Ian Curtis. The three remaining band members, Bernard Sumner, Peter Hook, and Stephen Morris, decided they would keep making music together, and a few months later, Gillian Gilbert joined them. They called the band New Order. New Order is one of the most influential bands of the last four decades. Their song “Blue Monday" came out in 1983, and it holds the record for being the best-selling 12-inch single of all time. Rolling Stone put “Blue Monday” on its list of the 500 Greatest Songs of All Time, and Pitchfork included it in its top 5 best songs of the 1980s. To celebrate the 40th anniversary of the release of “Blue Monday,” in this episode, New Order discusses how they created the song. This episode was produced in collaboration with Transmissions, the official New Order and Joy Division podcast produced by Cup and Nuzzle. We've put together this story out of the hours and hours of interviews they've recorded, along with a new interview I did with Peter Hook. As you'll hear the four of them explain, nothing about Blue Monday's success, or really, even its existence, was something that they planned for. For more, visit songexploder.net/new-order.