Podcasts about Ian Curtis

DJ Jesse Luscious plays some of the best of the new records from Śmierć, Split Dogs, City Mouse, Smokers, & Pardon Us, revisits 2 classic Philly punk bands Pagan Babies & Ruin, recognises the 45th anniversary of Ian Curtis/Joy Division's death, and spins new tracks from GLU, Bobbie Peru, The Dirty Nil, Half Naked Shrunken Heads, Glowing Brain, False Gods, Onslaught, & The Haunted. He adds classics from X, The Kinks, Motörhead, Beth Ditto & The Gossip, Peter And The Test Tube Babies, Suicidal Tendencies, The Partisans, D.I., The Specials, T.S.O.L., Rubber City Rebels, The BellRays, Rollins Band, & Swingin' Utters, and presents the Luscious Listener's Choice! GLU- Forget Me Nots D.I.- Guns Rubber City Rebels- I Don't Wanna Be A Punk No More X - Because I Do Bobbie Peru- Cottonmouth TSOL- Abolish Government/Silent Majority (edit) Specials- Concrete Jungle Kinks- Too Hot Dirty Nil- Spider Dream City Mouse- Shine Your Light Śmierć- Prawda Split Dogs- Stay Tuned Smokers- Steal My Thunder Pardon Us- Wide-Eyed Optimist Half Naked Shrunken Heads- Let's Build A Boy Gossip- Standing In The Way Of Control Bellrays- Zero P.M. Wire- Ex-Lion Tamer Pagan Babies- The Bitch Ruin- Proof Rollins Band- What Am I Doing Here Swingin' Utters- Sunday Stripper Glowing Brain- Chilling Technology Motörhead- Teach Them How To Bleed False Gods- Voice Of Treason Onslaught- Emotional Blackmail Haunted- Labyrinth Of Lies Suicidal Tendencies- I Want More Partisans- 17 Years Of Hell Peter And The Test Tube Babies- Moped Lads Joy Division- Dead Souls

Jim and Jimmy explore iconic cultural moments from the 70s through 90s, connecting the dots between classic films, personal memories, and music history touchpoints.• Smokey and the Bandit and its filming locations throughout Georgia• Memorial Day memories spanning from 1977 to 1990• Joy Division's tragic story and how Ian Curtis's suicide led to New Order's formation• The existence of "Callin' Oates," an emergency Hall & Oates hotline• Deep dive into Elton John's "Captain Fantastic and the Brown Dirt Cowboy" album and its autobiographical themes• The significance of They Might Be Giants' "Istanbul (Not Constantinople)" and The Clash's "Train in Vain""Music in My Shoes" where music and memories intertwine.Learn Something New orRemember Something OldPlease like and follow the Music in my Shoes Facebook and Instagram pages and share the podcast with your friends on social media. Contact us at musicinmyshoes@gmail.com.Send us a one-way message. We can't answer you back directly, but it could be part of a future Music In My Shoes Mailbag!!!

Macclesfield, nahe und südlich von Manchester gelegen, wurde 2004 von der britischen Zeitung The Times der wenig ruhmreiche Titel als "kulturloseste Stadt" des Landes verliehen – und das, obwohl beispielsweise Ian Curtis und Stephen Morris von Joy Division dort gelebt hatten. Wahrscheinlich würde das Urteil 2025 deutlich positiver ausfallen, hat sich doch nicht nur 2006 (auch als Reaktion auf die Schmähung) die "Literarische und philosophische Gesellschaft Macclesfield" gegründet, sondern 2019 zudem das dort beheimatete Trio Cassia sein Debütalbum "Replica" veröffentlicht. Mit dessen tanzbaren Pop-Songs, denen bei aller Energie auch immer eine gewisse Melancholie innewohnt, und zu deren Inspirationsquellen Jazz wie Afro-Beat gehören, machten Sänger und Gitarrist Rob Ellis, Bassist Lou Cotterill und Schlagzeuger Jacob Leff sich bereits viele Freunde. Der 2022 in Berlin aufgenommene Nachfolger "Why You Lacking Energy?" vergrößerte die Fan-Gemeinde unter Beibehaltung des Stils noch einmal signifikant, und nach abermals drei Jahren erschien nun am 11. April das Drittwerk "Everyone, Outside", eingespielt im eigenen Studio der drei in Macclesfield. Von dort aus ging es noch vor Veröffentlichung des Albums auf die erste Headliner-Konzertreise durch die USA und Mexiko. Momentan befinden sich Rob, Ellis und Jacob auf großer Europa-Tour, die sie am morgigen 7. Mai auch ins Neuköllner Hole 44 führen wird. Tags zuvor besuchen sie uns im studioeins, um sich im Interview vorzustellen und natürlich mit ein paar live gespielten Songs auf das "richtige" Konzert einzustimmen.

Macclesfield, nahe und südlich von Manchester gelegen, wurde 2004 von der britischen Zeitung The Times der wenig ruhmreiche Titel als "kulturloseste Stadt" des Landes verliehen – und das, obwohl beispielsweise Ian Curtis und Stephen Morris von Joy Division dort gelebt hatten. Wahrscheinlich würde das Urteil 2025 deutlich positiver ausfallen, hat sich doch nicht nur 2006 (auch als Reaktion auf die Schmähung) die "Literarische und philosophische Gesellschaft Macclesfield" gegründet, sondern 2019 zudem das dort beheimatete Trio Cassia sein Debütalbum "Replica" veröffentlicht. Mit dessen tanzbaren Pop-Songs, denen bei aller Energie auch immer eine gewisse Melancholie innewohnt, und zu deren Inspirationsquellen Jazz wie Afro-Beat gehören, machten Sänger und Gitarrist Rob Ellis, Bassist Lou Cotterill und Schlagzeuger Jacob Leff sich bereits viele Freunde. Der 2022 in Berlin aufgenommene Nachfolger "Why You Lacking Energy?" vergrößerte die Fan-Gemeinde unter Beibehaltung des Stils noch einmal signifikant, und nach abermals drei Jahren erschien nun am 11. April das Drittwerk "Everyone, Outside", eingespielt im eigenen Studio der drei in Macclesfield. Von dort aus ging es noch vor Veröffentlichung des Albums auf die erste Headliner-Konzertreise durch die USA und Mexiko. Momentan befinden sich Rob, Ellis und Jacob auf großer Europa-Tour, die sie am morgigen 7. Mai auch ins Neuköllner Hole 44 führen wird. Tags zuvor besuchen sie uns im studioeins, um sich im Interview vorzustellen und natürlich mit ein paar live gespielten Songs auf das "richtige" Konzert einzustimmen.

David J Haskins in conversation with David Eastaugh https://davidjhaskins.com/music Both album & book are being released 6th June 2025 The Mother Tree is a poignant five-track album featuring David reciting his poetry to the accompaniment of lush, dramatic, atmospheric music, showcasing his multidimensional musical artistry. The bulk of the title piece was composed over the course of 3 days, in a remote part of Massachusetts where he was living in 1997, this following the passing of his mother, Joan Nancy. Rhapsody, Threnody & Prayer is a book of his poetry collected over the course of many years. The poems encompass a large array of experiences, places, relationships, infatuations and obsessions. Love found and love lost. They include tributes to departed cultural icons like Ian Curtis, Kurt Cobain, Mark Linkous, Jeff Buckley, and Jack Kerouac. David J Haskins Live Dates: June 10 - HQ (Record release event), Denver CO June 12 - Electron Gardens, Atlanta, GA June 14 - Fleetwoods, Asheville, NC June 18 - The Slipper Room, NYC, NY June 24 - Zebulon, Los Angeles, CA

Everyone needs a Beach Boy break every now and then, and I'm happy as a clam to announce this sharp left turn with Mogwai's Stuart Braithwaite, as we take a mutual descent into the heart of darkness.  Our examination of every last triumphantly bleak release by post-punk progenitors Joy Division is a dependably in-depth celebration of this great band's “eerie spatially.”Here's just a few of the many things that Stuart discusses with Discograffiti in this podcast:The avalanche of crazily top-shelf singles Joy Division released between their two LPs, including “Love Will Tear Us Apart”;The obscure song from which Joy Division cribbed the riff for “Love Will Tear Us Apart”;The super-cool but maddening-at-the-time decision to do an exclusive release of Stuart's all-time favorite Joy Division 45 through a French fanzine;The unfortunate inverse ratio of the band's success to Ian Curtis's worsening epilepsy and suicidal urges;The crucial role that mundane conversation held in Joy Division's band rehearsals;The details surrounding Ian Curtis's tragic suicide;Stuart's favorite album of all time;And a track-by-track rundown of Joy Division's posthumous classic Closer.Listen: linktr.ee/discograffitiI support a wife and a six-year-old son with Discograffiti as my sole source of income. If you're a Joy Division & Mogwai superfan like me, you'll want The Director's Cut of this episode. It's ad-free and features 13 additional minutes of essential material. Purchase it as a one-off, get the entire Season 1 & 2 Series as a bundle (listed under Collections), or better yet…Subscribe to Discograffiti's Patreon and receive a ceaseless barrage (4 shows a week!) of must-hear binge-listening. And now with our 2025 Patreon Membership Drive, you'll also get an episode all about YOU and a FREE copy of Metal Machine Muzak at the Lieutenant Tier or higher: Patreon.com/DiscograffitiCONNECTJoin our Soldiers of Sound Facebook Group: https://www.facebook.com/groups/1839109176272153Patreon: www.Patreon.com/DiscograffitiPodfollow: ⁠⁠https://podfollow.com/1592182331⁠⁠YouTube Channel: https://www.youtube.com/channel/UClyaQCdvDelj5EiKj6IRLhwInstagram: https://www.instagram.com/discograffitipod/Facebook: https://www.facebook.com/Discograffiti/Twitter: https://twitter.com/DiscograffitiOrder the Digital version of the METAL MACHINE MUZAK 2xLP (feat. Lou Barlow, Cory Hanson, Mark Robinson, & W. Cullen Hart): www.patreon.com/discograffiti/shop/197404Order the $11 Digital version of the MMM 2xLP on Bandcamp: https://discograffiti.bandcamp.com/album/metal-machine-muzakOrder the METAL MACHINE MUZAK Double Vinyl + Digital package: www.patreon.com/discograffiti/shop/169954Merch Shop: https://discograffitipod.myspreadshop.com/allVenmo Dave A Tip: @David-GebroeWeb site: http://discograffiti.com/CONTACT DAVEEmail: dave@discograffiti.comFacebook: https://www.facebook.com/hooligandaveInstagram:  https://www.instagram.com/davidgebroe/Twitter: https://twitter.com/DaveGebroeThere is no other Patreon in existence where you get more for your money. 4 shows a week is what it takes these days to successfully blot out our unacceptable reality…so do yourself a favor and give it a shot for at least one month to see what I'm talking about.  If you're already a member, please comment below about your experience.  www.Patreon.com/discograffiti#joydivision #mogwai #stuartbraithwaite #iancurtis #unknownpleasures #thebigfire #postpunk #neworder #thecure #newwave #manchester #lovewilltearusapart #thesmiths #factoryrecords #bernardsumner #stephenmorris #depechemode #closer#discograffiti #metalmachinemuzak #soldiersofsound #andyourdreamscometrue

Kevin Cummins has an international reputation as one of the world's leading photographers and is famed for his iconic portraits of musicians including Ian Curtis, Bowie, The Smiths, Iggy Pop, Bjork, Debbie Harry, Bob Marley, Public Enemy, Patti Smith and Oasis. These photographs have appeared on magazine covers and in galleries and museums worldwide, including Brooklyn Museum, Sydney Opera House, and the Pace Gallery, His work is included in the permanent collections of the National Portrait Gallery, V&A Museum and Manchester City Art Gallery. Kevin had a 20-year association with the NME, where he created many of the best-known images in modern music history. From the acting world he's photographed Helen Mirren, Ralph Fiennes, Vanessa Redgrave, Stephen Graham, Gary Oldman, and Richard E. Grant. His work has appeared on over 500 magazine covers and he's published many books documenting much of his own work with his latest, Oasis The Masterplan, being his sixteenth. It's out in April but you can pre-order it now. It documents twelve months of seismic change at the start of their career through the photographs he took that cemented the identity of Oasis and helped to define the band. You can buy the book, here - https://www.waterstones.com/book/oasis-the-masterplan/kevin-cummins/9781788405683Kevin Cummins is our guest in episode 478 of My Time Capsule and chats to Michael Fenton Stevens about the five things he'd like to put in a time capsule; four he'd like to preserve and one he'd like to bury and never have to think about again .Buy Oasis The Masterplan by Kevin Cummins, here - https://www.waterstones.com/book/oasis-the-masterplan/kevin-cummins/9781788405683For everything Kevin Cummins, visit - http://www.kevincummins.co.ukFollow Kevin Cummins on Instagram & Twitter/X: @dkcmanc .Follow My Time Capsule on Instagram: @mytimecapsulepodcast & Twitter/X & Facebook: @MyTCpod .Follow Michael Fenton Stevens on Twitter/X: @fentonstevens & Instagram @mikefentonstevens .Produced and edited by John Fenton-Stevens for Cast Off Productions .Music by Pass The Peas Music .Artwork by matthewboxall.com .This podcast is proud to be associated with the charity Viva! Providing theatrical opportunities for hundreds of young people . Get bonus episodes and ad-free listening by becoming a team member with Acast+! Your support will help us to keep making My Time Capsule. Join our team now! https://plus.acast.com/s/mytimecapsule. Hosted on Acast. See acast.com/privacy for more information.

John Aizlewood in conversation with David Eastaugh http://www.johnaizlewood.com/ https://www.amazon.co.uk/Joy-Division-New-Order-Decades The definitive illustrated story of Joy Division + New Order. There's no template for making it as a globally successful pop group. Some of the ingredients remain constant and beyond the music, there's a mix'n'match selection of premature death, drugs, drink, destroyed friendships, lukewarm solo projects and bungled finances. The saga of Joy Division and New Order has all those clichés, yet both groups defined their times and overturned their musical landscape. First, there was Joy Division. Their music reflected both the barren urban landscape of their native Manchester in the late 1970s and singer Ian Curtis's heart of darkness. They remain forever set in aspic, not merely – if “merely” is the right word – by the suicide of their extraordinary and extraordinarily volatile singer, but by two albums as close to perfection as music can come. From the ashes of Joy Division rose New Order, who recruited a keyboardist because of – rather than in spite of – the fact she couldn't play. On the cusp of the British dance music boom, with what seemed like remarkable prescience, they invested in The Haçienda, a club in their native Manchester. In its pomp, the queues were around the block, but its debts would sink their heroically hopeless record label, Factory. If Joy Division were sublime musical darkness, New Order were bathed in sunlight and their globally popular music bridged the chasm between indie and dance and inspired a generation. Having conquered the world while maintaining their credibility, they snatched defeat from the jaws of victory and imploded in a tsunami of recrimination, while still making fabulous music to this day. You couldn't make it up: there's no need to.

Christer Strömholms nazistiska bakgrund blev inte ett problem, utan en fördel. Och han fick hjälp på traven, konstaterar Mårten Arndtzén. Lyssna på alla avsnitt i Sveriges Radio Play. ESSÄ: Detta är en text där skribenten reflekterar över ett ämne eller ett verk. Åsikter som uttrycks är skribentens egna.Vårvintern 2020 tog journalisten Lars Weiss kontakt med Sveriges Radio angående en intervju han gjort nästan 30 år tidigare med sin vän, fotografen Christer Strömholm. Samtalet var inspelat på kassettband och kretsade kring tiden före och under Andra världskriget. Att Strömholm varit organiserad nazist under åtminstone en del av den här tiden var inte okänt, men fortfarande höljt i dunkel.Kanske kunde vi använda kassetterna till att bringa lite större klarhet i frågan?Det föll på mig att undersöka det här, men jag kom inte särskilt långt. Jag tog kontakt med författaren och kritikern Lasse Söderberg: en annan gammal vän till Strömholm, som benämnt hans politiska bakgrund i ett par böcker. Men han tyckte att han sagt det han hade att säga. Sedan slog pandemin till på allvar och gjorde det direkt farligt för personer ur Strömholms generation att träffa journalister och andra potentiella smittbärare.Annat kom emellan.Att jag lät det göra det berodde nog på att jag aldrig blev riktigt klar över materialets relevans. Dels för den principiella frågan: Varför ska vi låta konstverk begränsas av vår uppfattning om konstnärens vandel? Vad vore vunnet med att skriva ut mördaren Caravaggio ur måleriets historia? Fascisten Ezra Pound eller den usla morsan Alice Munro ur litteraturens?Men också för att Strömholm hade bjudit Weiss på så väldigt lite av självrannsakan. ”Det var en politisk tid”, säger han alldeles i början av intervjun. ”När man nu sitter med facit i hand är det lätt att se hur det gick men ur 30-talets synpunkt gick Tyskland från en orostid till en annan” fortsätter han. ”Autostradorna byggdes, folk började få arbete och mat för dagen. Det var vad man hörde. Och Mussolini hade ordnat så att tågtiderna stämde i Italien”.Så talar en passiv åskådare, som förstått att hans flyktiga sympatier varit missriktade. Inte den sortens garvade aktivist som avtecknar sig i konstnären och författaren Andreas Gedins bok ”Christer Strömholm och nazismen”, med undertiteln ”Hur en liten sanning döljer en större”.Boken bygger på gedigen arkivforskning men handlar faktiskt mer om lögn än sanning.Om hur Strömholm lyckades göra sin bruna historia till en fördel, med benägen hjälp av betydande delar av förra seklets svenska kulturliv.Bland de allra första finner vi Peter Weiss, judisk krigsflykting och vänsterintellektuell: ”Han har en hemlighet, som han bär på, som gör honom intressant” konstaterar Weiss i ett samtal publicerat i Strömholms allra första fotobok, 1965. Redan 20 år efter Auschwitz befrielse kunde en nazistisk bakgrund alltså göra någon ”intressant”. Och så fortsätter det i senare böcker, under följande decennier. ”Hemligheten” blir en diffus men viktig komponent i mytbildningen kring Den Store Fotografen. Att helt sopa den under mattan är ovanligare men förekommer, främst efter hans död.Hans insatser för den andra sidan framhävs däremot konsekvent, i all litteratur som tar upp Christer Strömholms biografi. Vid en vistelse i södra Frankrike 1938 genomförde han ett par kuriruppdrag åt den republikanska sidan i Spanien, och blev beskjuten vid ett av dem, något han själv senare skulle karaktärisera som något slags moraliskt ”elddop”, som skall ha lett till ett uppvaknande.Men det lät i så fall vänta på sig, för samma år publicerade Strömholm ett resereportage i två delar från den här tiden – i nazistiska Stormfacklan.1940 deltog han i det väpnade motståndet mot den tyska ockupationen av Norge, något som ofta tagits till intäkt för en definitiv omvändelse. Men som Gedin visar hörde Strömholm till den falang av svensk nazism som satte nationalismen framför lojaliteten med Hitlertyskland, och för vilken solidariteten med ett ockuperat broderfolk därför var självklar – oavsett ockupantens ideologiska tillhörighet. Ett femtiotal svenska nazister deltog i striderna på Norges sida, enligt Gedin, medan inte en enda ska ha slagits på ockupationsmaktens sida.Så sent som i november 1945 bistår Strömholm åtminstone en Quisling, kanske flera, i flykten undan den norska rättvisan. Ett halvsekel senare påstår han själv att det rörde sig om ”ganska oskuldsfulla 19–20-åringar”. Men den han bevisligen hjälpte var i själva verket en trettiårig krigsförbrytare, efterlyst för landsförräderi. Han greps men undkom till sist, och kunde börja om i Sydamerika.Varför kom Lasse Weiss till oss med sina kassetter, i början av 2020-talet? Som en del av en dödstädning, kanske. Redan sommaren -21 avled han, i sviterna av lungcancer. Jag föreställer mig att det var någonting som låg och gnagde någonstans, inom journalisten Weiss. För det är ju någonting med sanningen, ändå.När det gäller Strömholm är den ofta svår att klarlägga. Många av spåren har vuxit igen för länge sedan. Vanan att ljuga satte sig av allt att döma redan under polisförhören på 1930- och 40-talen. Och som Lasse Söderberg konstaterar i essäsamlingen Gemensamma nämnare, utgiven ett par år före Strömholms död: ”sitt förflutna har Christer rutinerat och med påtagligt välbehag låtit förbli insvept i legendens skimmer”. Men det är just halvlögnerna och dimridåerna som framträder med störst skärpa hos Gedin. Hur de användes – av Strömholm själv och av andra – för att underbygga hans maskulina konstnärsimage. Inklusive ett par kontraktsmord han påstod sig ha utfört, i Stockholm, men kanske bara hittade på för att göra sig ”intressant”.Det säger såklart någonting om Christer Strömholms personliga karaktär. Men också om det svenska kulturliv som jobbade så länge och så konsekvent på att göra honom precis lagom salongsfähig. Tidningen ETC inte minst, som gjorde Strömholm till en del i ett liberalt vänsterprojekt, på 80-talet, genom att lyfta fram hans bilder av de transsexuella vännerna på Place Blanche. Moderna museet som hakade på, ett par år senare, med en stor retrospektiv.Och kanske inte bara det svenska kulturlivet.Jag bläddrar i ”Porträtt i Paris”, Nationalmuseums utställningskatalog från 2022, full med fina reproduktioner av de porträttfoton Strömholm tog av konstnärer och intellektuella i den franska huvudstaden på de legendomsusade 1950- och 60-talen. Cafélivets och existentialismens gyllene epok.Jag fastnar för bilderna av poeten Paul Andersson, vacker som en ung Adonis inför hotellspegeln 1956 men utmärglad och delvis tandlös fyra år senare. En krampaktig pose påminner mig om ett scenfotografi av Ian Curtis, en annan självförbrännande artist som tog sig bra ut på bild, 20 år senare. Jag hade det som affisch, på dörren till mitt pojkrum.Kanske finns ett släktskap mellan fascistens renhetslängtan och avantgardekonstnärens kompromisslösa radikalism? I så fall borde Christer Strömholm haft sällsynt goda förutsättningar att få korn på det.Ett annat av porträtten i Paris föreställer Le Corbusier, fångad redan 1951. Den store arkitekten och funkisprofeten som placerade sina politiska förhoppningar i samma korg som Strömholm, under kriget. Här står han med ena handen lite krampaktigt nedstucken i fickan på den bylsiga kostymen, i ett misslyckat försök till nonchalans. Han verkar trött och lite nervös. Pannan är rynkad.Bakom honom sträcker en lång, tom korridor ut sig. Och slutar i ogenomträngligt mörker.Mårten Arndtzénkonstkritiker och medarbetare på Sveriges Radios kulturredaktionLitteraturAndreas Gedin: Christer Strömholm och nazismen – hur en liten sanning döljer en större. Kaunitz-Olsson, 2025.Lasse Söderberg: Gemensamma nämnare. Ellerströms, 1999.

Send us a text- FOLGE 82 -  Wir klären in dieser Folge ein für alle Mal:Warum ging das erste Konzert der Sex Pistols in Manchester in die Musikgeschichte ein? Und was hatte das mit Joy Division zu tun?Warum ist es keine gute Idee, 4 Songs auf eine 7"Single zu pressen und warum haben es Joy Division trotzdem getan?Was stellt das weltberühmte Cover von "Unknown pleasures" eigentlich dar und wie kam es zustande?Warum hat Joy Division Sänger Ian Curtis die Band verlassen?Und warum kam er schon am nächsten Tag wieder?  -       Fun facts, hard facts & Nerd FactsAnton Corbijn der durch seine Arbeit mit Depeche Mode und U2 bekannt geworden ist, hat auch die meisten Bandphotos von Joy Division geschossen.Seinen 2007 erschienenen Film Control über Joy Division könnt ihr euch hier besorgen: https://bit.ly/42MIo1RAlexandra Maria Lara spielt in Control die Affäre von Ian Curtis, Annik Honoré und Sam Riley spielt Ian Curtis. Beide haben sich auf dem Set kennengelernt, sind seit 2009 verheiratet und leben in Berlin mit einer Tochter.Joy Division Produzent Martin Hannet hat auch die erste international veröffentlchte U2 Single 11 O'Clock Tick Tock produziert, die im Mai 1980 erschienen ist. Er hätte auch deren Debütalbum Boyproduzieren sollen, konnte dies aber wegen des Todes von Ian Curtis nicht.Das Riff von Love will tear us apart basiert auf dem Song the Cake shop device von Manchaster Mekon. Hier ist mehr dazu erklärt, plus man kann das Video des Originals sehen:https://www.stereoembersmagazine.com/curious-birth-joy-divisions-love-will-tear-us-apart/  -       LinksPodcast Disko 80: https://disko80.buzzsprout.comRSS-Feed: https://feeds.buzzsprout.com/1754816.rssDisko 80 bei Replay.fm: listen.replay.fm/tunein-aac-hdHomepage: http://www.purwienundkowa.comAktuelle CD von Purwien & Kowa: https://ffm.to/puk5Musik von Purwien & Kowa: https://purwienkowa.bandcamp.comBücher von Purwien & Kowa: https://amzn.to/2W9Ftj8Videos von Purwien & Kowa: https://bit.ly/3QVfTbRFollow us on Facebook: https://www.facebook.com/purwienundkowaSpotify Playlist Folge 82: https://spoti.fi/3El9yT3 

THIS IS A PREVIEW. IF YOU WANT TO LISTEN TO THE FULL EPISODE, CHECK OUT FRUITLESS ON PATREON HERE: https://www.patreon.com/user?u=11922141EPISODE ON PATREON: https://www.patreon.com/posts/120294489Caleb (@theboghog) joins Josiah to discuss Control (2007), Joy Division, and the life and work of Ian Curtis.Music by SHADE08 & Joy Division ★ Support this podcast on Patreon ★

C'est parti pour le 1er épisode de lundi bon sang de bonsoir cinéma avec Nicolas Klotz, Saad Chakali et Ghassan Salhab. On y discute, en profondeur, du cinéma d'aujourd'hui, d'hier et de demain ; d'amitié, de guerre et de Joy Division. Le chapitrage ci-dessous offre quelques repères et une orientation. L'épisode 0, Que peut le cinéma au XXIe siècle avec Marie José Mondzain est toujours accessible ici, de Nicolas Klotz on se réfèrera au cheval du Turin… ( le cinéma est une ère géologique, pas une industrie ) quant à l'oeuvre de Ghassan Salhab, on lira volontiers Ghassan Salhab en revenant, métis inauthentiqu de Saad Chakali.00:00 Intro 00:14 Commencer, toujours, par l'amitié quand les ennemis ne finissent plus de s'accumuler 2:40 Ce qui sépare fait le rapport même de l'amitié 5:09 « Quand l'argent domine un tournage, on ne respire plus » 9:36 Beyrouth fantôme : le retour de l'ami qui a trahi la Palestine 12:07 L'engagement, l'amitié, la guerre et l'oubli 14:14 Les trahisons comme ravages 17:03 Peut-on filmer Benjamin Netanyahu ou Bachar al-Assad ? 19:58 Gaza, les images et l'ennemi invisible 27:05 Le cinéma d'aujourd'hui est-il resté bloqué au XIXe siècle ? 28:15 Mosab Abu Toha : Ce que vous trouverez caché dans mon oreille 30:45 Le nouveau monde et la condition atomique 33:38 Ce que l'on ne veut plus faire, ce qu'il ne faut plus faire 35:57 Filmer à travers la guerre 39:00 Le bourreau est la fiction, la victime du côté du documentaire 42:02 La surproduction des images, comment s'en sortir ? 46:16 La 6e extinction et les couches du vivant 47:28 Fernand Deligny : la connivence profonde entre les images et les animaux sauvages 48:56 Mohammed Darwish : l'ami qui empêche de faire les comptes Gaza comme hors champs, le cinéma est toujours du côté de la vie 51:35 Les années 50 et 60 ou l'apparition d'un cinéma politique depuis « les gens » 53:56 Comment recommencer le cinéma ? 58:50 Retrouver la lumière par-delà l'essoreuse des images qui colonisent 1:01:45 « Notre musique c'est celle de tout le monde », Jean-Luc Godard et Michael Witt 1:04:10 Repenser et réinventer la production et la distribution 1:06:44 Joy Division et Ian Curtis, l'ami commun 1:12:33 La solidarité entre les squats de Manchester et de Paris 1:15:04 Joy Division ou le cri étouffé 1:20:42 L'ami qui prend soin et prend la douleur 1:24:28 Peut-on se retirer sans trahir ? 1:28:17 Filmer depuis l'intérieur même de la destruction, désorienter, resituer 1:30:02 « Tant qu'on pense que le cinéma est une industrie, on est foutus » 1:36:19 Le geste cinématographique, la domination par le cinéma 1:40:26 Le cinéma et l'enchevêtrement du temps 1:45:30 Faire un pas de côté pour pouvoir dire le monde 1:55:33 Fuir les malentendus, partir de l'industrie 2:02:18 La voix sur l'épaule, Laurence Chable et François Tanguy 2:12:29 Que peut le cinéma aujourd'hui ?  2:13:23 « A moins qu'il ne faille penser que pour rendre la peine encore plus atroce et plus subtile, l'enfer a été placé en plein cœur du paradis » (Agamben)Vous aimez ou au moins lisez lundimatin et vous souhaitez pouvoir continuer ? Ca tombe bien, pour fêter nos dix années d'existence, nous lançons une grande campagne de financement. Pour nous aider et nous encourager, C'est par ici.

El 18 de mayo de 1980, Ian Curtis, músico, padre, marido y cantante de Joy Division se ahorcó. Tenía 23 años. La carrera de Joy Division fue tan fugaz como recordada, dos discos, un par de años y un puñado de canciones que crearon un ambiente y una escena en el postpunk que marcó el camino a decenas de bandas que quedaron iluminadas por la oscuridad de la banda de Mánchester. Tras la magia de Unknonw Pleasures, un disco que catapultó a Joy Division, el grupo volvió a la carrera al estudio para crear una colección de canciones marcadas por las peculiares influencias literarias de aquellos veinteañeros, pero también por la agonía, las dudas existenciales, el dolor y finalmente la muerte. Esta semana nos vamos a adentrar el Closer, su segundo disco, su trabajo póstumo, un álbum que marcó también el final de una década, de una época y el comienzo de otra.ESCUCHA EL PROGRAMA DEDICADO A UNKNOWN PLEASURES

Quello che un Tempo era un paese di Eroi, oggi è lo scenario di uno dei migliori rappresentanti del cinema europeo ovvero quello britannico. Un Cinema non sempre semplice o delicato ma contenitore di tutte le emozioni umane, belle o brutte che siano. "People like you find it easyNaked to seeWalking on airHunting by the rivers, through the streets, every corner" Torniamo in grande stile in questa rubrica con un intenso e sofferente (e sofferto) film biografico incentrato su Ian Curtis e la sua tormentata esistenza.

In Episode #190 of The XS Noize Podcast, host Mark Millar speaks to legendary bassist Peter Hook, co-founder of Joy Division and New Order. Peter Hook & the Light will soon tour North America, the UK, and Ireland. The band will perform the full Substance albums by Joy Division and New Order on live dates. Peter Hook first revisited the seminal Joy Division album Unknown Pleasures in May 2010 for a commemorative charity concert and has followed it each year by performing subsequent albums from the repertoire of his bands, Joy Division and New Order. Peter Hook & The Light have since moved through each of those albums, culminating in the Factory Records Substance compilations, and recently celebrated over four decades of the continuing influence of Joy Division and Ian Curtis with the Joy Division: A Celebration concerts where both of the band's albums were played in full. In this interview, Peter discusses his time with Joy Division and New Order, working with Damon Albarn on Gorillaz, the upcoming tour, and more.  Listen via YouTube | Apple Podcasts | Spotify | Amazon Music | RSS – Find The XS Noize Podcast's complete archive of episodes here. Previous XS Noize Podcast guests have included Humanist, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, John Lydon, Bernard Butler, Steven Wilson, Matt Goss, Billy Nomates, Midge Ure, Travis, New Order, The Killers, Tito Jackson, Simple Minds, Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, The Brand New Heavies, Villagers, and many more.

On the July 15 edition of Music History Today podcast, Johnny Cash gets dropped, and it's time for Gangnam Style and Rock of Love. Plus, there's a ton of birthdays including Linda Ronstandt, Ian Curtis, and Marky Ramone. For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts from ALL MUSIC HISTORY TODAY  PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday --- Support this podcast: https://podcasters.spotify.com/pod/show/musichistorytodaypodcast/support

Lord of the Les Paul and Mariscal of the Marshall Stack, Scott Gorham shot to worldwide prominence with the legendary rock band Thin Lizzy. He created what would become known subsequently as “The Twin Guitar Attack” - a harmonised lead guitar style developed alongside players such as Brian Robertson and Gary Moore, driving home the larger-than-life persona of frontman and bass player Phil Lynott. At the height of their powers, Thin Lizzy were a world-straddling colossus of a band - hard rocking for sure but real songwriters, too. And just incredible live! I caught up with Scott at what used to be Olympic Recording Studios in Barnes (Led Zeppelin, Queen, Lizzy ... they all made records there). It's now a cinema complex and restaurant with a private members club hidden away for those in the know.  We talk about Scott's early exposure to the guitar and live music, his relocation from California to London, and an audition for Thin Lizzy which I suspect would have broken most of us. We discuss the iconography of Gibson's Les Paul model. In particular, the heavily supervised shopping trip for the mini-humbucker Deluxe model with which Scott has become synonymous. We go deep on the semantics of scratch plates, amplifiers the size of a family SUV, and what happens when your guitar gets famous without you.  But it wasn't all gold tops, champagne and caviar, life in Thin Lizzy could be tempestuous and Scott is candid about the darker times including how golf helped with the pain of recovery from addiction. Hey, if it works… right? We talk in depth about Scott's secret double life as a visual artist, discuss two of the rarest materials in the universe and share a fond hope that benevolent extraterrestrial life might just have our backs after all. Now, what no-one knew - because he had kept it a secret from the world - is that Scott Gorham is an extremely skilled artist and some of his extraordinarily detailed pencil drawings from the Thin Lizzy period have been rediscovered and are now available as fine art prints. He's had his first gallery showing and it's all going rather well. You can see more here: https://scottgorhamworld.com Take a look at Pain, Curiosity and Apocalypse, three works that we discuss in detail.  Be advised - the language gets a little fruity as we progress. It doesn't get too awful, but listeners with delicate sensibilities or the under-fives should proceed with caution. This episode was brought to you by the kind sponsorship of Guitar Tech Courses. Founded by British luthier James Collins (himself a graduate of the prestigious Galloup School of Guitar Making in Michigan) and an accredited repair technician for Gibson guitars for several years now, Guitar Tech Academy offers an online archive of instructional videos covering the maintenance and set-up of just about every modern guitar design from the wrap-around bridge of a '54 Goldtop to Bigsbys, Strat and Tele bridges, acoustics and archtops, too. It's all there. James will guide you through the theory and practice of setting up your guitar for your playing - follow this link https://www.guitartechcourses-academy.com and sign up today - you will never have sounded better! Join me next time for a chat with Superstar auctioneer Claire Tole-Moir of Bonhams London, who has been responsible for the sale of iconic instruments used by Eric Clapton, Peter Green, Slash, Ian Curtis and many more! A Fretboard Journal Podcast.  https://www.fretboardjournal.com    

Jordan and Alex don their most severe clothing and geometric haircuts to dive in the Big Bang of post-punk and goth: Joy Division's “Unknown Pleasures!” They'll trace the band's origins to a pre-fame Sex Pistols gig in Manchester attended by virtually every member of the city's musical luminaries to the maddening conditions of recording with insane genius producer Martin Hannett, who maybe tried to suffocate and/or poison their drummer? They'll also re-litigate 1980s Manchester's most famous rock feud…among people who aren't in the Smiths: Joy Division/ New Order's Peter Hook and Bernard Sumner! Also get ready to be so sad hearing about Ian Curtis' life! Too Much Information: Two men in their 30s struggling to delicately parse mental health issues via granular trivia!See omnystudio.com/listener for privacy information.

Hoy hablamos sobre el segundo álbum del grupo Joy Division llamado “Closer”, también hablamos sobre la historia de la banda y la vida del cantante Ian Curtis.

On the May 18 edition of the Music History Today podcast, the music world has a Sister Souljah moment and loses a man with great potential, and the Beatles begin their first headlining tour. Also, happy birthday to Martika and Rob Base. For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts from ALL MUSIC HISTORY TODAY  PODCAST NETWORK LINKS - ⁠https://allmylinks.com/musichistorytoday --- Send in a voice message: https://podcasters.spotify.com/pod/show/musichistorytodaypodcast/message Support this podcast: https://podcasters.spotify.com/pod/show/musichistorytodaypodcast/support

On this week's Music History In Depth Podcast, Michael Jackson goes from a star to a megastar in one night, the world loses Ian Curtis and Chris Cornell, and we celebrate the birthday of a man who changed music: Joey Ramone. For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts from ALL MUSIC HISTORY TODAY  PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday --- Send in a voice message: https://podcasters.spotify.com/pod/show/musichistorytodaypodcast/message Support this podcast: https://podcasters.spotify.com/pod/show/musichistorytodaypodcast/support

To understand the story of Joy Division, and how they became New Order requires some patience, and much more. The "why?" in the equation is also discussed, including the lack of support in the area of mental health in that era. The suicide of Ian Curtis might have crashed most bands, but the survivors carried on with a New Order! The impact of Joy Division carries on today. The full story unfolds in this episode: joy, pain, recovery, fortitude and incredible music! Tom Taylor wrote an article about Ian Curtis's final days for Far Out Magazine here! Check out all of our episodes here! And listen to our Live 365 channel here! Learn more about your ad choices. Visit megaphone.fm/adchoices

To understand the story of Joy Division, and how they became New Order requires some patience, and much more. The "why?" in the equation is also discussed, including the lack of support in the area of mental health in that era. The suicide of Ian Curtis might have crashed most bands, but the survivors carried on with a New Order! The impact of Joy Division carries on today. The full story unfolds in this episode: joy, pain, recovery, fortitude and incredible music! Tom Taylor wrote an article about Ian Curtis's final days for Far Out Magazine here! Check out all of our episodes here! And listen to our Live 365 channel here! Learn more about your ad choices. Visit megaphone.fm/adchoices

The shadow(play) of this band and this record in particular, looms large.  From its iconic cover to the deification of singer Ian Curtis after his suicide shortly after the albums release to their transformation into the stadium filling New Order afterward, everything about Joy Division feels big and important.  But what about the music itself?  Sure it influenced everyone from The Cure to U2, Tears For fears to Interpol but does it hold up on its own merits in 2024?  We dig into the fading new dawn and attempt to remember everything.    Recommended Listening   HHPP Spotify Track:  Shadowplay  https://open.spotify.com/track/4ZuC5MfGjRQs3pZtPxqMYP?si=ba5d22e63b474e3e   Spotify Playlist:  https://open.spotify.com/user/1298220429/playlist/4gy1wWwypkoFS2lUztvZ44?si=waSq07DBQlq3x9G1_nK0pg   Contact us at:  huntsmanhillpodcast@gmail.com   huntsmanhill.com instagram.com/huntsmanhill https://twitter.com/HuntsmanHill   Our Music manhuntsman:   https://open.spotify.com/artist/7tFBWn0UFkdOEMf67TRD6W?si=vzllkbDwSEmfZFlj02GLRw Academy O.C:   https://academyoc.bandcamp.com/album/academy-o-c   Omertà 68:   https://open.spotify.com/artist/6dfiCa0qTlbPQUrqtIkStS?si=6SCjNtXbSO2xRBDuBKJelQ Mid City Three:   https://open.spotify.com/artist/2LW7wWSHd9bi3n3Q5N8i35?si=aVFU0HdnRzqI1UOTAfc-ig

‘Play high, Hooky! Play high!' Ian Curtis had been Joy Division's conductor and lightning rod, giving his crucial nod of approval to Peter Hook's upper-register bass sound and pulling the strings elsewhere. In May 1980, though, after Ian's death, the renamed New Order faced an uphill battle. How they not only survived, but thrived spectacularly, is one of the great redemptive stories of rock and roll. Spotify Playlist: https://open.spotify.com/playlist/6SPnBqYphsObL9HQKoyYYN?si=6f223859504d425a Facebook: https://www.facebook.com/profile.php?id=100063297726030 Youtube: https://www.youtube.com/@KnownPleasuresPodcast Instagram: https://www.instagram.com/knownpleasurespodcast/ Twitter: @pleasuresknown The Known Pleasures Theme Song: https://www.youtube.com/watch?v=dvn2bfFxC-0

Legendary Dutch music photographer and filmmaker Anton Corbijn is the man who's made black and white photography his own since 1979, while shooting everyone from Joy Division to Depeche Mode to Bowie to The Rolling Stones. He became the visual creative director of Depeche Mode and U2 around the time he started directing some of the most iconic music videos of our time, from 'Enjoy The Silence' to Nirvana's 'Heart Shaped Box'.  In 2007, Anton directed the Ian Curtis biopic Control starring Sam Riley, followed by Hollywood studio picture The American, starting George Clooney, in 2010.  We talk about all of this and Corbijn's latest documentary Squaring The Circle in this week's podcast.  Give the show a follow on Instagram and TikTok at @midnightchatspod. This episode was recored in July 2023. Further links: One of Anton's icon Joy Division tube station photos Nirvana's 'Heart Shaped Box' Depeche Mode's 'Enjoy The Silence' Control trailer The American trailer Squaring The Triangle trailer Credits: Interview and editing by Stuart Stubbs Mixing and Mastering by Flo Lines Artwork by Kate Prior  See omnystudio.com/listener for privacy information.

Ian Curtis, Janis Joplin, Pete Steele, Layne Staley, Jon Nodtveidt, Kurt Cobain, and on and on, the list is endless....so do musicians actually have shorter lives? in this episode I go through some of the reason that might indeed be true!! Wine is fine but whiskeys quicker.....support the show over athttp://patreon.com/alanaverillgo and check out ELUSIVE GOD right here :https://elusivegod.bandcamp.com/https://linktr.ee/elusive_godhttps://www.instagram.com/elusive.god.doom/https://www.metal-archives.com/bands/Elusive_God/3540457868https://www.youtube.com/watch?v=rdhOHm13mrEPrimordial on Spotifyhttps://open.spotify.com/artist/0BZr6...sponsored byMetal Blade recordshttps://metalblade.indiemerch.com/promo code AA 2024 for 10% off your orderships worldwidefor professional band backdrops or other requests contact :alan.averill@gmail.comVerminous Serpenthttps://open.spotify.com/artist/54Wpl...Dread Sovereignhttps://open.spotify.com/artist/60HY4...Support this show http://supporter.acast.com/agitators-anonymous-the-alan-averill-podcast. Hosted on Acast. See acast.com/privacy for more information.

Joy Division was exploding on the scene in 1980 and about to embark on a North American tour when their frontman Ian Curtis was found dead at age 23. Listen to the accompanying playlist on Spotify at https://open.spotify.com/playlist/7kMfciTD1sY2KVpsYeeDNh?si=7aed6d0ba85b49de .Support the show

Avant de devenir New Order, Peter Hook, Bernard Sommer et Stephen Morris font partie de Joy Division, groupe post-punk un poil gothique de la région de Manchester. En mai 1980, après presque trois ans d'existence et à la veille de leur première tournée nord-américaine, leur chanteur de 23 ans, Ian Curtis, se donne la mort, chamboulant la trajectoire de Joy Division et l'histoire de la musique.

Numero Group has released a double A sided 7” featuring Joy Division covers by Bedhead and Codeine. The first Joy Division cover I ever heard was probably by Paul Young. The second probably by Grace Jones. I didn't like either, and actually hated the whole idea of a Joy Division cover with as much intensity as I loved the originals. There was nothing like Ian Curtis, there was nothing like the real thing, so why even try. Over time I heard covers done by Midwest American bands - a slow core - tempered approach to the anguish, and I started paying more attention. While not the real thing, Bedhead- Disorder & Codeine - Atmosphere - capture the spirit, like they have walked on fire and can't feel it anymore.Without seeking anyone's approval, if you are a fan of Joy Division, I hope you enjoy it. Features - Galaxie 500, Bedhead, Codeine, Low, Thurston Moore and more. Tune into new broadcasts of Matt Pape Mixtape, Friday from 12 - 1 AM EST / 5 - 6 AM GMTFor more info visit: https://thefaceradio.com/matt-pape-mixtape///Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

On this episode of Remainders, we watch the 2002 biographical comedy drama 24 Hour Party People. Steve Coogan plays Tony Wilson and follows his work in late 1970s and early 1980s post-punk with such bands as Joy Division, New Order, and Happy Mondays. Consistently breaking the fourth wall tied together with Coogan's brand of snark, the story of Manchester in the 70s is a pivotal piece in the history of modern music.Other topics include Poor Things and Yorgos Lanthimos, Russell Mulcahy movies, True Detective, the idea of “selling out”, personal punk and post-punk influences, Oasis drama, the work of Billy Childish, and more British rock.Songs of the WeekShe's Electric by OasisWe'er Gone by Thee HeadcoatsWild Man by Thee HeadcoateesRemainders Jukebox PlaylistWebsiteFacebookInstagramYouTubeTwitter

Richey Edwards - The renowned British rock star.  Edwards left an indelible mark on the music industry with his mysterious, poetic and thought-provoking lyrics and a dark, enigmatic persona reminiscent of Jim Morrison and Ian Curtis.  But when he vanished in 1995, more questions were posed, than answered. What became of the guitarist from The Manic Street Preachers, who is still loved today by millions of fans worldwide....

"Movement" There's nothing about Peter Hook that I can tell you you don't already know, so let's just do a refresher run through his musical CV. In the late '70s Hook formed Joy Division with childhood pal Bernard Sumner after the two friends saw the Sex Pistols play in Manchester. The band only put out two albums and one of those albums, the legendary Closer was put out two months after the band had ceased to b,e due to the suicide of singer Ian Curtis on the eve of Joy Division's debut US/Canada tour. Rechristened New Order and consisting of the remaining members of Joy Division plus keyboardist Gillian Gilbert, New Order blended jittery post-punk rhythms with dance music. The result? Well, you know the result. They were one of the biggest bands of the '80s, spawning hits like True Faith, The Perfect Kiss, Subculture and Blue Monday, which was the biggest selling 12-inch of all time. It might still be. New Order dominated the '80s, but the '90s weren't too shabby—they had a #1 UK hit with World In Motion in 1990 and they had their biggest US hit with “Regret” in 1993. They kept crushing it, putting out Get Ready in 2001 and collaborating with Billy Corgan and Bobby Gillespie of Primal Scream. They were given the Godlike Genius award at the 2005 NME awards and got nominated for a Grammy in 2006 for Guilt Is a Useless Emotion. Then things got a bit sour, with Hook leaving the band in 2007 and forming his own outfit Peter Hook and the Light, a band that featured his son Jack and much to his fans delight, revisited the Joy Division and New Order songbooks. Over the course of his career Hook has worked with The Stone Roses, and Perry Farrell, he toured with the Durutti Column, put out albums with Revenge and Monaco and wrote one of the best music books ever: Substance; Inside New Order. This is a partial list, btw. Almost a partial partial list because when it comes to Peter Hook, there's a lot of ground to cover. But these are the basics. Do a deeper dive after you hear the show—the guy is a titan. As for his split with New Order and his boyhood pal Bernard, we don't have time to go over the legal end of that dissolution, so let's just say this. If you're hoping for a reunion you're wasting your good hope energy. Not going to happen. As a bassist, he plays with an authoritative blend of prowl and sting and not only is he one of the all time greats, he also happens to be a nice guy. This chat covers his fractured friendship with Sumner, why the New Order/Joy Division songbooks appeal to fans across generations and what Hooky has learned from his old material. www.peterhookandthelight.live www.bombshellradio.com www.embersarts.com www.stereoembersmagazine.com www.alexgreenbooks.com Stereo Embers The Podcast Twitter: @emberseditor Instagram: @emberspodcast Email: editor@stereoembersmagazine.com

Unlike some DJs, Liz and Ben do take requests - like this month's short story! They're joined by comedian and DJ Andrew McClelland to spin discs with the soul collector, as they discuss Terry Pratchett's 1989 short story “Turntables of the Night”. John, one half of the “Hellfire Disco” mobile DJ business, is helping the police with their enquiries. His latest gig, a fairly sedate Halloween party, did not go smoothly - and it all revolves around a mysterious visitor to the dancefloor, who had an unusual request for DJ Wayne... Written for Diana Wynne Jones' 1989 collection of original fiction Hidden Turnings, “Turntables of the Night” came to Pratchett title first. It's a spooky tale of obsession, records, music and death - or rather Death, appearing outside the Discworld for perhaps the first time in Pratchett's writing. Is this fantasy or horror? Did Pratchett really know who Ian Curtis was? Who did he call up to get insight into the DJ trade? What would Death ask you to curate for him? Who would be the crown jewel in his collection now? And which of Pratchett's other short stories do you want us to devote an entire episode to? Join in the conversation using the hashtag #Pratchat72 on social media. Guest Andrew McClelland (he/him) is a writer, comedian and DJ who has often mixed in his other loves, like history, music, DJing and Gilbert & Sullivan, to create the “niche” nerdy and gentlemanly comedy for which he's known. Andy has also frequently collaborated with #Pratchat38 guest Lawrence Leung. As a DJ, Andy works constantly in Melbourne and did indeed open for Cher during her 2018 Australia and New Zealand tour. His club night Andrew McClelland's Finishing School doesn't run as regularly as it used to, but as of this episode it has a 15th anniversary night on 10 November, and an annual 90s night on 24 November. Find Andy on Instagram, Facebook, Twitter (if you must) or at his website djandrewmcclelland.com. Finishing School is on Facebook. As usual, you can find notes and errata for this episode on our website. Next episode we get into the Hogswatch spirit by opening an entire book of season stories, as we discuss the 2017 collection of Pratchett's children's fiction, Father Christmas's Fake Beard. You can send us questions about any of the stories (which we'll list on our website for reference), or about the book in general, using the hashtag #Pratchat72 on social media. Or send them in via email to chat@pratchatpodcast.com.

To most people, the first thing that comes to mind when thinking about research is a scientist in a lab coat using a pipette. However, pursuing research during your undergraduate career can lead to so much more down the line. In this episode, Megan Riksen and Brian Bossick interview Dr. Susan Mendoza about the benefits, myths, and options of engaging in research and exploring questions. Later in the episode, you'll also hear from Ian Curtis, a Student Undergraduate Research Assistant, about his research involving a French Encyclopedia and games.  Read the full transcript here. Resources: OURS Undergrad Research and Scholarship Resources Undergrad Research Fair  Center for Undergraduate Scholar Engagement Office of Frederick Meijer Fellowships  Interest Form #research #fellowship #networking #opportunities #question #myths #ours #scholarship #worklikealaker #gvcareers

Joy Division y otras bandas de Manchester ayudaron a retratar la tensión de los 70. Algunas de sus canciones se convirtieron en himnos para muchos jóvenes que se sentían desconectados en varias maneras, cuando el "no future" persistía en el aire.

Episode #303 of BGMania: A Video Game Music Podcast. This week on the show, Bryan and Bedroth from RPGera welcome in very special guest Barry Leitch for our quarterly Composer Appreciation, featuring a number of exclusive tracks and comments from Barry himself! Email the show at bgmaniapodcast@gmail.com with requests for upcoming episodes, questions, feedback, comments, concerns, or whatever you want! Special thanks to our Executive Producers: Jexak & Xancu. EPISODE PLAYLIST AND CREDITS Intro: Las Vegas -Douglas Doesn't Do the Samba Remix- from Top Gear [Barry Leitch, 1992] In-Game Music from Spellbound [Rob Hubbard/Barry Leitch, 1986] In-Game from Marauder [Barry Leitch, 1988] Somalia from TFX [Barry Leitch, 1993] Bassy from San Francisco Rush 2049 [Barry Leitch, 2000] Forsaken Province from Gauntlet Dark Legacy [Barry Leitch, 1999] Slain Dungeon from Dark Quest 2 [Barry Leitch, 2016] Music -Lullaby for Ian Curtis- from Bright Starts Swing [Barry Leitch, 2007] Waltzing Banana from Having a Ball Kick Gym [Barry Leitch, 2013] Jennifer's Dance from Bonnie's Bookstore [Barry Leitch, 2005] Staffroom from The Sound of SceneSat Volume 3 [Barry Leitch, 2014] Father John Theme -Chef Tony Version- from Father John's Microbrewery [Barry Leitch, 2022] Teaser Video Theme from Life By You [Barry Leitch, 2024] Outro: Race 12 -The Last Hurrah of a Video Game Composer- from Horizon Chase Turbo [Barry Leitch, 2018] SUPPORT US Patreon: https://patreon.com/rpgera CONTACT US Website: https://rpgera.com Discord: https://discord.gg/cC73Heu Twitch: https://twitch.tv/therpgera Twitter: https://twitter.com/OriginalLDG Instagram: https://instagram.com/bryan.ldg/ Facebook: https://facebook.com/leveldowngaming RPGERA PODCAST NETWORK Very Good Music: A VGM Podcast The Movie Bar BARRY LEITCH CAN BE FOUND THROUGH THE FOLLOWING LINKS Barry Leitch Audio Studios Facebook Twitter (X) YouTube Bandcamp Soundcloud --- Send in a voice message: https://podcasters.spotify.com/pod/show/bgmania/message

Peter Hook shares stories & anecdotes about the rare records & recordings of Joy Division, the artwork of "Unknown Pleasures", unheard Joy Division tapes, Sex Pistols Manchester Free Trade Hall show & more. Peter is recovering from Covid New Order Substance was made for Tony Wilson's car Burying grief immediately after Ian Curtis' death Band-financing “An Ideal for Living” record The 45 single sounded dreadful New Order didn't want to play Joy Division The popularity of Joy Division so many years later What could have been on Joy Division's 3rd LP Did Ian hear or see the "Closer" album package? The band's music activity in the days after Ian's death What was the plan for “An Ideal for Living”? Changes for “An Ideal For Living” 12” repress Band changing name from “Warsaw” to “Joy Division” FAC-02 compilation & other early records “Licht Und Blindheit” single from France Band involvement with record artwork The image for “Unknown Pleasures” artwork The popularity of “Unknown Pleasures” artwork / Disney The fractures within the band members in later years Status of Joy Division master tapes Additional/unheard Joy Division music Ian Curtis' daughter & personal mementos Ticket stubs from the Sex Pistols Manchester show Memories of the Sex Pistols Free Trade Hall show Buying his 1st bass guitar When the Sex Pistols returned to Manchester Did Peter's parents ever see him play live? The runout groove of FAC-40 – Joy Division “Still” Interview wrapup Peter Hook & the Light play Joy Division & New Order "Substance" Albums - Tour Dates Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Joshua Shultz sat down with Movie Producer Orian Williams, best known for the Oscar and Golden Globe-nominated Willem Dafoe/John Malkovich film Shadow of the Vampire, as well as the BIFA-winning Control, an Ian Curtis biopic which also received multiple Cannes and BAFTA awards. We talked about his upcoming Jeff Buckley movie, Billy Idol movie and his latest release Have You Got It Yet? The Story of Syd Barrett and Pink Floyd • Follow Orian: Instagram: https://instagram.com/Orianw • Follow Joshua: Instagram: https://instagram.com/joshuashultz Tik Tok: https://TikTok.com/@joshuashultz Twitter: https://twitter.com/joshuashultz Official Website: https://joshuashultz.com

Joy Division and New Order drummer, Stephen Morris, on being in a band as an older man, adapting to gig audiences, memories of Joy Division vocalist Ian Curtis, Stephen's fear at the rise of electric drum machines, and his fondness for reading instruction manuals.

Acronyms! Who doesn't love acronyms?!So, what does BBFOB stand for? Bands Born From Other Bands!Perhaps one of the more famous examples is in 1980, with the untimely passing of Ian Curtis - the remaining members of Joy Division were determined to carry on. But rather than just continuing on as Joy Division, they relaunched as New Order and went on to international stardom.Other times, bands break up for lesser reasons: lack of mainstream success, interpersonal conflicts, drug abuse, or the most frequently cited "creative differences".When Zack de la Rocha was no longer in alignment with the rest of Rage Against the Machine, the other 3 guys chose to stay together, get a lead singer from another hugely popular act in Chris Cornell and form Audioslave.Plus, there are a couple of guys who co-founded not just one, but two of the legendary bands in the punk/hardcore scenes. Pretty cool stuff.Disclaimer - the first 20 minutes or so is about my experience with the terribly tragic wildfires in Maui and how they hit too close to home, despite being thousands of miles away.

Selected are Rude Audio, Estella Boersma, Eye Soul8r, Cannibal Coconuts, Tariq Disu, Vega, & A Psychic Yes.Eds Next level soundbyte abundance fts Dr John, Ian Curtis, Mickey Dread, Marvin Gaye, Quartz, Michael Caine, The Voice Of Planet Love, James Brown, Sly and Robbie, Arthur Connely, The Last Poets, The Radio and Tv choir of Bulgaria, Alex Harvey, Terrence McKenna, U-Roy, and quiet a few more.This Is Dub InterventionTune into new broadcasts of Dub Intervention, Saturday from 8 - 10 PM EST / 1 - 3 AM GMT (Sunday).For more info visit: https://thefaceradio.com/dub-intervention///Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

FAC 18580. This mix has music adored and inspired by the front man of the Manchester band Joy Division. Featuring David Bowie, Iggy Pop- early Factory signings - Modern English and Orchestral Maneuvers In The Dark- covers by Galaxie 500, Bedhead, Low- inspired Interpol and of course - Joy Division and New Order. Joy Division are one of my favorite bands and I have never tired of listening to them, even after 40 years they still sound ahead of the times, and timeless. The everlasting effect of Ian Curtis lives in me. I hope you enjoy a geniuses life's work.Tune into new broadcasts of Matt Pape Mixtape, Friday from 12 - 1 AM EST / 5 - 6 AM GMTFor more info visit: https://thefaceradio.com/matt-pape-mixtape///Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

In May 1980, the band Joy Division was devastated by the death of lead singer Ian Curtis. The three remaining band members, Bernard Sumner, Peter Hook, and Stephen Morris, decided they would keep making music together, and a few months later, Gillian Gilbert joined them. They called the band New Order. New Order is one of the most influential bands of the last four decades. Their song “Blue Monday" came out in 1983, and it holds the record for being the best-selling 12-inch single of all time. Rolling Stone put “Blue Monday” on its list of the 500 Greatest Songs of All Time, and Pitchfork included it in its top 5 best songs of the 1980s. To celebrate the 40th anniversary of the release of “Blue Monday,” in this episode, New Order discusses how they created the song. This episode was produced in collaboration with Transmissions, the official New Order and Joy Division podcast produced by Cup and Nuzzle. We've put together this story out of the hours and hours of interviews they've recorded, along with a new interview I did with Peter Hook. As you'll hear the four of them explain, nothing about Blue Monday's success, or really, even its existence, was something that they planned for. For more, visit songexploder.net/new-order.

Joy Division made a huge impact in a very short amount of time. The iconic Manchester outfit that would tragically have to turn the page and become New Order were formed quickly in the wake of a Sex Pistols show, and released some of their most prominent tracks after the passing of their lead singer, Ian Curtis. Anthony Anzaldo of the band Ceremony joins Yasi to explore this shooting star of a band that helped bring in a new sound and way of doing things.  You can follow Anthony Anzaldo via his band on Twitter @Ceremony Listen to songs we detail in the episode here: http://open.spotify.com/playlist/3LxEhCqX3cILGU8wFI9Ac9?si=c941f7bd8cec4731&nd=1 This episode includes discussion of suicide. Please keep this in mind when deciding if, how, and when you'll listen. For resources on these topics, visit spotify.com/resources. Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week we travel back in time to the radical 80s when the 2nd British Invasion hit the States in the form of New Wave! However, we are exploring the true background of all these big pop hit makers; when they were PUNK! Whether you like this style of music or not, this is a fun exploration of the seedy underground beginning of some of the biggest 80s pop stars. This episode features songs with short track lengths and lots of, “No way! I can't believe that's ____”! It's PUNK ROCK people! It's fun and filthy and is where Kevin started down his path of music fanaticism. These songs are all firmly in the category of “Forgotten”. We hope we introduce to some tunes you may not have heard from these big New Wave hit makers.Songs this week include:Neon – “Information Of Death” from Obsessions EP (1982)The Cure – “I Dig You” from I'm A Cult Hero (1979)Beastie Boys – “Ode To…” from Polly Wog Stew EP (1982)Joy Division – “Warsaw” from Substance 1977-1980 (1978)The Go-Go's - “Party Pose” from Return To The Valley Of The Go-Go's (1979)Generation X – “Ready Steady Go” from Generation X (1978)Bananarama – “No Feelings (Sex Pistols)” from Party Party – The Original Motion Picture Soundtrack (1983)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://twitter.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uCheck out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

A gente sabe que os ouvintes amam quando nossos pilotos fazem suas listas de favoritos, por isso o episódio de hoje é o TOP 7 MELHORES DO CHOQUE! Renan revela seus três lugares inesquecíveis em que ele já praticou a arte do amor, e compara Evandro Mesquita com Ian Curtis. Julinho revela quem é o rei do reggae no Brasil e Maurílio demonstra preocupação pelo artista. Lembrando sempre que Choque de Cultura não é apenas cultura, os pilotos alertam sobre o uso do canudo de plástico.

They say, “love your job, and you'll never work a day in your life.” But what happens when you turn a hobby or interest into a profession? This week, we spoke with members of the Nets Gaming Crew – a professional NBA2K team affiliated with the Brooklyn Nets, and the founder of CoExist gaming – a hub for professional gamers in the NYC area, about what happens when play becomes work.  • Brooklyn, USA is produced by Emily Boghossian, Shirin Barghi, Charlie Hoxie, Khyriel Palmer, and Mayumi Sato. If you have something to say and want us to share it on the show, here's how you can send us a message: https://bit.ly/2Z3pfaW• Thank you to Kuye Youngblood, Alex Bernstein, Ian Curtis, Letta J, and Mike Ren.• LINKSIvan Curtiss, also known as OG KING CURT, is the General Manager of The Brooklyn Nets Gaming Crew of The NBA 2K League. He also co-founded The (MPBA) MyPlayer Basketball Association, which is commonly regarded as the most competitive online NBA 2K League in the country. Curtiss is considered a pioneer within branding and gaming and has often been known in the industry as the “Godfather of 2K”. As an industry professional, Curtiss has been featured on platforms like The Undefeated, Getty Images, Dimer 2K, Nets Daily and more. He has also launched his own podcast, The #OG2CENTS Podcast, which aims to bridge the gap between lifestyle and gaming. The show airs every Sunday. Alongside his podcast, Curtiss has created his own line of merchandise to promote his brand and influence. His mission is to spread awareness about the NBA 2K League and gaming culture as a whole.  Alexander "Steez" Bernstein is a power forward for The Brooklyn Nets Gaming Crew of The NBA 2K League. He is originally from Santa Ana, CA.Jaye (Letta J): Founder & CEO of Coexist Gaming. Gamer. FGC Champ. Grammy Nominated. Recording Artist. Songwriter. Anime Lover. Afro-Latina. Executive Chef. Wine Enthusiast. Foodie. Leftie. Tatted. Author. Educator. Activist.Mike Yi Ren is a Chinese-American Game Designer and Video Producer currently living in Brooklyn, NYC. Previously, he lived in Shanghai, China for 8 years. His professional experience includes projects for Ubisoft, Netease, RADII China, Lonelyleap Films, and other recognized international organizations. Through his company, Arcadia Creative Consulting and Design Ltd., he specializes in Game Design, Film & Animation, and Graphic Design in production and consulting roles. His independent games have been covered in press including Rock Paper Shotgun, Kotaku, Vice and more.• TRANSCRIPT: ~coming soon~• Follow us on Twitter and Instagram @BRICTV Visit us online at bricartsmedia.org/Brooklyn-USA

[Content/trigger warning: Talk of suicide.] Joy Division's story is a fascinating one, and the path they took to become who they are -- and who they became after the tragic loss of their lead singer Ian Curtis -- is a story for the history books. In this episode, we talk about the creation of their iconic song "Love Will Tear Us Apart," the grueling recording process, U2's Bono's surprising connection to the song, and Ian Curtis' legacy. We also talk about our memories and stories related to Joy Division, including our obsession with the movie "Control." On the way, we talk about the Swedish metal band Ghost and where they've popped up lately. Enjoying the show? Tell us what you think on the socials at @stephaniestalktunes/@stephaniestalk, or give us a 5-star rating on Apple Podcasts or Goodpods! Proud member of Pantheon Podcasts. 

This week on CrossFade, it's all about the