Podcast appearances and mentions of Jon Savage

Send us a textTim welcomes author, archivist, and filmmaker Jon Savage to discuss Lennon's folk-tinged You've Got to Hide Your Love Away. They explore the song's context in 1965, its raw and vulnerable feel, and the hints of Dylan's influence. Jon also shares his early memories of the Beatles and gives a clear picture of the music scene in the mid‑60s—a time of great change, as pop and rock evolved into something bolder and more experimental.Jon on Instagram: https://www.instagram.com/jonsav1966/Jon on BlueSky: https://bsky.app/profile/jonsavage.bsky.socialFollow My Favourite Beatles SongBlueSky: https://bsky.app/profile/myfavebeatles.bsky.socialFacebook: https://www.facebook.com/MyFavouriteBeatlesSongInstagram: https://www.instagram.com/myfavouritebeatlessongX (Twitter): https://twitter.com/myfavebeatlesOriginal music by Joe Kane ​Logo design by Mark Cunningham

Christopher & Jobst im Gespräch mit Henryk. Wir reden über die historischen Chancen des Kommunismus, Bemühen sich anständig zu benehmen, seit 10 Jahren trocken, Lektüre der Trommel, das Buch "In the Gutter", Siouxsie & Thomas Gottschalk, am Anfang war es halt Popkultur, dreimal von der Geschichte begünstigt werden, dann kam die Vize-Mutter, ein großes Tier in der Defa, "Jakob der Lügner", die Renitenz der Mutter, Aufwachsen mit dem Blick über die Mauer, deprimierende Blumen-Rabatten, West-Fernsehen, der peinliche Samson, Ilja Richters avantgardistische Sketche, Unterbrechungen in der Disko, Punks um sich scharren, die Blues-Büchsen, verrostete Ketten & Sicherheitsnadeln mussten sein, immer ein Beobachter sein, aus der U-Bahn n Punk gesehen, im Riviera in Grünau, jeder kennt Speiche, Badges pflücken, Pins auf dem Kronkorken, die Sendung s-f-beat, Stress mit der Stasi, das erste Tote Hosen-Konzert, im Schneider-Sitz das Konzert auswerten, das zweite Punk-Festival in Halle, illegales Drucken, surrealistische Fanzines, der Schwiegersohn in spe von Bettina Wegener, ein kafkaesques Büro, illegale Zeitschriften zuhause, Facharbeiter für Einzelbogenverarbeitung, das erste Geisterfahrer-Album, Ärger mit der Spreepolizei, Waschschüsseln und ne Pionierpauke von Takt & Ton in den Rathauspassagen, Equipment- & Porno-Schmuggel der Puhdys, Feeling B spielte überhaupt keine Rolle, Skeptiker-Skeptiker, gespielte Witze, 3-Jahre-Punk-Intensiv-Kurs, ausfaden um wieder wo einzufaden, sich um Lyrik prügeln, die berühmte Zersammlung, Typ mit Lederjacke mit Wave-Dings, Sterbebegleitung, ein extrem kalter November, eine Werbung von Grieneisen, Robert Lippok und die blutige Nase, Pink Panther, erstmal ne Crass-Platte auflegen, subkulturellen Hunger stillen, Sugarcubes in den Docks, die Democracy Tour von Killing Joke, immer bürgerlich gewesen sein, Druckhaus Galrev & Sascha Anderson, der Drummer von Zerfall, der nervige Hype um Schleim-Keim, glühender Wire-Fan, "England´s Dreaming" von Jon Savage, "Störung Ost", das Rosa Beton Demo, in Henni steckt ne Krämer-Seele, Staatsgalerie Prenzlauer Berg, alleine auf der Burg Beeskow, halbbiografische Erzählung, ein Faible für Räume, die Band Serfs, immer noch Abwärts auflegen, nicht genug von der Welt gesehen haben, Vancouver oder New York, Julien Gracq "Das Ufer der Syrten", Virginia Wolfe "Orlando", Lutz Seiler "Kruso", uvm. 1. Ein Song, den Du als Kind gemocht hast und den Du immer noch magst: Udo Lindenberg - Ich bin Rocker 2. Ein Song, der Deinen DDR-Punk am besten repräsentiert: Planlos - Überall wohin es Dich führt 3. Ein guter Song einer Band, die Du dieses Jahr für Dich entdeckt hast: The KVB - Above Us

Labour MPs are having a moment on the stage with Jennie Lee, the UK's first Arts Minister, the subject of Lindsay Rodden's eponymous new play for Mikron Theatre, and Education Minister Ellen Wilkinson the focus of Paul Unwin's new play, The Promise, about the 1945 Labour Government. Lindsay and Paul join Front Row to discuss dramatizing parliamentary politics.Acclaimed music journalist writer Jon Savage joins to discuss his new book The Secret Public: How LGBTQ Resistance Shaped Popular Culture (1955–1979), which explores how queer artists from the earliest days of rock 'n' roll to the heights of disco shaped the sound, look and attitude of popular music. From Little Richard to David Bowie and from Dusty Springfield to Village People, the book is rich in detail and explores how often closeted artists had a profound impact of modern culture.Architecture writer Paul Dobraszczyk on this year's Stirling Prize shortlist and how the six projects that have made this final category measure up to the the prize's aim to celebrate the "building considered to have made the most significant contribution to the evolution of UK architecture".With voice actors and motion capture performers in the US currently on strike over AI protections, the place of AI in the culture industries remains highly contested. The Writers Guild of America may have settled their strike but film critic Antonia Quirke explores whether screenwriters still have something to fear from the algorithm.Presenter: Nick Ahad Producer: Ekene Akalawu

How Queer Culture Shaped Pop Culture "The 1972 version of David Bowie didn't spring from nowhere.  Although he refused to affiliate himself explicitly with gay liberation, he had found both artistic and social inspiration in the gay world, in particular the renewed sense of freedom and possibility that rippled through the British gay subculture in the early 1970s." We finally lured the award-winning, bestselling author, pop-culture, punk penman Jon Savage to the Bureau to talk about his life and epic new book The Secret Public: How LGBTQ Resistance Shaped Popular Culture (1955–1979) It's an electrifying, massively entertaining - and at times, tragic - look at key moments in music history between 1955 and 1979, which helped move gay culture from the margins to the mainstream and changed the face of pop forever – from the ambiguous sexuality of stars such as Little Richard in the 1950s through to David Bowie, glam rock and Sylvester's ‘You Make Me Feel(Mighty Real)'. We talked about all that, about Punk, Joy Division, Tony Wilson, Johnny Marr, Factory Records and about how Jon grew up in the London of the late '50s and '60s, how he became a writer during one of the most exciting times for music journalism in the '70s and '80s - and about his own Secret Public Life.. More on the book here More on the compilation album here More on Jon here #homosexuality #sex #london #queer #gayliberation #musichistory #sexuality #gay #tomrobinson #gladtobegay #queerculture #counterculture #punk #comingout #homesexuality #joydivision #theclash #sex #johnnymarr #factoryrecords #johnnymarr #faberandfaber #littlerichard #glf #gayliberationfront #bisexuality #pride #london #queer #gayliberation #lgbtq #sexuality #gay #thesecretpublic #musicpress #gaydisco #jonsavage #thesmiths #bowie

Jon Savage is the author of England's Dreaming: Sex Pistols and Punk Rock and Teenage: The Creation of Youth, 1875-1945. On this episode of Little Atoms he talks to Neil Denny about his latest book The Secret Public: How LGBTQ Performers Shaped Popular Culture (1955–1979). Hosted on Acast. See acast.com/privacy for more information.

This week Jaf plays more from Jon Savage's The Secret Public, How The LGBTQ+ Aesthetic Shaped Pop Culture. There are a couple of songs from a new collection of Thom Bell's productions, newies from Osunlade, The Dear Boys and Lanowa plus plenty of other treats.For more info and tracklisting, visit: https://thefaceradio.com/blues-and-grooves/Tune into new broadcasts of Blues & Grooves, Sundays from 4 - 5 PM EST / 9 - 10 PM GMT.//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

Send James & Sam some fanmail, via BuzzsproutWe speak with Kevin Y Brown and Jon Savage about the podcast landscape in Africa. Those interviews are in full in the Podnews Extra feed. Also, Spotify's video ambitions, and Alby's removal of support for users in the US causes some concern for the future of streaming sats.Support the Show.Connect With Us: Email: weekly@podnews.net Twitter: @jamescridland / @podnews and @samsethi / @joinpodfans Lightning/NOSTR: ⚡james@crid.land and ⚡sam@getalby.com Mastodon: @james@bne.social and @samsethi@podcastindex.social Support us: www.buzzsprout.com/1538779/support Get Podnews: podnews.net

You'll always find us in the kitchen at parties, near the hoppy summer ale and sausage rolls and, and this week discussing … … he hasn't changed his look or sound for 30 years: is there a more conservative concept than Liam Gallagher? And how he became the one-man Oasis. … the eye-watering sum Kevin Hart made from Jumanji: Welcome to the Jungle. … Loudermilk, Rob Gordon in High Fidelity and other Rock Snob stereotypes in fiction - “I'm a Rock Snob? It comes with the territory being right!” And how rock critics are always cast as cynical, joyless curmudgeons.  … why Courteney Cox was chosen for the Dancing In The Dark video and how Springsteen turned live performance into spectacle. … the diplomatic skills of A&R men in pursuit of hit singles. … why Born In The USA was a masterclass in branding. … the Word in Your Ear podcast and Taylor Swift, both up and running since 2006! … plus Abba, Peter ‘King Mod' Meaden, Jon Savage's book on LGBTQ pop culture, Liam Gallagher's hair and Springsteen's dancing lessons. Great clip of Steve Harley on Australian TV sent by listener Brian Nankervis …https://www.facebook.com/watch/?v=10154289171249235Find out how to help us keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

You'll always find us in the kitchen at parties, near the hoppy summer ale and sausage rolls and, and this week discussing … … he hasn't changed his look or sound for 30 years: is there a more conservative concept than Liam Gallagher? And how he became the one-man Oasis. … the eye-watering sum Kevin Hart made from Jumanji: Welcome to the Jungle. … Loudermilk, Rob Gordon in High Fidelity and other Rock Snob stereotypes in fiction - “I'm a Rock Snob? It comes with the territory being right!” And how rock critics are always cast as cynical, joyless curmudgeons.  … why Courteney Cox was chosen for the Dancing In The Dark video and how Springsteen turned live performance into spectacle. … the diplomatic skills of A&R men in pursuit of hit singles. … why Born In The USA was a masterclass in branding. … the Word in Your Ear podcast and Taylor Swift, both up and running since 2006! … plus Abba, Peter ‘King Mod' Meaden, Jon Savage's book on LGBTQ pop culture, Liam Gallagher's hair and Springsteen's dancing lessons. Great clip of Steve Harley on Australian TV sent by listener Brian Nankervis …https://www.facebook.com/watch/?v=10154289171249235Find out how to help us keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

You'll always find us in the kitchen at parties, near the hoppy summer ale and sausage rolls and, and this week discussing … … he hasn't changed his look or sound for 30 years: is there a more conservative concept than Liam Gallagher? And how he became the one-man Oasis. … the eye-watering sum Kevin Hart made from Jumanji: Welcome to the Jungle. … Loudermilk, Rob Gordon in High Fidelity and other Rock Snob stereotypes in fiction - “I'm a Rock Snob? It comes with the territory being right!” And how rock critics are always cast as cynical, joyless curmudgeons.  … why Courteney Cox was chosen for the Dancing In The Dark video and how Springsteen turned live performance into spectacle. … the diplomatic skills of A&R men in pursuit of hit singles. … why Born In The USA was a masterclass in branding. … the Word in Your Ear podcast and Taylor Swift, both up and running since 2006! … plus Abba, Peter ‘King Mod' Meaden, Jon Savage's book on LGBTQ pop culture, Liam Gallagher's hair and Springsteen's dancing lessons. Great clip of Steve Harley on Australian TV sent by listener Brian Nankervis …https://www.facebook.com/watch/?v=10154289171249235Find out how to help us keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

“I thought Dave Davies of the Kinks was a girl. When I discovered he was a boy, that's when I got interested.” Jon's an old friend of the podcast and the author of some highly regarded and influential books about pop and its repercussions, ‘England's Dreaming' and ‘1966: the Year The Decade Exploded' among them. His latest is ‘The Secret Public: How LGBTQ Performers Shaped Popular Culture 1955-1979' which looks at five particular moments and the pivotal people in the mix at the time. We couldn't recommend it more highly and cover seven decades in this conversation, stopping off at … … how “homosexuality was a career-killer” until Bowie's spectacular Melody Maker interview in 1972. … new male identities - Valentino, Nureyev, Sinatra and the “subversive” stage act of Johnnie Ray. … does pop drive change or reflect it? … Andrew Loog Oldham, Kit Lambert, Simon Napier-Bell and the supposed “gay managers mafia” and how Oldham used camp as a weapon. … Dusty Springfield and the Gateway Club. … how Brian Epstein invented a new type of manager. ... Andy Warhol at the Factory, pop art, the launch of the Velvet Underground and his jukebox time-capsule of ‘60s gay pop taste. … was Tom Robinson the first out gay British pop star? … Mary Whitehouse v the Gay Times. … the Clash (“hurt, vulnerable boys”), Siouxsie, Poly Styrene, the Slits, Vic Godard and punk's other new stage identities. Order ‘the Secret Public' here …https://www.amazon.co.uk/Secret-Public-Resistance-Popular-1955-1979/dp/0571358373 … and Jon's 2-CD soundtrack here …https://www.roughtrade.com/en-gb/product/various/jon-savages-the-secret-public-how-the-lgbtq-aesthetic-shaped-pop-culture-1955-1979?channable=409d9269640032313931333434ec&gad_source=1&gclid=CjwKCAjwvIWzBhAlEiwAHHWgvQetjeRXO03PVnpFYq75PMG_pmDd42hKBO8VytbDerJqZw3ycIY7pxoCFxIQAvD_BwE#cd-x2Find out more about how you can help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

This week Jaf features the new compilation Jon Savage's The Secret Public, How The LGBTQ+ Aesthetic Shaped Pop Culture. There are a couple of songs from the fantastic new Slim Cessna's Auto Club album, newies from KDYN, Mildlife and Crooked Man plus plenty of other treats.For more info and tracklisting, visit: https://thefaceradio.com/blues-and-grooves/Tune into new broadcasts of Blues & Grooves, Sundays from 4 - 5 PM EST / 9 - 10 PM GMT.//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

“I thought Dave Davies of the Kinks was a girl. When I discovered he was a boy, that's when I got interested.” Jon's an old friend of the podcast and the author of some highly regarded and influential books about pop and its repercussions, ‘England's Dreaming' and ‘1966: the Year The Decade Exploded' among them. His latest is ‘The Secret Public: How LGBTQ Performers Shaped Popular Culture 1955-1979' which looks at five particular moments and the pivotal people in the mix at the time. We couldn't recommend it more highly and cover seven decades in this conversation, stopping off at … … how “homosexuality was a career-killer” until Bowie's spectacular Melody Maker interview in 1972. … new male identities - Valentino, Nureyev, Sinatra and the “subversive” stage act of Johnnie Ray. … does pop drive change or reflect it? … Andrew Loog Oldham, Kit Lambert, Simon Napier-Bell and the supposed “gay managers mafia” and how Oldham used camp as a weapon. … Dusty Springfield and the Gateway Club. … how Brian Epstein invented a new type of manager. ... Andy Warhol at the Factory, pop art, the launch of the Velvet Underground and his jukebox time-capsule of ‘60s gay pop taste. … was Tom Robinson the first out gay British pop star? … Mary Whitehouse v the Gay Times. … the Clash (“hurt, vulnerable boys”), Siouxsie, Poly Styrene, the Slits, Vic Godard and punk's other new stage identities. Order ‘the Secret Public' here …https://www.amazon.co.uk/Secret-Public-Resistance-Popular-1955-1979/dp/0571358373 … and Jon's 2-CD soundtrack here …https://www.roughtrade.com/en-gb/product/various/jon-savages-the-secret-public-how-the-lgbtq-aesthetic-shaped-pop-culture-1955-1979?channable=409d9269640032313931333434ec&gad_source=1&gclid=CjwKCAjwvIWzBhAlEiwAHHWgvQetjeRXO03PVnpFYq75PMG_pmDd42hKBO8VytbDerJqZw3ycIY7pxoCFxIQAvD_BwE#cd-x2Find out more about how you can help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

“I thought Dave Davies of the Kinks was a girl. When I discovered he was a boy, that's when I got interested.” Jon's an old friend of the podcast and the author of some highly regarded and influential books about pop and its repercussions, ‘England's Dreaming' and ‘1966: the Year The Decade Exploded' among them. His latest is ‘The Secret Public: How LGBTQ Performers Shaped Popular Culture 1955-1979' which looks at five particular moments and the pivotal people in the mix at the time. We couldn't recommend it more highly and cover seven decades in this conversation, stopping off at … … how “homosexuality was a career-killer” until Bowie's spectacular Melody Maker interview in 1972. … new male identities - Valentino, Nureyev, Sinatra and the “subversive” stage act of Johnnie Ray. … does pop drive change or reflect it? … Andrew Loog Oldham, Kit Lambert, Simon Napier-Bell and the supposed “gay managers mafia” and how Oldham used camp as a weapon. … Dusty Springfield and the Gateway Club. … how Brian Epstein invented a new type of manager. ... Andy Warhol at the Factory, pop art, the launch of the Velvet Underground and his jukebox time-capsule of ‘60s gay pop taste. … was Tom Robinson the first out gay British pop star? … Mary Whitehouse v the Gay Times. … the Clash (“hurt, vulnerable boys”), Siouxsie, Poly Styrene, the Slits, Vic Godard and punk's other new stage identities. Order ‘the Secret Public' here …https://www.amazon.co.uk/Secret-Public-Resistance-Popular-1955-1979/dp/0571358373 … and Jon's 2-CD soundtrack here …https://www.roughtrade.com/en-gb/product/various/jon-savages-the-secret-public-how-the-lgbtq-aesthetic-shaped-pop-culture-1955-1979?channable=409d9269640032313931333434ec&gad_source=1&gclid=CjwKCAjwvIWzBhAlEiwAHHWgvQetjeRXO03PVnpFYq75PMG_pmDd42hKBO8VytbDerJqZw3ycIY7pxoCFxIQAvD_BwE#cd-x2Find out more about how you can help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

In the newest recap episode, Len introduces the world to the JAMS of "Jon Savage's 1969-71 Rock Dreams on 45". Beave and Len talk through the week that was in the NBA playoffs, where the Finals are all but assured between Boston and Dallas. Beave eats crow for his past Luka Doncic taunts. Beave consoles himself by celebrating the continued excellent play of the Cleveland Guardians. Len would like the Cubs to start hitting. Beave reviews "Franklin" and "Sugar", as well as the John Huston classic "The Maltese Falcon". Plus Len's Favorite 500. Tune in!

This week Jaf focusses on the new Ace Records compilation by Jon Savage, Welcome To Techno City. There are new releases from Brainstory and Hit & Run Records, some classic soul 45s and a tribute to Damo SuzukiThis show was first broadcast on the 11th of February, 2024For more info and tracklisting, visit: https://thefaceradio.com/blues-and-grooves/Tune into new broadcasts of Blues & Grooves, Sunday from 4 - 5 PM EST / 9 - 10 PM GMT.Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

Drawing on contributions from remaining members, contemporaneous musicians, critics, filmmakers, and the generation of artists who emerged in their wake, this "monumental origin story" celebrates the legacy of the Velvet Underground, which burns brighter than ever in the 21st century ( New York Times bestselling author Bob Spitz). Variety Best Music Book of 2023 · A "Must Read" by Nylon and BookRiot Rebellion always starts somewhere, and in the music world of the transgressive teen-whether it be the 1960s or the 2020s-the Velvet Underground represents ground zero. Crystallizing the idea of the bohemian, urban, narcissistic art school gang around a psychedelic rock and roll band-a stylistic idea that evolved in the rarefied environs of Andy Warhol's Factory-the Velvets were the first major American rock group with a mixed gender line-up. They never smiled in photographs, wore sunglasses indoors, and invented the archetype that would be copied by everyone from Sid Vicious to Bobby Gillespie. They were avant-garde nihilists, writing about drug abuse, prostitution, paranoia, and sado-masochistic sex at a time when the rest of the world was singing about peace and love. In that sense they invented punk and then some. It could even be argued that they invented modern New York. Drawing on interviews and material relating to all major players, from Lou Reed, John Cale, Mo Tucker, Andy Warhol, Jon Savage, Nico, David Bowie, Mary Harron, and many more, award-winning journalist Dylan Jones breaks down the band's whirlwind of subversion and, in a narrative rich in drama and detail, proves why the Velvets remain the original kings and queens of edge.

Drawing on contributions from remaining members, contemporaneous musicians, critics, filmmakers, and the generation of artists who emerged in their wake, this "monumental origin story" celebrates the legacy of the Velvet Underground, which burns brighter than ever in the 21st century ( New York Times bestselling author Bob Spitz). Variety Best Music Book of 2023 · A "Must Read" by Nylon and BookRiot Rebellion always starts somewhere, and in the music world of the transgressive teen-whether it be the 1960s or the 2020s-the Velvet Underground represents ground zero. Crystallizing the idea of the bohemian, urban, narcissistic art school gang around a psychedelic rock and roll band-a stylistic idea that evolved in the rarefied environs of Andy Warhol's Factory-the Velvets were the first major American rock group with a mixed gender line-up. They never smiled in photographs, wore sunglasses indoors, and invented the archetype that would be copied by everyone from Sid Vicious to Bobby Gillespie. They were avant-garde nihilists, writing about drug abuse, prostitution, paranoia, and sado-masochistic sex at a time when the rest of the world was singing about peace and love. In that sense they invented punk and then some. It could even be argued that they invented modern New York. Drawing on interviews and material relating to all major players, from Lou Reed, John Cale, Mo Tucker, Andy Warhol, Jon Savage, Nico, David Bowie, Mary Harron, and many more, award-winning journalist Dylan Jones breaks down the band's whirlwind of subversion and, in a narrative rich in drama and detail, proves why the Velvets remain the original kings and queens of edge.

Rebellion always starts somewhere, and in the music world of the transgressive teen—whether it be the 1960s or the 2020s—the Velvet Underground represents ground zero.Crystallizing the idea of the bohemian, urban, narcissistic art school gang around a psychedelic rock and roll band—a stylistic idea that evolved in the rarefied environs of Andy Warhol's Factory—the Velvets were the first major American rock group with a mixed gender line-up. They never smiled in photographs, wore sunglasses indoors, and invented the archetype that would be copied by everyone from Sid Vicious to Bobby Gillespie. They were avant-garde nihilists, writing about drug abuse, prostitution, paranoia, and sado-masochistic sex at a time when the rest of the world was singing about peace and love. In that sense they invented punk and then some. It could even be argued that they invented modern New York.Drawing on interviews and material relating to all major players, from Lou Reed, John Cale, Mo Tucker, Andy Warhol, Jon Savage, Nico, David Bowie, Mary Harron, and many more, award-winning journalist Dylan Jones breaks down the band's whirlwind of subversion and, in a narrative rich in drama and detail, proves why the Velvets remain the original kings and queens of edge.New York Times and Sunday Times bestselling author Dylan Jones has written or edited over twenty-five books. In the Eighties, he was one of the first editors of i-D, before becoming a Contributing Editor of The Face and Editor of Arena. He spent the next decade working in newspapers - principally the Observer and the Sunday Times - before embarking on a multi-award-winning tenure at GQ. A former columnist for the Guardian and the Independent, he is a Trustee of the Hay Festival, and a peripatetic television producer.  In 2012 he was awarded an OBE for services to publishing. Today, he is the Editor-In-Chief of The Evening Standard.Buy the book from Wellington Square Bookshop - ​https://www.wellingtonsquarebooks.com/book/9781538756560

Guest: Jon Savage | The lead singer of the band Cassette.See omnystudio.com/listener for privacy information.

Jay Ali, Street Champs Production owner Antonio Stringfellows,Jon Savage

In some ways the 21st century is a very unusual time when it comes to adolescence - a study in the US found that teenagers smoke less, drink less and have less sex than the previous generation. And worldwide young people are coming of age in a digital era, with the dangers and opportunities that represents. Our expectations of teenagers vary hugely depending on the social, historical and cultural context. Paleoanthropologist Ella Al-Shamahi takes us through the big evolutionary questions about adolescence: Why do humans go through this developmental stage? What's the point of all that teenage angst? And how come every generation stubbornly repeats the same mistakes? She is joined by a panel of experts: Laurence Steinberg is one of the world's leading experts on adolescence. He is Professor of Psychology and Neuroscience at Temple University in Philadelphia, USA. His latest book is called, 'You and Your Adult Child'. Emily Emmott is a lecturer in biological anthropology at University College London. She's currently researching the implications of the social environment around us during our teenage years. Jon Savage is a British writer and music journalist, best known for his history of the Sex Pistols and punk music. He's the author of 'Teenage: The Creation of Youth Culture'. Brenna Hassett is a bioarchaeologist at University College London and the author of 'Growing Up Human: The Evolution of Childhood'. Presented by Ella Al-Shamahi Produced by Jo Impey Image: Teenagers dance the twist around a radio cassette recorder in a street in the Harajuku district of Shibuya, Tokyo, Japan, 1978 (Photo by Keystone/Hulton Archive/Getty Images)

In her book, Punk Art History: Artworks from the European No Future Generation (Intellect Books, 2023), Marie Arleth Skov examines the punk movement of the 1970s to early 1980s. Through archival research, interviews, and an art historical analysis, Skov situates punk as an art movement. It is about pop, pain, poetry, presence, and about a ‘no future' generation refusing to be the next artworld avant-garde, instead choosing to be the ‘rear-guard'. Skov draws on personal interviews with punk art protagonists from London, New York, Amsterdam, Copenhagen, and Berlin, among others the members Die Tödliche Doris (The Deadly Doris), members of Værkstedet Værst (The Workshop Called Worst), Nina Sten-Knudsen, Marc Miller, Diana Ozon, Hugo Kaagman, as well as email correspondence with Jon Savage, Anna Banana, and Genesis Breyer P-Orridge. Skov covers events such as the Prostitution exhibition at the ICA in London in 1976 and Die Große Untergangsshow (The Grand Downfall Show) in West-Berlin in 1981 and explores paintings, drawings, bricolages, collages, booklets, posters, zines, installations, sculptures, Super 8 films, documentation of performances and happenings, body art, street art. What emerges is how crucial the concept of history was in punk at that point in time. The punk movement's rejection of the tale of progress and prosperity, as it was being propagated on both sides of the iron curtain, evidently manifested itself in punk visual art too. Central to the book is the thesis that punks placed themselves as the rear-guards, not the avant-gardes, a statement which was in made by Danish punks in 1981, when they called themselves “bagtropperne". Behind the rear-guard watchword was the rejection of the inherent notion of progress that the avant-garde name brings with it; how could a "no future" movement want to lead the way? Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In her book, Punk Art History: Artworks from the European No Future Generation (Intellect Books, 2023), Marie Arleth Skov examines the punk movement of the 1970s to early 1980s. Through archival research, interviews, and an art historical analysis, Skov situates punk as an art movement. It is about pop, pain, poetry, presence, and about a ‘no future' generation refusing to be the next artworld avant-garde, instead choosing to be the ‘rear-guard'. Skov draws on personal interviews with punk art protagonists from London, New York, Amsterdam, Copenhagen, and Berlin, among others the members Die Tödliche Doris (The Deadly Doris), members of Værkstedet Værst (The Workshop Called Worst), Nina Sten-Knudsen, Marc Miller, Diana Ozon, Hugo Kaagman, as well as email correspondence with Jon Savage, Anna Banana, and Genesis Breyer P-Orridge. Skov covers events such as the Prostitution exhibition at the ICA in London in 1976 and Die Große Untergangsshow (The Grand Downfall Show) in West-Berlin in 1981 and explores paintings, drawings, bricolages, collages, booklets, posters, zines, installations, sculptures, Super 8 films, documentation of performances and happenings, body art, street art. What emerges is how crucial the concept of history was in punk at that point in time. The punk movement's rejection of the tale of progress and prosperity, as it was being propagated on both sides of the iron curtain, evidently manifested itself in punk visual art too. Central to the book is the thesis that punks placed themselves as the rear-guards, not the avant-gardes, a statement which was in made by Danish punks in 1981, when they called themselves “bagtropperne". Behind the rear-guard watchword was the rejection of the inherent notion of progress that the avant-garde name brings with it; how could a "no future" movement want to lead the way? Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In her book, Punk Art History: Artworks from the European No Future Generation (Intellect Books, 2023), Marie Arleth Skov examines the punk movement of the 1970s to early 1980s. Through archival research, interviews, and an art historical analysis, Skov situates punk as an art movement. It is about pop, pain, poetry, presence, and about a ‘no future' generation refusing to be the next artworld avant-garde, instead choosing to be the ‘rear-guard'. Skov draws on personal interviews with punk art protagonists from London, New York, Amsterdam, Copenhagen, and Berlin, among others the members Die Tödliche Doris (The Deadly Doris), members of Værkstedet Værst (The Workshop Called Worst), Nina Sten-Knudsen, Marc Miller, Diana Ozon, Hugo Kaagman, as well as email correspondence with Jon Savage, Anna Banana, and Genesis Breyer P-Orridge. Skov covers events such as the Prostitution exhibition at the ICA in London in 1976 and Die Große Untergangsshow (The Grand Downfall Show) in West-Berlin in 1981 and explores paintings, drawings, bricolages, collages, booklets, posters, zines, installations, sculptures, Super 8 films, documentation of performances and happenings, body art, street art. What emerges is how crucial the concept of history was in punk at that point in time. The punk movement's rejection of the tale of progress and prosperity, as it was being propagated on both sides of the iron curtain, evidently manifested itself in punk visual art too. Central to the book is the thesis that punks placed themselves as the rear-guards, not the avant-gardes, a statement which was in made by Danish punks in 1981, when they called themselves “bagtropperne". Behind the rear-guard watchword was the rejection of the inherent notion of progress that the avant-garde name brings with it; how could a "no future" movement want to lead the way? Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In her book, Punk Art History: Artworks from the European No Future Generation (Intellect Books, 2023), Marie Arleth Skov examines the punk movement of the 1970s to early 1980s. Through archival research, interviews, and an art historical analysis, Skov situates punk as an art movement. It is about pop, pain, poetry, presence, and about a ‘no future' generation refusing to be the next artworld avant-garde, instead choosing to be the ‘rear-guard'. Skov draws on personal interviews with punk art protagonists from London, New York, Amsterdam, Copenhagen, and Berlin, among others the members Die Tödliche Doris (The Deadly Doris), members of Værkstedet Værst (The Workshop Called Worst), Nina Sten-Knudsen, Marc Miller, Diana Ozon, Hugo Kaagman, as well as email correspondence with Jon Savage, Anna Banana, and Genesis Breyer P-Orridge. Skov covers events such as the Prostitution exhibition at the ICA in London in 1976 and Die Große Untergangsshow (The Grand Downfall Show) in West-Berlin in 1981 and explores paintings, drawings, bricolages, collages, booklets, posters, zines, installations, sculptures, Super 8 films, documentation of performances and happenings, body art, street art. What emerges is how crucial the concept of history was in punk at that point in time. The punk movement's rejection of the tale of progress and prosperity, as it was being propagated on both sides of the iron curtain, evidently manifested itself in punk visual art too. Central to the book is the thesis that punks placed themselves as the rear-guards, not the avant-gardes, a statement which was in made by Danish punks in 1981, when they called themselves “bagtropperne". Behind the rear-guard watchword was the rejection of the inherent notion of progress that the avant-garde name brings with it; how could a "no future" movement want to lead the way? Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In her book, Punk Art History: Artworks from the European No Future Generation (Intellect Books, 2023), Marie Arleth Skov examines the punk movement of the 1970s to early 1980s. Through archival research, interviews, and an art historical analysis, Skov situates punk as an art movement. It is about pop, pain, poetry, presence, and about a ‘no future' generation refusing to be the next artworld avant-garde, instead choosing to be the ‘rear-guard'. Skov draws on personal interviews with punk art protagonists from London, New York, Amsterdam, Copenhagen, and Berlin, among others the members Die Tödliche Doris (The Deadly Doris), members of Værkstedet Værst (The Workshop Called Worst), Nina Sten-Knudsen, Marc Miller, Diana Ozon, Hugo Kaagman, as well as email correspondence with Jon Savage, Anna Banana, and Genesis Breyer P-Orridge. Skov covers events such as the Prostitution exhibition at the ICA in London in 1976 and Die Große Untergangsshow (The Grand Downfall Show) in West-Berlin in 1981 and explores paintings, drawings, bricolages, collages, booklets, posters, zines, installations, sculptures, Super 8 films, documentation of performances and happenings, body art, street art. What emerges is how crucial the concept of history was in punk at that point in time. The punk movement's rejection of the tale of progress and prosperity, as it was being propagated on both sides of the iron curtain, evidently manifested itself in punk visual art too. Central to the book is the thesis that punks placed themselves as the rear-guards, not the avant-gardes, a statement which was in made by Danish punks in 1981, when they called themselves “bagtropperne". Behind the rear-guard watchword was the rejection of the inherent notion of progress that the avant-garde name brings with it; how could a "no future" movement want to lead the way? Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In her book, Punk Art History: Artworks from the European No Future Generation (Intellect Books, 2023), Marie Arleth Skov examines the punk movement of the 1970s to early 1980s. Through archival research, interviews, and an art historical analysis, Skov situates punk as an art movement. It is about pop, pain, poetry, presence, and about a ‘no future' generation refusing to be the next artworld avant-garde, instead choosing to be the ‘rear-guard'. Skov draws on personal interviews with punk art protagonists from London, New York, Amsterdam, Copenhagen, and Berlin, among others the members Die Tödliche Doris (The Deadly Doris), members of Værkstedet Værst (The Workshop Called Worst), Nina Sten-Knudsen, Marc Miller, Diana Ozon, Hugo Kaagman, as well as email correspondence with Jon Savage, Anna Banana, and Genesis Breyer P-Orridge. Skov covers events such as the Prostitution exhibition at the ICA in London in 1976 and Die Große Untergangsshow (The Grand Downfall Show) in West-Berlin in 1981 and explores paintings, drawings, bricolages, collages, booklets, posters, zines, installations, sculptures, Super 8 films, documentation of performances and happenings, body art, street art. What emerges is how crucial the concept of history was in punk at that point in time. The punk movement's rejection of the tale of progress and prosperity, as it was being propagated on both sides of the iron curtain, evidently manifested itself in punk visual art too. Central to the book is the thesis that punks placed themselves as the rear-guards, not the avant-gardes, a statement which was in made by Danish punks in 1981, when they called themselves “bagtropperne". Behind the rear-guard watchword was the rejection of the inherent notion of progress that the avant-garde name brings with it; how could a "no future" movement want to lead the way? Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

In her book, Punk Art History: Artworks from the European No Future Generation (Intellect Books, 2023), Marie Arleth Skov examines the punk movement of the 1970s to early 1980s. Through archival research, interviews, and an art historical analysis, Skov situates punk as an art movement. It is about pop, pain, poetry, presence, and about a ‘no future' generation refusing to be the next artworld avant-garde, instead choosing to be the ‘rear-guard'. Skov draws on personal interviews with punk art protagonists from London, New York, Amsterdam, Copenhagen, and Berlin, among others the members Die Tödliche Doris (The Deadly Doris), members of Værkstedet Værst (The Workshop Called Worst), Nina Sten-Knudsen, Marc Miller, Diana Ozon, Hugo Kaagman, as well as email correspondence with Jon Savage, Anna Banana, and Genesis Breyer P-Orridge. Skov covers events such as the Prostitution exhibition at the ICA in London in 1976 and Die Große Untergangsshow (The Grand Downfall Show) in West-Berlin in 1981 and explores paintings, drawings, bricolages, collages, booklets, posters, zines, installations, sculptures, Super 8 films, documentation of performances and happenings, body art, street art. What emerges is how crucial the concept of history was in punk at that point in time. The punk movement's rejection of the tale of progress and prosperity, as it was being propagated on both sides of the iron curtain, evidently manifested itself in punk visual art too. Central to the book is the thesis that punks placed themselves as the rear-guards, not the avant-gardes, a statement which was in made by Danish punks in 1981, when they called themselves “bagtropperne". Behind the rear-guard watchword was the rejection of the inherent notion of progress that the avant-garde name brings with it; how could a "no future" movement want to lead the way? Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

This week I am joined by Jon Savage, the author of the newest Lardy game, and Richard from Too Fat Lardies to discuss What A Cowboy!

Award-winning author Benjamin Myers is the final guest of series 2 of Songbook, and he chats to Jude about Julian Cope's extraordinary double-volume autobiography Head On/Repossessed.The discussion also takes in Ben's early years working in the music press, the personal significance of Jon Savage's England's Dreaming, the differences between writing novels and writing about music, and much more.Ben's new book Cuddy, a bold and experimental retelling of the story of the hermit St. Cuthbert, unofficial patron saint of the North of England, is out now Cuddy a book by Benjamin Myers. (bookshop.org)Books mentioned in the podcast:The KLF by John Higgs The KLF: Chaos, Magic and the Band who Burned a Million Pounds a book by John Higgs. (bookshop.org)Richard by Benjamin Myers Richard by Ben Myers - Pan MacmillanHead On/Repossessed by Julian Cope Head On/Repossessed a book by Julian Cope. (bookshop.org)I'm Not with the Band by Sylvia Patterson I'm Not with the Band: A Writer's Life Lost in Music a book by Sylvia Patterson. (bookshop.org)England's Dreaming by Jon Savage England's Dreaming a book by Jon Savage. (bookshop.org)The Truth About Rock by Dr Hugh Pyle The Truth about Rock Music - Hugh F. Pyle: 9780873988391 - AbeBooksMuse, Odalisque, Handmaiden by Rose Simpson Muse, Odalisque, Handmaiden: A Girl's Life in the Incredible String Band a book by Rose Simpson. (bookshop.org)Get In The Van by Henry Rollins Get in the Van : On the Road With Black Flag by Rollins, Henry: Near Fine Soft cover (1995) 2nd Edition | Books for Amnesty BristolYou can buy Jude's The Sound of Being Human: How Music Shapes Our Lives here:The Sound of Being Human by Jude Rogers - Audiobook - Audible.co.ukFinally, White Rabbit's Spotify Playlist of 'booksongs' - songs inspired by books loved by our guests - is here: https://open.spotify.com/playlist/7chuHOeTs9jpyKpmgXV6uo Hosted on Acast. See acast.com/privacy for more information.

Saint Etienne musician and music journalist Bob Stanley appears on this week's Songbook to discuss The House That George Built, Wilfrid Sheed's acclaimed history of the Golden Age of the American song.The conversation also covers everything from abandoned Saint Etienne albums to Bob's experience of writing music for film soundtracks, and the impact that being a music critic has had on his own career as a musician.Bob's 2022 book, Let's Do It: The Birth of Pop was described as "wide-ranging and learned, opinionated and funny, and justly critically acclaimed" by the Guardian - Let's Do It: The Birth of Pop a book by Bob Stanley. (bookshop.org)Books mentioned in the podcast:The House That George Built: With a Little Help from Irving, Cole, and a Crew of about Fifty by Wilfrid Sheed 9780812970180: The House That George Built: With a Little Help from Irving, Cole, and a Crew of about Fifty - Sheed, Wilfrid: 0812970187 - AbeBooksYeah Yeah Yeah by Bob Stanley Yeah Yeah Yeah: The Story of Modern Pop a book by Bob Stanley. (bookshop.org)A Wop Bopaloo Bop Alop Bam Boom by Nick Cohn A Wop Bopaloo Bop Alop Bam Boom. Pop- History. by Nik Cohn | medimops (abebooks.co.uk)England's Dreaming: The Sex Pistols and Punk Rock England's Dreaming a book by Jon Savage. (bookshop.org)Rhythm And The Blues: A Life in American Music by Jerry Wexler Rhythm And The Blues: A Life in American Music by Jerry Wexler: GOOD Hardcover (1993) | Discover Books (abebooks.co.uk)The Tastemaker: My Life with the Legends and Geniuses of Rock Music by Tony King The Tastemaker: My Life with the Legends and Geniuses of Rock Music a book by Tony King. (bookshop.org)What Was Lost by Catherine O'Flynn & E.A. What Was Lost a book by Catherine O'Flynn and E.A Markham. (bookshop.org)You can buy the paperback edition of Jude's The Sound of Being Human: How Music Shapes Our Lives here: The Sound of Being Human a book by Jude Rogers. (bookshop.org)Finally, White Rabbit's Spotify Playlist of 'booksongs' - songs inspired by books loved by our guests - is here: https://open.spotify.com/playlist/7chuHOeTs9jpyKpmgXV6uo Hosted on Acast. See acast.com/privacy for more information.

Writer and White Rabbit author Adelle Stripe joins Jude to chat about the 1999 book by James Young called Nico, Songs They Never Play on the Radio.As well as delving into the grimy Manchester life of singer Nico and her manager Alan Wise that the book portrays they also cover, amongst many things, the intrigue of Adam Ant, why reading about failure is more fun than reading about success, misogyny and how to write about drug use without glamorising it.Books mentioned in the podcast:Ten Thousand Apologies: Fat White Family and the Miracle of Failure by Adelle Stripe https://bit.ly/3QMfkO2The Boy Looked at Johnny by Julie Birchill and Tony Parsons https://bit.ly/3RMBrFuEngland's Dreaming by Jon Savage https://uk.bookshop.org/books/england-s-dreaming/9780571368549You are Beautiful and You are Alone by Jennifer Otter Bickerdike https://uk.bookshop.org/books/you-are-beautiful-and-you-are-alone-the-biography-of-nico/9780571350018Coal Black Mornings by Brett Anderson https://uk.bookshop.org/books/coal-black-mornings/9781408710487Hellfire: the Jerry Lee Lewis Story by Nick Tosches https://bit.ly/3LeZFFNKitch: A Fictional Biography of a Calypso Star by Anthony Joseph https://bit.ly/3LdH0KAYou can buy Jude's book The Sound of Being Human: How Music Shapes Our Lives here: https://uk.bookshop.org/books/the-sound-of-being-human-how-music-shapes-our-lives/9781474622929Finally White Rabbit's Spotify Playlist of 'booksongs' - songs inspired by books loved by our guests - is here: https://open.spotify.com/playlist/7chuHOeTs9jpyKpmgXV6uo Hosted on Acast. See acast.com/privacy for more information.

Cola looks at the dress and politics of 1970s punk, focusing on the use of swastikas as fashion accessories. We consider the merits of using the Nazi symbol to attack English bourgeois mythology and comment on the commercialization of Nazism during the Hitler Wave of the 1970s. Focusing on the book "England's Dreaming" by Jon Savage, we talk about Vivienne Westwood and Malcom McLaren (and their clothing shop SEX), as well as the Sex Pistols, Siouxsie Sioux, the New York Dolls, and many others.

Nirvana, Nevermind Welcome to The Guys Review, where we review media, products and experiences.  **READ APPLE REVIEWS/Fan Mail**Mention Twitter DM group - like pinned tweet @The_GuysReviewRead emails theguysreviewpod@gmail.com Nirvana Nevermind​ Produced by Butch Vig. Kurt CobainKrist NovoselicDave GrohlReleased September 24, 1991 Budget $65,000 ($141,394.57 in 2022) Rating: google users: 96% RYM 3.95/5. ON spotify Nirvana has around 24M listerner a month. On Youtube Nevermind album has 4,9M views  Nevermind is the second studio album by the american grunge band Nirvana, released on September 24, 1991 by DGC Records. It was Nirvana's first release on a major label and the first to feature drummer Dave Grohl.Produced by Butch Vig, Nevermind features a more polished, radio-friendly sound then the band's prior work. Recording took place at Sound city studio in Van Nuys, California, and smart studios in Madison Wisconsin in May and June -91, with mastering being completed in August of that year st The Mastering Lab, California.Written primarily by frontman Kurt Cobain, the album is noted for channeling a range of emotions, being noted as dark, humorous, and disturbing. Thematically, it includes anti-establishment views, anti-sexism, Frustration, alienation and troubled love inspired by Cobain's broken relationship with Bikini kill's Toby Vail. Contrary to the popular hedonistic themes of drugs and sex at the time, writers have observed that Nevermind re-invigorated sensitivity to mainstream rock. According to Cobain, the sound of the album was influenced by bands such as Pixies, R.E.M, The Smithereens, and the Melvins. While the album is considered a cornerstone of the grunge genre, it is noted for its musical diversity, which includes acoustic ballads ("Polly" and "´Something in the way") and Punk-inspired Hard Rock("Territorial Pissings" and "Stay Away"). Nevermind became an unexpected critical and commercial success, charting highly on charts across the world. By January 1992, it reached number one on the US Billboard 200 and was selling approximately 300,000 copies a week. The lead single "Smells like teen spirit" reached the top 10 of the US Billboard Hot 100 and went on to be inducted into the Grammy hall of fame. Its video was also heavily rotated on MTV. Three other successful singles were released: "Come as you Are", "Lithium", and "In Bloom". The album was voted the best album of the year in Pass & Jop critics' poll, while "Smells Like Teen Spirit" also topped the single of the year and video of the year polls. The album also garnered the band three Grammy Award nominations in total across the 34th and 35th Grammy Awards, including Best Alternative music album. AwardsHere cometh thine shiny awards Sire. My Lord Tucker the Wanker second Earl of Wessex. Lord of the Furries. Heir of Lord baldy the one eyed snake wrestler. Protector of Freedom units. Step Sibling with funny feelings down stairs. Entertainer of uncles. Jailor of innocent. Spanker of innocent milk maids and stable boys. Nirvana has 1 win and 6 Nominations NominationsBest Alternative Music AlbumNevermind (Album)Wins Best Alternative Music PerformanceMTV Unplugged In New York  Tracks1) "Smells Like Teen Spirit" Written by: Kurt Cobain, Krist Novoselic, Dave Grohl 5:01 Released September 10, 1991 as the lead single for the album.-One of the catchiest intro hooks of all time.-Very nonsensical and def full of contradictions; but it give the feeling of angst its supposed to.-Cobain said it was an attempt to write a song in the style of the Pixies, a band he admired:"I was trying to write the ultimate pop song. I was basically trying to rip off the Pixies. I have to admit it. When I heard the Pixies for the first time, I connected with that band so heavily that I should have been in that band—or at least a Pixies cover band. We used their sense of dynamics, being soft and quiet and then loud and hard."When Cobain presented the song to his bandmates, it comprised just the main guitar riff and the chorus vocal melody. Cobain said the riff was "clichéd", similar to a riff by Boston or the Richard Berry song "Louie Louie". Bassist Krist Novoselic dismissed it as "ridiculous"; in response, Cobain made the band play it for an hour and a half. Eventually, Novoselic began playing it more slowly, inspiring drummer Dave Grohl to create the drum beat, which drew from disco artists like The Gap Band. As a result, it is the only song on Nevermind to credit all three band members as writers. 2) "In Bloom" Written by Kurt Cobain 4:14 Released November 30, 1992 "In Bloom" was released as the album's fourth and final single in November 1992-The lyrics are just making fun of listeners who don't understand what Cobain is talking about. Never realized that.-I like to visualization and juxtaposition of the clean cut 50's style band to them wearing dresses and tearing everything up.-According to the 1993 Nirvana biography Come As You Are by Michael Azerrad, "In Bloom" was originally written about "the jocks and shallow mainstream types" of the underground music scene the band began to find in their audience after the release of their 1989 debut album, Bleach. In his biography of Cobain, Heavier Than Heaven, Charles R. Cross asserted that the song was a "thinly disguised portrait" of Cobain's friend Dylan Carlson. 3) "Come As You Are" Written by Kurt Cobain 3:38 Released March 2, 1992 as the second single from Nevermind.-Great song, all of the intros are very catchy and pull you in.-Interesting visuals in the music video... Lots of sperm swimming around and flowing water.-The origin of the song's title is unclear, but Charles R. Cross speculated the song may have been named after a motto used by the Morck Hotel in Cobain's hometown of Aberdeen, Washington. The Morck was one of many places Cobain stayed in after leaving home for a time while he was seventeen years old 4) "Breed" written by Kurt Cobain 3:03 Released September 24, 1991-Much heavier sound than the previous tracks. High energy and poppy.-Reading the lyrics, it is a bunch of just nonsense.-Lyrically, the song addresses themes of teenage apathy and fear within the American middle-class. Stevie Chick of Kerrang wrote that lyrics such as "We can plant a house, we can build a tree" displayed Cobain's "gift for crafting witty, purposeful nonsense. 5) "Lithium" written Kurt Cobain 4:16 Released July 13, 1992 as the third single from Nevermind.-Very chilled vibe from the previous tracks-It's still got a LOT of energy in the YEAH parts that gets hard.-As Cobain explained, "In the song, a guy's lost his girl and his friends and he's brooding. He's decided to find God before he kills himself. It's hard for me to understand the need for a vice like [religion] but I can appreciate it too. People need vices.” 6) "Polly" written by Kurt Cobain 2:57 Released September 24, 1991-Very downtrodden song. considering the content, not surprising.-This is a really dark song. Jesus.-Cobain wrote "Polly" about an incident in Tacoma, Washington involving the abduction and rape of a 14-year-old girl in August 1987. Gerald Arthur Friend kidnapped the girl while she was leaving a rock concert, suspended her upside down from a pulley in his mobile home and raped and tortured her with a blow torch. She managed to escape by jumping from his truck at a gas station, attracting attention from surrounding people. Arthur was later arrested and convicted for his crimes. Cobain's addition to the story was to have the victim fool the kidnapper into thinking she was enjoying what he was doing to her, causing him to let his guard down long enough for her to escape.-In his Nirvana biography Come As You Are, journalist Michael Azerrad noted that rape seemed to be a consistent theme in Cobain's songs and interviews, as if Cobain was "apologizing for his entire gender." However, Cobain explained, "I don't feel bad about being a man at all. There are all kinds of men that are on the side of the woman and support them and help influence other men. In fact, a man using himself as an example toward other men can probably make more impact than a woman can". 7) "Territorial Pissings" written by Kurt Cobain and Chet Powers. 2:22-Very punk and heavy.-I have no idea how Kurt would be able to perform this song live... It hurts my voice hearing his guttural screams.-this song is a two-and-a-half-minute punk lambasting of the typical "Macho Man." In addition to being about sexism, the song is also about the way Kurt Cobain saw Native Americans treated around his home town of Aberdeen, Washington. 8) "Drain You" written by Kurt Cobain 3:43 Released September 24, 1991 as a promotional single-
Good song, musically in the same category as the more popular Nirvana tracks. Heavy, but simple and poppy.-The strangest "love" song I've ever heard.-In the 1993 Nirvana biography Come As You Are: The Story of Nirvana, Michael Azerrad described "Drain You" as "a love song, or rather a song about love," in which the babies in the lyrics "represent two people reduced to a state of perfect innocence by their love." Cobain told Azerrad that the lyrics made him think of "two brat kids who are in the same hospital bed." The song's imagery predicted the medical themes that would feature heavily in the lyrics of Nirvana's following album, In Utero.-According to the 2001 Cobain biography Heavier Than Heaven by Charles Cross, "Drain You" was one of "a half dozen...memorable songs" Cobain wrote following his break-up with American musician, Tobi Vail, in November 1990. Cross described the lyric, "It is now my duty to completely drain you," as "both an acknowledgement of the power [Vail] had over [Cobain] and an indictment." 9) "Lounge Act" written by Kurt Cobain 2:36-Super bass heavy.-It reminds me of Offspring sound-This is a song about heartache in a relationship.-The title comes from the fact that Nirvana thought that the bass intro sounded like something a cheesy lounge band would use.-This is the only song Kurt Cobain admitted was about his much maligned ex-girlfriend, Tobi Vail. 10) "Stay Away" written by Kurt Cobain 3:32-Very punk inspired-Pretty simple and to the point; confusion and agitation, easier to push people away than try to explain things to them.-Again, no idea how he would be able to sing anything else after this song. Dang.-Originally titled Pay To Play, this song appears to be about many things, including annoyance ("stay away"), lack of popularity ("I'd rather be dead than cool"), and predictability in people ("every line ends in a rhyme"). 11) "On a Plain" written by Kurt Cobain 3:16. Released on the album in September 1991, released as a promotional single in 1992.-Very much in the vein of the other tracks. Again, somewhat nonsensical, but still angsty and full of energy-Good track, I remember the single.-In a July 1993 interview in New York City, Cobain told English journalist Jon Savage that "On a Plain" was about "classic alienation, I guess," although he then noted he had to change his explanation every time he was asked about the meaning to his songs, saying that his lyrics were largely taken from "pieces of poetry thrown together," and that his poetry was "not usually thematic at all." 12) "Something in the Way" written by Kurt Cobain 3:52-Very downtrodden and depressing-Very heavy and moody-Doesn't have the explosive energy the other tracks did. But it's still solid and full of feeling.-Never released as a single and never a consistent part of the band's live setlist, "Something in the Way" charted for the first time in August 2020, after appearing in the first trailer for the 2022 superhero film, The Batman. The song peaked at number two on Billboard's US Rock Digital Songs Sales chart, and number five on their US Alternative Digital Songs Sales charts.[2] It also reached the top 20 in both Amazon Music's and iTunes' digital music charts-Cobain himself suggested that the song was not necessarily autobiographical, telling Nirvana biographer Michael Azerrad that the lyrics were "like if I was living under the bridge and I was dying of AIDS, if I was sick and I couldn't move and I was a total street person. That was kind of the fantasy of it". 13) "Endless, Nameless" written by Kurt Cobain-Very heavy and chaotic-I honestly don't know if I've ever heard this one before, but I'm not a fan of it... I don't like jam bandy type music. Sounds like they're just making noise.-According to Come As You Are, Cobain himself was unsure of what he was singing during the performance, but believed the lyrics included the lines, "I think I can, I know I can."-According to author Chuck Crisafulli, the song's placement on Nevermind was in part inspired by the use of hidden tracks by the Beatles, such as "Her Majesty" on their 1969 album, Abbey Road. **TRIPLE LINDY AWARD** **REVIEW AND RATING** TOP 5Stephen:1 Breakfast club2 T23 Sandlot4color out of space5 Mail order brides Chris:1. sandlots2. T23. trick r treat4. rocky horror picture show5. hubie halloween Trey:1) Boondocks Saints2) Mail Order Brides3) Tombstone4) Very bad things5) She out of my league  Tucker:1. T22: Tombstone4: My Cousin Vinny5: John WickNational treasure WHAT ARE WE DOING NEXT WEEK? Web: https://theguysreview.simplecast.com/EM: theguysreviewpod@gmail.comIG: @TheGuysReviewPodTW: @The_GuysReview - Twitter DM groupFB: https://facebook.com/TheGuysReviewPod/YouTube: https://www.youtube.com/channel/UCYKXJhq9LbQ2VfR4K33kT9Q Please, Subscribe, rate and review us wherever you get your podcasts from!! Thank you,-The Guys

This week on CrossFade, it's all about the

The crimewriting legend that brought us Inspector Rebus and ardent music lover Ian Rankin joins Jude to discuss another incredible book about music and the people who make it. Ian has picked a book about his beloved Joy Division. Touching from a Distance is written by Joy Division singer Ian Curtis's wife Deborah and was published fifteen years after he died in 1980. In this episode they chat early music experiences, toxic masculinity and the existential thriller Ian plotted out but never quite wrote based on Joy Division's Unknown Pleasures. There's still time Ian, there's still time! You can pre-order Ian Rankin's new book here https://geni.us/AHeartFullOfHeadstones Other books mentioned in the podcast:England's Dreaming by Jon Savage https://uk.bookshop.org/books/england-s-dreaming/9780571368549Awopbopaloobop Alopbamboom by Nik Cohn https://uk.bookshop.org/books/awopbopaloobop-alopbamboom-pop-from-the-beginning/9781784870485Unknown Pleasures: Inside Joy Division by Peter Hook https://uk.bookshop.org/books/unknown-pleasures-inside-joy-division/9781471148330Substance: Inside New Order by Peter Hook https://uk.bookshop.org/books/substance-inside-new-order/9781471132421Chapter and Verse - New Order, Joy Division and Me by Bernard Sumner https://uk.bookshop.org/books/chapter-and-verse-new-order-joy-division-and-me/9780552170499Record Play Pause: Confessions of a Post-Punk Percussionist: the Joy Division Years: Volume I by Stephen Morris https://bit.ly/3JHMhtgFast Forward: Confessions of a Post-Punk Percussionist: Volume II by Stephen Morris https://bit.ly/3QDEvTvJoy Division: Juvenes by Kevin Cummins https://uk.bookshop.org/books/joy-division-juvenes/9781788402712Charlotte Sometimes by Penelope Farmer https://uk.bookshop.org/books/charlotte-sometimes/9780141379210 You can buy Jude's book The Sound of Being Human: How Music Shapes Our Lives here: https://uk.bookshop.org/books/the-sound-of-being-human-how-music-shapes-our-lives/9781474622929 Finally White Rabbit's Spotify Playlist of 'booksongs' - songs inspired by books loved by our guests - is here: https://open.spotify.com/playlist/7chuHOeTs9jpyKpmgXV6uo Hosted on Acast. See acast.com/privacy for more information.

Sarah Udave ,fille d'entrepreneurs dans la mode, développe sa culture musicale chez des disquaires, et un oeil pour l'esthétisme en achetant de nombreux magazines de mode et de musique. Elle rejoint la marque The Kooples en 2010 et prend en charge la communication de la marque. Grâce à sa forte culture musicale et à un réseau développé dans l'industrie musicale au fil du temps, elle mène plusieurs projets afin de diffuser - naturellement - la culture de la marque :

On the 30th anniversary of the release of Nirvana's album Nevermind, leading figures from music, literature, fashion, and activism reflect on the impact it had on their lives. Presenter Douglas Coupland, author of Generation X, explores how his own work is entwined with the album's history. In the early 90s, Douglas Coupland, like Nirvana, was at the vanguard of a new movement that valued individualism and freedom. In 1991, the music industry had modest ambitions for a second album from Seattle three-piece rock group Nirvana. Little did they know. Opening with hit single Smells Like Teen Spirit, Nevermind was a politically radical, powerful package of pop and punk music that made the grunge genre world-famous. The album knocked Michael Jackson off the top of the US charts, eventually selling 30 million copies. It made Kurt Cobain an icon. Though released on a major label, the record redefined the notion of independent spirit for a generation. Musician Bat For Lashes talks about processing troubling teenage experiences through her Nirvana fandom. Actor Zawe Ashton reveals that grunge directly inspired her character of Vod in sitcom Fresh Meat. Transgender activist Daniella Carter reflects on the ways the band defined her politics. Novelist Aaron Hamburger remembers how Kurt Cobain helped him come out as gay. Nevermind producer Butch Vig recalls the release changing his life overnight. Other contributors include poet Hanif Abdurraqib, author Deborah Levy, and musician and fashion expert Brix Smith. Meanwhile, a rare archive interview between Kurt Cobain and Jon Savage transports us back to the spirit of the time. Finally, folk band The Unthanks perform an exclusive cover of Nevermind closer "Something In The Way". Producer: Jack Howson Additional Production: Tess Davidson and Silvia Malnati Sound Mix: Mike Woolley A Reduced Listening production for BBC Radio 4

The 'Scenic Drive with Rian' show airs weekdays from 16h00 to 19h00 on Jacaranda FM, taking hundreds of thousands of loyal listeners home with a smile each day. There's no task too big; no challenge left unanswered when it comes to Rian's style. And thanks to the diversity of the team, you're bound to find a common factor with one of them.

Jacek Świąder pisze o muzyce od lat, prowadzi podcast Ktoś Ruszał Moje Płyty i dużo o muzyce czyta.  Anna Karczewska nie umie zdecydować, czy bardziej kocha muzykę, czy książki. Wspólnie rozmawiają o książkach o muzyce i o muzykach, sporo o punk rocku, o tym, czego słuchają czytając i co czytają słuchając. Książki do czytania: 1.       „Please Kill Me. Punkowa historia punka” Legs McNeil, Gillian McCain, Wydawnictwo Czarne 2.        „Polski Punk 1978-1984” Ania Dąbrowska Lyons, Manufaktura Legenda 3.       „Cash. Autobiografia” Johnny Cash, Wydawnictwo Czarne 4.       „Ja. Pierwsza i jedyna autobiografia Eltona Johna” Elton John, Wydawnictwo Otwarte 5.       „Przenikliwe światło, słońce i cała reszta. Joy Division w ustnych relacjach” Jon Savage, Kosmos Kosmos 6.       „Jerry'ego Lee Lewisa opowieść o własnym życiu” Rick Bragg, Wydawnictwo Czarne 7.       „Załatw publikę i spadaj. W poszukiwaniu Jamesa Browna, amerykańskiej duszy i muzyki soul” James McBride 8.       „Tom Waits. Życie na poboczu” Barney Hoskyns, Kosmos Kosmos 9.       „Buszujący w barszczu” Konstanty Usenko, Wydawnictwo Czarne 10.   „Oczami radzieckiej zabawki” Konstanty Usenko, Wydawnictwo Czarne 11.   „Dzika rzecz. Polska muzyka i transformacja 1989-1993” Rafał Księżyk, Wydawnictwo Czarne

Veteran Broadcaster, Podcaster & Director at InBroadcasting, Jon Savage on the benefits of SMME's starting their own podcasts and on how to get started as a podcaster.  See omnystudio.com/listener for privacy information.

Autor: Zeeb, Norbert Sendung: Lesart Hören bis: 19.01.2038 04:14

Nick Kent in conversation with David Eastaugh  In the mid-70s, Kent played guitar with an early incarnation of the Sex Pistols,[2] and performed briefly with members of the early punk band London SS, under the name Subterraneans. Brian James, later of The Damned, said of him: "Nick is a great guitarist, he plays just like Keith Richards. He's always trying to get a band together but he just can't do it. Nerves, I guess. It's a shame, though, because he loves rock 'n' roll and he's a great bloke."[3] Kent's relationship with the punk scene was strained. Already a well-known music critic and a symbol of the music industry, he was assaulted by Sid Vicious with a motorcycle chain in the 100 Club. Kent relates the incident in Johnny Rogan's book on rock management, Starmakers & Svengalis; in The Filth and the Fury, director Julien Temple's 2000 documentary of the Sex Pistols; in Jon Savage's book England's Dreaming; as well as in his own books, The Dark Stuff and Apathy for the Devil. Despite this infamous incident, Vicious claimed in a 1977 interview that Kent was 'good fun' and that 'he bought me a meal a little while ago, it was really nice of him'. 

In this episode we welcome The Guardian's John Harris into RBP's virtual cupboard to reminisce about his career as a music journalist and author. Mark, Barney & Jasper look back with John at Britpop and at The Last Party, his definitive 2003 book about it; we also consider the crucial role in the Britpop story of Select magazine, which John edited between 1995 and 1997. Discussion of Britpop's more jingoistic aspects is accompanied by references to contemporary pieces on Blur, Oasis & co. by Jon Savage and Stuart Maconie — and followed by John's thoughts on morphing into one of the Grauniad's most respected political columnists. The week's theme leads neatly into clips from a 1980 audio interview with Britpop forefather Paul McCartney, heard talking to John Tobler about his McCartney II album. Seasoned Beatles freak Harris talks about Macca's solo oeuvre and McCartney II's just-released successor… McCartney III! The "team" and their guest then turn their attention to the passing of the remarkable Charley Pride, the Black southerner who — against considerable odds — became a country music superstar.Mark talks us through some notable new additions to the RBP library, including pieces about the Manson family, the Bee Gees, Kirsty MacColl, the Beastie Boys and Metallica. Barney welcomes California writer Deanne Stillman to the RBP fold with her 2004 piece on the trial of Phil Spector, while Jasper rounds matters off with reflections on Shakira and RBP's Paul Kelly's favourite band Coldplay.Pieces discussed: Britpop, Britpoper, Britpopest, Paul McCartney audio, Patti Smith, Ramones, Dis-Education of Rock 'n' Roll, Charley Pride, Charley Prider, Charley Pridest, Charles Manson, Ashford & Simpson, Kirsty MacColl, Soft Cell, Beastie Boys, John Lennon, Barry Gibb & the Bee Gees, Kevin Coyne, Human League, Jason & Kylie, Metallica, Phil Spector, Viv Albertine, Shakira and Coldplay.This show is a part of Pantheon Podcasts.

In this episode we welcome The Guardian's John Harris into RBP's virtual cupboard to reminisce about his career as a music journalist and author. Mark, Barney & Jasper look back with John at Britpop and at The Last Party, his definitive 2003 book about it; we also consider the crucial role in the Britpop story of Select magazine, which John edited between 1995 and 1997. Discussion of Britpop's more jingoistic aspects is accompanied by references to contemporary pieces on Blur, Oasis & co. by Jon Savage and Stuart Maconie — and followed by John's thoughts on morphing into one of the Grauniad's most respected political columnists. The week's theme leads neatly into clips from a 1980 audio interview with Britpop forefather Paul McCartney, heard talking to John Tobler about his McCartney II album. Seasoned Beatles freak Harris talks about Macca's solo oeuvre and McCartney II's just-released successor… McCartney III! The "team" and their guest then turn their attention to the passing of the remarkable Charley Pride, the Black southerner who — against considerable odds — became a country music superstar.Mark talks us through some notable new additions to the RBP library, including pieces about the Manson family, the Bee Gees, Kirsty MacColl, the Beastie Boys and Metallica. Barney welcomes California writer Deanne Stillman to the RBP fold with her 2004 piece on the trial of Phil Spector, while Jasper rounds matters off with reflections on Shakira and RBP's Paul Kelly's favourite band Coldplay.Many thanks to special guest John Harris; visit his website at johnharris.me.uk.Pieces discussed: Britpop, Britpoper, Britpopest, Paul McCartney audio, Patti Smith, Ramones, Dis-Education of Rock 'n' Roll, Charley Pride, Charley Prider, Charley Pridest, Charles Manson, Ashford & Simpson, Kirsty MacColl, Soft Cell, Beastie Boys, John Lennon, Barry Gibb & the Bee Gees, Kevin Coyne, Human League, Jason & Kylie, Metallica, Phil Spector, Viv Albertine, Shakira and Coldplay.This show is a part of Pantheon Podcasts.

In this episode we welcome The Guardian's John Harris into RBP's virtual cupboard to reminisce about his career as a music journalist and author. Mark, Barney & Jasper look back with John at Britpop and at The Last Party, his definitive 2003 book about it; we also consider the crucial role in the Britpop story of Select magazine, which John edited between 1995 and 1997. Discussion of Britpop's more jingoistic aspects is accompanied by references to contemporary pieces on Blur, Oasis & co. by Jon Savage and Stuart Maconie — and followed by John's thoughts on morphing into one of the Grauniad's most respected political columnists.  The week's theme leads neatly into clips from a 1980 audio interview with Britpop forefather Paul McCartney, heard talking to John Tobler about his McCartney II album. Seasoned Beatles freak Harris talks about Macca's solo oeuvre and McCartney II's just-released successor… McCartney III! The "team" and their guest then turn their attention to the passing of the remarkable Charley Pride, the Black southerner who — against considerable odds — became a country music superstar. Mark talks us through some notable new additions to the RBP library, including pieces about the Manson family, the Bee Gees, Kirsty MacColl, the Beastie Boys and Metallica. Barney welcomes California writer Deanne Stillman to the RBP fold with her 2004 piece on the trial of Phil Spector, while Jasper rounds matters off with reflections on Shakira and RBP's Paul Kelly's favourite band Coldplay. Many thanks to special guest John Harris; visit his website at johnharris.me.uk. Pieces discussed: Britpop, Britpoper, Britpopest, Paul McCartney audio, Patti Smith, Ramones, Dis-Education of Rock 'n' Roll, Charley Pride, Charley Prider, Charley Pridest, Charles Manson, Ashford & Simpson, Kirsty MacColl, Soft Cell, Beastie Boys, John Lennon, Barry Gibb & the Bee Gees, Kevin Coyne, Human League, Jason & Kylie, Metallica, Phil Spector, Viv Albertine, Shakira and Coldplay. This show is a part of Pantheon Podcasts.

Jon Savage, journaliste de rock, déjà connu pour une bible sur les Sex Pistols, s’attaque cette fois à Joy Division. Le parcours météoritique du groupe culte, pionnier de la cold wave, est restitué exhaustivement à travers des entretiens avec les musiciens, des acteurs de la scène musicale ou des témoins […]

Jon Savage, journaliste de rock, déjà connu pour une bible sur les Sex Pistols, s’attaque cette fois à Joy Division. Le parcours météoritique du groupe culte, pionnier de la cold wave, est restitué exhaustivement à travers des entretiens avec les musiciens, des acteurs de la scène musicale ou des témoins […]

Episode 20 of Season 2 of What's Your Poison with Jon Savage. Moonchild Sanelly is having the career that most artists only dream about. When the biggest stars in the world are calling you trying to get you on their tracks you know you are doing something right. She is enigmatic, powerful and a light shining blindingly bright! Hope you enjoy this episode To watch his this interview on YouTube click here: https://youtu.be/KK657hNOzYw Proudly brought to you by Whiskey Brother (go check their online store) and tonight we are drinking the limited Taiwanese Whiskey, KaVaLan - its bloody delicious so make sure you order yourself one from www.whiskybrother.com. #whatsyourpoisonpodcast --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/jon-savage/support

S02 Ep19: Whats Your Poison with Jon Savage and J'Something of Mi Casa. J' Something is like the American dream but for South Africans. He's got a pure heart, a wide open soul, is crazy (annoyingly) talent, is incredibly successful and is clearly not an asshole. WTF???? ? Check out this conversation about his amazing life story, his view on life, his passion for music and being a father and a husband and his incredible friendship with Hugh Masekela. Also check out the impromptu song-writing session in the middle if you want to be depressed for the rest of your life. Check out the video interview right here on YouTube : https://youtu.be/zuFDJAw9mXk A beautiful interview over a wicked bottle of 12 year old ANCNAC (pronounced “a-noc”) thanks to my lovely friends at Whisky Brother. Seriously, guys if you are whisky fan like me, there is nothing else to consider, visit whiskybrother.com. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/jon-savage/support

The Daily Derringer Podcast - Tuesday November 3rd 2020 Check out more full episodes at Q107.com On Tuesday, November 3, 2020, TVO Original Picture My Face: The Story of Teenage Head, will premiere on TVO. It will then be available to stream across Canada on tvo.org and TVO's YouTube Channel. It will also rebroadcast on TVO on Saturday, November 7 at 9 pm ET and Sunday, November 8 at 10:30 pm ET.   Picture My Face: The Story of Teenage Head, features appearances by Marky Ramone, Rob Baker (Tragically Hip), legendary punk writers Jon Savage, Nina Antonia (New York Dolls), never-before-seen 16mm colour transfers from Heatwave Festival (the “Canadian Woodstock”), access to the band's extensive photo archive, and rare 16mm b/w footage from “The Crash 'n' Burn”, 1977 show.. The story reveals the birth of the young artists in conversations at the back of English class which soon develop into basement jams and the beginnings of song-writing while riding their dirt-bikes, building forts, and playing baseball together. A rare alchemy achieved in their basements in Hamilton, soon launches them onto the world stage—with two gold albums and a chance to break widely into the United States—a series of setbacks changes their destiny. Held together by their early friendships and the music, itself, the film rests upon a powerful present-day story through lead guitarist, Gord Lewis, who struggles to overcome depression following the loss of their frontman Frankie “Venom” Kerr. "These guys solved all the awkwardness of high school by forming a band and inventing an unmistakable sound and style and attitude. Picture My Face: The Story of Teenage Head really becomes a story about founding member and lead guitarist Gord Lewis whose struggle with depression was sparked by the loss of their frontman Frankie Venom. I didn't set out to make a 'biopic'; instead, I wanted to find a present-day story ignited by the potency of the band's past. The relationship artists have with melancholy and with its more incapacitating cousin, depression, is also an area I've written about," said director, Douglas Arrowsmith. See omnystudio.com/listener for privacy information.

Episode 14 of Season 2 of What's Your Poison with Jon Savage. Gareth Cliff speaks about leaving 5FM and the days starting up Cliff Central blah blah yadda yadda - whats most interesting is his obsession with learning history and his home chemical lab that he's created to study the universe! To watch his this interview on YouTube click here: https://youtu.be/kp06EU4R1Uo Proudly brought to you by Whiskey Brother (go check their online store) and tonight we are drinking the limited edition special single Cask 11 year old GlenDronach! Yum. #whatsyourpoisonpodcast --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/jon-savage/support

Episode 13 of Season 2 of What's Your Poison with Jon Savage. Sipho "Hotstix" Mabuse is one of Africa's greatest living legends and is one of my all time hero's. What an honour to be able to steal an hour of his time to find out all about his incredible life! To watch his this interview on YouTube click here: https://youtu.be/AqddFPpZVKw Proudly brought to you by Whiskey Brother (go check their online store) and tonight we are drinking the limited Japanese Whiskey, Santori Whisky, "Toki" which means "Time" in Japanese! Yum! #whatsyourpoisonpodcast --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/jon-savage/support

Welcome to another episode of the Bowie Book Club* where wild speculation and grasping for straws about Bowie’s favorite books has reigned supreme since 2016. This time we read Teenage by Jon Savage and you JUST DON'T UNDERSTAND HOW WE'RE FEELING ABOUT IT OK? /slams bedroom door/

In this week's episode, Mark and Jasper are joined by the fabulous Vicki Wickham to chat all things pop and beyond, starting with her experiences as producer of TV show Ready, Steady, Go! in swinging sixties London, when Vicki became good friends with Dusty Springfield, through writing for Fabulous and Melody Maker to managing Labelle in the 70s and much else besides.Vicki talks about how she got her foot in the door of television and reminisces about writing lyrics for Dusty, then tells the story of moving to New York to open a US office for Track Records. We then find out how she masterminded the metamorphosis of Patti Labelle and the Blue Belles into groundbreaking pop trio Labelle, who Mark reckons paved the way for TLC and even the Spice Girls.Vicki, Mark and Jasper then listen to clips from an audio interview with Morrissey, in which the seeds of his later racism are occasionally audible, and Vicki admits that although she was nominally his manager for a short while, he was mostly interested in hearing the stories she had to tell. (In any case, he turned out to be unmanageable.)The trio then pay tribute to the Heartbreakers' Walter Lure, singer-songwriter Justin Townes Earle, Jack Sherman of the Red Hot Chili Peppers and R&B singer D. J. Rogers before Mark and Jasper present some of their highlights from the new pieces going into the RBP library. Mark selects pieces on pop television, Led Zep IV and Patti Smith, and Jasper rounds things out with the Scissor Sisters and Merzbow.Pieces discussed: Vicki Wickham, Ready, Vicki, Go!, Labelle's Nona Hendryx audio, Vicki Wickham's Pop Guide to London, Graham Nash, Ashford & Simpson, Morrissey audio, Jon Savage with the Heartbreakers, Pete Makowski on the Heartbreakers, Justin Townes Earle, Red Hot Chili Peppers, D. J. Rogers, TV pop, Led Zeppelin IV, David Bowie, Patti Smith's Horses, The Germs, Morrissey, Scissor Sisters, Richard Pinhas & Merzbow and Echo & the Bunnymen.This show is part of Pantheon Podcasts

In this week's episode, Mark and Jasper are joined by the fabulous Vicki Wickham to chat all things pop and beyond, starting with her experiences as producer of TV show Ready, Steady, Go! in swinging sixties London, when Vicki became good friends with Dusty Springfield, through writing for Fabulous and Melody Maker to managing Labelle in the 70s and much else besides. Vicki talks about how she got her foot in the door of television and reminisces about writing lyrics for Dusty, then tells the story of moving to New York to open a US office for Track Records. We then find out how she masterminded the metamorphosis of Patti Labelle and the Blue Belles into groundbreaking pop trio Labelle, who Mark reckons paved the way for TLC and even the Spice Girls. Vicki, Mark and Jasper then listen to clips from an audio interview with Morrissey, in which the seeds of his later racism are occasionally audible, and Vicki admits that although she was nominally his manager for a short while, he was mostly interested in hearing the stories she had to tell. (In any case, he turned out to be unmanageable.) The trio then pay tribute to the Heartbreakers' Walter Lure, singer-songwriter Justin Townes Earle, Jack Sherman of the Red Hot Chili Peppers and R&B singer D. J. Rogers before Mark and Jasper present some of their highlights from the new pieces going into the RBP library. Mark selects pieces on pop television, Led Zep IV and Patti Smith, and Jasper rounds things out with the Scissor Sisters and Merzbow. Pieces discussed: Vicki Wickham, Ready, Vicki, Go!, Labelle's Nona Hendryx audio, Vicki Wickham's Pop Guide to London, Graham Nash, Ashford & Simpson, Morrissey audio, Jon Savage with the Heartbreakers, Pete Makowski on the Heartbreakers, Justin Townes Earle, Red Hot Chili Peppers, D. J. Rogers, TV pop, Led Zeppelin IV, David Bowie, Patti Smith's Horses, The Germs, Morrissey, Scissor Sisters, Richard Pinhas & Merzbow and Echo & the Bunnymen. This show is part of Pantheon Podcasts

In this week's episode, Mark and Jasper are joined by the fabulous Vicki Wickham to chat all things pop and beyond, starting with her experiences as producer of TV show Ready, Steady, Go! in swinging sixties London, when Vicki became good friends with Dusty Springfield, through writing for Fabulous and Melody Maker to managing Labelle in the 70s and much else besides.Vicki talks about how she got her foot in the door of television and reminisces about writing lyrics for Dusty, then tells the story of moving to New York to open a US office for Track Records. We then find out how she masterminded the metamorphosis of Patti Labelle and the Blue Belles into groundbreaking pop trio Labelle, who Mark reckons paved the way for TLC and even the Spice Girls.Vicki, Mark and Jasper then listen to clips from an audio interview with Morrissey, in which the seeds of his later racism are occasionally audible, and Vicki admits that although she was nominally his manager for a short while, he was mostly interested in hearing the stories she had to tell. (In any case, he turned out to be unmanageable.)The trio then pay tribute to the Heartbreakers' Walter Lure, singer-songwriter Justin Townes Earle, Jack Sherman of the Red Hot Chili Peppers and R&B singer D. J. Rogers before Mark and Jasper present some of their highlights from the new pieces going into the RBP library. Mark selects pieces on pop television, Led Zep IV and Patti Smith, and Jasper rounds things out with the Scissor Sisters and Merzbow.Pieces discussed: Vicki Wickham, Ready, Vicki, Go!, Labelle's Nona Hendryx audio, Vicki Wickham's Pop Guide to London, Graham Nash, Ashford & Simpson, Morrissey audio, Jon Savage with the Heartbreakers, Pete Makowski on the Heartbreakers, Justin Townes Earle, Red Hot Chili Peppers, D. J. Rogers, TV pop, Led Zeppelin IV, David Bowie, Patti Smith's Horses, The Germs, Morrissey, Scissor Sisters, Richard Pinhas & Merzbow and Echo & the Bunnymen.Rock's Backpages is proud to be part of the Pantheon Podcast Network.

In this week's episode, Mark and Jasper are joined by the fabulous Vicki Wickham to chat all things pop and beyond, starting with her experiences as producer of TV show Ready, Steady, Go! in swinging sixties London, when Vicki became good friends with Dusty Springfield, through writing for Fabulous and Melody Maker to managing Labelle in the 70s and much else besides. Vicki talks about how she got her foot in the door of television and reminisces about writing lyrics for Dusty, then tells the story of moving to New York to open a US office for Track Records. We then find out how she masterminded the metamorphosis of Patti Labelle and the Blue Belles into groundbreaking pop trio Labelle, who Mark reckons paved the way for TLC and even the Spice Girls. Vicki, Mark and Jasper then listen to clips from an audio interview with Morrissey, in which the seeds of his later racism are occasionally audible, and Vicki admits that although she was nominally his manager for a short while, he was mostly interested in hearing the stories she had to tell. (In any case, he turned out to be unmanageable.) The trio then pay tribute to the Heartbreakers' Walter Lure, singer-songwriter Justin Townes Earle, Jack Sherman of the Red Hot Chili Peppers and R&B singer D. J. Rogers before Mark and Jasper present some of their highlights from the new pieces going into the RBP library. Mark selects pieces on pop television, Led Zep IV and Patti Smith, and Jasper rounds things out with the Scissor Sisters and Merzbow. Pieces discussed: Vicki Wickham, Ready, Vicki, Go!, Labelle's Nona Hendryx audio, Vicki Wickham's Pop Guide to London, Graham Nash, Ashford & Simpson, Morrissey audio, Jon Savage with the Heartbreakers, Pete Makowski on the Heartbreakers, Justin Townes Earle, Red Hot Chili Peppers, D. J. Rogers, TV pop, Led Zeppelin IV, David Bowie, Patti Smith's Horses, The Germs, Morrissey, Scissor Sisters, Richard Pinhas & Merzbow and Echo & the Bunnymen.

"Sengendes Licht - die Geschichte von Joy Division" von Jon Savage und "Vorleben" von Georg Oswald

Patrick talks about three rock books he recently read: "1966: The Year the Decade Exploded" by Jon Savage and two autobiographies, "What Does This Button Do?" by Bruce Dickinson "Big City Cat: My Life in Folk-Rock" by Steve Forbert. Episode editor: Mary Edelberg Become a Rockin' the Suburbs patron - support the show and get bonus content - at Patreon.com/suburbspod (http://patreon.com/suburbspod) Subscribe to Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Play, SoundCloud, Stitcher and TuneIn. Or listen at SuburbsPod.com (http://suburbspod.com/) . Please rate/review the show on Apple Podcasts/iTunes and share it with your friends. Visit our website at SuburbsPod.com (http://suburbspod.com/) Email Jim & Patrick at rock@suburbspod.com Follow us on the Twitter, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music by Quartjar. Visit quartjar42.com (http://quartjar42.com/) (c) 2020, Artie S. Industries LLC

Im still reeling from this hysterical and humbling chat. If you've ever wondered who the real Schalk Bezuidenhout is, you'll be happily surprised to find out that he is exactly who you think he is. A truly legendary talent joins Jon Savage on this week's episode of Whats Your Poison. Check out the YouTube of this chat by clicking here. : https://youtu.be/lnfipGYQg8Y This episode is proudly sponsored by Whisky Brother --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/jon-savage/support

Se cumplen 40 años de la muerte de una leyenda. De uno de los cantantes y artistas de vida más corta pero más duradera: porque su muerte le hizo eterno y convirtió en inmortal a su banda, los enigmáticos, profundos, perturbadores Joy Division. Coincidiendo con el 40 aniversario de la muerte de Ian Curtis, celebramos su vida con la publicación en España de “Una luz abrasadora, el sol y todo lo demás”, la historia oral de Joy Division, escrita por Jon Savage, uno de los periodistas musicales más reputados de Reino Unido, al que entrevistamos en este programa especial sobre la banda que puso a Manchester en el mapa de la música. Un nuevo monográfico musical fabricado por nuestro colaborador y fabricante de planazos el Señor Sanabria. __ Existimos gracias a las aportaciones de los y las oyentes. Hazte productora o productor de Carne Cruda. Defiende tu altavoz en: en http://carnecruda.es/hazte_productor/

Se cumplen 40 años de la muerte de una leyenda. De uno de los cantantes y artistas de vida más corta pero más duradera: porque su muerte le hizo eterno y convirtió en inmortal a su banda, los enigmáticos, profundos, perturbadores Joy Division. Coincidiendo con el 40 aniversario de la muerte de Ian Curtis, celebramos su vida con la publicación en España de “Una luz abrasadora, el sol y todo lo demás”, la historia oral de Joy Division, escrita por Jon Savage, uno de los periodistas musicales más reputados de Reino Unido, al que entrevistamos en este programa especial sobre la banda que puso a Manchester en el mapa de la música. Un nuevo monográfico musical fabricado por nuestro colaborador y fabricante de planazos el Señor Sanabria. __ Existimos gracias a las aportaciones de los y las oyentes. Hazte productora o productor de Carne Cruda. Defiende tu altavoz en: en http://carnecruda.es/hazte_productor/

This month marks the 40th anniversary of the death of Joy Division frontman, Ian Curtis. In just two years, Joy Division recorded three albums worth of material and performed 120 shows. Curtis tragically died by suicide at the age of 23, the night before Joy Division's U.S. tour, leaving behind a wife and a child. Curtis had struggled with epilepsy and depression. KEXP DJ Kevin Cole says Joy Division pioneered the post punk genre. In today’s episode, he discusses Joy Division’s legacy with Jon Savage, author of “This Searing Light, the Sun and Everything Else: Joy Division: The Oral History.” Support the show.

Ox-Podcast Folge 38 – jetzt online, wie immer bei Spotify und iTunes und über unsere Website ( https://www.ox-fanzine.de/podcast ): Fabi und Joachim sprechen über die eben erschienene Ox-Ausgabe Nr. 149 mit u.a. SLIME (Titel), AKNE KID JOE, AGNOSTIC FRONT, DONOTS, HEAVEN SHALL BURN, Jon Savage über JOY DIVISION, THERAPY?, WUT, KINA, SHEER MAG und vielen anderen mehr. Wer lieber liest: Ox Nr. 149 ist jetzt am Kiosk zu haben und bei uns im Shop unter https://www.ox-fanzine.de/web/aktuelles_ox.217.html

Ukens anbefalinger: Jon Savages bok: Englands Dreaming - the tapes av Jon Savage, hele Hitchkocks filmkatalog og countrymusikkens historie

Tosh and Kimley discuss "This Searing Light, the Sun and Everything Else: Joy Division: the Oral History" edited by Jon Savage. Joy Division seems to be the poster band for the doom and gloom of the industrial city of Manchester, England. This book is a lively telling of their relationship to the city and the development and twists and turns of a young band. Equally important are the key players who helped them along the way including the engaging entrepreneur Tony Wilson, the brilliant producer Martin Hannett and the iconic graphic designer Peter Saville. Theme music: "Behind Our Efforts, Let There Be Found Our Efforts" by LG17

O podcast NERVOS Entrevista retorna nesta edição #29 com dose dupla de destaques, com os filmes Onde Quer que Você Esteja (2018) e Luna (2018). O primeiro é um longa de Bel Bechara e Sandro Serpa criado a partir de um curta homônimo do casal, produzido há 15 anos, e que constrói um mosaico de personagens que, no meio da loucura de São Paulo, vão a um programa de rádio chamado “Onde Quer que Você Esteja” na esperança de assim encontrar seus entes queridos desaparecidos. O segundo é o dèbut solo na ficção de Cris Azzi, outro realizador mineiro que apresenta a história de uma adolescente (Eduarda Fernandes) que, ao conhecer uma nova colega de turma (Ana Clara Ligeiro) na periferia de Belo Horizonte e região, passa por um processo de descoberta da sua sexualidade, enquanto tem este momento exposto na internet. Em entrevista à nossa editora Nayara Reynaud, os diretores e roteiristas Bel Bechara e Sandro Serpa contaram desde a inspiração real para estas produções e o processo de transformar o curta em longa até o trabalho com o elenco e outros detalhes de Onde Quer que Você Esteja. Na sequência, o papo foi com as atrizes Débora Duboc e Gilda Nomacce, que falaram sobre a construção de seus papéis: Duboc interpreta a Lúcia, uma mulher em busca do marido que acaba criando uma conexão com Waldir, personagem de Leonardo Medeiros, enquanto Nomacce faz a Ana Maria, uma mãe em busca da filha vivida por Samya Pascotto. As duas ainda comentaram sobre o clima no set, as amizades de outros carnavais e seus projetos futuros, como os dois longas A Menina que Matou os Pais / O Menino que Matou Meus Pais (2020) em que Débora está no elenco bem como a lista de trabalhos da incansável Gilda. Depois, foi a vez de o diretor Cris Azzi e as atrizes Eduarda Fernandes e Ana Clara Ligeiro darem uma palavrinha sobre Luna, explica suas motivações, o processo de desenvolvimento do projeto que aborda a questão do cyberbullying e a resposta do público pelos festivais, enquanto elas detalham a construção de suas personagens e muito mais. Ouça no lugar que você quiser: SoundCloud | Spotify | Deezer | iTunes | Google Podcasts | Feed | Download > 6s: Introdução > 3min07s: Entrevista com os diretores Bel Bechara e Sandro Serpa sobre Onde Quer que Você Esteja > 18min19s: Entrevista com atrizes Débora Duboc e Gilda Nomacce sobre Onde Quer que Você Esteja > 42min06s: Entrevista com o diretor Cris Azzi e as atrizes Eduarda Fernandes e Ana Clara Ligeiro sobre Luna > 1h08min45s: Conexões Nervosas > 1h13min06s: Encerramento Conexões Nervosas Se você gostou de Onde Quer que Você Esteja, também pode curtir... > Bel Bechara: o filme brasileiro Bacurau (2019), de Juliano Dornelles e Kleber Mendonça Filho > Sandro Serpa: o álbum Zulusa (2013), da cantora Patrícia Bastos > Episódios #17 Divisão de Desaparecidos e #30 Central de Desaparecidos do Aproveite São Paulo, podcast oficial da Prefeitura de São Paulo que traz informações em drops sobre serviços municipais para a população: www.capital.sp.gov.br/noticia/aproveite-sao-paulo-ouca-os-podcasts-da-prefeitura Se você gostou de Luna, também pode curtir... > Cris Azzi: o livro A Criação da Juventude: Como o Conceito de Teenage Revolucionou o Século XX (2009), do escritor e jornalista inglês Jon Savage; o filme britânico Aquário (Fish Tank, 2009), de Andrea Arnold; e os clássicos literários O Estrangeiro (1942), de Albert Camus, e A Metamorfose (1915), de Franz Kafka > Episódio "Klara Castanho fala do bullying nesses tempos tão sombrios", do podcast Esquizofrenoias, comandado pela Amanda Ramalho, ex-integrante do Pânico, em que ela aborda temas de saúde mental, geralmente com a presença de um convidado famoso ou não para comentar da sua experiência com a doença ou o problema em pauta: open.spotify.com/episode/6y2w8Bn1W0uZAkohg5nDTc *Músicas presentes no podcast (sob licença Creative Commons): “Content”, de Lee Rosevere; “Blind Love Dub”, de Jeris; e “Reusenoise_(DNB_Mix)”, de SpinningMerkaba

The iconic label is celebrating its 40th anniversary with a major new show in London. Use Hearing Protection: FAC 1 – 50 / 40 takes place at the Chelsea Space in the capital and celebrates the history and on-going influence of Factory Records, supported by rare and unseen materials from personal Factory archives. Curated by Jon Savage and Mat Bancroft, the Factory exhibition is being featured in this year's London Design Festival and runs from the 13th September until Friday the 25th of October 2019 Image: Detail from Fac 1, Poster 1978, Design Peter Saville

Le texte de la semaine avec Aurélie Lanctôt et Kéven Breton. L’éducation de Fanny Britt; Ce que j'ai appris à la fin de l'histoire. Pop culture avec Nicolas Tittley et Marc Coiteux; This searing light, the sun and everything else: Joy Division: The Oral History, de Jon Savage. Le livre à lire en ce moment avec Thomas Hellman; De la marche, de Henry David Thoreau. Le monde du sous-titrage avec Robert Gray. Quel avenir pour le cinéma à l'ère de la multiplication des plateformes de diffusion? Une discussion avec Rafaël Ouellet, Micheline Lanctôt et Martin Bilodeau.

Let's visit Patrick's Book Nook (now with its own theme music!). He discusses "Spacemen 3 and the Birth of Spiritualized" by Erik Morse, "Playing the Bass with Three Left Hands" by Will Carruthers and "The Searing Light, the Sun and Everything Else: Joy Division" by Jon Savage. Subscribe to Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Play, SoundCloud, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts/iTunes and share it with your friends. Become a Rockin' the Suburbs patron - support the show and get bonus content - at Patreon.com/suburbspod Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Twitter, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music by Quartjar. Visit quartjar42.com (c) 2019, Artie S. Industries LLC

One of the calmest podcasts to date featuring two controversial topics: the new Open Letter cover design, and the side-effects of suddenly doubling (or quadrupling) the number of translations published every year.  In terms of recommendations, this week Chad is all about the completely wild Bred from the Eyes of a Wolf by Kim Kyung Ju, translated from the Korean by Jake Levine. Tom's in love with This Searing Light, the Sun and Everything Else: Joy Division: The Oral History by Jon Savage. This week's music is "Bike Dream" by Rostam. As always, feel free to send any and all comments or questions to: threepercentpodcast@gmail.com. Also, if there are articles you’d like us to read and analyze (or just make fun of), send those along as well. And if you like the podcast, tell a friend and rate us or leave a review on iTunes! You can also follow Open Letter, Riffraff, and Chad and on Twitter and Instagram (OL, Riffraff, Chad) for book and baseball talk. If you don’t already subscribe to the Three Percent Podcast you can find us on iTunes, Stitcher, and other places. Or you can always subscribe by adding our feed directly into your favorite podcast app: http://threepercent.libsyn.com/rss

THIS WEEK Double whammy this week! Emily chats music, beginnings and working with your idols with sound engineer and superstar bassist Ben Ellis. PLUS a very personal insight into the history of Joy Division as author Jon Savage discusses his brilliant new book. Enjoy! *Apologies for the echo at the beginning! MUSIC PLAYED Amyl and The Sniffers - I Got You Brix And The Extricated - Alaska Anna Calvi - Indies Or Paradise Josefin Öhrn + The Liberation - Desire Joy Division - Disorder Body Type - Stingray SIGN UP to our newsletter: eepurl.com/c_R7d5 USEFUL LINKS Jon Savage - This Searing Light, the Sun and Everything Else: https://roughtrade.com/gb/books/jon-savage-this-searing-light-the-sun-and-everything-else-joy-division-the-oral-history-hb New Releases: roughtrade.com/new-this-week Events: roughtrade.com/events The Rough Trade Podcast. Your one-stop-shop for everything Rough Trade, every Tuesday. Tune in for new releases, staff picks and events, plus we interview some of the hottest emerging and established artists and play a sexy selection of new music. Tell us what you think on Twitter via #RoughTradePodcast: twitter.com/RoughTrade

In this week's episode, Barney Hoskyns and Mark Pringle are joined by Jon Savage to talk about his new Joy Division book This Searing Light, the Sun and Everything Else. Jon tells the story of moving to Manchester and getting to know the band plus Tony Wilson and Martin Hannett – and speaks about how seeing Joy Division live haunts him to this day. The three men listen to excerpts from a 2007 audio interview with Dizzee Rascal, in which the breakout Grime star and interviewer Maureen Paton take a taxi ride through his old East London haunts. Dizzee tells Maureen about how music shaped his life, how London knife crime is influenced by skunk – and about getting stabbed in Ayia Napa. Mark highlights a number of interesting new additions to the library, including pieces on the Yardbirds playing the Crawdaddy Club in Richmond, George Harrison in full "mystic" mode, a scathing review of David Bowie's 'Young Americans' and Johnny Rotten talking right after the Sex Pistols split. Jon Savage's new Joy Division book This Searing Light, the Sun and Everything Else is available now, including from Rough Trade. Hosted by Mark Pringle and Barney Hoskyns Produced by Jasper Murison-Bowie Pieces discussed: Joy Division's Unknown Pleasures, Joy Division: From Safety to Where?, Martin Hammett interview, David Bowie: The Gender Bender, Fanzines: Pure Pop Art, Jon Savage interview, Dizzee Rascal audio interview, Yardbirds, George Harrison, David Bowie's 'Young Americans', Johnny Rotten, Japan, Mickie Most and Wet Wet Wet

Vin Cassidy from Section 25 in conversation Section 25 formed in Poulton-le-Fylde near Blackpool, Lancashire, in November 1977. Initially the band was a duo, consisting of brothers Larry Cassidy (bass, vocals) and Vincent Cassidy (drums). In June 1978 they made their live debut with Phil Denton on guitar. Denton was replaced in November by Paul Wiggin. June 1979 saw the Cassidy brothers promote a charity gig in aid of International Year of the Child at Blackpool Imperial Hotel, featuring Section 25 and other local bands as well as Joy Division and Orchestral Manoeuvres in the Dark. As a result, Section 25 were invited to play at the Russell Club in Manchester, and joined Factory Records. Their debut 7", "Girls Don't Count", was released in July 1980 on Factory Records, produced by Ian Curtis and Rob Gretton of Joy Division. All Section 25 releases would be released through either Factory Records (until the demise of that label), or sister imprint Factory Benelux. Their debut LP, Always Now, appeared in 1981 and was produced by Martin Hannett at Britannia Row studio. The pochette sleeve was among the most expensive and elaborate in the label's history (designed by Peter Saville) utilising an exclusive 'marble' effect design printed on the inner jacket and a fold-out cover that resembled a match-book similar to the cover used by Cabaret Voltaire for their 2x45 album. The three-piece group played many gigs in Britain and Northern Europe between 1979 and 1981, both as a headline act and with other Factory Records artists, such as Joy Division, A Certain Ratio, Blurt, The Durutti Column, Crispy Ambulance and New Order. The group also released a self-produced second album, The Key of Dreams. However the original line-up split in September 1981 shortly after Paul Wiggin declined to fly to a concert in Helsinki supporting New Order, swallowing up most of their fee by travelling overland. With a North American tour already planned, his fear of flying made his departure inevitable. Factory label boss Tony Wilson then tried and failed to recruit then-unknown guitarist Johnny Marr as a replacement. Abandoning much of the existing live set, the Cassidy brothers prepared for an upcoming European tour with backing tapes and an extra percussionist John Grice. Following a warm-up date in London, the group visited Belgium, Holland and Germany in January 1982 in tandem with Factory labelmates Crispy Ambulance. The band then undertook their first North American tour, albeit restricted to the East Coast. 1983 – 2006 (From The Hip to Love & Hate) Joined by percussionist Lee Shallcross, Section 25 gradually evolved with a more electronic-dance direction, a process which culminated in the album From the Hip and remix single "Looking From A Hilltop", both released in 1984 and produced by Bernard Sumner of New Order. This second iteration of the band also featured the Cassidy brothers' sister Angela Flowers (vocals, keyboards) and Larry Cassidy's wife Jenny Ross (vocals, keyboards). The five-piece completed a lengthy second tour of North America in January 1985, where the single "Looking From A Hilltop" achieved a measure of club success. Later in 1985 the single "Crazy Wisdom" emerged on Factory Benelux as a 12", but the group again splintered, leaving husband-and-wife team Larry Cassidy and Jenny Ross to complete a fourth album, Love & Hate, finally released by Factory in 1988. Bad News Week was also released as a 12" single, remixed by Bernard Sumner. Section 25 then fell silent for more than a decade, although their entire back catalogue was reissued on CD on LTM as well as an archive DVD, So Far. There have also been several live and rarity CDs released by the same label. In 2001 the band regrouped and started composing new material. It was originally expected that this would form the basis for a new album, but these plans were derailed when Jenny Ross, after a long fight with cancer, died on 20 November 2004 at age 42. The LTM DVD So Far, an audio-visual history of the band released in January 2005, was dedicated to her memory. 2006 – 2009 (Part-Primitiv to Nature and Degree) Now with Ian Butterworth (formerly of fellow Factory act Tunnelvison) on guitar and Roger Wikeley on bass and keyboards, the Cassidy brothers performed their first live show in nearly two decades at their hometown Poulton-Le-Fylde in May 2006 followed by dates in Blackpool, Paris, Brussels, Leicester, London and Athens. A new studio album by the quartet, Part-Primitiv, was released by LTM in April 2007, together with Communicants, a DVD assembled from live performances in 2006. Larry and Vin Cassidy also featured in the 2006 Factory documentary film Shadowplayers, and a BBC television documentary on the label. The group performed at the Plan K venue in Brussels in December 2007 as part of the Factory Night (Once Again) event, being joined onstage by Peter Hook of New Order for a cover of "Temptation". It was then proposed that Hook and Section 25 play further shows together, performing a mixture of Section 25, Joy Division and New Order songs. Roger Wikeley left Section 25 in 2008 and was replaced by Stephen Stringer. In November this revised line-up played with Peter Hook in Paris, Brussels, Oss in the southern Netherlands and Krefeld in North Rhine-Westphalia, Germany.[citation needed] Ian Butterworth parted company with the Section 25 at the end of the year. Stephen Stringer moved on to guitar and Section 25's sound engineer and programmer Stuart Hill moved on to bass guitar. Both were no strangers to Larry and Vin, who had helped them record demos in 1983 and 1985. The band released a new album in 2009 called Nature + Degree through LTM Recordings. Several tracks featured vocals by Bethany Cassidy, daughter of Larry and Jenny, who joined the group as co-vocalist and keyboards player. Section 25 appeared at the "Factory Night (And Then Again)" event at Plan K on 12 December 2009, with Beth and Larry sharing vocals. The group also returned to the States for festival dates in Los Angeles and San Francisco. On 27 February 2010, it was announced that founding member, singer, and bass player for the group, Larry Cassidy, had died at the age of 56. 2010 – present (Retrofit to Elektra) Prior to Larry Cassidy's death, the band had completed work on a new album, Retrofit, which was released on 14 September 2010. The album features electro reworkings and updates of previously issued Section 25 tracks, as well as one new song "Über Hymn". The album closes with a new version of Looking From A Hilltop, produced and arranged by Stephen Morris of New Order. Limited copies came with an extra CD of a 16-minute recording of Larry Cassidy reading selected lyrics of Joy Division's Ian Curtis. This was recorded in January 2010 and would be Larry's last visit to a recording studio. The band opted to continue to perform with their current line up. Section 25 played the FAC251 club in Manchester on 20 November 2010, and in 2011 issued their first new release without Larry Cassidy, a download-only EP titled "Invicta" EP, via Hacienda Records. June 2012 saw a deluxe vinyl reissue of From the Hip (Fact 90), issued as a special edition on Factory Records with 'remixed' artwork by Peter Saville, as well as a split coloured-vinyl 12" with Stereograph featuring two dub versions of "Colour Movement Sex and Violence" and "Inner Drive". Saville also provided the cover image and title for their eighth studio album, Dark Light, issued on the Factory Benelux imprint in February 2013. "My Outrage" was also released as a 7" single. Also released during the same period were the 10" single "Invicta Max" (an expansion of the 2011 EP of the same name) and the official remix album "Eigengrau", featuring numerous remixes of earlier Section 25 recordings by Zoviet France, Absolute Body Control, Portion Control and Renaldo and the Loaf among others. In May 2014 the group issued an expanded 30th anniversary CD edition of From the Hip via Factory Benelux, with a bonus disc featuring original demos as well as a BBC radio session from 1984 plus a new recording of "Reflection". Both Bernard Sumner and Jon Savage contributed liner notes. The new version of Reflection (subtitled 'Younger Image') was also issued as a limited edition orange vinyl 7" single to mark Record Store Day in April 2014. On Record Store Day the band performed in Manchester with Factory peers Crispy Ambulance and Minny Pops. A review of the show in The Guardian newspaper described Section 25 as "a revelation" and "the best new/old band in Britain." In April 2015 Section 25 released "Mirror", another limited edition 7" single for Record Store Day, with guest vocals by Simon Topping, formerly of A Certain Ratio. The song dated from 1980 but had never before been recorded in the studio. Both the song and the packaging complemented a new CD edition of Always Now, re-mastered and featuring a bonus disc with their 1981 John Peel radio session as well as a complete live concert from 1980. The packaging replicated the original wraparound cover designed by Peter Saville. In 2016 the group released a new live album, "Alfresco", as a vinyl and CD package to mark Record Store Day in April. That same year the track "Hit" from their 1981 album Always Now was sampled by Kanye West on a new song, "FML", featured on his seventh studio album, The Life of Pablo.[6] In December 2017 the band announced on their Facebook page that they were working on a new album, to be released during the spring 2018. Vincent Cassidy also announced that their original guitarist, Paul Wiggin, will contribute on the new album. June 2018 saw the release of an eleven-track album Elektra, recorded at West Orange Studios during the early part of the same year. The album featured appearances by original guitarist Paul Wiggin and newest family member Michael Cassidy on bass. One of the tracks (FML) is an acoustic cover of the Kanye West track that sampled the band's Hit from their 1981 set Always Now.

Kevin Smokler returns to discuss Joseph Wambaugh's canonical account(s) of the murder of Ian Campbell On the Rushmore of true-crime classics, there's one face Kevin and I hadn't contemplated yet: Joseph Wambaugh's The Onion Field, which narrates the fateful kidnapping of LAPD officers Ian Campbell and Karl Hettinger, the murder of Campbell, and the precursors and aftermaths of that night in the onion field in 1963. It's a quick read whose influences you can see in Ellroy, Mailer and others, but may have suffered from being written while various court cases were still in process...and from not including a notorious police department's history as context. Later in the podcast, we talk about the 1979 film version of the book starring Jon Savage, Ted Danson, Franklyn Seales, James Woods, and a parade of Hey, It's That Guy!s. Wambaugh wrote the screenplay, and the things that make the book a standout don't always translate...but sometimes they're improved by excellent acting. Should you read the book first, or see the movie? Do you need to consume both? And does the ghost of Capote hover over everything that came after? Come for the discussion, stay for the DVD giveaway on The Blotter Presents, Episode 086. Support the pod/site on Patreon! SHOW NOTES The Onion Field movie at Rotten Tomatoes Chuck Klosterman's Q&A with Bill James on Popular Crime at Grantland Joe Domanick's Amazon page, featuring To Protect And Serve, Blue, and others John Buntin's L.A. Noir Kevin Smokler on Twitter Special Guest: Kevin Smokler.

The Ace Records Podcast #4 - Jon Savage by Ace Records

Tras un tiempo sin aparecer por aquí, Todo es Rock And Roll vuelve a las ondas de internet con un nuevo episodio. En el Víctor vuelve a estar acompañado de Carlos Cuba, el 50% de Vaya mierda de podcast. Junto a él se embarca de nuevo en comentar lo que los dos consideran una de sus más grandes obsesiones; los documentales, sean de lo que sean. En el capítulo de hoy hablan de Teenage (Matt Wolfe, 2013) y Riding Giants (Stacy Peralta, 2004), dos piezas centradas en hablar de la cultura joven del siglo XX. La primera adapta para la gran pantalla el libro histórico de Jon Savage del mismo nombre que indaga en la formación del adolescente de los primeros años del siglo XX; desde las modernas flappers a las juventudes hitlerianas pasando por la bright young people inglesa. La segunda habla de la evolución de la cultura surf estadounidense, centrándose en los héroes -o locos- que se atreven a cabalgar olas gigantescas. Como siempre, tienen unas recomendaciones al final junto a temas musicales de Artie Hall, Dick Dale y T-Rex.

Tras un tiempo sin aparecer por aquí, Todo es Rock And Roll vuelve a las ondas de internet con un nuevo episodio. En el Víctor vuelve a estar acompañado de Carlos Cuba, el 50% de Vaya mierda de podcast. Junto a él se embarca de nuevo en comentar lo que los dos consideran una de sus más grandes obsesiones; los documentales, sean de lo que sean. En el capítulo de hoy hablan de Teenage (Matt Wolfe, 2013) y Riding Giants (Stacy Peralta, 2004), dos piezas centradas en hablar de la cultura joven del siglo XX. La primera adapta para la gran pantalla el libro histórico de Jon Savage del mismo nombre que indaga en la formación del adolescente de los primeros años del siglo XX; desde las modernas flappers a las juventudes hitlerianas pasando por la bright young people inglesa. La segunda habla de la evolución de la cultura surf estadounidense, centrándose en los héroes -o locos- que se atreven a cabalgar olas gigantescas. Como siempre, tienen unas recomendaciones al final junto a temas musicales de Artie Hall, Dick Dale y T-Rex.

In part one of our two-part series on the historic year 1977, hosts Jim DeRogatis and Greg Kot explore the punk explosion in the UK with music writer Jon Savage. They discuss important British bands like The Buzzcocks, The Sex Pistols and The Clash and what made them so influential. Plus, they'll review the new record from indie folk band Fleet Foxes, and Big Star's Jody Stephens shares the song that got him Hooked on Sonics.

John Ingham used to sign himself Jonh Ingham when he covered the very early stirrings of punk rock in 1976 for Sounds. Although he was a writer by trade he took along his camera because literally nobody else was taking pictures and he recognised that early punk was above all things colourful. Forty years later he's got those pictures out from storage and published them in a fabulous new book called Siprit Of 76: London Punk Eyewitness, which has pictures of all the key players - the Sex Pistols, Clash, Siouxsie, Generation X and Subway Sect - in the last days before they were household names. It's an extraordinary document. The book comes with an introduction from Jon Savage and a commentary from John himself. He came along to the Islington to tell us about the year it all happened. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

John Ingham used to sign himself Jonh Ingham when he covered the very early stirrings of punk rock in 1976 for Sounds. Although he was a writer by trade he took along his camera because literally nobody else was taking pictures and he recognised that early punk was above all things colourful. Forty years later he’s got those pictures out from storage and published them in a fabulous new book called Siprit Of 76: London Punk Eyewitness, which has pictures of all the key players - the Sex Pistols, Clash, Siouxsie, Generation X and Subway Sect - in the last days before they were household names. It’s an extraordinary document. The book comes with an introduction from Jon Savage and a commentary from John himself. He came along to the Islington to tell us about the year it all happened.

John Ingham used to sign himself Jonh Ingham when he covered the very early stirrings of punk rock in 1976 for Sounds. Although he was a writer by trade he took along his camera because literally nobody else was taking pictures and he recognised that early punk was above all things colourful. Forty years later he's got those pictures out from storage and published them in a fabulous new book called Siprit Of 76: London Punk Eyewitness, which has pictures of all the key players - the Sex Pistols, Clash, Siouxsie, Generation X and Subway Sect - in the last days before they were household names. It's an extraordinary document. The book comes with an introduction from Jon Savage and a commentary from John himself. He came along to the Islington to tell us about the year it all happened. Get bonus content on Patreon See acast.com/privacy for privacy and opt-out information.

Nigel sits down with writer, broadcaster, music journalist and friend of Rough Trade, Jon Savage to chat about some of his favourite songs and to discuss his latest currated compilation, 'Jon Savage's 1967 - The Year Pop Divided'. roughtrade.com/music/jon-savage-s-1967-the-year-pop-divided

In this shortcast Jon Savage talks to David Hepworth about his new compilation album, “1967 - The Year Pop Divided”. Forty-eight tracks of psych-flavoured pop, rock and soul from the last year before music went off into its own ghettoes, from the Byrds to Captain Beefheart, from Rex Garvin and the Mighty Cravers to the Shag, from the Thirteenth Floor Elevators to Gladys Knight and the Pips, from the Monkees to The Mickey Finn. “Do the lyrics have anything in common? Yes. Drugs." Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

In this shortcast Jon Savage talks to David Hepworth about his new compilation album, “1967 - The Year Pop Divided”. Forty-eight tracks of psych-flavoured pop, rock and soul from the last year before music went off into its own ghettoes, from the Byrds to Captain Beefheart, from Rex Garvin and the Mighty Cravers to the Shag, from the Thirteenth Floor Elevators to Gladys Knight and the Pips, from the Monkees to The Mickey Finn. “Do the lyrics have anything in common? Yes. Drugs."

In this shortcast Jon Savage talks to David Hepworth about his new compilation album, “1967 - The Year Pop Divided”. Forty-eight tracks of psych-flavoured pop, rock and soul from the last year before music went off into its own ghettoes, from the Byrds to Captain Beefheart, from Rex Garvin and the Mighty Cravers to the Shag, from the Thirteenth Floor Elevators to Gladys Knight and the Pips, from the Monkees to The Mickey Finn. “Do the lyrics have anything in common? Yes. Drugs." Get bonus content on Patreon See acast.com/privacy for privacy and opt-out information.

Willim vra sy eie persoonlike vrou Marli Viljoen Barnard of sy hom sal indulge om al sy stowwerige Oppikoppi-stories vir haar te kan vertel. Marli stem in en Willim gaan op ’n memory-rant rampage oor sy trip, die gig, Kreefhotel, daai couple van Swellendam wat so hard kan paartie, drummer Kyle Gray se yin-yang psyche, bassist Gerhard Grobler wat deesdae ’n sound-engineer celeb geword het, hoe om liefde te maak as jy vuil en dronk is, Lanie van der Walt se jazz band, Chris van der Walt se vark metal band en hoe daai 5 Star chocolate van Cadbury ‘n goeie voorbeeld is van ’n suksesvolle brand-activation by 'n fees. Daar is ook conspiracies oor Jon Savage se Telecaster wat glo aan Keith Richards behoort het. Willim gee ook drie albums weg op die show en vertel vir jou van die nuwe Radio Rats documentary wat Michael Cross gemaak het. Geborg deur VHMUSIC.CO.ZA 

2016 marks the 40 year anniversary of punk. The legacy of punk inspired a whole generation of bands, and its DIY ethos was central to its influence on music, style and politics. Grime has often been compared to Punk in its energy, dynamism and DIY ethic. As a uniquely British genre of music, it's also said to be rooted in, and emerged from, a particular urban geography and time. In our Arts podcast, two writers, Jon Savage and Laura Brosnan (AKA Hyperfrank) are in conversation to discuss DIY music culture, and compare and contrast the punk and grime scenes.

Part one of a series of shows investigating whether author Jon Savage is correct in calling 1966 the greatest year of rock and roll.  

While earning a degree in economics at the University of Michigan, Jesse Frohman picked up a camera and never put it down. When he returned home to New York, he had no formal training or experience, but he did have a portfolio of platinum prints, which caught the interest of legendary photographer Irving Penn, who hired Jesse to manage his studio.Jesse has photographed countless celebrities and still lifes.His work is also in many private collections. Jesse lives and works in New York. And whilst he may have shot everyone from James Brown to Woody Allen, The Stroke to Diane Von Furstenberg for Vogue, Vanity Fair and Rolling Stone, it’s his iconic portraits of Kurt Cobain, shot in New York in 93 that linger longest in the memory. One of Kurt’s last ever photoshoots before his untimely passing. It’s now being commemorated by ONETSHIRT for a new capsule collection On the 20th anniversary of his death, a powerful portrait of Kurt Cobain and Nirvana including many previously unpublished image taken during their last formal photo shoot . In August 1993, when Nirvana was in New York to perform at the legendary Roseland Ballroom, Jesse Frohman photographed them for the London Observer’s Sunday magazine Over the course of ninety photographs, Cobain seems an almost feral creature, by turns gentle, playful, defiant, suffering, or absorbed in his music. There’s a diverse range of shots of Cobain with fellow band members Krist Novoselic and Dave Grohl and on his own, posing, performing, and greeting fans. Jon Savage’s original interview, which appeared with Frohman’s photographs in the Observer is also reproduced, giving us Cobain in his own words. The book is a touching tribute to Cobain twenty years after his tragic demise, and following Nirvana’s recent induction in to the Rock and Roll Hall of Fame. The book contains 90 illustrations, 25 in color.

Jon Savage has written celebrated histories of Punk Rock and the Teenager. Now he turns his attention to 1966, the year when pop went fuzzy at the edges, when psychedelic drugs, protest about Vietnam and anxiety about nuclear war helped inspire some of the greatest pop music ever made, by everyone from Bob Dylan to the Stones to Norma Tanega. He talked to David Hepworth about it in front of an audience at The Islington. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.