Podcasts about Giorgio Moroder

Today's episode features American musician, writer and acivist Alex Maiolo.Alex composes for modular synthesizer under the monikers Action Group, and TRIPLE X SNAXXX. Both projects are equally influenced by Motorik, aka Krautrock music, Suzanne Ciani, Psychedelia, Detroit techno, ambient music, and Giorgio Moroder.He also is a regular contributor to Louder Than War and The Quietus.Ladies and gentlemen, meet the erudite Alex Maiolo...If you can, please support the Electronically Yours podcast via my Patreon: patreon.com/electronicallyours

EPISODE 129: Winning the hearts of millions of fans in the 80s as the lead singer of British band Kajagoogoo, Limahl enjoyed the instant celebrity of hitting the top of the charts with his debut single ‘Too Shy' which was followed by two more Top 20 hits ‘Ooh to Be Ah' & ‘Hang on Now' (all of which he co-wrote). After being unceremoniously (and infamously) kicked out of the band, Limahl struck out on his own and soon re-emerged in the charts again with his first solo single ‘Only For Love'. That was quickly followed by the Giorgio Moroder– produced worldwide smash ‘Neverending Story', theme song from the hit film of the same name. 2019 saw Limahl re-enter mass collective consciousness when his music was highlighted by three major US television shows. Too Shy was featured in the standalone, interactive Black Mirror episode Bandersnatch on Netflix and also in AMC's hit anthology American Horror Story: 1984, while Neverending Story played a pivotal role in the third season of Netflix's Stranger Things. His new single and remake of the America classic "Horse With No Name" is out now. limahl.com Contact us: makingsoundpodcast.comFollow on Instagram: @makingsoundpodcastFollow on Threads: @jannkloseJoin our Facebook GroupPlease support the show with a donation, thank you for listening!

Simply Retro by Tin Box pres. Flashback Friday 01. Erasure - A Little Respect 02. Rick Astley - Never Gonna Give You Up 03. Frankie Goes To Hollywood - Relax 04. Madonna - Into The Groove 05. Michael Jackson - Billie Jean 06. Human League - Don't You Want Me 07. Black Box - Ride On Time 08. Erasure - Stop! 09. Jason Donovan - Too Many Broken Hearts 10. Bros - I Owe You Nothing 11. Yazz & The Plastic Population - The Only Way Is Up 12. Pet Shop Boys - Always On My Mind 13. Depeche Mode - Just Can't Get Enough 14. King - Love & Pride 15. Tiffany - I Think We Are Alone Now 16. Pet Shop Boys - It's A Sin 17. Giorgio Moroder & Phil Oakey - Together In Electric Dreams 18. Wham! - I'm Your Man 19. Communards - Don't Leave Me This Way 20. Weather Girls - It's Raining Men 21. Madness - Baggy Trousers 22. Soft Cell - Tainted Love 23. George Harrison - Got My Mind Set On You 24. Bruce Springsteen - Dancing In The Dark 25. Wham! - The Edge Of Heaven MORE FLASHBACK FRIDAY ▶️ bit.ly/RA_Flashback MORE RETRO MIXTAPES ▶️ bit.ly/RA_Retro reactivateasia.com MORE INFO ON TIN BOX GROUP

Continua la saga dedicata all'elettronica che ci avete chiesto proprio voi!Nella puntata di oggi vedremo come questa musica si è evoluta fino a diventare ballabile entrando nella vera e propria sfera del Pop, e vedremo quale ruolo hanno avuto in tutto questo Giorgio Moroder e i Daft Punk.Ascolta la playlist dedicata alla puntata:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠1) Giorgio Moroder Playlist

Send us a textLimahl stops by the show to discuss his latest release, how taking a chance with Nick Rhodes from Duran Duran helped his band get a record deal, coming out to his Mum, and so much more. *******“The original ‘70s track has been a favorite on my 'Evening' playlist for a long time,” says UK music topliner LIMAHL about his reimagining of the classic folk/rock hit “A Horse With No Name” that is released via Christopher Music on Tuesday, March 25, 2025. “The idea to reimagine it was always ticking away in  the back of my mind.”The song was first released in 1971 in the UK (1972 in the US). The original was composed and performed by folk rock trio America and topped Billboard's Hot 100 and Easy Listening charts (it reached #3 on the UK Singles chart and was certified gold in 1972). Adapting the ‘70s musical aesthetics and injecting a bit of ‘90s electronica, Limahl's updated version of the song carries a bit of a retro-futuristic quality that feels equally at home in 2025. “The ‘90s have been enjoying a revival which prompted me to experiment with the drums/rhythms from that decade,” he explains. “Then the jerky, ‘Jupiter 8' analogue synthesizer/sequencer was added with a filtering envelope, and it became an important personality in the track.” He also toyed with the iconic non-lexical “la la” vocal and updated it, incorporating it further into the song. Absent on the ‘70s original but included in this rendition is the ‘la la' motif in the intro, the key-change on the last verse, and in the final chorus, the ‘la la's' crisscrossing the main lyric with the melody. Saying that, almost as an afterthought, a guitar from standout musician Steve Cooper was added, and it became the "icing on the cake.”The resulting track transforms the classic folk track with a mesmerizing and hypnotic synth-dominated swirl, making the song pop and click in ways that would have been unimaginable in the 1970s. The equally mesmerizing accompanying video bursts with surreal and psychedelic imagery, reflecting the song's hallucinatory spirit. Winning the hearts of millions of fans in the ‘80s as the lead singer of British band Kajagoogoo, Limahl enjoyed the instant celebrity of hitting the top of the charts with their debut single "Too Shy" (75million+ streams to date) which was followed by two more Top 20 hits "Ooh To Be Ah" and "Hang On Now" (all of which he co-wrote). Limahl struck out on his own and soon re-emerged in the charts again with his first solo single "Only For Love," That was quickly followed with the Giorgio Moroder–produced worldwide smash "Neverending Story" (151million+ streams to date)," the theme song from the hit film of the same name.Website: http://www.limahl.com/*****If you would like to contact the show about being a guest, please email us at Dauna@bettertopodcast.comUpcoming guests can be found: https://dmneedom.com/upcoming-guest Follow us on Social MediaInstagram: https://www.instagram.com/author_d.m.needom/Facebook: https://www.facebook.com/bettertopodcastwithdmneedomIntro and Outro music compliments of Fast Suzi©2025 Better To...Podcast with D. M. NeedomSupport the show

Parmi les figures qui ont forgé la légende des années 80, la plus foisonnante des décennies de l'histoire de la musique populaire, la présence de David Bowie est inévitable, incontournable et pourtant la plus étonnante. Inattendue je devrais dire. En tout cas en 1983. Pourquoi ? Ben il faudrait qu'on y retourne, je vous emmène ?En ce printemps 83 où on en a plus que pour Michael Jackson, U2 et Simple Minds, bref une nouvelle aube sonore et musicale, David Bowie a tout de l'artiste des années 70 où il a brillé partout. Au point qu'il est le modèle de toute cette nouvelle génération nommée New Wave qui lui a tout piqué ou presque. Est-ce pour cela qu'il a disparu depuis trois ans ? Non. Ou en tout cas pas uniquement. C'est vrai que David a un problème avec tous ces clones de lui. Il a l'impression de se voir et de s'entendre partout. Mais bon, il y a aussi eu l'assassinat de son pote John Lennon à New York alors qu'il était lui-même sur scène à deux pas de là et qui a engendré une peur bleue de se montrer en public. Et puis enfin un gros problème de relation avec sa maison de disques qu'il a dû régler. Et malgré cette longue absence, qui pourrait imaginer que de tous les albums de David Bowie, ce fameux Let's dance est de tous, celui qui a été le moins préparé et le plus vite exécuté. David n'a écrit que cinq nouvelles chansons en trois ans quand il approche des portes du studio d'enregistrement. L'option de tout écrire en une nuit en absorbant des substances illicites appartenant au passé, il lui reste celle des fonds de tiroir, ce qu'il fait en reprenant une chanson qu'il a enregistrée quelques mois plus tôt avec Giorgio Moroder pour un film d'horreur esthétique mais de série B passé plus ou moins inaperçu en dehors des couloirs du BIFF à Bruxelles et des vidéoclubs. C'est ainsi qu'il ressort également un titre dont il a coécrit la musique avec son ami Iggy Pop pour le premier album solo qu'il a produit pour lui … en 1977, encore les 70's. Ah c'est qu'il s'amuse toujours avec Iggy qui est probablement son seul ami ; il l'avait d'ailleurs emmené dans ses valises quand il avait quitté Los Angeles au milieu de la décennie, pour Paris, puis Berlin. C'est là qu'ils avaient écrit cette chanson qui, au départ, n'a rien d'une bluette puisqu'elle fait référence à la coke et à l'héroïne. C'est d'ailleurs cela qui amuse beaucoup Nile Rodgers, le producteur de Let's Dance : faire de cette China Girl un titre pop à prendre au premier degré comme le prouvera le vidéoclip. Et il fait bien vu l'incroyable succès qu'elle va rencontrer en cette année 1983.Comme Nile le dira plus tard : il m'est souvent arrivé de savoir que la chanson que j'enregistrais allait faire un tube. Comme cette fois où on a fait écouter “Le Freak” à notre maison de disques. Ils n'y ont pas cru et pourtant c'est le single le plus vendu de leur histoire. C'était le cas aussi pour le “We are family” de Sister Sledge mais pas pour “China Girl”. Nile a ainsi poussé Bowie à sortir Let's dance en premier. Bowie n'y croyait pas, il avait tort. Lui, il voulait sortir China Girl en premier. Les deux ont eu raison et ont eu tort, mais heureusement pas au même moment. Résultat, deux tubes successifs et un Bowie au sommet, qui marque la décennie de son empreinte, imposant une nouveau look et regagnant en cette année 1983 tout l'argent qu'il avait perdu dans les années 70.

Rejoignez-nous pour explorer l'histoire fascinante de « Bad Girls », le hit emblématique de la reine du disco, Donna Summer. Découvrez comment cette chanson dédiée aux travailleuses du sexe a vu le jour suite à un incident troublant sur Sunset Boulevard, et comment le génie de Donna Summer et de son producteur Giorgio Moroder l'a transformée en un classique intemporel de la musique disco.Remontez le temps jusqu'en 1977, lorsque Donna Summer envoie son assistante faire une course à Los Angeles. Cette dernière se fait alors harceler par la police, qui la prend pour une prostituée. Furieuse de cette mésaventure, Donna Summer décide d'écrire une chanson pour rendre hommage à ces « Bad Girls » qu'il faut pourtant respecter. Pendant deux ans, ce titre reste dans les cartons, jusqu'à ce que Donna Summer décide de le sortir en 1979, en pleine ère disco.Mais le producteur Giorgio Moroder n'est pas convaincu. Il trouve que la chanson est trop rock et décide de lui donner un son plus disco. Grâce à ses talents de producteur, il parvient à créer un morceau irrésistible, qui deviendra l'un des plus grands succès de Donna Summer. Avec ses boucles de basse entraînantes, ses mélodies envoûtantes et ses paroles provocantes, « Bad Girls » incarne à merveille l'esprit de la culture disco des années 70.Découvrez comment Donna Summer a peaufiné les détails de la chanson, ajoutant des « toups-toups » et des « bip-bip » pour la rendre encore plus accrocheuse. Plongez dans les coulisses de la création de ce classique, et comprenez comment le mélange subtil de rock et de disco a permis à « Bad Girls » de devenir l'un des plus grands tubes de la reine du disco.Laissez-vous emporter par cette fascinante histoire musicale et préparez-vous à danser sur les rythmes entraînants de « Bad Girls » !Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Giorgio Moroder war Mitbegründer der Disco-Welle, führte elektronische Klänge in der Popmusik ein und schrieb Oscar-prämierte Soundtracks. Nun wurde der Hitfabrikant 85 Jahre alt.

Limahl is best know as the lead singer of 80s band Kajagoogoo, who enjoyed the instant fame of hitting the top of the charts with their debut single "Too Shy”. This was followed by two more Top 20 hits "Ooh To Be Ah" and "Hang On Now" (all of which he co-wrote). Limahl then struck out on his own and hit the charts again with his first solo single ‘Only For Love,' quickly followed with the Giorgio Moroder–produced worldwide smash ‘Neverending Story', the theme song from the hit film of the same name. In addition, ‘Neverending Story' and ‘Too Shy' were featured on hit TV shows Black Mirror, American Horror Story and Stranger Things. Limahl has returned with his first single release in over 5 years, a reimagining of the 70's classic ‘A Horse With No Name' that's out now. The track, originally recorded by America, reaching No 3 in the UK charts, is Limahl's first ever cover.Limahl is our guest in episode 487 of My Time Capsule and chats to Michael Fenton Stevens about the five things he'd like to put in a time capsule; four he'd like to preserve and one he'd like to bury and never have to think about again .Watch the video for Horse With No Name - https://www.youtube.com/watch?v=Adf8pxpJBHM .Stream Horse With No Name on Spotify - https://open.spotify.com/track/4dc4Amn6RUBg735mlm8j9R?si=Shcck8W4Q3m3zyOi2SGyTw&context=spotify%3Aartist%3A7LTzUnZaptYfAFmvqW5M6D .Follow Limahl on Twitter/X & Instagram @limahl_official .Follow My Time Capsule on Instagram: @mytimecapsulepodcast & Twitter/X & Facebook: @MyTCpod .Follow Michael Fenton Stevens on Twitter/X: @fentonstevens & Instagram @mikefentonstevens .Produced and edited by John Fenton-Stevens for Cast Off Productions .Music by Pass The Peas Music .Artwork by matthewboxall.com .This podcast is proud to be associated with the charity Viva! Providing theatrical opportunities for hundreds of young people . Get bonus episodes and ad-free listening by becoming a team member with Acast+! Your support will help us to keep making My Time Capsule. Join our team now! https://plus.acast.com/s/mytimecapsule. Hosted on Acast. See acast.com/privacy for more information.

Rejoignez-nous pour un épisode fascinant de 'La Note Secrète' où nous plongeons dans l'univers musical de Giorgio Moroder, un compositeur italien de légende qui a marqué l'histoire de la musique électronique. À l'aube de ses 85 ans, cet artiste prolifique nous offre un voyage captivant à travers ses plus grands succès.Animé par l'enthousiasme communicatif de Fabrice Lafitte, cet épisode vous fera découvrir les coulisses de la création de l'inoubliable 'I Feel Love', un titre phare de Donna Summer qui a révolutionné le paysage musical des années 70. Vous apprendrez comment l'inspiration de Moroder, puisée dans une scène culte de 'Star Wars', a donné naissance à cette mélodie électrisante, portée par la voix envoûtante de Donna Summer.Mais ce n'est pas tout ! Vous découvrirez également comment le duo Moroder-Billotte a contribué à l'américanisation du nom de la chanteuse, ainsi que les anecdotes savoureuses qui ont jalonné l'enregistrement de ce titre devenu un classique. Entre les gémissements 'chauds' de Donna Summer et les craintes des producteurs quant à la diffusion de la chanson, l'histoire de 'I Feel Love' regorge de moments savoureux qui vous captiveront.Au-delà de ce succès retentissant, cet épisode vous permettra d'explorer l'influence durable de Giorgio Moroder sur la musique populaire. De 'What a Feeling' pour 'Flashdance' à ses collaborations avec David Bowie et Blondie, vous découvrirez comment cet innovateur a façonné le paysage musical de plusieurs générations.Alors que vous vous laisserez emporter par les sonorités futuristes de Moroder, préparez-vous à redécouvrir vos tubes préférés sous un jour nouveau. Cet épisode de 'La Note Secrète' vous offrira un regard inédit sur l'un des artistes les plus influents de l'histoire de la musique électronique.Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

FEVERBALL 279 by Ladies On Mars + Special Guest: CLABORG FIRST HOUR: FEVERBALL MIX LADIES ON MARS 01. Ladies On Mars - Gwen Is Yours (Extended Mix) 02. Ladies On Mars - Thinking Of You (Extended Mix) 03. Ladies On Mars - Heart And Soul (Extended Mix) 04. Ladies On Mars - Sister Family (Extended Mix) 05. Ladies On Mars - Wanna Scream (Clean Extended Mix) 06. Ladies On Mars feat. Venessa Jackson - Voulez Vous (Dr Packer Extended Mix) [Mr. Rodger Music] 07. Donna Summer - Oh Billy, Please (Ladies On Mars Remix) [Driven By The Music] 08. Ladies On Mars - She's A Lady (Extended Mix) [Feverball] 09. Claborg, FabioEsse, Miss Kelli - Get Up (Ladies On Mars Remix) [SPA Club] 10. Patch Safari - Que Rico (Ladies On Mars Extended Mix) [Feverball] 11. Fran Deeper - Davidson 88 (Ladies On Mars Extended Remix) [SPA Club] 12. Musa Nova feat Siki Daha and Dream Naut - Ma Vacation (Ladies On Mars Extended Remix) [SPA Club] 13. Ladies On Mars - Jumping (Extended Mix) [Feverball] 14. Geoff Sturre feat Amira - Dreams (Ladies On Mars Remix) [Kimchi Recordings] 15. Ladies On Mars - Roll At Home (Extended Mix) SECOND HOUR: GUEST MIX CLABORG 01. Larry Funk - Saturday Night Fever (Original Mix) [Boogie Land Records] 02. Claborg - Com'on Back To Love (Original Mix) [Home Run] 03. FSQ, Birdee, George Clinton, Trey Lewd - Dancefloor Democracy (Birdee Remix) [Soul Clap Records] 04. Gianni Bini, Luca Cassani - Send To Love (Extended Mix) [Refinement] 05. Bob Musella - Baby Hot Stuff (Original Mix) [Super Spicy Records] 06. Stephane Deschezeaux, Toukomix - Set Me Free (Original Mix) [Super Flux] 07. Claborg, MF Productions - Feelings of love (Original Mix) [Irma Records] 08. Claborg, Aldo Ferreri - Come & Play (Original Mix) [B Club Milano] 09. Paolo Bardelli, Tony Montana Dj - Ride On Time (Nu Club Mix) [Home Run] 10. Crazibiza, Dragonfly, House Of Prayers - Got The Love (House Of Prayers Remix) [PornoStar Records] 11. Giorgio Moroder, Shakedown - I Wanna Rock You (Shakedown Club Mix) [MB Disco] 12. Crazy P - Human After All (Original Mix) [Walk Don't Walk Limited] FOLLOW TO FEVERBALL HERE: Facebook: https://www.facebook.com/feverball Instagram: https://www.instagram.com/feverball Soundcloud: https://www.soundcloud.com/feverball Mixcloud: https://www.mixcloud.com/feverball Website: https://www.ladiesonmars.com/feverball FOLLOW TO LADIES ON MARS HERE: Website: https://www.ladiesonmars.com Official Music Store: https://www.ladiesonmars.com/musicstore/ Bandcamp: https://ladiesonmars.bandcamp.com Instagram: https://www.instagram.com/ladiesonmars Facebook: https://www.facebook.com/ladiesonmars Twitter: https://www.twitter.com/ladiesonmars Soundcloud: https://www.soundcloud.com/ladiesonmars YouTube: https://www.youtube.com/ladiesonmars FOLLOW TO CLABORG: Facebook: https://www.facebook.com/ClaborgOfficial Instagram: https://www.instagram.com/claborg_official/ Soundcloud: https://soundcloud.com/claborg

Para este episodio Mario Mengoni convocó a PEPPE ACAMPORA, un Dj de Nápoles, para estar al frente de un “discollage” en la que nos regala esa conexión muy especial que los italianos tienen con la pista de baile, ya sea por el fenómeno del Italo Disco de los ´80s, el "cosmic disco" de DANIELE BALDELLI el balearic beat DE ALFREDO FIORITO, el legado de GIORGIO MORODER y el groove elegante con un espíritu festivo, algo que encaja perfecto con la cultura italiana, donde la música, el baile y la vida nocturna son esenciales. Además, novedades con PACO VERSAILLES, LOVETEMPO, JULIA MICHAELS y MAREN MORRIS. Conducción, musicalización y producción general: Mario Mengoni. Asistente de Producción: Diego Hidalgo. Locutores: Leandro Brumatti y Raúl Proenza. Operador Técnico: Carlos López Victorel. Sitio oficial: www.discorama.net Seguinos en nuestras redes y dejanos tu comentario: https://www.instagram.com/discoramabymario https://www.facebook.com/discoramabymario https://x.com/DiscoramaAR

Tim and Jeremy conclude our look at Eurodisco with a series of cuts from the mighty Giorgio Moroder. We hear the silky vocals of Donna Summer, the relentlessness of the 4-to-the-floor, the aesthetics of whiteness and what can only be called Prog Disco.Also in the episode Tim recounts a recent visit to the Philharmonie de Paris, Jeremy revels in a Star Wars rework, and we board the Trans Europe Express once again to spend some time with Kraftwerk.Remember, we have a rolling playlist of all the tracks discussed over on Spotify: https://open.spotify.com/playlist/3ZpKyqhvhOXfTuPMHCBkFsAnd you can hear plenty of bonus episodes by becoming a patron at patreon.com/LoveMessagePod.Produced by Matt Huxley.Tracklist:Giorgio - From Here to Eternity Munich Machine - Get on the Funk Train Donna Summer - Once Upon a Time Donna Summer - Back in Love Again Meco - Star Wars Theme Kraftwerk - Trans Europe Express 

The Cizeta-Moroder V16T was the world's first sixteen-cylinder supercar, beating Bugatti by more than a decade. From its Gandini-designed Lamborghini origins, to disco-backed financing via Giorgio Moroder, a star-studded launch party with MC Jay Leno, and a cavalcade of lawsuits that continued up until the death of company founder and creator Claudio Zampolli in 2021. Brian Wiklem's "16" book is available here: https://www.cizeta-v16t.com/ This is the true story of the Cizeta-Moroder V16T.  The Cizeta's mysterious engine has left many guessing when it comes to its origins. Turns out, it has 2 cross-plane crankshafts from a Lamborghini Urraco P300 V8, a block design taken right from Ferrari's 308 V8, and heads dissimilar to each — looking more like Cosworth's contemporary DOHC designs. We even learn – thanks to Iain Tyrrell's Classic Workshop – that there appears to have been a flat-plane crank version in the works too!  Lots of nerdy engineering talk in this one: the torsional forces acting on crankshafts that make V16s (and straight-8s) not work so well, and how Claudio solved for them with a central power takeoff unit in his transverse V16 with a longitudinal transaxle – as opposed to the McLaren F1 (which debuted not long after) which did the inverse with a longitudinal engine (albeit with 4 fewer cylinders) and transverse transaxle. There were only a handful of V16 engines in the early 1900s, early examples fitted to Cadillacs and Marmons, with the Cizeta and other esoteric oddballs filling the gaps until present day, but now we're getting a new one in the form of the Bugatti Tourbillon – whose predecessors used a much shorter “W” layout for their 16-cylinder powerplants. In any case, the cross-plane crank in the V16T elicits a raucous, lopey idle, and a Ford Mustang Shelby GT350R Chewbacca-grade WOT bellow accompanied by a cacophony of gear and induction noises. Build quality is exceptional throughout, and puts the Bugatti EB110 and Countach to shame.  Claudio would find himself in very public spats with Jay Leno, the author of the V16T book itself, Brian Wiklem, and countless others at car shows, on Ferrari forums, on Facebook – just about everywhere. He may have been paranoid and a little delusional, but he was an incredible engineer and mechanic, and we're grateful to have been able to experience the Cizeta-Moroder V16T! Huge shout-outs to owner Brendan Gallaher, Jay Leno, and Brian Wiklem. At the start of this episode, we'll also talk Golfs! Specifically MK7s, and the one Jason just bought for his niece. Believe it or not, despite decades of VW-dom, Jason has never owned a real GTI until this car. Now he's turning the youth into car people one relative at a time, starting with the purchase of a 2006 Infiniti G35 Coupe 6-speed for his nephew a few years ago, and then sending him to driving school with it. His niece got to attend the same driving school in Jason's E30, Beatrice. And, if Jason leaves the surprise 034Motorsport tune on this new GTI, his niece will inherit a car much quicker than her older brother's (and Derek may have to buy one too). But should we trust 18-year-olds (or Dereks) with 300 hp cars? Learn more about your ad choices. Visit megaphone.fm/adchoices

durée : 00:04:05 - L'ami.e du vendredi - par : Guillemette Odicino - Ce vendredi, Guillemette Odicino rend hommage à Giorgio Moroder, le pape de la boule à facettes, redevenu culte grâce au Random Access Memories des Daft Punk en 2013.

Linktree: https://linktr.ee/AnalyticIn this segment of Notorious Mass Effect, Analytic Dreamz delves deep into The Weeknd's latest and potentially final album under his iconic stage name, 'Hurry Up Tomorrow.' Released on January 31, 2025, through XO and Republic Records, the album was initially planned for an earlier release but postponed due to the LA wildfires, with The Weeknd contributing $1 million to aid relief efforts. This album concludes a trilogy that began with 'After Hours' in 2020 and continued with 'Dawn FM' in 2022. 'Hurry Up Tomorrow' features collaborations with artists like Justice, Anitta, Florence + The Machine, Travis Scott, Future, Playboi Carti, Lana Del Rey, and Giorgio Moroder on tracks that explore new musical territories. Notably, the much-anticipated "Dancing in the Flames" did not make it to the final cut.The Weeknd has described this project as his farewell to the persona he's mastered, signaling a shift towards new creative ventures. Alongside the album, a psychological thriller film of the same name, starring The Weeknd, Jenna Ortega, and Barry Keoghan, is set for release on May 16. The segment also covers promotional events including a NYC Pop-Up Experience with Spotify and a Hot Topic Takeover in Las Vegas with exclusive merch. Additionally, proceeds from the track "Take Me Back to LA" are being donated to the LA Regional Food Bank. Analytic Dreamz explores whether 'Hurry Up Tomorrow' truly marks the end of The Weeknd or just a transformation into something new, reflecting on his legacy of blending music, film, and immersive storytelling.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Linktree: https://linktr.ee/AnalyticIn this segment of Notorious Mass Effect, Analytic Dreamz delves deep into The Weeknd's latest and potentially final album under his iconic stage name, 'Hurry Up Tomorrow.' Released on January 31, 2025, through XO and Republic Records, the album was initially planned for an earlier release but postponed due to the LA wildfires, with The Weeknd contributing $1 million to aid relief efforts. This album concludes a trilogy that began with 'After Hours' in 2020 and continued with 'Dawn FM' in 2022. 'Hurry Up Tomorrow' features collaborations with artists like Justice, Anitta, Florence + The Machine, Travis Scott, Future, Playboi Carti, Lana Del Rey, and Giorgio Moroder on tracks that explore new musical territories. Notably, the much-anticipated "Dancing in the Flames" did not make it to the final cut. The Weeknd has described this project as his farewell to the persona he's mastered, signaling a shift towards new creative ventures. Alongside the album, a psychological thriller film of the same name, starring The Weeknd, Jenna Ortega, and Barry Keoghan, is set for release on May 16. The segment also covers promotional events including a NYC Pop-Up Experience with Spotify and a Hot Topic Takeover in Las Vegas with exclusive merch. Additionally, proceeds from the track "Take Me Back to LA" are being donated to the LA Regional Food Bank. Analytic Dreamz explores whether 'Hurry Up Tomorrow' truly marks the end of The Weeknd or just a transformation into something new, reflecting on his legacy of blending music, film, and immersive storytelling.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Linktree: https://linktr.ee/AnalyticIn this segment of Notorious Mass Effect, Analytic Dreamz delves deep into The Weeknd's latest and potentially final album under his iconic stage name, 'Hurry Up Tomorrow.' Released on January 31, 2025, through XO and Republic Records, the album was initially planned for an earlier release but postponed due to the LA wildfires, with The Weeknd contributing $1 million to aid relief efforts. This album concludes a trilogy that began with 'After Hours' in 2020 and continued with 'Dawn FM' in 2022. 'Hurry Up Tomorrow' features collaborations with artists like Justice, Anitta, Florence + The Machine, Travis Scott, Future, Playboi Carti, Lana Del Rey, and Giorgio Moroder on tracks that explore new musical territories. Notably, the much-anticipated "Dancing in the Flames" did not make it to the final cut.The Weeknd has described this project as his farewell to the persona he's mastered, signaling a shift towards new creative ventures. Alongside the album, a psychological thriller film of the same name, starring The Weeknd, Jenna Ortega, and Barry Keoghan, is set for release on May 16. The segment also covers promotional events including a NYC Pop-Up Experience with Spotify and a Hot Topic Takeover in Las Vegas with exclusive merch. Additionally, proceeds from the track "Take Me Back to LA" are being donated to the LA Regional Food Bank. Analytic Dreamz explores whether 'Hurry Up Tomorrow' truly marks the end of The Weeknd or just a transformation into something new, reflecting on his legacy of blending music, film, and immersive storytelling.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Linktree: https://linktr.ee/AnalyticIn this segment of Notorious Mass Effect, Analytic Dreamz delves deep into The Weeknd's latest and potentially final album under his iconic stage name, 'Hurry Up Tomorrow.' Released on January 31, 2025, through XO and Republic Records, the album was initially planned for an earlier release but postponed due to the LA wildfires, with The Weeknd contributing $1 million to aid relief efforts. This album concludes a trilogy that began with 'After Hours' in 2020 and continued with 'Dawn FM' in 2022. 'Hurry Up Tomorrow' features collaborations with artists like Justice, Anitta, Florence + The Machine, Travis Scott, Future, Playboi Carti, Lana Del Rey, and Giorgio Moroder on tracks that explore new musical territories. Notably, the much-anticipated "Dancing in the Flames" did not make it to the final cut.The Weeknd has described this project as his farewell to the persona he's mastered, signaling a shift towards new creative ventures. Alongside the album, a psychological thriller film of the same name, starring The Weeknd, Jenna Ortega, and Barry Keoghan, is set for release on May 16. The segment also covers promotional events including a NYC Pop-Up Experience with Spotify and a Hot Topic Takeover in Las Vegas with exclusive merch. Additionally, proceeds from the track "Take Me Back to LA" are being donated to the LA Regional Food Bank. Analytic Dreamz explores whether 'Hurry Up Tomorrow' truly marks the end of The Weeknd or just a transformation into something new, reflecting on his legacy of blending music, film, and immersive storytelling.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Linktree: https://linktr.ee/AnalyticIn this segment of Notorious Mass Effect, Analytic Dreamz delves deep into The Weeknd's latest and potentially final album under his iconic stage name, 'Hurry Up Tomorrow.' Released on January 31, 2025, through XO and Republic Records, the album was initially planned for an earlier release but postponed due to the LA wildfires, with The Weeknd contributing $1 million to aid relief efforts. This album concludes a trilogy that began with 'After Hours' in 2020 and continued with 'Dawn FM' in 2022. 'Hurry Up Tomorrow' features collaborations with artists like Justice, Anitta, Florence + The Machine, Travis Scott, Future, Playboi Carti, Lana Del Rey, and Giorgio Moroder on tracks that explore new musical territories. Notably, the much-anticipated "Dancing in the Flames" did not make it to the final cut.The Weeknd has described this project as his farewell to the persona he's mastered, signaling a shift towards new creative ventures. Alongside the album, a psychological thriller film of the same name, starring The Weeknd, Jenna Ortega, and Barry Keoghan, is set for release on May 16. The segment also covers promotional events including a NYC Pop-Up Experience with Spotify and a Hot Topic Takeover in Las Vegas with exclusive merch. Additionally, proceeds from the track "Take Me Back to LA" are being donated to the LA Regional Food Bank. Analytic Dreamz explores whether 'Hurry Up Tomorrow' truly marks the end of The Weeknd or just a transformation into something new, reflecting on his legacy of blending music, film, and immersive storytelling.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Linktree: https://linktr.ee/AnalyticIn this segment of Notorious Mass Effect, Analytic Dreamz delves deep into The Weeknd's latest and potentially final album under his iconic stage name, 'Hurry Up Tomorrow.' Released on January 31, 2025, through XO and Republic Records, the album was initially planned for an earlier release but postponed due to the LA wildfires, with The Weeknd contributing $1 million to aid relief efforts. This album concludes a trilogy that began with 'After Hours' in 2020 and continued with 'Dawn FM' in 2022. 'Hurry Up Tomorrow' features collaborations with artists like Justice, Anitta, Florence + The Machine, Travis Scott, Future, Playboi Carti, Lana Del Rey, and Giorgio Moroder on tracks that explore new musical territories. Notably, the much-anticipated "Dancing in the Flames" did not make it to the final cut.The Weeknd has described this project as his farewell to the persona he's mastered, signaling a shift towards new creative ventures. Alongside the album, a psychological thriller film of the same name, starring The Weeknd, Jenna Ortega, and Barry Keoghan, is set for release on May 16. The segment also covers promotional events including a NYC Pop-Up Experience with Spotify and a Hot Topic Takeover in Las Vegas with exclusive merch. Additionally, proceeds from the track "Take Me Back to LA" are being donated to the LA Regional Food Bank. Analytic Dreamz explores whether 'Hurry Up Tomorrow' truly marks the end of The Weeknd or just a transformation into something new, reflecting on his legacy of blending music, film, and immersive storytelling.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Linktree: https://linktr.ee/AnalyticIn this segment of Notorious Mass Effect, Analytic Dreamz delves deep into The Weeknd's latest and potentially final album under his iconic stage name, 'Hurry Up Tomorrow.' Released on January 31, 2025, through XO and Republic Records, the album was initially planned for an earlier release but postponed due to the LA wildfires, with The Weeknd contributing $1 million to aid relief efforts. This album concludes a trilogy that began with 'After Hours' in 2020 and continued with 'Dawn FM' in 2022. 'Hurry Up Tomorrow' features collaborations with artists like Justice, Anitta, Florence + The Machine, Travis Scott, Future, Playboi Carti, Lana Del Rey, and Giorgio Moroder on tracks that explore new musical territories. Notably, the much-anticipated "Dancing in the Flames" did not make it to the final cut.The Weeknd has described this project as his farewell to the persona he's mastered, signaling a shift towards new creative ventures. Alongside the album, a psychological thriller film of the same name, starring The Weeknd, Jenna Ortega, and Barry Keoghan, is set for release on May 16. The segment also covers promotional events including a NYC Pop-Up Experience with Spotify and a Hot Topic Takeover in Las Vegas with exclusive merch. Additionally, proceeds from the track "Take Me Back to LA" are being donated to the LA Regional Food Bank. Analytic Dreamz explores whether 'Hurry Up Tomorrow' truly marks the end of The Weeknd or just a transformation into something new, reflecting on his legacy of blending music, film, and immersive storytelling.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Linktree: https://linktr.ee/AnalyticIn this segment of Notorious Mass Effect, Analytic Dreamz delves deep into The Weeknd's latest and potentially final album under his iconic stage name, 'Hurry Up Tomorrow.' Released on January 31, 2025, through XO and Republic Records, the album was initially planned for an earlier release but postponed due to the LA wildfires, with The Weeknd contributing $1 million to aid relief efforts. This album concludes a trilogy that began with 'After Hours' in 2020 and continued with 'Dawn FM' in 2022. 'Hurry Up Tomorrow' features collaborations with artists like Justice, Anitta, Florence + The Machine, Travis Scott, Future, Playboi Carti, Lana Del Rey, and Giorgio Moroder on tracks that explore new musical territories. Notably, the much-anticipated "Dancing in the Flames" did not make it to the final cut.The Weeknd has described this project as his farewell to the persona he's mastered, signaling a shift towards new creative ventures. Alongside the album, a psychological thriller film of the same name, starring The Weeknd, Jenna Ortega, and Barry Keoghan, is set for release on May 16. The segment also covers promotional events including a NYC Pop-Up Experience with Spotify and a Hot Topic Takeover in Las Vegas with exclusive merch. Additionally, proceeds from the track "Take Me Back to LA" are being donated to the LA Regional Food Bank. Analytic Dreamz explores whether 'Hurry Up Tomorrow' truly marks the end of The Weeknd or just a transformation into something new, reflecting on his legacy of blending music, film, and immersive storytelling.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Linktree: https://linktr.ee/AnalyticIn this segment of Notorious Mass Effect, Analytic Dreamz delves deep into The Weeknd's latest and potentially final album under his iconic stage name, 'Hurry Up Tomorrow.' Released on January 31, 2025, through XO and Republic Records, the album was initially planned for an earlier release but postponed due to the LA wildfires, with The Weeknd contributing $1 million to aid relief efforts. This album concludes a trilogy that began with 'After Hours' in 2020 and continued with 'Dawn FM' in 2022. 'Hurry Up Tomorrow' features collaborations with artists like Justice, Anitta, Florence + The Machine, Travis Scott, Future, Playboi Carti, Lana Del Rey, and Giorgio Moroder on tracks that explore new musical territories. Notably, the much-anticipated "Dancing in the Flames" did not make it to the final cut.The Weeknd has described this project as his farewell to the persona he's mastered, signaling a shift towards new creative ventures. Alongside the album, a psychological thriller film of the same name, starring The Weeknd, Jenna Ortega, and Barry Keoghan, is set for release on May 16. The segment also covers promotional events including a NYC Pop-Up Experience with Spotify and a Hot Topic Takeover in Las Vegas with exclusive merch. Additionally, proceeds from the track "Take Me Back to LA" are being donated to the LA Regional Food Bank. Analytic Dreamz explores whether 'Hurry Up Tomorrow' truly marks the end of The Weeknd or just a transformation into something new, reflecting on his legacy of blending music, film, and immersive storytelling.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Linktree: https://linktr.ee/AnalyticIn this segment of Notorious Mass Effect, Analytic Dreamz delves deep into The Weeknd's latest and potentially final album under his iconic stage name, 'Hurry Up Tomorrow.' Released on January 31, 2025, through XO and Republic Records, the album was initially planned for an earlier release but postponed due to the LA wildfires, with The Weeknd contributing $1 million to aid relief efforts. This album concludes a trilogy that began with 'After Hours' in 2020 and continued with 'Dawn FM' in 2022. 'Hurry Up Tomorrow' features collaborations with artists like Justice, Anitta, Florence + The Machine, Travis Scott, Future, Playboi Carti, Lana Del Rey, and Giorgio Moroder on tracks that explore new musical territories. Notably, the much-anticipated "Dancing in the Flames" did not make it to the final cut.The Weeknd has described this project as his farewell to the persona he's mastered, signaling a shift towards new creative ventures. Alongside the album, a psychological thriller film of the same name, starring The Weeknd, Jenna Ortega, and Barry Keoghan, is set for release on May 16. The segment also covers promotional events including a NYC Pop-Up Experience with Spotify and a Hot Topic Takeover in Las Vegas with exclusive merch. Additionally, proceeds from the track "Take Me Back to LA" are being donated to the LA Regional Food Bank. Analytic Dreamz explores whether 'Hurry Up Tomorrow' truly marks the end of The Weeknd or just a transformation into something new, reflecting on his legacy of blending music, film, and immersive storytelling.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Linktree: https://linktr.ee/AnalyticIn this segment of Notorious Mass Effect, Analytic Dreamz delves deep into The Weeknd's latest and potentially final album under his iconic stage name, 'Hurry Up Tomorrow.' Released on January 31, 2025, through XO and Republic Records, the album was initially planned for an earlier release but postponed due to the LA wildfires, with The Weeknd contributing $1 million to aid relief efforts. This album concludes a trilogy that began with 'After Hours' in 2020 and continued with 'Dawn FM' in 2022. 'Hurry Up Tomorrow' features collaborations with artists like Justice, Anitta, Florence + The Machine, Travis Scott, Future, Playboi Carti, Lana Del Rey, and Giorgio Moroder on tracks that explore new musical territories. Notably, the much-anticipated "Dancing in the Flames" did not make it to the final cut.The Weeknd has described this project as his farewell to the persona he's mastered, signaling a shift towards new creative ventures. Alongside the album, a psychological thriller film of the same name, starring The Weeknd, Jenna Ortega, and Barry Keoghan, is set for release on May 16. The segment also covers promotional events including a NYC Pop-Up Experience with Spotify and a Hot Topic Takeover in Las Vegas with exclusive merch. Additionally, proceeds from the track "Take Me Back to LA" are being donated to the LA Regional Food Bank. Analytic Dreamz explores whether 'Hurry Up Tomorrow' truly marks the end of The Weeknd or just a transformation into something new, reflecting on his legacy of blending music, film, and immersive storytelling.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Welcome back to Back2Electric! After a cosmic hiatus celebrating the planet parade on January 25, 2025, we're ready to blast off on a psychedelic journey through an eclectic soundscape of grooves. Buckle up for mind-bending beats and irresistible rhythms. Expect legends like Gerd Janson, David Morales, Kraftwerk, Yazoo, Giorgio Moroder, 808 State, Frankie Knuckles, Colonel Abrams, The Beloved, Patrick Cowley, Greg Wilson and Frankie Goes to Hollywood. Let's turn up the vibes and ride the groove wave—are you ready?

Soundtrack eines Lebensgefühls: Mitte der 1970er Jahre erobert der "Munich Sound" die Welt. Donna Summer und Silver Convention stürmen die Charts, die Rolling Stones und Queen kommen nach München, ins Studio von Giorgio Moroder. Und von Tokio bis New York tanzt alles nach den Beats aus Bayern. Mit Giorgio Moroder, Michael Holm, Penny McLean, Reinhold Mack, Jens Poenitsch u.a.

Marv Ross is an American musician, best known as the lead guitarist and primary songwriter for the 1980s rock band Quarterflash. With a distinctive style blending rock, jazz, and blues influences, Ross helped craft the band's signature sound. His work on hits like "Harden My Heart" and "Take Me to Heart" showcased his skillful guitar playing and lyrical depth, earning Quarterflash widespread acclaim. Beyond his success with the band, Ross is also recognized for his contributions as a composer and producer in the music industry. On this episode of Dystopia Tonight, Marv Ross and I dive into a fascinating conversation about his diverse musical career. He shares stories from recording an album at the iconic Jersey Shore, finding inspiration in John Denver, working with renowned producer John Boylan, and recalls touring with major acts like Elton John, Loverboy, Sammy Hagar, Starship, and Night Ranger. We also touch on his experience writing music for Ron Howard's film Night Shift, and Marv tells a memorable story about Burt Bacharach's obsession with Pac-Man. Additionally, he opens up about his time at The Record Plant, with stories of Ron Wood, Rod Stewart, Giorgio Moroder, Randy Newman, Fleetwood Mac, and Dolly Parton come rushing back to memory.

Rob Gentry is a  keyboardist, producer, and multi-instrumentalist with over 20 years of experience. He has performed at iconic venues such as the Sydney Opera House, the Royal Albert Hall, and the Hollywood Bowl, collaborating with musical legends like Quincy Jones, Pete Tong, Giorgio Moroder, and Damian Lazarus.  We chat to Rob on his career... The post Rob Gentry, David Gilmour / Quincy Jones / Giorgio Moroder appeared first on The Keyboard Chronicles.

link Трек-лист: 01. X-Press 2 feat. David Byrne — Lazy 02. Placebo — The Bitter End 03. Babe Ruth — The Mexican 04. Giorgio Moroder feat. Kylie Minogue — Right Here, Right Now 05. Lenny Kravitz — Are You Gonna Go My Way 06. The Strokes — Reptilia 07. Hole — Doll Parts 08. Underworld … Продолжить чтение Lofstrom loop 396 (03.01.2025)

Happy New Year to you all, and wishing you the best in health and happiness throughout 2025. To commence a new year on Global DJ Broadcast, Markus Schulz provides another special themed mix for the listeners, and helps ease the journey back to the daily grind with the New Year's Rehab edition.   This mix represents the latest evolution in Markus' open to close solo sets, the next step beyond the stages of deep grooves, peak melodies and driving techno, the sounds of sexiness and even a bit of sleaze rings through the speakers, delving into his love of all things indie dance and Italian disco inspired sounds.   Hope you enjoy the set, and will be another to keep in your collection.   Tracklist:   01. Causeway - Dancing with Shadows (Marshall's Club Mix) 02. Jerome Isma-Ae - Encounter 03. No Hopes & Andrey K - Membrane 04. Talee - Tomorrow (Sentre Remix) 05. Damon Jee & Darlyn Vlys - Leaving Earth 06. Bronski Beat & The Knocks featuring Perfume Genius - Smalltown Boy 07. Rodriguez Jr. & Jan Blomqvist - Destination Lost (Andrea Oliva Remix) 08. TERR & Shubostar - Brave New World 09. Renato Cohen - Lemon Key 10. Visage - Fade to Grey (Hellmuth Remix) 11. Cherry - Gama 12. Ucros - Eyes Starry 13. Alex Dolby - Psiko Garden (Hellmuth Edit) 14. Helsloot featuring Rangleklods - Beautiful Losers 15. Ed Lopes - Indie Boy 16. Daniel Watts - Lost 17. Purple Disco Machine & Friedrich Liechtenstein - Die Maschine (Club Dub) 18. Gregor Tresher featuring Sven Väth - Flashback (Pavel Petrov Remix) 19. Giorgio Moroder - From Here to Eternity (Danny Tenaglia Remix / Hellmuth Reconstruction) 20. Miss Melera - Sage 21. Deer Jade - Don't Need to Know 22. Gui Boratto featuring Lhana Marlet - Drink In Paris (Dubfire Remix) 23. Eelke Kleijn & Leo Wood - Beg You (DC Club Mix) 24. Röyksopp featuring Susanne Sundfør - Stay Awhile (Hellmuth Reconstruction)  

Happy holidays from your favourite dip! For her last episode of 2024, Babaganoush bring you something slower, funkier, spicier. Look out for a fresh squeeze of rhythm and grooves in 2025. And until then, boogie hard, have fun and take care of each other! Babaganoush x ⚡️Like the Show? Click the [Repost] ↻ button so more people can hear it!

durée : 01:30:04 - Les Nuits de France Culture - par : Philippe Garbit - En 1984, à l'occasion de la sortie en salles de la version révisée par Giorgio Moroder, l'émission "Mardis du cinéma" revient sur l'histoire, les significations et l'influence de Metropolis, le chef d'œuvre de Fritz Lang. - réalisation : Dominique Briffaut - invités : Michel Ciment Critique de cinéma, écrivain, producteur de radio; Noël Simsolo Réalisateur, comédien, scénariste, historien du cinéma; Gérard Legrand Poète, philosophe, essayiste et critique de cinéma français

We're back, and this time we've gone back 4 whole decades to talk about our favourite songs from 1984, including lots of jazzy indiepop, metal (from extreme to hair), german pop, and the mystery of whether Lionel Richie or Prince's girlfriend keep phoning Rockwell.We've each chosen our 10 favourite songs of the year and sent them over to Colin's wife Helen, who put the playlists together and distributed them so we were each given a playlist of the 20 songs from the other two hosts, along with our own 10. We then ranked the playlists in order of preference and sent them back to Helen, who totalled up the points and worked out the order.She also joined us on the episode to read out the countdown, which we found out as we recorded so all reactions are genuine.Now, admittedly, in parts we're a little bit brutal to some of the songs in the list as we're three separate people with differing music tastes, but please remember that to be in this episode at all the songs have to have been in one of our top 10's of that year.Bands featured in this episode include (In alphabetical order, no spoilers here!) -The Blue Nile, Billy Bragg, Nick Cave & The Bad Seeds, Celtic Frost, Cocteau Twins, Lloyd Cole & The Commotions, Julian Cope, Dio, Echo & The Bunnymen, Everything But The Girl, Husker Du, Iron Maiden, Killing Joke, Kenny Loggins, Manowar, Metallica, Nena, Phil Oakey & Giorgio Moroder, Prefab Sprout, Prince, The Psychedelic Furs, Ratt, Lionel Richie, Rockwell, Sandie Shaw, The Smiths, Swansway, Thompson Twins, Ultravox, and Van Halen!Find all songs in alphabetical order here - https://open.spotify.com/playlist/7JDSRATZtdBU5yJtD4zbFM?si=256411ee4df7417aFind our We Dig Music Pollwinners Party playlist (featuring all of the winning songs up until now) here - https://open.spotify.com/playlist/45zfDHo8zm6VqrvoEQSt3z?si=Ivt0oMj6SmitimvumYfFrQIf you want to listen to megalength playlists of all the songs we've individually picked since we started doing best of the year episodes (which need updating but I plan on doing them over the next month or so), you can listen to Colin's here – https://open.spotify.com/playlist/5x3Vy5Jry2IxG9JNOtabRT?si=HhcVKRCtRhWCK1KucyrDdgIan's here - https://open.spotify.com/playlist/2H0hnxe6WX50QNQdlfRH5T?si=XmEjnRqISNqDwi30p1uLqAand Tracey's here - https://open.spotify.com/playlist/2p3K0n8dKhjHb2nKBSYnKi?si=7a-cyDvSSuugdV1m5md9NwThe playlist of 20 songs from the other two hosts was scored as usual, our favourite song got 20 points, counting down incrementally to our least favourite which got 1 point. The scoring of our own list of 10 is now slightly more complicated in order to give a truer level of points to our own favourites. So rather than them only being able to score as many points as our 10th favourite in the other list, the points in our own list were distributed as follows -1st place - 20 points2nd place - 18 points3rd place – 16 points4th place – 14 points5th place – 12 points6th place – 9 points7th place – 7 points8th place – 5 points9th place – 3 points10th place -1 pointHosts - Ian Clarke, Colin Jackson-Brown & Tracey BGuest starring Helen Jackson-Brown.Playlist compiling/distributing – Helen Jackson-BrownRecorded/Edited/Mixed/Original Music by Colin Jackson-Brown for We Dig PodcastsThanks to Peter Latimer for help with the scoring system.Part of the We Dig Podcasts network along with Free With This Months Issue & Pick A Disc.Bluesky - https://bsky.app/profile/wedigmusic.bsky.socialInstagram - https://www.instagram.com/wedigmusicpcast/Facebook - https://www.facebook.com/wedigpusicpcast/Find our other episodes & podcasts at www.wedigpodcasts.com 

1. Avicii - Wake me up (Extended) 2. Mark Ronson ft. Bruno Mars - Uptown Funk (Wideboys VIP Remix) 3. Audio Playground - Hands up in the air (Razor'n'Guido vocal mix) 4. Giorgio Moroder ft. Kylie Minogue - Right Here, Right Now (BOJAN's Sydney Mardi Gras Remix) 5. Britney Spears & Iggy Azalea - Pretty Girls (Division 4 & Matt Consola Club Mix) 6. Calvin Harris ft. Florence Welch - Sweet nothing (Drew G & J. Warren big room mix) 7. Lana Del Rey - Young and beautiful (Mysto & Pizzi remix) 8. Sam Smith - Too Good At Goodbyes (Barry Harris & MSC Remix)

Author Chris Sutton returns to the podcast. He's here to talk about his latest book Sparks 1969 to 1979: Every Album, Every Song. It's part of Sonicbond's On Track series. Beginning as a five-man band, the duo of Ron and Russell Mael retained the name and spent much of the seventies working with a succession of sidemen and collaborators. They ended the seventies on a high note with the collaboration with Italian composer and producer Giorgio Moroder for top 20 UK hit “No. 1 In Heaven”. Many who worked on Sparks records have shared their thoughts in the book. The popularity of Sparks has grown over the decades. In 2023 they sold out two nights at the Royal Albert Hall!Purchase a copy of Sparks 1969 to 1979: Every Album, Every Song in the USPurchase a copy of Sparks 1969 to 1979: Every Album, Every Song in the UK Episode Playlist ---------- BookedOnRock.com The Booked On Rock YouTube Channel Follow The Booked On Rock with Eric Senich:FACEBOOKINSTAGRAMTIKTOKX Find Your Nearest Independent Bookstore Contact The Booked On Rock Podcast: thebookedonrockpodcast@gmail.com The Booked On Rock Music: “Whoosh” by Crowander / “Last Train North” & “No Mercy” by TrackTribe

In this episode, Sidebrain and Dan discuss new Ableton Live 12.1 updates, Ableton's Move controller, Max for Live devices and more. Sidebrain (Yeuda Ben-Atar) is an Ableton Certified Trainer and has worked with major artists like Timbaland, Skrillex, Ludacris, Flying Lotus, and Giorgio Moroder. He also founded BeatLabAcademy.com teaching music production and more.  Follow Sidebrain Below: https://sidebrain.net https://www.instagram.com/sidebrain https://www.tiktok.com/@sidebrain https://x.com/sidebrain https://www.facebook.com/SideBrain SPONSORED BY AUDIENT: Experience a new level of recording with EVO audio interfaces, featuring the revolutionary Motion UI control system and Smartgain technology. Designed to make recording easier than ever, EVO delivers award-winning preamps and advanced converters for a professional sound. With its vibrant full-color LCD screen, you'll have total control over every detail of your session. Learn more at: https://evo.audio/products SPONSORED BY MAGIC MIND: Magic Mind is a healthy productivity drink. It gives you all the mental clarity and focus you need without the negative side effects like many other energy products. One shot gives you the perfect combo of nootropics, adaptogens, functional mushrooms and matcha to give you natural, sustained energy. Use discount code ABLETONMUSIC for 48% off at: https://magicmind.com/ABLETONMUSIC Join the newsletter to get free Ableton content + early episode access: ⁠⁠⁠https://www.liveproducersonline.com/newsletter⁠⁠

Partner Geoff Petersen explores the new role for governments in the energy transition, taking the lead on targets and infrastructure and making sure consumers aren't left behind. But what's left for market mechanisms and national regulation? Plus the recalibrated merger reform bill hits Parliament with something for everyone in the notification thresholds; more supermarket scrutiny here and around the world; greenwashing in fashion and finance; big penalties for those Qantas ghost flights and a speeding ticket for Honda under the right-to-repair scheme. All this and plenty of disfluencies with co-hosts Moya Dodd and Matt Rubinstein.   Philip Oakey & Giorgio Moroder, "Together in Electric Dreams"  Breakin'/Breakdance 2: Electric Boogaloo trailer  G+T on the new merger reform bill and updated notification thresholds   The ACCC's Grocery Inquiry 2008 and Supermarkets Inquiry 2024: was/now  The Prime Minister on shrinkflation  NZ Commerce Commission declines to clear the Foodstuffs merger  The Warehouse, where everyone gets a bargain  G+T's regular wrap-up on consumer law enforcement, Shop Talk  G+T on ASIC's hat-trick in greenwashing cases  The CMA's tailored guidance on greenwashing for fashion brands  ACCC v Qantas and inflight meals at home  The Motor Vehicle Information Scheme and Honda and Panasonic in the first Fast and Furious heist  Make your own podcast with Google's NotebookLM  Meet the Gilbert + Tobin Competition, Consumer + Market Regulation team  Email us at edge@gtlaw.com.au   See omnystudio.com/listener for privacy information.

"Meet Me Half Way" is a song by American singer Kenny Loggins written by Giorgio Moroder and Tom Whitlock for the film Over the Top. It also appears on Loggins' sixth studio album, Back to Avalon. I completely forgot I had a small role as the scumbag bartender in a scripted Yacht Rock spinoff with the pilot focusing on Giorgio Moroder. That obviously never made it to air. This will make more sense after you listen to the program. Really lookin' forward to the weekend, you guys. K4RDS

KYLIE KOLLABORATIONS MIDNIGHT RIDE 2024 with Orville Peck & Diplo VOICES 2023 with Jake Shears KISS OF LIFE 2021 with Jessie Ware RIGHT HERE, RIGHT NOW 2015 with Giorgio Moroder... LEARN MORE The post TTBA Replay 20SEP2024 Pt. 2 appeared first on Turn the Beat Around.

01. Giorgio Moroder & Shakedown - I Wanna Rock You (Shakedown Club Mix) 02. Odd Mob feat. Ed Graves - Vertigo (Original Mix) 03. Clean Bandit x Anne-Marie x David Guetta - Cry Baby (KC Lights Remix) 04. Chico Rose - Chan Chan (Extended Mix) 05. Tobtok - Complicate It (Extended) 06. CALAMUK, Brian Smith - Chase The Sun (Extended Mix) 07. Swedish House Mafia & Alicia Keys & Julia Mc Knight - Finally (Vee Brondi Remix) 08. LVNDSCAPE - Just The 2 Of Us (Extended Mix) 09. School - If (Youssef & Mark Blackkat Bell's Circus Mix) 10. Soul Heads - I'll Be Here (GooseBump Extended Mix) 11. RSCL & LEØN feat. Nila - Lost Without You (Extended Mix) 12. MOGUAI x Cherub - Our Love (Extended Mix) 13. Lavern, Sigala - Like Sunshine (Extended Mix) 14. GRACEY - Delirium (Bimini Remix)

Send us a Text Message.Content Warning: Themes of songs discussed in this episode include violence, cancer, suicide, and drug use. Please make your own choice when deciding whether to listen to this episode or to fast forward or skip altogether. Bio (from website) Based in Los Angeles, Richard T Bear boasts a career that spans more than 40 years, one that led to a string of noted solo albums and collaborations with a dizzying list of revered artists. In 1978, he signed with RCA Records and released his debut album, Red, Hot, and Blue, produced by Jack Richardson (Bob Seger, The Guess Who). The album featured a notable group, Les Dudek, Billy Squier, Paul Shaffer, and the Becker Brothers. The album spawned the single “Sunshine Hotel.” A remix of the song climbed to number four on the world dance charts before becoming the dance staple that it remains today. A second album titled Bear includes a rendition of the Rolling Stones' classic “Ruby Tuesday,” followed by The Best of Richard T Bear and Captured Alive, a concert recorded in Hamburg, Germany. In 1984, he moved to Teldec Records, which led to the release of The Bear Truth, and the Giorgio Moroder produced album The Runner.He has appeared on numerous recordings including Crosby, Stills and Nash's “Southern Cross,” The Blues Brothers Soundtrack, Richie Havens Mixed Bag II, Kiss members Gene Simmons and Peter Criss' solo ventures, as well as Toby Beau's hit single “My Angel Baby,” Billy Squier's solo debut Tale of the Tape, and former Rascals Gene Cornish and Dino Danelli. He would also pen the song “Love and Pain,” one of the standout tracks on Cher's blockbuster album Take Me Home. He has shared the stage with artists such as Richie Havens, Odetta, The Doobie Brothers, and Jeff Beck, to name a few.Domestic responsibilities and a struggle to regain his sobriety forced him to put his musical career on hold. In 1983, T Bear gained his sobriety and focused on helping others with addiction, and became instrumental in developing the Musicians Picnic, serving on its board of directors. The annual event led to the creation of the Musicians Assistance Program (MAP), a non-profit organization that is now part of the Recording Academy's MusiCares F Visit the Self-Care Institute at https://www.selfcareinstitute.com/ Support the Show.Visit www.creativepeacemeal.com to leave a review, fan voicemail, and more!Insta @creative_peacemeal_podcastFB @creativepeacemealpodBonfire https://www.bonfire.com/store/creative-peacemeal/Redbubble CPPodcast.redbubble.comCreative Peacemeal READING list here Donate to AhHa!Broadway here! Donate Dachshund Rescue of Houston here Interested in the Self-Care Institute with Dr. Ami Kunimura? Click here Interested in Corrie Legge's content planner? Click here to order! Looking for custom orthotics? Foot and Shoe Solutions is your answer. Click here for more.

What can electronic music tell us about our past, present, and future? Today, we take a walk through the annals of electronic music history with Simon Reynolds, one of our music critic heroes and author of a new book called Futuromania: Electronic Dreams, Desiring Machines, and Tomorrow's Music Today. Encompassing over two dozen essays and interviews, Futuromania offers a chronological narrative of machine-music spanning the 1970s to the present—with a special focus on music that, in its moment, seemed to presage the future, from Autotune and Giorgio Moroder to Amnesia Scanner and Jlin. You can think of it as a future-focused counterpart to Simon's canonical 2011 book, Retromania, where he explored how pop culture and pop music had become addicted to its own past. We dig into the differences between retromania and Futuromania, the deeply human appeal of music that sounds distinctly inhuman and machine-like, and how music that sounds like “the future,” much like sci-fi, can help us process our complicated feelings about technology and the world. We also discuss the role of retrofuturism in the genre's history, the cycling back into fashion of decades-old electronic music styles like gabber and hardcore techno, and the changing meaning of musical “newness” in a world where electronic music itself is now nearly half a century old.Get access to bonus episodes and the CUJOPLEX Discord server by becoming a paid subscriber.Grab a copy of Futuromania.Keep up with Simon and his writing on blissblogFollow Simon on X This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit theculturejournalist.substack.com/subscribe

Styx is approaching the height of their popularity and a bit of a turning point when they released their ninth studio album, Cornerstone.  Keyboardist and vocalist Dennis DeYoung, and lead guitarist and vocalist Tommy Shaw take the lion's share of the songwriting duites, with one or both developing all tracks save one.  The lead vocalist duties also alternate between DeYoung and Shaw, again with the sole exception being a song written and sung by guitarist James "JY" Young.This album finds the group shifting from a more prog rock sound to a pop rock orientation.  This transition would create a commercial success, with Cornerstone becoming the groups first top 5 album on the US charts - peaking at number 2.  The album would produce the groups first and only number 1 hit on the Billboard Hot 100 in the power ballad "Babe."  It would also be a critical success, earning a Grammy nomination for Best Rock Performance by a Duo or Group.  Not bad for a self-produced album.The successes, however would be tempered with the first fractures appearing between the group's primary singers and songwriters.  Dennis DeYoung wanted to see the group move in a more pop direction, while Tommy Shaw preferred the rock orientation of previous albums.  James Young sided with Shaw in this dispute.  It would eventually cause a rift in the band in the mid-80's, with Shaw and DeYoung splitting up.Friend of the show Steve Hardin presents this classic rock and pop sensation in today's podcast. Borrowed TimeThe third single from the album was the lead track to side 2.  The song is a political one, portraying a United States in trouble, but oblivious to its decline.  DeYoung and Shaw co-wrote this song, and Dennis DeYoung takes lead vocal duties on this high energy track.Boat on the RiverThis more folk-oriented tune was a charting single in the UK and hit number 5 on the German charts, but was not released as a single in the US.  Tommy Shaw wrote and sings lead on this track, as well as playing mandolin.  It began as an experiment when Shaw first acquired a mandolin, but the band thought it sounded good enough to make it on the album.Why MeThe second single was a compromise choice.  Originally DeYoung wanted the power ballad "First Time" to be released as the second single, but when Tommy Shaw objected so strenuously to releasing two ballads in a row that he threated to leave the band over it, "Why Me" became the single.  Also written and sung by DeYoung, it is about feeling depressed even in the midst of success.  BabeThe band's sole number 1 single is a ballad about having to leave the one you love for a period of time.  Dennis DeYoung wrote it as a birthday present for his wife Suzanne.  Despite its success, it was not originally intended to appear on the album.  Tommy Shaw and James Young convinced DeYoung to put it on the album. ENTERTAINMENT TRACK:Rawhide by the Blues BrothersThe band performs behind a protective fence in a country bar in one scene, and this is the single song from the Country AND Western genre they can play. STAFF PICKS:Mystery Train by UFOWayne launches the staff picks with a cover of a song originally recorded by Junior Parker in 1953.  UFO were an English rock band originally formed in 1968.  This song is off their eighth studio album which was produced by George Martin of Beatles fame. Love Stinks by the J. Geils BandLynch's staff pick is a description of a love triangle in which no one gets what they want.  Lead Singer Peter Wolf was married to actress Faye Dunaway at the time, and was headed towards a divorce which may have inspired the lyrics.  Many will remember this song from Adam Sandler's performance in "The Wedding Singer."Even It Up by HeartRob brings us the first single from Heart's fifth studio album, "Bebe le Strange."  It features the Tower of Power horn section in the instrumentation.  The lyrics call for reciprocity in a relationship, and also a subtle rant against the obstacles women face in the rock world.Run Like Hell by Pink FloydSteve Hardin wraps up the staff picks with a song written by David Gilmour and Roger Waters.  The song is used in the film "The Wall" to depict rock anti-hero Pink as a fascist dictator turning the audience into a lynch mob.   INSTRUMENTAL TRACK:Seduction by Giorgio MoroderThis instrumental love theme from the movie "American Gigolo" was on the charts at the time. Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Writer actor Ryan Sampson and actor Danny Dyer on their new sky comedy series Mr Bigstuff which explores the relationship between two brothers and masculinity .Pete Bellotte is one of the world's greatest songwriters. With a catalogue of over 500 songs he is best known for his work with Donna Summer and Giorgio Moroder. Earlier this year he won a Grammy after the 1977 song “I Feel Love” was inducted into the Grammy Hall of Fame.As an exhibition on Paris 1924: Sport, Art and the Body opens at the Fitzwilliam Museum in Cambridge, the exhibition's co-curator and classicist Caroline Vout and the art historian Lynda Nead join Tom to talk about the Olympics, high-performing bodies, and the interplay between art and sport. Presenter: Tom Sutcliffe Producer: Corinna Jones

Podcast Overview: Danny & Will discuss the importance of residencies, the success of 'Music Is The Answer' & and DJing in the digital age.Who Is Danny Tenaglia: The momentum started building in early '70s New York, when a barely 10-year-old Danny first got the feel of vinyl in his hands. Enthralled by the music of artists like The Trammps, Marvin Gaye, African Hugh Masekela, and Giorgio Moroder, he started to collect records. In 1979 he discovered legendary nightclub Paradise Garage, where DJ Larry Levan's rich, genre-less blend of music seemed to mirror his own “no boundaries” policy. Inspired, Tenaglia would soon embark on a successful career as a DJ and producer. His discography includes remixes for artists such as Depeche Mode, Madonna,Green Velvet, Yoko Ono, Blondie, The Orb, Faithless, Janet Jackson and many more.Join for updates: https://laylo.com/willclarke⏲ Follow Will Clarke ⏱https://djwillclarke.com/https://open.spotify.com/artist/1OmOdgwIzub8DYPxQYbbbi?si=hEx8GCJAR3mhhhWd_iSuewhttps://www.instagram.com/djwillclarkehttps://www.facebook.com/willclarkedjhttps://twitter.com/djwillclarkehttps://www.tiktok.com/@djwillclarke Hosted on Acast. See acast.com/privacy for more information.

The creation of Tom's Diner and the possible reason why Britney Spears covered Suzanne Vega's unlikely acapella hit. Honors: Britney Spears, Suzanne Vega, Giorgio Moroder Songs: Tom's Diner Host: Music Historian James Rodriguez  Iconography is a show that celebrates music and the impact it has on people around the world. The show features artists, songwriters, and producers who have made a lasting impact on the music industry and helps to raise awareness for important causes.  One unique aspect of the show is the reading of "letters of love" from fans to the guests, which serves to highlight the emotional connection that fans have with their favorite music. The show also delves into the creative process behind making music, from worldwide smash hits to more obscure album tracks and B-sides. In addition to celebrating music and the people behind it, Iconography takes a strong stance against audio ripping, stealing, and leaking, emphasizing the importance of respecting the work of artists and creators. By promoting ethical practices and supporting those in need, Iconography showcases the power of music to inspire and unite people from all walks of life. http://www.instagram.com/The.Original.Doll  ⁠http://www.theoriginaldoll.com⁠

The importance of Blondie's “Call Me” can't be quantified in sales alone. Sure, it was a global hit. But it's also a part of cinematic history: It's played during the iconic opening sequence of the movie American Gigolo, starring Richard Gere. It is one of the signature compositions of the man they call the “godfather of disco”, Giorgio Moroder. And let's not forget the vocal and lyrical contributions of the legendary singer, Debbie Harry. Join hosts Diallo Riddle and LUXXURY as the break down this classic track. 

You came, you saw, you voted, and you picked Blondie as Strong Songs' first listener-selected artist! After weighing a number of possible songs to focus on, Kirk decided to go with the 1978 hit that took them from the punk clubs of New York to dance floors around the world.Wanna pick an artist for Season Seven? Go join the Patreon!Written by: Deborah Harry and Chris SteinProduced by: Mike ChapmanAlbum: Parallel Lines (1978)Listen/Buy via SongwhipSpecial Guests: Katelyn and Laurie Shook, a.k.a. Shook TwinsALSO REFERENCED/DISCUSSED:"One Way or Another" by Debbie Harry and Nigel Harrison from Parallel Lines, 1978"Atomic" by Debbie Harry and Jimmy Destri from Eat To The Beat, 1979"Call Me"  by Debbie Harry and Giorgio Moroder, 1980"I Feel Love" by Donna Summer, Giorgio Moroder, and Pete Bellotte from I Remember Yesterday, 1977A 2013 Guardian interview with Debbie Harry and Chris Stein on the writing of the songThe podcast You're Wrong About's episode on "Disco Demolition Night"An interesting 1979 New York Times profile of the band----LINKS-----GO LISTEN TO SHOOK TWINS!Homepage | Instagram | AlbumsSUPPORT STRONG SONGS!Paypal | Patreon.com/StrongsongsMERCH STOREstore.strongsongspodcast.comSOCIAL MEDIAIG: @Kirk_Hamilton | Threads: @Kirk_HamiltonNEWSLETTERnewsletter.kirkhamilton.comJOIN THE DISCORDhttps://discord.gg/GCvKqAM8SmSTRONG SONGS PLAYLISTSSpotify | Apple Music | YouTube MusicSHOW ARTTom Deja, Bossman Graphics--------------------APRIL 2024 WHOLE-NOTE PATRONSRobyn MetcalfeBrian TempletCesarBob TuckerCorpus FriskyBen BarronCatherine WarnerDamon WhiteKaya WoodallJay SwartzMiriam JoySEAN D WINNIERushDaniel Hannon-BarryChristopher MillerJamie WhiteChristopher McConnellDavid MascettiJoe LaskaKen HirshJezMelanie AndrichJenness GardnerDave SharpeSami SamhuriJeremy DawsonAccessViolationAndre BremerDave FloreyAPRIL 2024 HALF-NOTE PATRONSMordok's Vape PenInmar GivoniMichael SingerMerv AdrianJoe GalloMichael YorkLauren KnottsDave KolasHenry MindlinMonica St. AngeloStephen WolkwitzSuzanneRand LeShayMaxeric spMatthew JonesThomasAnthony MentzJames McMurryEthan Laserbrian john peterChris RemoMatt SchoenthalAaron WilsonDent EarlCarlos LernerMisty HaisfieldAbraham BenrubiChris KotarbaCallum WebbLynda MacNeilDick MorganBen SteinSusan GreenSean MurphyThirteen71Alan BroughRandal VegterGo Birds!Robert Granatdave malloyNick GallowayHeather Jjohn halpinPeter HardingDavidJohn BaumanMartín SalíasStu BakerSteve MartinoDr Arthur A GrayCarolinaGary PierceMatt BaxterLuigi BocciaE Margaret WartonCharles McGeeCatherine ClauseEthan BaumanKenIsWearingAHatJordan BlockAaron WadeJeff UlmDavid FutterJamieDeebsPortland Eye CareCarrie SchneiderRichard SneddonDoreen CarlsonDavid McDarbyWendy GilchristElliot RosenLisa TurnerPaul WayperBruno GaetaKenneth JungAdam StofskyZak RemerRishi SahayJason ReitmanAilie FraserRob TsukNATALIE MISTILISJosh SingerAmy Lynn ThornsenAdam WKelli BrockingtonVictoria Yumino caposselaSteve PaquinDavid JoskeBernard KhooRobert HeuerDavid NoahGeraldine ButlerMadeleine MaderJason PrattAbbie BergDoug BelewDermot CrowleyAchint SrivastavaRyan RairighMichael BermanLinda DuffyBonnie PrinsenLiz SegerEoin de BurcaKevin PotterM Shane BordersDallas HockleyJason GerryNell MorseNathan GouwensLauren ReayEric PrestemonCookies250Damian BradyAngela LivingstoneSarah SulanDiane HughesMichael CasnerLowell MeyerStephen TsoneffJoshua HillWenGeoff GoldenPascal RuegerRandy SouzaClare HolbertonDiane TurnerTom ColemanDhu WikMel DEric HelmJonathan DanielsMichael FlahertyCaro Fieldmichael bochnerNaomi WatsonDavid CushmanAlexanderChris KGavin DoigSam FennTanner MortonAJ SchusterJennifer BushDavid StroudBrad CallahanAmanda FurlottiAndrew BakerAndrew FairL.B. MorseBill ThorntonBrian AmoebasBrett DouvilleJeffrey OlsonMatt BetzelNate from KalamazooMelanie StiversRichard TollerAlexander PolsonEarl LozadaJustin McElroyArjun SharmaJames JohnsonKevin MorrellColin Hodo