Podcasts about arcadia ego

61 год до нашей эры... Урок шестьдесят восьмой. Об упрямстве, мести и табуреточке-==- Поддержать подкаст patreon.com/romafallrepublic boosty.to/romafallrepublic Ссылки на сервисы одноразовых донатов (перевод на карту) https://pay.cloudtips.ru/p/de81e92c https://www.tinkoff.ru/cf/8OhkxZI8dPp -==- Для заказа рекламы пишите на почту или в телеграм geasmuire@gmail.com https://t.me/caledfwlch_as -==- Герои выпуска. Осторожно, спойлеры к предыдущим сериям https://telegra.ph/Cezarianskij-cikl-3-seriya-Et-in-Arcadia-ego-I-ya-v-Arkadii-12-31-==- Подкаст выходит по четвергам. Подписывайтесь на любых платформах и присоединяйтесь в сообществах https://t.me/romafallrepublic https://instagram.com/roma_fall_of_the_republic/?hl=ru https://vk.com/romafallrepublic https://twitter.com/ROMApodcast -==- Таймкоды00:00 Перенесемся в прошлое… 02:52 Ранее в ROME 05:37 Эпиграф к серии 05:59 Братья Метеллы 11:21 Табуреточка 19:40 Сказка о Катоне 27:06 Избрание Луция Афрания 33:52 Племянницы Катоны 35:42 Триумф 40:37 Жалобы публиканов 46:21 Пинок Катона 48:13 Кринж от Клодия 50:21 Народный трибун VS Метелл 54:20 Запыхавшийся Цезарь 59:06 Выборы 1:03:22 Послесловие Источники Плутарх. Сравнительные жизнеописания Дион Кассий. Римская история Марк Туллий Цицерон. Письма Тит Ливий. История Рима от основания города Гай Светоний Транквилл. Жизнь двенадцати цезарей Биллоуз, Ричард. Юлий Цезарь. Римский колосс Этьен, Робер. Цезарь Голдсуорси, Адриан. Юлий Цезарь. Полководец, император, легенда Утченко, Сергей Львович. Юлий Цезарь Wiseman, Timothy Peter. Julius Caesar

In s2e29, Platemark hosts Ann Shafer and Tru Ludwig talk about Claude Lorrain, the arbiter of landscape painting in the 17th century. He worked most of his life in Rome and elevated landscape as a subject up the academic hierarchy by including small figural groups and naming the compositions with mythological or biblical subjects. He's known by various names that can be confusing. He was born Claude Gelée in the independent duchy of Lorraine, which is why the French call him le Lorrain. The English, who collected his works assiduously and even now have the highest number of his works (by country), refer to him simple as Claude. He created an amazing cache of ink and wash drawings of each of his painted compositions in a first catalogue raisonné of sorts. He dubbed this book the Liber Veritatis («the book of truth»). Claude told his biographer Filippo Baldinucci that he kept the record as a defense against others passing off his work as theirs. This bound group of drawings was collected and owned by the Dukes of Devonshire from the 1720s until 1957 when it was given to the British Museum (in lieu of estate taxes upon the death of Victor Christian William Cavendish, the 9th Duke of Devonshire). While Claude died in 1682, his renown in England was enough to prompt the print publisher John Boydell to hire artist Richard Earlom to create prints after the drawings nearly one hundred years after Claude's death. Two hundred etchings with mezzotint were created between 1774 and 1777, and were published in two volumes as Liber Veritatis. Or, A Collection of Two Hundred Prints, After the Original Designs of Claude le Lorrain, in the Collection of His Grace the Duke of Devonshire, Executed by Richard Earlom, in the Manner and Taste of the Drawings.... Later, a third volume of an additional 100 prints was published in 1819. Earlom used etching to mimic Claude's ink lines and mezzotint for the wash areas. They were printed in brown ink to mimic iron gall ink. Hugely influential in England, the books were popular with collectors and were used by artists as models for copying. The Liber Veritatis also inspired J.M.W. Turner to produce a similar project of 71 prints after Turner's painted compositions, which he called Liber Studiorum. They may appear old fashioned to contemporary viewers, but rest assured, landscape was just getting its legs under it. Boring imagery? Maybe. But important for our story of the history of prints in the West. Episode image: Claude Lorrain (French, c. 1600–1682). Seaport with Ulysses Returning Chryseis to Her Father, c. 1644. Pen and brown ink with brown and blue wash, heightened with white on blue paper. 19.8 x 26.2 cm. British Museum, London.   Gian Lorenzo Bernini (Italian, 1598–1680). Bust of Louis XIV, 1665. Marble. Palace of Versailles. Hyacinth Rigaud (French, 1659–1743). Louis VIX, 1700–01. Oil on canvas. 277 x 194 cm. (109 x 76 3/8 in.) The Louvre, Paris. Claude Mellan (French, 1598–1688). Louis XIV as a Child, 1618–1688. Engraving. Sheet (trimmed to platemark): 13 9/16 x 9 1/2 in. (34.5 x 24.2 cm.). Metropolitan Museum of Art, New York. Federico Barocci (Italian, 1528–1612). The Stigmatization of St. Francis, after the painting in the Church of the Capuccines, Urbino, c. 1575. Etching, engraving, and drypoint. Plate: 228 x 145 mm. (9 x 5 ¾ in.). Achenbach Foundation for Graphic Arts, Fine Arts Museum of San Francisco. Federico Barocci (Italian, 1528–1612). The Annunciation, c. 1585. Etching and engraving. Sheet (trimmed within platemark): 17 3/8 × 12 5/16 in. (441 × 312 mm.). Metropolitan Museum of Art, New York. Rembrandt (Dutch, 1606–1669). Christ Crucified between the Two Thieves: The Three Crosses (iv/iv state), c. 1660. Drypoint. Sheet (trimmed to platemark): 15 1/16 x 17 1/2 in. (382 x 444 mm.). Metropolitan Museum of Art, New York. Annibale Carracci (Italian, c. 1557–c. 1642). St. Jerome in the Wilderness, c. 1591. Etching and engraving. Sheet (trimmed to platemark) : 24.8 x 19.2 cm. (9 ¾ x 7 9/16 in.). Metropolitan Museum of Art, New York. Guido Reni (Italian, 1575–1642). The Holy Family, c. 1595–1600. Etching and engraving. Sheet (trimmed to platemark): 20 x 14 cm. (7 7/8 x 5 12 in.). Metropolitan Museum of Art, New York. Jusepe de Ribera (Spanish, 1591–1652). The Penitence of St. Peter. 1621. Etching and engraving. Sheet (trimmed to platemark): 31.8 x 24.2 cm. (12 ½ x 9 ½ in.). Metropolitan Museum of Art, New York. Salvator Rosa (Italian, 1615–1673). Jason and the Dragon, 1663–64. Etching and drypoint. Plate: 13 5/16 × 8 9/16 in. (33.8 × 21.8 cm.); sheet: 14 5/16 × 9 15/16 in. (36.4 × 25.3 cm.). Metropolitan Museum of Art, New York. Gian Lorenzo Bernini (Italian, 1598–1680). The Ecstasy of Saint Teresa, 1647-52.  White marble set in an elevated aedicule in the Cornaro Chapel, Santa Maria della Vittoria, Rome. Caravaggio (Italian, 1571–1610). Conversion of Saint Paul on the Way to Damascus, 1600–01. Oil on canvas. 230 × 175 cm. (91 × 69 in.). Santa Maria del Popolo, Rome. Andrea Pozzo (Italian, 1642–1709). Assumption of St. Francis, c. 1685. Sant'Ignazio, Rome. Pietro Testa (Italian, 1612–1650). The Martyrdom of St. Erasmus, c. 1630. Etching. Sheet: (trimmed to platemark): 27.9 x 18.9 cm. (11 7 7/16 in.). Metropolitan Museum of Art, New York. Jacques Callot (French, 1592–1635). Plate eleven: The Hanging from the series The Large Miseries and Misfortunes of War, 1633. Etching. Sheet: 4 1/8 x 8 1/4 in. (10.5 x 21 cm.); plate: 3 1/4 x 7 5/16 in. (8.2 x 18.6 cm.). Metropolitan Museum of Art, New York. Peter Paul Rubens (Flemish, 1577–1640). The Consequences of War, 1637–38. Oil on canvas mounted to panel. 206 x 342 cm. (81 x 134 ½ in.). Palazzo Pitti, Florence. Diego Velasquez (Spanish, 1599–1660). Surrender at Breda, 1634–35. Oil on canvas. 307 x 367 cm. (121 x 144 in.) Museo del Prado, Madrid. Callot's Hanging Tree spreads word of the facts of the attack on Nancy, whereas paintings can only be in one place (Rubens' Consequences of War and Velasquez's Surrender at Breda). Jean Marot (French, 1619–1679), after Gian Lorenzo Bernini (Italian, 1598–1680). The Louvre in Paris, elevation of the principal facade facing Saint-Germain l'Auxerrois. Plate 8 from Jacques-François Blondel's Architecture françoise, volume 4, book 6. Nicolas Poussin (French, 1594–1665). Et in Arcadia ego, 1637–38. Oil on canvas. 85 × 121 cm. (34 1/4 × 47 1/4 in.). Louvre, Paris. Nicolas Poussin (French, 1594–1665). Landscape with St. John Patmos, 1640. Oil on canvas. 100.3 × 136.4 cm (39 1/2 × 53 5/8 in.). Art Institute of Chicago, Chicago. Nicolas Poussin (French, 1594–1665). The Abduction of the Sabine Women, c. 1633–34. Oil on canvas. 60 7/8 x 82 5/8 in. (154.6 x 209.9 cm.). Metropolitan Museum of Art, New York. Rembrandt van Rijn (Dutch, 1606–1669). Landscape with the Good Samaritan, 1638. Oil on oak panel. 46.2 × 65.5 cm. (18 × 25 3/4 in.). Czartorynski Museum, Kraków. Jacob van Ruisdael (Dutch, 1628/1629–1682). View of Haarlem with Bleaching Fields, c. 1670–75. Oil on canvas. 62.2 x 55.2 cm. (24 ½ x 21 ¾ in.). Kunsthaus Zurich, Zurich. Thomas Cole (American, born England, 1801–1848). Catskill Mountains Landscape, c. 1826. Oil on panel. 15 15/16 x 21 7/8 in. Sheldon Museum, University of Nebraska-Lincoln. Tru's diagrams of Poussin's Et in Arcadia Ego. Claude Lorrain (French, c. 1600–1682). Self-Portrait. Oil on canvas. Musée des Beaux-Arts de Tours. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, c. 1600–1682). Frontispiece for the Liber Studiorum, 1777. Plate: 7 x 5 in. New York Public Library. Claude Lorrain (French, c. 1600–1682). Seaport with the Embarkation of the Queen of Sheba, 1648. Oil on canvas. 149.1 × 196.7 cm. (58 3/4 × 77 1/2 in.). National Gallery, London. One of many Claude Lorrain paintings with its corresponding diagram. Several diagrams showing compositional plans according to the Golden Ratio. Claude Lorrain (French, c. 1600–1682). Rustic Dance, 1637. Oil on canvas. Galleria degli Uffizi, Florence. Claude Lorrain (French, c. 1600–1682). The Village Boerendans Dance, c. 1637. Etching. 29.7 x 24.1 cm. (11 ¾ x 9 ½ in.). Alamy Stock Photo. Claude Lorrain (French, c. 1600–1682). Harbor Scene with Rising, 1634. Etching. Sheet: 5 9/16 x 8 1/4 in. (14.1 x 21 cm.); plate: 5 1/8 x 7 13/16 in. (13 x 19.8 cm.). Metropolitan Museum of Art, New York. Claude Lorrain (French, c. 1600–1682). Harbor Scene with Rising Sun, c. 1649. Oil on canvas. 97 x 119 cm. (38 x 46 ¾ in.). Hermitage Museum, St. Petersburg. Claude Lorrain (French, c. 1600–1682). Seaport with Ulysses Returning Chryseis to Her Father, c. 1644. Pen and brown ink with brown and blue wash, heightened with white on blue paper. 19.8 x 26.2 cm. British Museum, London. Claude Lorrain (French, c. 1600–1682). Seaport with Ulysses Returning Chryseis to Her Father, 1650s. Oil on canvas. 119 x 150 cm (46 ¾ x 59 in.). Louvre, Paris. Claude Lorrain (French, c. 1600–1682). Landscape wirth Aeneas at Delos, c. 1672. Pen and brown ink and brown wash, with gray-brown wash. 19.3 x 25.6 cm. British Museum, London. Claude Lorrain (French, c. 1600–1682). Landscape with Aeneas at Delos, 1672. Oil on canvas. 99.6 x 134.3 cm. National Gallery, London. Claude Lorrain (French, c. 1600–1682). Index of owners of Claude's paintings in the Liber Veritatis. British Museum, London. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, c. 1600–1682). Holy Family, from the Liber Veritatis, 1776. Etching and aquatint. Sheet : 23 x 29.4 cm.; plate: 20.8 x 26.3 cm. Pushkin State Museum of Fine Arts, Moscow. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, c. 1600–1682), published by John Boydell (British, 1719–1804). Liber veritatis: or, A collection of prints, after the original designs of Claude le Lorrain ; in the collection of His Grace the Duke of Devonshire, 1777–1819. New York Public Library, New York. John Boydell (British, 1719–1804), publisher. Dedication from Liber veritatis: or, A collection of prints, after the original designs of Claude le Lorrain ; in the collection of His Grace the Duke of Devonshire, 1777–1819. New York Public Library, New York. James Mallord William Turner (British, 1775–1851). Fifth Plague of Egypt, from the Liber Studiorum, part III, plate 16), 1808. Etching only (before first state). Plate: 7 x 10 in. (17.8 x 25.4 cm.); sheet: 8 1/8 x 25 in. (20.6 x 63.5 cm.). Metropolitan Museum of Art, New York. James Mallord William Turner (British, 1775–1851) and Charles Turner (British, 1774–1857). Fifth Plague of Egypt, from the Liber Studiorum, part III, plate 16), 1808. Etching and mezzotint (first state of three). Plate: 7 1/16 x 10 1/4 in. (17.9 x 26 cm.); sheet: 8 1/4 x 11 7/16 in. (21 x 29.1 cm.). Metropolitan Museum of Art, New York. Claude Glass. Science Museum, London. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, c. 1600–1682), published by John Boydell (British, 1719–1804). No. 154 from Liber veritatis: or, A collection of prints, after the original designs of Claude le Lorrain ; in the collection of His Grace the Duke of Devonshire, 1777–1819. New York Public Library, New York. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, c. 1600–1682), published by John Boydell (British, 1719–1804). No. 1 and 2 from Liber veritatis: or, A collection of prints, after the original designs of Claude le Lorrain ; in the collection of His Grace the Duke of Devonshire, 1777–1819. New York Public Library, New York. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, c. 1600–1682), published by John Boydell (British, 1719–1804). No. 3 and 4 from Liber veritatis: or, A collection of prints, after the original designs of Claude le Lorrain ; in the collection of His Grace the Duke of Devonshire, 1777–1819. New York Public Library, New York.  Richard Earlom (British, 1743–1822), after Claude Lorrain (French, c. 1600–1682), published by John Boydell (British, 1719–1804). No. 13 and 14 from Liber veritatis: or, A collection of prints, after the original designs of Claude le Lorrain ; in the collection of His Grace the Duke of Devonshire, 1777–1819. New York Public Library, New York. Claude Mellan (French, 1598–1688). Moses Before the Burning Bush, 1663. Engraving. Sheet (trimmed to platemark): 9 7/16 x 13 3/16 in. (24 x 33.5 cm.). Metropolitan Museum of Art, New York. Golden mean diagram, https://blog.artsper.com/en/a-closer-look/golden-ratio-in-art/.  

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WE'RE BACK AND WE'RE READY TO PARTY! Terminus returns with another overstuffed episode of ugly sounds, so we'll keep the preamble short: there's something for everyone on this one. But first, you'll have to cross the deadly moat of Et in Arcadia Ego, a PABM project with an industrial-tinged take on French and Slavic black metal. It sounds kinda like black wind hissing in the gaps between enormous towers of unknown origin. First up: approximately the billionth full length by Swedish doomdeath stalwarts Runemagick. "Beyond the Cenotaph of Mankind" will certainly be familiar to fans of the band, but this album perhaps more than others shows its cards in terms of influence: Runemagick is a doomdeath band which takes being a doom band very seriously, and the intricate wailing of Candlemass is just as important as anything more directly within the death metal realm. Come for the chug, stay for the bleak neoclassical diversions. Next up is Dødssanger, a House of Ygra affiliate which plunges directly into the murkiest depths of DSBM with little in the way of sentimentality or simple sadness. Caustic and miserable, at first blush this reminds the listener most clearly of Danish misery-peddlers Make a Change... Kill Yourself, but as the album proceeds, layers of influence and melodic experimentation are layered on top of the frail, ugly bones of the project, making for a full body much more than the sum of its parts. Wrapping things up is Blutschwur, a project already well known to many of our listeners which represents yet another attempt at fusing melodic black metal and stomping oi!/RAC. The result, though, is not what one might predict: Blutschwur is heavily invested in returning this style back to its home in black metal, and the sprawling, technically minded riffing suggests a scope far greater than its contemporaries. C'mon, look at the cover- you already like this one, but it contains further depths to explore. 0:00:00 Intro/Et in Arcadia Ego (US) - I (2023) 0:19:37 - Runemagick - Beyond the Cenotaph of Mankind (Hammerheart Records) 0:57:59 - Interlude - Runemagick - “Where Death is the Key,” fr. The Supreme Force of Eternity (Century Media, 1998) 1:02:28 - Dødssanger - Reflections of a Wretched Soul (House of Ygra) 1:31:59 - Interlude - Make a Change… Kill Yourself - “Fri fra denne verden” fr. Fri (Black Hate Productions, 2012) 1:43:42 - Blutschwur - Those of My Blood (Final Agony Records / Death Hymns / Rabid Attack Corps.) 2:21:22 - Outro - Ancestral Fortitude - “Final Kingdom,” fr. the Stronghold demo (PABM, 2023) Terminus links: Terminus on Youtube Terminus on Patreon Terminus on Instagram Terminus on Facebook thetrueterminus@gmail.com

What should we say of a man who claims to judge Homer’s Iliad, Racine’s Phèdre or Poussin’s Deluge as if they were stews or hams? – J.J. Rousseau, Letter to Père Lesage, 1754

Ο Δημήτρης προσκαλεί τη μαθήτρια των ελληνικών και ελληνογερμανίδα tandem partner του Δάφνη και μιλάνε για την αγάπη τους για τα βουνά. Επίσης μιλάνε για τη διαφορά μεταξύ «ελληνογερμανού» και «γερμανοέλληνα». Σημειώσεις εκπομπής Το μήνυμα της Δάφνης, podcast επεισόδιο 46 (https://www.easygreek.fm/46) Περισσότερα για το ημερολόγιο, επεισόδιο 119 (https://www.easygreek.fm/119) Οροσειρά Πίνδου (https://www.geopsis.com/news-blog/pindus-mountains) Et in Arcadia Ego, επεισόδιο 54 (https://www.easygreek.fm/54) Menalon Trail (https://menalontrail.eu/) Λέω ότι είναι 70% ορεινή η Ελλάδα, το ποσοστό είναι 80% ορεινή ή ημιορεινή) (https://el.wikipedia.org/wiki/%CE%95%CE%BB%CE%BB%CE%AC%CE%B4%CE%B1) Βουνά γύρω από την Αθήνα: Πάρνηθα (https://www.topoguide.gr/hiking_in_greece/10_best_hikes_parnitha.php), Υμηττός (https://www.topoguide.gr/mountains/attiki/hiking_on_attiki_imittos.php), Πεντέλη (https://www.topoguide.gr/mountains/attiki/hiking_on_attiki_pendeli.php) Επίσημες λέξεις και πώς υπάρχουν σήμερα (βουνός-όρος, φωτιά-πυρ) (https://www.youtube.com/watch?v=Ad3YxILIKMo) Μοναξιά η μοναχικότητα; (https://www.maxmag.gr/psychologia/monaxia-kai-monachikotita-dyo-diaforetikes-ennoies/) Ορειβατικός Σύλλογος Αθήνας (όχι Ελλάδας) (https://www.eosathinon.gr/) Η Τέχνη του Βουνού (βιβλίο) (https://www.politeianet.gr/books/9789608868311-bouturopoulos-giorgos-anebainontas-i-techni-tou-bounou-protos-tomos-191855) Καταφύγια στην Πάρνηθα: Μπάφι, Φλαμπούρι (https://www.mountparnitha.gr/) Λεξιλόγιο και εκφράσεις το όρος (https://el.wiktionary.org/wiki/%E1%BD%84%CF%81%CE%BF%CF%82) το βουνό (https://el.wiktionary.org/wiki/%CE%B2%CE%BF%CF%85%CE%BD%CF%8C) Ουδέτερα ουσιαστικά σε -ος (http://ebooks.edu.gr/ebooks/v/html/8547/2009/Grammatiki_E-ST-Dimotikou_html-apli/index_C6b3.html) ο όρος (https://el.wiktionary.org/wiki/%CF%8C%CF%81%CE%BF%CF%82) η τζούρα (https://el.wiktionary.org/wiki/%CF%84%CE%B6%CE%BF%CF%8D%CF%81%CE%B1) Απομαγνητοφώνηση Δημήτρης: [0:00] Γεια σας. Πριν ξεκινήσουμε αυτό το επεισόδιο, ήθελα απλά να σας προειδοποιήσω ότι η ποιότητα του ήχου θα είναι μάλλον χαμηλότερη από αυτή στην οποία μπορεί να είσαστε συνηθισμένοι, γιατί ηχογράφησα με το μικρόφωνο του laptop αντί με το μικρόφωνο της ηχογράφησης. Αχ! Έχω μία καλεσμένη σε αυτό το επεισόδιο, τη Δάφνη, και πέρασα πολύ χρόνο προσπαθώντας να τελειοποιήσω τον δικό της ήχο και τελικά από δικό μου λάθος ο δικός μου ήχος είναι χάλια. Ελπίζω να μην είναι πολύ μεγάλο πρόβλημα για σας και να αντέξετε να ακούσετε αυτό το κατά τα άλλα πολύ ωραίο επεισόδιο και τον πολύ ωραίο μας διάλογο με τη Δάφνη. Απλά το αναφέρω για να το βγάλω απ' τη μέση, γιατί ούτως ή άλλως είμαι σίγουρος ότι πολλοί από εσάς θα το προσέξετε. Συμβαίνει και στις καλύτερες οικογένειες, όπως λέμε στα ελληνικά. Πάμε! Δημήτρης: [1:11] Καλώς ήρθατε στο Easy Greek podcast, το podcast που σας μαθαίνει ελληνικά με καθημερινούς, αυθεντικούς διαλόγους. Είμαι ο Δημήτρης και σήμερα έχω μία αγαπημένη καλεσμένη μαζί μου εδώ στο Zoom και στο podcast. Πες μας λίγο για σένα, αγαπητή μου καλεσμένη, ποια είσαι; Δάφνη: [1:30] Γεια σας, παιδιά, είμαι η Δάφνη και καλημέρα από εμένα σε όλους και σε όλες. Ναι, χαίρομαι που έχω την ευκαιρία να μιλήσω σήμερα σε σένα. Είμαι η tandem partner του Δημήτρη. Συνήθως είμαι απλά ένας ακροατής, οπότε είμαι περίεργη να δω πώς είναι από την άλλη πλευρά, ας πούμε. Το καλό με τα podcast για μένα είναι ότι μπορώ να ακούσω μία συζήτηση χωρίς να χρειάζεται να πω τίποτα, μπορώ απλά να καθίσω και να χαλαρώσω, οι άλλοι μιλούν. Ας δούμε, λοιπόν, πώς θα πάει τώρα. Δημήτρης: [2:06] Ναι. Και τώρα είναι ακριβώς η αντίθετη κατάσταση. Αναγκάζεσαι να μιλήσεις. Ω Θεέ μου, τι συμφορά! Ναι. Έχει μία ιδιαίτερη ομορφιά η ιστορία μας με τη Δάφνη, γιατί... - μπορεί κάποιοι από εσάς που μας ακούτε πολύ καιρό να την θυμάστε - γιατί είναι από τους πρώτους φίλους μας του Easy Greek που μας έστειλε ένα ηχητικό μήνυμα. Δάφνη: [2:34] Αχ ναι. Δημήτρης: [2:36] Μας είπε την ιστορία της, πώς μάθαινε ελληνικά στη Γερμανία, πώς είναι μισή Γερμανίδα, μισή Ελληνίδα, άμα θέλεις να χρησιμοποιώ αυτούς τους όρους, γιατί έχουμε κάνει και συζητήσεις που λέμε ότι δεν υπάρχει μισό-μισό, είναι 100% και 100%. (Ναι, αυτό) Μπορούμε να συζητήσουμε και για αυτό φυσικά εάν θέλεις, αλλά ναι, νομίζω ότι μέσα από το Easy Greek και το Easy Greek podcast κάπως έχεις γίνει κάτι περισσότερο από απλώς μία ακόλουθος ή συνδρομήτρια ή φίλη του καναλιού και του podcast και τώρα είμαστε εδώ και συζητάμε. Μάλιστα σε προσωπικό επίπεδο μαζί μου φυσικά έχουμε και το tandem μας όπου μιλάμε και γράφουμε και στο ημερολόγιο, όπως έχω επίσης αναφέρει στο podcast μια άλλη φορά στο επεισόδιο για τα ημερολόγια. Έχουμε ένα ημερολόγιο όπου εγώ γράφω στα γερμανικά και η Δάφνη γράφει στα ελληνικά και διορθώνουμε τα λάθη ο ένας του άλλου και είναι κάτι το πάρα πολύ χρήσιμο και μπορώ να πω κουραστικό, γιατί εγώ κάθε φορά το αφήνω για το τέλος της ημέρας και είμαι «Όχι, σκατά, πήγε 1:00 η ώρα τη νύχτα και έχω ακόμα στο ημερολόγιό μου τα 10 λεπτά γερμανικών να γράψω», αλλά εντάξει. Συγχώρεσέ με όταν δεν γράφω κάθε μέρα, Δάφνη. Δάφνη: [3:58] Ναι, και το κάνεις. Καλά είναι. Για την υπόλοιπη απομαγνητοφώνηση, γίνετε μέλη μας! (https://easy-greek.org/membership)

This week Jeff and Dave launch into the fascinating, often misunderstood world of Rome way, way back before there were Romans. As Aeneas readies for battle in the idyllic landscape, he needs some allies. So it's off a-paddlin' to Arcadia, where the rustic Greek king Evander and his momentous son Pallas make ready allies. While enjoying some old-fashioned hospitality, Evander tells our hero the long, digressive backstory of Greece's mightiest avenger: Hercules. On the way back from rustlin' Spanish cattle, Hercules got rustled himself by the smoke-belching Cacus. This troglodytic monster must be killed. But what does this mean for the epic as a whole and for Vergil's view of the Pax Augusta? Well to find out, warm up your jerri-can of coffee, chill your bucket of Diet Coke, and tuck in for a classical repast past its prime not at all.

Cirroc Lofton (Jake Sisko on DS9) and Ryan T. Husk review Star Trek: Picard, episode 10 to complete the season. Today, we are joined by Malissa Longo and Megan Elise, two amazing and extremely knowledgable Star Trek fans and part of our T7R team! Produced by Ryan T. Husk.Audio Remastered by Scott Jensen. Associate Producers:Rex A. WoodDennis KochCommander Homer FrizzellEve EnglandYvette BlackmonAnn Marie SegalKat R. KingRecorded 3/26/20Every week, we watch an episode of Star Trek: Picard and review it. Join us! Watch every week and get in on the discussion - we'd love to have you!If you enjoy our content please leave us a five star rating and comment/review.Support and join the community here: https://www.patreon.com/The7thRuleWatch the episodes with full video here: https://www.youtube.com/c/The7thRuleListen to all our audio podcast episodes on your favorite podcasting platform here: https://pod.link/1453564609Social media:https://twitter.com/7thRulehttps://www.facebook.com/The7thRule/https://www.facebook.com/groups/The7thRuleGet cool T7R merchandise here: https://the-7th-rule.creator-spring.com/Malissa Longo creates fun and functional Star Trek art at:https://www.walkingartmadebymalissa.com/We continue The 7th Rule journey without our friend, our brother, Aron Eisenberg. He is still with us in spirit, in stories, in laughter, and in memories, and the show must go on.Cirroc's sister, Merone, makes amazing East-African inspired clothing and items for sale at:https://www.abyssiniankiosk.com/Malissa Longo creates fun and functional Star Trek art at:https://www.walkingartmadebymalissa.com/We continue The 7th Rule journey without our friend, our brother, Aron Eisenberg. He is still with us in spirit, in stories, in laughter, and in memories, and the show must go on.

Today, we are joined by writer/director/producer of 5th Passenger, Scott Baker! 5th Passenger is a sci-fi thriller starring Doug Jones, Marina Sirtis, Armin Shimerman, Tim Russ, David Lim, Manu Intiraymi, Morgan Lariah, Rico E. Anderson, Darnell Davis, and our very own, Ryan T. Husk. Check it out online at https://www.5thpassenger.comProduced by Ryan T. Husk.Audio Remastered by Scott Jensen. Associate Producers:Rex A. WoodDennis KochCommander Homer FrizzellEve EnglandYvette BlackmonAnn Marie SegalKat R. KingRecorded 3/19/20Every week, we watch an episode of Star Trek: Picard and review it. Join us! Watch every week and get in on the discussion - we'd love to have you!If you enjoy our content please leave us a five star rating and comment/review.Support and join the community here: https://www.patreon.com/The7thRuleWatch the episodes with full video here: https://www.youtube.com/c/The7thRuleListen to all our audio podcast episodes on your favorite podcasting platform here: https://pod.link/1453564609Social media:https://twitter.com/7thRulehttps://www.facebook.com/The7thRule/https://www.facebook.com/groups/The7thRuleGet cool T7R merchandise here: https://the-7th-rule.creator-spring.com/Malissa Longo creates fun and functional Star Trek art at:https://www.walkingartmadebymalissa.com/We continue The 7th Rule journey without our friend, our brother, Aron Eisenberg. He is still with us in spirit, in stories, in laughter, and in memories, and the show must go on.Cirroc's sister, Merone, makes amazing East-African inspired clothing and items for sale at:https://www.abyssiniankiosk.com/Malissa Longo creates fun and functional Star Trek art at:https://www.walkingartmadebymalissa.com/We continue The 7th Rule journey without our friend, our brother, Aron Eisenberg. He is still with us in spirit, in stories, in laughter, and in memories, and the show must go on.

"Todo lo que vemos o que parece que vemos no es más que un sueño dentro de un sueño" Et in Arcadia Ego es una clásica partida de Kult ambientada en el condado de Albemarle en Virginia (USA). Los personajes han sido invitados por su íntimo y viejo amigo Peter Saint-Denys a pasar con él sus últimos días de vida. Y es que estamos en 1994 y Peter es un enfermo terminal de SIDA. Sam Wells interpretado por Iván Jareth Hutton interpretado por Sergio DJ/Peter Saint-Denys interpretado por Jack

"Todo lo que vemos o que parece que vemos no es más que un sueño dentro de un sueño" Et in Arcadia Ego es una clásica partida de Kult ambientada en el condado de Albemarle en Virginia (USA). Los personajes han sido invitados por su íntimo y viejo amigo Peter Saint-Denys a pasar con él sus últimos días de vida. Y es que estamos en 1994 y Peter es un enfermo terminal de SIDA. Sam Wells interpretado por Iván Jareth Hutton interpretado por Sergio DJ/Peter Saint-Denys interpretado por Jack

In our latest episode of Random Trek, Chris Ingle and I tackle the two-part season finale of Season 1 of Star Trek: Picard. In a truly wild and wacky season of Star Trek, it is almost impossible to describe what is going on in this episode, as mayhem reigns in this conclusion to a rather complicated story. That being said, this season of Star Trek contains some truly amazing moments and some welcome returns of fan favorite characters. Join with us as we discuss the conclusion of this first foray into the adventures of Old Man Picard. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

At long last, Star Trek Picard season two has finally warped into our sector with the season two premiere, "The Star Gazer." SNP wasn't around yet when Picard season one debuted, so it's an exciting time for the pod to get to break down these episodes together.Where are Jean-Luc and the rest of his rag-tag crew a year and a half removed from the events of "Et in Arcadia Ego?" What does the sudden appearance of a subspace time rift mean? And what is the nature and meaning of Q's involvement? The SNP crew breaks down the critically acclaimed premiere, theorizes about what's to come, and gushes over the brand new Stargazer.Plus, the strange new loop, mailbag, and so much more on episode 71 of SNP.Support the show (https://www.patreon.com/astrangenewpod)

Η Μαριλένα κι ο Δημήτρης συζητάνε για την πρόσφατη εκδρομή τους στην ορεινή Αρκαδία - Δημιτσάνα, Λούσιος, Μονή Προδρόμου και βόλτα μέσα από το ελατοδάσος του Μαινάλου... Σημειώσεις εκπομπής (show notes) Et in Arcadia Ego στην τέχνη (https://en.wikipedia.org/wiki/Et_in_Arcadia_ego) Δημητσάνα (https://travelphoto.gr/dimitsana-village-in-arcadia/) Η λέξη για το όπλο που ψάχναμε - καριοφίλι! (https://geetha.mil.gr/opla_exartisi_1821_to-kariofili/) Μονή Προδρόμου (https://travelphoto.gr/moni-timiou-prodromou-arkadia/) Μαίναλον Trail (https://menalontrail.eu/el/) - για τους λάτρεις της ορεινής πεζοπορίας! Ταβέρνα Καταφύγιο (https://taberna-kata-ygio.webnode.gr/) - του κυρίου Γιάννη. Το μικρό βίντεο που έφτιαξα από την εκδρομή μας (https://youtu.be/vBFwoUKoQH4) Πρόταση της εβδομάδας Αρκαδία Χαίρε (2015) (https://www.youtube.com/watch?v=QUYxSjdoccQ) Ορεινή Αρκαδία με τον Ευτυχή Μπλέτσα (Happy Traveller) (https://www.youtube.com/watch?v=nOMfrEn_4V8) Μουσική: Bugatti Step του Jaroslav Ježek CD Studio Matouš MK0055 Ερμηνεία: Tomáš Víšek Απομαγνητοφώνηση Δημήτρης: [0:17] Γεια σας και καλώς ήρθατε στο Easy Greek podcast, το podcast όπου σας μαθαίνουμε ελληνικά με καθημερινούς, αυθεντικούς διαλόγους. Είμαι ο Δημήτρης. Μαριλένα: [0:26] Και είμαι η Μαριλένα. Καλησπέρα και από εμένα. Δημήτρης: [0:29] Μαριλού, σήμερα ήπια καφέ. Μαριλένα: [0:33] Δεν σου φαίνεται γιατί όταν πίνεις καφέ συνήθως έχεις πιο καθαρό μυαλό. Είσαι λίγο αγχωμένος σήμερα. Δημήτρης: [0:40] Μερικές φορές, ξέρεις, οι ουσίες γενικότερα, γιατί και η καφεΐνη είναι μία ουσία και άμα δεν την έχεις συνηθίσει ή άμα την έχεις ξεσυνηθίσει μπορεί να έχει διάφορες επιπτώσεις στον οργανισμό. Η μία μπορεί να 'ναι η καθαρότερη σκέψη, η συγκέντρωση, η άλλη μπορεί να 'ναι και τα νεύρα, έτσι δεν είναι; Εγώ νομίζω ότι σήμερα έχω και λίγα νεύρα ή μία τσίτα, θα λέγαμε. Μαριλένα: [1:04] Ναι, θα μαρτυρήσω το γιατί. Γιατί, παιδιά, ο Δημήτρης μαζί με τους φίλους του δεν μπορούν να προγραμματίσουνε τίποτα. Πρέπει να προγραμματίσουνε για σήμερα κάτι δύο ώρες πριν να βρεθούνε το οποίο εμένα με φρικάρει γιατί δεν γίνεται να μην έχεις ένα πρόγραμμα, να ξέρεις 4:00 θα βρω αυτόν τον φίλο μου, τον τάδε, 6:00 θα κάνω κάτι άλλο. Ο Δημήτρης με τους φίλους του το σνομπάρουνε το πρόγραμμα ή ο Δημήτρης μάλλον πια δεν το σνομπάρει που είναι μπαμπάς και πρέπει να έχει ένα πρόγραμμα, οι φίλοι του, όμως, είναι λίγο πιο χαλαροί. Δημήτρης: [1:36] Από τους φίλους σου νομίζω ότι είσαι η μόνη η οποία της αρέσει το πρόγραμμα, γιατί άμα θυμάμαι καλά, Μαριλού, και με τους δικούς σου φίλους κανονίζαμε σήμερα το πρωί για απόψε. Μαριλένα: [1:46] Εκείνοι έχουν κανονίσει τρεις μέρες. Δημήτρης: [1:49] Εντάξει τότε. Μαριλένα: [1:51] Γιατί είναι λίγο πιο μεγάλοι σε ηλικία, λίγο πιο σοβαροί σε κάποια πράγματα. Εμείς τελευταία στιγμή εξαιτίας άλλων πραγμάτων είπαμε, «Α ΟΚ, θα έρθουμε και εμείς», οπότε ναι, παιδιά, ο Δημήτρης δεν έχει πρόγραμμα και αγχώνεται και πίνει καφέ και έχει νεύρα μετά. Δημήτρης: [2:09] Δεν αγχώνομαι επειδή πίνω καφέ. Μπορεί επειδή ήπια καφέ να αγχώνομαι, αυτό δεν θα το μάθουμε τελικά. Πάντως μπορώ να σας πω ότι ο καφές, άμα δεν τον έχεις συνηθίσει, έχει περίεργες επιδράσεις πάνω σου, δηλαδή... Τέλος πάντων, αυτό είναι ένα θέμα για ένα άλλο επεισόδιο, (ΟΚ) ο καφές και οι παράξενες ιδιότητές του. Μαριλένα: [2:37] Α ναι, μπορούμε να κάνουμε κάτι τέτοιο. Δημήτρης: [2:39] Ναι, κάποια στιγμή. Σήμερα θέλουμε να μιλήσουμε για κάτι άλλο και αυτό είναι η περίφημη Αρκαδία. Έτσι δεν είναι, Μαριλού; Μαριλένα: [2:50] Ναι. Λοιπόν, με τον Δημήτρη κάναμε μία ωραία εκδρομή τις μέρες που προηγήθηκαν, ουσιαστικά χθες το βράδυ γυρίσαμε. Φύγαμε από την Αθήνα γιατί είχαμε κουραστεί από τα τσιμέντα και θέλαμε να πάμε στην εξοχή και είπαμε να επισκεφτούμε τη διάσημη και περιβόητη Αρκαδία που ακούμε από πολλούς φίλους μας που την έχουν επισκεφτεί πόσο φανταστικά είναι και πόσο μαγικά κ.τ.λ. οπότε είπαμε να πάρουμε τον δρόμο προς την Πελοπόννησο, προς την Τρίπολη και να πάμε να ανακαλύψουμε αυτό τον ανεξερεύνητο κόσμο. Ούτε εγώ έχω ξαναπάει ούτε... Ο Δημήτρης είχε πάει παιδί, δεν θυμάται πολλά, οπότε είναι σαν να με είχε ξανα... να μην - με συγχωρείτε - είχε ξαναπάει. Έχουμε πολλά να σας πούμε. Για την υπόλοιπη απομαγνητοφώνηση, γίνετε μέλη μας στο Patreon (https://www.patreon.com/easygreek).

A fateful confrontation awaits, as our scenario comes to an end.You can download "Et in Arcadia Ego" right here .Music by: Atrium Carceri. Used with permission from Cryo Chamber.Sponsored by: HelmgastOur Champions of the Red Moon: Martin Heuschober, Nastasia Raulerson, Simon Cooper, David, Julia, Camilla, Ludwig Manford, Bob de Lange, Julián, Cameron, Ryan F and Xabier.Web: https://www.redmoonroleplaying.comiTunes: http://apple.co/2wTNqHxAndroid: http://bit.ly/2vSvwZiYoutube: https://www.youtube.com/RedMoonRoleplayingSpotify: https://spoti.fi/30iFmznRSS: http://www.redmoonroleplaying.com/podcast?format=rssPatreon: https://www.patreon.com/RedMoonRoleplaying

Welcome to The Star Companion, where the boys review:Star Trek Picard: S1 Episode 9 and 10 "Et in Arcadia Ego Parts 1 and 2"We are a Star Trek fan podcast. Join us on our journey as we review each episode and movie BY STARDATE!These are the voyages of the USS Star Companion.Its continuing mission: to explore strange new ideas, to seek out new theories and new speculations.To boldly go where no Star Trek podcast has gone before!Follow us on Instagram:www.instagram.com/thestarcompanionFollow us on Twitter:twitter.com/dastarcompanionWebsite:www.thestarcompanion.comEmail:thestarcompanion@gmail.comWant additional content? Want to support your favorite trekkies?Donate at www.patreon.com/thestarcompanion Get bonus content on Patreon Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

It's here…the season finale of Star Trek Picard! Will it leave us with some warm fuzzy feelings or will we feel like someone just punched us in the stomach? Tune in to find out the answer to that and these other pressing questions.. Will Rios finally find someone to play soccer with? Will Agnes realize her dreams of becoming an opthamologist? Will Captain Riker save the day? And finally will the new “enhanced” Picard go off to locate and protect John Connor?…Come with me if you want to live… Hosted on Acast. See acast.com/privacy for more information.

Picard makes one last plea for organics as he now faces Synthetics and Romulans on both sides. Join in on the fun as we wrap-up the season one finale of Star Trek: Picard.

Star Trek: Picard Edition – 1.10 ‘Et in Arcadia Ego, Part 2’ A complete breakdown of Star Trek Picard 1.10 ‘Et in Arcadia Ego, Part 2’. Get more From the Holodeck with our Patreon exclusive preshows! Subscribe to our $3.00 tier to gain access.  FEATURED AFFILIATE PRODUCTS Help us keep the lights on in the studio by clicking...

It's here...the season finale of Star Trek Picard! Will it leave us with some warm fuzzy feelings or will we feel like someone just punched us in the stomach? Tune in to find out the answer to that and these other pressing questions.. Will Rios finally find someone to play soccer with? Will Agnes realize her dreams of becoming an opthamologist? Will Captain Riker save the day? And finally will the new "enhanced" Picard go off to locate and protect John Connor? ...Come with me if you want to live...

Fan Response to “Et in Arcadia Ego, Part 2.” After watching the final episode of Star Trek: Picard's first season, “Et in Arcadia Ego, Part 2,” fans had much to talk about! In this episode of Postcards on the Line, host Christopher D. Littlefield is joined Trek.fm founder C Bryan Jones to discuss all the comments we've received from listeners of The Line—both positive and negative! Chapters Intro (00:00:00) Fan Response (00:02:15) Questions and Concerns (01:02:27) Deeper Thoughts (01:37:18) Final Thoughts (01:47:13) Hosts and Listeners Thank You (01:49:56) Closing (01:51:26) Coda (01:58:02) Host Christopher D. Littlefield Guest C Bryan Jones Production Christopher D. Littlefield (Editor and Producer) Mike Schindler (Producer) Chrissie De Clerck-Szilagyi (Producer) Justin Oser (Producer) C Bryan Jones (Executive Producer) Matthew Rushing (Executive Producer) Ken Tripp (Executive Producer) Norman C. Lao (Associate Producer) Richard Marquez (Production Manager)

Nerds Log, Stardate 042020.01: We discuss the FINALE of Picard Season 1. Come and join in the conversation! --- Support this podcast: https://anchor.fm/thenerdtrekpodcast/support

Et in Arcadia Ego, Part 2. The first season of Star Trek: Picard has come to an end, and opinions on the finale—and the season as a whole—have run the gamut from glowing praise to bitter criticism. In “Et in Arcadia Ego, Part 2,” we see Soji coming to understand her place in the universe, a tense confrontation between the Federation and the Romulans, and the moving reunion between Picard and Data that leads to an unexpected new beginning. In this episode of The Line, hosts Chrissie De Clerck-Szilagyi, Brandon-Shea Mutala, and Justin Oser discuss “Et in Arcadia Ego, Part 2,” the final episode of Star Trek: Picard's first season. We explore the beacon being used to summon advanced synthetic beings, the behavior and motivations of Commodore Oh and her Romulan followers, whether Narek redeemed himself, the emotional interaction between Data and Picard, and what the death and resurrection of Jean-Luc means for his future and the next season of the show. Chapters Intro (00:00:00) Initial Thoughts (00:02:33) Favorite Moments (00:04:43) The Synths and the Beacon (00:06:50) Seven of Nine (00:39:19) The Wrench of Requirement (00:54:15) Narek's Redemption? (01:01:22) Picard's Death and Resurrection (01:27:55) Canon and Books Connections (02:07:27) Chrissie's History Corner (02:11:57) Closing (02:30:37) Hosts Chrissie De Clerck-Szilagyi, Justin Oser, and Brandon-Shea Mutala Production Chrissie De Clerck-Szilagyi (Editor and Producer) Brandon-Shea Mutala (Producer) Justin Oser (Producer) C Bryan Jones (Executive Producer) Matthew Rushing (Executive Producer) Ken Tripp (Executive Producer) Norman C. Lao (Associate Producer) Richard Marquez (Production Manager) Tony Robinson (Show Art)

Star Trek episodes mentioned in this podcast episode:Star Trek: The Next Generation"The Pegasus"Star Trek: Voyager"Alter Ego," "The Omega Directive"Star Trek episodes with a story or teleplay written by Dorothy "D.C." Fontana (sometimes credited as Michael Richards or J. Michael Bingham)Star Trek - "Charlie X," "Tomorrow Is Yesterday," This Side of Paradise," "Catspaw," "Journey to Babel," "Friday's Child," "By Any Other Name," "The Ultimate Computer," "The Enterprise Incident," "That Which Survives," and "The Way to Eden"Star Trek: The Animated Series - "Yesteryear"Star Trek: The Next Generation - "Encounter at Farpoint," "The Naked Now," "Lonely Among Us," "Too Short a Season," and "Heart of Glory."Star Trek: Deep Space Nine - "Dax"Star Trek: Age of Discovery is a fan podcast for the Star Trek Universe shows including CBS All Access shows STAR TREK: DISCOVERY, STAR TREK: PICARD and STAR TREK: LOWER DECKS.Subscribe to Star Trek: Age of Discovery in Apple Podcast by CLICKING HERE. Also, the show is available on Google Podcast, Spotify, Stitcher, TuneIn, and iHeartRADIO.Email the show at startrekaod@gmail.com. Follow us on Twitter at @StarTrekAoD and on Facebook at https://www.facebook.com/StarTrekAoD/. Visit our website at http://startrekaod.net where we offer additional articles on Star Trek canon, interesting sidebar issues and aspects of the show.How to watch Star Trek: PicardStar Trek: Picard is available exclusively in the USA on CBS All Access. It airs in Canada on Space and streams on CraveTV. It is available on Amazon Prime everywhere else in the world.How to watch Star Trek: Discovery:Star Trek: Discovery is available exclusively in the USA on CBS All Access. It airs in Canada on Space and streams on CraveTV. It is available on Netflix everywhere else in the world.2020 © Star Trek: Age of Discovery

Picard's plot-packed season finale means a super-sized episode of Mission Log Live! John and Rekha take ALL the calls, covering everything from dangling plot threads, to the value of mortality, to suddenly finding oneself with a brand new set of robot guts. Be sure to join us live! We're on the Mission Log Facebook page facebook.com/missionlogpod every Monday at 7pm Pacific/10pm Eastern

For episode 14 of The Star Trek Picard Cast, Brian and Ruthie talk through your feedback on Season 1, Episode 10 of Star Trek: Picard, titled Et in Arcadia Ego, Part 2. This episode's teleplay was by Michael Chabon, its story was by Michael Chabon & Akiva Goldsman. It was directed by Akiva Goldsman. This was better than the previous episode, though not as good as it could have been.

Covering the Picard season 1 finale, “Et in Arcadia Ego part 2.”

Jim and A.Ron discuss the finale of Picard, "Et in Arcadia Ego, Part 2". New alliances are formed, old friends come to help, and new relationships are made. The show remains very "Trek", however. They still had a great time and are still looking forward to a season 2. Join the discussion: Email | Forums Follow us: Twitter | Instagram | Facebook Leave Us A Review on Apple Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices

Im zweiten Teil des Staffelfinales "Et in Arcadia Ego" von Star Trek: Picard, führen Michael Chabon und Akiva Goldsman viele Fäden zusammen und beenden die erste Staffel gekonnt und emotional. Pia & Flo analysieren wie gewohnt Szene für Szene und interpretieren dabei auch mal um die Ecke - von Schmetterlingen, Prospero und unterschiedlichen Erwartungen.

Holy death and resurrection, Batman! Join your homebound hosts as they discuss the impact of mythology on decisionmaking, the connection between mortality and meaning, and the enduring, aggressive sensuality of the "Riker Lean." Next week: We discuss our overall thoughts on season one of Star Trek: Picard and where we think the story might go in season two. Subscribe to the It's Got Star Trek Podcast on Apple Podcasts, Google Play, Spotify, Stitcher, Overcast, YouTube, or whichever clever podcast app you are most fond of. Note that this and all episodes of the It's Got Star Trek podcast contain explicit language and, frankly, an unnecessary amount of offensive content, so the show is intended only for adults and really really cool kids. Please utilize one of the following options if you have an interest in contacting your hosts: Email us at feedback@itsgotstartrek.com Twitter us @ItsGotStarTrek Instagramaphone us @ItsGotStarTrek Facebookify us @ItsGotStarTrek Telephone us at 202-456-1414 You can also visit www.itsgotstartrek.com and leave a comment or head on over to the It's Got Everything subreddit to join the discussion. Don't say we didn't give you options here!

Commentary Track. In this episode of Tracks on the Line, hosts Mike Schindler and Max Hegel bring you a commentary for “Et in Arcadia Ego, Part 2,” the final episode of Star Trek: Picard Season 1. Chapters Intro (00:00:00) Commentary (00:09:47) Closing (01:09:38) Hosts Mike Schindler and Max Hegel Production Mike Schindler (Editor and Producer) C Bryan Jones (Executive Producer) Matthew Rushing (Executive Producer) Ken Tripp (Executive Producer) Norman C. Lao (Associate Producer) Tony Robinson (Associate Producer) Richard Marquez (Production Manager)

Llegamos al final de la primera temporada de la serie de star trek que nos devuelve a uno de los personajes más queridos. El conflicto entre los sintéticos y los seres biológicos de la galaxia llega a su fin, con agujeros de gusano en el espacio, flotas de naves, alguna despedida y otra que no lo es tanto. Desgajaremos el capítulo con pasión y afecto, y encontraremos pros y contras en este desenlace tan esperado. Ángel, Juan, Manuel y Miguel hacen manitas sin venir a cuento en este programa. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Episode 12 of our podcast is here...! You'd think they were paying us to do these...but NO..we do it out of love for Trek and you, yes you..! The listener. So the penultimate episode of Star Trek Picard is upon us..and things are getting crazy in Synthville! Sexy Romulan guy is captured by the synths, and then let go by...the synths?! And speaking of synths Picard realizes his 'great speech' powers don't work so well on them. Will the destroyer come and wipe out all life in the universe? Will it take the form of the Stay Puft Marshmallow man? Give a listen and find out!

A trip Coppelius proves to raise as many questions as it answers, and with the Synthetics and Romulans at the brink of war, Picard and crew are left to calm the brewing storm.

Et in Arcadia Ego, Part 1. The perceived danger of synthetic life has been an important theme in Star Trek: Picard since the pilot episode. In “Et in Arcadia Ego, Part 1,” we finally arrive at Soji's homeworld, Coppelius, and see a group of synthetic life forms that now must grapple with a threat to its existence. Meanwhile, the crew of La Sirena get caught in the middle as a Romulan fleet approaches. In this episode of The Line, hosts Brandon-Shea Mutala, Justin Oser, and Chrissie De Clerck-Szilagyi discuss the penultimate episode of Star Trek: Picard, “Et in Arcadia Ego, Part 1.” We explore the introduction of Noonian Soong's son Altan Inigo Soong, the synth society he created together with Bruce Maddox, and the android Sutra, who reinterprets the warning called the Admonition. We also discuss the connection between the episode title and two 17th-century paintings, and share our predictions for the season finale. Chapters Intro (00:00:00) Initial Thoughts (00:03:08) Meaning of the Title (00:06:22) Favorite Moments (00:12:38) Opening Scene (00:17:42) A Synth Society (00:29:08) Altan Inigo Soong (00:42:58) Sutra and the Admonition (00:50:12) Questions and Concerns (01:20:55) Canon and Book Connections (01:28:47) Chrissie's History Corner (01:34:11) Final Thoughts (01:43:33) Closing (01:49:52) Hosts Justin Oser, Chrissie De Clerck-Szilagyi, and Brandon-Shea Mutala Production Justin Oser (Editor and Producer) Brandon-Shea Mutala (Producer) Chrissie De Clerck-Szilagyi (Producer) C Bryan Jones (Executive Producer) Matthew Rushing (Executive Producer) Ken Tripp (Executive Producer) Norman C. Lao (Associate Producer) Richard Marquez (Production Manager) Tony Robinson (Show Art)

Fan Response to “Et in Arcadia Ego, Part 1.” After watching the penultimate episode of Star Trek: Picard, “Et in Arcadia Ego, Part 1,” fans had much to talk about! In this episode of Postcards on the Line, host Christopher D. Littlefield is joined by Brandi Jackola and Liam Smart to discuss all the comments we've received from listeners of The Line—both positive and negative! Chapters Intro (00:00:00) Fan Response (00:03:09) Questions and Concerns (00:44:46) Deeper Thoughts (01:20:46) Final Thoughts (01:26:49) Closing (01:29:43) Host Christopher D. Littlefield Guests Brandi Jackola and Liam Smart Production Christopher D. Littlefield (Editor and Producer) Mike Schindler (Producer) Chrissie De Clerck-Szilagyi (Producer) Justin Oser (Producer) C Bryan Jones (Executive Producer) Matthew Rushing (Executive Producer) Ken Tripp (Executive Producer) Norman C. Lao (Associate Producer) Richard Marquez (Production Manager)

Commentary Track. In this episode of Tracks on the Line, hosts Mike Schindler and Max Hegel bring you a commentary for “Et in Arcadia Ego, Part 1,” the penultimate episode of Star Trek: Picard. Chapters Intro (00:00:00) Commentary (00:03:23) Closing (00:48:42) Hosts Mike Schindler and Max Hegel Production Mike Schindler (Editor and Producer) C Bryan Jones (Executive Producer) Matthew Rushing (Executive Producer) Ken Tripp (Executive Producer) Norman C. Lao (Associate Producer) Tony Robinson (Associate Producer) Richard Marquez (Production Manager)

Star Trek: Picard Edition – 1.9 ‘Et in Arcadia Ego, Part 1’ A complete breakdown of Star Trek Picard 1.9 ‘Et in Arcadia Ego, Part 1’. Get more From the Holodeck with our Patreon exclusive preshows! Subscribe to our $3.00 tier to gain access.  FEATURED AFFILIATE PRODUCTS Help us keep the lights on in the studio by clicking...

Episode 12 of our podcast is here…! You'd think they were paying us to do these…but NO..we do it out of love for Trek and you, yes you..! The listener. So the penultimate episode of Star Trek Picard is upon us..and things are getting crazy in Synthville! Sexy Romulan guy is captured by the synths, and then let go by…the synths?! And speaking of synths Picard realizes his ‘great speech' powers don't work so well on them.Will the destroyer come and wipe out all life in the universe? Will it take the form of the Stay Puft Marshmallow man? Give a listen and find out! Hosted on Acast. See acast.com/privacy for more information.

Nerds Log, Stardate 032020.25: BORG CUBE COMING THROUGH! Holy Cow, this episode has lots involved. Borg Cube crashes, synth robots, subterfuge, giant space orchids. CHECK IT OUT! --- Support this podcast: https://anchor.fm/thenerdtrekpodcast/support

The Romulans are coming, and so are Mission Log Live's callers! John and Rekha field calls on everything from how much artificial life Trek has shown us, Picard's fallibility, and...who gets downloaded into that golem? Be sure to join us live! We're on the Mission Log Facebook page facebook.com/missionlogpod every Monday at 7pm Pacific/10pm Eastern

Jim and A.Ron are back like a space orchid to pull you in for a discussion of the penultimate episode of Star Trek: Picard. They discuss the willpower to mind-meld and betazoid culture, fulfilling prophecies, and the extreme horniness of Star Trek. Join the discussion: Email | Forums Follow us: Twitter | Instagram | Facebook Leave Us A Review on Apple Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices

Covering “Et in Arcadia Ego part 1.”

For episode 13 of The Star Trek Picard Cast, Brian and Ruthie talk through your feedback on Season 1, Episode 9 of Star Trek: Picard, titled Et in Arcadia Ego, Part 1. This episode's teleplay was by Michael Chabon & Ayelet Waldman, its story was by Michael Chabon & Ayelet Waldman & Akiva Goldsman. It was directed by Akiva Goldsman. The short version: We didn't like this one very much.

La galaxia está a punto de cambiar con una invasión de seres sintéticos sobre una invasión de romulanos. Picard confiesa que está a punto de morir, aparece un hermano de Data y a estas alturas no sabemos quiénes son los malos. Angel, Juan, Manuel y Miguel se muerden las uñas a un capítulo del final de la temporada Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Star Trek Episodes and Movies mentioned in this podcast episode:Star Trek"The Devil in the Dark" "I, Mudd" "The Changeling"Star Trek: The Next Generation"Datalore," "Measure of a Man," The Offspring," "Brothers"Star Trek: Enterprise"Borderlands," "Cold Station 12," "The Augments"Star Trek: Discovery"Lethe"Film"Star Trek: The Motion Picture"Star Trek: Age of Discovery is a fan podcast for the Star Trek Universe shows including CBS All Access shows STAR TREK: DISCOVERY, STAR TREK: PICARD and STAR TREK: LOWER DECKS.Subscribe to Star Trek: Age of Discovery in Apple Podcast by CLICKING HERE. Also, the show is available on Google Podcast, Spotify, Stitcher, TuneIn, and iHeartRADIO.Email the show at startrekaod@gmail.com. Follow us on Twitter at @StarTrekAoD and on Facebook at https://www.facebook.com/StarTrekAoD/. Visit our website at http://startrekaod.net where we offer additional articles on Star Trek canon, interesting sidebar issues and aspects of the show.How to watch Star Trek: PicardStar Trek: Picard is available exclusively in the USA on CBS All Access. It airs in Canada on Space and streams on CraveTV. It is available on Amazon Prime everywhere else in the world.How to watch Star Trek: Discovery:Star Trek: Discovery is available exclusively in the USA on CBS All Access. It airs in Canada on Space and streams on CraveTV. It is available on Netflix everywhere else in the world.2020 © Star Trek: Age of Discovery

Things are getting down to the wire as JL and the gang encounter a rascally band of 1980's-themed androids. With Jesse on an away mission, Dan and Patrick fumble their way through ruminations on the nature of identity, the somewhat bizarre Star Trek tradition of pretending colleagues didn't murder people, and who we think might show up if Sutra and A.I. Soong manage to activate that beacon! We very much hope you enjoy this completely ridiculous 17th episode of It's Got Star Trek! Audio Clip from That Mitchell and Webb Look. Subscribe to the It's Got Star Trek Podcast on Apple Podcasts, Google Play, Spotify, Stitcher, Overcast, YouTube, or whichever clever podcast app you are most fond of. Note that this and all episodes of the It's Got Star Trek podcast contain explicit language and, frankly, an unnecessary amount of offensive content, so the show is intended only for adults and really really cool kids. Please utilize one of the following options if you have an interest in contacting your hosts: Email us at feedback@itsgotstartrek.com Twitter us @ItsGotStarTrek Instagramaphone us @ItsGotStarTrek Facebookify us @ItsGotStarTrek Telephone us at 202-456-1414 You can also visit www.itsgotstartrek.com and leave a comment or head on over to the It's Got Everything subreddit to join the discussion. Don't say we didn't give you options here!

Picard's first season has given us many surprising and interesting additions to the Final Frontier, but this week's first half of the season finale, "Et in Arcadia Ego, Part 1," is A LOT. From another [BLANK] to an evil [BLANK], we unpack everything happening here.