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Your Host Dave talks to comics creator Andrew Krahnke about his newest creation, GI Joe Silent Missions: Roadblock, the creative process, the evolution of pop culture, and so much more! Andrew Krahnke is an illustrator and comic book artist from northern Michigan currently living on Long Island. He's a 2002 graduate of The Joe Kubert School of Cartoon and Graphic Art and has been a full-time illustrator ever since. His work includes the motorcycle sci-fi webcomic The OUTRUNNERS. And the second story arc for the critically acclaimed Image Comics book TARTARUS created by Johnnie Christmas and Jack Cole. His most recent work is BLOODRIK, a tale of hunger and stupidity published by Image Comics. Find the video version on the Needless Things YouTube channel! "Procrastibate" by LeSexoflex.com Social Media: Needless Things on Instagram Needless Things on Bluesky
WOW! This is our lucky 13th Episode of rabbitHOLE. Today's Holes: Philosopher Smackdown Terms of Art Patrick Swayze Flannery explains why analytic philosophers rule and post-structuralism is B.S. Some of them even make cameos. By the end of the episode, you may wonder if time exists, what's real, if there is beauty, and why is there so much "accidental" wetness in romcoms? The living rooms cheerfully explore soccer parents, jargon, violent ballerinas, and some of Patrick Swayze's best work. APOLOGIES: Philosophy (yes... all of it), ballet, Olympics, reality cooking shows, medical personnel, Plato, youth soccer, announcers, France, Italy, alternative restauranteurs, perpetually tardy people (YKWYA), and of course, Max Headroom. As always, rabbitHOLE is unscripted and inspired by the CREW's real-life rabbit hole adventures. If you enjoy rabbitHOLE, follow, rate, and share it with your friends! DIRECTOR/CREATOR: Billy Merritt EDITOR: Hill Kane CAST (in order of appearance): Flannery Wilson Konrad Andrew Brent Kohler Hill Kane Jason Spiro Don Slovin Amber Bellsdale Peg Davis Thea Marie Thorkildsen Terry Armstrong "rabbitHOLE" Improv is part of The BIT Comedy Network. Production Assistance, Audio Production, & Graphic Art by Hill Kane of Raising Kane Media + Marketing. MUSIC: "Shark Bait" performed by Little Kahunas | Produced by Peter Miller © Hosting Platform: Libsyn.com "The BIT" and "The BIT Comedy Network" are Trademarks owned by Billy Merritt ©2024, 2025 Billy Merritt - All Rights Reserved Inquiries + Notices + Requests: TheBitComedyNetwork@gmail.com
Welcome back to SEASON TWO and our 12th Episode of rabbitHOLE. We are told publishing 12 episodes is a big deal and we're running with it! Today's Holes: Your Spotify Year D.J. Granny 80 is the New 25 Leisure Suit Larry Yeuhan outs a colleague who tried to pass off his family's listening hours as his own. She also might highlight the dark side of Slack channel chats. You will love the episode's numerous senior citizen heavy metal fans. If D.J. Granny is good enough for Ted Dansen, she should be good enough for you. Obscure bands aren't the only ones to have their coffee house communities and curated playlists. The youthful grannies are making a killing putting music snobs (like Flannery) out of business. How fun is it to listen to Amber and Luke geek out over early video games and the clever way they authenticated users? Please enjoy! APOLOGIES: Metallica, Pantera, the AARP, Senior Citizens, Ted Dansen, the United States Postal Service, Lars Ulrich, Werther's Old Fashioned Butterscotch Candies, Hard Candy in General, Candy Warehouses, Elon Musk, DOGE, Space X, Spotify, and many more. As always, rabbitHOLE is unscripted and inspired by the CREW's real-life rabbit hole adventures. If you enjoy rabbitHOLE, follow, rate, and share it with your friends! DIRECTOR/CREATOR: Billy Merritt EDITOR: Hill Kane CAST (in order of appearance): Yuehan Liu Konrad Andrew Flannery Wilson Luke Bovard Don Slovin Jason Spiro Laura Powell Hill Kane Amber Bellsdale Deema Lazar Katya Vasilaky Terry Armstrong "rabbitHOLE" Improv is part of The BIT Comedy Network. Production Assistance, Audio Production, & Graphic Art by Hill Kane of Raising Kane Media + Marketing. MUSIC: "Shark Bait" performed by Little Kahunas | Produced by Peter Miller © Hosting Platform: Libsyn.com "The BIT" and "The BIT Comedy Network" are Trademarks owned by Billy Merritt ©2025 Billy Merritt - All Rights Reserved Inquiries + Notices + Requests: TheBitComedyNetwork@gmail.com
Tonight we're chatting about Antonio Margheriti's 1964 gothic horror film Castle of Blood with pop culture scholar Nicholas Diak who focuses on topics such as sword and sandal films, horror studies, industrial music, and exploitation movies. He edited the book The New Peplum and co-edited Horror Literature from Gothic to Post-Moderne. As an essayist his works have appeared in venues such as the Journal of Graphic Arts and Comics, Exotica Moderne, and books on Stranger Things, James Bond, the Twilight Zone, and others. Along with his partner Michele Brittany, he is a co-host of the HP Lovecast Podcast. He lives in Arizona with Michele and his 8 cats. He enjoys retro, tiki, pinup, mixology, and midcentury things and does play a lot of video games. Become a supporter of this podcast: https://www.spreaker.com/podcast/castle-of-horror-podcast--4268760/support.
Welcome to the second HOLE of SEASON TWO. Today's Holes: Improvised Shakespeare Waiting for Godot, Guffman, Lefty, etc. Unintentionally Scary Children's T.V. Shows BIT player Amber takes us on a journey that opens on Improvised Shakespeare and culminates with Twin Peak's pain and suffering symbol - creamed corn. Who knew? Flannery confesses her love for Beckett's Waiting for Godot, which triggers Luke to recall a Tempest performance with only three actors. This leads to a slightly morbid tale of Amber's grandmother saying goodbye from her hospice bed but then asking for a tuna fish sandwich. Finally, Luke tries to convey that the early muppets were very "weird," triggering Thea's memories of a dark and horrifying Norwegian children's T.V. show (Pompel og Pilt) where one puppet never finds the other and meets a broom. This episode features many celebrity "sightings," including George Lucas, David Lynch, Dale Cooper*, Ross Bryant, Cookie Monster, Kermit the Frog, and the Bard himself! I can't give it all away here in the notes! APOLOGIES: Creamed corn, the celebs listed above, Jim Henson and the Muppets (for at least the third time), Kyle Merritt MacLachlan (no relation), Chat Shows, Italy, Norway (sorry, Thea), The Nutcracker, puppets, and Diabetes. As always, rabbitHOLE is unscripted and inspired by the CREW's real-life rabbit hole adventures. If you enjoy rabbitHOLE, follow, rate, and share it with your friends! DIRECTOR/CREATOR: Billy Merritt EDITOR: Hill Kane CAST: Dean Aisles Konrad Andrew Terry Armstrong Amber Bellsdale Luke Bovard Don Slovin Jason Spiro Lisa Steckman Thea Marie Thorkildsen Katya Vasilaky Flannery Wilson "rabbitHOLE" Improv is part of The BIT Comedy Network. Production Assistance, Audio Production, & Graphic Art by Hill Kane of Raising Kane Media + Marketing. MUSIC: "Shark Bait" performed by Little Kahunas | Produced by Peter Miller © Hosting Platform: Libsyn.com "The BIT" and "The BIT Comedy Network" are Trademarks owned by Billy Merritt ©2025 Billy Merritt - All Rights Reserved Inquiries + Notices + Requests: TheBitComedyNetwork@gmail.com
This weekend's 1 in 36 guest is Dani Bowman. Dani is an entrepreneur, producer, speaker, and more! She was diagnosed with autism spectrum disorder at age three, and did not speak until age six. You may recognize Dani from appearing on Netflix's Love on the Spectrum US as a cast member. Dani joins us today to discuss DaniMation, which she is the founder and CEO of. DaniMation, a cloud-based autism talent development company that produces original and contract Animation, Illustration, and Graphic Arts. They provide remote animation classes that are available in both group and 1:1 settings. Tune in to learn more or visit: https://danimationentertainment.com/online-classes/
Welcome to SEASON TWO of rabbitHOLE!!! Please resolve to listen and share every episode (please, please, pretty please)! Today's Holes: Stuff Astronauts Like Accentuating the Positive Faking Your Religion BIT Founder/Director/Leader BILLY MERRITT takes the helm by painting a vivid and endlessly hilarious picture of Florida's "SPACE COAST." Please help us answer the age-old question, "How many TIKI BARS are too many?" Jason shares "letters from Gramps" about stick-to-it-iveness. Brett reminisces about accidentally reciting a sexist passage from an H.R. Hubbard book his Mom gave him. Deema confesses to faking his way through religious rituals to keep peace in the family until he can't take it anymore. Once he declares his authentic belief (or disbelief in his case), his father accuses him of being a communist, and everything goes back to normal. Thea confesses to participating in a religious rite of passage only for the money gifts. DO NOT judge her! APOLOGIES: NASA, Tang, Scatting, the planets Mars, Venus, and Penis, the Astronauts Buzz Aldrin, Neil Armstrong, and Matt, the professions of bartender, doctor, and lawyer, Elon Musk, mermaids, all organized religions, women, tigers, Bing Crosby, the GRAMMYs, and the entire Hubbard family. As always, rabbitHOLE is unscripted and inspired by the CREW's real-life rabbit hole adventures. If you enjoy rabbitHOLE, follow, rate, and share it with your friends! DIRECTOR/CREATOR: Billy Merritt CAST: Konrad Andrew Amber Bellsdale Luke Bovard Hill Kane Brent Kohler Deema Lazar Laura Powell Don Slovin Jason Spiro Thea Marie Thorkildsen Katya Vasilaky Flannery Wilson "rabbitHOLE" Improv is part of The BIT Comedy Network. Production Assistance, Audio Production, & Graphic Art by Hill Kane of Raising Kane Media + Marketing. MUSIC: "Shark Bait" performed by Little Kahunas | Produced by Peter Miller © Hosting Platform: Libsyn.com "The BIT" and "The BIT Comedy Network" are Trademarks owned by Billy Merritt ©2025 Billy Merritt - All Rights Reserved Inquiries + Notices + Requests: TheBitComedyNetwork@gmail.com
Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. In this week's Episode, Emily features artist Carrie Ann Plank. Originally inclined towards a medical career, Carrie Ann found her true calling in printmaking. Her work, which combines science and art, is showcased in multiple renowned collections, including the Fine Arts Museums of San Francisco and the Library of Congress. Her latest exhibition, 'Cacophony' at Jonathan Carver Moore, visualizes sound through layered prints. Carrie Ann discusses her process, inspiration from scientific data, and collaboration with scientists. About Artist Carrie Ann Plank:Carrie Ann Plank is a San Francisco based artist working in installation, printmaking, and painting. Focusing on layers of sophisticated geometry, Plank examines the space of intersecting patterns to describe new structures. The work utilizes mathematical equations to create multiple overlapping impressions that reveal additional distinct pattern formations. The resulting forms are space in between, the intercession, of concrete data.Carrie Ann's work is included in multiple collections including the Fine Art Archives of the Library of Congress, Fine Art Museums of San Francisco, Achenbach Foundation for Graphic Arts, the Guanlan Print Art Museum in China, Museum Meermanno in The Hague, Netherlands and Museo Nacional de Bellas Artes, Havana, Cuba. Residencies include Black Church Print in Dublin Ireland, KALA in Berkeley, CA, Konstnärernas Kollektiva Grafikverkstad in Malmö, Sweden, Local Language, Oakland, CA, Taller Experimental de Gráfica de La Habana in Havana, Cuba, the Íslensk Grafík in Reykjavik, Iceland, Edition/Basel in Basel, Switzerland, Mullowney Printing in San Francisco, CA, Haystack Mountain School of Craft in Deer Isle, ME, and Bullseye Glass in Emeryville, CA. Additionally, Plank has had a 20 year teaching career before devoting herself solely to her artist practice in 2018. Plank is active in the Bay Area arts community serving on boards and committees such as Root Division, California Society of Printmakers, and Art for AIDS. She is also a 2024 SECA nominee.Visit Carrie Ann's Website: CarrieAnnPlank.comFollow Carrie Ann on Instagram: @CarrieAnnPlankLearn more about Carrie Ann's exhibit "Cacophony" at Jonathan Carver Moore - CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com
Superintendent Lynn Johnson chats with Paul Layendecker one more time this year and updates us on construction, Gone Boarding, The Graphic Arts program and more!See omnystudio.com/listener for privacy information.
Todd Lemke is the founder and publisher of Omaha Magazine, a 42-year-old regional publication covering the arts, lifestyle, entertainment, food and more. Lemke grew up in Papillion and graduated from the University of Nebraska-Lincoln in 1981 with a degree in journalism. In 1983, he started a print publication called Omaha Today, which eventually became Omaha Magazine. Omaha Magazine is behind the annual Best of Omaha list, Faces of Omaha, Faces of Lincoln, the new North Omaha First, and other special publications. It has been honored by the Great Plains Journalism Awards, the American Institute of Graphic Arts, and by the Omaha Press Club. In this episode, Lemke and Michael Griffin are discussing the origin of the magazine, the intersection of advertising and journalism, and what Lemke has learned in his 40 years in the industry. --- Support this podcast: https://podcasters.spotify.com/pod/show/riversidechats/support
Canada Immigration CEC Express Entry selection since 2015 for NOC 52111 Graphic arts technicians for New Brunswick Good day ladies and gentlemen, this is IRC news, and I am Joy Stephen, an authorized Canadian Immigration practitioner bringing out this data analysis on the number of applicants approved for Canadian Permanent Residence for multiple years Under the Express Entry CEC selection based on your NOC code. I am coming to you from the Polinsys studios in Cambridge, Ontario The number of individuals selected under the old 4 digit NOC code 5223 or the new Specific 5 digit NOC code 52111 Graphic arts technicians through the Federal Express Entry CEC for Canadian Residents in the express entry program is listed on your screen as a chart. These Permanent Residents were destined for the province of New Brunswick. The figures for each year from 2015 to 2023 are shown as a chart on your screen. Years without any selection for this category destinated for New Brunswick are shown as a blank. | 2015 | 2016 | 2017 | 2018 | 2019 | 2020 | 2021 | 2022 | 2023 | - | 10 | 35 | 25 | 15 | 40 | 45 | 5 | 15 If you have an interest in gaining assistance with Work Permits based on your country of Citizenship, or should you require guidance post-selection, we extend a warm invitation to connect with us via https://myar.me/c. We strongly recommend attending our complimentary Zoom resource meetings conducted every Thursday. We kindly request you to carefully review the available resources. Subsequently, should any queries arise, our team of Canadian Authorized Representatives is readily available to address your concerns during the weekly AR's Q&A session held on Fridays. You can find the details for both these meetings at https://myar.me/zoom. Our dedicated team is committed to providing you with professional assistance in navigating the immigration process. Additionally, IRCNews offers valuable insights on selecting a qualified representative to advocate on your behalf with the Canadian Federal or Provincial governments, accessible at
Ep.218 Ibrahim Mahama was born in 1987 in Tamale, Ghana. He lives and works in Accra, Kumasi, and Tamale. Solo exhibitions include Fruitmarket Gallery, Edinburgh (2024); Barbican Centre, London (2024); Kunsthalle Osnabrück, Germany (2023); Oude Kerk, Amsterdam (2022); Frac des Pays de la Loire, France (2022); The High Line, New York (2021); University of Michigan Museum of Art (2020); The Whitworth, The University of Manchester, UK (2019); Norval Foundation, Cape Town (2019); Tel Aviv Art Museum, Israel (2016); and KNUST Museum, Kumasi, Ghana (2013). He has participated in numerous group exhibitions including Desert X AlUla, Saudi Arabia (2024); Sharjah Biennial 15, UAE (2023); 18th International Venice Architecture Biennale, Italy (2023); the 35th Bienal de São Paulo, Brazil (2023); Museum of Fine Arts, Houston, Texas (2021); Centre Pompidou, Paris (2020); 22nd Biennale of Sydney, Australia (2020); Stellenbosch Triennale, South Africa (2020); 6th Lubumbashi Biennale, Democratic Republic of the Congo (2019); Ghana Pavilion, 58th Venice Biennale, Italy (2019); Documenta 14, Athens and Kassel, Germany (2017); Broad Art Museum, Michigan State University (2016); Kunsthal Charlottenborg, Copenhagen and Holbæk, Denmark (2016); 56th Venice Biennale, Italy (2015); and Artist's Rooms, K21, Düsseldorf, Germany (2015). Mahama was also appointed Artistic Director of the 35th Ljubljana Biennale of Graphic Arts, Ljubljana (2023). In 2024, Mahama was selected for the inaugural Sam Gilliam award by the Dia Art Foundation and the Sam Gilliam Foundation, which includes the presentation of a public program at Dia in fall 2024. Photo credit: Carlos Idun-Tawiah White Cube https://www.whitecube.com/artists/ibrahim-mahama Sam Gilliam Award https://www.diaart.org/about/sam-gilliam-award Dia Art Foundation https://www.diaart.org/program/calendar/sam-gilliam-award-program-ibrahim-mahama-dia-talks-11212024/period/2024-11-02 Fruitmarket https://www.fruitmarket.co.uk/about-us/ Stedelijk Museum Amsterdam https://www.stedelijk.nl/en/events/artist-talk-ibrahim-mahama-en Ghana Remembers https://ghanaremembers.com/stories/people/ibrahim-maham-the-first-ghanaian-artist-to-win-the-inaugural-sam-gilliam-award-in-2024.html#google_vignette Barbican https://www.barbican.org.uk/whats-on/2024/event/ibrahim-mahama-purple-hibiscus Observer https://observer.com/2024/09/interview-ibrahim-mahama-artist-white-cube-exhibition/ Vennice Biennale https://www.labiennale.org/en/architecture/2023/force-majeure/ibrahim-mahama Institute for Humanity Activities https://www.humanactivities.org/en/iha-blank/sculpture-workshop-with-ibrahim-mahama/ Edinburgh Art Festival https://www.edinburghartfestival.com/event/ibrahim-mahamasongs-about-roses/ Wallpaper https://www.wallpaper.com/art/exhibitions-shows/ibrahim-mahama-tells-us-why-he-has-covered-the-barbican-in-pink-fabric Reiter Galleries https://www.reitergalleries.com/en/artists/ibrahim-mahama/ NYTimes https://www.nytimes.com/2024/09/19/arts/design/ibrahim-mahama-artist-ghana-white-cube.html The Brooklyn Rail https://brooklynrail.org/2024/10/artseen/ibrahim-mahama-a-spell-of-good-things/ Bonhams https://www.bonhams.com/press_release/38679/ Burlington Contemporary https://contemporary.burlington.org.uk/reviews/reviews/ibrahim-mahama-songs-about-roses The Highline https://www.thehighline.org/art/projects/ibrahim-mahama/ Desert X AlUla https://desertx.org/dx/dx24-alula/ibrahim-mahama C& https://whitewall.art/whitewaller/best-of-new-york-exhibitions-ibrahim-mahama-janaina-tschape-and-more/ artnet https://news.artnet.com/art-world/ibrahim-mahamas-stunning-textile-installation-blankets-the-barbican-in-london-2476760 BBC https://www.bbc.com/news/world-africa-68846770 The Art Newspaper https://www.theartnewspaper.com/2024/08/23/saatchi-collection-ibrahim-mahama-auction-bonhams Whitewall https://whitewall.art/whitewaller/best-of-new-york-exhibitions-ibrahim-mahama-janaina-tschape-and-more/
From MPR News, Art Hounds are members of the Minnesota arts community who look beyond their own work to highlight what's exciting in local art. Their recommendations are lightly edited from the audio heard in the player above. Want to be an Art Hound? Submit here. Divine narratives in theaterSuzy Messerole, co-artistic director of Exposed Brick Theatre, is raving about the play “A Walless Church: The Black Woman's Guide to Creating God.” The original play was written by AriDy Nox and developed at the Playwright Center, and it includes music by Queen Drea. The play runs through Oct. 13 at the Pillsbury House +Theatre. Suzy says: It is a beautiful combination of ritual and movement and storytelling. It is about three godlings that come back to Earth, and they are exploring how Black women experience divinity, so they are here searching for the divine. There is an incredible ritual that happens, really gorgeous movement, and there's also three concrete storylines that you can really latch onto. There's all kinds of ways that this society tells Black women, explicitly and not explicitly, that they don't deserve divinity, and this is a reclamation of the kind of faith and joy and beauty that Black women need and deserve and should have. The three actors drop in and out of multiple different characters, from a mom to a grandma to an auntie to a teenager and back to a godling. And the great thing about seeing a show at Pillsbury House + Theatre is that it's an intimate setting, so you're getting up close and personal with these powerhouse actors.— Suzy Messerole Landscapes alive with lightArt lover Bill Adams of Erhard appreciates the arts scene around Fergus Falls. He wants people to know about a current show at the Kaddatz: “Scott Gunvaldson: Paintings, Drawings, Graphic Art,” which runs through Oct. 19. Bill says: Scott is a former student of [the late] Charles Beck, and like Charlie, he really captures the essence of west central Minnesota in his landscapes. Scott uses light in just an extraordinary way to bring out the heart and essence of the landscape. Scott is also just an extraordinary portrait painter. He has several portraits in this show that I think are just amazing. When you stare at those portraits, the people really come alive. And again, he uses light in just an extraordinary way to bring life to those portraits.— Bill Adams Rising from SuperiorArtist and educator Marjorie Fedyszyn of Minneapolis recommends Annie Hejny's multidisciplinary solo show about humanity's impact on Lake Superior. “Imminent Change/Rising Potential” runs through Oct. 26 at Kohlman & Reeb Gallery in the Northrup King Building in Minneapolis. Supported by the Kolhman & Reeb Project Space Grant, Hejny spent 24 days circumnavigating Lake Superior in 2023, during which time she took water samples that she incorporated into paints and gathered images and video. Marjorie describes the show: In the gallery, you will see large-scale acrylic paintings based on Superior's vast shoreline, rusted steel wall sculptures in response to the years of taconite tailings running off into the lake, intimate watercolor works in a mesmerizing, layered video projection of water, highlighting the entanglement of personal, political and social aspects of our magnificent Lake Superior. Humans have altered this highly revered and significant waterscape, and inevitably, more changes lay ahead as shoreline development, invasive species mining threats and water temperatures continue to increase. Annie's care and interest in the stewardship of the environment inspired her solo journey and informed these new artworks, aligning her firsthand experience with imaginative experimentation, she reckons with the past and finds hope in the possibilities ahead. This body of work is so surprisingly different from her former work that it feels like it's a launching point for whatever's coming next in her career.— Marjorie Fedyszyn
This is the Women of Influence Podcast series, delivering next level insights and expertise live from GlobeSt's Women of Influence Conference.The Women of Influence Podcast Series is an exclusive mini-series of The Crexi Podcast, an insider's look at all things commercial real estate, produced in collaboration with GlobeSt. The Crexi team visited Women of Influence and recorded in Lake Tahoe, California, from the floor of the conference, highlighting movers and shakers in commercial real estate. The Crexi Podcast explores various aspects of the commercial real estate industry in conversation with some of the top professionals in the space. In each episode, we feature different guests to tap into their wealth of CRE expertise and explore the latest trends and updates from the world of commercial real estate. In this episode, Crexi's Shanti Ryle sits with Hannah Miet, CEO of Hannah Miet Consulting LLC, and Emily Pollard, Senior Director at BKM Capital Partners, to cover wide-ranging topics, including: Introduction to The Crexi PodcastMeet Hannah Miet: Award-Winning MarketerHannah's Journey into Commercial Real EstateBuilding The Real Deal's West Coast PresenceChallenges and Triumphs in MarketingAdvice for Women in Commercial Real EstateMeet Emily Pollard: Career Journey and BackgroundThe Role of Marketing in Commercial Real EstateBuilding and Leading a High-Performing TeamMentorship and Career Advice for Aspiring ProfessionalsConclusion and How to Stay Connected If you enjoyed this episode, please subscribe to our newsletter and enjoy the next Podcast delivered straight to your inbox. For show notes, past guests, and more CRE content, please check out Crexi's blog.Ready to find your next CRE property? Visit Crexi and immediately browse 500,000+ available commercial properties for sale and lease.Follow Crexi:https://www.crexi.com/ https://www.crexi.com/instagram https://www.crexi.com/facebook https://www.crexi.com/twitter https://www.crexi.com/linkedin https://www.youtube.com/crexiAbout Hannah Miet:Hannah Miet is an award‑winning, Forrester‑certified B2B marketer with 15+ years of experience.She helps real estate, finance, and tech leaders cut through the noise and grow their businesses by marketing their expertise through messaging, positioning, thought leadership-focused content marketing, and unmatched industry experience.Hannah formed Hannah Miet Consulting in 2022 after leading content in-house for Fortune 100 companies and agencies. Before that, she was a veteran business journalist and the founding Los Angeles editor of The Real Deal, which she expanded to the West Coast.Globe St. named her a 2024 Woman of Influence in Marketing and Communications for her work over the course of a decade in commercial real estate.Hannah Miet Consulting is a solopreneur-led micro-agency built on Hannah's expertise. Unlike larger agencies that staff client projects with junior employees, Hannah leads every project, leveraging a network of qualified partners for larger scopes.About Emily PollardEmily Pollard is Senior Director of Marketing & Communications at BKM Capital Partners a leading real estate fund manager specializing in value-add light industrial and multi-use logistics properties in the Western United States. In her position, Pollard spearheads BKM's marketing, media, and communications, including tactical planning and execution of the company's advertising, public relations, and multi-channel communication strategies. In addition to driving the marketing strategy for the organization, Emily leads BKM's environmental, social, and governance programs and initiatives, integrating sustainability into the firm's asset management practices and quantifying the resulting increase in value.Pollard brings more than 10 years of strategic marketing, communications, pipeline planning, new product development, commercialization, and brand positioning experience to her role, specifically in real estate, private equity, and alternative investments. She is a Chartered Alternative Investment Analyst (CAIA) Charterholder and currently a member of CREW Orange County, the American Institute of Graphic Arts, and the American Marketing Association.About GlobeSt Women of Influence: The Women of Influence Conference is an exclusive two-day event that celebrates the women who drive the commercial real estate industry forward. These influential leaders will discuss the critical issues facing CRE now and in the future, what it means to be a woman in business today and how women CRE leaders can uplift and support each other on their journey to the top. If you enjoyed this episode, please subscribe to our newsletter and enjoy the next podcast delivered straight to your inbox. For show notes, past guests, and more CRE content, please check out Crexi's blog. Ready to find your next CRE property? Visit Crexi and immediately browse 500,000+ available commercial properties for sale and lease. Follow Crexi:https://www.crexi.com/ https://www.crexi.com/instagram https://www.crexi.com/facebook https://www.crexi.com/twitter https://www.crexi.com/linkedin https://www.youtube.com/crexi
Join the GOLDEN BENCH CLUB! All you have to do is leave us a 5-star review and comment on the Apple Podcast app (or any other app and email us a screen shot) and we will read your review on the podcast and welcome you to the Golden Bench Club. This super elite club is only for the best of the best We love Denturist and all they do to help patients and the ever-growing edentulous population. So imagine how excited Elvis and Barb were when they got to talk to Jade Connors from Alberta Canada. Jade owns Pearl Denture & Implant Centre (https://www.pearldenture.com/) and talks all about the journey leading up to it. You see, Jade is a millennial and openly talks about the mental struggles she had to overcome to find her love of dental. Starting with Art, she was afraid of going "corporate" so she looked at dental. Not liking authority, she went into dental lab technology and earned her RDT from Nait Polytechnic (https://www.nait.ca/nait/home). It was then she decided to go back to school and become a denturist and the rest is history. The Anxious Generation: How the Great Rewiring of Childhood Is Causing an Epidemic of Mental Illness https://www.anxiousgeneration.com/book See Jade at the National Denturist Association Oct 2-4 in Las Vegas: https://nationaldenturist.com/2024annualconference/ If you are in the market for purchasing a new milling machine or a furnace, Voices From the Bench invites you to connect with an Ivoclar (https://www.ivoclar.com/en_us) sales associates. They have several great deals and financing options now available for you to take advantage of. These robust and dependable machines were designed to make your laboratory more efficient and profitable. They are work horses when it comes to processing IPS e.max lithium disilicate (https://www.ivoclar.com/en_us/products/metal-free-ceramics/ips-e.max-press-lab) and the amazing Prime Zirconia (https://www.ivoclar.com/en_us/products/digital-processes/prime-zirconia). The PM7 mill (https://www.ivoclar.com/en_us/products/digital-equipment/programill-pm7) also allows you to do digital dentures with their game changing Ivotion puck (https://www.ivoclar.com/en_us/products/digital-processes/ivotion). Head over to ivoclar.com (https://www.ivoclar.com/en_us), voicesfromthebench.com/ivoclar, or call them at 1-800-533-6825. Special Guest: Jade Connors, DD, RDT.
Canada Immigration CEC Express Entry selection since 2015 for NOC 52111 Graphic arts technicians for All of Canada Good day ladies and gentlemen, this is IRC news, and I am Joy Stephen, an authorized Canadian Immigration practitioner bringing out this data analysis on the number of applicants approved for Canadian Permanent Residence for multiple years Under the Express Entry CEC selection based on your NOC code. I am coming to you from the Polinsys studios in Cambridge, Ontario The number of individuals selected under the old 4 digit NOC code 5223 or the new Specific 5 digit NOC code 52111 Graphic arts technicians through the Federal Express Entry CEC for Canadian Residents in the express entry program is listed on your screen as a chart. These Permanent Residents were destined for the province of All of Canada. The figures for each year from 2015 to 2023 are shown as a chart on your screen. Years without any selection for this category destinated for All of Canada are shown as a blank. | 2015 | 2016 | 2017 | 2018 | 2019 | 2020 | 2021 | 2022 | 2023 | 5 | 15 | 40 | 35 | 25 | 60 | 75 | 10 | 25 If you have an interest in gaining assistance with Work Permits based on your country of Citizenship, or should you require guidance post-selection, we extend a warm invitation to connect with us via https://myar.me/c. We strongly recommend attending our complimentary Zoom resource meetings conducted every Thursday. We kindly request you to carefully review the available resources. Subsequently, should any queries arise, our team of Canadian Authorized Representatives is readily available to address your concerns during the weekly AR's Q&A session held on Fridays. You can find the details for both these meetings at https://myar.me/zoom. Our dedicated team is committed to providing you with professional assistance in navigating the immigration process. Additionally, IRCNews offers valuable insights on selecting a qualified representative to advocate on your behalf with the Canadian Federal or Provincial governments, accessible at
Our guest is Chris Leather, a Chicago-based graphic designer currently working at The University of Chicago's Physical Sciences Division as Director of Graphic Arts. In this episode, Chris speaks with host Christian Solorzano about his introduction to graphic design, background in concert posters in the 90s, publication design, and his move to Chicago from Knoxville. He shares the power of experimentation, making a mess, his obsession with typography and composition, and his encounter with a designer, Vaughan Oliver. Chris speaks to us about his perspective on the role and responsibility of a designer, how that has played a role in his approach to teaching for over two decades, and much more. Music by the band Eighties Slang.
In this episode of "The Truth in This Art," host Rob Lee converses with Dr. Dermell Brunson, founder and president of the Leaders of Tomorrow Youth Center (LTYC). They discuss the critical role of arts and education in empowering Baltimore's youth, addressing the lack of access to arts programs in the city. Dr. Brunson shares his personal journey and the inspiration behind LTYC, emphasizing the importance of creative outlets for youth development. The conversation highlights the transformative power of the arts, the need for community support, and the mission of LTYC to provide equitable arts education for all young people.Episode Highlights:Dr. Brunson's Early Life (00:02:35) Dr. Brunson reflects on his upbringing in West Baltimore and the influence of his community.Leaders of Tomorrow Youth Center (00:10:33) Dr. Brunson introduces the Leaders of Tomorrow Youth Center and its mission to empower youth.Identifying Community Needs (00:12:29) Dr. Brunson discusses recognizing the lack of arts programs in schools and the drive to address it.The Impact of the Arts (00:14:02) Rob and Dr. Brunson emphasize the importance of creativity and opportunity in youth development.Leadership as a Way of Life (00:17:54) Dr. Brunson explains that true leadership transcends titles and is about serving others in everyday actions.Mental Health and Community Connections (00:24:06) Rob and Dr. Brunson discuss the role of mental health in the arts community and its importance for youth.Art as a Therapeutic Outlet (00:26:22) Dr. Brunson advocates for using artistic expression as a means for young people to process emotions and thoughts.Holistic Development in Youth (00:39:36) Discussion on the importance of well-rounded development and tough love in youth education.Key Takeaways:1. Community Influence Matters - Engaging local artists and community leaders in education can create a supportive and inspiring environment for youth.2. Life Skills Through Arts - Arts education isn't just about creativity; it equips young people with essential life skills like communication and problem-solving.3. Bridging Access Gaps - Identifying and addressing gaps in arts education can provide underserved students with valuable opportunities for growth.4. Holistic Education Approach - Balancing encouragement with accountability helps nurture the whole child, fostering both their strengths and potential.Website and Socials:www.ltyc.netX: @ltycarts Instagram: ltycartsFacebook: Leaders of Tomorrow Youth Center LinkedIn: Leaders of Tomorrow Youth Center, Inc
Louise Sandhaus is a distinguished author, professor and founder of her eponymous design studio. She won the American Institute of Graphic Arts medal in 2022 for her exceptional achievements. Most recently, she founded "The People's Graphic Design Archive," which she describes as a "crowd-sourced virtual archive" to preserve the ephemeral nature of beautiful design. Her book, "Earthquakes, Mudslides, Fires and Riots: California and Graphic Design 1936-1986" received glowing reviews from many publications, including the New York Times and Guardian of London. She taught for years at Cal Arts and was director of their graphic design program from 2004-2006. Sandhaus has designed many museum exhibits, and one of her designs is in the permanent collection at the San Francisco Museum of Modern Art. She was also a key exhibition designer in the millennial project of the LA County Museum of Art, "Made in California." Louise talked about growing in a mixed design household: her mother loved older, upholstered furniture and her father sleek, modernist and minimalist design. We also talked about our shared love of the work of writer and critic Reyner Banham, whose influential book on Los Angeles, The Architecture of Four Ecologies, which argued that the oft-maligned city was beautiful in its design and far ahead of its time. We also talked about our shared love of elegant typography, Theosophist history, overlooked designers and how California leads the world of design because of how we are constantly reinventing ourselves. We did not talk about cheese cultures, bauxite refining or the return of mullets to men's hair trends. You can learn more about Louise and her work, https://peoplesgdarchive.org/ or LSD-Studio.net.
In this episode I am reading from Byron Lacy's book 'Chosen: Chronicles of an Alien Abductee'.Can you imagine the helplessness and fear that a five-year-old would feel when he's first visited by extraterrestrials? How about the look on his parents' faces when he confesses his alien encounter?Chosen: Chronicles of an Alien Abductee is Byron W. Lacy's firsthand account of what modern science insists is only folklore.The first encounters come when he is young—with "little men" entering the room as he hugs his teddy bear. They masquerade as cartoon characters to ease his concern, a dancing Captain Hook—minus the hook—joining his comrades. Future visits lead to psychic connections with his visitors.Admitting such encounters takes courage, especially when similar comments by a family member placed her in a mental hospital. But Lacy lays it all out on the table as he details what it's like to be an alien abductee.Chosen: Chronicle of an Alien Abductee isn't just for the disbelievers. It's a free discussion of Lacy's experience—one meant to encourage other abductees through their own moments of skepticism both from others and within.BioByron W. Lacy was born in Burnet, Texas on March 21, 1950. He is a fourth generation Texan. Byron's Great Grandfather, George W. Lacy, came to Texas in the early 1850's. George and two of his business partners donated the granite to build the current Texas state capitol. He also started a dog breed which is now called the Blue Lacy and is the state dog of Texas. Byron incorporates stories of his ancestors in his books.Byron started writing poetry while in high school and received great encouragement from his teachers. His first poem was published in a small literary magazine before he turned twenty-one. Byron has had many poems published in literary magazines. He has also published a book of his poetry, THE NIGHT IS A CONSTANT LOVER, and a SiFi novel , HEROES and VILLAINS DOWN THE HALLS OF TIME THE LEGEND OF SPINEY WHEEZER, both available on Amazon. Byron has written a nonfiction book about his experiences titled Chosen: Chronicles of an Alien Abductee; also on Amazon.Byron is also a musician and writes and performs EDM (electronic dance music) on synthesizers, and has two CD collections of music on Amazon.In 1976 Byron received a B.S in English. In 1977 he received a M.A. in Graphic art and in 1978 a M.F.A. in Graphic Art. Byron has had paintings and sculptures exhibited in galleries and Museums throughout the United States.Byron now lives in Nacogdoches, Texas where he spends his time writing, creating sculptures and paintings, studying psychology, metaphysics, researching alien abductions, and helping abductees.Amazon link https://amzn.to/3WjGXmBhttps://thebyronlacy.com/https://www.pastliveshypnosis.co.uk/https://www.patreon.com/alienufopodcastBecome a supporter of this podcast: https://www.spreaker.com/podcast/alien-ufo-podcast--5270801/support.
On June 27th, the a16z team headed to New York City for the first-ever AI Artist Retreat at their office. This event brought together the builders behind some of the most popular AI creative tools, along with 16 artists, filmmakers, and designers who are exploring the capabilities of AI in their work.In this episode, we hear from the innovators pushing the boundaries of AI creativity. Joined by Anish Acharya, General Partner, and Justine Moore, Partner on the Consumer team, we feature insights from:Ammaar Reshi - Head of Design, ElevenLabsJustin Maier - Cofounder & CEO, CivitaiMaxfield Hulker - Cofounder & COO, CivitaiDiego Rodriguez - Cofounder & CTO, KreaVictor Perez - Cofounder & CEO, KreaMohammad Norouzi - Cofounder & CEO, IdeogramHang Chu - Cofounder & CEO, ViggleConor Durkan - Cofounder, UdioThese leaders highlight the surprising commonalities between founders and artists, and the interdisciplinary nature of their work. The episode covers the origin stories behind these innovative tools, their viral moments, and their future visions. You'll also hear about the exciting potential for AI in various creative modalities, including image, video, music, 3D, and speech.Keep an eye out for more in our series highlighting the founders building groundbreaking foundation models and AI applications for video, audio, photography, animation, and more.Learn more and see videos on artists leveraging AI at: a16z.com/aiart Find Ammaar on Twitter: https://x.com/ammaarLearn more about ElevenLabs: https://elevenlabs.ioFind Justin on Twitter: https://x.com/justmaierFind Max on LinkedIn: https://www.linkedin.com/in/maxfield-hulker-5222aa230/Learn more about Civitai: https://civitai.comFind Diego on Twitter: https://x.com/asciidiego?lang=enFind Victor on Twitter: https://x.com/viccpoesLearn more about Krea: https://www.krea.ai/homeFind Mohammed on Twitter: https://x.com/mo_norouziLearn more about Ideogram: https://ideogram.ai/t/exploreFind Conor on Twitter: https://x.com/conormdurkanLearn more about Udio: https://www.udio.com/homeFind Hang on Twitter: https://x.com/chuhang1122Learn more about Viggle: https://viggle.ai/ Stay Updated: Let us know what you think: https://ratethispodcast.com/a16zFind a16z on Twitter: https://twitter.com/a16zFind a16z on LinkedIn: https://www.linkedin.com/company/a16zSubscribe on your favorite podcast app: https://a16z.simplecast.com/Follow our host: https://twitter.com/stephsmithioPlease note that the content here is for informational purposes only; should NOT be taken as legal, business, tax, or investment advice or be used to evaluate any investment or security; and is not directed at any investors or potential investors in any a16z fund. a16z and its affiliates may maintain investments in the companies discussed. For more details please see a16z.com/disclosures.
Today, we explore the correlation between Olympic athletes and visual artists. Val's research unveiled intriguing connections that could infuse inspiration and resilience into your artistic journey. We identified six categories to spark contemplation for artists aiming to envision the broader scope of their careers. Even artists who use art as a break from daily routines can delve into self-improvement. If this episode resonates with you, let us know and follow us on your favorite podcast platform. Thank you for tuning in. Here are show notes on topics in this conversation. Six Art Biz lessons we learn from Olympic athletes by Amy Supsic MSU Professor of Graphic Arts and Olympian Athlete: Kelly Salchow MacArthur Terry McDermott, Speed Skater from Bay City, Michigan Pharrell Williams wants Art Category back in Olympics in 2028 Olympics and Art Page Armin's "go for the gold" pencil!
In this episode I am talking to Byron Lacy about his book 'Chosen: Chronicles of an Alien Abductee'.Can you imagine the helplessness and fear that a five-year-old would feel when he's first visited by extraterrestrials? How about the look on his parents' faces when he confesses his alien encounter?Chosen: Chronicles of an Alien Abductee is Byron W. Lacy's firsthand account of what modern science insists is only folklore.The first encounters come when he is young—with "little men" entering the room as he hugs his teddy bear. They masquerade as cartoon characters to ease his concern, a dancing Captain Hook—minus the hook—joining his comrades. Future visits lead to psychic connections with his visitors.Admitting such encounters takes courage, especially when similar comments by a family member placed her in a mental hospital. But Lacy lays it all out on the table as he details what it's like to be an alien abductee.Chosen: Chronicle of an Alien Abductee isn't just for the disbelievers. It's a free discussion of Lacy's experience—one meant to encourage other abductees through their own moments of skepticism both from others and within.BioByron W. Lacy was born in Burnet, Texas on March 21, 1950. He is a fourth generation Texan. Byron's Great Grandfather, George W. Lacy, came to Texas in the early 1850's. George and two of his business partners donated the granite to build the current Texas state capitol. He also started a dog breed which is now called the Blue Lacy and is the state dog of Texas. Byron incorporates stories of his ancestors in his books.Byron started writing poetry while in high school and received great encouragement from his teachers. His first poem was published in a small literary magazine before he turned twenty-one. Byron has had many poems published in literary magazines. He has also published a book of his poetry, THE NIGHT IS A CONSTANT LOVER, and a SiFi novel , HEROES and VILLAINS DOWN THE HALLS OF TIME THE LEGEND OF SPINEY WHEEZER, both available on Amazon. Byron has written a nonfiction book about his experiences titled Chosen: Chronicles of an Alien Abductee; also on Amazon.Byron is also a musician and writes and performs EDM (electronic dance music) on synthesizers, and has two CD collections of music on Amazon.In 1976 Byron received a B.S in English. In 1977 he received a M.A. in Graphic art and in 1978 a M.F.A. in Graphic Art. Byron has had paintings and sculptures exhibited in galleries and Museums throughout the United States.Byron now lives in Nacogdoches, Texas where he spends his time writing, creating sculptures and paintings, studying psychology, metaphysics, researching alien abductions, and helping abductees.Amazon link https://tinyurl.com/mr2n4thxhttps://thebyronlacy.com/https://www.pastliveshypnosis.co.uk/https://www.patreon.com/alienufopodcastBecome a supporter of this podcast: https://www.spreaker.com/podcast/alien-ufo-podcast--5270801/support.
Nana Wolke by Inna Svyatsky / installshots.art Nana Wolke explores the nature of perception, focusing her attention on modes of apprehension of space and time. Her series of works usually begins on film-like sets, where the artist records the unfolding of staged situations and improvised actions occurring in spaces spanning across social hierarchy. Wolke proceeds to assemble and edit both original and found footage to create distinctly monochromatic visual atmospheres and rhythms that she then translates into painting and sound installations. Using commonplace lighting to model space and generate the grain, textures and slippages of her images and sequences, Wolke utilizes a variety of devices chosen as much for their technical properties as for their social significance – e.g. CCTV equipment, home video camcorders, inventory cameras, intercom systems, etc. Considering the multiple viewpoints from which an action can be witnessed, Wolke's work conjures a tension between observation and control, often inviting viewers to navigate environments that interrogate notions of access and inclusion – whether for economic, social, or security purposes. In so doing, Wolke reflects upon the conflation of desire and shame in contemporary modes of production and consumption of images and visual culture. By constantly confronting the logic of live actions, cinema, and paint, Wolke ultimately seeks to analyze the progressive inextricability between actual and artificial realities. Wolke holds an MFA from Goldsmiths, University of London. Solo exhibitions include Breed at Management, New York; Wanda's at NiCOLETTi, London; High Seat at Castor Gallery, London; 4:28 - 5:28 am at VIN VIN, Vienna; and Some Girls Wander by Mistake at Fondazione Coppola, Vicenza. Group exhibitions include Over you/you at the 31. Biennial of Graphic Arts, Ljubljana; Daddy at G2 Kunsthalle, Leipzig; Painters Painting Painters: A Study of Muses, Friends, and Companions at the Green Family Art Foundation, Dallas; Love is the Devil: Studies after Francis Bacon at Marlborough, London; and No Angels at Wilhelm Hallen, Berlin among others. Wolke was also selected for the 2021 cohort of Bloomberg New Contemporaries. Nana Wolke 00:02:26,417 - - > 00:02:29,010 (Empire), 2023 Oil, sand, and iron dust on linen 70 7/8 x 94 1/2 inches / 180 x 240 cm. Image courtesy of the artist and Management, New York. Photography by installshots.art Nana Wolke 00:00:00,000 - - > 01:36:06,960 (It's good enough for Nancy. It's good enough for Nancy), 2024 Oil on linen 24 x 36 inches / 61 x 91.5 cm. Image courtesy of the artist and Management, New York. Photography by installshots.art Nana Wolke, 02:10:34,195 - - > 02:18:06,207, (Sleeping pills, sneakers, turtleneck, power cord), 2024, Oil and construction sand on linen, 24 x 36 inches / 61 x 91.5 cm. Image courtesy of the artist and Management, New York. Photography by installshots.art
We would LOVE to hear what you think. Please drop a line.On this episode we talk with CT artist Dane Byrd Morris. Who was a hip hop artist, but wanted to contribute to the music culture in a different way. He goes into his earlier years as a hip hop artist and talks about the transformation into a graphic artist. Who now designs CD/LP covers. He explains how graphic art has been a passion for him since an early age. We found this interview to be very interesting. He also talks about his inspirations on both the music aspect and the digital art aspect. Support the Show.
The Talk of Fame Podcast got to chat with Diane Strand! Diane impact's K- 12, Higher ED students, a community, entrepreneurs, and adults with developmental disabilities to reach for their DREAM (with D- Direction, R- Realization, E- Evaluation A- Action, M - Momentum ). She teaches visual, performing and digital arts providing career pathways. She is the majority owner of JDS Video & Media Productions, Inc / JDS Actors Studio and the founder of nonprofit JDS Creative Academy, she is also a bestselling author on entrepreneurship and Breaking into the Industry as an Actor. Diane is the Founder of DigiFest Temecula (now in its 8th year) the 3 day festival, competition and conference for everything digital. (Film, Video, Music, Animation, Graphic Arts and more) Diane provides pathways for career opportunities in the visual, performing and digital arts. Her passion for Workforce Development in the arts, led her to write two approved curriculums for video production. One is a Title 17 program designed for adults with developmental disabilities. The other is a California State approved apprenticeship program for college graduates. These programs provide Hands-On training along with paid supported internship opportunities, designed to break down barriers to gainful employment in video production, post production and acting. Diane's prior career life holds credits from A-List shows like; General Hospital, Friends, Veronica's Closet and building the high-def control room at Staples Center, for the last 17 years Diane has been a successful entrepreneur of her own, a multi-award-winning production company, working with clients like Abbott Vascular, City of Temecula, Cal State San Marcos and United Healthcare Services to name a few. Diane has launched over 100 video and acting careers into the mainstream entertainment and video production industry. She sets out to provide H.O.P.E. which Diane defines as; Helping One Person Everyday! FOLLOW ME: INSTAGRAM: Officialkyliemontigney Talkoffamepod Facebook: Officialkyliemontigney Talkoffame Twitter: Kyliemontigney4 ABOUT ME: Hi, I am Kylie! I love sports, spending time with my family, traveling, and meeting people that inspire me. I love listening to other people's stories and sharing their journeys.
With over two decades of experience in arts, design, culture, education, and nonprofit sectors, Ruki Neuhold-Ravikumar brings a unique perspective and passion for reimagining the future of creative learning and practice. A proven administrator, award-winning designer and educator, and globally respected thought leader, Ruki has served as the President & CEO of the Kansas City Art Institute, Acting Director of Cooper Hewitt Smithsonian Design Museum in New York, and the Acting Under Secretary of Education at the Smithsonian Institution (at-large) in Washington, D.C. Originally from Chennai, India, she received her MFA in graphic design from Iowa State University and BFA in the history of fine art and drawing and painting from Stella Maris College in India. She also has executive education certificates in business from Yale University and Harvard University and a certificate in museum studies from Northwestern University. Ruki has served in multiple leadership roles for the American Institute of Graphic Arts, and in 2015, she was named an AIGA Fellow by the Oklahoma Chapter for her advocacy and leadership as a design educator. She is featured in films, podcasts, and interviews. She has won numerous awards and recognitions, including the 2021 Design Achievement Award from the Iowa State College of Design, and was the commencement speaker at Iowa State University's Fall 2023 Ceremony. In this episode, we'll delve into how Ruki's background in design has shaped her approach to leadership, problem-solving, and societal development. We'll also discuss the importance of teaching design as a life skill, the role of design in addressing complex social issues, and how design thinking can prepare future generations for the challenges and opportunities ahead. Additionally, Ruki will share her insights on the evolution of design thinking with AI and how design can contribute to sustainability and environmental consciousness. We concluded the show with Ruki's recommendations for her three favorite books and the people who inspire her the most in the design space. Thank you for listening to this episode of Nodes of Design. We hope you enjoy the Nodes of Design Podcast on your favorite podcast platforms- Apple Podcast, Spotify, Google Podcasts, Amazon Music, and many more. If this episode helped you understand and learn something new, please share and join the knowledge-sharing community Spreadknowledge. This podcast aims to make design education accessible to all. Nodes of Design is a non-profit and self-sponsored initiative by Tejj. Keywords: Design as a life skill, Design Thinking, Design for Sustainability, Design for AI, Creativity, Industry Insights, Design Challenges
Join Mike and De-Jay as they compare different aspects of editing and photographyDe-Jay Hanssen's platforms:https://dejayhanssenphotography.pic-time.com/artwww.instagram.com/dejaymeetspeoplewww.instagram.com/dejaymeetsworldwww.facebook.com/dejayhanssenphotographyVero: @dejayhanssenphotographyMike Villanueva's platforms:www.instagram.com/_mveephotographyVero: @michaelvillanueva
In s3e43, Platemark host Ann Shafer talks with Craig Zammiello, an artist and collaborative printer with over 40 years of experience in all areas of printmaking. He worked for 25 years at Universal Limited Art Editions, where he collaborated with numerous artists, including Jasper Johns, Elizabeth Murray, James Rosenquist, Kiki Smith, and Robert Rauschenberg. Currently, he is a collaborative printer at Two Palms working with Mel Bochner, Ellen Gallagher, Chris Offili, Elizabeth Peyton, and Dana Schutz. He is author of a studio manual on photogravure, as well as Conversations from the Print Studio published by Yale University Press. Ann and Craig talk about Woodburytypes, working with Robert Rauschenberg at ULAE, and helping Matthew Barney grow copper nodules on a Woodburytype and then gold plating them. They talk about Craig's transition to Two Palms and how that studio works outside of the traditional print studio model. Find out about a lifelong interest of Craig's that has resulted in his collection being acquired by the American Museum of Natural History (no, it's not prints), and what band would he most like to join on tour. Zammiello received an MFA from The State University of New York, Stony Brook in 1995. He is currently Adjunct Faculty at the School of the Arts at Columbia University. Zammiello has taught workshops and classes at New York University, Yale University, The Robert Blackburn Printmaking Workshop and the Flemish Center for the Graphic Arts in Belgium. Episode image: Elizabeth Zammiello Matthew Barney (American, born 1967). In Vain Produced, All Rays Return, Evil Will Bless, and Ice Will Burn, 2015. Set of 4 Woodburytype prints on copper with electro-formed copper, nickel and 24 carat gold, in red oak frames. Framed dimensions: 11 1/2 x 15 ½ in. Printed by F-Zero Project and published by Two Palms, New York. Lead printing plate for Brad by Chuck Close (American, 1940–2021). 9x12 in. The finished Woodburytype print for Brad, Chuck Close (American, 1940–2021), with the ink overflow around the edges. 11x14 inches. Published by Two Palms, New York. R. Crumb (American, born 1943). Keep on Flushin', 2022. Etching. Sheet: 13 ½ x 11 ½ in. Printed by Craig Zammiello and published by Two Palms, New York. Mel Bochner (American, born, 1940). Is This It?, 2023. Cast and pigmented paper. 69 ¾ x 67 ¼ x 5 5/8 in. Published by Two Palms, New York. Lee Bontecou (American, 1931–2022). Ninth Stone, 1965–68. Lithograph in 1 color on Chatham British paper. 20 x 25 in. (50.8 x 63.5 cm.). Published by Universal Limited Art Editions, Bayshore, New York. Robert Rauschenberg (American, 1925–2008). Wall-Eyed Carp/ROCI JAPAN, 1987. Acrylic and fabric collage on canvas. 203.2 x 617.2 cm (80 x 243 in.). National Gallery of Art, Washington, D.C. Lisa Hodermarsky and Craig Zammiello. Conversations from the Print Studio: A Master Printer in Collaboration with Ten Artists. New Haven: Yale University Art Gallery, 2012. USEFUL LINKS Craig Zammiello's video on photogravure techniques: https://www.youtube.com/watch?v=t3HAoyIsrDY Craig's website: https://www.zammiello.com/ IG: @craigzammiello
In s3e42, Platemark host Ann Shafer talks with Lauren Rosenblum and Christina Weyl about their exhibition on view at Print Center New York through December, 23, 2023. A Model Workshop: Margaret Lowengrund and The Contemporaries is the first exhibition to explore the legacy of Lowengrund (1902–1957), a visionary artist-advocate and entrepreneur. In charting the institutional history of the hybrid print workshop-gallery she founded, The Contemporaries, and its later evolution into Pratt Graphic Art Center, A Model Workshop brings into focus the bustling printmaking scene of 1950s New York and reveals Lowengrund's impact on postwar printmaking. A Model Workshop: Margaret Lowengrund and The Contemporaries is curated by Lauren Rosenblum and Christina Weyl. It is on view September 21–December 23, 2023, at Print Center New York, 535 West 24th Street. Maurice Berezov, Margaret Lowengrund at The Contemporaries, c. 1952–55. Woodstock Artists Association and Museum Archives. © Maurice Berezov Photograph Copyright A.E. Artworks, LLC. Image courtesy Woodstock Artists Association and Museum Archives, Woodstock, New York. A Model Workshop: Margaret Lowengrund and The Contemporaries. Curated by Lauren Rosenblum and Christina Weyl. September 21–December 23, 2023. Print Center New York, 535 West 24th Street. The Contemporaries Graphic Art Centre, c. 1954. 959 Madison Ave, New York. The Contemporaries Gallery of Sculpture and Graphic Art, 992 Madison Avenue at 77th Street, New York, 1955. Photo by Robert Delson. The Contemporaries Graphic Art Centre, c. 1955–56. 1343–45 3rd Ave, New York. The Pratt Graphic Art Center, c. 1959. 795 Broadway, New York. Stuart Davis (American, 1892–1964). Detail Study for Cliché, 1957. Lithograph. 15 3/4 × 18 3/8 in. (40 × 46.7 cm.). Printed by Arnold Singer at The Contemporaries Graphic Art Centre. Judd Foundation, New York. © Estate of Stuart Davis Arthur Deshaies (American, 1920–2011). Hornet's Nest, 1956. Plexi engraving. Image: 303 x 403 mm. National Gallery of Art, Washington, D.C. Dean Meeker (American, 1920–2002). Trojan Horse, 1952. Screenprint. Sheet: 20 × 26 in. (50.8 × 66 cm.); image: 18 1/8 × 25 ¾ in. (46 × 65.4 cm.). Whitney Museum oof American Art, New York. Fritz Eichenberg's Talk on His Trip to the Soviet Union with United States Information Agency, Graphic Arts Exhibit, 1963. Pratt Institute Archives, Pratt Institute Library. Pratt Graphic Art Center, November 1962. Pratt Institute Archives, Pratt Institute Library. [Installation shot] A Model Workshop: Margaret Lowengrund and The Contemporaries. Curated by Lauren Rosenblum and Christina Weyl. September 21–December 23, 2023. Print Center New York, 535 West 24th Street. Photo: Argenis Apolinario. [Installation shot] A Model Workshop: Margaret Lowengrund and The Contemporaries. Curated by Lauren Rosenblum and Christina Weyl. September 21–December 23, 2023. Print Center New York, 535 West 24th Street. Photo: Argenis Apolinario. [Installation shot] A Model Workshop: Margaret Lowengrund and The Contemporaries. Curated by Lauren Rosenblum and Christina Weyl. September 21–December 23, 2023. Print Center New York, 535 West 24th Street. Photo: Argenis Apolinario. [Installation shot] A Model Workshop: Margaret Lowengrund and The Contemporaries. Curated by Lauren Rosenblum and Christina Weyl. September 21–December 23, 2023. Print Center New York, 535 West 24th Street. Photo: Argenis Apolinario. [Installation shot] A Model Workshop: Margaret Lowengrund and The Contemporaries. Curated by Lauren Rosenblum and Christina Weyl. September 21–December 23, 2023. Print Center New York, 535 West 24th Street. Photo: Argenis Apolinario. [Installation shot] A Model Workshop: Margaret Lowengrund and The Contemporaries. Curated by Lauren Rosenblum and Christina Weyl. September 21–December 23, 2023. Print Center New York, 535 West 24th Street. Photo: Argenis Apolinario. Peter Lipman-Wulf (1905–1993). Man in the Moon, 1952. Lignum vitae. 24 ½ × 14 × 10 ½ in. Collection of Michael Henkel, East Hampton, NY. USEFUL LINKS A Model Workshop webpage. https://www.printcenternewyork.org/a-model-workshop Christina's book: The Women of Atelier 17. https://www.atelier17.christinaweyl.com/#content Christina's article: “Missing Archives: Worden Day and Women Modernists.” https://christinaweyl.com/projects/2019-09-aaaj/ Rockefeller Archive Center, Sleepy Hollow, NY. https://rockarch.org/ Christina's IG: @christinaweyl Lauren's IG: @rosenbluuuum
Graphic Artist Blake Franklin joins the archive with this in-depth interview
Our guest today has a unique window into the vast creative potential contained in the world of dreams. Della Burford has recorded her dreams as “dream mandalas” for the past 40 years! Della Burford is an award-winning painter and best selling author of 7 books, she is based on Vancouver Island, Canada. She studied the Mische Technique of painting in Vienna and showed in many of the Society of Art of Imagination shows in Montreal, Ottawa, New York, London, and Peru. She won a prize as the best Graphic Art in an Art Show in Moscow and spoke on Art and Dreams. Her artistic stories have been performed in New York at the Museum of Natural History, Brooklyn Academy of Music, Citycorp, in Washington at the Smithsonian Institute, Korea, Guatemala, and Bali. Her play, Magical Earth Secrets has been performed for seven years in Japan, and Miracle Galaxy is now being performed. Her book “Journey to Dodoland” was turned into an e-zine and a website that was sponsored by Switfshire and has had more than 22 million views worldwide. Della was mentored by a shaman who studied with Carl Jung and also studied dreams with Robert Moss and Dream Yoga with Tenzin Wagyal Rinpoche. She started painting her dream wheels in 1975, creating one complete wheel for every year. The dream wheels have 3 rings: the center ring is for important everyday events following the seasons; the outer ring is dreams that are creative, inspirational and wise dreams (you can write a title for the dream); and the middle is small drawings which are symbols and like the title reminds you of the dream and is a portal to return. Her work is for the World, Humanity, and Spirit. For full show-notes and photos (Apple users), go to https://languageofcreativity.substack.com/p/paintingyourdreams-dellaburford Guest: Della Burford Websites - dellaburford.com, dellaburfordartist.ca Dodoland - dodoland.com, on Facebook Dream Wheels book (Amazon, Canada) Della Burford on Wikipedia Social Media: YouTube, Facebook, Instagram, LinkedIN ArtStarts Eductational workshops (ArtStarts) Topia (virtual) Worlds: https://www.topia.io/dodoland https://www.topia.io/stargalaxyfortheworld Episode Music Sagpipa, Double Flute, Kou Xian (with piano by Steven Leavitt), Atabaque and Bansuri by Richard Struppi Pohl (From Star Galaxy For the World). In This Together, A Quiet Place, and Place courtesy of Descript Library. Episode References Della Burford on The Spaceship Earth Mission Log podcast (with Steven Leavitt), (YouTube) Robert Moss - The Way of the Dreamer Tenzin Wangyal Rinpoche (Ligmincha Community) Carl Jung's book “Man and His Symbols” (Goodreads) Sergio Magaña Rights of Nature (Columbia.edu) Design Science Studio Buckminster Fuller Institute The Vision Train (Join the 24/7 Art Jam!) Amanda Sage Earnest Fuchs Mischtechnik (Wikipedia) Jack Shadbolt (National Gallery of Canada) Dream Journaling The Hero's Journey (Wikipedia) Don Oscar Mira de Quesada (heartofthehealer.org) Andrew Gonzales Cynthia Re Robbins Irene Vincent Kuba Ambrose Roland Proulx (Galarie Molinas) The Spirit of Writing and Art (YouTube) Dale Bertrand (bio on DodoLand) Druidical Quest (website | Facebook Page) John Hugh Roberts (Thrift Books) Western Canada Wilderness Committee Della's Collaborators Merian Soto – who danced and choreographed for Dodoland in New York. I Made Sidia – who collaborated on dances of Dodoland and Magical Earth in Bali and wants to do Star Galaxy for the World. Wayan Karja (Life As Art Asia) – collaborated in art shows of Dream Wheels, Dream Gifts, workshops. Kazuko Asaba – who created many art projects around Della's books in Japan and co-produced “Magical Rainbow” and Magical Earth Secrets. Ruu Ruu (Amazon books) – Costume Designer & Producer of Magical Earth Secrets and Miracle Galaxy. Julie Lyon Lieberman – Musical Director of Dodoland in New York. David Walsh – always supported Della's work. He has made major commitments to Community. Vern Harper (The Canadian Encyclopedia, Article: Indigenous Toronto) – Della did many projects at the Wander Spirit Survival School. Pauline Shirt (aabaakwad) – co-Founder at Wandering Spirit in Toronto. Cultural Keeper. Aaron Zerah – collaborated in the Spirit Storybooks in British Columbia. Paul Vrenken – created a video of Magical Earth Secrets in Holland. Marijke translation. Julian Ramirez – worked in co-designing with Della/Dale Star Galaxy for the World (YouTube), and making a 3-D animation for the immersive environment of New Art City. Thanks to Tom & Sal Williams family & the Burford family: Murray, Glen and Warren. Sister Norah Burford – for organizing Bali workshops. Thanks Glen Burford for media advice. Russell Coull for being there and giving support. About the host Language of Creativity's host Steven Leavitt enjoys discussing the ins and outs of all aspects of creating, creativity, and life with his fellow creators: artists, inventors, designers, producers and more. Along the way he hopes to gain perspective and multiply our understanding of what we share in common while creating, living, and learning. Steven is also an accomplished music producer (website) and helps others learn music production and podcasting through his company I Create Sound. Please review this podcast on Google Play, Apple Podcasts, Amazon Spotify and Stitcher to help other creatives find their tribe! Tags: dreams, creativity, storytelling, painting, mandalas, lucid dreaming, dream journaling, healing journey, dream work, dream yoga, milam, Nyingma, dream symbols, dream interpretation, archetypes creative expression, artistic journey, dream shamanism, symbolism, power animals, nature inspiration, environmental art, transformational art, mythology, ancestral wisdom, Aborigines, inner journey, spiritual art, visionary art, dream collaboration, dream guidance, magic, art, non-local consciousness, dream visitations, intuition, peaceful art, creativity in storytelling, Carl Jung, Joseph Campbell, ancient wisdom, ogham stones, druids, healing the world, life balance, creative process, inspired by nature, inner balance, sacredness, ancestral connections, spiritual journey, artistic expression, dream narratives, cultural wisdom, environmental protection, dream collage, divine creativity, dream magic, dream teachers, dream manifestation, co-creation
Efficient and effective work is all about finding the right tools for the right job. And no one shares that message more clearly than Erica Blum. Erica Blum is the program coordinator and an associate professor for the art and design degree at Lindenwood University. She is an Adobe Education leader and an Adobe Creative Educator Level 1. She has obtained many certifications, including the Adobe Certified Associate in Graphic Design and Illustration Using Adobe Illustrator, the ACA in Visual Communication Using Adobe Photoshop, the Adobe Certified Professional in Print and Digital Publication Using Adobe InDesign, and the Adobe Visual Design Specialist CC 2018. Professor Blum was honored to speak during the Adobe Certified Professional launch party in 2021. In addition, she is a member of the Adobe Education Exchange and has over 13 years of teaching and training in graphics, web and design concepts, printing techniques, and software applications. She has designed websites, newsletters, logos, T-shirts, brochures, cards, and more. Her artwork has been displayed in numerous arts shows and has been presented at several summits and workshops. Professor Blum spent a year studying at the Joe Kubert School of Cartoon and Graphic Art (now known as the Kubert School) working on her comic book skills. Before becoming a designer, she was an Equity stage manager in and around New York City, a database administrator, an IT worker, and a camera/teleprompter/stage manager for tv and movies. In this episode with Erica, we talk all about her CERTIFIED Educator Conference session, and why she's so passionate about helping educators and students find the right tool for the right job. Erica shares the importance of knowing your software, and what other skills creatives should be building before entering the workforce. We also talk through free and exciting resources available for all educators and Creative Cloud users. If you're looking to add tools to your design toolbox, this episode is for you. Don't miss out on the amazing resources that Erica mentioned. Adobe Launch Party: https://youtube.com/live/8OvvmNsbDaM. Adobe Character Animator: https://www.adobe.com/products/character-animator.html. Adobe Capture: https://www.adobe.com/products/capture.html. Adobe Color: https://color.adobe.com/create/color-wheel. Adobe Fonts: https://fonts.adobe.com/. Connect with Erica via email at EBlum@lindenwood.edu. You can also learn more about Erica's program at Lindenwood University here: https://www.lindenwood.edu/arts-and-humanities/art-production-and-design/. Connect with your fellow educators, like Erica, in our CERTIFIED Educator Community here: https://www.linkedin.com/groups/8958289/. Don't miss your chance to register for our annual CERTIFIED Educator's Conference here: https://certified.certiport.com/.
James Jones is an award-winning art director, designer and illustrator who freelances for publishers all over the world. James has worked at Orion Publishing Group, Vintage Books, and as Art Director at both Oneworld Publications and Head of Zeus. His work has been recognised by the American Institute of Graphic Arts, the Type Directors Club, Design Observer, The Academy of British Cover Design and the World Illustration Awards. James is also the illustrator of several picture books including The Perfect Fit, One More Try and The Odd Fish. To see James' work head to his website at jamesjonesbookdesign.com, or follow him on twitter and instagram. To follow James and his wife Naomi's picture book work be sure to follow @naomiandjamesjones on Instagram where there's regular updates on their work together. For something a bit different, we spoke in passing about James' latest project Wildsole sandals – a newly formed barefoot adventure sandal company. If you'd like to find out more, visit wildsolesandals.com where you can also get 10% off any purchases using the discount code COVERMEETING. Links and details are in the show notes. Follow Cover Meeting on Twitter, Instagram and now Threads @CoverMeetingPod for news about upcoming episodes. Cover Meeting was hosted by Steve Leard and produced by James Ede of beheard.org.uk.
Byron Lacy was born in Burnet, Texas on March 21, 1950. He is a fourth generation Texan. Byron's Great Grandfather, George W. Lacy, came to Texas in the early 1850's. George and two of his business partners donated the granite to build the current Texas state capitol. He also started a dog breed which is now called the Blue Lacy and is the state dog of Texas. Byron is a 4 th generation abductee and had a relative that was institutionalized because she insisted little men came into her room at night sometimes, and spoke with her. He was first visited in 1955 when he was five years old, and the visits have continued all of his life.Byron is an artist, musician, and writer. He has also spent 13 years working for the Texas Department of Human Services doing interviews of people for government benefits and worked three years for Texas Department of Child Protective Services as an investigator of child abuse allegations. Byron has used his knowledge from CPS investigating to investigate his own abductions and contacts. Byron has written three books, all on Amazon. His poetry book is THE NIGHT IS A CONSTANT LOVER, and a SiFi novel, HEROES and VILLAINS DOWN THE HALLS OF TIME THE LEGEND OF SPINEY WHEEZER, and his nonfiction book CHOSEN: CHRONICLES of an ALIEN ABDUCTEE.Byron is also a musician and writes Experimental Electronic music on synthesizers, using inspiration from music introduced to him by aliens, and has seven CD collections of music on Amazon. In 1976 Byron received a B.S in English. In 1977 he received a M.A. in Graphic art and in 1978 a M.F.A. in Graphic Art. Byron has had paintings and sculptures exhibited in galleries and Museums throughout the United States. Byron now lives in Nacogdoches, Texas where he spends his time writing, creating sculptures and AI art, studying psychology, creating music, researching alien abductions, and helping abductees.Websites Byron Lacy Facebook author page Byron Lacy Facebook pageBooks Chosen: Chronicles Of An Alien AbducteeThe Night is a Constant Lover Heroes and Villains Down the Halls of Time The Legend of Spiney Wheezer
In this bonus episode, brought to you with historicity Tokyo, Japan House London curator Hiro Sugiyama, and contemporary artists Tsuzuki Mayumi and Suga Mica, ride the great waves of Japanese graphic design, commercial illustration, and counterculture, from the 1980s to now. Heta-uma - meaning bad but good - was an accidental art movement. A kind of ‘anti-illustration', heta-uma rocked the established conventions of Japanese art, coinciding with the economic boom of the 1980s. Emerging in the underground manga magazine GARO, and manifesting in posters and adverts, pop art and animation, heta-uma challenges what is ‘ugly', ‘beautiful' or skilled art - as well as what ‘subcultures' mean in the context of a global mainstreaming in Japanese art, embodied by Hokusai's The Great Wave. Hiro Sugiyama, artist and co-curator of WAVE, has brought the annual exhibition in Tokyo to Japan Houses in San Francisco, Sao Paolo, and London. From his training at Yumura Teruhiko's Flamingo Studios in Shinjuku, we return to the city's Inari shrines with the surrealistic paintings of Suga Mica, and Showa period traditions with Tsuzuki Mayumi. Both artists also detail the long role of women artists in commercial illustration, the two-way exchanges between Japanese and Western European art traditions like ‘superrealism' and ‘hyperrealism', and how contemporary Japanese artists take as much from the concept of haziness (morotai), as David Hockney and the films of David Lynch. WAVE: Currents in Japanese Graphic Arts runs at Japan House London until 22 October 2023. For more, you can read my article in gowithYamo: https://www.gowithyamo.com/blog/wave-currents-in-japanese-graphic-arts-at-japan-house-london This episode was produced in collaboration with historicity Tokyo, a podcast series of audio walking tours, exploring how cities got to be the way they are. WITH: Hiro Sugiyama, artist and a curator of WAVE. Tsuzuki Mayumi and Suga Mica, contemporary artists based in Japan. WITH: Hiro Sugiyama, artist and a curator of WAVE. Tsuzuki Mayumi and Suga Mica, contemporary artists based in Japan. Eyre Kurasawa and Bethan Jones are interpreters based in London. ART: ‘WAVE: Currents in Japanese Graphic Arts (2023)'. IMAGE: Installation View. PRODUCER: Jelena Sofronijevic. Follow EMPIRE LINES on Twitter: twitter.com/jelsofron/status/1306563558063271936 And Instagram: instagram.com/empirelinespodcast Support EMPIRE LINES on Patreon: patreon.com/empirelines
In s2e29, Platemark hosts Ann Shafer and Tru Ludwig talk about Claude Lorrain, the arbiter of landscape painting in the 17th century. He worked most of his life in Rome and elevated landscape as a subject up the academic hierarchy by including small figural groups and naming the compositions with mythological or biblical subjects. He's known by various names that can be confusing. He was born Claude Gelée in the independent duchy of Lorraine, which is why the French call him le Lorrain. The English, who collected his works assiduously and even now have the highest number of his works (by country), refer to him simple as Claude. He created an amazing cache of ink and wash drawings of each of his painted compositions in a first catalogue raisonné of sorts. He dubbed this book the Liber Veritatis («the book of truth»). Claude told his biographer Filippo Baldinucci that he kept the record as a defense against others passing off his work as theirs. This bound group of drawings was collected and owned by the Dukes of Devonshire from the 1720s until 1957 when it was given to the British Museum (in lieu of estate taxes upon the death of Victor Christian William Cavendish, the 9th Duke of Devonshire). While Claude died in 1682, his renown in England was enough to prompt the print publisher John Boydell to hire artist Richard Earlom to create prints after the drawings nearly one hundred years after Claude's death. Two hundred etchings with mezzotint were created between 1774 and 1777, and were published in two volumes as Liber Veritatis. Or, A Collection of Two Hundred Prints, After the Original Designs of Claude le Lorrain, in the Collection of His Grace the Duke of Devonshire, Executed by Richard Earlom, in the Manner and Taste of the Drawings.... Later, a third volume of an additional 100 prints was published in 1819. Earlom used etching to mimic Claude's ink lines and mezzotint for the wash areas. They were printed in brown ink to mimic iron gall ink. Hugely influential in England, the books were popular with collectors and were used by artists as models for copying. The Liber Veritatis also inspired J.M.W. Turner to produce a similar project of 71 prints after Turner's painted compositions, which he called Liber Studiorum. They may appear old fashioned to contemporary viewers, but rest assured, landscape was just getting its legs under it. Boring imagery? Maybe. But important for our story of the history of prints in the West. Episode image: Claude Lorrain (French, c. 1600–1682). Seaport with Ulysses Returning Chryseis to Her Father, c. 1644. Pen and brown ink with brown and blue wash, heightened with white on blue paper. 19.8 x 26.2 cm. British Museum, London. Gian Lorenzo Bernini (Italian, 1598–1680). Bust of Louis XIV, 1665. Marble. Palace of Versailles. Hyacinth Rigaud (French, 1659–1743). Louis VIX, 1700–01. Oil on canvas. 277 x 194 cm. (109 x 76 3/8 in.) The Louvre, Paris. Claude Mellan (French, 1598–1688). Louis XIV as a Child, 1618–1688. Engraving. Sheet (trimmed to platemark): 13 9/16 x 9 1/2 in. (34.5 x 24.2 cm.). Metropolitan Museum of Art, New York. Federico Barocci (Italian, 1528–1612). The Stigmatization of St. Francis, after the painting in the Church of the Capuccines, Urbino, c. 1575. Etching, engraving, and drypoint. Plate: 228 x 145 mm. (9 x 5 ¾ in.). Achenbach Foundation for Graphic Arts, Fine Arts Museum of San Francisco. Federico Barocci (Italian, 1528–1612). The Annunciation, c. 1585. Etching and engraving. Sheet (trimmed within platemark): 17 3/8 × 12 5/16 in. (441 × 312 mm.). Metropolitan Museum of Art, New York. Rembrandt (Dutch, 1606–1669). Christ Crucified between the Two Thieves: The Three Crosses (iv/iv state), c. 1660. Drypoint. Sheet (trimmed to platemark): 15 1/16 x 17 1/2 in. (382 x 444 mm.). Metropolitan Museum of Art, New York. Annibale Carracci (Italian, c. 1557–c. 1642). St. Jerome in the Wilderness, c. 1591. Etching and engraving. Sheet (trimmed to platemark) : 24.8 x 19.2 cm. (9 ¾ x 7 9/16 in.). Metropolitan Museum of Art, New York. Guido Reni (Italian, 1575–1642). The Holy Family, c. 1595–1600. Etching and engraving. Sheet (trimmed to platemark): 20 x 14 cm. (7 7/8 x 5 12 in.). Metropolitan Museum of Art, New York. Jusepe de Ribera (Spanish, 1591–1652). The Penitence of St. Peter. 1621. Etching and engraving. Sheet (trimmed to platemark): 31.8 x 24.2 cm. (12 ½ x 9 ½ in.). Metropolitan Museum of Art, New York. Salvator Rosa (Italian, 1615–1673). Jason and the Dragon, 1663–64. Etching and drypoint. Plate: 13 5/16 × 8 9/16 in. (33.8 × 21.8 cm.); sheet: 14 5/16 × 9 15/16 in. (36.4 × 25.3 cm.). Metropolitan Museum of Art, New York. Gian Lorenzo Bernini (Italian, 1598–1680). The Ecstasy of Saint Teresa, 1647-52. White marble set in an elevated aedicule in the Cornaro Chapel, Santa Maria della Vittoria, Rome. Caravaggio (Italian, 1571–1610). Conversion of Saint Paul on the Way to Damascus, 1600–01. Oil on canvas. 230 × 175 cm. (91 × 69 in.). Santa Maria del Popolo, Rome. Andrea Pozzo (Italian, 1642–1709). Assumption of St. Francis, c. 1685. Sant'Ignazio, Rome. Pietro Testa (Italian, 1612–1650). The Martyrdom of St. Erasmus, c. 1630. Etching. Sheet: (trimmed to platemark): 27.9 x 18.9 cm. (11 7 7/16 in.). Metropolitan Museum of Art, New York. Jacques Callot (French, 1592–1635). Plate eleven: The Hanging from the series The Large Miseries and Misfortunes of War, 1633. Etching. Sheet: 4 1/8 x 8 1/4 in. (10.5 x 21 cm.); plate: 3 1/4 x 7 5/16 in. (8.2 x 18.6 cm.). Metropolitan Museum of Art, New York. Peter Paul Rubens (Flemish, 1577–1640). The Consequences of War, 1637–38. Oil on canvas mounted to panel. 206 x 342 cm. (81 x 134 ½ in.). Palazzo Pitti, Florence. Diego Velasquez (Spanish, 1599–1660). Surrender at Breda, 1634–35. Oil on canvas. 307 x 367 cm. (121 x 144 in.) Museo del Prado, Madrid. Callot's Hanging Tree spreads word of the facts of the attack on Nancy, whereas paintings can only be in one place (Rubens' Consequences of War and Velasquez's Surrender at Breda). Jean Marot (French, 1619–1679), after Gian Lorenzo Bernini (Italian, 1598–1680). The Louvre in Paris, elevation of the principal facade facing Saint-Germain l'Auxerrois. Plate 8 from Jacques-François Blondel's Architecture françoise, volume 4, book 6. Nicolas Poussin (French, 1594–1665). Et in Arcadia ego, 1637–38. Oil on canvas. 85 × 121 cm. (34 1/4 × 47 1/4 in.). Louvre, Paris. Nicolas Poussin (French, 1594–1665). Landscape with St. John Patmos, 1640. Oil on canvas. 100.3 × 136.4 cm (39 1/2 × 53 5/8 in.). Art Institute of Chicago, Chicago. Nicolas Poussin (French, 1594–1665). The Abduction of the Sabine Women, c. 1633–34. Oil on canvas. 60 7/8 x 82 5/8 in. (154.6 x 209.9 cm.). Metropolitan Museum of Art, New York. Rembrandt van Rijn (Dutch, 1606–1669). Landscape with the Good Samaritan, 1638. Oil on oak panel. 46.2 × 65.5 cm. (18 × 25 3/4 in.). Czartorynski Museum, Kraków. Jacob van Ruisdael (Dutch, 1628/1629–1682). View of Haarlem with Bleaching Fields, c. 1670–75. Oil on canvas. 62.2 x 55.2 cm. (24 ½ x 21 ¾ in.). Kunsthaus Zurich, Zurich. Thomas Cole (American, born England, 1801–1848). Catskill Mountains Landscape, c. 1826. Oil on panel. 15 15/16 x 21 7/8 in. Sheldon Museum, University of Nebraska-Lincoln. Tru's diagrams of Poussin's Et in Arcadia Ego. Claude Lorrain (French, c. 1600–1682). Self-Portrait. Oil on canvas. Musée des Beaux-Arts de Tours. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, c. 1600–1682). Frontispiece for the Liber Studiorum, 1777. Plate: 7 x 5 in. New York Public Library. Claude Lorrain (French, c. 1600–1682). Seaport with the Embarkation of the Queen of Sheba, 1648. Oil on canvas. 149.1 × 196.7 cm. (58 3/4 × 77 1/2 in.). National Gallery, London. One of many Claude Lorrain paintings with its corresponding diagram. Several diagrams showing compositional plans according to the Golden Ratio. Claude Lorrain (French, c. 1600–1682). Rustic Dance, 1637. Oil on canvas. Galleria degli Uffizi, Florence. Claude Lorrain (French, c. 1600–1682). The Village Boerendans Dance, c. 1637. Etching. 29.7 x 24.1 cm. (11 ¾ x 9 ½ in.). Alamy Stock Photo. Claude Lorrain (French, c. 1600–1682). Harbor Scene with Rising, 1634. Etching. Sheet: 5 9/16 x 8 1/4 in. (14.1 x 21 cm.); plate: 5 1/8 x 7 13/16 in. (13 x 19.8 cm.). Metropolitan Museum of Art, New York. Claude Lorrain (French, c. 1600–1682). Harbor Scene with Rising Sun, c. 1649. Oil on canvas. 97 x 119 cm. (38 x 46 ¾ in.). Hermitage Museum, St. Petersburg. Claude Lorrain (French, c. 1600–1682). Seaport with Ulysses Returning Chryseis to Her Father, c. 1644. Pen and brown ink with brown and blue wash, heightened with white on blue paper. 19.8 x 26.2 cm. British Museum, London. Claude Lorrain (French, c. 1600–1682). Seaport with Ulysses Returning Chryseis to Her Father, 1650s. Oil on canvas. 119 x 150 cm (46 ¾ x 59 in.). Louvre, Paris. Claude Lorrain (French, c. 1600–1682). Landscape wirth Aeneas at Delos, c. 1672. Pen and brown ink and brown wash, with gray-brown wash. 19.3 x 25.6 cm. British Museum, London. Claude Lorrain (French, c. 1600–1682). Landscape with Aeneas at Delos, 1672. Oil on canvas. 99.6 x 134.3 cm. National Gallery, London. Claude Lorrain (French, c. 1600–1682). Index of owners of Claude's paintings in the Liber Veritatis. British Museum, London. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, c. 1600–1682). Holy Family, from the Liber Veritatis, 1776. Etching and aquatint. Sheet : 23 x 29.4 cm.; plate: 20.8 x 26.3 cm. Pushkin State Museum of Fine Arts, Moscow. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, c. 1600–1682), published by John Boydell (British, 1719–1804). Liber veritatis: or, A collection of prints, after the original designs of Claude le Lorrain ; in the collection of His Grace the Duke of Devonshire, 1777–1819. New York Public Library, New York. John Boydell (British, 1719–1804), publisher. Dedication from Liber veritatis: or, A collection of prints, after the original designs of Claude le Lorrain ; in the collection of His Grace the Duke of Devonshire, 1777–1819. New York Public Library, New York. James Mallord William Turner (British, 1775–1851). Fifth Plague of Egypt, from the Liber Studiorum, part III, plate 16), 1808. Etching only (before first state). Plate: 7 x 10 in. (17.8 x 25.4 cm.); sheet: 8 1/8 x 25 in. (20.6 x 63.5 cm.). Metropolitan Museum of Art, New York. James Mallord William Turner (British, 1775–1851) and Charles Turner (British, 1774–1857). Fifth Plague of Egypt, from the Liber Studiorum, part III, plate 16), 1808. Etching and mezzotint (first state of three). Plate: 7 1/16 x 10 1/4 in. (17.9 x 26 cm.); sheet: 8 1/4 x 11 7/16 in. (21 x 29.1 cm.). Metropolitan Museum of Art, New York. Claude Glass. Science Museum, London. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, c. 1600–1682), published by John Boydell (British, 1719–1804). No. 154 from Liber veritatis: or, A collection of prints, after the original designs of Claude le Lorrain ; in the collection of His Grace the Duke of Devonshire, 1777–1819. New York Public Library, New York. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, c. 1600–1682), published by John Boydell (British, 1719–1804). No. 1 and 2 from Liber veritatis: or, A collection of prints, after the original designs of Claude le Lorrain ; in the collection of His Grace the Duke of Devonshire, 1777–1819. New York Public Library, New York. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, c. 1600–1682), published by John Boydell (British, 1719–1804). No. 3 and 4 from Liber veritatis: or, A collection of prints, after the original designs of Claude le Lorrain ; in the collection of His Grace the Duke of Devonshire, 1777–1819. New York Public Library, New York. Richard Earlom (British, 1743–1822), after Claude Lorrain (French, c. 1600–1682), published by John Boydell (British, 1719–1804). No. 13 and 14 from Liber veritatis: or, A collection of prints, after the original designs of Claude le Lorrain ; in the collection of His Grace the Duke of Devonshire, 1777–1819. New York Public Library, New York. Claude Mellan (French, 1598–1688). Moses Before the Burning Bush, 1663. Engraving. Sheet (trimmed to platemark): 9 7/16 x 13 3/16 in. (24 x 33.5 cm.). Metropolitan Museum of Art, New York. Golden mean diagram, https://blog.artsper.com/en/a-closer-look/golden-ratio-in-art/.
Born and raised in New York City, I always found myself surrounded by cutting edge art and stunning architecture. My passion for art was one that developed early in life and always stuck with me. While studying Graphic Arts & Architecture at the City University of New York, I discovered photography through my coursework and began diving into the medium as a hobby. That hobby soon flourished into a professional career as I discovered a way to combine my excitement for photography & architecture. I spent the first 15 years of my professional career as a Photographer, Art Director and Creative Director for marketing organizations across New Jersey and New York City. Today, as an independent photographer, I am able to combine 15 years of client-facing services, along with my vision as an artist to bring a best in class customer experience to my clients. https://mikevantassell.com/ https://www.instagram.com/mikevantassell/
As a featured event of this year's NYCxDESIGN Festival, this special episodes of the Mic was recorded on May 24th and sponsored by Flamingo. Your host, Debbie Millman – herself one of only five women who have held the title of President Emeritus of the American Institute of Graphic Arts in over 100 years – led a panel of design revolutionaries that included Cher Russo, the Creative Director at Flamingo with previous lead creative roles at Glossier and Estée Lauder; Natasha Jen, an award-winning designer, educator, and partner at Pentagram; and Erica Eden, the founder of Tribe & Citizen, and previously the Global Director of Design Innovation at PepsiCo's Design Center. Tune in to hear their conversation on designing products and creating brands for women, with their bodies and choices in mind.
My husband and I had this conversation recently about "wasted" majors. He had recently talked to two young people who couldn't get jobs in their chosen fields and commented that they "wasted" their time in college. One major was in creative writing and one was in Graphic Arts. I really started thinking about how tragic it was that someone couldn't study what they wanted to or that they were passionate about because they wouldn't be able to find a job. Why is that? Creative writing is important. Graphic Arts are important. Why couldn't someone find a job doing important work that they really loved and wanted to do? It started me thinking that it isn't the majors themselves that aren't working, it is HOW we are educating students in high school and college about these majors. When do they learn the specific skills they need to get jobs in these fields? When do they learn about HOW to market themselves or the business skills they need to sell themselves to these industries to get the jobs? In my high school, we weren't teaching those skills and colleges MIGHT be a little better, but not much. Students and parents need to advocate for more real-world experiences and applications of skills to happen before their child ever graduates.I'd love to hear your ideas about this topic. Email me or message me on social media and tell me what you think. Find my podcastEmail me: ccoufal@betterregulatethannever.comText me: 785-380-2064More information Get a YouMap® Assessment Profile
This week I am talking to Jessie Desmond about her book 'Saucers of The North: A History of UFOs in Alaska Airspace'.A historical examination of UFOs in Alaska airspace spanning from native oral traditions, early Russian Alaska, Alaska as a US territory, Alaska as the 49th state, and to the present time. UFOs have been present earlier than most suspect. There are military ties and even some conspiracy theories.Saucers of The North provides a linear examination of Alaskan history based on the perspective of reported UFO activity. The social and cultural impact of UFOs have turned ufology into an area of interest and even the base of some fringe sciences. Alaska is known to have a high amount of UFO reports per capita. Saucers of the North expands on that and dives deep.Learn about:Native oral traditions that have extraterrestrial tiesPre-1947 sightings of strange things in the skyPost-1947 local sightings and military projects like Project PinballAnimal mutilation in AlaskaThe JAL 1628 UFO incident that took place on Nov. 17, 1986Conspiracy theories relating to UFO activityRecent UFO activityBioJessie has always been a creative person with a passion for writing, science, history, illustrating, painting, music, film, the paranormal, and cooking/baking. It's taken a lot of hard work since she came into this world in December of 1982, but she continues to pursue her interests and passions (writing, art, and the paranormal) on a daily basis.Jessie has been in-charge of the - now defunct - paranormal group PEAK (Paranormal Explorers of Alaska) for many years and still collects tidbits here and there of paranormal occurrences in Alaska. Aside from her interest in the paranormal, Jessie constantly writes, draws, and paints. Her first feature-length screenplay, written in February 2006 only took her 9 days! It's listed under 'Writing' and is called Revelations.From 2003-2006 Jessie attended the Joe Kubert School of Cartooning and Graphic Arts in New Jersey, receiving a degree in 2D Animation. Previous to this, at the University of Alaska, Fairbanks, she was a theatre major. In 2012, Jessie graduated from UAF with a BA in History with a European emphasis.Jessie spent a little time as the Alaska State Director for MUFON.Currently, Jessie is working on preparing for her first bodybuilding competition - hopefully in figure or physique (depends on how she ends up looking). While hitting the gym all the time, she is also currently working on 2 new books. A book on having a healthy lifestyle (a surprise book; it just happened). Her first novel with a working title of Night Blooms of Damascus.Interests include: pirates, traveling, European and US History, coffee, costuming, Halloween, horror films, the paranormal and occult, bangsian fantasy, steampunk, late-70s British punk rock, new wave/dark wave music, rock n' roll, comic books (X-Men and Batman), mythology and folklore, Egyptian history, being out on the ocean, raising her personal vibrations, conspiracies, chemistry, human anatomy, visiting zoos and museums, and trying new foods.Amazon book link http://rb.gy/cs4cuhttps://www.jessiedesmond.com/https://www.pastliveshypnosis.co.uk/https://www.patreon.com/alienufopodcast
Tim Hogan is a creative leader that helps companies find their voice in the connected world, adapting to the ever-changing media landscape, always seeking new ways to enhance brand experiences. He is currently the CCO of Tim Hogan Creative. His most recent role was as executive creative director of WundermanThompson's Los Angeles office, where he headed up creative for some of the agency's largest clients: including Microsoft and Snapchat. Tim specializes in building diverse, cross-disciplinary teams, tailored to the needs of business and has done so at agencies like Ogilvy and R/GA, where he brought a systems-focused approach to activating global brands including Kimberly Clark, Unilever, SC Johnson and Constellation Brands. For ten years, Tim was partner in a startup cross-media agency called The Royal Order of Experience Design. The digital-first agency focused on human-centered design before it had a name, connecting the dots between digital and retail by creating solutions for Patagonia, Kohler, Crate & Barrel, Orvis, NatureMade, Gogo and many more. His work has been recognized by award shows and publications including the American Institute of Graphic Arts, Graphis, Communication Arts, Strathmore, W3, Print Magazine and South by Southwest Interactive. As a member of the American Institute of Graphic Arts and the Society of Typographic Arts, he is a frequent competition judge, student portfolio reviewer and guest speaker. He has served on the board of The Boulevard, an organization committed to breaking the cycle of homelessness in Chicago, EPIC (Engaging Philanthropy, Inspiring Creatives) which pairs creative professionals with nonprofit clients, and Mudlark Theater which allows young people making real theater. He lives in Evanston, IL with his wife and three children, and when not working can usually be found riding one of his bicycles or coaching youth sports. What you'll learn in this episode: How to embrace and implement sound creative leadership for impactful results How to stay resilient during difficult times by relying on trusted individuals and reframing situations creatively Why it is important to prioritize a clear brief for sharper, faster, and targeted ideas How to navigate the challenges of identifying your value proposition and differentiating yourself from others How to distill problems into simple truths and how this leads to bigger ideas Why it is important to pressure-test ideas before committing to them How to establish an emotional connection and trust with customers and build long-term business relationships How to achieve the delicate balance between standing up for creative ideas and maintaining good business relationships Additional Resources: Website: https://www.timhogancreative.com/ 7 Ways to Coach Like a Creative Director Tim's LinkedIn Tim's Facebook Tim's Twitter Tim's Instagram
The After Hours Entrepreneur Social Media, Podcasting, and YouTube Show
Sherry Horowitz is an experienced graphic designer, focused on leveraging AI to conjure amazing images.Join us for an enlightening conversation with Sherry Horowitz, an experienced graphic designer and AI enthusiast, as she shares her insights on how AI changes graphic art, why graphic designers that don't adapt will become obsolete, and how Midjourney makes creating amazing graphic art instant. Don't miss this exciting discussion on how to revolutionize your graphic design with new strategies and technologies.Takeaways:Learn how AI changes graphic art and the importance of adapting to the future of graphic designDiscover how Midjourney makes creating amazing graphic art instantGain insights on how to revolutionize your graphic design with new strategies and technologiesLinks: https://www.linkedin.com/in/sherry-horowitz-1b9178204/Support the show
Season 4 Episode 2 - Dear Louise: Austin Price Austin Price is a student at Truckee Meadows Community College in Reno, NV, pursuing a degree in Graphic Arts and Media Technology, as well as the owner of a clothing brand called Death Connection; he is passionate about extreme sports but has faced significant injuries, including a spinal cord injury. Blink of an Eye is created by Louise Phipps Senft and co-produced by Louise Phipps Senft and Mike Serman. Theme music is by Victoria Vox. Blink of an Eye Podcast is sponsored by the Blink of an Eye Non Profit: a non-profit created as an essential national resource for Spinal Cord Injured families and medical teams in the first days and weeks of SCI crisis. Blink of an Eye non profit provides transformative intervention to change the Spinal Cord Injury experience for families and medical teams into an Extraordinary Experience despite the devastation by providing a national team of SCI specialized doctors for expert opinions in the Golden Hours of SCI injury, a Multidisciplinary Family Support & Navigation Team for SCI families lead by SCI families which travels to be bedside and available thereafter 24/7 for the first 30 days of crisis, and a National Resource Library of essential SCI information and trauma informed responses for the first hours and days after injury--what you need to know/say/do specialized for SCI families, friends and medical staff. Blink of an Eye also offers a Registry of Medically Unexpected SCI Recoveries. To find out more, visit www.blinkofaneye.org. To find out more about Louise and this podcast, visit the websites www.blinkofaneyepodcast.org, BaltimoreMediation.com, and www.BeingRelational.com. To find out more about learning relational mediation skills for navigating hospital and medical conflict and trauma, visit the website www.BaltimoreMediation.com. Follow us on Instagram and Facebook @blinkofaneyepodcast. Our Twitter is @blinkofaneyepod. Make sure to subscribe wherever you get your podcasts. You can become a member of our Patreon community and see extra Blink of an Eye content and bonus episodes at: www.patreon.com/blinkofaneyepod. To find out more about Archer and to see some of Archer's artwork, check out www.slimeyard.com. #hopeforeverything #obtaineverything #lovehealstrauma #beginagain Music in this episode is: Summer by Serman Link: https://open.spotify.com/artist/66YBKqgJHiY8DchDScDNjv?si=H1Lq13QdQ8--RI2-JyuKnw Light The Way by Ian Kelosky https://app.soundstripe.com/songs/1519 License: https://app.soundstripe.com/songs/1519 Dream Guitar by Frank Schroeter https://filmmusic.io/song/7759-dream-guitar License: https://filmmusic.io/standard-license Ethereal Meditative Piano by MusicLFiles Link: https://filmmusic.io/song/6292-ethereal-meditative-piano License: https://filmmusic.io/standard-license Horizon Flare by Alexander Nakarada Link: https://filmmusic.io/song/4837-horizon-flare License: https://filmmusic.io/standard-license Emotional Piano Improvisation by Alexander Nakarada Link: https://filmmusic.io/song/6199-emotional-piano-improvisation License: https://filmmusic.io/standard-license Angel Share by Kevin MacLeod Link: https://filmmusic.io/song/3367-angel-share License: https://filmmusic.io/standard-license Soft Interlude by Alexander Nakarada Link: https://filmmusic.io/song/7766-soft-interlude License: https://filmmusic.io/standard-license
Gary Pageau of the Dead Pixels Society talked with Rick Bellamy, managing partner of the Inflecton and executive chair of Dscoop. In this interview, Bellamy talks about developing sustainability standards and best practices for the printing industry, and how this can drive a triple bottom line for benefiting people, the planet, and profits. He also talks about the upcoming Dscoop Edge World Expo, where the Dead Pixels Society will host photo-specific education and events.Bellamy has more than 20 years of leading and successfully navigating companies through inflection points, utilizing a unique triple bottom line (People, Planet, Profit ) framework to guide companies to a future of sustainable growth that generates business value.Mediaclip Mediaclip strives to continuously enhance the user experience while dramatically increasing revenue.Buzzsprout - Let's get your podcast launched! Start for FREEDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showSign up for the Dead Pixels Society newsletter at http://bit.ly/DeadPixelsSignUp.Contact us at gary@thedeadpixelssociety.comShout out to podcast supporter Keith Osborn of Memory Fortress for becoming a paid subscriber.Visit our LinkedIn group, Photo/Digital Imaging Network, and our Facebook group, The Dead Pixels Society. Leave a review on Apple and on Podchaser. Interested in being a guest? Click here for details.Produced by Gary PageauEdited by Olivia PageauAnnouncer: Erin Manning
That ALL Might Be Edified: Discussions on Servant Leadership
The guest of this episode is Northwestern State University Professor Matt DeFord who talks about the value of being present with the people around you and in the environment you are in. Matt talks about the importance of setting healthy boundaries and how that can help us be present and also set the tone to empower others. This also set the stage to talk about the importance for us as Servant Leaders to help those around us set healthy boundaries. Matt talked about leadership in hurricane response, at the University, in his Church responsibilities and in his personal life while displaying the power of getting to know the people around him and learning their unique strengths and gifts. This allows him to find the appropriate ways to delegate, appreciate, and congratulate the people around him to harness their potential and help them grow. He teaches us that we can set a vision and allow the people around us to use their individual processes to complete the tasks in ways that can amaze us. Just because the process is different than our own doesn't mean it is wrong and often we can learn from the way other's do things differently. He discusses ways that his creativity is thwarted while displaying avenues where we can improve creativity in our organizations. Challenges are the opportunities that life gives us and balance really is a myth, so it is up to us to choose where to focus our priorities at a given time. When we learn to harness the complete team, we can expand our ability to meet our organization's priorities through delegation and empowerment. We can all be a leader wherever we are when we are willing to serve each other and build one another up! Matt DeFord is the son of hippie converts. They met each other hitchhiking, then found religion after crossing the plains with their thumbs out. He grew up in the Midwest and Texas. After serving a mission for the Church of Jesus Christ of Latter-Day Saints in the South Africa Johannesburg mission, he met and married Canadian Julie Heggie while attending Ricks College (BYU-Idaho). They have seven children and live in Natchitoches, Louisiana where he is a professor of Art at Northwestern State University. He was Chair of the Department of Fine and Graphic Arts for twelve years and has served in the church as bishop and stake president while also fulfilling his professional and familial responsibilities. Matt has never sought out leadership or considered himself much of a leader, but the opportunities have presented themselves to him and he has worked to serve those around him. Resources: NSU professors bonded for life after kidney donation - KSLA News https://www.ksla.com/2021/08/26/nsu-professors-bonded-life-after-one-donates-kidney-another/ DeFord Designs Cinco de Mayo Pen - Natchitoches Times https://www.natchitochestimes.com/2022/05/03/deford-designs-cinco-de-mayo-pen/ Ensign College Devotional with Elder David A. Bednar - Living in Revelation https://www.ensign.edu/devotional/elder-david-a-bednar-and-jeff-simpson-01-2023
Joey Cofone shares what it really means to be creative and why everyone can be creative in any role. — YOU'LL LEARN — 1) Why creativity isn't just for the “creatives”. 2) Why we shouldn't shy away from our fears. 3) How to come up with ideas on the spot. Subscribe or visit AwesomeAtYourJob.com/ep841 for clickable versions of the links below. — ABOUT JOEY — Joey Cofone is the Founder & CEO of Baronfig, an award-winning designer and entrepreneur, and author of The Laws of Creativity. Joey has designed and art directed over 100 products from zero to launch. His work has been featured in Fast Company, Bloomberg, New York Magazine, Newsweek, Bon Appétit, Quartz, Mashable, Print, and more. Joey was named a New Visual Artist and, separately, Wunderkind designer, by Print magazine. He is also a 1st place winner of the American Institute of Graphic Arts design competition, Command X. Joey strives to make work that appeals to curious minds—work that's beautiful, smart, and communicative. He believes that design is the least of a designer's worries, that story is at the heart of all tasks, and jumping off cliffs is the only way to grow. He lives in New York City with his wife, Ariana, and his dog (and writing buddy), Luigi. • Book: The Laws of Creativity: Unlock Your Originality and Awaken Your Creative Genius • Website: JoeyCofone.com — RESOURCES MENTIONED IN THE SHOW — • Book: The Count of Monte Cristo (Penguin Classics) by Alexandre Dumas • Book: The Martian Chronicles by Ray Bradbury • Book: The Phantom Tollbooth by Norton Juster and Jules Feiffer See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Paula Scher is one of the most acclaimed graphic designers in the world. She has been a principal in the New York office of the international design consultancy Pentagram since 1991, where she has designed identity systems, environmental graphics, packaging and publications for a wide range of clients that includes and is not limited to, the Public Theater, the Museum of Modern Art, the High Line, the Metropolitan Opera, the United States Holocaust Museum, Tiffany & Co., Citibank and Microsoft. Scher has been the recipient of hundreds of industry honors including the National Design Award and the American Institute of Graphic Arts medal. She is an established artist exhibiting worldwide, and her designs are in the permanent collections of the Museum of Modern Art, the Cooper Hewitt National Design Museum, the Library of Congress, the Victoria and Albert Museum, and other institutions. Scher is the author of many books including and not limited to Paula Scher: Twenty-Five Years at the Public: A Love Story (2020), Paula Scher: MAPS (2011), and Make It Bigger: (illustrated monograph on the design process and work of Paula Scher) (2005). Her #HealthDesign projects have included Period Equity, Planned Parenthood, and Square Peg Round Hole. A must watch documentary on Scher and her work can be seen in the Netflix series “Abstract: The Art of Design.”
Joey Cofone is Co-Founder/CEO of Baronfig and an award-winning graphic designer based in New York City. His work has been featured in Fast Company, Bloomberg, New York Magazine, and Bon Appétit, among others. Joey is a 1st place winner of the American Institute of Graphic Arts biennial design competition, Command X. In 2015 he was named a top New Visual Artist and, separately, Wunderkind young designer, both by PRINT Magazine. He holds a BFA in Graphic Design from the School of Visual Arts in New York City; he also spent four years pursuing a BA in Literature & Philosophy at Seton Hall University. Before launching Baronfig, he ran Joey Cofone Design, a small studio focused on creating brands for startups. Joey strives to make work that appeals to curious minds—work that's beautiful, smart, and communicative. He believes that design is the least of a designer's worries, that story is at the heart of all tasks, and jumping off cliffs is the only way to grow. Read the show notes on Arcbound's Podcast Page: https://arcbound.com/podcasts/ Find Arcbound here: Homepage: Arcbound.com Services/Work with Us: https://arcbound.com/work-with-us/ About: https://arcbound.com/about/ Founders Corner: https://arcbound.com/category/founders-corner/ Connect: https://arcbound.com/connect/
Question: Did you know that according to a study from NASA, 98% of 5 year olds are creative geniuses? But only 2% of adults are. Why is this? What causes most of us adults to lose that creative ingenuity? And how do we get it back?Well that's what we discuss today with our new friend Joey Cofone.Joey is the Founder & CEO of Baronfig, an award-winning designer and entrepreneur, and author of #1 bestselling book The Laws of Creativity. Joey has designed and art directed over 100 products from zero to launch. You can consider him obsessed with unconventional creativity. His work has been featured in Fast Company, Bloomberg, New York Magazine, Newsweek, Bon Appétit, Quartz, Mashable, Print, and more. He is also a 1st place winner of the American Institute of Graphic Arts design competition, Command X.Joey strives to make work that appeals to curious minds—work that's beautiful, smart, and communicative. He believes that design is the least of a designer's worries, that story is at the heart of all tasks, and that jumping off cliffs is the only way to grow.CONNECT WITH JOEY COFONE: Book // Website // IGOUR LINKS + DISCOUNTSMushyLove Latte (discount: MEDICIN)Immune Intel AHCCPaleovalley (discount: MEDICIN)Our favorite Reishi KING CoffeeOrganifi (20% discount: MIMIFIT)See all our favorite products on The Medicin CabinetCONNECT WITH USOur websiteMimi's IG // Chase's IG // The Medicin IGSound from Zapsplat.com