Podcast appearances and mentions of Brian Cummings

The Rev. Brian Cummings, S.S.E., a Saint Michael's College campus minister, was in Rome on his final day of sabbatical when he learned of Pope Francis' passing. He shares details on his time in Rome and his reflections on Francis' legacy.

Motorsport: Die Suid-Afrikaanse tydrenkampioene, Henk Lategan en Brian Cummings, is nou die voorlopers in Dakar 2025. Die span van Made in SA Toyota Gazoo Hilux het 'n taktiese wedren voltooi om derde in die tweede skof van 48 uur te eindig agter die plaaslike held, Yazeed Al-Rajhi en Timo Gottschalk, en die vyfmalige wenner van die Dakar, Nasser Al-Attiyah en die Fransman, Edouard Boulanger, se Dacia Sandrider. Hulle is nou op die algehele ranglys voor Al-Rajhi en Al-Attiyah. Henk Lategan lewer kommentaar.

In part 2 of these premiere episodes of Ethnocynology with David Ian Howe, David speaks for another 30 minutes straight (with maybe 3 pauses) about his favorite subject—Ethnocynology.David begins by recapping what he talked about last time; how he studied archaeology, and what led him to studying dogs.He then starts this episode off with how he grew up with an aunt who is a veterinarian and how he always had a stream of dogs in and out of the house.He then talks about his mentors and predecessors Dr. Brian Cummings who coined the neologism “ethnocynology,” and Dr. Angela Perri, who is the leading researcher in dog genetics.David then talks about meeting Dr. Perri in Italy at a conference, and how he bombed his opening performance at the conference.David then continues to discuss how he created the Ethnocynology Instagram, and how it was an outlet to teach the things he had learned in grad school.Transcripts For rough transcripts of this episode, go to: https://www.archpodnet.com/ethno/02Links: Links: davidianhowe.comArchPodNet APN Website: https://www.archpodnet.com APN on Facebook: https://www.facebook.com/archpodnet APN on Twitter: https://www.twitter.com/archpodnet APN on Instagram: https://www.instagram.com/archpodnet Tee Public Store: https://www.teepublic.com/stores/archaeology-podcast-network?ref_id=5724

Great Northern Distilling (Stevens Point, WI) WF0032 Thanks to everyone taking part in our Instagram Craft Distillery Bracketology. Without you, I wouldn't have discovered so many great Wisconsin distilleries, including the one I'm visiting today in the heart of America's Dairyland, beer land, and now whiskey land. During our visit, we'll learn about what potatoes bring to vodka, the special ingredients that make a Wisconsin Old Fashioned unique, and dive into the concept of the Wisconsin supper club with Brian Cummings, Great Northern's founder. Plus on This Week in Whiskey Lore, we'll go back 130 years to the day Chicago went dry...at least in terms of distilling. To see Whiskey Lore's online distillery travel guide, head to whiskey-lore.com/travelguide and look for distilleries with headphone icons to find episodes of our Whiskey Flights.

Monday mornings during the month of August, Morning Light presents our Back-to-School series - today, joining us from Cottonwood, Brian Cummings, Principal of St. John Bosco Academy.   

Brian Cummings has played dozens of Odyssey characters from Christopher Columbus to the local soccer coach to Emperor Nero to even Jesus Christ.

Brian Cummings has played dozens of Odyssey characters from Christopher Columbus to the local soccer coach to Emperor Nero to even Jesus Christ. But he recently returned as the mysterious Chairman. Brian tells us about his diverse voice roles, including and the most memorable voice of all.

Charges were dropped a few days ago against James Jeremiah Jones-Drain, the man responsible for fleeing police and in the process hitting and killing Laneal Frazier. We talked to Hennepin County Attorney Mary Moriarty on the case, her time as head of the attorney's office in Hennepin County and more.

Rep. Frank Hornstein joins at the top of the hour to talk about the latest debate and arguments regarding Southwest LRT and the legislative audit of the project. We also discuss the sentence for former MPD officer Brian Cummings before speaking with CNBC's Brian Sullivan about the state of the American economy.

Bibliophobia: The End and the Beginning of the Book (Oxford UP, 2022) is a book about material books, how they are cared for, and how they are damaged, throughout the 5000-year history of writing from Sumeria to the smartphone. Its starting point is the contemporary idea of 'the death of the book' implied by the replacement of physical books by digital media, with accompanying twenty-first-century experiences of paranoia and literary apocalypse. It traces a twin fear of omniscience and oblivion back to the origins of writing in ancient Babylon and Egypt, then forwards to the age of Google. It uncovers bibliophobia from the first Chinese emperor to Nazi Germany, alongside parallel stories of bibliomania and bibliolatry in world religions and literatures. Books imply cognitive content embodied in physical form, in which the body cooperates with the brain. At its heart this relationship of body and mind, or letter and spirit, always retains a mystery. Religions are founded on holy books, which are also sites of transgression, so that writing is simultaneously sacred and profane. In secular societies these complex feelings are transferred to concepts of ideology and toleration. In the ambiguous future of the internet, digital immateriality threatens human equilibrium once again. Bibliophobia is a global history, covering six continents and seven religions, describing written examples from each of the last thirty centuries (and several earlier). It discusses topics such as the origins of different kinds of human script; the development of textual media such as scrolls, codices, printed books, and artificial intelligence; the collection and destruction of libraries; the use of books as holy relics, talismans, or shrines; and the place of literacy in the history of slavery, heresy, blasphemy, censorship, and persecution. It proposes a theory of writing, how it relates to speech, images, and information, or to concepts of mimesis, personhood, and politics. Originating as the Clarendon Lectures in the Faculty of English at the University of Oxford, the methods of Bibliophobia range across book history; comparative religion; philosophy from Plato to Hegel and Freud; and a range of global literature from ancient to contemporary. Richly illustrated with textual forms, material objects, and art works, its inspiration is the power that books always (and continue to) have in the emotional, spiritual, bodily, and imaginative lives of readers. Brian Cummings is Anniversary Professor at the University of York. Before arriving at York, he was Fellow of Trinity College, Cambridge, and then Professor of English at the University of Sussex. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Bibliophobia: The End and the Beginning of the Book (Oxford UP, 2022) is a book about material books, how they are cared for, and how they are damaged, throughout the 5000-year history of writing from Sumeria to the smartphone. Its starting point is the contemporary idea of 'the death of the book' implied by the replacement of physical books by digital media, with accompanying twenty-first-century experiences of paranoia and literary apocalypse. It traces a twin fear of omniscience and oblivion back to the origins of writing in ancient Babylon and Egypt, then forwards to the age of Google. It uncovers bibliophobia from the first Chinese emperor to Nazi Germany, alongside parallel stories of bibliomania and bibliolatry in world religions and literatures. Books imply cognitive content embodied in physical form, in which the body cooperates with the brain. At its heart this relationship of body and mind, or letter and spirit, always retains a mystery. Religions are founded on holy books, which are also sites of transgression, so that writing is simultaneously sacred and profane. In secular societies these complex feelings are transferred to concepts of ideology and toleration. In the ambiguous future of the internet, digital immateriality threatens human equilibrium once again. Bibliophobia is a global history, covering six continents and seven religions, describing written examples from each of the last thirty centuries (and several earlier). It discusses topics such as the origins of different kinds of human script; the development of textual media such as scrolls, codices, printed books, and artificial intelligence; the collection and destruction of libraries; the use of books as holy relics, talismans, or shrines; and the place of literacy in the history of slavery, heresy, blasphemy, censorship, and persecution. It proposes a theory of writing, how it relates to speech, images, and information, or to concepts of mimesis, personhood, and politics. Originating as the Clarendon Lectures in the Faculty of English at the University of Oxford, the methods of Bibliophobia range across book history; comparative religion; philosophy from Plato to Hegel and Freud; and a range of global literature from ancient to contemporary. Richly illustrated with textual forms, material objects, and art works, its inspiration is the power that books always (and continue to) have in the emotional, spiritual, bodily, and imaginative lives of readers. Brian Cummings is Anniversary Professor at the University of York. Before arriving at York, he was Fellow of Trinity College, Cambridge, and then Professor of English at the University of Sussex. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Bibliophobia: The End and the Beginning of the Book (Oxford UP, 2022) is a book about material books, how they are cared for, and how they are damaged, throughout the 5000-year history of writing from Sumeria to the smartphone. Its starting point is the contemporary idea of 'the death of the book' implied by the replacement of physical books by digital media, with accompanying twenty-first-century experiences of paranoia and literary apocalypse. It traces a twin fear of omniscience and oblivion back to the origins of writing in ancient Babylon and Egypt, then forwards to the age of Google. It uncovers bibliophobia from the first Chinese emperor to Nazi Germany, alongside parallel stories of bibliomania and bibliolatry in world religions and literatures. Books imply cognitive content embodied in physical form, in which the body cooperates with the brain. At its heart this relationship of body and mind, or letter and spirit, always retains a mystery. Religions are founded on holy books, which are also sites of transgression, so that writing is simultaneously sacred and profane. In secular societies these complex feelings are transferred to concepts of ideology and toleration. In the ambiguous future of the internet, digital immateriality threatens human equilibrium once again. Bibliophobia is a global history, covering six continents and seven religions, describing written examples from each of the last thirty centuries (and several earlier). It discusses topics such as the origins of different kinds of human script; the development of textual media such as scrolls, codices, printed books, and artificial intelligence; the collection and destruction of libraries; the use of books as holy relics, talismans, or shrines; and the place of literacy in the history of slavery, heresy, blasphemy, censorship, and persecution. It proposes a theory of writing, how it relates to speech, images, and information, or to concepts of mimesis, personhood, and politics. Originating as the Clarendon Lectures in the Faculty of English at the University of Oxford, the methods of Bibliophobia range across book history; comparative religion; philosophy from Plato to Hegel and Freud; and a range of global literature from ancient to contemporary. Richly illustrated with textual forms, material objects, and art works, its inspiration is the power that books always (and continue to) have in the emotional, spiritual, bodily, and imaginative lives of readers. Brian Cummings is Anniversary Professor at the University of York. Before arriving at York, he was Fellow of Trinity College, Cambridge, and then Professor of English at the University of Sussex. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Bibliophobia: The End and the Beginning of the Book (Oxford UP, 2022) is a book about material books, how they are cared for, and how they are damaged, throughout the 5000-year history of writing from Sumeria to the smartphone. Its starting point is the contemporary idea of 'the death of the book' implied by the replacement of physical books by digital media, with accompanying twenty-first-century experiences of paranoia and literary apocalypse. It traces a twin fear of omniscience and oblivion back to the origins of writing in ancient Babylon and Egypt, then forwards to the age of Google. It uncovers bibliophobia from the first Chinese emperor to Nazi Germany, alongside parallel stories of bibliomania and bibliolatry in world religions and literatures. Books imply cognitive content embodied in physical form, in which the body cooperates with the brain. At its heart this relationship of body and mind, or letter and spirit, always retains a mystery. Religions are founded on holy books, which are also sites of transgression, so that writing is simultaneously sacred and profane. In secular societies these complex feelings are transferred to concepts of ideology and toleration. In the ambiguous future of the internet, digital immateriality threatens human equilibrium once again. Bibliophobia is a global history, covering six continents and seven religions, describing written examples from each of the last thirty centuries (and several earlier). It discusses topics such as the origins of different kinds of human script; the development of textual media such as scrolls, codices, printed books, and artificial intelligence; the collection and destruction of libraries; the use of books as holy relics, talismans, or shrines; and the place of literacy in the history of slavery, heresy, blasphemy, censorship, and persecution. It proposes a theory of writing, how it relates to speech, images, and information, or to concepts of mimesis, personhood, and politics. Originating as the Clarendon Lectures in the Faculty of English at the University of Oxford, the methods of Bibliophobia range across book history; comparative religion; philosophy from Plato to Hegel and Freud; and a range of global literature from ancient to contemporary. Richly illustrated with textual forms, material objects, and art works, its inspiration is the power that books always (and continue to) have in the emotional, spiritual, bodily, and imaginative lives of readers. Brian Cummings is Anniversary Professor at the University of York. Before arriving at York, he was Fellow of Trinity College, Cambridge, and then Professor of English at the University of Sussex. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Bibliophobia: The End and the Beginning of the Book (Oxford UP, 2022) is a book about material books, how they are cared for, and how they are damaged, throughout the 5000-year history of writing from Sumeria to the smartphone. Its starting point is the contemporary idea of 'the death of the book' implied by the replacement of physical books by digital media, with accompanying twenty-first-century experiences of paranoia and literary apocalypse. It traces a twin fear of omniscience and oblivion back to the origins of writing in ancient Babylon and Egypt, then forwards to the age of Google. It uncovers bibliophobia from the first Chinese emperor to Nazi Germany, alongside parallel stories of bibliomania and bibliolatry in world religions and literatures. Books imply cognitive content embodied in physical form, in which the body cooperates with the brain. At its heart this relationship of body and mind, or letter and spirit, always retains a mystery. Religions are founded on holy books, which are also sites of transgression, so that writing is simultaneously sacred and profane. In secular societies these complex feelings are transferred to concepts of ideology and toleration. In the ambiguous future of the internet, digital immateriality threatens human equilibrium once again. Bibliophobia is a global history, covering six continents and seven religions, describing written examples from each of the last thirty centuries (and several earlier). It discusses topics such as the origins of different kinds of human script; the development of textual media such as scrolls, codices, printed books, and artificial intelligence; the collection and destruction of libraries; the use of books as holy relics, talismans, or shrines; and the place of literacy in the history of slavery, heresy, blasphemy, censorship, and persecution. It proposes a theory of writing, how it relates to speech, images, and information, or to concepts of mimesis, personhood, and politics. Originating as the Clarendon Lectures in the Faculty of English at the University of Oxford, the methods of Bibliophobia range across book history; comparative religion; philosophy from Plato to Hegel and Freud; and a range of global literature from ancient to contemporary. Richly illustrated with textual forms, material objects, and art works, its inspiration is the power that books always (and continue to) have in the emotional, spiritual, bodily, and imaginative lives of readers. Brian Cummings is Anniversary Professor at the University of York. Before arriving at York, he was Fellow of Trinity College, Cambridge, and then Professor of English at the University of Sussex. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Bibliophobia: The End and the Beginning of the Book (Oxford UP, 2022) is a book about material books, how they are cared for, and how they are damaged, throughout the 5000-year history of writing from Sumeria to the smartphone. Its starting point is the contemporary idea of 'the death of the book' implied by the replacement of physical books by digital media, with accompanying twenty-first-century experiences of paranoia and literary apocalypse. It traces a twin fear of omniscience and oblivion back to the origins of writing in ancient Babylon and Egypt, then forwards to the age of Google. It uncovers bibliophobia from the first Chinese emperor to Nazi Germany, alongside parallel stories of bibliomania and bibliolatry in world religions and literatures. Books imply cognitive content embodied in physical form, in which the body cooperates with the brain. At its heart this relationship of body and mind, or letter and spirit, always retains a mystery. Religions are founded on holy books, which are also sites of transgression, so that writing is simultaneously sacred and profane. In secular societies these complex feelings are transferred to concepts of ideology and toleration. In the ambiguous future of the internet, digital immateriality threatens human equilibrium once again. Bibliophobia is a global history, covering six continents and seven religions, describing written examples from each of the last thirty centuries (and several earlier). It discusses topics such as the origins of different kinds of human script; the development of textual media such as scrolls, codices, printed books, and artificial intelligence; the collection and destruction of libraries; the use of books as holy relics, talismans, or shrines; and the place of literacy in the history of slavery, heresy, blasphemy, censorship, and persecution. It proposes a theory of writing, how it relates to speech, images, and information, or to concepts of mimesis, personhood, and politics. Originating as the Clarendon Lectures in the Faculty of English at the University of Oxford, the methods of Bibliophobia range across book history; comparative religion; philosophy from Plato to Hegel and Freud; and a range of global literature from ancient to contemporary. Richly illustrated with textual forms, material objects, and art works, its inspiration is the power that books always (and continue to) have in the emotional, spiritual, bodily, and imaginative lives of readers. Brian Cummings is Anniversary Professor at the University of York. Before arriving at York, he was Fellow of Trinity College, Cambridge, and then Professor of English at the University of Sussex. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Bibliophobia: The End and the Beginning of the Book (Oxford UP, 2022) is a book about material books, how they are cared for, and how they are damaged, throughout the 5000-year history of writing from Sumeria to the smartphone. Its starting point is the contemporary idea of 'the death of the book' implied by the replacement of physical books by digital media, with accompanying twenty-first-century experiences of paranoia and literary apocalypse. It traces a twin fear of omniscience and oblivion back to the origins of writing in ancient Babylon and Egypt, then forwards to the age of Google. It uncovers bibliophobia from the first Chinese emperor to Nazi Germany, alongside parallel stories of bibliomania and bibliolatry in world religions and literatures. Books imply cognitive content embodied in physical form, in which the body cooperates with the brain. At its heart this relationship of body and mind, or letter and spirit, always retains a mystery. Religions are founded on holy books, which are also sites of transgression, so that writing is simultaneously sacred and profane. In secular societies these complex feelings are transferred to concepts of ideology and toleration. In the ambiguous future of the internet, digital immateriality threatens human equilibrium once again. Bibliophobia is a global history, covering six continents and seven religions, describing written examples from each of the last thirty centuries (and several earlier). It discusses topics such as the origins of different kinds of human script; the development of textual media such as scrolls, codices, printed books, and artificial intelligence; the collection and destruction of libraries; the use of books as holy relics, talismans, or shrines; and the place of literacy in the history of slavery, heresy, blasphemy, censorship, and persecution. It proposes a theory of writing, how it relates to speech, images, and information, or to concepts of mimesis, personhood, and politics. Originating as the Clarendon Lectures in the Faculty of English at the University of Oxford, the methods of Bibliophobia range across book history; comparative religion; philosophy from Plato to Hegel and Freud; and a range of global literature from ancient to contemporary. Richly illustrated with textual forms, material objects, and art works, its inspiration is the power that books always (and continue to) have in the emotional, spiritual, bodily, and imaginative lives of readers. Brian Cummings is Anniversary Professor at the University of York. Before arriving at York, he was Fellow of Trinity College, Cambridge, and then Professor of English at the University of Sussex. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Bibliophobia: The End and the Beginning of the Book (Oxford UP, 2022) is a book about material books, how they are cared for, and how they are damaged, throughout the 5000-year history of writing from Sumeria to the smartphone. Its starting point is the contemporary idea of 'the death of the book' implied by the replacement of physical books by digital media, with accompanying twenty-first-century experiences of paranoia and literary apocalypse. It traces a twin fear of omniscience and oblivion back to the origins of writing in ancient Babylon and Egypt, then forwards to the age of Google. It uncovers bibliophobia from the first Chinese emperor to Nazi Germany, alongside parallel stories of bibliomania and bibliolatry in world religions and literatures. Books imply cognitive content embodied in physical form, in which the body cooperates with the brain. At its heart this relationship of body and mind, or letter and spirit, always retains a mystery. Religions are founded on holy books, which are also sites of transgression, so that writing is simultaneously sacred and profane. In secular societies these complex feelings are transferred to concepts of ideology and toleration. In the ambiguous future of the internet, digital immateriality threatens human equilibrium once again. Bibliophobia is a global history, covering six continents and seven religions, describing written examples from each of the last thirty centuries (and several earlier). It discusses topics such as the origins of different kinds of human script; the development of textual media such as scrolls, codices, printed books, and artificial intelligence; the collection and destruction of libraries; the use of books as holy relics, talismans, or shrines; and the place of literacy in the history of slavery, heresy, blasphemy, censorship, and persecution. It proposes a theory of writing, how it relates to speech, images, and information, or to concepts of mimesis, personhood, and politics. Originating as the Clarendon Lectures in the Faculty of English at the University of Oxford, the methods of Bibliophobia range across book history; comparative religion; philosophy from Plato to Hegel and Freud; and a range of global literature from ancient to contemporary. Richly illustrated with textual forms, material objects, and art works, its inspiration is the power that books always (and continue to) have in the emotional, spiritual, bodily, and imaginative lives of readers. Brian Cummings is Anniversary Professor at the University of York. Before arriving at York, he was Fellow of Trinity College, Cambridge, and then Professor of English at the University of Sussex. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.

A former Minneapolis police officer pleaded guilty Thursday to criminal vehicular homicide in connection with a fatal crash. Brian Cummings, 39, admitted in court that he was chasing a vehicle stolen in a carjacking at speeds approaching 100 miles per hour on July 6, 2021 when he struck and killed Leneal Frazier. This is an MPR News morning update, hosted by Cathy Wurzer. Music by Gary Meister.

Chad starts the show with talk about the countries we haven't visited that are at the top of the bucket list. We also discuss the plea deal for former MPD officer Brian Cummings before some fun with Am I Wrong?.

Former MPD officer Brian Cummings killed a man while driving way too fast during a chase through a residential area. Especially considering this isn't the first time he was driving over 100 mph, Chad says the punishment in the plea deal is not nearly strong enough.

In s3e19, host Ann Shafer talks with Maryanne Ellison Simmons, collector, printer, and owner of Wildwood Press in St. Louis, MO. Along with her husband, baseball hall-of-famer Ted Simmons, Maryanne collects contemporary prints. A large portion of the collection is now at the Saint Louis Art Museum where it was celebrated in an exhibition in 2022. Listeners may remember that Ann and Tru Ludwig traveled to St. Louis to see this exhibition and interview one of its curators, Elizabeth Wyckoff (s3e7), artist Tom Huck (s3e4 and s3e13), and Ted and Maryanne. Sadly, the audio file from the conversation with the Simmons was corrupt, so Ann circled back and interviewed Maryanne without Ted (sorry, Ted). But it gave them an opportunity to talk about not only the collection and the exhibition, but also Wildwood Press. Episode image: Brian Cummings  

And now, our feature presentation! This week, Jake, Chris and Matt speak with a true legend in the voiceover industry! Brian Cummings' voice can be heard in television and radio, including many home video promos for companies like Disney, Paramount and Columbia TriStar, as well as lending his voice to characters in projects like "DuckTales", "G.I. Joe", "The Berenstain Bears", "Disney's Adventures of the Gummi Bears" and many more!

It's Fall and time for a new season of 'In My Voice' and we're featuring a lively interview with Brian Cummings. Brian left South Dakota in search of Hollywood gold and soon became a radio DJ that quickly segued into full time voice acting. Best know for his roles in animation classic like FernGully: The Last Rainforest (1992), Beauty and the Beast (1991) and The Hunchback of Notre Dame. Don't miss it and remember to share and consider supporting us on Patreon to keep this show going!

In this episode of the Chasing Leviathan podcast, PJ and Dr. Brian Cummings discuss the history of the book, particularly as it relates to issues of power, social control, and backlash against "dangerous" books. Dr. Cummings also explores the interplay of books and belief in the history of global religions.For a deep dive into Dr. Dr. Brian Cummings' work, check out his book:Bibliophobia: The End and the Beginning of the Book

In this premiere of THE BERENSTAIN BEARS your Saturday Morning preservationist, Christopher Jay, takes a look at the origin of the show. We take a look at the talent behind the scenes, a rundown of the pilot segments, and a look at the legacy of THE BERENSTAIN BEARS after all these years.It's not just a look at THE BERENSTAIN BEARS but also how the Bear Country show came to be. Explore the life and times of Brian Cummings, Ruth Buzzi, and David Mendenhall.   Come along with Papa, Mama, and the cubs all the way back to September 14, 1985. Take a trip back to the 80s, and explore how the books for early readers came to Saturday Morning! But this episode isn't just about that. We explore the life and times of Stan and Jan Berenstain, the creators of The Berenstain Bears.Thanks for ‘tooning in. Support Us: patreon.com/SaturdayMornShare Us: SatMornPod@hotmail.comTwitter Us: @SatMornPodYouTube Us: tinyurl.com/yyhpwjeo  Featured Music:“Nostalgic Happy Music” by AudioJungle - https://www.youtube.com/watch?v=QtxSUR6MQhw&t=2s“Happy Life” by Fredji - https://www.youtube.com/watch?v=KzQiRABVARk“I Feel You” by Kevin MacLeod” - https://www.youtube.com/watch?v=Uw8E3jjbUCE“Nostalgic” by OrangeHead - https://www.youtube.com/watch?v=wExcRoNNzAc“Breakfast Club” by Vodovoz - https://www.youtube.com/watch?v=2Spi22l3m5I“Horizons” by Atch - https://www.youtube.com/watch?v=y-u53MADIag“80's Hijack” by Gee - https://www.youtube.com/watch?v=ndVqzJ9Lk6M&t=26s“Synthmania” by Vodovoz - https://www.youtube.com/watch?v=M6r20TKnA6M“United” by Vodovoz - https://www.youtube.com/watch?v=ArjGQFCcHxA“Cool Blue” by Vodovoz - https://www.youtube.com/watch?v=Lp5cxZWP-wc

Dean Wendell Goss (born September 22, 1949 in Santa Clara, California) is an American disc jockey who has also had several announcer roles on television game shows. As a disc jockey, he has been employed by several radio stations in California, including KCBQ San Diego from 1976 to 1979 and KFRC 99.7 in San Francisco. His first announcing role was in 1985, on the second season of the 1984-86 version of Let's Make a Deal (known as The All New Let's Make a Deal), where he succeeded voice actor Brian Cummings as the show's second announcer. Hall had planned to retire at the end of the season, and had Goss host two deals in a 1986 episode in an attempt to see if a third season, with Goss hosting, would sell (it would not). Other game shows for which he has announced include Bargain Hunters and the Wink Martindale-hosted version of High Rollers both from 1987, as well as NBC's I'm Telling!, and the syndicated Slime Time. He was also a substitute announcer on the syndicated version of The $100,000 Pyramid in 1988 and 1991. PICTURE: By Copyright: Dean Goss - Contact us/Photo submission, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=5330365 LET'S MAKE A DEAL 1984 THEME: https://www.youtube.com/watch?v=hHnA8R8PT_o&t=43s LET'S MAKE A DEAL ZONK MUSIC: https://www.youtube.com/watch?v=dTjALTCD4AA FOLLOW US AND SUBSCRIBE TO THE YOUTUBE CHANNEL: https://www.youtube.com/channel/UCzyAwZGTgAdonBKhTxUiC2Q --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/thequeensnewyorker/message Support this podcast: https://anchor.fm/thequeensnewyorker/support

This week's episode features an interview with 3Step's Brian Cummings. Brian is a U Maryland grad, a football alum, and was on the founding team at Under Armour with his Terp Teammate and Under Armour Founder, Kevin Plank. 3Step - where BC is the Director of Apparel Sales - is the largest youth sports ecosystem in the nation designed to give every athlete, parent, and coach involved the premier sports experience. Before the interview, we dive into Aaron Rodgers ‘immunized' statement, talk about Tip's trip up north, and explain the reason behind the delay in the POP62 challenge. Make sure to rate and subscribe! Follow along on Instagram @PastOurPrimeShow

This week's episode features an interview with 3Step's Brian Cummings. Brian is a U Maryland grad, a football alum, and was on the founding team at Under Armour with his Terp Teammate and Under Armour Founder, Kevin Plank. 3Step - where BC is the Director of Apparel Sales - is the largest youth sports ecosystem in the nation designed to give every athlete, parent, and coach involved the premier sports experience. Before the interview, we dive into Aaron Rodgers ‘immunized' statement, talk about Tip's trip up north, and explain the reason behind the delay in the POP62 challenge. Make sure to rate and subscribe! Follow along on Instagram @PastOurPrimeShow

Mpls Cop Charged in Death of Bystander While In PursuitHennepin County Attorney Mike Freeman has charged Minneapolis police officer Brian Cummings with second degree manslaughter and criminal vehicular homicide in the death of Leneal Frazier. Feven Gerezgiher reports:On Friday Hennepin County Attorney Mike Freeman charged Minneapolis police officer Brian Cummings with second degree manslaughter and criminal vehicular homicide in the death of Leneal Frazier.“Officers have got to know if they are as brazen and as negligent as Officer Cummings, at least as long as I'm here, they're going to get charged,” said Freeman.The county attorney said Cummings was in pursuit of a stolen vehicle near midnight, driving at high speeds for more than 20 blocks through residential streets of North Minneapolis. The attorney says he ran a red light and slammed into the driver's side of Frazier's car at nearly 80 mph, killing him.“That's tragic. That's criminal. That's why we charged,” said Freeman.Freeman said the drivers of the stolen vehicle were never apprehended. He also said that pursuits have led to 40 fatalities in Minnesota in the last 10 years.Freeman is now calling on the Minneapolis Police Department to change its policies around pursuits.Mitchell-Hamline law professor Rick Petry found the news unexpected.“For a long time, it seemed like the county attorney in Hennepin County didn't charge police officers, no matter what they did,” he said. “So there seems to be a change in the tide for whatever reason.”Petry said MPD has clear policies indicating pursuits should not continue when they endanger public safety.“Policies are important, but even more important than the policies are the enforcement of the policy,” said Petry. “And that's been one of the big challenges in the Minneapolis Police Department for as long as I can remember is holding people accountable when they violate the law, or if they violate police policies.” Petry said Cummings faces up to 10 years in jail.(audio credit: KARE 11)

In this premiere of THE WUZZLES, your Saturday Morning preservationist, Christopher Jay, takes a look at the origin of the show. Included, is a look at the talent behind the scenes, a rundown of the pilot, “Bulls of a Feather”, and a look at the legacy of THE WUZZLES after all these years.It's not just a look at THE WUZZLES, but also how the animals with split personalities came to be from Disney. Explore the life and times of Brian Cummings, Alan Oppenheimer and the rest of the cast.   Come along with Bumblelion, Butterbear, and Rhinokey all the way back to September 14, 1985. Take a trip back to the Isle of Wuz and explore what was when Crocosaurus and his goons tried to get the better of THE WUZZLES.Thanks for ‘tooning in. Support Us: patreon.com/SaturdayMornShare Us: SatMornPod@hotmail.comTwitter Us: @SatMornPodYouTube Us: tinyurl.com/yyhpwjeo  Featured Music:“Nostalgic Happy Music” by AudioJungle - https://www.youtube.com/watch?v=QtxSUR6MQhw&t=2s“Happy Life” by Fredji - https://www.youtube.com/watch?v=KzQiRABVARk“I Feel You” by Kevin MacLeod” - https://www.youtube.com/watch?v=Uw8E3jjbUCE“Nostalgic” by OrangeHead - https://www.youtube.com/watch?v=wExcRoNNzAc“Breakfast Club” by Vodovoz - https://www.youtube.com/watch?v=2Spi22l3m5I“Horizons” by Atch - https://www.youtube.com/watch?v=y-u53MADIag“80's Hijack” by Gee - https://www.youtube.com/watch?v=ndVqzJ9Lk6M&t=26s“Synthmania” by Vodovoz - https://www.youtube.com/watch?v=M6r20TKnA6M“United” by Vodovoz - https://www.youtube.com/watch?v=ArjGQFCcHxA“Cool Blue” by Vodovoz - https://www.youtube.com/watch?v=Lp5cxZWP-wc

NEW PODCAST EPISODE! The Order of Battle Podcast episode 37 is here! It’s that time again, Ed joins us to talk about the upcoming 2021 Joe Fest GI Joe convention. Ed joins Jason and Joel to reminisce about previous Joe Fests and discuss changes to this year’s event. We walk through vendors, some layout changes, Marauder Task Force, JE Russel’s Toy Custom Class, and more. We even announce that Order of Battle Podcast will be officially there, so stop by the table and see us. It’s going to be safe, but it’s also going to be a party. Ed also let us know that 80’s Toys of Princeton (https://www.facebook.com/80stoysprincetonwv/) is sponsoring a signing appearance of none other than Brian Cummings (http://thebriancummings.com/), aka DR MIND BENDER!Please go to www.joefestusa.com to book tickets and hotel rooms. 25-27 June is just around the corner! We hope to see you there.Website: www.orderofbattlepod.com Email: orderofbattlepod@gmail.comTwitter: @orderofbattlepdInstagram: @orderofbattlepod#gijoe

The dramatic religious revolutions of the sixteenth and seventeenth centuries involved a battle over social memory. On one side, the Reformation repudiated key aspects of medieval commemorative culture; on the other, traditional religion claimed that Protestantism was a religion without memory. Memory and the English Reformation (Cambridge UP, 2020) shows how religious memory was sometimes attacked and extinguished, while at other times rehabilitated in a modified guise. It investigates how new modes of memorialisation were embodied in texts, material objects, images, physical buildings, rituals, and bodily gestures. Attentive to the roles played by denial, amnesia, and fabrication, it also considers the retrospective processes by which the English Reformation became identified as an historic event. Examining dissident as well as official versions of this story, this richly illustrated, interdisciplinary collection traces how memory of the religious revolution evolved in the two centuries following the Henrician schism, and how the Reformation embedded itself in the early modern cultural imagination. Zach McCulley (@zamccull) is a historian of religion and literary cultures in early modern England and PhD candidate in History at Queen's University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices

The dramatic religious revolutions of the sixteenth and seventeenth centuries involved a battle over social memory. On one side, the Reformation repudiated key aspects of medieval commemorative culture; on the other, traditional religion claimed that Protestantism was a religion without memory. Memory and the English Reformation (Cambridge UP, 2020) shows how religious memory was sometimes attacked and extinguished, while at other times rehabilitated in a modified guise. It investigates how new modes of memorialisation were embodied in texts, material objects, images, physical buildings, rituals, and bodily gestures. Attentive to the roles played by denial, amnesia, and fabrication, it also considers the retrospective processes by which the English Reformation became identified as an historic event. Examining dissident as well as official versions of this story, this richly illustrated, interdisciplinary collection traces how memory of the religious revolution evolved in the two centuries following the Henrician schism, and how the Reformation embedded itself in the early modern cultural imagination. Zach McCulley (@zamccull) is a historian of religion and literary cultures in early modern England and PhD candidate in History at Queen's University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices

The dramatic religious revolutions of the sixteenth and seventeenth centuries involved a battle over social memory. On one side, the Reformation repudiated key aspects of medieval commemorative culture; on the other, traditional religion claimed that Protestantism was a religion without memory. Memory and the English Reformation (Cambridge UP, 2020) shows how religious memory was sometimes attacked and extinguished, while at other times rehabilitated in a modified guise. It investigates how new modes of memorialisation were embodied in texts, material objects, images, physical buildings, rituals, and bodily gestures. Attentive to the roles played by denial, amnesia, and fabrication, it also considers the retrospective processes by which the English Reformation became identified as an historic event. Examining dissident as well as official versions of this story, this richly illustrated, interdisciplinary collection traces how memory of the religious revolution evolved in the two centuries following the Henrician schism, and how the Reformation embedded itself in the early modern cultural imagination. Zach McCulley (@zamccull) is a historian of religion and literary cultures in early modern England and PhD candidate in History at Queen's University Belfast.

The dramatic religious revolutions of the sixteenth and seventeenth centuries involved a battle over social memory. On one side, the Reformation repudiated key aspects of medieval commemorative culture; on the other, traditional religion claimed that Protestantism was a religion without memory. Memory and the English Reformation (Cambridge UP, 2020) shows how religious memory was sometimes attacked and extinguished, while at other times rehabilitated in a modified guise. It investigates how new modes of memorialisation were embodied in texts, material objects, images, physical buildings, rituals, and bodily gestures. Attentive to the roles played by denial, amnesia, and fabrication, it also considers the retrospective processes by which the English Reformation became identified as an historic event. Examining dissident as well as official versions of this story, this richly illustrated, interdisciplinary collection traces how memory of the religious revolution evolved in the two centuries following the Henrician schism, and how the Reformation embedded itself in the early modern cultural imagination. Zach McCulley (@zamccull) is a historian of religion and literary cultures in early modern England and PhD candidate in History at Queen's University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

The dramatic religious revolutions of the sixteenth and seventeenth centuries involved a battle over social memory. On one side, the Reformation repudiated key aspects of medieval commemorative culture; on the other, traditional religion claimed that Protestantism was a religion without memory. Memory and the English Reformation (Cambridge UP, 2020) shows how religious memory was sometimes attacked and extinguished, while at other times rehabilitated in a modified guise. It investigates how new modes of memorialisation were embodied in texts, material objects, images, physical buildings, rituals, and bodily gestures. Attentive to the roles played by denial, amnesia, and fabrication, it also considers the retrospective processes by which the English Reformation became identified as an historic event. Examining dissident as well as official versions of this story, this richly illustrated, interdisciplinary collection traces how memory of the religious revolution evolved in the two centuries following the Henrician schism, and how the Reformation embedded itself in the early modern cultural imagination. Zach McCulley (@zamccull) is a historian of religion and literary cultures in early modern England and PhD candidate in History at Queen's University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

The dramatic religious revolutions of the sixteenth and seventeenth centuries involved a battle over social memory. On one side, the Reformation repudiated key aspects of medieval commemorative culture; on the other, traditional religion claimed that Protestantism was a religion without memory. Memory and the English Reformation (Cambridge UP, 2020) shows how religious memory was sometimes attacked and extinguished, while at other times rehabilitated in a modified guise. It investigates how new modes of memorialisation were embodied in texts, material objects, images, physical buildings, rituals, and bodily gestures. Attentive to the roles played by denial, amnesia, and fabrication, it also considers the retrospective processes by which the English Reformation became identified as an historic event. Examining dissident as well as official versions of this story, this richly illustrated, interdisciplinary collection traces how memory of the religious revolution evolved in the two centuries following the Henrician schism, and how the Reformation embedded itself in the early modern cultural imagination. Zach McCulley (@zamccull) is a historian of religion and literary cultures in early modern England and PhD candidate in History at Queen's University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

The dramatic religious revolutions of the sixteenth and seventeenth centuries involved a battle over social memory. On one side, the Reformation repudiated key aspects of medieval commemorative culture; on the other, traditional religion claimed that Protestantism was a religion without memory. Memory and the English Reformation (Cambridge UP, 2020) shows how religious memory was sometimes attacked and extinguished, while at other times rehabilitated in a modified guise. It investigates how new modes of memorialisation were embodied in texts, material objects, images, physical buildings, rituals, and bodily gestures. Attentive to the roles played by denial, amnesia, and fabrication, it also considers the retrospective processes by which the English Reformation became identified as an historic event. Examining dissident as well as official versions of this story, this richly illustrated, interdisciplinary collection traces how memory of the religious revolution evolved in the two centuries following the Henrician schism, and how the Reformation embedded itself in the early modern cultural imagination. Zach McCulley (@zamccull) is a historian of religion and literary cultures in early modern England and PhD candidate in History at Queen's University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/christian-studies

The dramatic religious revolutions of the sixteenth and seventeenth centuries involved a battle over social memory. On one side, the Reformation repudiated key aspects of medieval commemorative culture; on the other, traditional religion claimed that Protestantism was a religion without memory. Memory and the English Reformation (Cambridge UP, 2020) shows how religious memory was sometimes attacked and extinguished, while at other times rehabilitated in a modified guise. It investigates how new modes of memorialisation were embodied in texts, material objects, images, physical buildings, rituals, and bodily gestures. Attentive to the roles played by denial, amnesia, and fabrication, it also considers the retrospective processes by which the English Reformation became identified as an historic event. Examining dissident as well as official versions of this story, this richly illustrated, interdisciplinary collection traces how memory of the religious revolution evolved in the two centuries following the Henrician schism, and how the Reformation embedded itself in the early modern cultural imagination. Zach McCulley (@zamccull) is a historian of religion and literary cultures in early modern England and PhD candidate in History at Queen's University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

The dramatic religious revolutions of the sixteenth and seventeenth centuries involved a battle over social memory. On one side, the Reformation repudiated key aspects of medieval commemorative culture; on the other, traditional religion claimed that Protestantism was a religion without memory. Memory and the English Reformation (Cambridge UP, 2020) shows how religious memory was sometimes attacked and extinguished, while at other times rehabilitated in a modified guise. It investigates how new modes of memorialisation were embodied in texts, material objects, images, physical buildings, rituals, and bodily gestures. Attentive to the roles played by denial, amnesia, and fabrication, it also considers the retrospective processes by which the English Reformation became identified as an historic event. Examining dissident as well as official versions of this story, this richly illustrated, interdisciplinary collection traces how memory of the religious revolution evolved in the two centuries following the Henrician schism, and how the Reformation embedded itself in the early modern cultural imagination. Zach McCulley (@zamccull) is a historian of religion and literary cultures in early modern England and PhD candidate in History at Queen's University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The members of G.i. Joe Cobra including Morgan Lofting "Baroness", Brian Cummings "Dr. Mindbender", Gregg Berger "Spirit", Keone Young "Storm Shadow", and Pat Fraley "Ace" all answer fan questions during our GalaxyCon Q&A Panel.Originally aired live...

YO! JOE RAPS is a weekly CelebWorx Live Inside Look Into The Iconic Saturday Morning Cartoon Series: G.I. JOE! Hosts Christopher Arsaga and Nery Lemus, and SPECIAL GUEST Brian Cummings, beloved voice-over actor behind Dr. Mindbender, will discuss stories behind the iconic series. Join us every Thursday for an EXCLUSIVE behind the scenes discussion with the CelebWorx duo that brings many of your childhood heroes to a convention near you! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/celebworx-live/support

“As Christians, we are often confronted with questions about why God lets bad things happen. Today we will explore the origin of bad things, their impact on our lives, and our assurance of a brighter future.” –Brian Cummings The post From Bad Things to a Brighter Day 1-18-2020 appeared first on Peachtree City Seventh-day Adventist Church.

What better way is there to look back at the 2010s (aka The WOJM Decade) than with our tribute to the running jokes that have fueled our discussions since 2011?  It was impossible to catch everything, but hopefully your favorites will show up somewhere in this well-placed tribute to the most overbearing running joke in the English language, the number 69.  Mike, Joe, and an ironically-debuting Wristlock Wes Whitlock invite you to enjoy the end of the WOJM Decade with a complete lack of class but good intentions and lots of love!  We'll catch you again in 2020... the start of The WOJM Decade Part II: Electric Boogaloo! Special thanks to the talent heard on this episode: Erik Arana, Chuck Averitt, Justin Bell, Michael Bell, Jared Bunnell, Jon M. Chu, Joe Colton, Brian Cummings, Sara Detrick, Ryan Drost, Chuck Emanuele, Shannon Gallant, Gary Godsoe, George Greenoe, Larry Hama, Gary Head, Zack Hoffman, Eddie Inman, Mike Irizarry, Rob Irizarry, Jamie Johnson, James Kavanaugh, Carson Mataxis, Chris McLeod, Kate McLeod, Craig Moore, Johnny Pottorf, Bill Ratner, Kevin Michael Richardson, Neil Ross, Hawk Sanders, Brian Savage, Greg Schueller, David Tree, Brian Tudor, Bobby Vala, Page Wagner, Kevin Watts, and Mark Weber, and a shout out to everyone else who has made making this show so much fun!

Who wants a bonus episode of DuckTalks this week? Mitch and Pirate Steven recorded this mini episode of DuckTalks to cover the news that had happened the week of our interview with Brian Cummings. On this episode we discuss the February Hiatus, the release of […]

Mitch and Pirate Steven were joined by the uber talented voice actor Brian Cummings this week for a very special episode of DuckTalks. Brian has voiced several characters from the Disney Afternoon (Doofus Drake, Bumblelion, Bebop Beagle, and more!). Brian was generous with his talents […]

Kevin sits down with Brian Cummings of Gram Tactical to discuss gear ready accessible medication and the devices they make to make it easier and safer to administer medication on the battlefield.

Brian Cummings - "Doofus" from DuckTales - joins Saturday Morning Rewind, and it's all part of DuckTales month!   Check Brian Cummings out online: www.thebriancummings.com   We would like to thank our Patreon supporters for this month:       Jared Tolbert           Visit our Patreon page and get some rewards for donating each month: PATREON "Like" the Saturday Morning Podcast Network on Facebook: HERE Don't forget to donate to help keep us going - even if it's a dollar: DONATE Please rate us on iTunes: iTunes Visit our website: www.SaturdayMorningRewind.com Follow us on Twitter: @SaturdayRewind Follow us on Facebook: Facebook

Welcome back to the Neverland Podcast! There's something strange in Neverland this week, and it's a new Ghostbusters movie. I've got a review of this attempted reboot of a beloved franchise which unlike it's predecessor, leaves things open for a sequel. Perhaps there was more desire for a series of movies rather than just to make one good movie? Find out in the Neverland Movie Review! Before that we've got some fun Disney Park news and some exciting movie and video game news that is certified fresh! And after the review, Lost Boy Eric has a great conversation with voice actor Brian Cummings which you will probably know best as being the voice of Dr. Mindbender from G.I.Joe! And finally prepared to get Tangled up at the Royal Theater in Disneyland as Jeremy is on the road to Rolla, MO! This week's cover art is by Dave Alverez! Grab your pixie and let's fly to Neverland! Be sure to visit iTunes to purchase your copy of The Jungle Book (Original Motion Picture Soundtrack) - John Debney and of course Star Wars: The Force Awakens (Original Motion Picture Soundtrack) - John Williams Please also pick up your copy of Journey to the Stars - Tom Ameen Katie Leigh's (Sunny Gummi, Honker from Darkwing Duck new audio book with Will Ryan (Willie the Giant, Pete-Mickey's Christmas Carol, Rabbit-Welcome to Pooh Corner) Adventures in Oddity. Be sure to purchase some great music from Yehaa Bob Jackson! Bob Jackson's Sunset Sky on iTunes Bob Jackson's Original Compositions on iTunes Bob Jackson's The Saddest Poem on iTunes Teenage Mutant Ninja Turtles Theme - Single - The Ninja Turtles Help Neverlander @biggyirk with his new and improved Pinocchio LEGO Marionette! LEGO Ideas! Please rate and review The Neverland Podcast! iTunes Stitcher Blubrry Twitter Facebook Facebook Group Email Us! Leave a Voicemail (816) 226-6492 Visit our shop! http://neverlandpodcast.spreadshirt.com/ Become a patron! https://www.patreon.com/neverlandpodcast We are part of the We Be Geeks Network  

This whole episode will speak for itself.  New 4th chair, Joe Colton officially joins the rotation!  Zack Hoffman and Brian Cummings join us to talk about JoeCon 2015 in our first ever double-interview.  None of this episode is timely - AT ALL, but we hope you enjoy it nevertheless.  We have two more shows in the "can" that we will be working on in the coming weeks.  So, something to look forward to.  In the meantime, help the #savegijoe campaign and sign the petition by going to www.savegijoe.org or https://www.change.org/p/hasbro-save-gi-joe.   Thanks to everyone for their patience and understanding during our "hiatus."  It has been a busy year-of-change for all of the hosts. 

ZOMG!!!  What is this?! WOJM content has been posted that isn't either Football or Boss Fight related?!  It is a joyous day!! Yes, yes, with the site of JoeCon 2016 just being announced, I guess now is just as good of a time to post the audio from our live show from JoeCon 2015 in Springfield. Joining us on stage that day was a near who-who of published (or soon to be) GI Joe authors. When you mention author on our show, you can't go too far in thought without Noted Author James Kavanaugh coming to mind. James joins us once again to talk about his new (at the time) RAHC Rank & File Guide!  We also have Tim Finn join us to talk about his work in progress: A Real American Book!  Next we are joined by Carson Mataxis (who is really wanting that 4th chair with us) and his new book: Collecting the Art of GI Joe, Vol 1.  All of these authors and their books, its like the Opra show...without the free stuff under your seat!!  Lastly, Brian Cummings impromptly (is that a word?) joins us on stage in a quick follow up to our earlier interview with him.  Its a whole lotta info smashed into less than an hour!  We'll have another real episode very soon, we promise.  Thanks for listening!

Ryan introduces the voice actor panels from Joe Con. In this episode you'll hear hilarious and fun stories from the voice actors Zack Hoffman (voice of Zartan), Morgan Lofting (voice of The Baroness) and Brian Cummings (voice of Dr. Mindbender). It's a great episode for any Joe fan of the cartoons! Enjoy!

Her father loved me, oft invited me, Still questioned me the story of my life From year to year—the battles, sieges, fortunes That I have passed. —Othello (1.3.149–152) What do we know about Shakespeare's life? The answer: Not as much as we would like to. As much or as little, in other words, as we would about any middle-class Englishman of his time. This episode of Shakespeare Unlimited considers not only that question, but two others: During the past four centuries, when and how did biographers learn about Shakespeare's life? And does knowing about any writer's biography, including Shakespeare's, make any difference in responding to their work? To tackle those big, and intriguing, questions, Rebecca Sheir talks with Brian Cummings, Anniversary Professor of English at the University of York. Cummings delivered the 2014 Shakespeare's Birthday Lecture on "Shakespeare, Biography, and Anti-Biography" at the Folger Shakespeare Library; the lecture also opened the Folger Institute's NEH-funded collaborative research conference, "Shakespeare and the Problem of Biography," which Cummings co-organized. ----------------------------------- From the Shakespeare Unlimited podcast series. © Folger Shakespeare Library. All rights reserved. Produced for the Folger Shakespeare Library by Richard Paul. Garland Scott is the associate producer. Edited by Gail Kern Paster and Esther Ferington. With help from Lisa Burch and Chris Robins at the University of York.

Our inaugural episode with guest Brian Cummings. Brian talks about his sustainability project and turning his entire city lot into one large garden.