Podcast appearances and mentions of David Salle

A conversation with documentary filmmaker Sophie Chahinian whose Artist Profile Archive features one-on-one conversations and footage from the studios of some of the most iconic artists of our time, including the likes of David Salle, Yinka Shonibare, Charles Gaines and Shirin Neshat.https://www.theartistprofilearchive.com/Lita AlbuquerqueAlice AycockTroy BrauntuchChuck CloseEric FischlCharles GainesApril GornikDan GrahamAlexandra GrantDavid HepherSheree HovsepianVirginia JaramilloJon KesslerRobert LongoEd MosesShirin NeshatArcmanoro NilesAngel OteroCarol PeligianAlexis RockmanDavid SalleBastienne SchmidtJoel ShapiroPeter SheltonPeter ShireYinka ShonibareGary SimmonsNed SmythMarnie WeberJames WellingLetha WilsonManoucher Yektai

Pianist-composer Bruce Wolosoff is a musical alchemist, organically mixing his multiple experiences in the worlds of jazz, rock, blues and classical music. His new solo album, Memento, melds the evolution of Wolosoff's performance and compositional style into a genre that is all his own and true to himself. Wolosoff is a “formidable pianist” (Gramophone) who can tackle the great romantics like Busoni and Liszt. He can improvise like Bach and Beethoven as well as today's jazz greats. His contemporary compositions are informed by his past whilst imbued with his current belief in “the primacy of lyricism and melody.” TRACKLIST:1. Siempre 4.492. Morning Song 4.213. Improvisation on a Ground by Henry Purcell 2.454. After the Rain 3.285. Memento 4.516. Letter to a Friend 2.337. City Lights 2.158. The Lotus Eaters 3.489. Dido's Blues 4.34Night Paintings10. I. I've Got It All Up Here (after a painting by David Salle) 5.0411. II. Evening on Karl Johan Street (after a painting by Edvard Munch) 2.3812. III. La Nuit étoilée sur le Rhône (after a painting by Vincent van Gogh) 4.4513. IV. Nocturnal (after a painting by Margaret Garrett) 4.37Total duration: 50.33Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

Emad Mostaque and David Salle at Founders Forum, Oct 2022 --- Send in a voice message: https://anchor.fm/johnb/message

Episode Notes Our Patreon Transcript (95-ish percent accurate!) SUMMARY KEYWORDS feels, painting, piece, david, sally, acrylic, paintwork, shapely, blue stripe, lime green, salle, present, image, top, takata, lollipop, front, untitled, meme, encountering   David Salle is a postmodernist who's probably closer to a pop artist than anything else. He tweeted a image of a new painting he did called Untitled. it's 2022. And it's flashe, acrylic and pencil on paper, which has been mounted to aluminum.   But it also fully feels like David Sally has embraced meme culture. Because the image is of a shapely young woman looking back at a well built young gentleman. She's in this beautiful green dress, he's in a lime green tank top and looks like black jeans. But in between them is something interesting. It is a globule, the only way I can really put it, you can see the letters S E. And this sort of Pac Man like symbol, it kind of looks like you might want you might see on a lollipop, but it is 100% between them. But then again, there's more to the painting. There's this blue stripe of acrylic that goes across the top, and it actually passes in front of between the two of them, it looks like but in front of the man's head, and you see the back of his head. And it's he's got black hair, but there's this sort of like baldy spot, and you can see the blue through it. It's as if he's not really there. But he's there. Cuz she's looking at him. In the same way that we're looking at him. Only she's looking at the front part.   The whole idea here seems to be a separation between two people who are looking at each other, but forced to look through a lens of a third thing that is present in the painting that we're not given much of. And it might be that those two are the only two who actually have anything of an idea of what this piece is between them. It doesn't seem to be created by them, it seems to be them encountering it, almost like a fence that they're looking over. It's a fascinating piece and it has this feeling of the classic you know, he's looking at this girl who's walking by and his girlfriend looks exasperated  at him for looking at her. Could well be but the whole thing feels as if it is a reference outside of itself, which is David Sally's real leisure domain, but honestly, it just feels as if he is leaning into the present. And the piece, you know the paintwork kind of feels like a Teppei Takata there's just this sense of paint to it. Something I don't usually sort of ascribe to David Salle works Find out more at https://three-minute-modernist.pinecast.co

Ep.111 features Darryl Westly. He received his BFA from the Cooper Union in 2014. Upon graduation Westly began an apprenticeship at the Jeff Koons studio, concluding in 2016 whereupon he participated in the Beirut Art Residency Program in Beirut, Lebanon. Solo presentations include A Dream Deferred at 1969 Gallery, Interior/Exterior at ParisTexasLA Gallery, LA. Group exhibitions include Everyday is Sunday at UTA Artists Space, Beverly Hills CA, Animal Kingdom at Alexander Berggruen Gallery, New York NY, Vanquishing Ocular curated by David Salle and Nicole Wittenberg ,Rental Gallery, East Hampton & Ways To Die by The Bruce High Quality Foundation. Collections include the Rema Hort Foundation, The Portland Museum of Art, The Fidelity Collection, among many others. Westly lives and works in New York, New York. Artist https://www.darrylwestly.com/ Kavi Gupta Kavi Gupta https://kavigupta.com/exhibitions/364-forthcoming-skin-masks-decolonizing-art-beyond-the-kavi-gupta-elizabeth-street/ Introspective Magazine https://www.1stdibs.com/introspective-magazine/black-artist-fund/ Creative Boom https://www.creativeboom.com/inspiration/darryl-westly/ Collater.al Darryl https://www.collater.al/en/darryl-westly-a-dream-deferred-painting Authority Magazine https://medium.com/authority-magazine/darryl-westly-5-things-i-wish-someone-told-me-when-i-first-became-an-artist-b93c858dd9a8 Medium https://medium.com/@kenyondunscomb/darryl-westly-paints-the-disorienting-experience-of-current-events-f592542b 1734 Booooooom https://www.booooooom.com/2021/12/16/artist-spotlight-darryl-westly/ Off-Kilter https://offkilter.co/contemporaryart/darryl-westly The BrooklynRail https://brooklynrail.org/2020/11/artseen/Interiors-hello-from-the-living-room White Hot Magazine https://whitehotmagazine.com/articles/interiors-at-1969-gallery/4779 The Brooklyn Circus https://thebkcircus.com/culture/digital-impressionism Office Magazine http://officemagazine.net/7x Q With Tom Power https://www.cbc.ca/radio/q/friday-june-5-2020-darryl-westly-brandy-and-more-1.5599743 Artnet https://news.artnet.com/art-world/artists-protests-george-floyd-testimonials-1876254 Whitewall https://whitewall.art/art/darryl-westly-painting-a-representational-abstract-world Interview Magazine https://www.interviewmagazine.com/culture/darryl-westly-vic-mensa-chicago-interior-exterior-paristexasla

In this episode, podcast host and artist Jessica Libor chats with one of the Muses Escape founders, Syrie Moskowitz. Syrie is an artist, writer, and director, known for her expertise in historical costumes and ability to bring fairytales to life, both in front of and behind the lens. She has collaborated with world-renowned artists, authors, and photographers, including Ellen von Unwerth, Mark Seligar, Pamela Hanson, David Salle, Amy Arbus, George Holz, Salman Rushdie, David Michalek, and Jenny Morgan. She is the creative director of the New York City-based immersive theatre group, The Lillian Lorraine Collective, for which she has written, directed, and produced numerous performances over the last six years. Her shows have appeared at such venues as Lincoln Center, the Whitney, and the Morgan Library. The Muses Escape is best described by an attendee, Kendra, as she writes: "Resolute in finding secluded and unique locales, the Muses provide immersion into a world of the past, into a time of beauty enhanced by texture – hand written letters, luxurious gowns, and photos filled with mystique. The lectures and workshops probe the depths of human psyche to reach truest potential, sometimes at the stroke of midnight. If you are searching – yearning – for something akin to magic, Muses Escapes will not fail your desires." Learn about the Muses Escape and attend their magical events here: https://www.musesescape.com/ Follow the Muses Escape on Instagram: https://www.instagram.com/musesescape/ Learn more about Jessica's artwork here: https://www.jessicalibor.com ~ Explore courses and coaching for artists here: https://www.thevisionaryartistssalon.com ~ Explore and enroll for the Luminary Artist Academy here: https://www.thevisionaryartistssalon.com/luminary-artist-academy Contact Jessica at jlibor@jessicalibor.com or on Instagram at @jessicaliborstudio and @thevisionaryartistssalon ~ Free guide to selling your art online authentically: CLICK HERE FOR THE FREE GUIDE! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/inspiredpainter/support

American painter David Salle has been a creative force for decades. As a part of the Pictures Generation, his colorful and magnetic canvases are explored as part of a major retrospective at the Brant Foundation. On this episode, Dan speaks with David about how he studied under John Baldessari, why he thinks artists never retire, and why he chose to create his first NFT. See acast.com/privacy for privacy and opt-out information.

'Power of the Dog', bad drivers, money acumen, lifestyle creep, fantasizing about being rich, and David Salle at the Brant Foundation.

 In this episode of the NFT QT Show, QuHarrison Terry secured the show's most exclusive guest to date: David Salle. For the unfamiliar, David Salle is a world-renowned contemporary artist whose work can be found everywhere from the Guggenheim in New York to the Tate Gallery in London to the Art Institute of Chicago.David released his very first NFT and we had the honor of speaking with him first about the piece. We discuss topics including:What prompted his decision to create an NFT, when he's already accomplished so much in his careerWhether or not we can enjoy art on screens and what's different about that mediumHow he fine-tunes his process of collaborating with other creatorsWhy he loves memes and feels they closely resemble his style of artFor more information on the topics discussed in this episode, head over to NFTQT.comYou can view David Salle's NFT here 

When the audience for visual art expanded from small circles of artists and collectors into broader culture, the way art was experienced shifted from aesthetics to explanation. Art, it became thought, should be about something. But David Salle rebukes this literal-mindedness: according to him, what we think and feel when reacting to a piece of art is more authoritative than what's written on the label next to it. A painter, sculptor, and filmmaker, David is also the author of How to See: Looking, Talking, and Thinking about Art, a highly regarded book on artistic criticism. David joined Tyler to discuss the fifteen (or so) functions of good art, why it's easier to write about money than art, what's gone wrong with art criticism today, how to cultivate good taste, the reasons museum curators tend to be risk-averse, the effect of modern artistic training on contemporary art, the evolution of Cézanne, how the centrality of photography is changing fine art, what makes some artists' retrospectives more compelling than others, the physical challenges of painting on a large scale, how artists view museums differently, how a painting goes wrong, where his paintings end up, what great collectors have in common, how artists collect art differently, why Frank O'Hara was so important to Alex Katz and himself, what he loves about the films of Preston Sturges, why The Sopranos is a model of artistic expression, how we should change intellectual property law for artists, the disappointing puritanism of the avant-garde, and more. Visit our website: https://conversationswithtyler.com Email: cowenconvos@mercatus.gmu.edu Follow us on Twitter: https://twitter.com/cowenconvos Follow us on Instagram: https://instagram.com/cowenconvos/ Follow Tyler on Twitter: https://twitter.com/tylercowen Follow David on Twitter: https://twitter.com/David_Salle Like us on Facebook: https://facebook.com/cowenconvos Subscribe to our Newsletter: https://go.mercatus.org/l/278272/2017-09-19/g4ms

Many people know the multi-talented Martin Mull as a celebrated TV and film actor and comedian, as well as a musician and writer.  But what some people don't know is that, first and foremost, he is an artist -- a respected accomplished American painter, whose work is embraced and lauded by the artworld,  and resides in museums and private collections worldwide including, The Whitney, The MET and LACMA.  Renowned artists from  Richard Prince to Eric Fischl to  David Salle, consider Martin Mull a contemporary  American master.  Since the 1970's, Martin Mull has been a ubiquitous presence on the big and small screens - from Norman Lear's groundbreaking series “Mary Hartman, Mary Hartman” and “Fernwood Tonight” to "Arrested Development", “Roseanne”, “Two and a Half Men”, and “Veep”, as well as films like “Mrs. Doubtfire”,  Robert Altman's “O.C. and Stiggs”, “Mr. Mom”, and “Clue.”  With a Smithsonian American Museum show and a major monograph on the horizon for 2023, we join Martin Mull LIVE at his studio in Los Angeles.

Nel 1977, il critico Douglas Crimp organizza a New York “Pictures”, una mostra che darà voce ad artisti post-ideologici come Jack Goldstein, Sherrie Levine e Robert Longo. In breve tempo, nella scena dell'arte contemporanea americana, emergono altri artisti con ispirazioni simili: Louise Lawler, Sarah Charlesworth, Richard Prince e Cindy Sherman. Ad accomunarli c'è il loro interesse per l'immagine fotografica e pubblicitaria: tutti troppo giovani per aver vissuto l'attivismo degli anni '60, troppo disillusi per cadere nella seducente trappola del consumismo. Nel 2009, saranno consacrati al Metropolitan Museum di New York nella mostra “The Pictures generation”.In questa puntata si parla di Douglas Crimp, Troy Brauntuch, Jack Goldstein, Sherrie Levine, Robert Longo, Philip Smith, Barbara Krueger, Elizabeth Taylor, Montgomery Clift, Sherrie Levine, Walker Evans, Marcel Duchamp, Lilli Gruber, Elaine Sturtevant, Louise Lawler, Hans Haacke, Benjamin Buchloh, On Kawara, Cindy Sherman, David Robbins, Julian Schnabel, William Gibson, Justin Trudeau, Diana Ross, Angela Merkel, Emmet Miller, Nick Tosches, Bob Dylan, Van Halen, Pete Molinari, Maria Goretti, Giordano Bruno Guerri, Jack Goldstein, Sarah Charlesworth, John Baldessari, David Salle, Francis Picabia, Peter Arno, Mickey Rourke, Mary Boone, Leo Castelli, Richard Prince, Clint Eastwood, Brooke Shields, Garry Gross, Alfred Stieglitz, Stefan Edlis, Gloria Guida, Lilli Carati e Greta Thunberg.

La scena ospita un dramma minuto. Una voce sussurra e noi rimaniamo in ascolto, in attesa di una rivelazione che non arriverà.

WHAT MATTERS MOST IS NOT THE WHAT BUT THE HOW. The artist David Salle was born in 1952. He divides his time between his studio in Brooklyn, New York City and his studio in East Hampton, Long Island. His eclectic talent encompasses being a painter, a photographer, a printmaker, a stage designer, and a writer.

Well here's a weird one! Friend of the podcast Elizabeth Hopkins returns to discuss the little-seen 1995 film SEARCH AND DESTROY, the only film directed by American artist David Salle and produced by Martin Scorsese! Ethan plays cult leader Daniel Strong (Dennis Hopper)'s assistant who gets to slap Griffin Dunne around a bit. We talk cults, the charm of Illeana Douglas, John Tuturro's wig, artistic ambitions, and "a strong female character with huge tits". Keep Hawke-ing the skies!

Frederic Tuten grew up in the Bronx. At fifteen, he dropped out of high school with aspirations to become painter and live in Paris. He took odd jobs and eventually went back to school, earning a Ph.D. from NYU. He travelled through Latin and South America, studied mural painting at the University of Mexico and wrote about Brazilian Cinema Novo. He taught at the University of Paris, acted in a short film by Alain Resnais, co-wrote the film Possession, and conducted summer writing workshops with Paul Bowles in Tangiers. The recipient of many awards for his writing, Tuten's short stories, art and film criticism have appeared in ArtForum, the New York Times, Vogue, Granta and other publications. He has written about artists including John Baldessari, Eric Fischl, Pierre Huyghe, David Salle and Roy Lichtenstein. His books include The Adventures of Mao on the Long March; Tintin in the New World; The Green Hour; Van Gogh's Bad Café; Self Portraits: Fictions, and most recently his memoir, My Young Life.· frederictuten.com· www.creativeprocess.info

Frederic Tuten grew up in the Bronx. At fifteen, he dropped out of high school with aspirations to become painter and live in Paris. He took odd jobs and eventually went back to school, earning a Ph.D. from NYU. He travelled through Latin and South America, studied mural painting at the University of Mexico and wrote about Brazilian Cinema Novo. He taught at the University of Paris, acted in a short film by Alain Resnais, co-wrote the film Possession, and conducted summer writing workshops with Paul Bowles in Tangiers. The recipient of many awards for his writing, Tuten's short stories, art and film criticism have appeared in ArtForum, the New York Times, Vogue, Granta and other publications. He has written about artists  including John Baldessari, Eric Fischl, Pierre Huyghe, David Salle and Roy Lichtenstein. His books include The Adventures of Mao on the Long March; Tintin in the New World; The Green Hour; Van Gogh's Bad Café; Self Portraits: Fictions, and most recently his memoir, My Young Life. www.creativeprocess.info

Gessy continues to obsess over formidable artists. This week she's living for Brazilian writer Clarice Lispector and artist Louise Bourgeois. Listen to an excerpt of Lispector's short story, The Dinner, from her New Directions' collection, Complete Stories. Learn about Louise Bourgeois' exhibit, An Unfolding Portrait, at the Museum of Modern Art in NYC. As always, Flowers! Also featured: an excerpt from David Salle's article in The New York Review of books: http://www.nybooks.com/articles/2017/12/07/louise-bourgeois-outing-inside/ Music Credit: The Grind by Justin Mahar courtesy of MusOpen.org

I recently read an article by world renowned painter David Salle in which he explained one of the things that is most valuable to him. It is a painting by Wichitan William Dickerson. Salle grew up in Wichita and painters Bill Dickerson and his wife Betty were both Mr. Salle's art teachers at the Wichita Art Association. Bill had turned down a chance to teach at the Art Institute of Chicago in order to return to Wichita and begin teaching in 1931.

An Airstream Argosy pulls up and parks. Joe and Matthew get in. The driver is Lacey Haslam, the Archive of Creative Culture’s Lead Organizer. Conversation ensues, centering on the creative minds that help populate the Archive. Airstream restoration, travel, and mobility are explored. David Salle is read aloud, and advice for art school graduates is offered […] The post Marginalia With Lacey Haslam | Episode 19 appeared first on Brain Fuzz.

Joe and Matthew discuss the work of Lonnie Holley and recent guests Justin Rabideau and Michi Meko. Trends in art making and distribution are examined within the framework of John Berger’s Ways of Seeing, David Salle’s How To See, and selected criticism: No Paintings for Old Men: I’m Done with Amy Feldman (Art F City) […] The post To Your Earlier Point . . . | Episode 14 appeared first on Brain Fuzz.

In this third episode of "In Other Words," host Charlotte Burns, senior editor at AAP, welcomes artist David Salle, curator Alison Gingeras and Allan Schwartzman, co-founder of AAP and chairman of the Fine Arts Division at Sotheby's, as they discuss why it's so difficult to pinpoint the great artists of the 2000s. The final episode of a two-part discussion. "In Other Words" is a presentation of AAP and Sotheby's, produced by Audiation.fm.

In this third episode of "In Other Words," host Charlotte Burns, senior editor at AAP, welcomes artist David Salle, curator Alison Gingeras and Allan Schwartzman, co-founder of AAP and chairman of the Fine Arts Division at Sotheby's, as they discuss why it's so difficult to pinpoint the great artists of the 2000s. The final episode of a two-part discussion. "In Other Words" is a presentation of AAP and Sotheby's, produced by Audiation.fm.

In this second episode of "In Other Words," host Charlotte Burns, senior editor at AAP, welcomes artist David Salle, curator Alison Gingeras and Allan Schwartzman, co-founder of AAP and chairman of the Fine Arts Division at Sotheby's, as they discuss why exactly it's so difficult to pinpoint the great artists of the 2000s.   Part one of a two-part discussion. "In Other Words" is a presentation of AAP and Sotheby's, produced by Audiation.fm.

In this second episode of "In Other Words," host Charlotte Burns, senior editor at AAP, welcomes artist David Salle, curator Alison Gingeras and Allan Schwartzman, co-founder of AAP and chairman of the Fine Arts Division at Sotheby's, as they discuss why exactly it's so difficult to pinpoint the great artists of the 2000s.   Part one of a two-part discussion. "In Other Words" is a presentation of AAP and Sotheby's, produced by Audiation.fm.

Since 2008, Big Think has been sharing big ideas from creative and curious minds. The Think Again podcast takes us out of our comfort zone, surprising our guests and Jason Gots, your host, with unexpected conversation starters from Big Think’s interview archives. David Salle's paintings are in the permanent collections of the Museum of Modern Art, the Whitney Museum of American Art, the Guggenheim Museum, the Metropolitan Museum of Art, The National Galerie Berlin and many others. His book How to See is a collection of essays, mainly on the work of other artists, that delves deep into questions about how art is made and what happens when we experience it. In this episode, David and Jason wrestle with questions like why there are no bad cave paintings, whether or not Francis Bacon's work is "decorative," and why it's impossible to say anything really prescriptive about how to make art. Surprise conversation starter interview clips in this episode: Dave Evans on prototyping in design, Alva Noë on art as a "strange tool", and Julian Schnabel on art and the internet.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Painter David Salle came to prominence in the 1980s when there seemed to be a lull in major American artists on the international contemporary art scene.

This week: David Salle! Great conversation. Listen. You. Now.

Als großes Privileg habe ich empfunden, mich über einen längeren Zeitraum hinweg einer Arbeit zu einem zeitgenössischen Künstler zu widmen, dessen bildsprachliche Parameter der 1980er Jahre den heutigen Kunstdiskurs prägen. Wie sich im Verlauf der Arbeit, in der kunstwissenschaftlichen, sprach- und filmtheoretischen Analyse offenbarte, ist David Salle ein reflektierter Künstler medialer Vielfalt innerhalb des klassischen Mediums der Malerei.