Podcasts about fader magazine

Step behind the lens and into the vibrant world of award-winning cinematographer Ayinde Anderson, a visionary artist whose storytelling prowess knows no bounds. In this illuminating podcast, we explore Ayinde's multifaceted journey, from his formative years in Brooklyn, New York, to the cinematic heights he has reached today.Ayinde's story is as diverse and compelling as the films he captures. Raised in Raleigh, North Carolina, this creative soul found his passion for cinematography early on. With a Master's degree from the esteemed American Film Institute and mentorship from legends like Michael Chapman ASC and Thomas Ackerman ASC, Ayinde honed his craft, delving into the intricate art of visual storytelling.We unravel the tapestry of Ayinde's work, from his collaboration with Illegal Civilization on the poignant 'Summer of '17' short film to his series with Fader Magazine, where his lens captures the pulse of contemporary culture. His partnership with Malcolm Washington, a testament to the power of Black creatives collaborating, has resulted in projects that challenge norms and redefine storytelling.In the world of cinema, Ayinde stands as a beacon of change. His involvement in 'North Hollywood,' a feature film led by a Black director with a stellar cast, showcases his commitment to breaking barriers and promoting inclusivity in the industry. Through short films like 'The Dispute,' 'Jay,' and 'Retrieval,' Ayinde delves into narratives that are both intimate and profound, leaving audiences captivated by the depth of his storytelling.Ayinde's creative spirit extends beyond the silver screen. His collaboration with the California African American Museum on 'JUSTEN LEROY: LAY ME DOWN IN PRAISE' pays homage to the artistic legacy of Roy DeCarava, illustrating Ayinde's deep understanding of the intersection between visual art and cultural heritage.In this podcast, Ayinde candidly shares his insights on the importance of cinema classics like 'Fresh' and the influence of masters like Bresson, revealing the intricate layers that shape his artistic vision. He reflects on the profound impact of having a life beyond film, emphasizing the significance of personal experiences in fueling creativity.Ayinde Anderson's Website: https://ayindeanderson.com/Ayinde Anderson's Socials: https://www.instagram.com/ayindeanderson_/?hl=en Ayinde Anderson's Socials: https://www.linkedin.com/in/ayinde-anderson-1934679bVisual Intonation Website: https://www.visualintonations.com/Visual Intonation Instagram: https://www.instagram.com/visualintonation/Vante Gregory's Website: vantegregory.comVante Gregory's Instagram: https://www.instagram.com/directedbyvante/ To support me on Patreon (thank you): patreon.com/visualintonations Tiktok: www.tiktok.com/@visualintonation Tiktok: www.tiktok.com/@directedbyvante

Brief summary of episode:James Spooner is a graphic novelist, tattoo artist, illustrator, and filmmaker. He directed the seminal documentary AFRO-PUNK which premiered at national and international film festivals, including Toronto International and The American Black Film Festival. James also co-founded the Afropunk Festival, which currently boasts audiences in the hundreds of thousands around the world. His debut graphic novel, The High Desert is available now. ​Spooner's work has been recounted in various publications, including NPR, Vice Magazine, The Village Voice, The New Yorker, Vibe, Fader Magazine, MTV, NBC News and Variety, and he was a recipient of the ReNew Media Rockefeller Grant. He is an ongoing guest curator for the Broad Museum in Los Angeles and previously programmed for the Brooklyn Academy of Music. Spooner is also a contributor to RazorCake  Magazine, and he continues to screen AFRO-PUNK at colleges around the country, giving talks on punk and Black identity. He is currently co-editing an anthology from Soft Skull Press entitled, Black Punk Now.The Truth In This ArtThe Truth In This Art is a podcast interview series supporting vibrancy and development of Baltimore & beyond's arts and culture. Mentioned in this episode:James Spooner (photo credit Lisa Nola) To find more amazing stories from the artist and entrepreneurial scenes in & around Baltimore, check out my episode directory. Stay in TouchNewsletter sign-upSupport my podcast ★ Support this podcast ★

In this episode of “This: That: and the Third” Ammbaataa talks with artist/producer Trackademicks of the Bay Area based Honor Roll crew. The 2 discuss Trackademicks introduction to music in general as well as the Hip Hop culture in the local scene. Trackademicks breaks down some of his earliest productions with his first big supporter Oakland MC Mistah F.A.B., and how having a different production approach worked in his favor. Oakland’s Youth Radio program once again makes its presence felt as Trackademicks recounts being involved with the program in its earlier days when it was located in Berkeley CA. After adopting Kanye’s mantra “5 beats a day for 3 summers”, Trackademicks created a foundation that would put him in positions to thrive as a producer in a very competitive space and creating a “Tell me when to Go” remix that would hold down the radio and the streets. The Best Notes From The Fresh Coast. Instagram: https://www.instagram.com/trackademicks/See omnystudio.com/listener for privacy information.

In this episode, Erik Marino (VP of Apparel at TSM FTX) answers questions live via the TSMU Discord. The questions range from: How do personal brands compare to an organization? What do I need to do to grow my brand? How does one go about determining the direction of the brand and more!  So sit back and enjoy this week's episode! About Erik: Over the past 2+ years I have worked with FaZe Clan as Executive Creative Director across departments with a focus on the lifestyle brand and products division. Prior to FaZe I spent the last 20 years in NYC building brands in the streetwear space. Most notable is Rocksmith, the premier global music lifestyle brand I co-founded in 2004. In addition, I partnered with Wu-Tang Clan on Wu-Tang Clan Brand from 2010-2016 and oversaw creative, sales, and distribution. Other notable ventures include brand development and marketing agency Kilo International Llc. which housed streetwear brand Kilo Goods, Fosho Foshow tradeshow, and serviced clients such as Foot Locker, Dr. Pepper, Cornerstone, and Crooks and Castles. Prior work experience includes Sony Music, Akademiks clothing, The Fader Magazine.

Ashley Henry is one of a new generation of musicians that have been raised with a wide range of influences Born and raised in South London, England, United Kingdom, Ashley Henry’s listening and visual styles, range from Sinead Harnett, Digital Underground, ZuZu, Margot Fonteyn, Era Istrefi, Freddie Mercury, and Dreezy – through to having fans that include the abstract artist Gareth Nyandoro, being an advocate for the legend pianist Abdullah Ibrahim…and being a big 6LACK fan. In 2016 Ashley Henry graduated from Royal Academy of Music, performed with Jason Marsalis and collaborated with legends Terence Blanchard and Jean Toussaint. He is the youngest ever to hit the bill for the International Piano Trio Festival performing with Robert Glasper, and top that year by achieving a childhood dream of performing in the final of the Unisia International Piano Competition in South Africa. 16 January – 9 March 2017 sees Ashley Henry recording his second full studio sessions in London. Collaborating with Luke Flowers (Cinematic Orchestra), MC Mattic (Nowadays France & NY), the Legendary Jean Toussaint, Monte Booker (Soulection), Alicia Olatuja (President Obama Inaugurations – Unlimited Myles), Moses Boyd (Brownswood) and Anthony Joseph (Strut Records). In January 2017 – at only 25 years, Ashley Henry was commissioned as guest resident Musical Director for both Jazz Café, London and Ronnie Scotts, London and is a FADER MAGAZINE 2017 Emerging Artist. In March 2017 Ashley Henry was nominated for Jazz FM Award as Breakthrough Artist of the Year and Live Experience of the Year, the latter for his performance at the London Southbank. Beyond Vinyl Hunter (2019) is Henry's first album with 15 tracks featuring Makaya McCraven, Keyon Harrold, Moses Boyd, Judi Jackson, Theo Croker And More..

Born and raised in Montreal, Catherine established herself in NY as a choreographer, eventually leaping towards audio engineering and relocating to LA.From Switzerland to Shanghai to Qatar, she went on to headline around the world under the moniker, DJ SynCity. Her client list has garnered a palpable range of household names such as Calvin Klein, Chaka Khan, EA Sports, Tiger Woods, Snoop Dogg, Adidas, People Magazine, Sean “Diddy” Combs, Kevin Hart, BMW, Michael Jordan, Vogue Magazine, Justin Timberlake, NASCAR, 20th Century Fox, Eddie Murphy and more. After years self-promoting as a DJ, working at Bad Boy Entertainment, and Metta World Peace of the Lakers, Catherine freelanced as a social media manager and brand consultant in Oklahoma. She then launched COI Digital and is currently serving as Chief Marketing Officer at ElectraLeaf. Coming from a long way since her days interning at Cornerstone where she witnessed the inception of the Staple Pigeon and Fader Magazine’s debut.

Bryan Hahn is a Studio Video Producer for The Fader Magazine, an icon of the music world, and has worked with more artists than I can name in this intro. Bryan's story is one of doing what it takes to build the connections and repertoire needed to make a great career in the music business. Listen in to hear how Bryan got started and what he says about doing it all the hard way again. Find more about Bryan here: The Fader Magazine P.S. 4080 (music label, mix tapes) Bryan on LinkedIn --- Send in a voice message: https://anchor.fm/dearvideo/message

#REPOST: This week on Hurdle, I’m reposting five back-to-back episodes featuring Black guests, hoping to amplify their voices and continue my commitment of being a better ally. Today's episode was originally recorded in December of 2019. I could listen to Knox Robinson (better known to his 28K+ IG followers as @firstrun) talk for a while, which is no wonder why this is my longest Hurdle to date. The Brooklyn resident writer and runner has his fair share of how-did-that-even-happen stories, from his days logging miles in Ethiopia with Mo Farah and running with Eliud Kipchoge in Kenya to heading up Fader Magazine and writing Kanye West’s first cover article. Upon sitting down with the father-of-two and run coach, I saw a whole other side of him that perhaps his 27.6K Instagram followers don’t often catch. In today's episode, the Nike+ Run Club founding coach talks to me about his beginnings as a runner growing up in San Diego, and how his passions landed him running at a collegiate level at Wake Forest. He gets really honest about the #hurdlemoment that made him quit the sport for 10+ years, and the life-changing event that reunited him with his biggest passion. We talk about everything from impossible training tactics and what it felt like to be one of the top 100 male finishers in the NYC Marathon (twice) to his best advice for anyone new to lacing up. SOCIAL @firstrun @emilyabbate @hurdlepodcast --- Send in a voice message: https://anchor.fm/hurdle/message

Woods - “Where Do You Go When You Dream?” from the 2020 album Strange to Explain on Woodsist. New York psych-folk band Woods return this Spring with their first new album in three years, titled Strange To Explain. The album will be their first since frontman Jeremy Earl became a father and since guitarist Jarvis Taveniere relocated to Los Angeles, adding new challenges for the 15-year-old band, but also invigorating their 11th full-length to date (and the 99th release for their label, Woodsist). They recorded the forthcoming full-length in Stinson Beach in northern California, adding to the warmth and sun-soaked songs on the new release. On today's Song of the Day, Earl describes it to Fader Magazine as "a gateway into dream and an escape from everyday reality." Read the full post on KEXP.org Support the show.

I could listen to Knox Robinson talk for a while, which is no wonder why this is my longest Hurdle to date. The Brooklyn resident writer and runner has his fair share of how-did-that-even-happen stories, from his days logging miles in Ethiopia with Mo Farah and running with Eliud Kipchoge in Kenya to heading up Fader Magazine and writing Kanye West’s first cover article. Upon sitting down with the father-of-two and run coach, I saw a whole other side of him that perhaps his 27.6K Instagram followers don’t often catch. In episode 86, the Nike+ Run Club founding coach talks to me about his beginnings as a runner growing up in San Diego, and how his passions landed him running at a collegiate level at Wake Forest. He gets really honest about the #hurdlemoment that made him quit the sport for 10+ years, and the life-changing event that reunited him with his biggest passion. We talk about everything from impossible training tactics and what it felt like to be one of the top 100 male finishers in the NYC Marathon (twice) to his best advice for anyone new to lacing up. SOCIAL @firstrun @blackrosesnyc @hurdlepodcast @emilyabbate OFFERS Athletic Greens | Head to athleticgreens.com/hurdle to get 20 free travel packs ($79 value) with your first purchase, no code necessary. WHOOP | Head to whoop.com to get a free WHOOP band plus 15 percent off any membership by entering the code "hurdle" at checkout. --- Send in a voice message: https://anchor.fm/hurdle/message

Marisa and co-host Joyce are back at the Dash studio for this week's episode! While we were away, Marisa discovered her new love of edibles, coincidentally at the same time she became a mom (errr dog mom). We talk Nova's living situation, and whether or not Marisa will be giving custody back to Guapdad. She also solicits readers for advice regarding nudes. This week we're joined by not just Nova, but also our very special guest and Fader Magazine's “teen influencer and artist to look out for” Abby Jasmine! Upon releasing her Trap Mom album, Abby sat down with us and we talk about her transition from sketches on vine to making music. She sits down with us and the gang discuss the current streaming climate vs the 90s and mixtapes, and we try to figure out who exactly the current King of New York is. You can find Abby Jasmine's album Trap Mom now on all streaming services.

On this episode we interview the President and Publisher of The Fader Magazine, Andy Cohn. This was such a great conversation! Topics discussed included:Him growing up with a love for music and how that translated into a passion for music journalismHis position at The Fader and how the magazine has evolvedHow The Fader played a major role in the merging of hip hop, pop and rock cultures The unique approach the magazine takes to the format of it’s covers and how that came aboutThe role of the music producer in music today from a media coverage standpointThe thinking behind it’s producer issue and if we will see more of thatHow can producers get more mainstream attention and what new producers in particular can do to get noticed?The recent visit Kanye West paid to The Fader offices and what that experience was like for the staff at the magazine Follow Andy Cohn@AndyCohnAlso discussed this episode:Successful A3C weekend for the Gray Matter Collective including performances from Skye Morales & Chris L, and a weiting workshop in conjunction with @istandard The Music Modernization Act is now signed into law!New music releases from Lil Baby & Gunna, Ghostface Killa, Mozzy, Styles P & Dave East, etc Hit up our Patreon page and join! Members can now submit beats for our weekly beat break! Follow the link: https://www.patreon.com/FreeGameFollow us:@freegamepodcast@wlpwr@BrianOnreaThis episode was sponsored by @yumpanadas and @mcbridesisters recorded at @graymattercollective and mixed by @checkmatecreative and produced by @londonelixirlx Cover Art by @yo.im.jay

@theera_footworkcrew is a creative collective founded in 2014 by footwork dancers on the South Side of Chicago. The Era features footworkers: Litebulb, P-top, Chief Manny, Stelo and includes documentarian and founding advisor, Wills, co-manager Dee-Dee and consultant / advisor Drew. In 2016, we were recognized as one of Chicago's "cultural organizers of the year" by FADER Magazine, for bringing footwork dancing to the stage in Englewood on the South Side. The Era were also selected as one of the "choreographers of the year" in 2016 by Chicago publication New City. They have performed across Chicago and the US, and in other countries, including Japan, Kuwait, Mexico, and the UK. Soundcloud - https://soundcloud.com/theera_footworkcrew The Era official website - www.theerafootworkcrew.com

As the head of global cultural marketing for Sonos, Jamaal Layne is no stranger to making brands culturally relevant. His resume reads like a who's who in the brand world and spans from adidas, to Converse, to Microsoft, Fader Magazine, LA's Line Hotel, Urb Magazine, Nike, and many more. He is a born and bred New Yorker who eventually made Los Angeles home, but has traveled the world as an expert in recognizing the distinct line between marketing to a culture vs marketing within a culture. Long story short, you can't have innovation without understanding the nuances of tapping into the people you need most. His current role allows him to align Sonos with heavy hitters from the entertainment world (record labels, artist, actors, producers, hosts, etc), in effort to educate, empower, and co-create. This episode of Innovation Crush, Jamaal opens up his marketing rule book, discusses his passion for technology, overcoming jadedness, and teaches some great lessons on creating the right connections.

Braxton and I explored the complexities of achieving balance while realizing your wildest dreams. This word, "balance" has become a dirty word for those of us who are self-described super creatives. We often forget how important it is to maintain balance throughout our daily lives due to our insatiable apatite to breathe life into our art. Braxton outlines some of the challenges of creating sounds that reach backward whilst also looking forward, and always acknowledging the present. Today you will get a birds-eye view into the world of one the most prolific creatives of our generation. Connect with Braxton Here https://www.BraxtonCook.com (https://www.BraxtonCook.com)Bio:Braxton Cook is one of this generation's most exciting emerging voices in the jazz world. Not only does he exhibit world-class virtuosity on the alto saxophone but he is also a uniquely talented vocalist and songwriter whose sound blends Jazz, Soul, R&B, and Alternative rock into a fresh new sound he calls Jazz Future Soul. Braxton graduated from The Juilliard School in 2015.Braxton was named a semi-finalist in the 2013 TheloniousMonk International Jazz Saxophone Competition. Since then,Braxton has spent the past 5 years touring the world withGrammy Award-nominated trumpeter Christian Scott,Christian McBride and Marquis Hill among others. During histime as a student at The Juilliard School, Braxton released hisdebut EP Sketch (2014) and sophomore release Braxton CookMeets Brown (2015) launching his solo career and bringinghim festivals and venues across the country. In April of 2017,Braxton released his debut album Somewhere inBetween, which allowed Braxton to tour both nationally andinternationally to the U.K as well as Japan.In less than a year, Somewhere in Between as well asthe Somewhere in Between Remix album has amassed millionsof streams and downloads on Spotify and Apple Music and hasbeen praised by peers, musicians and critics alike. SaintHeron noted Cook's demonstration of “unmatched flexibility bymerging multiple genres into an ardent, passionate and soul-filled project.” In 2017, Fader Magazine called Braxton Cook a“Jazz Marvel” and “Jazz Prodigy.” The 2018 June Issue of EbonyMagazine listed Braxton as Top Five Jazz Artist To Watch(alongside Robert Glasper, Kamasi Washington, ButcherBrown, and Kris Bowers). Braxton has worked alongside Solange Knowles and even contracted the horn players involved in her live shows at theGuggenheim, Radio City Music Hall, Afro Punk Festival, Panorama Festival, and Made in America Festival. Most recently, Braxton was featured on Tom Misch's 2018 U.S. Domestic Tour which started with a 2 performances at Coachella and culminated with a very special Tiny Desk performance.Braxton is now working on his next project entitled “No Doubt” which is set to release Fall of 2018. He embarks on his first international headlining tour in the Fall of 2018 to support the project. Support this podcast

Elizabeth Eden Harris (born May 31, 1997), known as “CupcakKe”, is a rapper and songwriter born and raised in Chicago. Elizabeth began rapping at the age of 14, starting off doing church poetry, she received the nickname “CupcakKe’‘ and she later began to rap. First song “Gold Digger’’ went viral on internet in 2012. Songs as ‘’Money’’ (2012) ,‘’Figgas Over Niggas’’ (2013) and ‘’Yo Lost’’ (2014) gained attention. In 2015 she broke the internet with her sexually charged anthems “Vagina” and “Deepthroat’’ and in February 2016 she released her first album entitled “Cum Cake”. “People were thinking, ‘She’s so vulgar. She’s bold. We’re going to get a mixtape that’s nasty.’ And then they come to find out there are only three songs on the mixtape that are [explicit],” said CupcakKe for Columbus Alive about the album. “Cum Cake” gained attention of music publications such as Complex and Paper Magazine, which premiered the single “Pedophile”, where she details the story of being a minor who was involved in a relationship with an older man. In June 2016, CupcakKe announced her second album entitled “S.T.D” which was considered one of the Best Rap Album of 2016 by Rolling Stone Magazine. The same month, The Fader Magazine commented about CupcakKe being one of the 21 rappers to feel excited about. Pitchfork commented CupcakKe’s career thus far may be defined by her ability to turn out great raunchy anthems, but she is capable of so much more. Radio One Chicago airs live every Thursday night on WLUW, 88.7fm from 6pm to 8pm cst.

In this episode, journalist Amos Barshad talks about his story, “Why are the Soccer Hooligans of Argentina killing each other?” which was published last year in The Fader Magazine. The story peeks into the lives of the most diehard fans of Newell’s Old Boys, Leo Messi’s hometown team. “The best thing you can do is to start with an idea. If you believe it’s worth pursuing, keep pursuing it no matter what. Don’t let the fact that your pitch gets rejected by a bunch of places dissuade you, don’t let the fact that it’s hard to find someone to talk to dissuade you, don’t let the fact that of course, the writing is hard, dissuade you. Just make sure you finish the piece. Then you’ll look back and you’ll be proud no matter what.” Amos is a staff writer at The Fader. Prior to the Fader, he wrote for Grantland. He’s also been published in The New York Times Magazine, and New York Magazine and a slew of other places.  You can find more of his work at his website: http://amosbarshad.com/ http://www.thefader.com/2016/06/01/argentina-soccer-hooligan-murders-old-boys-barra-brava

DemOh, the well-rounded entertainer is an all out eclecticist. His talents not only as a professional DJ/Producer, but as a professional dancer, fuse to create a 'raw to the core' presence. With this versatility, he has performances that included, appearances on MTV, Univision, TruTV and a number of other national & international cameos; alongside playing in clubs & festivals all throughout his home base, in South Florida and abroad. An upbringing around underground culture and mainstream show business, has him breaking down boundaries with his ability to physically connect with music and entertain the two opposing scenes. An open-format DJ/Producer, who explores both the art of turntablism, clever blending, and an urge to share his love for the dance, is a "crowd-control" master formula. Playing for clients such as PUMA, Redbull, The FADER Magazine, live performances for artists: i.e. Cassie, Sean Kingston, Steve Aoki, 3Ball MTY, DJ Khaled, Ne-Yo, Kendrick Lamar Mystikal, and Major Lazer. Adventures across the U.S., Western Europe, Southeast Asia, and The Middle East have fueled his ambitions to raise the bar. Up is the only direction from here. Follow DemOh | demoh.com | facebook.com/demoh | twitter.com/d_em_oh | instagram.com/demoh | soundcloud.com/dem_oh Tracklist 1. Boombox Cartel & QUIX - Widdit 2. Bruno Mars - That's What I Like (Acapella) 3. Bruno Mars - Thats What I Like (Cabuizee Remix) 4. Jodeci - So Freakin Tight (DubRocca Remix) 5. R3hab & Quintino - Freak (Freak Like Me) 6. Tujamo & Senor Roar - MR JENGA (Four Color Zack Edit) 7. Ginuwine - Pony 8. Jack Ü - Mind (Slander Remix) 9. Rihanna - Sex With Me (DJ TAJ Remix) 10. Migos & Lil Uzi Vert x Sikdope - Bad and Boujee + Snakes (Demoh VIP Flip) 11. GTA x Wiwek ft Stush - What We Tell Dem 12. Major Lazer - Light It Up feat Nyla (Quintino Remix) 13. Major Lazer - Light It Up (4B Remix) 14. San Holo - Light (Virtu Remix) 15. DJ Fresh Ft Cecile Vs C Murder - Gold Dust (Flux Pavilion Dubstep Trans Up To DJ Kontrol Mash) 16. KRS One - Sound Of Da Police 2017 (90s Moombahton RMX Edit X Vegas 108) 17. Eva Simons ft Konshens - POLICEMAN (Dary Scanu Moombah Edit) 18. Major Lazer Ft. Travis Scott Camila Cabello and Quavo - Know No Better 19. Tujamo - Drop That Low (When I Dip) (Original Mix) 20. Valentino Khan - Deep Down Low (Getter Remix) 21. Drake - FʌKE LOVE (Fake Love) (DJ TAJ & DJ FLEX JERSEY CLUB REMIX) 22. Gyptian vs Major Lazer - Hold Yuh (Remix) (Isaac Jordan Transition) 23. Era Istrefi - Bonbon (BrainDeaD Remix) 24. Dj Khaled Ft. Rihanna and Bryson Tiller - Wild Thoughts 25. Drake - Blem (Frandiego & Mozes Remix) 26. Crooklyn Clan X Dj Scene And Fcz - Be Faithful (Kaos 2K14 Personal Transition Edit) 27. Firebeatz & Schella - Dear New York (Original Mix) 28. Frank Sinatra & Jay-Z ft Alicia Keys - Empire State Of Mind (Transition) 29. Playboi Carti - Magnolia 30. Future - Stick Talk 31. SahBabii Ft. Loso Loaded - Pull Up Wit Ah Stick 32. Kendrick Lamar - Humble x One Minute Chapters (DIZZ Bootleg) 33. Lil Uzi Vert - XO TOUR Llif3 (Akalex & Grizzy Remix) 34. Lil Uzi Vert - XO TOUR Llif3 (Fame On Fire Rock Cover) (Trap Goes Punk) 35. System Of A Down - B.Y.O.B. 36. Superskank - Good Time (Alok & Sevenn) 37. Chance The Rapper Ft. Knox Fortune - All Night (Kaytranada Remix) 38. The Jackson5 Vs TropKillaz - I Want U Back (MVXXA Edit) 39. Los XL And Snappy Jit - Big Phat (Dj XXplosive Big Booty Edit) 40. Daddy Yankee and Munchi - Gasolina Pa lo Under (Clips X Ahoy Edit) 41. J Balvin - Mi Gente 42. Luis Fonsi & Daddy Yankee ft Justin Bieber - Despacito 43. Deorro X Sick Individuals - Bailar (Beatbreaker Bootleg) 44. David Zowie - House Every Weekend (Danny Howard Remix) 45. Kanye West Ft. Post Malone and TYDolla Sign - Fade (AXB Remix) 46. Zedd and Alessia Cara - Stay (Feylo Marvin Vogel and Kasp Remix) 47. Sub37 - Stay With me 48. Grandtheft & Sleepy Tom - Hold On (ShadowVariable & Zapd! Remix) 49. MYRNE - Jailbirdzz 50. DVBBS x CMC x ACRAZE - Not Going Home (ACRAZE REMIX) 51. Ricky Remedy feat. Diplo & Tunji Ige - Chosen 52. Ape Drums Ft. Major Lazer & Busy Signal - The Way We Do This (SABER Transition) 53. Sasha Vs Zara Larsson - Dat Sexy Body (RW Transition) 54. Khalid - Location (DJ TEEZ Remix) 55. JVST SAY YES & Brillz - Move Dat 56. 21 Savage Ft. Drake and Young Thug - Issa 57. Ayo and Teo - Rolex 58. Jay-Z Ft. Damian Marley - Bam 59. Azealia Banks feat. Pharrell - ATM Jam (Kaytranada Edition) 60. Malaa - Notorious (Original Mix) 61. Slide (MMP Transition) 62. J Hus - Did You See 63. Mura Musa - When U Need Me 64. Mobb Deep - Shook Ones Pt. 2 (Acapella)

Jonathan Mannion is widely known for his work in celebrity portrait photography. His work can be characterized by his unique ability to orchestrate a moment that exposes the subject’s inner essence. He consistently communicates their stories with authenticity, respect and enduring relevance. In Mannion’s words, “My goal is to create the definitive portrait of that person at that moment, every time I shoot.”Mannion was born in Cleveland, Ohio in 1970 and graduated from Kenyon College. In 1993, he turned a serendipitous meeting with iconic photographer Richard Avedon into a full-time position that would profoundly shape his craft and career.Mannion first established himself as a cultural force through his work with the recording industry, documenting over twenty years of hip-hop music. Early in his career, when many in mainstream media were dismissing rap music as a passing fad, Mannion was hustling to create the cover art for Jay-Z’s debut LP, Reasonable Doubt. It was the first of many iconic album covers with prominent MC’s that quickly crowned Mannion as hip-hop’s premiere visual biographer. His reputation spread farther through a founding partnership with FADER Magazine, a collaboration that produced dozen of memorable cover images for the publication. He established and elevated a new aesthetic within the genre. The result, in the words of DJ Quik, is that “the world sees hip-hop through [his] eyes.”Over the course of two decades, Mannion has become the go-to creative collaborator for brands and celebrities alike. His portfolio includes many of the most fascinating figures in pop culture, from LeBron James to Kanye West, while his recent brand work includes a global multi-year print ad campaign for Bushmills. Mannion has produced integrated content for iconic brands such as Nike and Hennessey, and was commissioned by venerable photo brand Leica to capture the culture of New Orleans through his lens. Building on this legacy, in 2011 and 2012, Mannion partnered with Reebok to usher the brand’s foray into the art scene during Art Basel in Miami and at MILK Gallery in Los Angeles during Grammy Week. His photos have also been featured at the Grammy Museum, the Rock & Roll Hall of Fame and the Brooklyn Museum of Art.Mannion’s tremendous influence on our collective photographic memory is evident, yet he continues to seek and catalyze “what’s next” in culture. From Japan to Jamaica, Mannion has been turning the streets into his studio, partnering with contemporaries who challenge the status quo. Every step of the way, he is sharing the journey in real time, with a public that is hungry for a truth well told.http://jonathanmannion.com/IG: @jonathanmannion

We're in the thick of the Rio 2016 Olympics. Shan and Morg are rooting for all things Team USA, Team Jamaica, Team #BlackGirlMagic, and Team Gold Chain Necklaces. The theme this go 'round is...complicated, but it comes down to PRIVILEGE. What is it? What constitutes it? Who has it? Who doesn't think they have it, but actually has it? Who's annoyed by it? Who's annoying with it? Where is empathy lacking? Morgan paraphrases Secretary General of the Council of Women World Leaders, Laura Liswood's perspective on privilege dynamics. It's a gem. We're taking no prisoners! You're all getting told about yourselves on today! That means you too Black Twitter! HOT TOPICS: - Simone Biles and Katie Ledecky have the range. - Ryan Lochte is SlytherinBae, but also RatchetBae. - The Daily Beast turned themselves into Gawker and outed closeted Olympians for sport via journalist Nico Hines. No bueno. - Joanne the Scammer was scammed his whole life... Fader Magazine's profile of the man behind the meme, Branden Miller, was... excellent. "Just like a Caucasian," means even more now. - 97 year old physicist, space scientist, and mathematician Katherine Johnson was profiled in the latest issue of Vanity Fair as promo for the movie, Hidden Figures, which chronicles her integral contributions to NASA's first manned fights. Recorded Monday, August 15, 2016.

Hey, Cool Job! Episode 10: Editor-In-Chief of Fader Magazine, Naomi Zeichner