Podcasts about Bresson

A comienzos de la década del 50, el binomio artístico-sentimental de Ingrid Bergman y Roberto Rossellini estaba plenamente consolidado. Pese al escándalo en Hollywood, a la mala prensa en Italia y la excomunión del Vaticano a ambos, el dúo se lanzó a explorar un terreno totalmente nuevo en la historia del audiovisual: el drama sicólogico existencial. Hijo directo de la inmensa crisis social y personal gatillada tras la posguerra, este nuevo tipo de filme indagaba en el trayecto social y espiritual de personajes sometidos a tensiones imposibles. Se trataba, en esencia, de un viaje interior que bebía de raíces melodramáticas, pero que superaba con mucho las convenciones del cine de género. En cierta forma, se trataba del origen de lo que alguna vez se conoció como cine arte, cine de autor o cine ensayo. La primera muestra de algo que más tarde desarrollarían multitud de cineastas, artistas como Bresson, Bergman, Fellini, Antonioni, Erice, Wenders, Kiarostami, Kieslowski y un largo listado que llega hasta nuestros días. Incluso así, y dicho todo lo anterior, Europa '51 todavía sorprende al narrar la historia de una mujer de clase alta quien, tras la muerte de su hijo, comienza a ver el mundo de una forma que nadie, ni siquiera sus más cercanos, pueden compartir. Es como si, de un momento a otro, el velo que tiene sobre los ojos se descorriese y comenzara a ver el mundo en términos totalmente espirituales, sin concesión alguna. Sobre esa situación imposible, sobre este logro artístico absoluto, sde discute en este podcast.

Twenty year old You Tube star turned A24 filmmaker Kane Parsons discusses Backrooms, his disorienting horror starring Chiwetel Ejiofor and Renate Reinsve.Georgian filmmaker Alexandre Koberidze's sublime road movie Dry Leaf is about to screen as part of this year's Sydney Film Festival. Shot on a 2010 flip phone, it follows a father searching across rural Georgia for his missing daughter. Presenter, Jason Di RossoProducer, Sarah CorbettSound engineer, Allyse SymonsArts editor, Rhiannon Brown

Twenty year old You Tube star turned A24 filmmaker Kane Parsons discusses Backrooms, his disorienting horror starring Chiwetel Ejiofor and Renate Reinsve.Georgian filmmaker Alexandre Koberidze's sublime road movie Dry Leaf is about to screen as part of this year's Sydney Film Festival. Shot on a 2010 flip phone, it follows a father searching across rural Georgia for his missing daughter. Presenter, Jason Di RossoProducer, Sarah CorbettSound engineer, Allyse SymonsArts editor, Rhiannon Brown

“O cinematógrafo é uma escrita com imagens em movimento e sons.”(Robert Bresson)Mantendo-se fiel a Bresson, inauguramos nossa coluna sobre cinema e produções audiovisuais, VULTOS & SOMBRAS. Uma homenagem aos movimentos indistintos e fantasmagóricos que surgem no canto de nossos olhos e que nos oferecem, mediante rituais adequados, nossa quota de maravilhamento com a narrativa audiovisual.Episódio de hoje: Um Novo Jardim das Delícias Terrenas (sobre "É Difícil Ser um Deus", de Aleksei German)Filme: “Trudno byt bogom” (“É difícil ser um deus”, 2013), de Aleksei German.Livros citados: “É difícil ser Deus”,  Arkádi & Boris Strugátski (Rádio Londres, 2020).Entre para a nossa sociedade, dedicada à bibliofilia/cinematografia maldita e ao culto de tenebrosos grimórios/projeções: o RES FICTA (solicitações via http://raphuspress.weebly.com/contact.html).Nosso podcast também está disponível nas seguintes plataformas:- Spotify: https://open.spotify.com/show/4NUiqPPTMdnezdKmvWDXHs- Apple: https://podcasts.apple.com/us/podcast/podcast-da-raphus-press/id1488391151?uo=4- Google Podcasts: https://podcasts.google.com/?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy8xMDlmZmVjNC9wb2RjYXN0L3Jzcw%3D%3D Apoie o canal: https://apoia.se/podcastdaraphus.VISITE NOSSA LOJA VIRTUAL: https://linknabio.gg/raphuspress Conheça também nossa nova livraria virtual: https://loja.infinitepay.io/raphuspress Nossos livros também estão no Sebo Clepsidra: https://www.seboclepsidra.com.br/marca/raphus-press.html

“O cinematógrafo é uma escrita com imagens em movimento e sons.”(Robert Bresson)Mantendo-se fiel a Bresson, inauguramos nossa coluna sobre cinema e produções audiovisuais, VULTOS & SOMBRAS. Uma homenagem aos movimentos indistintos e fantasmagóricos que surgem no canto de nossos olhos e que nos oferecem, mediante rituais adequados, nossa quota de maravilhamento com a narrativa audiovisual.Episódio de hoje: Tramas e sacrifícios (sobre “Ifigênia”, de Michael CacoyannisFilme: “Iphigenia” (1977), de Michael Cacoyannis, relançamento em blu-ray da Radiance Films em 2026.Livros citados: “Ilíada”, Homero (Ubu, 2023); “Ifigênia em Áulis”, Eurípedes (Zahar, 1993); “Fear and Trembling”, Soren Kierkegaard (Penguin, 2003).Link da pré-campanha de ABISMOS CREPUSCULARES: https://www.catarse.me/crepusculares Entre para a nossa sociedade, dedicada à bibliofilia/cinematografia maldita e ao culto de tenebrosos grimórios/projeções: o RES FICTA (solicitações via http://raphuspress.weebly.com/contact.html).Nosso podcast também está disponível nas seguintes plataformas:- Spotify: https://open.spotify.com/show/4NUiqPPTMdnezdKmvWDXHs- Apple: https://podcasts.apple.com/us/podcast/podcast-da-raphus-press/id1488391151?uo=4- Google Podcasts: https://podcasts.google.com/?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy8xMDlmZmVjNC9wb2RjYXN0L3Jzcw%3D%3D Apoie o canal: https://apoia.se/podcastdaraphus.VISITE NOSSA LOJA VIRTUAL: https://linknabio.gg/raphuspress Conheça também nossa nova livraria virtual: https://loja.infinitepay.io/raphuspress Nossos livros também estão no Sebo Clepsidra: https://www.seboclepsidra.com.br/marca/raphus-press.html

A lire : La zone d'impunité, le traitement médiatique des violences sexistes et sexuelles dans le sport masculin, quand les journalistes sportifs sont souvent des hommes , publié aux éditions Hugo doc, et préfacé par Melissa Plaza. Nous recevons les coautrices de l'ouvrage : Mejdaline Mirhi, journaliste, co-fondatrice de l'association Femmes Journalistes de Sport et rédactrice en cheffe de feu le magazine Les Sportives, fondé par Aurélie Bresson. Clothilde Le Coz 10 ans de journalisme à l'international avant de se spécialiser dans le développement media et liberté de la presse ; elle contribue à la rubrique politique internationale de Popol média, le media qui propose un regard féministe sur la politique Pour échanger avec nos invitées, Melissa Wyckhuyse, journaliste à Radio Campus, Benoit Jacquelin, journaliste sportif à Auxerre dans l'Yonne, Louise Houalet, journaliste bénévole à Radio Campus. Les autrices décryptent les biais les plus fréquents dans la presse sportive : témoignages complaisants, relayés tels quels par les journalistes, litotes, condescendance, et rire gras, déni, et « séparer l'homme du sportif ». Les faits divers : serait-ce une autre « exception française » ? Une chronique de Benoit Jacquelin sur les récents articles de L'Equipe consacrés aux VSS : clin d'oeil au livre ? Et des solutions, il y en a. Les autrices en évoquent plusieurs dans leur ouvrages. Sororité, mixité des rédactions, employer les mots justes, former les journalistes. Le rôle d'associations comme AJAR, Prenons la une, AJL, Metoo media, Femmes journalistes de sport n'est pas à négliger. Ces comportements sont documentés par des scientifiques, par exemple Sandy Montanola, chercheuse à l'Université de Rennes et Giuseppina Sapio, chercheuse à l'Université Paris 8. Citons au passage l' Etude Kantar-MGEN « Adolescentes et sport, le grand décrochage » L'étude MGEN souligne la nécessité de repenser l'expérience sportive des jeunes filles vers une pratique plus inclusive et physiologique. « Sans cette évolution, le sport restera un terrain d'inégalité avec un impact direct et durable sur la santé des femmes. » Clotilde Truffaut, déléguée nationale MGEN. Comment faire du sport une safe place, dès le club amateur, la pratique loisir, le collège, le lycée ? Un endroit où parler de règles, de douleurs menstruelles, de sous-vêtements adaptés, sans que ce soit gênant ou ridicule, où être femme est pris en compte ? Pauses musicales « Allez Trincamp ! », un film de Jean-Jacques Annau, Coup de tête, 1979 – musique et paroles de Pierre Bachelet Fonker, de Bonbon Vaudou - ;) Radio Coco Réalisation – François Berchenko

Esperar el final en una celda no está entre los planes de Fontaine. Ahí dentro leerá unas líneas extraídas de la Biblia, del diálogo entre Jesús y Nicodemo. “Tenéis que nacer de nuevo. El viento sopla donde quiere”. Nacer de nuevo, escapar. La fe mueve montañas, la voluntad de un hombre que ya no tiene nada que perder, porque le han condenado a muerte. Ese viento mueve el cabello de los dos fugitivos mientras se dejan caer por una cuerda hecha de retales. La meticulosidad, el detalle del trabajo del reo, el mismo poder hipnótico de otro film hermano, La Evasión de Jacques Becker. En esa fuga era un grupo de convictos, aquí es un individuo, sin embargo, también necesitará la colaboración de otros seres humanos para lograr su objetivo. Ya sea para sacar cartas manuscritas al exterior, ya sea para que le sostenga la cuerda o los ganchos en la escapada. Bresson despoja su lenguaje cinematográfico de aditamentos innecesarios, las manos del cautivo convierten una cuchara en un cincel, calibran la dureza de la madera de la puerta, con la voz en off, el uso del sonido y las imágenes el cine de Bresson adquiere una grandeza mística similar a la un cuadro o una escultura El guion se inspira en las memorias de un soldado de la resistencia a la ocupación alemana de Francia. El azar, y la voluntad, la determinación de ese hombre siempre en movimiento. Bresson no quería actores famosos, prefería lo que él llamaba “modelos”, para poder meterse en el interior de la persona. La depuración de cada plano, las manos, la camisa sucia, el estilo espiritual y austero nos brinda planos memorables, los hombres en fila en e patio arrojando sus heces al pozo negro, o la fuga del joven que recuerda a su madre en su huida, si ella le estuviera viendo. Esta noche trenzamos telas en la penumbra… Zacarías Cotán, David Velázquez, Salvador Limón y Raúl Gallego

“We read so as not to feel alone.” — C.S. Lewis (possibly)Dan Turello is a cultural historian of medieval Italy, a much published photographer, and the author of the new Connection: How Technology Can Make Us Better Humans. I'm sceptical. Especially the promise (or illusion) of better humans. But Turello's definition of technology goes back further than most — all the way to the original fig leaf. When Adam and Eve were expelled from the Garden, the first thing they did, he reminds us, was cover their bodies. Technology, then, in Turello's framing, is everything that extends beyond the human body. Clothing is technology. Double-entry bookkeeping is technology. The iPhone is just the latest chapter of our technology story that began at the beginning.His most surprising argument is that our current tech anxiety has medieval roots. St. Francis of Assisi was what he calls a trust-fund kid “avant la lettre” — his father being a wealthy 13th century silk merchant at a time when northern Italy was Silicon Valley. Francis sold some of his dad's silk, gave the money away, stripped naked before a bishop, and founded a counterculture movement. The first tech backlash, Turello suggests, wasn't against AI. It was against double-entry bookkeeping. Dante, writing a generation later, idealised an earlier, simpler Florence — what scholars call “paleolithic chic.” No makeup, no ornate clothing, no fleeing to immoral cities. Sound familiar?On AI, Turello goes a bit Saint Francis on us. Large language models, he fears, generate material without lineage — you can't trace where the ideas came from, can't triangulate the sources, can't validate against reality. Technology is about power, Turello argues — about who controls the storyline. Making us better humans, then, requires recovering a sense of agency. Thus he argues that we should stop outsourcing our thinking, our writing, our photography to machines. Dante wrote the entire Divine Comedy without Claude. These days, we can barely write an email without a little help from our friends at ChatGPT. Machiavelli donned the robes of the past to think and write. We might try putting ours on too. But then isn't that a tech solution too? Five Takeaways•       St. Francis Was a Trust-Fund Kid Who Invented Counterculture: His father was a wealthy silk merchant in 13th-century Italy, at the dawn of Europe's commercial revolution. Francis sold his father's silk, gave the money away, stripped naked before a bishop, and founded an order that rejected the mechanisms of early capitalism. The first tech backlash wasn't against AI. It was against double-entry bookkeeping.•       Technology Is Everything Beyond the Naked Human Body: Turello's definition goes back to Genesis. When Adam and Eve were expelled from the Garden, the first thing they did was cover their bodies. Fig leaves are technology. Clothing is technology. The iPhone is just the latest iteration of a metaphysical problem that's been destabilising us since the Fall.•       Dante Wrote the Divine Comedy Without Being Able to Edit: He penned an entire macrocosm of the medieval world from memory, without the ability to rewrite in any meaningful way. Turello thinks Dante would be concerned that we're losing our memories, our ability to tell a coherent narrative for our lives, and that our existence has become too fragmented. We can barely write an email without ChatGPT.•       LLMs Generate Material Without Lineage: Technology is about power — about who controls the storyline. Large language models produce text without traceable sources, without verifiable origins, without lineage. You can't triangulate where the ideas came from. That's not intelligence. That's a crisis of provenance.•       Agency Still Matters: Turello's hope for humanity is that we recover a sense of agency — the belief that our choices, friendships, relationships, and communities are ours to shape. The alternative is technological determinism: the machine decides. Machiavelli donned the robes of the past to think and write. We might try putting ours on too. About the GuestDan Turello is a writer, cultural historian, and photographer. A Technology and Humanity Fellow at Florida Atlantic University's Center for Future of Mind, AI & Society, his work has appeared in the New Yorker, the Washington Post, and the Los Angeles Review of Books. Connection: How Technology Can Make Us Better Humans is published by Columbia University Press.References:•       Connection: How Technology Can Make Us Better Humans by Dan Turello (Columbia University Press, 2026) — the book under discussion.•       Episode 2840: What Came First: Stories or Language? — Kevin Ashton on storytelling preceding language, a natural companion.•       Episode 2839: Have Our iPhones Eaten Our Brains? — Nelson Dellis on memory, cognitive atrophy, and outsourcing our minds.•       Walter Benjamin, The Work of Art in the Age of Mechanical Reproduction — referenced in the conversation on technology and power.About Keen On AmericaNobody asks more awkward questions than the Anglo-American writer and filmmaker Andrew Keen. In Keen On America, Andrew brings his pointed Transatlantic wit to making sense of the United States — hosting daily interviews about the history and future of this now venerable Republic. With nearly 2,800 episodes since the show launched on TechCrunch in 2010, Keen On America is the most prolific intellectual interview show in the history of podcasting.WebsiteSubstackYouTubeApple PodcastsSpotify Chapters:(00:00) - Introduction: has technology made you a better human? (03:22) - The iPhone vs. the decisive moment: Bresson and photography (05:39) - The orange cushion: an ode to imperfection (06:27) - St. Francis of Assisi: the first tech critic (07:22) - 800 years of tech anxiety: from double-entry bookkeeping to AI (11:27) - Žižek, capitalism, and the love-hate relationship with technology (13:50) - Fig leaves to iPhones: technology as everything beyond the naked body (15:00) - Marinetti, Svevo, and the mammoth: technology as relationship (17:54) - Walter Benjamin, The Matrix, and who controls the storyline (20:51) - Bresson's decisive moment vs. Nietzsche's blow it up (22:25) - Agency under attack: reclaiming embodied experience (25:47) - Machiavelli donning the robes of the past (28:44) - Nost...

“O cinematógrafo é uma escrita com imagens em movimento e sons.”(Robert Bresson)Mantendo-se fiel a Bresson, inauguramos nossa coluna sobre cinema e produções audiovisuais, VULTOS & SOMBRAS. Uma homenagem aos movimentos indistintos e fantasmagóricos que surgem no canto de nossos olhos e que nos oferecem, mediante rituais adequados, nossa quota de maravilhamento com a narrativa audiovisual.Episódio de hoje: Hieróglifos da imagem em movimento (sobre o pré-cinema)Livros citados: “Por uma fração de segundo”, Guy Delisle (Comix Zone, 2025); “A Grande Arte da Luz e da Sombra: Arqueologia do Cinema”, Laurent Mannoni (SENAC/Editora Unesp, 2003); “Spectropia”, J. H. Brown (Pryor Publications, 1993); “Happy Birthday”, Santiago Melazzini (La Marca Editora, 2004); “A imagem-movimento: cinema 1”, Gilles Deleuze (Assírio e Alvim, 2004).Link da pré-campanha de ABISMOS CREPUSCULARES: https://www.catarse.me/crepusculares Entre para a nossa sociedade, dedicada à bibliofilia/cinematografia maldita e ao culto de tenebrosos grimórios/projeções: o RES FICTA (solicitações via http://raphuspress.weebly.com/contact.html).Nosso podcast também está disponível nas seguintes plataformas:- Spotify: https://open.spotify.com/show/4NUiqPPTMdnezdKmvWDXHs- Apple: https://podcasts.apple.com/us/podcast/podcast-da-raphus-press/id1488391151?uo=4- Google Podcasts: https://podcasts.google.com/?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy8xMDlmZmVjNC9wb2RjYXN0L3Jzcw%3D%3D Apoie o canal: https://apoia.se/podcastdaraphus.Ou adquira nossos livros em nosso site: http://raphuspress.weebly.com. Dúvidas sobre envio, formas de pagamento, etc.: http://raphuspress.weebly.com/contact.html.Conheça também nossa nova livraria virtual: https://loja.infinitepay.io/raphuspress Nossos livros também estão no Sebo Clepsidra: https://www.seboclepsidra.com.br/marca/raphus-press.html

With tracks from Lady Blackbird Vs Crooked Man, Love Drop, Ralph Session, Pleasure Voyage, A Vision Of Panorama & Meora, Nico Lahs, Bostro Pesopeo, Artwork & V.Underground & Nutownsoul, Demuja, Mungolian Jetset, Bleaching Agent, The Revenge, Lee Stevens, Parallel Dance Ensemble, Louis Baker, In Flagranti, Potholes, Fennec, Frits Wentink, Tokyo Black Star. Contact: dj@ribeaud.ch.

Writer/director Óliver Laxe (SIRAT) chops it up with hosts Josh Olson and Joe Dante to discuss the movies that made him! Show Notes: Movies Referenced In This Episode Sirat (2026) Wages of Fear (1953) Andrei Rublev (1966) Nostalghia (1983) The Mirror (1975) Ordet (1955) Au Hazard Balthazar (1966) Blue Velvet (1986) Sorcerer (1977) Mad Max (1979) Two-Lane Blacktop (1971) Apocalypse Now (1979) Easy Rider (1969) Zabriskie Point (1970) Vanishing Point (1971) Paris, Texas (1984) Freaks (1931) Dersu Uzala (1975) Pan's Labyrinth (2006) Dirty Pretty Things (2001) The Naked Island (1960) The Flavor of Green Tea Over Rice (1952) Late Spring (1949) The Card Counter (2021) The Four Seasons (1975) Close-Up (1990) Where is the Friend's House? (1987) Ten (2002) Five Dedicated to Ozu (2003) Through the Olive Trees (1994) Other Notable Items Our Patreon!  The Hollywood Food Coalition Chuck Berry The Beatles Carl Theodor Dreyer  Notes on the Cinematographer book by Robert Bresson (1975) Sculpting in Time book by Andrei Tarkovsky (1985) John Cassavettes Béla Tar David Lynch The Criterion Collection Dennis Hopper Monte Hellman Ry Cooder Akira Kurosawa Sergi López  Kaneto Shindo  Yasujirō Ozu Paul Schrader Oscar Isaac Transcendental Style in Cinema: Ozu, Bresson, Dryer book by Paul Schrader (2018) Artavazd Peleshyan  Abbas Kiarostami Zohran Mamdani Mira Nair Learn more about your ad choices. Visit megaphone.fm/adchoices

“O cinematógrafo é uma escrita com imagens em movimento e sons.”(Robert Bresson)Mantendo-se fiel a Bresson, inauguramos nossa coluna sobre cinema e produções audiovisuais, VULTOS & SOMBRAS. Uma homenagem aos movimentos indistintos e fantasmagóricos que surgem no canto de nossos olhos e que nos oferecem, mediante rituais adequados, nossa quota de maravilhamento com a narrativa audiovisual.Episódio de hoje: Por uma nova mitologia (“Malpertuis”, de Harry Kümel)Série citada: “Malpertuis” (idem, 1971), dirigido por Harry Kümel, edição restaurada Radiance, de 2025.Livros citados: “Os Deuses no Exílio”, Heinrich Heine (Iluminuras, 2006); “Malpertuis: Story of an Extraordinary House”, Jean Ray (Wakefield Press, 2021).Conheça a revolucionária narrativa onírica, "O Outro Lado": https://www.catarse.me/lado Entre para a nossa sociedade, dedicada à bibliofilia/cinematografia maldita e ao culto de tenebrosos grimórios/projeções: o RES FICTA (solicitações via http://raphuspress.weebly.com/contact.html).Nosso podcast também está disponível nas seguintes plataformas:- Spotify: https://open.spotify.com/show/4NUiqPPTMdnezdKmvWDXHs- Apple: https://podcasts.apple.com/us/podcast/podcast-da-raphus-press/id1488391151?uo=4- Google Podcasts: https://podcasts.google.com/?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy8xMDlmZmVjNC9wb2RjYXN0L3Jzcw%3D%3D Apoie o canal: https://apoia.se/podcastdaraphus.Ou adquira nossos livros em nosso site: http://raphuspress.weebly.com. Dúvidas sobre envio, formas de pagamento, etc.: http://raphuspress.weebly.com/contact.html.Conheça também nossa nova livraria virtual: https://loja.infinitepay.io/raphuspress Nossos livros também estão no Sebo Clepsidra: https://www.seboclepsidra.com.br/marca/raphus-press.html

“O cinematógrafo é uma escrita com imagens em movimento e sons.”(Robert Bresson)Mantendo-se fiel a Bresson, inauguramos nossa coluna sobre cinema e produções audiovisuais, VULTOS & SOMBRAS. Uma homenagem aos movimentos indistintos e fantasmagóricos que surgem no canto de nossos olhos e que nos oferecem, mediante rituais adequados, nossa quota de maravilhamento com a narrativa audiovisual.Episódio de hoje: Fantasmas individuais e aparições coletivas (a ousada ficção especulativa de "Pluribus")Série citada: “Pluribus” (idem, 2025), criada por Vince Gilligan.Livros citados: “Billion Year Spree: The True History of Science Fiction”, Brian Aldiss (Doubleday & Company, 1973); “The Short Stories of H. G. Wells”, H. G. Wells (Ernest Benn, 1952); “A Cidade dos Amaldiçoados”, John Wyndham (Diário Macabro, 2021).Conheça a revolucionária narrativa onírica, "O Outro Lado": https://www.catarse.me/lado Entre para a nossa sociedade, dedicada à bibliofilia/cinematografia maldita e ao culto de tenebrosos grimórios/projeções: o RES FICTA (solicitações via http://raphuspress.weebly.com/contact.html).Nosso podcast também está disponível nas seguintes plataformas:- Spotify: https://open.spotify.com/show/4NUiqPPTMdnezdKmvWDXHs- Apple: https://podcasts.apple.com/us/podcast/podcast-da-raphus-press/id1488391151?uo=4- Google Podcasts: https://podcasts.google.com/?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy8xMDlmZmVjNC9wb2RjYXN0L3Jzcw%3D%3D Apoie o canal: https://apoia.se/podcastdaraphus.Ou adquira nossos livros em nosso site: http://raphuspress.weebly.com. Dúvidas sobre envio, formas de pagamento, etc.: http://raphuspress.weebly.com/contact.html.Conheça também nossa nova livraria virtual: https://loja.infinitepay.io/raphuspress Nossos livros também estão no Sebo Clepsidra: https://www.seboclepsidra.com.br/marca/raphus-press.html

“O cinematógrafo é uma escrita com imagens em movimento e sons.”(Robert Bresson)Mantendo-se fiel a Bresson, inauguramos nossa coluna sobre cinema e produções audiovisuais, VULTOS & SOMBRAS. Uma homenagem aos movimentos indistintos e fantasmagóricos que surgem no canto de nossos olhos e que nos oferecem, mediante rituais adequados, nossa quota de maravilhamento com a narrativa audiovisual.Episódio de hoje: O século XX e seu filho terrível (“Mussolini: O Filho do Século”)Série citada: “Mussolini: O Filho do Século” (“M: Il figlio del secolo”, 2024-2025), criado por Joe Wright.Tente descobrir os mistérios de RELICÁRIO 02, se tiver coragem...https://www.catarse.me/relicario02 Entre para a nossa sociedade, dedicada à bibliofilia/cinematografia maldita e ao culto de tenebrosos grimórios/projeções: o RES FICTA (solicitações via http://raphuspress.weebly.com/contact.html).Nosso podcast também está disponível nas seguintes plataformas:- Spotify: https://open.spotify.com/show/4NUiqPPTMdnezdKmvWDXHs- Apple: https://podcasts.apple.com/us/podcast/podcast-da-raphus-press/id1488391151?uo=4- Google Podcasts: https://podcasts.google.com/?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy8xMDlmZmVjNC9wb2RjYXN0L3Jzcw%3D%3D Apoie o canal: https://apoia.se/podcastdaraphus.Ou adquira nossos livros em nosso site: http://raphuspress.weebly.com. Dúvidas sobre envio, formas de pagamento, etc.: http://raphuspress.weebly.com/contact.html.Conheça também nossa nova livraria virtual: https://loja.infinitepay.io/raphuspress Nossos livros também estão no Sebo Clepsidra: https://www.seboclepsidra.com.br/marca/raphus-press.html

Join Molly and Jack for a CARS Reading Skills Workshop as they unpack Susan Sontag's “Reflective Art”. Learn how to spot main ideas, separate concrete from “wishy-washy” lines, and use author tone and repetition to navigate dense prose. We also dive into why Sontag highlights emotional distance, postponed gratification, and filmmaker Robert Bresson and how these themes show up in CARS questions.What you'll learn:How to find the main idea when the writing is abstract“Concrete vs. wishy-washy” sentence filter (what to cling to vs. skim)Why detachment changes emotional responses in reflective artHow labels like “cold” vs “hot” art can be trapsPractical CARS habits: stay engaged without importing your own opinionsTry the passage & 5 questions:

Single Kiasi Director & Cast Philippe Bresson & Faith Kibathi on The Jam by Capital FM

Dimanche c'est la foire de Saint Bresson

Henri Cartier-Bresson prägte den Begriff vom „entscheidenden Moment“ – oft verstanden als das eine perfekte Foto. Doch was passiert, wenn wir diesen Gedanken aus der Reportagefotografie herauslösen und auf unseren Alltag anwenden? In dieser Folge sprechen Lars und Falk darüber, wie sich Bressons Idee mit der kontemplativen Fotografie verbinden lässt. Wir fragen uns: Muss es immer die spektakuläre Szene sein – oder steckt der entscheidende Moment vielleicht auch in einer dampfenden Kaffeetasse, einem Blick durchs Fenster oder im stillen Detail nebenan? Eine Einladung, Fotografie neu zu denken: weg vom Druck des einen Bildes – hin zur Freiheit, im Alltäglichen das Besondere zu entdecken.

“O cinematógrafo é uma escrita com imagens em movimento e sons.”(Robert Bresson)Mantendo-se fiel a Bresson, inauguramos nossa coluna sobre cinema e produções audiovisuais, VULTOS & SOMBRAS. Uma homenagem aos movimentos indistintos e fantasmagóricos que surgem no canto de nossos olhos e que nos oferecem, mediante rituais adequados, nossa quota de maravilhamento com a narrativa audiovisual.Episódio de hoje: A Síndrome de Heróstrato (incêndios narrativos em "Smoke")Série citada: “Cortina de Fumaça” (“Smoke”, 2021), criado por Dennis Lehane.Conheça e apoie DEMIURGOS SOMBRIOS: https://www.catarse.me/demiurgos_sombrios Entre para a nossa sociedade, dedicada à bibliofilia/cinematografia maldita e ao culto de tenebrosos grimórios/projeções: o RES FICTA (solicitações via http://raphuspress.weebly.com/contact.html).Nosso podcast também está disponível nas seguintes plataformas:- Spotify: https://open.spotify.com/show/4NUiqPPTMdnezdKmvWDXHs- Apple: https://podcasts.apple.com/us/podcast/podcast-da-raphus-press/id1488391151?uo=4- Google Podcasts: https://podcasts.google.com/?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy8xMDlmZmVjNC9wb2RjYXN0L3Jzcw%3D%3D Apoie o canal: https://apoia.se/podcastdaraphus.Ou adquira nossos livros em nosso site: http://raphuspress.weebly.com. Dúvidas sobre envio, formas de pagamento, etc.: http://raphuspress.weebly.com/contact.html.Conheça também nossa nova livraria virtual: https://loja.infinitepay.io/raphuspress Nossos livros também estão no Sebo Clepsidra: https://www.seboclepsidra.com.br/marca/raphus-press.html

In normal cinema, the goal of the director is to control the audience, to direct their gaze, to dictate their emotions.What does it mean when directors make movies where the audience is allowed to decide what the film means to them?Legendary filmmaker Paul Schrader (screenwriter of Taxi Driver and Raging Bull; director of Mishima: A Life in Four Chapters and First Reformed) , joins me to discuss his book Transcendental Style in Film: Ozu, Bresson, Dreyer and the democratic nature of slow cinema.

“O cinematógrafo é uma escrita com imagens em movimento e sons.”(Robert Bresson)Mantendo-se fiel a Bresson, inauguramos nossa coluna sobre cinema e produções audiovisuais, VULTOS & SOMBRAS. Uma homenagem aos movimentos indistintos e fantasmagóricos que surgem no canto de nossos olhos e que nos oferecem, mediante rituais adequados, nossa quota de maravilhamento com a narrativa audiovisual.Episódio de hoje: Subterrâneos Aveludados (“The Velvet Underground”, de Todd Haynes)Filme citado: “The Velvet Underground” (2021), de Todd Haynes.Link mencionado: Bandcamp de La Monte Young (https://lamonteyoung.bandcamp.com/music). Livro mencionado: “Ranx - Edição Integral Definitiva”, Stefano Tamburini, Tanino Liberatore, Alain Chabat (Comix Zone, 2025).Entre para a nossa sociedade, dedicada à bibliofilia/cinematografia maldita e ao culto de tenebrosos grimórios/projeções: o RES FICTA (solicitações via http://raphuspress.weebly.com/contact.html).Nosso podcast também está disponível nas seguintes plataformas:- Spotify: https://open.spotify.com/show/4NUiqPPTMdnezdKmvWDXHs- Apple: https://podcasts.apple.com/us/podcast/podcast-da-raphus-press/id1488391151?uo=4- Google Podcasts: https://podcasts.google.com/?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy8xMDlmZmVjNC9wb2RjYXN0L3Jzcw%3D%3D Apoie o canal: https://apoia.se/podcastdaraphus.Ou adquira nossos livros em nosso site: http://raphuspress.weebly.com. Dúvidas sobre envio, formas de pagamento, etc.: http://raphuspress.weebly.com/contact.html.Nossos livros também estão no Sebo Clepsidra: https://www.seboclepsidra.com.br/marca/raphus-press.html

A 35 años de distancia, nadie se atreverá a cuestionar la autoridad, belleza y brillantez de la serie concebida por dos Krzysztof, Kieślowski y Piesiewicz, quienes usaron la estructura de los mandamientos cristianos para efectuar una reflexión sobre la naturaleza humana que superó los confines de la mera televisión (y la entretención) situandose en un plano antes ocupado por titanes como Dreyer, Bresson, Ozu y Antonioni, los llamados realizadores del "cine trascendental". Huelga decir que todo intento de resumir en breve los episodios, su contenido y su interrelación, se queda corto, y por lo mismo centramos la discusión en los orígenes y alcances del proyecto, su sentido en una Polonia donde el socialismo se derrumbaba —como sistema político y forma de vida— y algo que emerge sólo en la distancia: la responsabilidad que le cabe a todo país respecto de su historia, la del conjunto y la de cada individuo, sometido a decisiones morales a veces extraordinarias, a veces imposibles. De eso y más se habla en este podcast.

durée : 00:51:24 - Les Nuits de France Culture - par : Mathilde Wagman - Par Claude-Jean Philippe - Avec Serge Daney (critique de cinéma et journaliste), Jean-Claude Biette (réalisateur) et Luc Moullet (réalisateur et producteur) - réalisation : Virginie Mourthé

Terrence Malick's debut film is a story of America, of wanton violence driving across the great plains. Badlands (1973) isn't just Manifest Destiny marching over the continent; the film's from 1973, it's Vietnam, it's a murderous young man saying "Not that I deserve a medal." Malick hits the ground running with the spiritual lyricism he's known for, and kudos to the Criterion Collection for showing us our new favorite Malick right after showing us our new favorite Bresson.

Robert Bresson makes a prison escape film is the sort of premise that we cannot help but fall for, particularly as A Man Escaped (1956) is also our favorite sub-genre of crime film: the criminal procedural. While we really fell in love (sort of) with the "full Bresson" of Au hasard Balthazar or Mouchette, both a decade later, A Man Escaped takes Bresson's style into a genre we weren't expecting, and it is perfect.

In episode 366 UNP founder and curator Grant Scott is in his garage reflecting on the small and big things that impact on the everyday engagement we all have with photography. Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott's book Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is now on sale. © Grant Scott 2025

durée : 00:14:02 - Les Midis de Culture - par : Marie Labory - La fondation Henri Cartier Bresson présente pour la première fois en Europe l'intégralité des photos qui composent l'ouvrage original "In the American West" de Richard Avedon. - réalisation : Laurence Malonda - invités : Sarah Ihler-Meyer Critique d'art et commissaire d'exposition ; Joseph Ghosn Directeur adjoint de la rédaction de Madame Figaro

durée : 00:38:59 - Les Midis de Culture - par : Marie Labory, Marie Sorbier - Pour sa première exposition rétrospective, le peintre Guillaume Bresson s'installe au Château de Versailles et fait dialoguer sa quarantaine d'œuvres aux teintes urbaines avec les grands tableaux du peintre favori de Louis-Philippe, Horace Vernet. - réalisation : Laurence Malonda - invités : Guillaume Bresson Peintre

durée : 00:03:41 - Le Regard culturel - par : Lucile Commeaux - Ce film sorti en 1971 qui était devenu impossible à voir retrouve le chemin des salles, l'histoire d'une rencontre étrange entre un jeune homme et une jeune fille dans le Paris nocturne de l'après mai 68.

In this episode, we explore the stark yet deeply affecting world of Robert Bresson through two of his most powerful films: Mouchette (1967) and L'Argent (1983). Known for his minimalist style, nonprofessional actors, and spiritual themes, Bresson crafts haunting portraits of human suffering and redemption. We break down the tragic innocence of Mouchette, a tale of a young girl's quiet descent, and L'Argent, his final film—a chilling meditation on money, fate, and morality. Join us as we unpack Bresson's unique storytelling, his signature use of sound and image, and why these films remain as hauntingly relevant today as ever.https://linktr.ee/silverscreenvideoThanks for stopping by. Feel free to email at silverscreenvideopodcast@gmail.com with any comments or thoughts. Also be sure to follow us on Instagram @silverscreenvideopodcast, Twitter @SilverVideo, and TikTok silver.screen.vid.

Good evening, Mr. and Mrs. America and all ships at sea, and welcome to Episode 57 of Vintage Sand, our first of 2025. In this episode and the next one we return, for the penultimate time, to the source of some of our most popular episodes: Danny Peary's hard-to-find 1993 classic "Alternative Oscars". In the past, we have used Peary's model to approach every full decade in which the Academy has handed out Oscars except two: the 2010's, and the topic for this two-part episode, Alternate Oscars: The 1940's Edition. It's interesting that the 40's are considered to be the peak of Hollywood's Golden Age, yet many films that were beloved and honored back then have not well withstood the passage of time. The early part of the decade's most important development was the rise of the writer/director in Hollywood. Preston Sturges was the first, with his incredible run of films from 1940-1945, and he was followed quickly by the Billy Wilder/Charles Brackett team and, of course, that clever young fellow from the Mercury Theater. The 40's also marked the arrival of Hitchcock to these shores, and the rise to prominence of new directorial voices like Huston, Preminger, Zinnemann and Nicholas Ray. There were also many high points in the decade for well-established directors like Ford, Capra, Hawks, Lubitsch and Wyler. We have the incredible run of films between 1942 and 1946 made by Val Lewton's brilliant B-movie unit at RKO, and, of course, the birth of film noir, overseen predominantly by expats like Wilder, Lang, Preminger, Ulmer, Lewis and Siodmak. The latter half of the decade, which we will cover in Episode 58 in February, saw two major developments. The end of the war saw the return to strength of many European film industries as well as studio filmmaking in Japan. In France, in the wake of 1945's miraculous "Les Enfants du Paradis", directors as different as Cocteau, Clouzot and Bresson began or restarted their careers. This explosion of creativity was matched in the UK, with the arrival of Lean, Reed, and especially with the flowering of the Powell-Pressburger Archers team. Clearly, though, the most important such event was the rise of what today is called Italian Neo-Realism, as directors like Rossellini, De Sica, and to a lesser extent Visconti, created a brand new way to tell stories on film that is still influencing directors today. The second big change of the late 40's was really two changes in one: the landmark Paramount court case in 1948 that ended the vertical monopoly the studios had long held as owners of theater chains as well, and the mass arrival of television. Between 1948 and 1952, Hollywood lost nearly half of its audience, bringing down the curtain on that so-called “Golden Age” of Hollywood. In terms of the Oscars, the Academy made solid choices for Best Picture--they certainly picked better films than they did in the 1930's! These included enduring works like "The Best Years of Our Lives", "All the King's Men" and especially, "Casablanca". Who could argue with that? (Hint: us.) But there were plenty of head scratchers as well. Prestige choices like "How Green Was My Valley", "Mrs. Miniver" and Olivier's "Hamlet" look a little creaky these days. Hell, we might argue that "Rebecca" was not even Hitchcock's best film of 1940! And the less said about "Going My Way" and "Gentlemen's Agreement", the better. So kick back, round up the usual suspects, and help us make this podcast more important than the gas in that light…

durée : 00:40:04 - Les Nuits de France Culture - par : Philippe Garbit - L'émission Cinéma pour les ondes propose "Le Procès de Jeanne d'Arc" avec Florence Delay; d'après le film de Robert Bresson, (1ʳᵉ diffusion : 23/04/1963 Paris Inter). - réalisation : Virginie Mourthé

Last week Criterion introduced us to the work of Luc and Jean-Pierre Dardenne with a phenomenal film, but this week they follow it up with something somehow even better. From it's frenetic first few minutes, Rosetta (1999) is the story of a a young woman that believes she can find freedom, or at least dignity, or at least normalcy in work. But she, and we, live in a society that doesn't actually care about freedom or dignity or even, really, normalcy, at least not for the lower rungs of the economic ladder Rosetta lives in. It's sort of an answer to and modernization of Bresson's Mouchette (1967), but the Dardenne are much more interested in social realism than Bresson ever was. Like last week's film, and many social realist films we've seen, Rosetta doesn't end on a hopeful not, but perhaps on the hope for hope and the promise of freedom and dignity that comes from community and care. We need that now.

durée : 01:27:09 - Les Nuits de France Culture - par : Albane Penaranda, Mathias Le Gargasson, Antoine Dhulster - Par Jean Daive - Avec François Bresson (spécialiste du langage chez les bébés humains et le singe), Jean-Jacques Petter (zoologiste) et Barbet Schroeder (réalisateur du documentaire “Koko, le gorille qui parle”) - Réalisation Bruno Sourcis - réalisation : Massimo Bellini

The guest on this week's episode will need little introduction to anyone who reads film criticism or follows film culture. Jonathan Rosenbaum, one of the most prolific and respected critics of the last half-century, began his career at publications like Film Comment and Sight and Sound in the '70s, and later became known for his writing at The Chicago Reader. More recently, he's gained notice for his website, jonathanrosenbaum.net. He is known for his erudite yet accessible writing, and his championing of international cinema, among other things. No less a figure than Jean-Luc Godard once compared him to Andre Bazin. Jonathan is also the author of numerous books and collections of film writing, the latest of which, In Dreams Begin Responsibilities, has just been published by Hat & Beard Press. He describes the career-spanning, chronologically arranged collection as an autobiography of sorts, opening with his earliest published film review from his college days at Bard, before diverging into his many non-film interests. The collection also includes his writings on jazz and literature, and emphasizes Jonathan's uniquely syncretic approach to criticism. Jonathan joined FC editors Devika Girish and Clinton Krute via Zoom from his home in Chicago to discuss this new book, his time as Film Comment's Paris correspondent, his appearance as an extra in a Bresson film, and much, much more.

This week, the fellas ask the ultimate question: IS THIS MOVIE A WAR MOVIE OR IS THIS MOVIE NOT A WAR MOVIE? America's favourite gameshow commences with a discussion of Robert Bresson's A Man Escaped. They discuss Bresson's way in which he films hands, the slow, methodical and procedural style of showing the prison escape, the justifiable use of voiceover and much more. Next week: back to the list for a solemn dance! Questions? Comments? Suggestions? You can always shoot us an e-mail at forscreenandcountry@gmail.com   Full List: https://www.pastemagazine.com/movies/war-movies/the-100-greatest-war-movies-of-all-time Facebook: https://www.facebook.com/forscreenandcountry Twitter: https://www.twitter.com/fsacpod Our logo was designed by the wonderful Mariah Lirette (https://instagram.com/its.mariah.xo) A Man Escaped stars François Leterrier, Charles Le Clainche, Maurice Beerblock, Roland Monod and Jacques Ertaud; directed by Robert Bresson. Learn more about your ad choices. Visit megaphone.fm/adchoices

Pick out your shirt and tie, listener! We're talking Paul Schrader's 1980 stylish crime film AMERICAN GIGOLO this week, and we've called up film critic Brandon Streussnig to help us do it! Production design, fashion history, Bresson, several Giorgios - we get into it. Jake put on cologne for this one as a bit. See if you can hear the smell! Further Reading: Crime and Punishment by Fyodor Dostoyevsky The Painter of Modern Life XI: The Dandy by Charles Baudelaire "Talking Film Costume: Richard Gere in 'American Gigolo'" by Ada Pîrvu "About That Urban Renaissance" by Dan Rottenberg Hollywood from Vietnam to Reagan by Robin Wood Further Viewing: PICKPOCKET (Bresson, 1959) THE CONFORMIST (Bertolucci, 1970) PRETTY WOMAN (Marshall, 1990)   Follow Brandon Streussnig: https://twitter.com/BrndnStrssng https://www.clippings.me/users/brandonstreussnig   https://www.podcastyforme.com/ Follow Pod Casty For Me: https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

Pickpocket (1959; Dir.: Robert Bresson) Canon Fodder Episode 11 We wish we knew how to quit you, Robert Bresson! Daniel and Corky get their Bresson on with a review of the French master's 1959 masterpiece Pickpocket. Will the film steal your host's hearts, or will it leave them feeling […] The post Pickpocket (1959) – Canon Fodder Episode 11 appeared first on Dare Daniel & Canon Fodder Podcasts.

Good Morning, Hockey - Friday 3/1/24 on the Alithio Network.   Click follow and rate 5-stars! Be sure to check out our other shows on the network!

A beautiful conversation with Leica user Kei Rowan-Young about her journey into photography [ instagram : https://www.instagram.com/Keirowanyoung_photography/ : Web: www.keirowanyoung.com] where we talk about Life, Love, and Leica's (C) [The IXVI Network]. The Pod: 0:01 : Intro ; 03:00 : When I started making photos ; 17:00 : Street Photography ; 22:30 : Snap Shot vs Street Photo ; 25:00 : My process ; 32:30 : Flash ; 39:30 : Access ; 46:15 : Challenges ; 48:00 : Photography Community ; 51:00 : Mentorship ; 54:30 : Curating ; 1:01:XX : Sequencing ; 1:09:XX : Socials ; 1:11:XX : My recommendations ; 1:18:XX : The next Bresson ; 1:22:XX : Expiration dates -- Projects ; 1:26:XX : The Final Question. Kei's recommendations : Calvin Leonard [ instagram : https://www.instagram.com/clphotosla_/ ] ; Rene Rodriguez Jr. [ instagram : https://www.instagram.com/rene_poetking_rodriguez/ ] ; Paul S [ instagram : https://www.instagram.com/saenzofthetime/ ] ; Street Badass [ instagram : https://www.instagram.com/street_badass/ ] ; Danny Jackson [ instagram : https://www.instagram.com/_barksey_/ ] ; Sarah Simon [ instagram : https://www.instagram.com/_sarah_simon/ ] ; Gary Lashmar [ instagram : https://www.instagram.com/the_street_thief/ ] Donate to the podcast: Help me provide and fund the best and new experience's for the supporters: [ https://ko-fi.com/ixvi96 ] --- Support this podcast: https://podcasters.spotify.com/pod/show/lspcricky/support

Life has been catapulting us toward this moment...the episode where we lose our minds singing the praises of THE 15:17 TO PARIS with returning guest, writer and Slow Learners Podcast host John Semley! Join us for several hours of exaltant analysis of Clint Eastwood's 2018 avant garde docudrama, starring the real guys who really tackled a heavily armed shirtless man on a train. We really get into it here, folks: millennial masculinity amid the bleak futurelessness in which we've all spent most of our lives, re-enactments/non-professional actors in cinema history, and the transcendental quality of Dutch nightclubs. Listen up or we'll kick you out of Air Force sewing class! Topics include: Clint as optimistic Hill/McBride, trains, Clint making some big and unequivocally not-lazy choices, Ian invokes Bresson a bunch, millennial grammar, the supporting cast of sitcom players, major breakthoughs on Clintertextuality, and more! Follow John Semley: https://twitter.com/johnsemley3000   https://www.podcastyforme.com/ Follow Pod Casty For Me: https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

Jackie and Greg shuffle through the streets of Paris in search of a con for Robert Bresson's PICKPOCKET from 1959. Topics of discussion include Bresson's formalism, his actors as "models", the "cinema of hands", and why his work is do divisive amongst filmgoers.#63 on Sight & Sound's 2012 "The 100 Greatest Films of All Time" list.https://www.bfi.org.uk/sight-and-sound/polls/greatest-films-all-time-2012#136 on Sight & Sound's 2022 "The Greatest Films of All Time" list.  https://www.bfi.org.uk/sight-and-sound/greatest-films-all-timeCheck us out on Instagram: https://www.instagram.com/sceneandheardpodCheck us out at our official website: https://www.sceneandheardpod.comJoin our weekly film club: https://www.instagram.com/arroyofilmclubJP Instagram/Twitter: jacpostajGK Instagram: gkleinschmidtGraphic Design: Molly PintoMusic: Andrew CoxEditing: Asa ParsonsGet in touch at hello@sceneandheardpod.comSupport the showSupport the show on Patreon: patreon.com/SceneandHeardPodorSubscribe just to get access to our bonus episodes: buzzsprout.com/1905508/subscribe

Step behind the lens and into the vibrant world of award-winning cinematographer Ayinde Anderson, a visionary artist whose storytelling prowess knows no bounds. In this illuminating podcast, we explore Ayinde's multifaceted journey, from his formative years in Brooklyn, New York, to the cinematic heights he has reached today.Ayinde's story is as diverse and compelling as the films he captures. Raised in Raleigh, North Carolina, this creative soul found his passion for cinematography early on. With a Master's degree from the esteemed American Film Institute and mentorship from legends like Michael Chapman ASC and Thomas Ackerman ASC, Ayinde honed his craft, delving into the intricate art of visual storytelling.We unravel the tapestry of Ayinde's work, from his collaboration with Illegal Civilization on the poignant 'Summer of '17' short film to his series with Fader Magazine, where his lens captures the pulse of contemporary culture. His partnership with Malcolm Washington, a testament to the power of Black creatives collaborating, has resulted in projects that challenge norms and redefine storytelling.In the world of cinema, Ayinde stands as a beacon of change. His involvement in 'North Hollywood,' a feature film led by a Black director with a stellar cast, showcases his commitment to breaking barriers and promoting inclusivity in the industry. Through short films like 'The Dispute,' 'Jay,' and 'Retrieval,' Ayinde delves into narratives that are both intimate and profound, leaving audiences captivated by the depth of his storytelling.Ayinde's creative spirit extends beyond the silver screen. His collaboration with the California African American Museum on 'JUSTEN LEROY: LAY ME DOWN IN PRAISE' pays homage to the artistic legacy of Roy DeCarava, illustrating Ayinde's deep understanding of the intersection between visual art and cultural heritage.In this podcast, Ayinde candidly shares his insights on the importance of cinema classics like 'Fresh' and the influence of masters like Bresson, revealing the intricate layers that shape his artistic vision. He reflects on the profound impact of having a life beyond film, emphasizing the significance of personal experiences in fueling creativity.Ayinde Anderson's Website: https://ayindeanderson.com/Ayinde Anderson's Socials: https://www.instagram.com/ayindeanderson_/?hl=en Ayinde Anderson's Socials: https://www.linkedin.com/in/ayinde-anderson-1934679bVisual Intonation Website: https://www.visualintonations.com/Visual Intonation Instagram: https://www.instagram.com/visualintonation/Vante Gregory's Website: vantegregory.comVante Gregory's Instagram: https://www.instagram.com/directedbyvante/ To support me on Patreon (thank you): patreon.com/visualintonations Tiktok: www.tiktok.com/@visualintonation Tiktok: www.tiktok.com/@directedbyvante

00:00 - 38:42 - Escape from Alcatraz 38:42 - 54:30 - Malcolm in the Middle 54:30 - 1:06:01 - e-mail The final film of the Don Siegel-Clint Eastwood partnership finally answers the question, what if Bresson's A Man Escaped was actually cool, muscular, and American, rather than mopey, rail-thin, and French? One of the darkest, most moody, and purely direct thrillers of its era. We talked about Siegel and Eastwood's split authorship and evolution as artists, individuals bucking a broken system, our visits to the real Alcatraz, and more. Then, on MiTM (38:42) JT takes an epic voyage to go see Barbie. Malcolm gets dark with Todd Solondz' Life During Wartime, and Eddie gives it up for the Oppenheimer antidote, Kurosawa's I Live in Fear. Finally, an e-mail (54:30) about aging and the movies. support the show at https://www.patreon.com/Extended_Clip for five dollars a month, you get an extra episode every week. we also put the video feed of this episode up there, so you can see the real flow chart described in JT's Barbie story.

Zach sits down with Jake Bresson of Bresson Painting!

Jackie and Greg get locked up with Robert Bresson's minimalist prison-escape classic, A MAN ESCAPED from 1956. Topics of discussion include Bresson's cinema of hands, how it compares to other jailbreak films, where it falls within his filmography, and why it's a magical pairing of filmmaker and subject matter.#69 on Sight & Sound's 2012 "The 100 Greatest Films of All Time" list.https://www.bfi.org.uk/sight-and-sound/polls/greatest-films-all-time-2012#95 on Sight & Sound's 2022 "The 100 Greatest Films of All Time" list.  https://www.bfi.org.uk/sight-and-sound/greatest-films-all-timeCheck us out on Instagram: https://www.instagram.com/sceneandheardpodCheck us out at our official website: https://www.sceneandheardpod.comJoin our weekly film club: https://www.instagram.com/arroyofilmclubJP Instagram/Twitter: jacpostajGK Instagram: gkleinschmidtPhotography: Matt AraquistainMusic: Andrew CoxGet in touch at hello@sceneandheardpod.comSupport the showSupport the show on Patreon: patreon.com/SceneandHeardPodorSubscribe just to get access to our bonus episodes: buzzsprout.com/1905508/subscribe

Donkey Variations: Jerzy Skolimowski's EO This week Mr. Chavez and I travel to Cinematic Poland for Jerzy Skolimowski's EO - a beautiful and touching examination of the world through a donkey's eyes. Pain, Suffering, Beauty, and Resilience inspired by Bresson's Au Hasard Balthazar, but with a modern vision. This is an inspired piece of cinema, one that Ibrahim and I are thrilled to introduce to you and  excited to talk about. Take a listen and let us know what you think. For reference, you can find EO streaming on Amazon Prime for a small rental fee. Questions, Comments, Complaints, and Suggestions can be directed to gondoramos@yahoo.com. Many Thanks. 

Beast of Burden: Robert Bresson's Au Hasard Balthazar - WatchThis W/RickRamos  This week finds Mr. Chavez and myself continuing our dive into films with great reputations and few viewings. Bresson's 1966 French Classic, Au Hasard Balthazar, looks at life through the eyes of a donkey as it moves through the world being loved, abused, championed, worked, and - finally - sacrificed. A touching and beautifully story about humanity told in a profoundly emotional manner. As Mr. Chavez says, "I challenge someone to watch this movie and to be like, 'Well It's just about a f****** stupid donkey.'" There's so much more to unwrap, and for true fans of Cinema (and World Cinema in particular), Bresson's story is about the struggle found in purpose, love, and suffering. This is a truly beautiful film that has found legions of fans since its release over sixty years ago. We are proud to present Au Hasard Balthazar on this week's episode. Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com. Many & Continued Thanks. 

Jerzy Skolimowski's EO is probably not the first film to premiere at Cannes, land on a ton of annual Top Ten lists, and then get nominated for Best International Feature at the Academy Awards. But it's the first movie to do all that AND be about – and starring – a donkey. Comedian Ashley Ray joins us to talk about our silent protagonist's adventure across Europe. Then, a certain bear joins the Hall of Excellence and we pick some other non-human POVs that would make good cinema.What's Good:Drea - Hearing the Spirit Awards were accessibleAshley - Extreme SistersAlonso - Kristen Lopez, But Have You Read the Book?ITIDICNew Ninja Turtles MovieLenny Kravitz to Sing Oscars “In Memoriam” SegmentEEAAOO Wins a LOT of Spirit Awards (watch The Daniels' speech)Staff PicksDrea - BruiserAshley - Three WaysAlonso- Framing AgnesCheck out TV, I Say with Ashley RayWith:Drea ClarkAlonso DuraldeAshley RayProduced by Marissa FlaxbartSr. Producer Laura Swisher

This week, senior editor at Slate, Allegra Frank, fills in for Steve as the panel begins by debating the enjoyability of Apple TV+'s new star-studded thriller Severance. Then, the panel digs into Paul Thomas Anderson's latest Oscar contender Licorice Pizza. Finally, the panel discusses longform YouTube videos and the rise and fall of attention spans, inspired by Terry Nguyen's article “The video essay boom” for Vox. Referenced video essays include: Mike's Mic on Pretty Little Liars, Jenny Nicholson on Dear Evan Hansen, and Quinton Reviews on Victorious. In Slate Plus, the panel discusses thematic aversions they have in films. Email us at culturefest@slate.com. Endorsements Julia: Endorsing Six Seasons: a New Way With Vegetables by Joshua McFadden and Martha Holmberg, which has lots of delicious recipes that are designed for your farmer's market finds. Allegra: The podcast Dead Eyes from comedian Connor Ratliff about people in the entertainment industry and their long forgotten, lost, and/or canceled projects—inspired by how he was fired from Band of Brothers by Tom Hanks himself because he had “dead eyes.” Dana: Speaking of video essays, filmmaker Kogonada's (After Yang, Columbus) video essays which are extremely visual and beautifully edited. They're all on his website, but Dana specifically shouted out: Breaking Bad // POV, Mirrors of Bergman, Hands of Bresson, and Linklater // On Cinema & Time. Podcast production by Cameron Drews. Production assistance by Nadira Goffe. Outro music is "If Only I Was a Poet" by Staffan Carlen. Slate Plus members get ad-free podcasts, a bonus segment in each episode of the Culture Gabfest, full access to Slate's journalism on Slate.com, and more. Sign up now at slate.com/cultureplus. Learn more about your ad choices. Visit megaphone.fm/adchoices