Podcasts about Hahn

Don is joined by friend of the show George Hahn for a hilarious, unfiltered look at the state of the nation. From the absurd UFC spectacle taking over the White House to the big questions facing Democrats, nothing is off limits. Because sometimes, when the news cycle is this ridiculous, laughter is the only way to survive it. This episode is sponsored by Byron Publishing. Get your copy of “Bullies, Parasites and Slaves” at https://www.BPS.online or text the word, “BULLY” to 511511 and receive an immediate link to get the book – paperback, E-book or audio. Text Fees may apply. This episode is sponsored by Lean. Visit https://TAKELEAN.com and enter LEMON for your discount. This episode is brought to you by BetterHelp. BetterHelp makes it easy to get matched online with a qualified therapist. Sign up and get 10% off at https://BetterHelp.com/donlemon NMLS 182334, nmlsconsumeraccess.org. APR for rates in the 5s start at 6.327% for well qualified borrowers. Call 888-675-4090 for details about credit costs and terms. Visit http://www.AmericanFinancing.net/Lemon. Average savings based on borrowers who save over $199.99 Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Howard Farran sits down with Dr. Jack Hahn, a pioneering figure in implant dentistry whose career spans more than 58 years — 54 of them dedicated to implants. Dr. Hahn takes listeners through a remarkable journey that began with placing bilateral blade implants in 1970, evolved through subperiosteal and early root form implants, and ultimately led him to design four distinct implant systems, including the Steri-Oss, the Replace Tapered Implant, and the Hahn Tapered Implant now manufactured by Glidewell. Along the way, he shares stories of treating patients and teaching dentists across the globe — from Russia to Saudi Arabia — the skepticism he faced early in his career, and the lessons he learned both in clinical innovation and in business. A recipient of the Lifetime Achievement Award and past president of the American Board of Oral Implantology, Dr. Hahn offers a rare firsthand account of how implant dentistry grew from a fringe idea into a cornerstone of modern care — along with candid advice, including the mistakes he made selling his own practice.   Episode #1706 : Dentistry Uncensored with Howard Farran, Howard sits down with Dr. Jack Hahn — a true living legend of implant dentistry with over 58 years in practice and 54 of them devoted to implants. From placing his first blade implants in 1970 to designing four implant systems — including the Hahn Tapered Implant — Dr. Hahn has quite literally helped shape modern implant dentistry as we know it.

In this episode of The Road to Emmaus, Scott Hahn is rejoined by Dr. Petroc Willey to discuss St. Clement of Alexandria's powerful interpretation of the story of Jesus and the rich young man. Dr. Willey is a Professor of Theology and Catechetics at Franciscan University and consultant to the Dicastery for Evangelization. In their conversation you'll learn about this story's message of hope, how Christ's commandment of love reveals both the depth of our sin and the depth of God's mercy, and the importance of seeking the deeper transformation the Gospel calls us to. Come and rediscover this ancient and eye-opening interpretation of the story of Jesus and the rich young man with Dr. Hahn and Dr. Willey! ✨ Get the Ignatius Catholic Study Bible for FREE ➡️ https://stpaulcenter.com/memberships ___ Other ways to grow with the St. Paul Center: ⛪️ If you're a Priest looking to attend one of our annual Priest Conferences: https://stpaulcenter.co/priestconferences

In this episode of The Road to Emmaus, Scott Hahn is rejoined by Dr. Petroc Willey to discuss St. Clement of Alexandria's powerful interpretation of the story of Jesus and the rich young man. Dr. Willey is a Professor of Theology and Catechetics at Franciscan University and consultant to the Dicastery for Evangelization. In their conversation you'll learn about this story's message of hope, how Christ's commandment of love reveals both the depth of our sin and the depth of God's mercy, and the importance of seeking the deeper transformation the Gospel calls us to. Come and rediscover this ancient and eye-opening interpretation of the story of Jesus and the rich young man with Dr. Hahn and Dr. Willey! ✨ Get the Ignatius Catholic Study Bible for FREE ➡️ https://stpaulcenter.com/memberships ___ Other ways to grow with the St. Paul Center: ⛪️ If you're a Priest looking to attend one of our annual Priest Conferences: https://stpaulcenter.co/priestconferences

Wie ein sanfter Diktator sorgte der Sandmann für Ruhe in der Kiste, heute ist das al-les anders. Und jetzt startet die Fußballweltmeisterschaft mit ihren Spielen zu nacht-schlafener Zeit. "Darf ich aufbleiben", kräht das Kind wie der Hahn, umdribbelt jeden gutgemeinten Argumentationsversuch und zwingt uns zur Grätsche. Eine Glosse von Georg Bayerle.

What if the biggest threat to your strategy isn't a competitor, a budget cut, or AI?What if it's busyness?In this Sharp Cut, Marc Binkley and Vassilis Douros tackle one of marketing and leadership's biggest comfort blankets: the belief that activity equals progress.Drawing on the work of Roger Martin, Richard Rumelt, Michael Porter, Henry Mintzberg, and decades of research in strategy, psychology, and organizational behaviour, they explore why so many companies mistake plans, initiatives, and corporate buzzwords for actual strategy.The conversation unpacks:Why strategy is fundamentally a series of choicesHow organizations become trapped in the illusion of progressWhy indecision is often the most common strategic outcomeThe hidden cost of strategic ambiguityWhat B2B buying behaviour can teach us about leadershipWhy marketing departments produce more content than ever while achieving less impactHow AI accelerates both good strategy and bad strategyThree practical actions leaders can take immediately to make better strategic decisionsThis episode is ultimately about one uncomfortable truth:Most organizations don't have a strategy problem.They have a choice problem.And until they're willing to make difficult choices, strategy remains little more than activity wearing a strategy costume.TakeawaysMost strategies presented are often just lists of initiatives.Real strategy involves making explicit choices and trade-offs.Indecision can be a strategy, but it's not an effective one.Ambiguity can be useful short-term but harmful long-term.Fluffy language often indicates a lack of real strategy.Marketing and strategy should be aligned for effectiveness.The say-do gap reflects a disconnect in organizational goals.AI can exacerbate existing strategic issues if not managed properly.Effective strategy requires clear, actionable frameworks.Leaders must be willing to make specific, falsifiable choices.Chapters00:00 - The Illusion of Strategy03:13 - Defining Real Strategy05:49 - The Challenge of Decision-Making08:49 - Indecision as a Strategy11:59 - The Role of Ambiguity in Strategy14:50 - The Cost of Fluffy Language17:48 - Marketing and Strategy Alignment21:04 - The Say-Do Gap in Organizations23:52 - The Impact of AI on Strategy27:03 - Practical Steps for Effective StrategyReferencesCappellaro, G., Compagni, A., & Vaara, E. (2021). Maintaining strategic ambiguity for protection: Struggles over opacity, equivocality, and absurdity around the Sicilian Mafia. Academy of Management Journal, 64(1), 1–37.Dixon, M., & McKenna, T. (2022). The JOLT effect: How high performers overcome customer indecision. Portfolio.Drucker, P. F. (1967). The effective executive. Harper & Row.Eisenberg, E. M. (1984). Ambiguity as strategy in organizational communication. Communication Monographs, 51(3), 227–242.Hurman, J. (2024). The case for creative effectiveness. Cannes Lions / WARC.Kantar. (2024). How optimized touchpoint planning drives brand growth. Kantar Insights.Kapero. (2024). Channels and content: The state of the marketing department. Kapero Management Consultants.Kim, W. C., & Mauborgne, R. (2005). Blue ocean strategy: How to create uncontested market space and make the competition irrelevant. Harvard Business Review Press.Lafley, A. G., & Martin, R. L. (2013). Playing to win: How strategy really works. Harvard Business Review Press.Martin, R. L. (2020, October 5). The role of management systems in strategy. Roger Martin Substack. https://rogerlmartin.substack.comMartin, R. L. (2021, April 19). It's time to accept that marketing and strategy are one discipline. Medium. https://rogermartin.medium.comMartin, R. L. (2023, January 23). Being ‘too busy' means your personal strategy sucks. Roger Martin Substack. https://rogerlmartin.substack.comMartin, R. L. (2026, March 16). Becoming an AI-augmented enterprise. Roger Martin Substack. https://rogerlmartin.substack.comMintzberg, H. (1973). The nature of managerial work. Harper & Row.Mintzberg, H. (1987). The strategy concept I: Five Ps for strategy. California Management Review, 30(1), 11–24.Morgan, A. (2024). The cost of dull. Cannes Lions / System1 Research.Porter, M. E. (1996). What is strategy? Harvard Business Review, 74(6), 61–78.PwC. (2025). 28th annual global CEO survey: Reinvention on the edge of tomorrow. PricewaterhouseCoopers.Rush. (1980). Freewill [Song]. On Permanent Waves. Anthem / Mercury Records. (Lyrics by Neil Peart.)Rumelt, R. P. (2011). Good strategy, bad strategy: The difference and why it matters. Crown Business.Strategic ambiguity systematic review (Authors, 2025). Strategic ambiguity: A systematic review, a typology and a dynamic capability view. Management Decision, 63(13), 123–xx. [Full citation TK once confirmed]Turner, M. (2024). How buyable B2B emotions unlock $19 trillion in category growth. LinkedIn / The B2B Institute.WARC. (2026). The Multiplier Playbook. WARC.Waytz, A. (2023, March-April). Beware a culture of busyness. Harvard Business Review.Wilson, T. D., Reinhard, D. A., Westgate, E. C., Gilbert, D. T., Ellerbeck, N., Hahn, C., Brown, C. L., & Shaked, A. (2014). Just think: The challenges of the disengaged mind. Science, 345(6192), 75–77.

Moin, der FC St. Pauli musste ja nach zwei Jahren in der Fußball-Bundesliga wieder runter in die 2. Liga. Und eine der Fragen, die sich Spieler und Fans seither gestellt haben, lautete, was nun mit Trainer Alexander Blessin passiert.Seit heute steht fest, dass ergeht.Wir sprechen darüber, wie es zu dieser Entscheidung gekommen ist.Viel Spaß beim Hören wünscht MaikenWas war heute in Hamburg los? Maiken Nielsen und Ole Wackermann werfen im wöchentlichen Wechsel zum Tagesende einen Blick auf die News und das aktuelle Stadtgeschehen. Das sind die Nachrichten heute mit Maiken Nielsen am Donnerstag, 04.06.2026+++GESUNDHEITSREFORM: ÄRZTE IN HAMBURG PLANEN PROTEST-TAG+++Am Mittwoch, 10. Juni, könnten viele Arztpraxen in Hamburg morgens zwischen 8 und 10 Uhr dicht bleiben. Mehrere Berufsverbände rufen wegen der Reformpläne von Bundesgesundheitsministerin Nina Warken (CDU) zum Protest auf. Mehr dazu: http://www.ndr.de/aerzteprotest-100.html+++STAATSANWALT HAMBURG ERMITTELT WEGEN AUFSTAND IM JUGENDGEFÄNGNIS+++Nach dem brutalen Angriff auf Vollzugsbeamte im Jugendgefängnis Hahnöfersand stellt sich die Frage: Was trieb die jungen Insassen zu der Tat? Das Motiv bleibt unklar - nun laufen die Ermittlungen. Mehr dazu: http://www.ndr.de/hahnoefersand-104.html+++AUS FÜR TRAINER BLESSIN BEI ST. PAULI BESCHLOSSENE SACHE+++Der FC St. Pauli muss sich nach dem Abstieg aus der Fußball-Bundesliga nach einem neuen Trainer umschauen. Der Club und der bisherige Coach Alexander Blessin haben sich nach NDR Informationen auf keine Einigung für eine weitere Zusammenarbeit einigen können. Mehr dazu: http://www.ndr.de/pauli-592.html Du hast Feedback zur Folge oder Wünsche für Recherchen? Unsere Podcast-Hosts erreichst du über den Messenger in der NDR Hamburg App, in den Social-Media-Kanälen von NDR Hamburg und via E-Mail an hamburgheute@ndr.de. Alle Folgen des Podcasts findest du unter www.ndr.de/hamburgheute

Jason talks with Cleveland MN Fire Chief Brady Hahn about the number of MN firefighters that are in the volunteer system and why those numbers have moved in the wrong direction.

Alberga, Hahn, Meaney and Jensen preview the 2026 Stanley Cup Final between the Carolina Hurricanes and Vegas Golden Knights with series prices, X-factors, Conn Smythe Trophy contenders, longshots and more. The guys break down the reasoning for their Cup Final picks, game-by-game leanings, series leaders in various categories, identify some key EDGE stats and predict the Cup handoff for both scenarios. 

REDIFF - Jean-Loup Hahn, fils de bonne famille et élève prometteur, était promis à un avenir réussi. C'était sans compter sur son malaise, une névrose destructrice qui le consumai comme un feu intérieur. Au premier jour de l'été 2005, il est arrêté après avoir tué, en plein cours, une étudiante de sa promotion, Julia Bastide, 20 ans. Depuis des semaines, il faisait une "fixette" sur la jeune femme. Elle était de plus en plus terrorisée, craignait que tout cela finisse mal mais par bonté n'avait pas osé porté plainte. Retrouvez tous les jours en podcast le décryptage d'un faits divers, d'un crime ou d'une énigme judiciaire par Jean-Alphonse Richard, entouré de spécialistes, et de témoins d'affaires criminelles. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Jean-Loup Hahn, fils de bonne famille et élève prometteur, était promis à un avenir réussi. C'était sans compter sur son malaise, une névrose destructrice qui le consumai comme un feu intérieur. Au premier jour de l'été 2005, il est arrêté après avoir tué, en plein cours, une étudiante de sa promotion, Julia Bastide, 20 ans. Depuis des semaines, il faisait une "fixette" sur la jeune femme. Elle était de plus en plus terrorisée, craignait que tout cela finisse mal mais par bonté n'avait pas osé porté plainte.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

! Turn On - Choon In - Zig Zag ! - ! What's Past - Is Prologue ! ! !   Callin'  ALL  The  Boom Booms  &  The Zoom Zooms   ! ! . . .   GROUND  DOWN  TO  THE  REAL UNDAGROUND   . . . * * *  GROOVIN'  BLUE   26 - 05 * * * Groovin' Blue is dedicated to Sunny "Sweet Daddy Fonk" Wong.  "S.D.F." Wong 1973 quote: "Jeez, gettin' these cassette mixtapes just right is hard work."  1.  (4:22)  WAGRadio GB 26 - 05 Intro - Produced by WAGRadio Vinyl Librarian William "Fats Is Back" Reiter (formerly CKLG-FM 96.9 Boss Jock - 'Bill Reiter - The All-Niter') 2.  (6:12)  "I Wanted Your Love" - ALI TENNANT, BRIAN POWER, RONNIE HERAL, DJ SPEN, GARY HUDGINS [SoulHouse Muse Ltd.] 2017 3.  (6:57)  "Love Is An Action (DJZigZag Vocal & Instrumental MashEdiT)" - ADEKUNIE GOLD, 6LACK [Believe UK] 2025 4.  (  :20)  WAGRadio DJZZ 'Riginal Id 5.  (3:35)  "Exercise My Love" - JOHN EDWARDS [Aware 45rpm No. AW-048] 1973 6.  (4:46)  "Find Your Way Home (DJZigZag Pt. 1)" - OCTO OCTA [T4T LUV NRG] 7.  (2:04)  "Gettin' Away" - THE TURNABOUTS [Prann Records 45rpm No. 5002] 1963 Prod. Ike & Tina Turner * The Turnabouts are Ike Turner and his band 8.  (  :20)  WAGRadio Tout Sur Moi Id 9.  (4:23)  "Change Places" - JEFFREE [Creative Outlet International Cd No. COI 5551 "Call It Love"] 1996 10.(4:37)  "The Plug (DJZig Zag Vote By Male EdiT)" - RONALD ISLEY & THE ISLEY BROTHERS [RI Top Ten] 2022 11.(  :20)  WAGRadio It Be Time Id 12.(3:12)  "WANTU2LUVME (DJZigZag 2026 EdiT)" - JEF MILES [Twelve 30 Records] 2017 13.(2:45)  "The Midnight Hour" - Jazz Is Dead Ensemble [Jazz Is Dead] * Jazz Is Dead is Ali Shaheed Muhammad & Adrian Younge  14.(4:10)  "Feel It (Feel It)" - JAZZ 2 MORE [Irma Records] 2018 15.(  :13)  WAGRadio Luv-sik 2016 Muzik Id 16.(6:01)  "Dance Toutourou)" - PAUL OLDER [Spa In Disco] 17.(  :33)  WAGRadio Jabba Workee Id 18.(3:24)  "I'll Be Your Puppet" - JOHN EDWARDS [Aware 45rpm No. AW-045] 1974 Prod. Floyd Smith * writer: Sam Dees  19.(  :17)  WAGRadio Simpul Id 20.(3:54)  "That's It" - SAINTE FRANCIS, LARRY PEACE [Sanctified Records] 21.(4:42)  "Front Foot (DJZigZag Dr. Hahn's Corn Dogg EdiT)" - ALBOE [TuneCore] 22.(1:58)  "I'm A Fool For You" - JAMES CARR [Goldwax 45rpm No. 328] 1967 Prod. Quinton M. Claunch & Rudolph Russell  23.(4:26)  "Bombo Papi (DJZigZag 2026 EdiT)" - JAMES BRADSHAW, ANDY REID, SAVISTA [Phoenix Music] Canada 24.(  :14)  WAGRadio Music segue 2012 No. 41-04 25.(5:40)  "Sonny Light" - JACK DeJOHNETTE [eOne Cd No. EOM-Cd-2403] 2012 - Esperanza Spalding (bs), Lionel Loueke (gtr), Tim Ries (sx), Ambrose Akinmusire (tpt), Jack DeJohnette (dm, pn), Jason Moran (pn) Prod. Robert Sadin 26.(  :07)  Nu GB End 79:57

Disney Legend Don Hahn joined Tammy on The Tammy Tuckey Show to discuss his new book, "The Happiest Place on Earth: The Incredible Story of Walt Disney's Disneyland" and his 50-year career at The Walt Disney Company! Order your copy here: https://a.co/d/fcfBB4M Follow Don on: - Instagram: @DonHahn - Facebook: www.facebook.com/OfficialDonHahn Follow Tammy on: Facebook - www.facebook.com/singertammytuckey Twitter & Instagram - @TammyTuckey www.tammytuckey.com

Kein Wasser aus dem Hahn - und plötzlich wird klar, wie selbstverständlich unser Alltag ist. Warum uns ein kurzer Wasserausfall an Dankbarkeit, Lebensqualität und die Bedeutung von „Wasser als Quelle des Lebens“ erinnert - und was wir daraus für unseren Blick auf die wirklich wichtigen Dinge lernen können, weiß Gemeindereferentin Ayleen Nüchter.

It is one of the most beautiful and elegant new spaces in Baltimore and we were thrilled to be the first the broadcast from our new seat at The Fishmonger's Daughter in Catonsville for a meal and a lot of history and touring the new kitchen with proprietor Damye Hahn, whose Faidley's family has a new Baltimore County arm for its future. She shares her grand vision of creating a high-end dining experience with a focus on local Chesapeake Bay cuisine, including fresh seafood and seasonal ingredients. You know this one will be tasty! The post Damye Hahn welcomes Nestor to The Fishmonger's Daughter in Catonsville with a grand tour first appeared on Baltimore Positive WNST.

Die Geschäftsführerin der Wüstenrot, Susanne Riess-Hahn, spricht darüber, warum offene Kommunikation und Rückhalt im Team entscheidend sind, wie Verantwortung auf allen Ebenen Veränderung möglich macht und weshalb jeder Einzelne zum langfristigen Erfolg eines Unternehmens beiträgt.

Timestamps (01:08) – James' Mandalorian and Grogu Review(07:15)- Mortal Kombat II Review(36:06)- The Boys Series Finale Review(57:23)- Why do good shows fall off by the Finale?(60:39) Mobland Rumors, New Supergirl Trailer

Wenn wir ein Quiz wären, dann würden wir uns vor dem Hahn fürchten. Wie ein Abrissbirne kommt Tino hereingeschleudert, eine bunte Kiste voller kniffliger Quizfragen im Gepäck. Vom absurden deutschen Filmtiteln bis hin zu den Filmografien großer japanischer Regisseur, ist im Genre-Quiz 19 wieder allerhand dabei.

Alberga, Hahn, Meaney and Jensen preview the 2026 conference finals matchups, Colorado Avalanche vs. Vegas Golden Knights and Carolina Hurricanes vs. Montreal Canadiens, with reaction to all the betting odds presented by Bet365.ca. The guys discuss the case for Nathan MacKinnon, Mitch Marner, Jakub Dobes and others to win the Conn Smythe, as well as various prop angles and candidates to lead each series in key categories. The guys also give their series predictions and X-factors for each team.

Die Geschäftsführerin der Wüstenrot, Susanne Riess-Hahn, spricht darüber, wie sie das Traditionsunternehmen in 23 Jahren strategisch weiterentwickelt hat, warum Mut und klare Entscheidungen entscheidend sind und wie Wüstenrot trotz Veränderung seine Werte wie Verlässlichkeit und Sicherheit bewahrt hat.

durée : 00:04:39 - Classic & Co - par : Anna Sigalevitch - Anna Sigalevitch nous parle ce matin de la musique de chambre de Reynaldo Hahn par le Quintette Tchalik, magnifique fratrie musicale, c'est un disque qui vient de paraître sur le label Alkonost. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

No one tells the story of Faidley's Seafood and Lexington Market better the legendary Nancy Devine, whose daughter Damye Hahn is opening Catonsville's newest upscale, exquisite dining experience The Fishmonger's Daughter on Frederick Road amidst spring Preakness and Crab Derby racing at the original location this week. The post Nancy Devine and Damye Hahn talk Faidley's Crab Derby history and future of The Fishmonger's Daughter in Catonsville first appeared on Baltimore Positive WNST.

Fr Peter George Flynn welcomes Dr Scott Hahn, one of the most prolific Catholic Scripture scholars and apologists of his generation, ahead of the Ignite Ireland conference at the Dublin Convention Centre on Saturday 23rd May. Dr Hahn speaks about the concept of covenant as the beating heart of both Testaments; about the Ignatius Catholic […] L'articolo Catechesis – Interview with Dr Scott Hahn: New Evangelisation, Ignatius Study Bible, Ignite – Fr Peter George Flynn OFM proviene da Radio Maria.

Wondering what it's like to meet with a psychiatrist during eating disorder treatment? In this episode, Dr. David Hahn, MD, psychiatrist and Medical Director at The Renfrew Center in Philadelphia, shares what collaborative psychiatric care really looks like. Dr. Hahn explains how sessions are structured, how trust is built, and how medication decisions are made collaboratively. We also discuss how eating disorders affect the brain, how co-occurring conditions like anxiety, depression, OCD, and ADHD are thoughtfully treated, and how certain medications can impact recovery. This episode provides clarity and reassurance for anyone navigating recovery or curious about psychiatric care.   If you enjoy our show, please rate, review, subscribe, and tell your friends and colleagues!   Interested in being a guest on All Bodies. All Foods.? Email podcast@renfrewcenter.com for a chance to be featured.   All Bodies. All Foods. is a podcast by The Renfrew Center. Visit us at: https://renfrewcenter.com/

Alberga, Hahn, Meaney and Jensen react to the biggest surprises of the first round and provide analysis on various betting odds for the second round, from series prices, to prop angles and futures for series stat leaders, Conn Smythe Trophy candidates and longshots. The guys also give their series picks for Hurricanes-Flyers, Sabres-Canadiens, Avalanche-Wild and Golden Knights-Ducks.

In this episode of The Road to Emmaus, Scott Hahn is joined by Dr. Matthew Bunson. Matthew Bunson is the Vice President and Editorial Director for EWTN, Senior Editor of the National Catholic Register, a Senior Fellow at the St. Paul Center, author and co-author of over 60 books, and a faculty member at Catholic International University. Together, Dr. Hahn and Bunson discuss the uniqueness of an American pope, why Pope Leo embodies the best of American Catholicism, and how Pope Leo defies categories like “liberal” and “conservative.” Bunson also shares with Scott his latest book Leo XIV: Portrait of the First American Pope. Join us for this insightful discussion of our first American pope.

Alan Hahn, Ed.D., is the founder and CEO of Iron Academy, a Christian boys' school in Raleigh, North Carolina, that uses a countercultural, all-male model to forge young men into biblically grounded leaders through rigorous spiritual, intellectual, and physical formation. A former teacher at North Raleigh Christian Academy with a Doctorate in Education from Southeastern Baptist Theological Seminary, Hahn brings over a decade of experience in boys' education. He is also the author of The Iron Academy: Forging Young Men Who Fight for the King, which details his vision. Under his leadership, the academy emphasizes strong Christian faculty, character development, and preparing students to lead faithfully in their families, churches, and society.Watch the Cornerstone Forum 26'https://shaunnewmanpodcast.substack.com/Silver Gold Bull Links:Website: https://silvergoldbull.ca/Email: SNP@silvergoldbull.comText Grahame: (587) 441-9100Bow Valley Credit UnionBitcoin: www.bowvalleycu.com/en/personal/investing-wealth/bitcoin-gatewayEmail: welcome@BowValleycu.com Get your voice heard: Text Shaun 587-217-8500

Eine Wasserkrise hat in Madagaskar im Herbst 2025 zu Protesten und zum Sturz der Regierung geführt. Nun regiert ein Militär-Regime. Die Menschen müssen aber immer noch Wasserkanister schleppen, weil in ihren Wohnungen kein Tropfen aus dem Hahn kommt. Leonie March, Katja Bigalke www.deutschlandfunkkultur.de, Weltzeit

Is Shakespeare still Shakespeare even if every word is changed? While Shakespeare's work is often hailed for its universality, its meter, metaphor, and wordplay pose special challenges for translators. How do you convey the rhythm and spirit of Shakespeare's words in a language that follows fundamentally different rules? Author and translator Daniel Hahn explores these questions in his book, If This Be Magic: The Unlikely Art of Shakespeare in Translation. He interviews translators from around the world, providing unique perspectives on Shakespeare's language and impact. Some of Shakespeare's best-known lines can prove the most difficult to capture, like Henry V's “We few, we happy few, we band of brothers.” Even something seemingly simple like Lady Macbeth's “Are you a man?” may be tricky to translate when the word “man” carries different connotations in different languages. In this episode, Hahn dives into the challenges and rewards of translating Shakespeare, exploring not only what is lost in translation, but also what is gained.

Alberga, Hahn, Meaney and Jensen break down all the betting angles for the 2026 postseason and preview all eight first-round series in the annual playoff preview episode, presented by Bet365.ca. Topics covered include series prices, leanings, props, picks to lead various series in goals and points, Conn Smythe Trophy contenders and longshots. The guys also give their Stanley Cup Final predictions and preview fantasy playoff pools with the hottest debates, sleepers & X-factors.

(00:39) Die Stanser Musiktage finden zum 30. Mal statt. Das Jubiläum bewegt sich zwischen Innovation und Tradition. Weitere Themen: (04:53) Ein Buch voller Liebesgeschichten: Dana Grigorceas Roman «Tanzende Frau, blauer Hahn» zeichnet eindrückliches Bild vom Rumänien der frühen 90er Jahre. (09:19) Preise für Kinder- und Jugendliteratur: Britischer Kinderbuchautor Michael Rosen und chinesische Illustratorin Cai Gao gewinnen Hans-Christian-Andersen-Award. (18:42) Afrikanische Mode und ihre koloniale Vorgeschichte: Musiktheater «Wax Traders» in Kaserne Basel behandelt 200 Jahre Handelsgeschichte. (15:21) Fenster zur Westschweiz: Berner Künstler Thomas Hirschorn mit Genfer Pavillon zu Ehren der französischen Philosophin Simone Weil.

https://m.ebay.co.uk/sch/i.html?sid=tindogpodcast&_pgn=1&isRefine=true&_trksid=p4429486.m3561.l49496 Atlantis: The Lost Empire is a 2001 American animated science fiction adventure film directed by Gary Trousdale and Kirk Wise, produced by Don Hahn, and written by Tab Murphy. Produced by Walt Disney Feature Animation, it stars Michael J. Fox, James Garner, Cree Summer, Don Novello, Phil Morris, Claudia Christian, Jacqueline Obradors, Florence Stanley, David Ogden Stiers, John Mahoney, Jim Varney, Corey Burton and Leonard Nimoy. Set in 1914, the film follows young linguist Milo Thatch, who gains possession of a sacred book, which he believes will guide him and a crew of mercenaries to the lost city of Atlantis. Development of the film began after production had finished on The Hunchback of Notre Dame (1996). Instead of another musical, directors Trousdale and Wise, producer Hahn, and screenwriter Murphy decided to do an adventure film inspired by the works of Jules Verne. Atlantis: The Lost Empire was notable for adopting the distinctive visual style of comic book artist Mike Mignola, one of the film's production designers. The film made greater use of computer-generated imagery (CGI) than any of Disney's previous traditionally animated features and remains one of the few to have been shot in anamorphic format. Linguist Marc Okrand constructed an Atlantean language specifically for use in the film. James Newton Howard provided the film's musical score. The film was released at a time when audience interest in animated films was shifting away from traditional animation toward films with full CGI. Atlantis: The Lost Empire premiered at the El Capitan Theatre in Hollywood, Los Angeles, on June 3, 2001, and went into its general release on June 15. The film received mixed reviews from critics. Budgeted at around $90–120 million, Atlantis grossed over $186 million worldwide, $84 million of which was earned in North America; its lackluster box office response was identified as a result of being released in competition with Shrek, Lara Croft: Tomb Raider, The Fast and the Furious and Dr. Dolittle 2. As a result of the film's box office failure, Disney cancelled a planned spin-off animated television series, Team Atlantis; an underwater Disneyland attraction; and a volcanic Magic Kingdom attraction based on it. Atlantis was nominated for several awards, including seven Annie Awards, and won Best Sound Editing at the 2002 Golden Reel Awards. The film was released on VHS and DVD on January 29, 2002, and on Blu-ray on June 11, 2013. Despite its initial reception, reception in later years became favorable and has given Atlantis a cult following[5] and reappraisal from critics as a mistreated classic, due in part to Mignola's unique artistic influence.[6][7] A direct-to-video sequel, Atlantis: Milo's Return, was released in 2003. Plot In 1914 Washington, D.C., archaeo-linguist Milo Thatch obsesses over finding the legendary lost city of Atlantis, believed to have sunk thousands of years ago. His employers ridicule his theories, but he gains an unexpected ally in eccentric millionaire Preston B. Whitmore, a friend of Milo's deceased adventurer grandfather who also sought the city. Determined to honor his old friend's quest, Whitmore recruits Milo for an expedition to Atlantis, having recently uncovered the Shepherd's Journal, an ancient Atlantean manuscript that contains directions to the lost city. Aboard the submarine Ulysses, Milo meets his teammates: Commander Lyle Tiberius Rourke, Lieutenant Helga Sinclair, demolitions expert Vincenzo Santorini, geologist Gaetan "Mole" Molière, medical officer Joshua Sweet, mechanic Audrey Ramirez, radio operator Wilhelmina Packard, mess cook Jebidiah "Cookie" Farnsworth, and a platoon of mercenaries. Upon reaching a cave entrance leading to the lost city, the submarine is destroyed by a massive mechanical leviathan, killing most of the crew. Milo and the survivors escape in smaller craft, navigating through the cave to emerge among ancient ruins. Milo translates the journal, guiding the team through caves beneath a dormant volcano until they reach the worn remains of Atlantis. There, they are greeted by Princess Kidagakash "Kida" Nedakh, who, despite being around 8,500 years old, has the appearance of a young woman. She leads them to her father, King Kashekim, who orders them to leave. Learning that Milo can read their language—a skill lost to the Atlanteans over millennia—Kida asks for his help in uncovering their forgotten history and highly-advanced technology, without which the city has declined and resources have dwindled. Milo learns that Atlantis is powered by the Heart of Atlantis, a massive crystal that grants longevity and health to its citizens through the smaller crystals they carry. Rourke betrays Milo and the Atlanteans, revealing his true intention to steal the Heart for profit, despite knowing the Atlanteans will perish without it. He mortally wounds the King while seizing control and uncovers the crystal's hidden location beneath the city. Sensing the danger, the crystal merges with Kida, who is then captured by Rourke. He departs with the crystallized Kida and his mercenaries, except for Vincenzo, Molière, Sweet, Audrey, Packard, and Cookie, who refuse to take part in the Atlanteans' destruction. Before dying, the King reveals that Atlantis was devastated by a megatsunami after he attempted to weaponize the crystal's vast power. To protect the city, the crystal merged with a royal family member, Kida's mother. This created a protective dome over the city's inner district, shielding it from total destruction as Atlantis sank beneath the waves, but Kida's mother never returned. To prevent the crystal from ever merging with Kida, the King hid it, inadvertently accelerating Atlantis' decline. He warns Milo that Kida will be lost forever if she is not soon separated from the crystal and pleads with him to save her. Alongside his allies, Milo rallies the Atlanteans to reactivate their long-dormant flying machines. Together, they eliminate Rourke and his mercenaries in the volcano. Milo and the others fly the crystallized Kida back to Atlantis as the volcano erupts. Kida ascends into the air and awakens Stone Guardians, who erect a barrier that shields the city from the lava flow. With Atlantis saved, the crystal separates from Kida and remains suspended in the sky. Milo chooses to stay in Atlantis with Kida, having fallen in love with her. Before returning to the surface, Vincenzo, Molière, Sweet, Audrey, Packard, and Cookie each receive a small crystal and a share of treasure. The six reunite with Preston on the surface and agree to keep their adventure a secret to protect Atlantis. Preston opens a package from Milo containing his own crystal and a note thanking him. The newly crowned Queen Kida and Milo carve a stone effigy of her father to join those of past rulers floating beside the Heart of Atlantis, as the city stands restored to its former glory. Voice cast Production layout sketch of Milo and Kida. Milo's character design was based in part on sketches of the film's language consultant, Marc Okrand. Michael J. Fox as Milo James Thatch, a linguist and cartographer at the Smithsonian who was recruited to decipher The Shepherd's Journal while directing an expedition to Atlantis. James Garner as Commander Lyle Tiberius Rourke, the leader of the band of mercenaries for the Atlantean expedition. Cree Summer as Kidagakash "Kida" Nedakh, the Princess of Atlantis and Milo's love interest. Natalie Strom provided dialogue for Kida as a young child. Summer also voiced the unnamed Queen of Atlantis, Kida's mother and Kashekim's wife who was "chosen" by the Crystal during the sinking of the city. John Mahoney as Preston B. Whitmore, an eccentric millionaire who funds the expedition to Atlantis. Lloyd Bridges was originally cast and recorded as Whitmore, but he died before completing the film. Mahoney's zest and vigor led to Whitmore's personality being reworked for the film.[8] Claudia Christian as Lieutenant Helga Katrina Sinclair, Rourke's German-born second-in-command. Don Novello as Vincenzo "Vinny" Santorini, an Italian demolitions expert. Phil Morris as Dr. Joshua Strongbear Sweet, a medic of African-American and Arapaho descent. Jacqueline Obradors as Audrey Rocio Ramirez, a Puerto Rican mechanic and the youngest member of the expedition. Corey Burton as Gaetan "Mole" Molière, a French geologist who acts like a mole. Jim Varney as Jebidiah Allardyce "Cookie" Farnsworth, a Western-style chuckwagon chef. Varney died in February 2000, before the production ended, and the film was dedicated to his memory. Steven Barr recorded supplemental dialogue for Cookie. Florence Stanley as Wilhelmina Bertha Packard: an elderly, sarcastic, chain-smoking radio operator who is also the expedition's photographer. Leonard Nimoy as Kashekim Nedakh, the King of Atlantis and Kida's father. David Ogden Stiers as Fenton Q. Harcourt, a board member of the Smithsonian Institution who dismisses Milo's belief in the existence of Atlantis. Production Development The production team visited New Mexico's Carlsbad Caverns to get a sense of the underground spaces depicted in the film. The idea for Atlantis: The Lost Empire was conceived in October 1996 when Don Hahn, Gary Trousdale, Kirk Wise, and Tab Murphy lunched at a Mexican restaurant in Burbank, California. Having recently completed The Hunchback of Notre Dame,[9] the producer, directors and screenwriter wanted to keep the Hunchback crew together for another film with an "Adventureland" setting rather than a "Fantasyland" setting.[10] Drawing inspiration from Jules Verne's Journey to the Center of the Earth (1864) and Twenty Thousand Leagues Under the Seas (1870), they set out to make a film which would fully explore Atlantis (compared to the brief visit depicted in Verne's novel).[11] While primarily utilizing the Internet to research the mythology of Atlantis,[12] the filmmakers became interested in the clairvoyant readings of Edgar Cayce and decided to incorporate some of his ideas—notably that of a mother-crystal which provides power, healing, and longevity to the Atlanteans—into the story.[13] They also visited museums and old army installations to study the technology of the early 20th century (the film's time period), and traveled underground in New Mexico's Carlsbad Caverns to view the subterranean trails which would serve as a model for the approach to Atlantis in the film.[14] The filmmakers wanted to avoid the common depiction of Atlantis as "crumbled Greek columns underwater", said Wise.[15] "From the get-go, we were committed to designing it top to bottom. Let's get the architectural style, clothing, heritage, customs, how they would sleep, and how they would speak. So we brought people on board who would help us develop those ideas."[16] Art director David Goetz stated, "We looked at Mayan architecture, styles of ancient, unusual architecture from around the world, and the directors really liked the look of Southeast Asian architecture."[17] The team later took ideas from other architectural forms, including Cambodian, Indian, and Tibetan works.[18] Hahn added, "If you take and deconstruct architecture from around the world into one architectural vocabulary, that's what our Atlantis looks like."[19] The overall design and circular layout of Atlantis were also based on the writings of Plato,[18] and his quote "in a single day and night of misfortune, the island of Atlantis disappeared into the depths of the sea"[20] was influential from the beginning of production.[9] The crew wore T-shirts which read "ATLANTIS—Fewer songs, more explosions" due to the film's plan as an action-adventure (unlike previous Disney animated features, which were musicals).[21] Language The Atlantean letter A, created by artist John Emerson. Kirk Wise noted that its design was a treasure map showing the path to the crystal, "The Heart of Atlantis". Main article: Atlantean language Marc Okrand, who developed the Klingon language for the Star Trek television and theatrical productions, was hired to devise the Atlantean language for Atlantis: The Lost Empire. Guided by the directors' initial concept for it to be a "mother-language", Okrand employed an Indo-European word stock with its own grammatical structure. He would change the words if they began to sound too much like an actual, spoken language.[16] John Emerson designed the written component, making hundreds of random sketches of individual letters from among which the directors chose the best to represent the Atlantean alphabet.[22][23] The written language was boustrophedon: designed to be read left-to-right on the first line, then right-to-left on the second, continuing in a zigzag pattern to simulate the flow of water.[24] The Atlantean [A] is a shape developed by John Emerson. It is a miniature map of the city of Atlantis (i.e., the outside of the swirl is the cave, the inside shape is the silhouette of the city, and the dot is the location of the crystal). It's a treasure map. — Kirk Wise, director[25] Writing Joss Whedon was the first writer to be involved with the film but soon left to work on other Disney projects. According to him, he "had not a shred" in the movie.[26] Tab Murphy completed the screenplay, stating that the time from initially discussing the story to producing a script that satisfied the film crew was "about three to four months".[27] The initial draft was 155 pages, much longer than a typical Disney film script (which usually runs 90 pages). When the first two acts were timed at 120 minutes, the directors cut characters and sequences and focused more on Milo. Murphy said that he created the centuries-old Shepherd's Journal because he needed a map for the characters to follow throughout their journey.[28] A revised version of the script eliminated the trials encountered by the explorers as they navigated the caves to Atlantis. This gave the film a faster pace because Atlantis is discovered earlier in the story.[29] The directors often described the Atlanteans using Egypt as an example. When Napoleon wandered into Egypt, the people had lost track of their once-great civilization. They were surrounded by artifacts of their former greatness but somehow unaware of what they meant. — Don Hahn, producer[30] The character of Milo J. Thatch was originally supposed to be a descendant of Edward Teach, otherwise known as Blackbeard the pirate. The directors later related him to an explorer so he would discover his inner talent for exploration.[31] The character of Molière was originally intended to be "professorial" but Chris Ure, a story artist, changed the concept to that of a "horrible little burrowing creature with a wacky coat and strange headgear with extending eyeballs", said Wise.[32][33] Don Hahn pointed out that the absence of songs presented a challenge for a team accustomed to animating musicals, as action scenes alone would have to carry the film. Kirk Wise said it gave the team an opportunity for more on-screen character development: "We had more screen time available to do a scene like where Milo and the explorers are camping out and learning about one another's histories. An entire sequence is devoted to having dinner and going to bed. That is not typically something we would have the luxury of doing."[16] Hahn stated that the first animated sequence completed during production was the film's prologue. The original version featured a Viking war party using The Shepherd's Journal to find Atlantis and being swiftly dispatched by the Leviathan. Near the end of production, story supervisor John Sanford told the directors that he felt this prologue did not give viewers enough emotional involvement with the Atlanteans. Despite knowing that the Viking prologue was finished and it would cost additional time and money to alter the scene, the directors agreed with Sanford. Trousdale went home and completed the storyboards later that evening after visiting a strip club where he boarded the new sequence on a napkin.[34] The opening was replaced by a sequence depicting the destruction of Atlantis, which introduced the film from the perspective of the Atlanteans and Princess Kida.[35] The Viking prologue is included as an extra feature on the DVD release.[36] Casting Kirk Wise, one of the directors, said that they chose Michael J. Fox for the role of Milo because they felt he gave his characters his own personality and made them more believable on screen. Fox said that voice acting was much easier than his past experience with live action because he did not have to worry about what he looked like in front of a camera while delivering his lines.[37] The directors mentioned that Fox was also offered a role for Titan A.E.; he allowed his son to choose which film he would work on, and he chose Atlantis.[38] Viewers have noted similarities between Milo and the film's language consultant, Marc Okrand, who developed the Atlantean language used in the film. Okrand stated that Milo's supervising animator, John Pomeroy, sketched him, claiming not to know how a linguist looked or acted.[24] Kida's supervising animator, Randy Haycock, stated that her actress, Cree Summer, was very "intimidating" when he first met her; this influenced how he wanted Kida to look and act on screen when she meets Milo.[39] Wise chose James Garner for the role of Commander Lyle Tiberius Rourke because of his previous experience with action films, especially war and Western films, and said the role "fits him like a glove". When asked if he would be interested in the role, Garner replied: "I'd do it in a heartbeat."[40] Producer Don Hahn was saddened that Jim Varney, the voice of Jebidiah Allardyce "Cookie" Farnsworth, never saw the finished film before he died of lung cancer in February 2000, but mentioned that he was shown clips of his character's performance during his site sessions and said, "He loved it." Shawn Keller, supervising animator for Cookie, stated, "It was kind of a sad fact that [Varney] knew that he was not going to be able to see this film before he passed away. He did a bang-up job doing the voice work, knowing the fact that he was never gonna see his last performance." Steven Barr recorded supplemental dialogue for Cookie.[41] John Mahoney, who voiced Preston Whitmore, stated that doing voice work was "freeing" and allowed him to be "big" and "outrageous" with his character.[42] Dr. Joshua Sweet's supervising animator, Ron Husband, indicated that one of the challenges was animating Sweet in sync with Phil Morris' rapid line delivery while keeping him believable. Morris stated that this character was extreme, with "no middle ground"; he mentioned, "When he was happy, he was really happy, and when he's solemn, he's real solemn."[43] Claudia Christian described her character, Lieutenant Helga Katrina Sinclair, as "sensual" and "striking", and was relieved when she finally saw what her character looked like, joking, "I'd hate to, you know, go through all this and find out my character is a toad."[44] Jacqueline Obradors said her character, Audrey Rocio Ramirez, made her "feel like a little kid again" and she always hoped her sessions would last longer.[45] Florence Stanley felt that her character, Wilhelmina Bertha Packard, was very "cynical" and "secure": "She does her job, and when she is not busy, she does anything she wants."[46] Corey Burton mentioned that finding his performance as Gaetan "Mole" Molière was by allowing the character to "leap out" of him while making funny voices. To get into character during his recording sessions, he stated that he would "throw myself into the scene and feel like I'm in this make-believe world".[47] Kirk Wise and Russ Edmonds, supervising animator for Vincenzo "Vinny" Santorini, noted Vinny's actor Don Novello's unique ability to improvise dialogue while voicing the role. Edmonds recalled, "[Novello] would look at the sheet, and he would read the line that was written once, and he would never read it again! And we never used a written line, it was improvs, the whole movie."[48] Michael Cedeno, supervising animator for King Kashekim Nedakh, was astounded at Leonard Nimoy's voice talent in the role, stating that he had "so much rich character" in his performance. As he spoke his lines, Cedeno said the crew would sit there and watch Nimoy in astonishment.[49] Animation For comparison, the top image (panoramic view of Atlantis) is cropped to Disney's standard aspect ratio (1.66:1); the bottom image was seen in the film (2.35:1). At the peak of its production, 350 animators, artists and technicians were working on Atlantis[50] at all three Disney animation studios: Walt Disney Feature Animation (Burbank, California), Walt Disney Feature Animation Florida (Orlando), and Disney Animation France (Paris).[51] The film was one of the few Disney animated features produced and shot in 35mm anamorphic format. The directors felt that a widescreen image was crucial, as a nostalgic reference to old action-adventure films presented in the CinemaScope format (2.35:1), noting Raiders of the Lost Ark as an inspiration.[52] Because switching to the format would require animation desks and equipment designed for widescreen to be purchased, Disney executives were at first reluctant about the idea.[16] The production team found a simple solution by drawing within a smaller frame on the same paper and equipment used for standard aspect ratio (1.66:1) Disney-animated films.[52] Layout supervisor Ed Ghertner wrote a guide to the widescreen format for use by the layout artists and mentioned that one advantage of widescreen was that he could keep characters in scenes longer because of additional space to walk within the frame.[53] Wise drew further inspiration for the format from filmmakers David Lean and Akira Kurosawa.[16] The film's visual style was strongly based upon that of Mike Mignola, the comic book artist behind Hellboy. Mignola was one of four production designers (along with Matt Codd, Jim Martin, and Ricardo Delgado) hired by the Disney studio for the film. Accordingly, he provided style guides, preliminary character, and background designs, and story ideas.[54] "Mignola's graphic, the angular style was a key influence on the 'look' of the characters," stated Wise.[55] Mignola was surprised when first contacted by the studio to work on Atlantis.[56] His artistic influence on the film would later contribute to a cult following.[57] I remember watching a rough cut of the film and these characters have these big, square, weird hands. I said to the guy next to me, "Those are cool hands." And he says to me, "Yeah, they're your hands. We had a whole meeting about how to do your hands." It was so weird I couldn't wrap my brain around it. — Mike Mignola[56] The final pull-out shot of the movie, immediately before the end-title card, was described by the directors as the most difficult shot in the history of Disney animation. They said that the pull-out attempt on their prior film, The Hunchback of Notre Dame, "struggled" and "lacked depth"; however, after making advances in the process of multiplaning, they tried the technique again in Atlantis. The shot begins with one 16-inch (40.6 cm) piece of paper showing a close-up of Milo and Kida. As the camera pulls away from them to reveal the newly restored Atlantis, it reaches the equivalent of an 18,000-inch (46,000 cm) piece of paper composed of many individual pieces of paper (24 inches [61 cm] or smaller). Each piece was carefully drawn and combined with animated vehicles simultaneously flying across the scene to make the viewer see a complete, integrated image.[58] Scale model of Ulysses submarine by Greg Aronowitz, used by digital animators as reference during production.[59] At the time of its release, Atlantis: The Lost Empire was notable for using more computer-generated imagery (CGI) than any other Disney traditionally animated feature. To increase productivity, the directors had the digital artists work with the traditional animators throughout the production. Several important scenes required heavy use of digital animation: the Leviathan, the Ulysses submarine and sub-pods, the Heart of Atlantis, and the Stone Giants.[60] During production, after Matt Codd and Jim Martin designed the Ulysses on paper, Greg Aronowitz was hired to build a scale model of the submarine, to be used as a reference for drawing the 3D Ulysses.[59] The final film included 362 digital-effects shots, and computer programs were used to seamlessly join the 2D and 3D artwork.[61] One scene that took advantage of this was the "sub-drop" scene, where the 3D Ulysses was dropped from its docking bay into the water. As the camera floated toward it, a 2D Milo was drawn to appear inside, tracking the camera. The crew noted that it was challenging to keep the audience from noticing the difference between the 2D and 3D drawings when they were merged.[62] The digital production also gave the directors a unique "virtual camera" for complicated shots within the film. With the ability to operate in the z-plane, this camera moved through a digital wire-frame set; the background and details were later hand-drawn over the wireframes. This was used in the opening flight scene through Atlantis and the submarine chase through the undersea cavern with the Leviathan in pursuit.[63] Music and sound Since the film would not feature any songs, the directors hired James Newton Howard to compose the score after they heard his music on Dinosaur. Approaching it as a live-action film, Howard decided to have different musical themes for the cultures of the surface world and Atlantis. In the case of Atlantis, Howard chose an Indonesian orchestral sound incorporating chimes, bells, and gongs. The directors told Howard that the film would have a number of key scenes without dialogue; the score would need to convey emotionally what the viewer was seeing on screen.[64] Gary Rydstrom and his team at Skywalker Sound were hired for the film's sound production.[65] Like Howard, Rydstrom employed different sounds for the two cultures. Focusing on the machine and mechanical sounds of the early industrial era for the explorers, he felt that the Atlanteans should have a "more organic" sound utilizing ceramics and pottery. The sound made by the Atlantean flying-fish vehicles posed a particular challenge. Rydstrom revealed that he was sitting at the side of a highway recording one day when a semi-truck drove by at high speed. When the recording was sped up on his computer, he felt it sounded very organic, and decided to use it in the film. Rydstrom created the harmonic chiming of the Heart of Atlantis by rubbing his finger along the edge of a champagne flute, the sound of sub-pods moving through the water with a water pick, while a ceramic pot from a garden store was used for the sounds of the movement of the Giant stone guardians.[66] Release Atlantis: The Lost Empire had its world premiere at Disney's El Capitan Theatre in Hollywood, Los Angeles, on June 3, 2001[67] and a limited release in New York City and Los Angeles on June 8; a wider release followed on June 15.[4][61] At the premiere, Destination: Atlantis was on display, featuring behind-the-scenes props from the film and information on the legend of Atlantis with video games, displays, laser tag, and other attractions. The Aquarium of the Pacific also loaned a variety of fish for display within the attraction.[68] Promotion Atlantis was among Disney's first major attempts to utilize internet marketing. The film was promoted through Kellogg's, which created a website with mini-games and a movie-based video game give-away for UPC labels from specially marked packages of Atlantis breakfast cereal.[50] The film was one of Disney's first marketing attempts through mobile network operators, and allowed users to download games based on the film.[69] McDonald's (which had an exclusive licensing agreement on all Disney releases) promoted the film with Happy Meal toys, food packaging and in-store decor. The McDonald's advertising campaign involved television, radio, and print advertisements beginning on the film's release date.[70] Frito-Lay offered free admission tickets for the film on specially marked snack packages.[71] Home media Atlantis: The Lost Empire was released on VHS and DVD on January 29, 2002.[72] During the first month of its home release, the film led in VHS sales and was third in VHS and DVD sales combined.[73] Sales and rentals of the VHS and DVD combined would eventually accumulate $157 million in revenue by mid-2003.[74] Both a single-disc DVD edition and a two-disc collector's edition (with bonus features) were released. The single-disc DVD gave the viewer the option of viewing the film either in its original theatrical 2.39:1 aspect ratio or a modified 1.33:1 ratio (utilizing pan and scan). Bonus features available on the DVD version included audio and visual commentary from the film team, a virtual tour of the CGI models, an Atlantean-language tutorial, an encyclopedia on the myth of Atlantis, and the deleted Viking prologue scene.[72] The two-disc collector's edition DVD contained all the single-disc features and a disc with supplemental material detailing all aspects of the film's production. The collector's-edition film could only be viewed in its original theatrical ratio, and also featured an optional DTS 5.1 track. Both DVD versions, however, contained a Dolby Digital 5.1 track and were THX certified.[72][75] Disney digitally remastered and released Atlantis on Blu-ray on June 11, 2013, bundled with its sequel Atlantis: Milo's Return.[76] Reception Box office Before the film's release, reporters speculated that it would have a difficult run due to competition from Shrek and Lara Croft: Tomb Raider. Regarding the market's shift from traditional animation and competition with CG-animated films, Kirk Wise said, "Any traditional animator, including myself, can't help but feel a twinge. I think it always comes down to story and character, and one form won't replace the other. Just like photography didn't replace painting. But maybe I'm blind to it."[61] Jeff Jensen of Entertainment Weekly noted that CGI films (such as Shrek) were more likely to attract the teenage demographic typically not interested in animation, and called Atlantis a "marketing and creative gamble".[77] With a budget of $100 million,[3] the film opened at #2 on its debut weekend, behind Lara Croft: Tomb Raider, earning $20.3 million in 3,011 theaters.[78] During its second weekend, it would drop into fourth place behind the latter film, Dr. Dolittle 2 and The Fast and the Furious, making $13.2 million.[79] The film's international release began September 20 in Australia and other markets followed suit.[80] During its 25-week theatrical run, Atlantis: The Lost Empire grossed over $186 million worldwide ($84 million from the United States and Canada).[4] Responding to its disappointing box-office performance, Thomas Schumacher, then-president of Walt Disney Feature Animation, said, "It seemed like a good idea at the time to not do a sweet fairy tale, but we missed."[81] Critical response Atlantis: The Lost Empire received mixed reviews from critics,[82][83][84] many of whom criticized its story.[85] The review aggregator website Rotten Tomatoes reports that 48% of 144 professional critics have given Atlantis: The Lost Empire a positive review; the average rating is 5.5/10. The site's consensus is: "Atlantis provides a fast-paced spectacle, but stints on such things as character development and a coherent plot".[86] Metacritic assigned the film a weighted average score of 52 out of 100 based on 29 reviews from critics, indicating "mixed or average" reviews.[87] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale.[88] While critics had mixed reactions to the film in general, some praised it for its visuals, action-adventure elements, and attempt to appeal to an older audience. Roger Ebert gave Atlantis three-and-a-half stars out of four. He praised the animation's "clean bright visual look" and the "classic energy of the comic book style", crediting this to the work of Mike Mignola. Ebert gave particular praise to the story and the final battle scene and wrote, "The story of Atlantis is rousing in an old pulp science fiction sort of way, but the climactic scene transcends the rest, and stands by itself as one of the great animated action sequences."[89] In The New York Times, Elvis Mitchell gave high praise to the film, calling it "a monumental treat", and stated, "Atlantis is also one of the most eye-catching Disney cartoons since Uncle Walt institutionalized the four-fingered glove."[90] Internet film critic James Berardinelli wrote a positive review of the film, giving it three out of four stars. He wrote, "On the whole, Atlantis offers 90 minutes of solid entertainment, once again proving that while Disney may be clueless when it comes to producing good live-action movies, they are exactly the opposite when it comes to their animated division."[91] Wesley Morris of the San Francisco Chronicle wrote positively of the film's approach for an older audience: "But just beneath the surface, Atlantis brims with adult possibility."[92] Other critics felt that the film was mediocre in regards to its story and characters, and that it failed to deliver as a non-musical to Disney's traditional audience. Owen Gleiberman of Entertainment Weekly gave the film a C+ rating, writing that the film had "gee-whiz formulaic character" and was "the essence of craft without dream".[93] Kenneth Turan of the Los Angeles Times said the storyline and characterizations were "old-fashioned" and the film had the retrograde look of a Saturday-morning cartoon, but these deficiencies were offset by its "brisk action" and frantic pace.[94] Todd McCarthy of Variety wrote, "Disney pushes into all-talking, no-singing, no-dancing and, in the end, no-fun animated territory."[95] Stephanie Zacharek of Salon wrote of Disney's attempt to make the film for an adult audience, "The big problem with Disney's latest animated feature, Atlantis: The Lost Empire, is that it doesn't seem geared to kids at all: It's so adult that it's massively boring."[96] Rita Kempley of The Washington Post panned the film, calling it a "new-fashioned but old-fangled hash" and wrote, "Ironically Disney had hoped to update its image with this mildly diverting adventure, yet the picture hasn't really broken away from the tried-and-true format spoofed in the far superior Shrek."[97] In 2015, Katharine Trendacosta at io9 reviewed the film and called it a "Beautiful Gem of a Movie That Deserved Better Than It Got" and said that the film deserves more love than it ended up getting.[6] Lindsay Teal considers "Atlantis" to be "a lost Disney classic". Describing the film as highly entertaining, she praises the writing and characterisation – in particular, Sweet, Helga and Kida.[7] In particular, much praise has been given to the character of Kida.[98] Summer has regarded the character of Kida as one of her favourite roles and even considers the character among the official Disney Princess line-up. Themes and interpretations Several critics and scholars have noted that Atlantis plays strongly on themes of anti-capitalism and anti-imperialism. M. Keith Booker, academic and author of studies about the implicit messages conveyed by media, views the character of Rourke as being motivated by "capitalist greed" when he pursues "his own financial gain" in spite of the knowledge that "his theft [of the crystal] will lead to the destruction of [Atlantis]".[99] Religion journalist Mark Pinsky, in his exploration of moral and spiritual themes in popular Disney films, says that "it is impossible to read the movie ... any other way" than as "a devastating, unrelenting attack on capitalism and American imperialism".[100] Max Messier of FilmCritic.com observes, "Disney even manages to lambast the capitalist lifestyle of the adventurers intent on uncovering the lost city. Damn the imperialists!"[101] According to Booker, the film also "delivers a rather segregationist moral" by concluding with the discovery of the Atlanteans kept secret from other surface-dwellers in order to maintain a separation between the two highly divergent cultures.[102] Others saw Atlantis as an interesting look at utopian philosophy of the sort found in classic works of science fiction by H. G. Wells and Jules Verne.[103] Nadia: The Secret of Blue Water controversy When the film was released, some viewers noticed that Atlantis: The Lost Empire was similar to the 1990-91 anime Nadia: The Secret of Blue Water, particularly in its character design, setting, and story.[104] The similarities, as noted by viewers in both Japan and America, were strong enough for its production company Gainax to be called to sue for plagiarism. According to Gainax member Yasuhiro Takeda, they only refrained from doing so because the decision belonged to parent companies NHK and Toho.[105] Another Gainax worker, Hiroyuki Yamaga, was quoted in an interview in 2000 as saying: "We actually tried to get NHK to pick a fight with Disney, but even the National Television Network of Japan didn't dare to mess with Disney and their lawyers. [...] We actually did say that but we wouldn't actually take them to court. We would be so terrified about what they would do to them in return that we wouldn't dare."[105] Although Disney never responded formally to those claims, co-director Kirk Wise posted on a Disney animation newsgroup in May 2001, "Never heard of Nadia till it was mentioned in this [newsgroup]. Long after we'd finished production, I might add." He claimed both Atlantis and Nadia were inspired, in part, by the 1870 Jules Verne novel Twenty Thousand Leagues Under the Seas.[106] However, speaking about the clarification, Lee Zion from Anime News Network wrote, "There are too many similarities not connected with 20,000 Leagues for the whole thing to be coincidence."[107] As such, the whole affair ultimately entered popular culture as a convincing case of plagiarism.[108][109][110] In 2018, Reuben Baron from Comic Book Resources added to Zion's comment stating, "Verne didn't specifically imagine magic crystal-based technology, something featured in both the Disney movie and the too similar anime. The Verne inspiration also doesn't explain the designs being suspiciously similar to Nadia's."[110] Critics also saw parallels with the 1986 film Laputa: Castle in the Sky from Hayao Miyazaki and Studio Ghibli (which also featured magic crystals, and Atlantis directors Trousdale and Wise both acknowledged Miyazaki's works as a major influence on their own work)[104] and with the 1994 film Stargate as Milo's characteristics were said to resemble those of Daniel Jackson, the protagonist of Stargate and its spinoff television series Stargate SG-1 — which coincidentally launched its own spinoff, titled Stargate Atlantis; the plot of the 1994 film is also paralleled involving a group visiting an unknown world, a fictional language made for the other world's people, the main protagonist having apparent knowledge of the people's culture, falling in love with one of the female locals and electing to stay behind when the others return home.[111] Accolades Award Category Name Result 29th Annie Awards[112] Individual Achievement in Directing Gary Trousdale and Kirk Wise Nominated Individual Achievement in Storyboarding Chris Ure Nominated Individual Achievement in Production Design David Goetz Nominated Individual Achievement in Effects Animation Marlon West Nominated Individual Achievement in Voice Acting – Female Florence Stanley Nominated Individual Achievement in Voice Acting – Male Leonard Nimoy Nominated Individual Achievement for Music Score James Newton Howard Nominated 2002 DVD Exclusive Awards[113] Original Retrospective Documentary Michael Pellerin Nominated 2002 Golden Reel Award[114] Best Sound Editing – Animated Feature Film Gary Rydstrom, Michael Silvers, Mary Helen Leasman, John K. Carr, Shannon Mills, Ken Fischer, David C. Hughes, and Susan Sanford Won Online Film Critics Society Awards 2001[115] Best Animated Feature Nominated 2002 Political Film Society[116] Democracy Nominated Human Rights Nominated Peace Nominated World Soundtrack Awards[117] Best Original Song for Film Diane Warren and James Newton Howard Nominated Young Artist Awards[118] Best Feature Family Film – Drama Walt Disney Feature Animation Nominated Related works Main article: Atlantis (franchise) Atlantis: The Lost Empire was meant to inspire an animated television series entitled Team Atlantis, which would have presented the further adventures of its characters. The series would have been akin to an animated steampunk version of The X-Files and feature a crossover with Gargoyles. However, because of the film's underperformance at the box office, the series was not produced.[119] On May 20, 2003, Disney released a direct-to-video sequel titled Atlantis: Milo's Return, consisting of three episodes planned for the aborted series.[120] Disneyland planned to revive its Submarine Voyage ride with an Atlantis: The Lost Empire theme with elements from the movie. These plans were canceled and the attraction was re-opened in 2007 as the Finding Nemo Submarine Voyage, its theme based on the 2003 Pixar film Finding Nemo, which was far more successful commercially and critically.[121] In addition, after the Submarine Voyage's Magic Kingdom counterpart, 20,000 Leagues Under the Sea: Submarine Voyage, closed down in 1994, four years before Disneyland's, there were proposals of a new attraction that would take its place, with one of them a volcano attraction inspired by that film's Vulcania location, being approved for the Magic Kingdom's Adventureland area. Around 1999, during development of Atlantis: The Lost Empire, it was decided that it would be themed to the movie, with it taking place in 1916, two years after the film's events. The ride would have focused on Preston Whitmore, a character from the film, seeking to make Atlantis existence public and offer expeditions to visitors in newly developed vehicles. However, due to mishaps, the vehicles would be forced to make a detour through the lava-filled caverns of the volcano. The attraction would have used a unique hybrid ride system, in which it would start as a standard coaster before the trains hook up to a suspended track midway through to fly through the caverns. The attraction would have been accessed by a new canyon path in between Pirates of the Caribbean and a re-routed Jungle Cruise that would have led to a Whitmore Enterprises base camp at the edge of the Walt Disney World Railroad path, with the mountain itself being built outside the berm. However, like the previous Submarine Voyage retheme, the ride was cancelled due to the film's disappointment in the box office.[122]

What does it mean to translate some of the most recognisable and revered works in the English language? When the wordplay, poetry, and syntax of Shakespeare are all changed, is it still truly Shakespeare?  In this episode, host Mythili Rao speaks with translator Daniel Hahn about his new book If This Be Magic: The Unlikely Art of Shakespeare in Translation. From Hamlet in Italian to Romeo and Juliet in Thai, Hahn explores how Shakespeare's plays are continually reshaped as they move across languages, cultures and traditions. Drawing on close readings and examples from around the world, Hahn examines the practical and creative challenges of translation: how to carry across rhythm, wordplay and humour, and what is lost and gained in the process. The conversation explores questions of fidelity and invention, from the difficulty of reproducing Shakespeare's jokes to the complexities of voice, character and grammar. At its centre is a reflection on what makes Shakespeare endure, not as a fixed body of text, but as a living work constantly remade through language, performance and interpretation. Daniel Hahn is an award-winning translator, author and editor of numerous fiction and non-fiction works. He was previously chair for the Society of Authors and currently serves on the board of trustees for English PEN. He is the author of If This Be Magic: The Unlikely Art of Shakespeare in Translation, which is available in bookstores now. Mythili Rao is a book critic, journalist and podcast producer. If you'd like to become a Member and get access to all our full conversations, plus all of our Members-only content, just visit intelligencesquared.com/membership to find out more. For £4.99 per month you'll also receive: - Full-length and ad-free Intelligence Squared episodes, wherever you get your podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series - 15% discount on livestreams and in-person tickets for all Intelligence Squared events  ...  Or Subscribe on Apple for £4.99: - Full-length and ad-free Intelligence Squared podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series … Already a subscriber? Thank you for supporting our mission to foster honest debate and compelling conversations! Visit intelligencesquared.com to explore all your benefits including ad-free podcasts, exclusive bonus content and early access. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Alberga, Hahn, Meaney and Jensen look ahead with the most compelling debates, risers and fallers in NHL.com's top 100 fantasy rankings keeper and dynasty leagues for next season and beyond. The guys discuss the top 25-and-younger players, Macklin Celebrini, Connor Bedard, Matthew Schaefer and Lane Hutson, and also the teams with the best young cores, including the San Jose Sharks, Montreal Canadiens, Anaheim Ducks and Chicago Blackhawks. The guys also react to the late-season NHL impact of players like Porter Martone, Cole Hutson, Anton Frondell, Ilya Protas, James Hagens and more. Then, in "On the Money," via Bet365.ca, the crew covers some betting angles to wrap up the regular season. 

Allan and award-winning reporter Sam Sanders (KCRW's The Sam Sanders Show) explore the majestic, scenic trails of this Baldwin Hills greenspace. Along the way, they visit a monument to MLK with a sweeping view of Downtown L.A., chat about the importance of public media and Sam's pathway to radio journalism, and chase his rambunctious pup (Welsey Snipes).  LINKS: SUPPORT WALKIN' ABOUT: ​​https://maximumfun.org/joinwalk Listen to The Sam Sanders Show: ​​https://www.kcrw.com/shows/the-sam-sanders-show/latest

Today on Too Opinionated, we're joined by rising pop artist Olivia Hahn, a 19-year-old singer/songwriter from Victoria, BC whose story is as powerful as her music. After losing her mother to cancer at just 14 years old, Olivia turned to writing as a way to cope—eventually publishing her book "Healing Our Wounded Hearts" to help other teens navigate grief. She followed that with two poetry collections:

Alberga, Hahn and Meaney react to the Toronto Maple Leafs firing general manager Brad Treliving earlier this week and whether to consider buy-low windows on some of their top players next season. The guys and Jensen also discuss Porter Martone's encouraging NHL debut for the Philadelphia Flyers, the case for San Jose Sharks' superstar Macklin Celebrini as fantasy MVP, Sam Malinski as an in-house replacement for injured Cale Makar and other strategies for the fantasy playoffs. Then, in "On the Money," presented by Bet365.ca, the guys give their favorite sides and props for the rest of the week, weigh the Washington Capitals' playoff chances and mention some avenues for sneaky production late in the season. 

 Alberga, Hahn and Meaney catch up about the hottest fantasy and betting storylines around the NHL, including a late-season coaching change in Vegas as John Tortorella takes over behind the bench, Porter Martone's potential NHL debut for the Philadelphia Flyers this week as they make a push for the Stanley Cup Playoffs and other fantasy playoff pickups, including Connor Brown, Mikael Granlund, Zayne Parekh and Jakub Dobes. Then, in "On the Money," presented by Bet365.ca, Michael Leboff (@TheBigLeebowski) joins the show to discuss the Golden Knights' outlook with Tortorella, as well as the path in the Pacific and playoff race in the Western Conference. The guys give their favorite sides and props for upcoming games this week and also discuss some futures angles and a few Stanley Cup longshots from the Eastern Conference. 

Dr. Alan Hahn explains his vision for manhood training and how it impacts family, the Church, and society. Dr. Hahn's background teaching prison inmates and hostage negotiating makes his insights unique and effective. Ironacademy.org

A popular, successful young man hit up a nightclub in Chelsea on November 12, 2016. Then he went off to an afterparty on the opulent Upper East Side. It should've just been another fun adventure in New York City. But it wasn't. Because that young man — 26-year-old Joey Comunale — never came home.His case is the subject of an episode of the latest season of Homicide: New York, a true crime docuseries on Netflix from Law & Order creator Dick Wolf.We interviewed Bob Hahn, one of the veteran NYPD detectives who appeared in the series. He spoke to us about his work on the Comunale case, and his experience as a homicide detective working in Manhattan.Check out our upcoming book events and get links to buy tickets here: https://murdersheetpodcast.com/eventsPre-order our book on Delphi here: https://bookshop.org/p/books/shadow-of-the-bridge-the-delphi-murders-and-the-dark-side-of-the-american-heartland-aine-cain/21866881?ean=9781639369232Or here: https://www.simonandschuster.com/books/Shadow-of-the-Bridge/Aine-Cain/9781639369232Or here: https://www.amazon.com/Shadow-Bridge-Murders-American-Heartland/dp/1639369236Join our Patreon here! https://www.patreon.com/c/murdersheetSupport The Murder Sheet by buying a t-shirt here: https://www.murdersheetshop.com/Check out more inclusive sizing and t-shirt and merchandising options here: https://themurdersheet.dashery.com/Send tips to murdersheet@gmail.com.The Murder Sheet is a production of Mystery Sheet LLC.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Alberga, Hahn, Meaney and Jensen catch up about the biggest storylines around the NHL, including the impressive NHL debuts of elite prospects Anton Frondell and Carter Yakemchuk. The guys debate the most disappointing team in the NHL between the New York Rangers and Toronto Maple Leafs, discuss Steven Stamkos' bounce-back season for the Nashville Predators, react to the Ottawa Senators' late-season playoff push and also answer your mailbag questions for the rest of the fantasy playoffs. Then, in "On the Money," presented by Bet365.ca, the guys discuss the Jack Adams Award race, some betting angles surrounding the young Chicago Blackhawks down the stretch and give their favorite sides and props for the rest of the week.

Alberga, Hahn and Meaney catch up about the hottest fantasy and betting storylines around the NHL, including Anton Frondell's potential NHL debut for the Chicago Blackhawks this week, some surprising teams like the Nashville Predators and Philadelphia Flyers being in playoff contention this late in the season and also the quirks of the fantasy playoffs schedule. Jensen joins the show to discuss fantasy playoff pickups, including Anthony Cirelli's exposure to the NHL's leading scorer Nikita Kucherov, Luke Evangelista's strong season for the Predators and Tyler Kleven's shot speed metrics leading to recent production for the Ottawa Senators. Then, in "On the Money," presented by Bet365.ca, the guys give their favorite sides and props for upcoming games this week and also discuss some futures angles for Ilya Sorokin, the Montreal Canadiens being in danger of missing the playoffs and a few longshots to win the Eastern Conference. 

Alberga, Hahn and Meaney catch up about the biggest news around the NHL, from Sidney Crosby's return for the Pittsburgh Penguins to Cole Hutson scoring in his NHL debut for the Washington Capitals. The guys take mailbag questions on Leon Draisaitl replacement options for the rest of the regular season, goalie strategies for the fantasy playoffs and some of the biggest surprises among players traded before the deadline. Then, in "On the Money," via Bet365.ca, the guys give their favorite sides and props for the rest of the week, discuss the Edmonton Oilers' buy-low appeal after the Draisaitl injury and also Nikita Kucherov's Hart Trophy chances. 

Alberga, Hahn and Meaney preview the first week of the fantasy hockey playoffs in most leagues and identify which schedules are best for streaming options. The guys discuss the season-ending injury to Auston Matthews of the Toronto Maple Leafs and break down Washington Capitals defenseman prospect Cole Hutson signing his entry-level contract. Jensen joins the show with the top pickups of the week, including Bobby McMann's hot start since being traded to the Seattle Kraken, Hutson's upside with the Capitals, Troy Terry's impactful return and how Anze Kopitar is finishing his career strong for the Los Angeles Kings. Then, in "On the Money," presented by Bet365.ca, the guys give their favorite sides and props for upcoming games this week and also discuss Edmonton Oilers' futures angles. 

Alberga, Hahn and Meaney discuss Jacob Fowler's return to the Montreal Canadiens and his ceiling down the stretch of the season. The guys highlight the fantasy playoff schedule and answer mailbag questions surrounding Jimmy Snuggerud, Conor Garland, Alexis Lafreniere and which goalies to stream. Then, in "On the Money," presented by Bet365.ca, Zack Phillips of The Leafs Nation joins the show to discuss some futures angles including make/miss playoffs odds for the Ottawa Senators, Detroit Red Wings and Columbus Blue Jackets, and the crew gives Jack Adams and Hart Trophy predictions, along with their favorite sides and props for the rest of the week. 

Alberga, Hahn and Meaney catch up after the NHL Trade Deadline with the fantasy and betting implications of Nazem Kadri rejoining the Colorado Avalanche, the Ducks landing John Carlson and other winners and losers from moves that happened or didn't happen. Jensen joins the show to break down the category coverage and EDGE stats surrounding some of the players who changed teams and some old/new teammate beneficiaries. Then, in "On the Money," presented by Bet365.ca, the guys give their favorite sides and props for games coming out of deadline week and discuss some make/miss playoffs odds and division title races.

Alberga, Hahn and Meaney react to the Los Angeles Kings' coaching change from Jim Hiller to D.J. Smith with potential fantasy beneficiaries including Anze Kopitar, Alex Laferriere, Quinton Byfield and Brandt Clarke. The guys also react to Matthew Schaefer reaching the 20-goal mark as an 18-year-old rookie defenseman and continue to preview the NHL Trade Deadline with potential targets for teams like the New York Islanders and Dallas Stars. Jensen joins the show to discuss the top fantasy pickups of the week, including Michael Misa, Egor Chinakhov, Ukko-Pekka Luukkonen and Cole Perfetti. Then, in "On the Money," presented by Bet365.ca, the guys give their favorite sides and props for upcoming games this week. 

Alberga, Hahn, Meaney and Jensen catch up after the first day of NHL action following the Olympics break by answering mailbag questions and reacting to injury news around the League. The guys are joined by David Pagnotta of NHL Network and The Fourth Period to preview the NHL Trade Deadline, which is March 6 at 3 p.m. ET, identify some fantasy-relevant players to target before potential trades and also teams that could make a big splash. Then, in “On the Money,” presented by Bet365.ca, the guys give their favorite sides and props for upcoming games this week.

Is covenant theology alien to the Catholic tradition? In this episode of The Road to Emmaus, Scott Hahn is joined by Rob Corzine—Vice President of Academic Programs at the St. Paul Center. Together they discuss the biblical roots of the sacraments, drawing insights from Dr. Hahn's book Swear to God. To order your copy visit: http://stpaulcenter.com/promise Together they explain how sacramental theology is covenantal. Just as God used covenants in the Old Testament to expand His family from a couple to an empire, so now He uses the Seven Sacraments to draw us into His worldwide covenant family. Discover why covenant theology is at the heart of the Catholic approach to Scripture.

Alberga, Hahn and Meaney catch up after the 2026 Olympics with their biggest takeaways and surprises after the United States defeated Canada to win the gold medal. The guys discuss the renewed fantasy appeal of Connor Hellebuyck for the Winnipeg Jets and Jack Hughes for the New Jersey Devils, as well as some of the other standouts of the tournament like Macklin Celebrini, Juraj Slafkovsky, Dalibor Dvorsky and more. Jensen joins the show to discuss fantasy pickups with Olympics momentum, including Gabriel Landeskog, Philipp Grubauer, J.J. Moser, Joel Armia and others. Then, in "On the Money," presented by Bet365.ca, the guys discuss some futures angles including make/miss playoffs odds for the Pittsburgh Penguins, Florida Panthers and others, how Zach Werenski is making a strong case for the Norris Trophy and preview Artemi Panarin's upcoming debut for the Los Angeles Kings.