Podcasts about honeys

The Honeys are back with an episode packed full of chips, and we finally answer the question, what would Selena Gomez taste like if she was a cookie?

pWotD Episode 2962: Brian Wilson Welcome to Popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 790,872 views on Wednesday, 11 June 2025 our article of the day is Brian Wilson.Brian Douglas Wilson (June 20, 1942 – c. June 11, 2025) was an American musician, singer, songwriter, and record producer who co-founded the Beach Boys. Often called a genius for his novel approaches to pop composition and mastery of recording techniques, he is widely acknowledged as one of the most innovative and significant songwriters of the 20th century. His best-known work is distinguished for its high production values, complex harmonies and orchestrations, vocal layering, and introspective or ingenuous themes. Wilson was also known for his versatile vocal range. He faced lifelong struggles with mental illness. Wilson's formative influences included George Gershwin, the Four Freshmen, Phil Spector, and Burt Bacharach. In 1961, he began his professional career as a member of the Beach Boys, serving as the band's songwriter, producer, co-lead vocalist, bassist, keyboardist, and de facto leader. After signing with Capitol Records in 1962, he became the first pop musician credited for writing, arranging, producing, and performing his own material. He also produced acts such as the Honeys and American Spring. By the mid-1960s he had written or co-written more than two dozen U. S. Top 40 hits, including the number-ones "Surf City" (1963), "I Get Around" (1964), "Help Me, Rhonda" (1965), and "Good Vibrations" (1966). He is considered among the first music producer auteurs and the first rock producers to apply the studio as an instrument.In 1964, Wilson had a nervous breakdown and resigned from regular concert touring to focus on songwriting and production. This led to works such as the Beach Boys' Pet Sounds and his first credited solo release, "Caroline, No" (both 1966), as well as the unfinished album Smile. By the late 1960s, his productivity and mental health had significantly declined, leading to periods marked by reclusion, overeating, and substance abuse. His first professional comeback yielded the almost solo effort The Beach Boys Love You (1977). In the 1980s, he formed a controversial creative and business partnership with his psychologist, Eugene Landy, and relaunched his solo career with the self-titled album Brian Wilson (1988). Wilson disassociated from Landy in 1991 and toured regularly as a solo artist from 1999 to 2022.Heralding popular music's recognition as an art form, Wilson's accomplishments as a producer helped initiate an era of unprecedented creative autonomy for label-signed acts. He is regarded as an important figure to many music genres and movements, including the California sound, art pop, psychedelia, chamber pop, progressive music, punk, outsider, and sunshine pop. Since the 1980s, his influence has extended to styles such as post-punk, indie rock, emo, dream pop, Shibuya-kei, and chillwave. He received numerous industry awards including two Grammy Awards and Kennedy Center Honors as well as nominations for a Golden Globe Award and Primetime Emmy Award. He was inducted into the Rock and Roll Hall of Fame in 1988 and the Songwriters Hall of Fame in 2000. His life and career were dramatised in the 2014 biopic Love and Mercy.This recording reflects the Wikipedia text as of 03:15 UTC on Thursday, 12 June 2025.For the full current version of the article, see Brian Wilson on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm generative Ayanda.

Local running club Runny Honey’s - with groups in Petersfield and in Borden - organise a number of differing runs for groups of people. on different days of the week, for fitness, fun, coffee and cake. Vicky (on the right of the picture) and some of Wednesday’s runners told Mike Waddington in the town Square, about becoming a better runner and the social side of running in groups. More at runnyhoneys.com - Petersfield Club and runnyhoneys.com - Bordon Club Its costs £12 a year to join and £3.30 for a run. There's around 90 members. See omnystudio.com/listener for privacy information.

Sorry for the long delay between episodes. I do explain why during this episode. The Honeys are trying Jasen's first attempt at a taco pizza that Steph requested based on an AI picture.Then, we get an in-the-field report from Doc Pinko.

Kayla Becker, formerly Kayla Braxton in WWE, speaks to Simon Miller on her new podcasts Killing Time With Kayla and Milk & Honeys, whether or not she has a future in wrestling, hitting her ceiling WWE, what happened to WWE's The Bump, her chemistry with Paul Heyman, and more!ENJOY!Follow us on Twitter:@SimonMiller316@WhatCultureWWEFor more awesome content, check out: whatculture.com/wwe Hosted on Acast. See acast.com/privacy for more information.

In this episode of the Fully-Booked literary podcast, we're back in the room with Meaghan, Shirin, and Arthur, though Arthur gets plenty of playful shade right out of the gate. The energy is chaotic in the best way, and we all seem to embrace it.This time around, we're not doing a structured game or typical author discussion. Instead, we've decided to have a casual roundtable where we toss out book recommendations based on popular titles.Think of it as a “if you liked this, try this” style chat, the kind of stuff you might scroll through on BookTok, but with more tangents, more laughs, and a whole lot more coffee shop banter.So, yes, it's a podcast version of one of those aesthetic recommendation reels, but longer and full of personality. We're hoping it helps listeners find their next favorite read, whether they're winding down for bed or commuting with earbuds in. Along the way, we make plenty of jokes, toss in personal stories, and keep things as relatable as ever.Cozy Fantasy And Twisty YA PicksMeaghan kicks things off with Legends and Lattes by Travis Baldree. It's a standout in cozy fantasy, a genre that's all about lower stakes and high charm. This one's about a retired assassin who just wants to run a coffee shop. We love it because it's charming without the constant doom that high fantasy sometimes leans into. If you're tired of watching your favorite characters die dramatically, this is your safe space.From there, we get three recommendations to follow that cozy vibe:This Will Be Fun by E.B. Asher offers more of an epic twist, following four heroes who reunite years after saving the world to stop another evil. It's got humor, sarcasm, and a nostalgic team-up energy.Forged by Magic by Jenna Wolfhart includes orcs, elves, and romance, much like Legends and Lattes, but kicks the fantasy world-building up a notch.Dreadful by Caitlin Rosakus is quirky and a bit chaotic. A man wakes up in an evil wizard's lair and slowly realizes… he's the wizard. It's got dark magic with a comedic undertone that keeps things from getting too heavy.Next, Shirin brings up We Were Liars by E. Lockhart, a twisty, emotional YA mystery that clearly divides readers. Some of us saw the ending a mile away. Others (hi, Shirin) were shocked. Either way, it sparks strong reactions. From there, the recommended reads are:One of Us is Lying by Karen McManus, a classic high school murder mystery.A Good Girl's Guide to Murder by Holly Jackson, which begins as a school project but morphs into a full-on whodunit.Both offer those unreliable narrators and layers of secrets that make for great binge reads (and binge-worthy shows, too).Sci-Fi Sarcasm and Robots with FeelingsArthur (yes, we're letting him talk now) shifts us into sci-fi territory. He spotlights The Murderbot Diaries by Martha Wells, which is being adapted into a TV show. The series centers around a sarcastic AI bot who's pretending not to be sentient while dealing with messy human feelings. It's funny, sharp, and dives into questions about identity and autonomy.The companion picks for Murderbot are:Neuromancer by William Gibson, the cyberpunk classic full of noir and hacking vibes.Autonomous by Annalee Newitz, a gritty, emotional dive into freedom and biotech ethics.Ancillary Justice by Ann Leckie features a starship AI stuck in a single human body, trying to cope and also seek revenge.This whole section sparks a thoughtful conversation about how sci-fi is evolving to focus more on questions of self, ethics, and AI rights, especially as real-world conversations about artificial intelligence ramp up.From Gothic to Gruesome: Creepy Houses and Haunting PastsMeaghan circles back with another strong pick: Rebecca by Daphne du Maurier. This gothic classic inspires a group of haunting and eerie recommendations:The September House by Carissa Orlando, where every September, the house goes full horror mode with blood on the walls and something lurking in the basement.The Only One Left by Riley Sager, another gothic mystery involving a secluded cliffside mansion and a historical murder case.We Have Always Lived in the Castle by Shirley Jackson delivers that same psychological tension and sense of dread found in Rebecca.We also detour briefly into House of Leaves territory, a book so bizarre in structure it's basically unreadable in audiobook form. Everyone agrees it's an experience, not just a novel.Court of Thorns, Shadow Daddies, and Fae RomanceThen we dive into a big one: A Court of Thorns and Roses (or ACOTAR, because who has time for long titles) by Sarah J. Maas. This fantasy romance gets a lot of love and some side-eye, depending on who you ask. It starts like Beauty and the Beast but quickly turns into something much more plot-heavy and twisty.Meaghan recommends:Quicksilver by Callie Hart, where the heroine gets dragged into the fae realm after trying to save her family. It's rich in world-building and dramatic romantic tension.Kingdom of the Wicked by Kerri Maniscalco, a witchy, demon-summoning fantasy with Italian vibes, mouthwatering food descriptions, and yes—another shadowy love interest.We joke a lot about the term shadow daddy, which is hilarious and weirdly accurate for some of these characters. The group shares a good laugh about imagining their dads lurking in shadows. Totally normal podcast behavior...One-Person Sci-Fi Adventures (and Existential Crisis Fuel)Back in sci-fi land, Arthur brings us to Project Hail Mary by Andy Weir, which is getting a film adaptation with Ryan Gosling. The book features a lone scientist in space trying to save Earth, accompanied only by an alien rock creature named Rocky. The humor and heart between the human and the alien make it surprisingly emotional.The suggested read-alikes:The Martian, also by Weir. Obviously.Beacon 23 by Hugh Howey has that isolated, losing-your-sanity-in-space vibe.Rendezvous with Rama by Arthur C. Clarke, a classic of alien exploration and big questions.We get into the emotional toll of reading too much sci-fi. Some of us find it uplifting and full of imagination. Others (Shirin) find it deeply depressing. Fair enough.Vampires, Book Clubs, and Dark HumorShirin wraps things up with The Southern Book Club's Guide to Slaying Vampires by Grady Hendrix. It's part horror, part comedy, and all about strong women who take matters into their own hands. Think housewives turned vampire hunters. The book doesn't shy away from gruesome details, especially involving rats and face tentacles. But it's also heartfelt and hilarious.Similar reads include:The Honeys by Ryan La Sala, a genre-bending YA horror story about identity, loss, and hive-mind weirdness.So Thirsty by Rachel Harrison, another vampire tale that's more about the women fighting their way through chaos than the monsters themselves.We end with another surprise: Arthur picks something non-sci-fi for once. Catabasis by R.F. Kuang gets mentioned as a dark academia fantasy with two rival scholars traveling to hell. Yep. Hell. To save a professor. Talk about dedication.Recommendations here include:The Atlas Six by Olivie BlakeThe Secret History by Donna TarttIf We Were Villains by M.L. RioThey all explore dark magic, academic rivalries, and blurred lines between performance and reality. By the end, our TBR piles are towering, and we're all a little overwhelmed in the best way.Wrapping UpWe went through a ton of books in this episode: cozy fantasies, murder mysteries, sci-fi sagas, dark academia, and good old-fashioned horror. Some are funny. Some are terrifying. Some make you question your life choices. And some just make you feel seen as a reader who wants something a little different.We hope at least one of these picks piqued your interest or gave you something new to add to your list. And if your TBR just grew five feet taller, well… same. Until next time, keep on reading. We'll be here, figuring out how to read all of these before next week.

Episode 171 is another instalment of our series #BookstagramMadeMeDoIt and this time we're reading Don't Let the Forest In by C.G. Drews. This one has all the things we love: dark academia vibes, queer representation, and creepy forests that start growing inside your body (literally!)Show NotesYou might know C.G. Drews on Instagram as @paperfury! They always have funny writing memes and gorgeous bookish flat lays. You've also probably seen Don't Let the Forest In because it's been all over Bookstagram and BookTok. It fit so perfectly with our current creepy nature horror vibes that it was a natural pick for this episode.Somehow Jette and Gen both ended up listening to The Honeys by Ryan La Sala at almost the same time without even knowing it. That one also features twins and nature being weird and creepy. (And if you listen to the audio, you'll hear some extra buzzy sound effects, too!)On May 1, C.G. Drews is releasing a prequel short story to Don't Let the Forest In about Thomas! It will be available on their Instagram as a carousel or downloadable on their Patreon.In our next episode, we'll be talking about Gen's book club pick, Parable of the Sower by Octavia Butler. Buckle up for a dystopian world that's set in our current time! Is this what it was like to read 1984 in 1984?Jette is keeping our next book club pick a secret until we record the next episode, so stay tuned to find out what it will be!Other Books and Media MentionedThe Sixth SenseThe Honeys by Ryan La SalaThe Afterdark by E. LatimerPET by Akwaeke EmeziHazelthorn by C.G. Drews (Coming October 2025)You Did Nothing Wrong by C.G. Drews (Coming 2026)

The Honeys are finally back with a new episode. In this episode, Steph has a sweet tooth and bought Orange Cream Coke Zero, two types of Girl Scout cookies, and she baked shortbread. She also bought beer and cider. It was a good day.

Welcome back Honeys!! On today's episode, were catching up and chatting all things food, family, and finding good childcare when you don't have family members as an option (hint: we don't know wtf to do). Xoxo Learn more about your ad choices. Visit megaphone.fm/adchoices

What makes a place feel like home? For Diego, it wasn't where he was born but where he felt most connected—Oaxaca. In this episode, he shares how his Mixtec heritage led him back to his family's origins, how a chance job offer introduced him to the world of beekeeping, and how working with rural communities shaped his understanding of purpose. Whether you're interested in cultural identity, unexpected career paths, or the fascinating traditions of Oaxaca, this episode is packed with insights and inspiration.Key Takeaways:The pull of ancestral roots and the meaning of cultural identityHow unexpected opportunities can lead to deep personal growthThe importance of community and responsibility in shaping one's pathRelevant Links And Additional Resources:131 – Cultura Y Chocolate Con Ervit De Chimalapa | Culture And Cacao With Ervit From ChimalapaBoost your confidence in real-life Spanish conversations with our Spanish Immersion RetreatsLevel up your Spanish with our Podcast MembershipGet the full transcript of each episode so you don't miss a wordListen to an extended breakdown section in English going over the most important words and phrasesTest your comprehension with a multiple choice quizIf you enjoy Learn Spanish and Go, please consider subscribing, rating, and reviewing our podcast on Apple Podcasts, Spotify, Google Podcasts, or Pandora. This helps us reach more listeners like Made in Spain Whether you're an expat chasing the dream, a traveller inspired by European elegance...Listen on: Apple Podcasts SpotifySupport the show

It's the moment we've all been waiting for, Honeys. You've been begging us to talk about Sisters in Law, so we're finally doing it. We start off today's episode by catching up and analyzing our very different outfits (Nicole looks like she's running for office and Caro looks like a summer day, showing some shoulder). We then share an EXCITING announcement (nyc girlies, we're looking at you!), and then we jump into the beloved topic of sisters in law. We go through audience horror story submissions, and share tips on how to be a good sister in law, as well as how to deal with the crazy ones. TICKETS FOR HONEY WE'RE HOME LIVE EVENT ON MARCH 12TH: https://posh.vip/e/honey-were-home-wine-night We're going to hang, play games, and drink delicious cocktails. It's just gonna be a few cool people and you better be one of them, biotch. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Honeys are back after a long break* with some Toffee Crunch Oreos and some conversation about movies and other things.*There was another episode recorded, but I wasn't happy with it.

FT BRAGG IS BACK!, Eric Adams is a real POS, some real profiles in courageVenmo: BBCastCash App: $bdub336PayPal: @bradandbritt

This week on the show we head back in the archives to hear Claire's interview with Profesor Dee Carter all about her research looking at the unexpected antimicrobial properties of honey ants, and how they could be solution to anitbiotic resistance challenges ahead.Also on the show Stu gets into some of the shameful history of zoology, and the Acclimatisation society of Victoria. 

Honeys, can you even believe it? Valentine's Day is next week, and are we at all ready? No! But that's OK because it's overhyped and overrated anyways. On this week's episode, we give you alllllll the fun date night suggestions (catch us at your local Dave & Busters), as well as chat rules for Galentine's Day: can we celebrate it after Valentine's, or is that too depressing? Enjoy!! As always, email us at honeywerehomepodcast@gmail.com or leave us a voicemail: https://www.speakpipe.com/honeywerehome Xoxox Learn more about your ad choices. Visit megaphone.fm/adchoices

# 189 ✨ You NEED this daily ritual. Use code HEALINGHONEYS20 for 20% off Spacegoods – the adaptogen-packed coffee that keeps me energized, stress-free, and on top of my game. No crashes, no jitters—just pure focus while balancing my cortisol levels too. Trust me, you'll never go back to empty-energy coffee ✨ Honeys, today I am coming in hot with some real talk. In this episode, I'm sharing a little life update (spoiler alert—I think I'm moving to Mexico City!) and the four biggest lessons I've learned in my self-development journey this January. I'm diving into: The Fishtank Analogy The importance of giving yourself permission to pivot  How resilience is everything when navigating stress (+ the 1 switch out product you NEED to consider) Why cycle syncing did not work for me; and How bad relationship moments don't mean bad relationships.  I'm also introducing my new go-to for resilience: Spacegoods' adaptogen-packed coffee. Trust me, this one's a game-changer. Thank you to Spacegoods for sponsoring a segment in today's episode.  Tune in for some January reflections, a little life recalibration, and the permission slip you didn't know you needed. Let's get into it.

Buzz buzz spooky kids, this episode Adam Whybray and Ren Wednesday are discussing some apiary horror from 2022, with Ryan La Sala's The Honeys. Your cohosts chat substances, state senators, and everything sweet and sticky, with a Texture of the Week that is truly skin-crawling. Content warning: violence, body horror, brief mentions of sexual assualt and suicide. A transcript of this episode is available here: https://stillscared.podigee.io/67-the-honeys

On this episode of Behind the Mic: Powered by REVOLT Podcast Network, I'm joined by the multi-talented Freddie Ransome—co-host of Money Honeys and DJ extraordinaire. Freddie shares her journey from digital media at BuzzFeed to becoming a homeowner in Los Angeles, co-founding Money Honeys, and empowering her audience with financial knowledge. Beyond podcasting, Freddie talks about her passion for DJing as “Miniskrrt,” her love for fashion, and her dream to spin at major fashion events. We also dive into her HBCU pride as a third-generation Howard University alum and how her upbringing shaped her confidence and career. Plus, don't miss her pop culture confession—she's a die-hard pop music fan with a playlist full of Britney Spears and Ariana Grande. "If I've learned anything, it's to take risks, find your confidence, and build community." – Freddie Ransome New episodes of Behind the Mic drop every Monday at 9 a.m. on YouTube, Apple Podcasts, Spotify, and all your favorite platforms. Like, comment, and subscribe to catch more inspiring conversations with creators shaping the culture. Follow Freddie: Instagram: @Freddie TikTok: @DJMiniskrrt Stay tapped into Black culture podcasts and trending creators with the REVOLT Podcast Network. Follow us @REVOLTPodcastNetwork on Instagram, TikTok, and Threads, and @REVOLTPodcast on X. Big thanks to REVOLT for amplifying creators and to Indie Creative Network and Storytime Studios for producing this episode. Chapters 00:28 Meet Freddie from Money Honeys podcast 01:01 Freddie's Journey into Digital Media 01:49 Starting the Money Honeys Podcast 02:27 Freddie's Life Outside Podcasting 03:43 Where do Freddie's influences and values stem from? 07:15 Rapid Fire Game: Rank It Learn more about your ad choices. Visit megaphone.fm/adchoices

Huntin' for Honeys on Wash Ave & a Man Who Can't Be Single.. Lolol full 351 Fri, 13 Dec 2024 00:52:10 +0000 xlqwKyV6Q895VEJxFVGnuz6YnjNNOFuI sports The Drive with Stoerner and Hughley sports Huntin' for Honeys on Wash Ave & a Man Who Can't Be Single.. Lolol 2-6PM M-F 2024 © 2021 Audacy, Inc. Sports False https://player.amperwavepo

Honeys this is a GOOD conversation. On today's episode, we have the incredible honor of chatting with Ilana Dunn Solomon, host of the popular relationships podcast, Seeing Other People. She's vulnerable and real with us about feeling the pressures that the early marriage stage of life brings: Do we need to be buying houses? Should we be starting families? Why does it feel like everyone around us is taking the "next steps" while we're stuck not being ready for those? No matter what stage of life you're in, this episode will make you feel much less alone. For more of her incredible perspective, check out Ilana's podcast, Seeing Other People, wherever you get your podcasts! LEAVE US A VOICEMAIL HERE: https://www.speakpipe.com/honeywerehome Learn more about your ad choices. Visit megaphone.fm/adchoices

#173 - I know it's been a hot minute, but honey, I'm BACK! Welcome back to Series 3 of the podcast! New name, new artwork, new segments and more! In today's episode, I re-introduce myself to anyone who is new around here and I tell you what to expect from the season ahead. I also share the 10 things that have been the most transformative learnings from $10,000 of therapy and the things that have *really* helped me unf*ck my life. Join me as we dive into sobriety, daddy issues, chronic pain, emotionally unavailable men, infidelity, toxic relationships, closing down successful businesses, the never slowing down rollercoaster of a life and emotional suppression – nothing is off-limits in this episode. Get ready for an hour packed with real AF honest stories, life-changing lessons, and so much heart.

Welcome back Honeys!! We're exhausted yet thriving. Today's episode starts off with over-analyzing the art of napping, followed by an interesting theory about how you can tell a lot about a relationship by the types of instagram reels you're sending each other. We then get into airing your wildest confessions in our new segment: Dirty Laundry. From hooking up with your bosses to attending sex parties to hating your friends' spouses and more, there's no shortage of crazy stories here. We end with a fun ick of the week! Be sure to follow @honeywerehomepod on IG and leave us an (anonymous!) voicemail to have your questions answered on the podcast! Xoxo LEAVE US A VOICEMAIL HERE: https://www.speakpipe.com/honeywerehome Learn more about your ad choices. Visit megaphone.fm/adchoices

HONEY CHILE's got a new thang: IT'S GOOD OVER HERE!They try to tell Black women 40+ that we're over the hill, but Honeys are out here embarking on new adventures, grabbing happiness, and living unapologetically… because it's good over here!It's Good Over Here takes listeners into the delicious adventures in Honeyland! It's a celebration of how good it can get on the other side of 40—across career, life and love. In each episode, our Head Honey Felicia Pride, a writer / director blazing trails as a Honey in Hollywood, chats with fellow 40+ dynamos across backgrounds and disciplines about the adventures, experiences, and pleasures that life holds in store!"Chile, Please", an NAACP Image Award nominated podcast, is brought to you by HONEY CHILE Entertainment, an independent, boutique media & entertainment company run by Black women. We speak with love to an underserved audience: Black women 40 and over; or "Honeys", as we like to call them. We're not just bringing our own seats; we're building our own damn table too. Follow us at @itshoneychile on IG and Twitter. Keep up with new episodes and exclusive content by signing up for our newsletter at www.honey-chile.com.If you want more exclusive access to all that we're building at HONEY CHILE, consider becoming a HONEY Insider at www.honey-chile.com/honey-insider.

This episode was recorded on August 25th, 2024 at the Culture Center Theater in Charleston, WV. The lineup includes Joe Pug, Jobi Riccio, Carrie Newcomer, Curtis McMurtry, and The Local Honeys. https://bit.ly/4dJSWAq

Happy Spooky SZN, Honeys! What's the scariest thing of all?? Men who are having babies that don't understand what all goes into it! JK, we wouldn't know (yet), but our bada$$ mama listeners sure do, and this episode was driven by you all. We start off by giving you Halloween costume ideas. Some may be a bit basic, but who says that's a bad thing? Then we read the most hilarious listener submissions of all the things husbands didn't understand when becoming parents. We also learned a lot throughout this fun little exercise too. We end the episode on some amazing advice from you moms out there on how to to actually prep your man for fatherhood. Xoxo

Honeys, we're officially in our 30s. Which is great, we're more mature (sort of), more confident, and have more money than we did in our 20s. However, both decades still have one thing in common: becoming an adult during them sucks. It's hard sometimes. In this episode, we give updates on both of our moving situations (Nicole found a place! Caro, still up in the air), and we play a fun game of f*ck, marry, kill to discuss your submissions for how adulting sucks. We end the episode on some uplifting and amazing life advice from our family members, who surprise us with their positive perspectives on getting older. It's a feel-good episode you won't wanna miss. Xoxo

Deze novelle met winterthema maakt deel uit van de vierdelige serie 'Om te (sei)zoenen. Uitgegeven door Lind & Co Spreker: Mounya Dahma

Honeys, it's officially Fall and we're making sure you're READY to not let it pass you by. Chaotic summer is over and we're buckling down and cleaning out our apartments, room by f*cking room. It's time for Sunday reset and rot sessions. Today's episode is your ultimate guide to Q4, meant to motivate you to absolutely slay your life until the end of 2024. We're telling you what to do, buy, watch, read, and more, so you can plan ahead and have the best end of year like the baddie that you are. We close out with a game of Love or War where we talk leaving clothes on the ground, couples' spending habits, and more. Xoxo

Ep 196: 3 women are found brutally murdered in their home. 20 years later, detectives are still hoping for a break in the case. This is the Kuria Family story. If you have any information about this case, please contact the Cobb County District Attorney's Office, Cold Case Unit number/tip-line at 770-528-3032, or email coldcase@cobbcounty.org, or go to unsolved.com. Sources for Today's Episode: Investigation discovery The Nation Nairobi news 11alive.com Atlanta Journal Constitution Cold Case world.com Sponsors: (thanks for using our promo codes, it really does help the show!) Honeylove Honeylove is not just supporting women, it's empowering women. Treat yourself to the best bras on the market and save 20% Off at honeylove.com/WAC. Use our exclusive link to get 20% off - After you purchase they ask you where you heard about them. PLEASE support our show and tell them Women&Crime sent you.  Honeys, you deserve this. Free the pain and discomfort, keep the support with Honeylove. Credits: Written and Hosted by Amy Shlosberg and Meghan Sacks Produced by James Varga Audio Editor, Seiler Burr Script Editor, Abagail Belcastro Music by Dessert Media Show your Support: The easiest way you can support us is by leaving a review, telling your friends, sharing on social media or by sending us a note. We love to hear from our audience! You can also support the show through the following ways: Follow Us on Social: YouTube: https://www.youtube.com/c/womenandcrime Instagram: https://www.instagram.com/womenandcrimepodcast/ Tik Tok: https://www.tiktok.com/@womenandcrime Facebook: https://www.facebook.com/womenandcrime Reddit: https://www.reddit.com/r/womenandcrime Twitter: https://twitter.com/WomenAndCrime Patron - ad-free shows starting at $2 a month, or upgrade to get an extra episode every month, exclusive AMAs with the hosts, lecture series on criminal justice, our true crime book club, and more! Check out our Patreon page for more info: https://www.patreon.com/womenandcrime Apple Subscriptions - Exclusive episodes and ad-free regular stories are now available through Apple's podcast app for only $4.99 a month. Merchandise - For T-shirts, Hoodies, notebooks, stickers and mugs check out: https://www.womenandcrimepodcast.com/merch Help is Available: If you or someone you know is in a crisis situation, or a victim of domestic, or other violence, there are many organizations that can offer support or help you in your specific situation. For direct links to these organizations please visit https://womenandcrimepodcast.com/resources/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Honeys, this episode gets prettyyyy deep. We start with recapping Caro's birthday week and why it's important to be a good friend on your friend's birthday, and how Nicole won MVP of the week by simply sending bagels. We then get giddy about Fall and spooky season approaching, and no it's not too early for that ok? We also talk shows that we're watching right now (Love Island, Tell Me Lies, and The Perfect Couple) - and we're watching completely different shows (shocker). We finally get into the good stuff and elaborate on the listener email submission from last week's episode about her husband changing his mind about wanting kids. We also have an email about a boyfriend completely changing his mind about wanting to get married, and let's just say we have a lotttt of thoughts on this one. Men are being extra annoying in this episode, but together we can try to decipher what's going on in their simple minds. Enjoy free shipping and 20% off with code HONEY at www.eatfungies.com Email your feedback and questions to honeywerehomepodcast@gmail.com! Also follow us @honeywerehomepod on Instagram. Xoxo

Honeys, we're finally doing it (no pun intended). We're finally delving more into the topic of sex (Caroline is sweating, but Nicole's forcing the topic because it's important). Before we get into the sex talk, we discuss an email from a listener whose husband decided to tell her that he's changed his mind about wanting kids. The classic bait and switch. Nicole found a game in her TV credenza called "Where Should We Begin?" by Esther Perel, so the girls play it by answering some of the very unique and weird sex-related questions, probably not the way Esther intended the game to be played, but oh well. Then they get into answering the audiences' burning questions like "how often are we supposed to be having sex?", "what if my partner and I have mismatched sex drives?", "what if i'm too tired to have sex?" and more. The point of this episode is to show us all that there's no right or wrong way to be having sex in your marriage, as long as you're doing what works for you as a couple, and you've found someone who matches your freak, then you're good to go. Fungies: Enjoy free shipping and 20% off with code HONEY at www.eatfungies.com Email your feedback and questions to honeywerehomepodcast@gmail.com! Also follow us @honeywerehomepod on Instagram. Xoxo

This week's guest, producer, songwriter, and multi-instrumentalist Evan Taylor (Bernie Worrell Orchestra, Loantaka Records), brings us The Beach Boys' 21st studio album - and the last one under the group's name to be written and produced solely by troubled leader Brian Wilson - 'The Beach Boys Love You'. Released in 1977, this strange, at-times childlike collection of songs sounded like nothing else the band had done up until then. With raspier-than-usual vocals from the Wilson brothers and Brian's newfound infatuation with the Moog synthesizer, it left many fans/critics confused at the time but has since been recognized for presaging both synth-pop and new wave.  Songs discussed in this episode: Good Vibrations - Brian Wilson (Live on SNL, 1976); Distant Star - Bernie Worrell (Featuring Jerry Harrison); Take 5 - Bernie Worrell; What Have They Done To My Funk - Bernie Worrell (Featuring Bootsy Collins, Michael Moon Reuben, Ouiwey Collins, Buckethead); Be My Baby - The Ronettes; Let Us Go On This Way, Hey, Little Tomboy, Roller Skating Child, Mona, Johnny Carson, Good Time - The Beach Boys; Good Time, Shyin' Away - American Spring; Honkin' Down The Highway, Ding Dang, Solar System - The Beach Boys; Solar System - Alex Chilton; The Night Was So Young, I'll Bet He's Nice - The Beach Boys; Shoot The Curl - The Honeys; Let's Put Our Hearts Together, I Wanna Pick You Up, Airplane, Love Is A Woman - The Beach Boys; Wave From The WOOniverse - Bernie Worrell (Featuring Miho Hatori)

Honeys, we're kind of all over the place today (in the best way possible). Today's episode kicks off with a continuation of the discussion around the listener email about getting married for a green card, since we have new info! Nicole and Caro have their first mini fight on the pod, which is exciting for you all because it makes for great content. They then discuss beauty and coffee-related recs of the week, and add in a new segment of women recs of the week where they basically just geek out over women they're obsessing over at the current moment. They then pull up the official newly-released top 10 baby names list, and yap about baby names and how they need to be “cute to hot” to truly be a good name. They end with some exciting rapid fire questions right before they go get martinis, yum. Keep emailing your questions to honeywerehomepodcast@gmail.com and you might just hear them on a future episode! Also follow us @honeywerehomepod on Instagram. Xx

Honeys, we did it. We finally had one of our long-awaited guests on: Intuitive, Podcaster, and Author, Nikki Novo. Despite Nicole referring to her as a "psychic" to long time listeners, Nikki is actually a spiritual advisor and intuitive reader. As the creator of the Soul Reading Method and author of Soul Led Living, Nikki has a goal of helping her clients find clarity and purpose in their path's, as well as discovering our soul's TRUE path and purpose, even when we're struggling to see what it is and how to get there. She set the intention of this episode to have an open ear and mind for the messages that we all needed to hear and boy did we hear her. From visualizing your ideal future self, tips to help reflect on what growth we need to embrace to get there, to manifesting your future and different types of intuition, to spirit babies (Caroline's are right around the corner??) and more, we cover everything spiritual and it's truly fascinating. Next stop: hypnotherapy. For the meditations and resources mentioned in the episode, visit nikkinovo.com/hwh Nikki has been featured in Oprah Daily, Well + Good, Cosmo, Bustle, Marie Claire, NBC and Telemundo, as well as on popular podcasts like Almost30, Balanced Blonde, and Highest Self Podcast. Her new book, Soul Led Living, is NOW available on Amazon.

Honeys, we're finally home. No but actually, the girls have been apart for what feels like a century because Nicole was running amok in Spain and London for the past 2.5 weeks since she's childless and (corporate) jobless. Caro catches her up on what she's missed, including Sonny Angels and the giant river in France. They then recap Nicole's trip and chat all about the pros and cons of traveling with a girl vs. a guy (hint: unfortunately it's easier with a guy only bc they carry bags). They end with a listener email struggling with a big dilemma about whether or not she should get married for a green card, which we have absolutely no expertise on so send us your thoughts on the @honeywerehomepod instagram! or email honeywerehomepodcast@gmail.com of course. Xoxo

Bryan & Krissy discover the secret to dating women: give up everything you love! We've got the giggles Electrolytes! Hiring a lifeguard NO BREAKS Adam The Liar You scared of women?? Adam's “degrees” Janitor to Martial Arts IAPUA! We love a man with a job Quit everything you love Clickfunnels He's a protector, rawr (^_^) Change my tire This is a mad schedule LINKS: Send us show ideas, comments, questions or concerns by texting us   212.433.3TCB text or leave us a voicemail Watch TCB on YouTube Instagram: @thecommercialbreak Creator: Bryan Green Co-Host: Bryan Green Co-Host: Krissy Hoadley Producer: Christina A.  Producer: Gustavo B.  Download & Listen on the Audacy app To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Aly & Erica share life updates on this solo episode and recap June episodes!  To learn more visit www.courageouswellness.net  This episode is brought to you by SEED. Trust your gut with Seed's DS-01® Daily Synbiotic. Go to Seed.com/CWPODand use code 25CWPOD to get 25% off your first month. This episode is sponsored by Honeylove. Treat yourself to the best bras on the market and save 20% Off at honeylove.com/CWPODCAST. Use our exclusive link to get 20% off – honeylove.com/CWPODCAST to find your perfect fit. After you purchase they ask you where you heard about them. PLEASE support our show and tell them we sent you. Honeys, you deserve this. Free the pain and discomfort, keep the support with Honeylove. Learn more about your ad choices. Visit megaphone.fm/adchoices

Honeys, we're BAAAAACK, and we're talking sh*t. It's been a hot minute since Nicole and Caroline were in the studio together, so obviously there's a lot of tea to spill. From Caro's European escapades with Taylor Swift to Nicole's trip back to her hometown country roots (she grew up in a corn field), there's a full month of crazy happenings to revisit. The girls end with discussing their current baby fever state of the union and talk about how everyone around them is having kids. This episode is easy, breezy, and chaotic, just how we want our entire summers to feel. Xoxo. 

Honeys, class is in session. Nicole's in the studio this week with one of our most highly-requested guests: her elderly sister, Jenna. Fresh off of a wild night out in the city, the Pellegrino girls get right into chatting all things motherhood. They discuss mom guilt, never feeling like you're good enough, postpartum depression, trying to maintain energy as a boy mom, "having it all" as a working mom, being a mom without your own mom there to help you, and much more. They laugh, they bicker, and they get deep. Jenna shares her beauty recs since after all, she's in the hot mom "summer of Jenna". This episode is a must listen, trust us.

On July 9th, 1993, at 1:40 a 911 call was placed by Russell Bennett Peterson. He told the operator that he and his girlfriend had a fight and that she had been shot, but he claimed to not know who shot her. Stephanie Wasilishin was the mother of two young children who tragically lost her life that night. It has been 30 years since Stephanie's death, and justice has still not been served. Her older daughter, Nikki, has taken up the fight for her mother, and she is on a mission to find the answers that no one seems to want to provide.  **TRIGGER WARNING** Talk of suicide, domestic violence, gun violence, & murder Hang with us: Follow Us on Instagram Like Us on Facebook Join our Case Discussion Group on Facebook Get Killer Queens Merch Bonus Episodes Check Out our Amazing Sponsors:  Treat yourself to the best bras on the market and save 20% Off at honeylove.com/QUEENS.Use our exclusive link to get 20% off- honeylove.com/QUEENS.After you purchase they ask you where you heard about them. PLEASE support our show and tell them we sent you. Honeys, you deserve this. Treat yourself to the best bras on the market and save 20% Off at honeylove.com/QUEENS.Use our exclusive link to get 20% off- honeylove.com/QUEENS.After you purchase they ask you where you heard about them. PLEASE support our show and tell them we sent you. Honeys, you deserve this. Want More Ways to Support the Show?  Visit Our Amazon Storefront: Head over to killerqueenspodcast.com/links and scroll down to “Shop Our Style” or “Our Amazon Faves.” Here, you'll find all the posts you can shop with our unique links to each item as well as our Amazon Storefront where we have lists like:  90's Finds (curated by Tori with all the best 90's stuff like tomagotchis and my little ponies) Back to School Must-Haves Gift Ideas for Kiddos that Tyrella loves Podcast Essentials (if you've ever wanted to start your own) and more!  Get Our First 44 Episodes Free: Want access to our first 45 episodes? Grab em here! We've made them available for free to anyone who signs up! Remember, these episodes were recorded when we had no idea what we were doing, so just keep that in mind. The audio isn't the quality we would want to put out now, but the cases are on point! Visit killerqueens.link/ogto download and binge all the archived episodes today! © 2024 Killer Queens Podcast. All Rights Reserved Audio Production by Wayfare Recording Music provided by Steven Tobi Logo designed by Sloane Williams of The Sophisticated Crayon YouTube Editing by Jennifer Da Silva

We are so excited to link up with the two people behind Wyld Honeys, Caroline Kenyon & Ali Hartwig. They're "two best friends who share a deep passion for the joy of cooking and dining in the great outdoors." Picture this - your closest friends, a cute little campsite, and lots of good food on the table. What could be better? On this episode, we chat through...using outdoor spaces to foster communitybalancing creativity with logistics basic components to a successful outdoor cooking set upTry out one of their fab recipes here and join them over on socials here. ____This episode is brought you by Body Glide.Find free stickers here and let's be pen pals!Join us for more adventures over at @inhernaturepod & we would appreciate if you share this episode with a friend!(As always, take our advice with a grain of salt! We don't claim to know it all, but hopefully this content provides you direction in pursuing your current idea.)

Wake up, Comrade! Find your pants and solve this murder case with Doug and Katie. They played Disco Elysium, the 2019 detective role playing game. Conversation starts around 15:00. Before then, there's talk about what they've been reading and watching lately. Reading '60 Songs That Explain the '90s' by Rob Harvilla 'The Honeys' by Ryan La Sala Watching Sonic the Hedgehog (2020 film) Sonic the Hedgehog 2 (2022 film) Drive-Away Dolls (2024 film) Never Have I Ever (Netflix) Find us on Twitter: @NovelGamingPod  Send us an e-mail: novelgamingpodcast@gmail.com Logo by: Katie!  Theme song: "Bit Bossa" by Azureflux

David Bock of Altadena, CA runs a multifaceted honey business that specializes in rescuing honey bees, and he shares local marketing tips that helped him build an email list of 3,500+ subscribersGet full show notes and transcript here: https://forrager.com/podcast/108

For those who haven't heard the announcement I just posted , songs from this point on will sometimes be split among multiple episodes, so this is the first part of a multi-episode look at the Byrds in 1966-69 and the birth of country rock. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a half-hour bonus episode on "My World Fell Down" by Sagittarius. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Resources No Mixcloud at this time as there are too many Byrds songs in this chunk, but I will try to put together a multi-part Mixcloud when all the episodes for this song are up. My main source for the Byrds is Timeless Flight Revisited by Johnny Rogan, I also used Chris Hillman's autobiography, the 331/3 books on The Notorious Byrd Brothers and The Gilded Palace of Sin, For future parts of this multi-episode story I used Barney Hoskyns' Hotel California and John Einarson's Desperadoes as general background on Californian country-rock, Calling Me Hone, Gram Parsons and the Roots of Country Rock by Bob Kealing for information on Parsons, and Requiem For The Timeless Vol 2 by Johnny Rogan for information about the post-Byrds careers of many members. Information on Gary Usher comes from The California Sound by Stephen McParland. And this three-CD set is a reasonable way of getting most of the Byrds' important recordings. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript When we left the Byrds at the end of the episode on "Eight Miles High", they had just released that single, which combined folk-rock with their new influences from John Coltrane and Ravi Shankar, and which was a group composition but mostly written by the group's lead singer, Gene Clark. And also, as we mentioned right at the end of the episode, Clark had left the group. There had been many, many factors leading to Clark's departure. Clark was writing *far* more material than the other band members, of whom only Roger McGuinn had been a writer when the group started, and as a result was making far more money than them, especially with songs like "She Don't Care About Time", which had been the B-side to their number one single "Turn! Turn! Turn!" [Excerpt: The Byrds, "She Don't Care About Time"] Clark's extra income was making the rest of the group jealous, and they also didn't think his songs were particularly good, though many of his songs on the early Byrds albums are now considered classics. Jim Dickson, the group's co-manager, said "Gene would write fifteen to twenty songs a week and you had to find a good one whenever it came along because there were lots of them that you couldn't make head or tail of.  They didn't mean anything. We all knew that. Gene would write a good one at a rate of just about one per girlfriend." Chris Hillman meanwhile later said more simply "Gene didn't really add that much." That is, frankly, hard to square with the facts. There are ten original songs on the group's first two albums, plus one original non-album B-side. Of those eleven songs, Clark wrote seven on his own and co-wrote two with McGuinn. But as the other band members were starting to realise that they had the possibility of extra royalties -- and at least to some extent were starting to get artistic ambitions as far as writing goes -- they were starting to disparage Clark's work as a result, calling it immature. Clark had, of course, been the principal writer for "Eight Miles High", the group's most experimental record to date: [Excerpt: The Byrds, "Eight Miles High"] But there he'd shared co-writing credit with David Crosby and Roger McGuinn, in part because that was the only way he could be sure they would agree to release it as a single. There were also internal rivalries within the band unrelated to songwriting -- as we've touched on, Crosby had already essentially bullied Clark off the guitar and into just playing tambourine (and McGuinn would be dismissive even of Clark's tambourine abilities). Crosby's inability to get on with any other member of any band he was in would later become legendary, but at this point Clark was the major victim of his bullying. According to Dickson "David understood when Gene left that ninety-five percent of why Gene left could be brought back to him." The other five percent, though, came from Clark's fear of flying. Clark had apparently witnessed a plane crash in his youth and been traumatised by it, and he had a general terror of flying and planes -- something McGuinn would mock him for a little, as McGuinn was an aviation buff. Eventually, Clark had a near-breakdown boarding a plane from California to New York for a promotional appearance with Murray the K, and ended up getting off the plane. McGuinn and Michael Clarke almost did the same, but in the end they decided to stay on, and the other four Byrds did the press conference without Gene. When asked where Gene was, they said he'd "broken a wing". He was also increasingly having mental health and substance abuse problems, which were exacerbated by his fear, and in the end he decided he just couldn't be a Byrd any more. Oddly, of all the band members, it was David Crosby who was most concerned about Clark's departure, and who did the most to try to persuade him to stay, but he still didn't do much, and the group decided to carry on as a four-piece and not even make a proper announcement of Clark's departure -- they just started putting out photos with four people instead of five. The main change as far as the group were concerned was that Hillman was now covering Clark's old vocal parts, and so Crosby moved to Clark's old centre mic while Hillman moved from his position at the back of the stage with Michael Clarke to take over Crosby's mic. The group now had three singer-instrumentalists in front, two of whom, Crosby and McGuinn, now thought of themselves as songwriters. So despite the loss of their singer/songwriter/frontman, they moved on to their new single, the guaranteed hit follow-up to "Eight Miles High": [Excerpt: The Byrds, "5D (Fifth Dimension)"] "5D" was written by McGuinn, inspired by a book of cartoons called 1-2-3-4 More More More More by Don Landis, which I haven't been able to track down a copy of, but which seems to have been an attempt to explain the mathematical concept of higher dimensions in cartoon form. McGuinn was inspired by this and by Einstein's theory of relativity -- or at least by his understanding of relativity, which does not seem to have been the most informed take on the topic. McGuinn has said in the past that the single should really have come with a copy of Landis' booklet, so people could understand it. Sadly, without the benefit of the booklet we only have the lyrics plus McGuinn's interviews to go on to try to figure out what he means. As far as I'm able to understand, McGuinn believed -- completely erroneously -- that Einstein had proved that along with the four dimensions of spacetime there is also a fifth dimension which McGuinn refers to as a "mesh", and that "the reason for the speed of light being what it is is because of that mesh." McGuinn then went on to identify this mesh with his own conception of God, influenced by his belief in Subud, and with a Bergsonian idea of a life force. He would talk about how most people are stuck in a materialist scientific paradigm which only admits to  the existence of three dimensions, and how there are people out there advocating for a five-dimensional view of the world. To go along with this mystic view of the universe, McGuinn wanted some music inspired by the greatest composer of sacred music, and he asked Van Dyke Parks, who was brought in to add keyboards on the session, to play something influenced by Bach -- and Parks obliged, having been thinking along the same lines himself: [Excerpt: The Byrds, "5D (Fifth Dimension)"] Unfortunately for the group, McGuinn's lyrical intention wasn't clear enough and the song was assumed to be about drugs, and was banned by many radio stations. That plus the track's basically uncommercial nature meant that it reached no higher than number forty-four in the charts. Jim Dickson, the group's co-manager, pointed to a simpler factor in the record's failure, saying that if the organ outro to the track had instead been the intro, to set a mood for the track rather than starting with a cold vocal open, it would have had more success. The single was followed by an album, called Fifth Dimension, which was not particularly successful. Of the album's eleven songs, two were traditional folk songs, one was an instrumental -- a jam called "Captain Soul" which was a version of Lee Dorsey's "Get Out My Life Woman" credited to the four remaining Byrds, though Gene Clark is very audible on it playing harmonica -- and one more was a jam whose only lyrics were "gonna ride a Lear jet, baby", repeated over and over. There was also "Eight Miles High" and the group's inept and slightly-too-late take on "Hey Joe". It also included a third single, a country track titled "Mr. Spaceman": [Excerpt: The Byrds, "Mr. Spaceman"] McGuinn and, particularly, Hillman, had some country music background, and both were starting to think about incorporating country sounds into the group's style, as after Clark's departure from the group they were moving away from the style that had characterised their first two albums. But the interest in "Mr. Spaceman" was less about the musical style than about the lyrics. McGuinn had written the song in the hopes of contacting extraterrestrial life -- sending them a message in his lyrics so that any aliens listening to Earth radio would come and visit, though he was later disappointed to realise that the inverse-square law means that the signals would be too faint to make out after a relatively short distance: [Excerpt: The Byrds, "Mr. Spaceman"] "Mr. Spaceman" did better on the charts than its predecessor, scraping the lower reaches of the top forty, but it hardly set the world alight, and neither did the album -- a typical review was the one by Jon Landau, which said in part "This album then cannot be considered up to the standards set by the Byrds' first two and basically demonstrates that they should be thinking in terms of replacing Gene Clark, instead of just carrying on without him." Fifth Dimension would be the only album that Allen Stanton would produce for the Byrds, and his replacement had actually just produced an album that was a Byrds record by any other name: [Excerpt: Gene Clark, "So You Say You've Lost Your Baby"] We've looked at Gary Usher before, but not for some time, and not in much detail. Usher was one of several people who were involved in the scene loosely centred on the Beach Boys and Jan and Dean, though he never had much time for Jan Berry and he had got his own start in the music business slightly before the Beach Boys. As a songwriter, his first big successes had come with his collaborations with Brian Wilson -- he had co-written "409" for the Beach Boys, and had also collaborated with Wilson on some of his earliest more introspective songs, like "The Lonely Sea" and "In My Room", for which Usher had written the lyrics: [Excerpt: The Beach Boys, "In My Room"] Usher had built a career as a producer and writer for hire, often in collaboration with Roger Christian, who also wrote with Brian Wilson and Jan Berry. Usher, usually with Christian, and very occasionally Wilson wrote the songs for several of American International Pictures' Beach Party films: [Excerpt: Donna Loren, "Muscle Bustle"] And Usher and Christian had also had bit parts in some of the films, like Bikini Beach, and Usher had produced records for Annette Funicello, the star of the films, often with the Honeys (a group consisting of Brian Wilson's future wife Marilyn plus her sister and cousin) on backing vocals. He had also produced records for the Surfaris, as well as a whole host of studio-only groups like the Four Speeds, the Super Stocks, and Mr. Gasser and the Weirdoes, most of whom were Usher and the same small group of vocalist friends along with various selections of Wrecking Crew musicians making quick themed albums. One of these studio groups, the Hondells, went on to be a real group of sorts, after Usher and the Beach Boys worked together on a film, The Girls on the Beach. Usher liked a song that Wilson and Mike Love had written for the Beach Boys to perform in the film, "Little Honda", and after discovering that the Beach Boys weren't going to release their version as a single, he put together a group to record a soundalike version: [Excerpt: The Hondells, "Little Honda"] "Little Honda" made the top ten, and Usher produced two albums for the Hondells, who had one other minor hit with a cover version of the Lovin' Spoonful's "Younger Girl". Oddly, Usher's friend Terry Melcher, who would shortly produce the Byrds' first few hits, had also latched on to "Little Honda", and produced his own version of the track, sung by Pat Boone of all people, with future Beach Boy Bruce Johnston on backing vocals: [Excerpt: Pat Boone, "Little Honda"] But when Usher had got his version out first, Boone's was relegated to a B-side. When the Byrds had hit, and folk-rock had started to take over from surf rock, Usher had gone with the flow and produced records like the Surfaris' album It Ain't Me Babe, with Usher and his usual gang of backing vocalists augmenting the Surfaris as they covered hits by Dylan, the Turtles, the Beach Boys and the Byrds: [Excerpt: The Surfaris, "All I Really Want to Do"] Usher was also responsible for the Surfaris being the first group to release a version of "Hey Joe" on a major label, as we heard in the episode on that song: [Excerpt: The Surfaris, "Hey Joe"] After moving between Capitol, Mercury, and Decca Records, Usher had left Decca after a round of corporate restructuring and been recommended for a job at Columbia by his friend Melcher, who at that point was producing Paul Revere and the Raiders and the Rip Chords and had just finished his time as the Byrds' producer. Usher's first work at Columbia was actually to prepare new stereo mixes of some Byrds tracks that had up to that point only been issued in mono, but his first interaction with the Byrds themselves came via Gene Clark: [Excerpt: Gene Clark, "So You Say You've Lost Your Baby"] On leaving the Byrds, Clark had briefly tried to make a success of himself as a songwriter-for-hire in much the same mould as Usher, attempting to write and produce a single for two Byrds fans using the group name The Cookie Fairies, while spending much of his time romancing Michelle Phillips, as we talked about in the episode on "San Francisco". When the Cookie Fairies single didn't get picked up by a label, Clark had put together a group with Bill Rinehart from the Leaves, Chip Douglas of the Modern Folk Quartet, and Joel Larson of the Grass Roots. Just called Gene Clark & The Group, they'd played around the clubs in LA and cut about half an album's worth of demos produced by Jim Dickson and Ed Tickner, the Byrds' management team, before Clark had fired first Douglas and then the rest of the group. Clark's association with Douglas did go on to benefit him though -- Douglas went on, as we've seen in other episodes, to produce hits for the Turtles and the Monkees, and he later remembered an old song by Clark and McGuinn that the Byrds had demoed but never released, "You Showed Me", and produced a top ten hit version of it for the Turtles: [Excerpt: The Turtles, "You Showed Me"] Clark had instead started working with two country singers, Vern and Rex Gosdin, who had previously been with Chris Hillman in the country band The Hillmen. When that band had split up, the Gosdin Brothers had started to perform together as a duo, and in 1967 they would have a major country hit with "Hangin' On": [Excerpt: The Gosdin Brothers, "Hangin' On"] At this point though, they were just Gene Clark's backing vocalists, on an album that had been started with producer Larry Marks, who left Columbia half way through the sessions, at which point Usher took over. The album, titled Gene Clark with the Gosdin Brothers, featured a mix of musicians from different backgrounds. There were Larson and Rinehart from Gene Clark and the Group, there were country musicians -- a guitarist named Clarence White and the banjo player Doug Dillard. Hillman and Michael Clarke, the Byrds' rhythm section, played on much of the album as a way of keeping a united front, Glen Campbell, Jerry Cole, Leon Russell and Jim Gordon of the Wrecking Crew contributed, and Van Dyke Parks played most of the keyboards. The lead-off single for Gene Clark with the Gosdin Brothers, "Echoes", is one of the tracks produced by Marks, but in truth the real producer of that track is Leon Russell, who wrote the orchestral arrangement that turned Clark's rough demo into a baroque pop masterpiece: [Excerpt: Gene Clark, "Echoes"] Despite Clark having quit the band, relations between him and the rest were still good enough that in September 1966 he temporarily rejoined the band after Crosby lost his voice, though he was gone again as soon as Crosby was well. But that didn't stop the next Byrds album, which Usher went on to produce straight after finishing work on Clark's record, coming out almost simultaneously with Clark's and, according to Clark, killing its commercial potential. Upon starting to work with the group, Usher quickly came to the conclusion that Chris Hillman was in many ways the most important member of the band. According to Usher "There was also quite a divisive element within the band at that stage which often prevented them working well together. Sometimes everything would go smoothly, but other times it was a hard road. McGuinn and Hillman were often more together on musical ideas. This left Crosby to fend for himself, which I might add he did very well." Usher also said "I quickly came to understand that Hillman was a good stabilising force within the Byrds (when he wanted to be). It was around the time that I began working with them that Chris also became more involved in the songwriting. I think part of that was the fact that he realised how much more money was involved if you actually wrote the songs yourself. And he was a good songwriter." The first single to be released from the new sessions was one that was largely Hillman's work. Hillman and Crosby had been invited by the great South African jazz trumpeter Hugh Masekela to play on some demos for another South African jazzer, singer Letta Mbulu. Details are sparse, but one presumes this was for what became her 1967 album Letta Mbulu Sings, produced by David Axelrod: [Excerpt: Letta Mbulu, "Zola (MRA)"] According to Hillman, that session was an epiphany for him, and he went home and started writing his own songs for the first time. He took one of the riffs he came up with to McGuinn, who came up with a bridge inspired by a song by yet another South African musician, Miriam Makeba, who at the time was married to Masekela, and the two wrote a lyric inspired by what they saw as the cynical manipulation of the music industry in creating manufactured bands like the Monkees -- though they have both been very eager to say that they were criticising the industry, not the Monkees themselves, with whom they were friendly. As Hillman says in his autobiography, "Some people interpreted it as a jab at The Monkees. In reality, we had immense respect for all of them as singers and musicians. We weren't skewering the members of the Monkees, but we were taking a shot at the cynical nature of the entertainment business that will try to manufacture a group like The Monkees as a marketing strategy. For us, it was all about the music, and we were commenting on the pitfalls of the industry rather than on any of our fellow musicians." [Excerpt: The Byrds, "So You Want to be a Rock 'n' Roll Star?"] The track continued the experimentation with sound effects that they had started with the Lear jet song on the previous album. That had featured recordings of a Lear jet, and "So You Want to be a Rock 'n' Roll Star?" featured recordings of audience screams. Those screams were, according to most sources, recorded by Derek Taylor at a Byrds gig in Bournemouth in 1965, but given reports of the tepid response the group got on that tour, that doesn't seem to make sense. Other sources say they're recordings of a *Beatles* audience in Bournemouth in *1963*, the shows that had been shown in the first US broadcast of Beatles footage, and the author of a book on links between the Beatles and Bournemouth says on his blog "In the course of researching Yeah Yeah Yeah: The Beatles & Bournemouth I spoke to two people who saw The Byrds at the Gaumont that August and neither recalled any screaming at all, let alone the wall of noise that can be heard on So You Want To Be A Rock 'n' Roll Star." So it seems likely that screaming isn't for the Byrds, but of course Taylor had also worked for the Beatles. According to Usher "The crowd sound effects were from a live concert that Derek Taylor had taped with a little tape recorder in London. It was some outrageous crowd, something like 20,000 to 30,000 people. He brought the tape in, ran it off onto a big tape, re- EQ'd it, echoed it, cleaned it up and looped it." So my guess is that the audience screams in the Byrds song about the Monkees are for the Beatles, but we'll probably never know for sure: [Excerpt: The Byrds, "So You Want to be a Rock 'n' Roll Star?"] The track also featured an appearance by Hugh Masekela, the jazz trumpeter whose invitation to take part in a session had inspired the song: [Excerpt: The Byrds, "So You Want to be a Rock 'n' Roll Star?"] While Hillman was starting to lean more towards folk and country music -- he had always been the member of the band least interested in rock music -- and McGuinn was most interested in exploring electronic sounds, Crosby was still pushing the band more in the direction of the jazz experimentation they'd tried on "Eight Miles High", and one of the tracks they started working on soon after "So You Want to be a Rock 'n' Roll Star?" was inspired by another jazz trumpet great. Miles Davis had been partly responsible for getting the Byrds signed to Columbia, as we talked about in the episode on "Mr. Tambourine Man", and so the group wanted to pay him tribute, and they started working on a version of his classic instrumental "Milestones": [Excerpt: Miles Davis, "Milestones"] Sadly, while the group worked on their version for several days -- spurred on primarily by Crosby -- they eventually chose to drop the track, and it has never seen release or even been bootlegged, though there is a tiny clip of it that was used in a contemporaneous documentary, with a commentator talking over it: [Excerpt: The Byrds, "Milestones (TV)"] It was apparently Crosby who decided to stop work on the track, just as working on it was also apparently his idea. Indeed, while the biggest change on the album that would become Younger Than Yesterday was that for the first time Chris Hillman was writing songs and taking lead vocals, Crosby was also writing more than before. Hillman wrote four of the songs on the album, plus his co-write with McGuinn on "So You Want to be a Rock 'n' Roll Star?", but Crosby also supplied two new solo compositions, plus a cowrite with McGuinn, and Crosby and McGuinn's "Why?", the B-side to "Eight Miles High", was also dug up and rerecorded for the album. Indeed, Gary Usher would later say "The album was probably 60% Crosby. McGuinn was not that involved, nor was Chris; at least as far as performing was concerned." McGuinn's only composition on the album other than the co-writes with Crosby and Hillman was another song about contacting aliens, "CTA-102", a song about a quasar which at the time some people were speculating might have been evidence of alien life. That song sounds to my ears like it's had some influence from Joe Meek's similar records, though I've never seen McGuinn mention Meek as an influence: [Excerpt: The Byrds, "CTA-102"] Crosby's growing dominance in the studio was starting to rankle with the other members. In particular two tracks were the cause of conflict. One was Crosby's song "Mind Gardens", an example of his increasing experimentation, a freeform song that ignores conventional song structure, and which he insisted on including on the album despite the rest of the group's objections: [Excerpt: The Byrds, "Mind Gardens"] The other was the track that directly followed "Mind Gardens" on the album. "My Back Pages" was a song from Dylan's album Another Side of Bob Dylan, a song many have seen as Dylan announcing his break with the folk-song and protest movements he'd been associated with up to that point, and his intention to move on in a new direction: [Excerpt: Bob Dylan, "My Back Pages"] Jim Dickson, the Byrds' co-manager, was no longer on speaking terms with the band and wasn't involved in their day-to-day recording as he had been, but he'd encountered McGuinn on the street and rolled down his car window and suggested that the group do the song. Crosby was aghast. They'd already recorded several songs from Another Side of Bob Dylan, and Fifth Dimension had been their first album not to include any Dylan covers. Doing a jangly cover of a Dylan song with a McGuinn lead vocal was something they'd moved on from, and he didn't want to go back to 1964 at the end of 1966. He was overruled, and the group recorded their version, a track that signified something very different for the Byrds than the original had for Dylan: [Excerpt: The Byrds, "My Back Pages"] It was released as the second single from the album, and made number thirty. It was the last Byrds single to make the top forty. While he was working with the Byrds, Usher continued his work in the pop field, though as chart pop moved on so did Usher, who was now making records in a psychedelic sunshine pop style with acts like the Peanut Butter Conspiracy: [Excerpt: The Peanut Butter Conspiracy, "It's a Happening Thing"] and he produced Chad and Jeremy's massive concept album Of Cabbages and Kings, which included a five-song "Progress Suite" illustrating history from the start of creation until the end of the world: [Excerpt: Chad and Jeremy, "Editorial"] But one of the oddest projects he was involved in was indirectly inspired by Roger McGuinn. According to Usher "McGuinn and I had a lot in common. Roger would always say that he was "out of his head," which he thought was good, because he felt you had to go out of your head before you could really find your head! That sums up McGuinn perfectly! He was also one of the first people to introduce me to metaphysics, and from that point on I started reading everything I could get my hands on. His viewpoints on metaphysics were interesting, and, at the time, useful. He was also into Marshall McLuhan; very much into the effects of electronics and the electronic transformation. He was into certain metaphysical concepts before I was, but I was able to turn him onto some abstract concepts as well" These metaphysical discussions led to Usher producing an album titled The Astrology Album, with discussions of the meaning of different star signs over musical backing: [Excerpt: Gary Usher, "Leo"] And with interviews with various of the artists he was working with talking about astrology. He apparently interviewed Art Garfunkel -- Usher was doing some uncredited production work on Simon and Garfunkel's Bookends album at the time -- but Garfunkel declined permission for the interview to be used. But he did get both Chad and Jeremy to talk, along with John Merrill of the Peanut Butter Conspiracy -- and David Crosby: [Excerpt: Gary Usher, "Leo"] One of the tracks from that album, "Libra", became the B-side of a single by a group of studio musicians Usher put together, with Glen Campbell on lead vocals and featuring Bruce Johnston of the Beach Boys prominently on backing vocals. "My World Fell Down" was credited to Sagittarius, again a sign of Usher's current interest in astrology, and featured some experimental sound effects that are very similar to the things that McGuinn had been doing on recent Byrds albums: [Excerpt: Sagittarius, "My World Fell Down"] While Usher was continuing with his studio experimentation, the Byrds were back playing live -- and they were not going down well at all. They did a UK tour where they refused to play most of their old hits and went down as poorly as on their previous tour, and they were no longer the kings of LA. In large part this was down to David Crosby, whose ego was by this point known to *everybody*, and who was becoming hugely unpopular on the LA scene even as he was starting to dominate the band. Crosby was now the de facto lead vocalist on stage, with McGuinn being relegated to one or two songs per set, and he was the one who would insist that they not play their older hit singles live. He was dominating the stage, leading to sarcastic comments from the normally placid Hillman like "Ladies and gentlemen, the David Crosby show!", and he was known to do things like start playing a song then stop part way through a verse to spend five minutes tuning up before restarting. After a residency at the Whisky A-Go-Go where the group were blown off the stage by their support act, the Doors, their publicist Derek Taylor quit, and he was soon followed by the group's co-managers Jim Dickson and Eddie Tickner, who were replaced by Crosby's friend Larry Spector, who had no experience in rock management but did represent Peter Fonda and Dennis Hopper, two young film stars Crosby was hanging round with. The group were particularly annoyed by Crosby when they played the Monterey Pop Festival. Crosby took most lead vocals in that set, and the group didn't go down well, though instrumentally the worst performer was Michael Clarke, who unlike the rest of the band had never become particularly proficient on his instrument: [Excerpt: The Byrds, "So You Want to be a Rock 'n' Roll Star (live at Monterey)"] But Crosby also insisted on making announcements from the stage advocating LSD use and describing conspiracy theories about the Kennedy assassination: [Excerpt: David Crosby on the Warren Commission, from the end of "Hey Joe" Monterey] But even though Crosby was trying to be the Byrds' leader on stage, he was also starting to think that they maybe didn't deserve to have him as their leader. He'd recently been spending a lot of time hanging out with Stephen Stills of the Buffalo Springfield, and McGuinn talks about one occasion where Crosby and Stills were jamming together, Stills played a blues lick and said to McGuinn "Can you play that?" and when McGuinn, who was not a blues musician, said he couldn't, Stills looked at him with contempt. McGuinn was sure that Stills was trying to poach Crosby, and Crosby apparently wanted to be poached. The group had rehearsed intensely for Monterey, aware that they'd been performing poorly and not wanting to show themselves up in front of the new San Francisco bands, but Crosby had told them during rehearsals that they weren't good enough to play with him. McGuinn's suspicions about Stills wanting to poach Crosby seemed to be confirmed during Monterey when Crosby joined Buffalo Springfield on stage, filling in for Neil Young during the period when Young had temporarily quit the group, and performing a song he'd helped Stills write about Grace Slick: [Excerpt: Buffalo Springfield, "Rock 'n' Roll Woman (live at Monterey)"] Crosby was getting tired not only of the Byrds but of the LA scene in general. He saw the new San Francisco bands as being infinitely cooler than the Hollywood plastic scene that was LA -- even though Crosby was possibly the single most Hollywood person on that scene, being the son of an Oscar-winning cinematographer and someone who hung out with film stars. At Monterey, the group had debuted their next single, the first one with an A-side written by Crosby, "Lady Friend": [Excerpt: The Byrds, "Lady Friend"] Crosby had thought of that as a masterpiece, but when it was released as a single, it flopped badly, and the rest of the group weren't even keen on the track being included on the next album. To add insult to injury as far as Crosby was concerned, at the same time as the single was released, a new album came out -- the Byrds' Greatest Hits, full of all those singles he was refusing to play live, and it made the top ten, becoming far and away the group's most successful album. But despite all this, the biggest conflict between band members when they came to start sessions for their next album wasn't over Crosby, but over Michael Clarke. Clarke had never been a particularly good drummer, and while that had been OK at the start of the Byrds' career, when none of them had been very proficient on their instruments, he was barely any better at a time when both McGuinn and Hillman were being regarded as unique stylists, while Crosby was writing metrically and harmonically interesting material. Many Byrds fans appreciate Clarke's drumming nonetheless, saying he was an inventive and distinctive player in much the same way as the similarly unskilled Micky Dolenz, but on any measure of technical ability he was far behind his bandmates. Clarke didn't like the new material and wasn't capable of playing it the way his bandmates wanted. He was popular with the rest of the band as a person, but simply wasn't playing well, and it led to a massive row in the first session: [Excerpt: The Byrds, "Universal Mind Decoder (alternate backing track)"] At one point they joke that they'll bring in Hal Blaine instead -- a reference to the recording of "Mr. Tambourine Man", when Clarke and Hillman had been replaced by Blaine and Larry Knechtel -- and Clarke says "Do it. I don't mind, I really don't." And so that ended up happening. Clarke was still a member of the band -- and he would end up playing on half the album's tracks -- but for the next few sessions the group brought in session drummers Hal Blaine and Jim Gordon to play the parts they actually wanted. But that wasn't going to stop the bigger problem in the group, and that problem was David Crosby's relationship with the rest of the band. Crosby was still at this point thinking of himself as having a future in the group, even as he was increasingly convinced that the group themselves were bad, and embarrassed by their live sound. He even, in a show of unity, decided to ask McGuinn and Hillman to collaborate on a couple of songs with him so they would share the royalties equally. But there were two flash-points in the studio. The first was Crosby's song "Triad", a song about what we would now call polyamory, partly inspired by Robert Heinlein's counterculture science fiction novel Stranger in a Strange Land. The song was meant to portray a progressive, utopian, view of free love, but has dated very badly -- the idea that the *only* reason a woman might be unhappy with her partner sleeping with another woman is because of her mother's disapproval possibly reveals more about the mindset of hippie idealists than was intended. The group recorded Crosby's song, but refused to allow it to be released, and Crosby instead gave it to his friends Jefferson Airplane, whose version, by having Grace Slick sing it, at least reverses the dynamics of the relationship: [Excerpt: Jefferson Airplane, "Triad"] The other was a song that Gary Usher had brought to the group and suggested they record, a Goffin and King song released the previous year by Dusty Springfield: [Excerpt: Dusty Springfield, "Goin' Back"] Crosby was incandescent. The group wanted to do this Brill Building pap?! Hell, Gary Usher had originally thought that *Chad and Jeremy* should do it, before deciding to get the Byrds to do it instead. Did they really want to be doing Chad and Jeremy cast-offs when they could be doing his brilliant science-fiction inspired songs about alternative relationship structures? *Really*? They did, and after a first session, where Crosby reluctantly joined in, when they came to recut the track Crosby flat-out refused to take part, leading to a furious row with McGuinn. Since they were already replacing Michael Clarke with session drummers, that meant the only Byrds on "Goin' Back", the group's next single, were McGuinn and Hillman: [Excerpt: The Byrds, "Goin' Back"] That came out in late October 1967, and shortly before it came out, McGuinn and Hillman had driven to Crosby's home. They told him they'd had enough. He was out of the band. They were buying him out of his contract. Despite everything, Crosby was astonished. They were a *group*. They fought, but only the way brothers fight. But McGuinn and Hillman were adamant. Crosby ended up begging them, saying "We could make great music together." Their response was just "And we can make great music without you." We'll find out whether they could or not in two weeks' time.

Welcome to the People Under The Scares podcast! In todays episode we play "Who Said That?!" the horror edition, discuss the new year horror movie 'Midnight Kiss' and when we get to the tail end of the episode to rate it we somehow start arguing about Degrassi and Final girls. Happy New Year! Hit us up on social media at @People_Scares with your thoughts on the podcast and Peopleunderscares@gmail.com for all business inquiries.   Podcast Intro Music by Daj Jordan. ⁠⁠⁠⁠⁠https://www.instagram.com/dajjordanuk/⁠⁠⁠⁠⁠ Podcast Logo by Rico  ⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠ Follow Podcast: Twitter & Instagram - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/People_Scares⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠https://www.instagram.com/people_scares/⁠⁠⁠⁠⁠ ⁠⁠⁠ ⁠    ⁠       Follow Hosts:  Mike  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://letterboxd.com/Thackerybinx86/⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠https://twitter.com/Thackerybinx86⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/thackerybinx86/⁠⁠⁠⁠⁠  ⁠⁠⁠⁠⁠ Bobby ⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/c/BobbyTorrez⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠https://letterboxd.com/bobbytorrez/⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠https://twitter.com/BobbyTorrez⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠https://www.instagram.com/bobbytorrez/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ --- Send in a voice message: https://podcasters.spotify.com/pod/show/people-under-the-scares/message

In this episode, Mia and JP talk about meeting each other for the first time, their adventures in London, and attending Martins' play, Othello! We also share our thoughts on the Season 3 release date.

In this episode, Mia and MC talk about their experiencing going to London, watching the Shape of Things Play and meeting Luke Newton!

Queenie and TT bask in the luxury of their Huggles as they reminisce about the fabulous meal Queenie prepared for friends and Honeys. TT speaks about pardons for some people with cannabis convictions--but why are there so few? What's in a name? Just ask Nellie! Our Closet Disco Queen Pot-Cast deals with legal adult cannabis use and is intended for entertainment purposes only for those 21 and older Visit our Closet Disco Queen Pot-Cast merch store!Find us on Facebook and Green Coast RadioSound from Zapsplat.com, https://quicksounds.com, 101soundboards.com #ToneTransfer

About Deanna Moffitt I have a unique and inspiring life story that is perfect for your podcast. As an adoptee, I was raised in a chaotic home with an abusive sibling. As most people do, I created a story about who I was because of that upbringing. My two core stories were “I am alone, and I am a burden.” Those stories made me incredibly self-sufficient and often put me in leadership positions. My journey took a significant turn when, at age 36, I left my role as a Sr. Project Manager in the corporate world and moved to Chicago, where I performed improv comedy for eleven years. I learned the value of being fully present, listening deeply, and the power of “Yes, and.” I then moved to Los Angeles and dove deep into coaching, leadership development, and understanding the power of our stories. I had taught performance storytelling at the famed Second City in Chicago, but now, as a coach, I can see how people tell stories about themselves that shape their lives and rarely go back and do an edit or a rewrite. That was why I wrote my book The Rewrite: Change Your Life One Story at a Time. https://deannamoffitt.com/ ------------------------------------------------------------------------ About Edwin Carrion Edwin Carrion is a God-made millionaire, family-oriented, investor, and mentor. Throughout his run, he has founded several multimillion-dollar companies that specialize in real estate development, transportation and logistics, investment, and business education and consulting. Backed by over 20 years of extensive experience in various industries, Edwin Carrion now shares his passion for entrepreneurship by mentoring others, since he realized most people don't live a fulfilled life. Simply because people believe success comes at the cost of poor family life, unbalanced life, or compromising their values to achieve success. Edwin guides people in the path to living life to the fullest, by having balance in all areas. Edwin is a highly sought after and renowned speaker whose energy, passion, charisma and personality have captivated audiences around the world. Edwin's love and passion for living life to the fullest is fueled by 3 main core values that he gained while serving the United States Marines which are Honor, Courage and Commitment and also helping professionals and entrepreneurs achieve the success they deserve in life and business. https://www.edwincarrion.com/9secrets ------------------------------------------------------------ When It Worked Podcast https://getoffthedamnphone.com/podcast00:00:00 - Sebastians Technical Difficulties 00:00:51 - Land 200, Victoria, Antarctica 00:02:13 - 200 Letters, Food & Sports 00:02:46 - Let's Go for 100: Which Basketball Team Secured the NBA Championship 00:03:08 - Milwaukee Bucks vs Miami Heat 00:04:24 - Letter Difference Between 400 and 100 00:05:54 - Closing Speechless Minute Arachnid 00:06:57 - Land Sports, Memory, Milk 00:07:35 - Milk Processing Process in Spanish 00:09:03 - Sugar in Milk: Colombian Benefits 00:09:55 - Milk with 60 Percent Water Removed 00:10:08 - Milk with Mongolian Origins 00:11:12 - Honey for 100 and Honey for 100 00:11:37 - Pants Named for Women in 19th Century 00:12:24 - Honey and Honeys 300! 00:13:38 - Honey, Grab Copy of Caligula 00:14:37 - Career Took Off After Improv Classes 00:15:04 - Improvisation for 11 Years, Equity in House 00:15:56 - Growing Up as a Standup Comedian Led to Career in Storytelling 00:19:44 - Adoption, Alcoholism, and Self-hatred Transformed Edwin's Life 00:21:38 - Deanna's Journey from Humble Beginnings to Business Success 00:22:03 - Success Money, Mistakes, Balance 00:24:35 - Success Tips and Mistakes for Entrepreneurs 00:25:35 - Husband Sets Expectations for Wife's Cleaning, Cooking 00:26:00 - Business Plan Advice for Entrepreneurs 00:26:12 - Free Ebook for Successful Life 00:26:29 - Best Way to Contact Edwin Carrion Through Social Media 00:27:12 - Grateful Guests Diana, Edwin, Julian

Ciara, Alex, and Brazilia are FORCED to talk about Dame trade stuff, but we also get to talk about the WNBA playoffs, fake friends, and a NBA players having the weirdest tattoos!