Podcasts about Jed Kurzel

In this week's episode, Angie tells the story of two sisters, Peggy and Celia, who try to summon spirits using a Ouija Board.Note: These stories are meant to be listened to with headphones. Note to parents: some of these stories might be too scary for kids younger than 7. Parents should listen to each story first (like with anything else on the internet) and decide if it appropriate for your kids' age/maturity/tolerance. Follow me on Instagram: angies_campfire_storiesMusic by:Theme song from the movie "The Babadook" by Jed Kurzel

The Babadook is a 2014 Australian psychological horror film written and directed by Jennifer Kent, expanding on her 2005 short Monster in her feature debut. Starring Essie Davis and Noah Wiseman, it follows a widowed mother and her increasingly unhinged son as they confront a mysterious, top-hatted entity that may—or may not—be grief in a trench coat. The haunting score is by Jed Kurzel. If you have anything to add to the discussion, please don't hesitate to do so by reaching out to us on social media @TheFilmFlamers, or call our hotline and leave us a message at 972-666-7733!     Watch The Babadook: https://amzn.to/4mmfgFT     Out this Month: Babadook Relic Patreon: ???      Get in Touch:  Support us on Patreon: https://www.patreon.com/TheFilmFlamers  Visit our Store: https://the-film-flamers.printify.me/  Instagram: https://www.instagram.com/thefilmflamers  Facebook: https://www.facebook.com/TheFilmFlamers/ Letterboxd: https://letterboxd.com/thefilmflamers/  (NEW!) SCANS Movie Rating Calculator: https://scans.glide.page/  Our Website: https://www.filmflamers.com  Call our Hotline: 972-666-7733     Our Patrons:    Alex M Andrew Bower Anthony Criswell Ashlie Thornbury BattleBurrito Benjamin Gonzalez Bennett Hunter BreakfastChainsawMassacre Brittany Bellgardt Call me Lestat. Canadianmatt3 CenobiteBetty Christopher Nelson Dan Alvarez Dirty Birdy Gia Gillian Murtagh GlazedDonut GWilliamNYC Irwan Iskak James Aumann Jessica E Joanne Ellison Josh Young Karl Haikara Kimberly McGuirk Kitty Kelly Kyle Kavanagh Laura O'Malley Lisa Libby Lisa Söderberg Livi Loch Hightower M Hussman Mac Daddy Marissa E Matthew McHenry Mel Starmer Nicole McDaniel Nikki (phillyenginerd) Niko Allred Nimble Wembley Orion Yannotti Pablo the Rhino Penelope Nelson random dude Richard Best Robert Eppers Rosieredleader Ryan King SHADOW OF THE DEAD SWANN Sinesthero Thomas Jane's gun Walstrich William Skinner   Sweet dreams...      "Welcome to Horrorland" by Kevin MacLeod (incompetech.com). Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/ Includes music by Karl Casey @ White Bat Audio

Interview with Jed Kurzel This week on Sync Music Matters I'm talking to Australian singer-songwriter, guitarist and film composer Jed Kurzel Jed originally started out as the singer and frontman of the blues rock duo The Mess Hall before turning his attention to composing for film. He won the Screen Music Awards Film Score of The Year for his debut film Snowtown. The film which gained international recognition, explores the relationships between the murderous gang members behind a spate of killings in Adelaide, Australia in the 1990s  Jed has since gone on to score feature films like The Pope's Exorcist, The Babadook, Slow West and Macbeth to name but a few. In this interview with Jed Kurzel we chat about his childhood obsession with sport and somewhat unplanned foray into scoring film.  Listen to Jed Kurzel on Spotify

Norwegian commandos execute a daring sabotage mission to cripple the Nazi nuclear program. The fall of Werner Heisenberg. Original music for this series by https://mountainstandardtime.substack.com/Additional music by Hildur Guðnadóttir, Max Richter, William Basinski, Moondog, Sølvguttene, Jed Kurzel, Hala Strana, Anne Hytta, Nine Inch Nails, and Nico. Support the showwww.patreon.com/historium

Studio Soundtracks takes listeners behind the scenes of how music is crafted for film and television by hearing directly from composers, songwriters and music professionals in the Entertainment Industry. Listen to inspiring conversations about composition and hear works from Emmy, Grammy, and Oscar-winning film scores on the show. LUCY BRIGHT: Lucy Bright started out at Mute Records working with artists such as Nick Cave and Depeche Mode, before moving to Warner Classics for six years and then leaving to manage composer Michael Nyman. She joined the film and TV department of publisher Music Sales (now Wise Music) in 2008 and worked there for a decade. In 2020 she launched her own music publishing company, Bright Notion Music, signing the composers like Anne Nikitin, Jed Kurzel and Tamar-kali Brown.
 Lucy has supervised some of the most critically-acclaimed British films and TV shows in recent years including The Unloved, The Arbor, Slow West, Southcliffe, McMafia, This is England ‘90, Daphne, The Virtues, The Nest, Life After Life and BAFTA-winning short The Swimmer. Most recently, she has worked on Charlotte Wells' directorial debut AFTERSUN and Todd Field's TÁR, set within the world of classical music in which Cate Blanchett plays the first female conductor of a German orchestra. VOLKER BERTELMANN: Volker Bertelmann is an internationally acclaimed pianist, composer and experimental musician. His score for Garth Davis' Oscar-nominated film Lion, which he composed in collaboration with Dustin O'Halloran, and was nominated for multiple awards, including the 2016 Oscar for Best Original Score, the 2016 Golden Globes for Best Original Score, and Best Film Music at the 2016 British Academy Film Awards, or BAFTAs. He has provided music for several leading films and television series, including the score for Patrick Melrose, Showtime's Emmy-and BAFTA nominated mini-series, and for Gunpowder, the HBO mini-series starring Kit Harrington, and the 2020 film Ammonite, co-composed with O'Halloran, which received a spot on the Academy Awards short list for Best Original Score. In 2022, he scored All Quiet on the Western Front for Netflix, the official Oscar-entry for Germany, and War Sailor, both of which were official selections at the Toronto International Film Festival. A uniquely innovative pianist, who in his solo work goes by the name Hauschka, Bertelmann has worked with, among others. the MDR Leipzig Radio Symphony Orchestra, where he was the artist in residence, and the Grammy-winning violinist Hilary Hahn. In 2018, he accepted an invitation to join the Academy of Motion Picture Arts and Sciences.

This week, my guest is music supervisor Lucy Bright.  Lucy started out at Mute Records working with artists such as Nick Cave and Depeche Mode, before moving to Warner Classics for six years and then leaving to manage composer Michael Nyman. She joined the film and TV department of publisher Music Sales (now Wise Music) in 2008 and worked there for a decade. In 2020 she launched her own music publishing company, Bright Notion Music, signing the composers like Anne Nikitin, Jed Kurzel and Tamar-kali Brown. Lucy has supervised some of the most critically-acclaimed British films and TV shows in recent years including The Unloved, The Arbor, Slow West, Southcliffe, McMafia, This is England ‘90, Daphne, The Virtues, The Nest, Life After Life and BAFTA-winning short The Swimmer. Most recently, she has worked on two forthcoming films: Charlotte Wells' directorial debut AFTERSUN, which is showing at this year's London Film Festival and then coming to UK cinemas via MUBI on 18th November, and I can testify it has a truly phenomenal soundtrack and Todd Field's TÁR, set within the world of classical music in which Cate Blanchett plays the first female conductor of a German orchestra.It recently premiered to critical acclaim at the Venice Film Festival and is one of my most hotly anticipated films of the year. We spoke about how Lucy got her start in the music industry and then gradually discovered the role of music supervision, getting her first credit as a music supervisor on Samantha Morton's TV film THE UNLOVED, how she collaborates with directors and other HoDs to build a soundtrack, why certain songs cost more than others, how needle drops happen and what song she is particularly proud of clearing for use in a film…

Alien: Covenant is a 2017 science fiction action horror film directed and produced by Ridley Scott and written by John Logan and Dante Harper, from a story by Michael Green and Jack Paglen, featuring music composed by Jed Kurzel.  A joint American and British production, the film is a sequel to Prometheus (2012), the second entry in the Alien prequel series, and the sixth installment in the Alien franchise overall, three of which have been directed by Scott.  The film features returning star Michael Fassbender, with Katherine Waterston, Billy Crudup, Danny McBride, and Demián Bichir in supporting roles. The plot focuses on a colony ship that lands on an uncharted planet and makes a terrifying discovery.   If you have anything to add to the discussion, please don't hesitate to do so by reaching out to us on social media @TheFilmFlamers, or call our hotline and leave us a message at 972-666-7733!         Watch Alien Covenant: https://amzn.to/3dufs6W     Out this Month: Week 1: Shooting the Flames Week 2: Prometheus Week 3: Alien: Covenant Week 4: Outtakes! Patreon: AvP     Coming in September 2022: A Nightmare on Elm Street A Nightmare on Elm Street 2: Freddy's Revenge      Get in Touch:  Support us on Patreon: https://www.patreon.com/TheFilmFlamers  Visit our Store: https://teespring.com/stores/thefilmflamers  Twitter: https://twitter.com/TheFilmFlamers  TikTok: https://www.tiktok.com/@thefilmflamers  Facebook: https://www.facebook.com/TheFilmFlamers/ Letterboxd: https://letterboxd.com/thefilmflamers/ Our Website: https://www.filmflamers.com  Call our Hotline: 972-666-7733      Our Patrons: BattleBurrito Benjamin Gonzalez Bennet Hunter Brandon Anderson CenobiteBetty Dan Alvarez Daveruff87 Erica Huff Gia-Ranita Pitt George Kimberly McGuirk-Klinetobe Kyle Kavanagh Lisa Libby Loch Hightower Matthew McHenry Melissa Albrecht Nicole McDaniel Nikki (phillyenginerd) Orion Yannotti Penelope Perfecta Erecta Poodie Castle Random Dude Robert B. Sean Homrig The Unknown Patron Walstrich   Sweet dreams...      "Welcome to Horrorland" by Kevin MacLeod (incompetech.com). Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/ Includes music by Karl Casey @ White Bat Audio 

Polly Jean Harvey (born 9 October 1969) is an English singer, songwriter and musician. Primarily known as a vocalist and guitarist, she is also proficient with a wide range of instruments. Over the course of her career, Harvey established herself as one of the most individual and influential songwriters of her era, exploring themes of sex, religion, and political issues with unnerving honesty, dark humor, and a twisted theatricality. This episode is a compilation of the four playlists published by Harvey between August 2019 and August 2021. Lineup: Claude Debussy, Martin Jones, Colin Stetson, Amen Dunes, Empire of the Sun, Ólafur Arnalds, Nils Frahm, Captain Beefheart & His Magic Band, Connan Mockasin, Thom Yorke, Coby Sey, Bendik Giske, Tirzah, Sarah Neufeld, Big Thief, Hekla, Sibylle Baier, Nick Cave & The Bad Seeds, Desert Sessions, Liela Moss, slowthai, Mura Masa, Eartheater, Hole, Radiohead, Nicholas Britell, Hanan Townshend, Here We Go Magic, Mark Lanegan, Bob Dylan, Anne Briggs, Stina Nordenstam, Jed Kurzel, SAULT, Michael Kiwanuka, Martin Phipps, Johnny Flynn, Robert Macfarlane, Low, Sleaford Mods, Superstate, Graham Coxon, Valentina Pappalardo, Shabazz Palaces

In which I discuss Jed Kurzel, the capabilities of AI in the role of emotional support, and the dangers of having a caregiver that is too agreeable.  Citations Barkan, J. (2017, May 5). Exclusive: Jed Kurzel on the music of Alien: Covenant. Dread Central. https://www.dreadcentral.com/news/226920/exclusive-jed-kurzel-music-alien-covenant/ Delia Derbyshire – Pot AU feu (1968) [Video]. (2012, September 1). … Continue reading "Covenant Minute 19"

Seja talks to her guest Jed Kurzel (The Mess Hall, film composer) about how he gravitated towards all kinds of music as a kid, how he was first inspired by the Velvet Underground, Creedence and Kris Kristofferson, and his ambidexterity. Jed tells Seja about starting what would eventually become the Mess Hall with his brother Justin, and how becoming a two-piece coupled with the intuition and dynamics of drummer Cec Condon changed the sound of the band. Jed and Seja chat about making soundscapes/loops, using music as a narrative and tricking yourself into starting a score by making mistakes. Jed’s strange show story is illustrated by Cec Condon. All illustrations can be seen on the HearSej Facebook page and on instagram @hearsejpodcast.

Sam Clements is curating a fictional film festival. He'll accept almost anything, but the movie must not be longer than 90 minutes. This is the 90 Minutes Or Less Film Fest podcast. In episode 42 Sam is joined by Edith Bowman, broadcaster and host of film music podcast Soundtracking. Edith has chosen Slow West (84 minutes), John Maclean's directorial debut from 2015. The Sundance prize-winning film stars Kodi Smit-McPhee, Michael Fassbender, Ben Mendelsohn, Caren Pistorius and Rory McCann. Sam and Edith talk about Jed Kurzel's incredible score, the sweeping New Zealand vistas standing in for the old west, and comment on Fassbender's shaving technique. Thank you for downloading. We'll be back in a couple of weeks! Rate and subscribe on Apple Podcasts: https://tinyurl.com/90minfilm We are a proud member of the Stripped Media Network. Website: 90minfilmfest.comTweet: @90MinFilmFest Instagram: @90MinFilmFest  Hosted and produced by @sam_clements. Edited and produced by Louise Owen. Guest star @edibow. Additional editing and sound mixing by @lukemakestweets. Music by @martinaustwick. Artwork by @samgilbey. If you enjoy the show, please subscribe, rate, review and share with your friends. We're an independent podcast and every recommendation helps - thank you! Bonus Link: Ben Mendelsohn talking about his big fur coat (YouTube link). 

Jed Kurzel is an Australian composer living in England. He is the brother of Australian director Justin Kurzel, and in addition to having scored all of his films (Snowtown, Assassins Creed and The True History of the Kelly Gang) he's composed for films such as Alien: Covenant, The Babadook and The Nightingale.In this Skype interview me and Jed talked about his upbringing with Justin, the difference between film composition and song-writing and what composers can do to add to a film.Follow me on Facebook at Sound PerspectiveTwitter @soundperspectInstagram @alfiefabersoundGot feedback? Email me contact@soundperspectivepodcast.com

Justin Kurzel is an Australian director working in London; his films include Snowtown, The True History of the Kelly Gang, Macbeth and Assassins Creed. In this Skype interview we talked about his origins in theatre design, his collaboration with his brother and regular composer Jed Kurzel, creating a social-realistic sound in Snowtown and the influence of his favourite book.Follow me on Facebook at Sound PerspectiveTwitter @soundperspectInstagram @alfiefabersoundGot feedback? Email me contact@soundperspectivepodcast.com

In this special edition episode, Poppy Reid chats to future-pop act Cloves and singer-songwriter and screen composer Jed Kurzel. The conversation took place at London's RAK Studios in front of a live audience, the morning after the Global APRA Music Awards.

Our guest on the latest episode of Soundtracking is an Australian composer who has worked for a wide-range of critically acclaimed directors, including Sir Ridley Scott. Jed Kurzel's latest project is True History Of The Kelly Gang, which sees him continue his long-standing partnership with brother Justin - a previous interviewee on this show. The pair worked together on Snowtown, Macbeth and Assassin's Creed, while Jed also provided the score for Jennifer Kent's The Babadook, John Maclean's Slow West and, of course, Sir Ridley's Alien Covenant

Jed Kurzel's new score for The Mustang, which was released this week, is the spur for a programme looking at the horse in film. Matthew Sweet considers the role of the workhorse with music from John Williams and Ron Goodwin. Velvet Brown features in the National and International Velvet films and Black Beauty also plays a starring role. We go to the races with Seabiscuit, My Fair Lady and the Marx Brothers. The therapeutic role of horses is considered in The Horse Whisperer and The Mustang. And this week's Classic Score is André Previn's music for The Four Horsemen of the Apocalypse.

Cello-solo van Philip Glass, een nieuwe CD van Jeroen van Vliet en Mete Erker, en lekker veel filmmuziek vanavond! muziek van Ilan Eshkeri voor The White Crow (Ralph Fiennes, 2019) over danser Rudolf Noerejev; van Jed Kurzel voor The Mustang (Laure de Clermont-Tonnerre, 2019); van Thomas Newman voor The Highwaymen (John Lee Hancock, 2019); van Volker Bertelmann voor Hotel Mumbai (Anthony Maras, 2018). En verder fragmenten uit Ferrante Fever (Giacomo Durzi, 2019), The hole in the ground (Lee Cronin, 2019), Les filles du soleil (Girls of the sun), Mary Magdalene (Garth Davis, 2019), en Gloria Bell (Sebastián Lelio, 2019).

В городе неспокойно - погибли все мужчины (с) Запоздало обсудили один из лучших сериалов прошлого года - “Забытые богом”, а также поговорили про ключевые образы вестерна, инфернальность истории, Льва Толстого, недостатки метода Netflix и моду на ультранасилие, заданную “Игрой престолов”. Голоса за кадром: Кирилл Горячок, Коля Корнацкий и Леша Филиппов Шоуноутс: 06-04: феминистский вестерн и образ женщины в жанре 09-04: религия, мифы и ужасы истории 18-30: вестерны как замена мифологии, советские фильмы о войне, Лев Толстой (sic!) 22-08: газетчик и артист Джереми Бобб 25-34: маршал 27-32: Netflix (плюсы, минусы, подводные камни) 31-55: недостатки Godless 37-10: большие и размеренные сериалы 39-00: жестокость “Игры престолов”, тренды в вестерне и новая искренность (“Строго на Запад”) Intro: Rango OST - Now We Ride
 Final song: Robyn Adele Anderson - 'Clint Eastwood' (Gorillaz) 1940s James Bond Cover фон: Tom Rogerson with Brian Eno - Marsh Chorus перебивки: Jed Kurzel & London Contemporary Orchestra - Jay's Theme (OST Slow West) Мэшап “Зеркала” и музыки из фильма Дарио Ардженто https://youtu.be/COLxgCqrWsg Текст про “Забытых богом”: http://www.gq.ru/lifestyle/godless-soderbergh Книга жалоб и наблюдений: micmacs@mail.ru
Паблос: vk.com/mondaykarma 
еще один: www.facebook.com/mondaykarma/
 канал в телеграме: telegram.me/micmacs

Following a string of seasoned moviemakers such as Luc Besson, Doug Liman and Steven Soderbergh, we bring you a relative novice this week in the shape of Benedict Andrews. At least - a novice in cinematic terms. For Benedict is one of the world's foremost theatre and opera directors, who makes the transition to the screen with psychological thriller Una. Given this is Benedict's first film, much of the conversation focuses on the differences between the mediums in which he's worked. It also gives us an opportunity to play you examples of music from his stage productions, including extracts from Alex Baranowski's smoky, cinematic score for Streetcar Named Desire, which starred Gillian Anderson. But there's plenty to discuss when it come to Una too. Starring the ever excellent Rooney Mara and Ben Mendelsohn, the narrative centres on a woman confronting an older man about a illicit sexual relationship which took place in their past. The film is scored by Benedict's friend Jed Kurzel, whose work we discussed at length during a previous show with Jed's brother, Justin. Jed has developed a reputation as a composer of serious weight, as evidence by the fact he and the London Contemporary Orchestra recently provided the music for Ridley Scott's Alien Covenant. Hardly surprising, then, that Benedict turned to his old mate on taking the plunge from stage to screen ...

主播打分： 雷普利；（凤凰电影前编辑，《迷失Z城》等16期嘉宾）：8分； “《契约》通过对‘爱’——这一人类最朴素情感的嘲讽，带出了人类终将灭亡的宿命。” （雷普利的其它打分：《迷失Z城》7.5分；《摔跤吧！爸爸》7.5分；《冈仁波齐》6分；） 波米：5.5分； “期望越高、失望越大。尤其《普罗米修斯》挖了那么多坑，这次怎能如此糊弄的一笔带过？” 《异形：契约》(Alien: Covenant)平均分：约6.8分 本期节目流程与目录： 开场/尾声歌曲：(Jed Kurzel)； 第22秒-第3分钟：嘉宾及公号信息介绍，雷普利介绍这一笔名与此IP渊源； 第3分钟-第9分半：影片信息介绍（无剧透）； 第9分半-第13分钟：两位主播为影片打分并阐述理由（无剧透）； 第13分钟-第41分：两位主播谈及《异形契约》问题（涉及剧透）： 1、嘉宾“雷普利”认为本片所有血腥元素略显套路，“抱脸虫”段落的异形设定与正传设定不符； 2、波米觉得本片主动忽视《普罗米修斯》的剧情，仅用“法鲨屠城”一笔带过显得毫无诚意；而且这导致本片与上一部的部分情节存在巨大矛盾；影片本身剧情也漏洞百出； 第41分-尾声：交换意见，两位主播谈及《异形契约》的亮点（涉及剧透）（涉及剧透）： 1、嘉宾“雷普利”认为本片在“嘲讽人类低级情感”方面更进一步；“两个法鲨”的设定则强化了“人造人具备灵魂”的主题； 2、波米觉得本片花式展现“异形破体”足以满足粉丝需求，技术升级也使得“血腥感”更加逼真； 尾声歌曲：(John Denver)。 （上半场结束，明天推送“外延部分”节目） 影片《异形：契约》(Alien: Covenant)重要信息： 本片北美分级：R级； 本期节目重点提及的电影片单： 《异形1》（1979） 《银翼杀手》（1982） 《天国王朝》（2005） 《普罗米修斯》（2012） 《火星救援》（2015） 《星球大战7：原力觉醒》（2015） 《星际迷航13：超越星辰》（2016） 《太空旅客》（2016） 《刺客信条》（2016）

Alien: Covenant wasn't bad, but also wasn't good. It's a love hate relationship with a film, there's good parts, but also stupid parts. In the end, Covenant showed tributes to HR Giger from designs to drawings, to Jed Kurzel musical influence from Jerry Goldsmith's "Alien" score.We also discussed some theories, merchandise, and DVD release. -------------------------------------------------------------------------------------------------------- MUSIC CREATED BY http://whitebataudio.com KEEP UP WITH THE PODCAST http://ehpodcasts.com http://paypal.me/ehpodcasts   SOCIAL MEDIA http://facebook.com/EHPodcasts  http://twitter.com/EHPodcasts  http://instagram.com/EHPodcasts  http://pinterest.com/EHPodcasts  LISTEN TO US ON  http://bit.ly/EHPodbean  http://bit.ly/EHPodcastYT  http://bit.ly/iTunesEHP  http://bit.ly/EHPAlexa  http://bit.ly/EHPSpotify  http://bit.ly/EHPStitcher  http://bit.ly/EHGooglePlay  http://bit.ly/EHPTuneIn

On this first episode of Sound Considerations, a new sister podcast to FYC looking at movie music and film scores, host Mike Jozic takes a deep dive into Jed Kurzel's moody and atmospheric soundtrack for the latest installment in the sci-fi/horror franchise, Alien: Covenant.

Not counting when that rascally Xenomorph fought the Predator in two rather wildly WTF movies from the past decade, we now have the sixth Alien-franchise films. 'Covenant' follows Prometheus, which you may or may not have seen (though we certainly talked about that 2012 film, all the way back in episode *9.4* in our retrospective on director RIDLEY SCOTT - Jack mistakenly said episode 4 in this episode fyi, our apologies for the error), and... how did this one come out? We had a spirited discussion about this film, with Andrew coining the phrase "Movie Sense", which he explains right around the time of the SPOILERS at 27:40 mins/seconds in. How does the return of Michael Fassbender and Scott once again to this world turn out? Tune in to find out? wagesofcinema@gmail.com https://www.facebook.com/wagesofcinema https://www.twitter.com/wagesofcinema Music score by Jed Kurzel

IS THIS JUST PROMETHEUS 2 AND NOT THE ALIEN FILM THAT WE WERE PROMISED? Ridley Scott is back at the helm of another ALIEN prequel, does it live up to the legacy of his original masterpiece? Fish and Connor break the whole thing down for you! WATCH OUT! SPOILERS AND EXPLICIT LANGUAGE! And don't forget you can find all of our episodes on iTunes, PodBean, Stitcher and our latest work on SoundCloud. Subscribe now and never miss a review! Fish and Connor Saw a Movie does not own any rights to the film 'Alien: Covenant', its marketing or its soundtrack and no infringment is intended. The track 'The Convenant' is perfromed by Jed Kurzel and the track 'The Good, the Bad and the Ugly (Titles) is performed by Ennio Morricone. 

À l'occasion de la sortie d'Alien Covenant, retour sur la bande originale de Jed Kurzel et sur la musique de l'ensemble de la saga.

On this week’s episode of CINEMATIC SOUND RADIO, we will be playing music from brand new soundtrack releases only. You’ll hear selections from ALIEN: COVENANT by Jed Kurzel, THEIR FINEST by Rachel Portman, KING ARTHUR: LEGEND OF THE SWORD by Daniel Pemberton, THE PROMISE by Gabriel Yared, GUARDIANS OF THE GALAXY VOL. 2 by Tyler Bates and POWER RANGERS by Brian Tyler. You’ll also hear a track from Varese Sarabande’s re-issue of ON GOLDEN POND. This is the first time that score has been available on CD. Our video game selection of the week is Gordy Haab’s LAND OF GLORY. And our re-recording of the week is Jerry Goldsmith’s music from the anthology TV series first aired in 1960 called THRILLER. The new recording was produced by Tadlow Music. Cinematic Sound Radio http://www.cinematicsound.net WROCK Radio http://www.wrockradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com Also available through Podtyrant http://www.podtyrant.com

JM and Roundtable co-host Dave sit down to discuss and review Jed Kurzel's score for ALIEN: Covenant. We also discuss our reaction to the 14 minutes of Covenant footage we screened with ALIEN on Alien Day 2017. Brutal. As always, thanks for listening. 

El héroe de acción de los ochenta tiene nombre y apellidos, John Rambo. Sus cuatro películas son tan parecidas como diferentes. Stallone hizo suyo un personaje nacido de una novela de principio de los setenta para convertirlo en un icono del género de acción. Y qué decir de las bandas sonoras del maestro Goldsmith. Además del monográfico podrás escuchar el retrotráiler, la sesión de bandas sonoras con un homenaje a Carrie Fisher y por suspuesto, vuestras peticiones. Espero que disfrutes de la proyección. Listado de canciones (Puede contener spoilers) Corte Inicial El imperio contraataca Retrotráiler Jay Chattaway – Main title – Desaparecido en combate II Sesión de bandas sonoras 1. John Williams – Princess Leia's Theme – La guerra de las galaxias 2. Jerry Goldsmith – Night work – No matarás al vecino 3. Debbie Reynolds - Would You (unused version) – Cantando bajo la lluvia 4. Michael Giacchino – The imperial suite – Rogue one 5. Michael Giacchino - Yorktown – Star Trek: Más allá 6. Theodore Shapiro - The Bridge – Belleza oculta 7. Thomas Newman - Accidental Happiness - Pasajeros 8. Jed Kurzel - 1st Regression - To Mountain Village , Wagon Chase - Assassin's Creed 9. Stevie Wonder – Faith - Canta 10. Joby Talbot - Out to Lunch (End Titles) - Canta 11. Ramin Djawadi – The great wall – La gran muralla 12. Marcelo Zarvos – Fences - Fences 13. Klaus Badelt - Dreams and the Music Box - Ballerina 14. Yeong-wook Jo - The Tree from Mount Fuji – La doncella 15. Jeremy Soule & Rozen - Dragonborn - Keizaal Journey to Skyrim 16. Abel Korzeniowski – Explorer's Club – Penny Dreadful Peticiones 1. Jerry Goldsmith – Main title – Masada 2. Patrik Andrén & Johan Söderqvist – Fight school – Battlefield 1 3. Jerry Goldsmith – Gathering forces - Mom and dad saves the world 4. Jerry Goldsmith – Jump – Chicago en rojo 5. David Arnold & Michael Price – Main title - Sherlock 6. Georges Delerue – Theme de Camille - Casino Monográfico – Saga Rambo Jerry Goldsmith - Acorralado 1. Home coming 2. My town 3. Under arrest 4. The razor 5. Ahead start 6. Hanging one 7. Over the cliff 8. Mountain hunt 9. First blood 10. The tunnel 11. Escape route 12. The truck 13. It´s a long road (instrumental) Jerry Goldsmith – Rambo: Acorralado parte II 14. Main title 15. Preparation 16. The jump 17. The camp – Forced entry 18. The cage 19. Betrayed 20. Escape from torture 21. Pilot over 22. Village Raid - Helicopter Flight 23. Frank Stallone – Peace in our life 24. Day a day Jerry Goldsmith – Rambo III 25. Another time 26. Preparations 27. The money 28. Afganistan 29. Questions 30. The game 31. Flamming village 32. The aftermatch 33. Final battle 34. Night flight 35. I'll Stay Brian Tyler – John Rambo 36. Rambo main title 37. Aftematch 38. Battle Adagio 39. Jerry Goldsmith – Rambo II – End credits (original) Despedida Harold Faltermeyer – The new team – Superdetective en Hollywood Escucha y descárgate los programas de una manera más fácil en tu teléfono o tableta gracias a la APP de El Acomodador ya sea si usas iOS o Android. Las suscripciones para no perderte ninguno, y los programas anteriores, los puedes encontrar tanto en iTunes como en Tune in, Ivoox y Soundcloud. Y si tienes Twitter sigue a @AcomodadorEl.

Wéér zo'n remake?! Van National Lampoon's Vacation? En hij wordt wereldwijd neergesabeld? 'Laat maar hangen,' dachten Gudo en John die liever het origineel weer eens aanzetten. Is dit typische jaren '80-product nog steeds grappig? Daarna omarmen ze tijdelijk Hollywoods ideeënarmoede voor een riskante top 5. Eerst maar een maffe western bespreken. 00:00 Introductie 02:15 Recensie: Slow West 13:55 Filmmuziek: Slow West (componist Jed Kurzel) 17:02 Jee of Nee 18:34 Klassieker: National Lampoon's Vacation (1983) 30:11 Filmsong: Lindsey Buckingham - Holiday Road (uit National Lampoon's Vacation) 32:29 Top 5: Gewenste remakes 56:25 Vooruitblik en Filmmuziek: 3:10 To Yuma (componist Marco Beltrami)

Matthew Sweet with a selection of film music written for characters who find themselves on the wrong side of the law in the week that has seen the release of John Maclean's "Slow West" with a score by Jed Kurzel. Matthew's Classic Score of the Week is Erich Korngold's 1935 "Captain Blood".