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Hello and welcome back to another episode of B Bin Horror! On this week's episode we talk about the 2014 found footage/horror film, As Above So Below. As Above So Below was written and directed by John Erick Dowdle and co-written by Drew Dowdle. The film stars Perdita Weeks, Ben Feldman, Edwin Hodge, Francois Civil, Marion Lambert, and Ali Marhyar. On this week's episode the guys talk about the film and compare it to Dante's Inferno, discuss theories on the characters and they talk about good and bad gum flavors to feed to pesky moles! If you like what you hear please follow us on Instagram and Facebook @bbinhorror. You can also send us emails at bbinhorror@gmail.com and please don't forget to subscribe to B Bin Horror on whatever podcast platform you listen on! *B Bin Horror theme music - "Uprising" by Karl Casey @ White Bat Audio*
When he's near...everything goes wrong. Join Reneé, John Paul, and Travis as they discuss John Erick Dowdle's 2010 supernatural horror film "Devil." Please consider supporting the show on Patreon: https://www.patreon.com/thepodmortem Pod Mortem would like to thank Original CINematic for sponsoring this week's episode! https://www.ogcinpro.com/ Feel free to contact: William Rush: wrush@ogcinpro.com Xxena Rush: xrush@ogcinpro.com Where to listen to the podcast and follow us on social media: https://allmylinks.com/thepodmortem Follow us on Instagram: https://www.instagram.com/thepodmortem https://www.instagram.com/travismwh https://www.instagram.com/bloodandsmoke https://www.instagram.com/juggalodaddy84 Follow us on Twitter: https://twitter.com/thepodmortem https://twitter.com/bloodandsmoke https://twitter.com/realstreeter84 https://twitter.com/travismwh What would you rate Devil and what should we watch next? Email us at thepodmortem@gmail.com "Pod Mortem Theme" written and performed by Travis Hunter-Sayapin. https://youtube.com/travismwh
In July 2024, movie podcasters Justus Burkitt and David Scandura embarked on an episode series entitled “Shaky Cam Summer Camp.” These episodes would prove to be the final recordings of the duo. What happened to David and Justus, and does the truth behind their mysterious disappearance lie in their episode on found footage horror film As Above, So Below? Join your host, Charlie Anwar, for a four episode investigation into the final fate of The Greatest Movie Ever Made. As Above, So Below (2014) is directed by John Erick Dowdle and stars Perdita Weeks, Ben Feldman, Edwin Hodge, Francois Civil and Marion Lambert. Special thanks to Dennis Verrett. Music: “Fractals” by Kyle Casey and White Bat Audio
Tape #9: Abandon all hope ye who enter here. Jacob and Matt find themselves on the defensive this week as they descend into the critically maligned catacombs of John Erick Dowdle's As Above So Below. Jacob delivers a quick-fire lecture on navigating film criticism in the age of Rotten Tomatoes. Matt ponders whether a camera can hallucinate. An unexpected returning character haunts the podcast. Also, we give our brief take on the Inside No. 9 finale. Attach your harnesses and squeeze in your stomachs as the ninth tape of Don't Stop Recording is about to be unearthed.Be the first to hear updates on future releases by following our socials: Twitter/X: https://twitter.com/DSRPodInstagram: https://www.instagram.com/dsrpod/Support us by rating and leaving a review. Spotify listeners can leave us questions - we'll answer them on an upcoming episode!Film discussed: As Above So Below (2014)Director: John Erick DowdleWriter: Drew Dowdle, John Erick DowdleStarring: Patricia Weeks, Ben Feldman, Edwin HodgeCountry: United StatesRuntime: 93 minutesGenre: Horror / Adventure Hosted on Acast. See acast.com/privacy for more information.
So excited for this one! We loved watching "Waco" around 47 years ago (episode 9 of this silly podcast), so when we saw that in 2023 "Waco: The Aftermath" would be hitting out screens, we all thanked the Leguizamo Gods for looking down on us and saying "Ok, you pair of weirdos. Have a little treat.""WACO: The Aftermath" episode 1 is the first of 5 episodes in a series directed by Drew Dowdle and John Erick Dowdle. It tells the ongoing story of the chief negotiator of the original Waco siege, it follows the court case of a bunch of the members of the cult that got out alive and it also give a little prequel which gives us a tasty little insight into how the cult leader joined the cult and rose to the top. Basically, the aftermath. It's an honest series title. John Leguizamo plays the same bloke he played in 2018's "Waco" and he gets another really cool reveal. Hosted on Acast. See acast.com/privacy for more information.
This month is in full swing with a remake that may or may not have been necessary - you decide. John Erick Dowdle was granted the rights to this remake hot off the heels of his shockumentary The Poughkeepsie Tapes. I will need you all to get back inside, as this place is under Quarantine! Next movie: A Nightmare on Elm St. (2010) ————————————————————— Want to keep the horror chats alive? Do you want to join a super awesome community that loves the genre and Knight Light? Want to have access to exclusive content? It sounds like you should join our Discord! ————————————————————— Gain access to our Patreon-exclusive show, MidKnight Hour, by signing up on our Patreon. Still on the fence? Sign up for a 7-day trial, and if you like what we offer, stick around! Want to be a part of the growth of Knight Light? Please support us at these links! PATREON | TWITTER | DISCORD | INSTAGRAM | PRINCE | FREDDY Learn more about your ad choices. Visit megaphone.fm/adchoices
Waco pour les Américains représente un événement tragique de leur histoire qui est un peu moins connu chez nous. Le siège de Waco est un blocus qui s'est déroulé du 28 février au 19 avril 1993 à la résidence du groupe religieux les « Davidiens », près de Waco au Texas. Ce siège de plus de 50 jours et puis le raid autorisé par Bill Clinton à l'époque a provoqué la mort de 86 personnes : 4 agents du gouvernement et 82 morts parmi les Davidiens, dont 25 enfants et le leader du groupe David Koresh. Elle est considérée comme l'action la plus meurtrière du gouvernement américain contre ses propres citoyens depuis la guerre de Sécession. Alors forcément, la fiction s'en est occupée avec plusieurs adaptations. Waco Sortie en 2018, la mini-série Waco en six épisodes créée par Drew et John Erick Dowdle, est basée sur les mémoires de deux des personnages de l'histoire, chacun d'un côté différent. Le premier, l'un des Davidians survivants de la bataille, le second, le négociateur du FBI qui a dû s'occuper de l'affaire. On y voit bien que tout n'est pas tout blanc ou tout noir, le Bureau avait soif de sang et les Davidiens n'étaient pas tous des manipulateurs. Mais c'est surtout l'opposition entre Michael Shannonen négociateur et Taylor Kitsch en maître de culte qui fait des étincelles. Au final, on réalise que la plupart des membres de la branche Davidians voulait simplement pratiquer leur culte en paix, mais leurs intentions pures ont été détournées par l'individualisme de Koresh qui profitait d'un droit de cuissage sur les femmes des membres. Même sans connaître cette histoire, on peut réussir à être happés dedans. En revanche, il faut bien attendre la mise en place, passer par plusieurs points de vue pour obtenir une histoire globale. https://youtu.be/EiO0qHUMM64?si=hzHC1dQfVwAZqAS1 [bs_show url="waco"] WACO: THE AFTERMATH Quelques années après Waco, on arrive en 2023 et Showtime a décidé de faire une suite à Waco, toujours avec Michael Shannon intitulée Waco: the Aftermath. Ce qui est intéressant c'est que les événements ont véritablement eu des conséquences directes, ainsi, deux ans après Waco, Timothy McVeigh a cité le raid comme sa motivation pour son attentat au camion piégé à Oklahoma City. Cet attentat reste le pire cas de terrorisme intérieur de l'histoire des États-Unis. Cet Aftermath se base principalement sur les mémoires de David Thibodeau (une autre partie que sur laquelle la première mini-série s'était attardée), le survivant dravidien. Envisagée à l'origine comme une série d'anthologie intitulée American Tragedy, la suite de Waco, axée sur le procès, s'est transformée en une suite directe. Les showrunners John Erick et Drew Dowdle ont conçu une combinaison du procès des Davidiens et de la découverte par l'agent du FBI Gary Noesner de Timothy McVeigh et du projet d'attentat à la bombe. https://youtu.be/FYjXrMp_ElM?si=wGeVBanKBNkarYb_ [bs_show url="waco-the-aftermath"] Pour aller au-delà de la fiction, un documentaire est également disponible sur Netflix.
Waco pour les Américains représente un événement tragique de leur histoire qui est un peu moins connu chez nous. Le siège de Waco est un blocus qui s'est déroulé du 28 février au 19 avril 1993 à la résidence du groupe religieux les « Davidiens », près de Waco au Texas. Ce siège de plus de 50 jours et puis le raid autorisé par Bill Clinton à l'époque a provoqué la mort de 86 personnes : 4 agents du gouvernement et 82 morts parmi les Davidiens, dont 25 enfants et le leader du groupe David Koresh. Elle est considérée comme l'action la plus meurtrière du gouvernement américain contre ses propres citoyens depuis la guerre de Sécession. Alors forcément, la fiction s'en est occupée avec plusieurs adaptations. Waco Sortie en 2018, la mini-série Waco en six épisodes créée par Drew et John Erick Dowdle, est basée sur les mémoires de deux des personnages de l'histoire, chacun d'un côté différent. Le premier, l'un des Davidians survivants de la bataille, le second, le négociateur du FBI qui a dû s'occuper de l'affaire. On y voit bien que tout n'est pas tout blanc ou tout noir, le Bureau avait soif de sang et les Davidiens n'étaient pas tous des manipulateurs. Mais c'est surtout l'opposition entre Michael Shannonen négociateur et Taylor Kitsch en maître de culte qui fait des étincelles. Au final, on réalise que la plupart des membres de la branche Davidians voulait simplement pratiquer leur culte en paix, mais leurs intentions pures ont été détournées par l'individualisme de Koresh qui profitait d'un droit de cuissage sur les femmes des membres. Même sans connaître cette histoire, on peut réussir à être happés dedans. En revanche, il faut bien attendre la mise en place, passer par plusieurs points de vue pour obtenir une histoire globale. https://youtu.be/EiO0qHUMM64?si=hzHC1dQfVwAZqAS1 [bs_show url="waco"] WACO: THE AFTERMATH Quelques années après Waco, on arrive en 2023 et Showtime a décidé de faire une suite à Waco, toujours avec Michael Shannon intitulée Waco: the Aftermath. Ce qui est intéressant c'est que les événements ont véritablement eu des conséquences directes, ainsi, deux ans après Waco, Timothy McVeigh a cité le raid comme sa motivation pour son attentat au camion piégé à Oklahoma City. Cet attentat reste le pire cas de terrorisme intérieur de l'histoire des États-Unis. Cet Aftermath se base principalement sur les mémoires de David Thibodeau (une autre partie que sur laquelle la première mini-série s'était attardée), le survivant dravidien. Envisagée à l'origine comme une série d'anthologie intitulée American Tragedy, la suite de Waco, axée sur le procès, s'est transformée en une suite directe. Les showrunners John Erick et Drew Dowdle ont conçu une combinaison du procès des Davidiens et de la découverte par l'agent du FBI Gary Noesner de Timothy McVeigh et du projet d'attentat à la bombe. https://youtu.be/FYjXrMp_ElM?si=wGeVBanKBNkarYb_ [bs_show url="waco-the-aftermath"] Pour aller au-delà de la fiction, un documentaire est également disponible sur Netflix.
In 2014 John Erick Dowdle directed a little horror flick he and his brother wrote called As Above, So Below. Taken from some ancient religious and alchemical source material, this flick takes us on a ride through the Paris catacombs in search of The Philosopher Stone, pre-Hogwarts era, and finds us trapped in the depths of hell with cool cults and bloody fingers. This flick has a few recognizable yet lesser-known faces but managed to make $40 Mil on a budget of $5 Million and pee in the pants of many. But does it hold up? Listen in as Jon, Colin, and Brent debate topless worship and taking directions from ghosts as we figure out if this was redemption or condemnation.
Kevin Tudor (Almost Major podcast) is back for John Erick Dowdle's The Poughkeepsie Tapes. We get into it all such as the future for the found footage genre, the films botched release and how we judge the inconsistent performances --- Send in a voice message: https://podcasters.spotify.com/pod/show/exitingthroughthe2010s/message Support this podcast: https://podcasters.spotify.com/pod/show/exitingthroughthe2010s/support
Co-hosts Jamie and Rob but heads over the genre mashup film "As Above So Below". A 2014 John Erick Dowdle film, it combines a little Blair Witch handheld horror, with a sprinkle of Harry Potter magic with a few heaping table spoons of Indiana Jones mystery and adventure to cook up a unique, although somewhat muddy, voyage into the gates of Hell under the Paris Catacombs. What genre does this film lean on the most and does it succeed? Is the lead character a charming female Indiana Jones or a narcissist who puts others in constant danger? When does the supernatural stuff start in this film and why? Who the hell is Zed?! Is the handheld horror movie genre over? Will Rob pronounce "Iran" properly by the end of the pod? You might want to stand on your head while listening to this one because it's about to get inverted in ʍolǝq oS ǝʌoq∀ s∀. Visit our website: runningscaredmedia.comSupport us on Patreon:patreon.com/runningscaredEmail us at: therunningscaredpodcast@gmail.comFollow us on Twitter @runningscaredpdon Instagram @runningscaredpodSupport the show
Oui oui, baguette! This week we discuss the Catacombs-set mystery-horror AS ABOVE, SO BELOW from 2014!
On this weekend's What to Watch: Sasha Colby, Anetra, Luxx Noir London, and Mistress Isabelle Brooks are competing for the crown on the season 15 finale of RuPaul's Drag Race. Jennifer Garner stars in the series adaptation of the best-selling book, The Last Thing He Told Me. Rachel Brosnahan & Co. are back for the final season premiere of The Marvelous Mrs. Maisel. Nicolas Cage stars as Dracula, and Nicholas Hoult his assistant, in the movie Renfield. Robin Thede and a plethora of guest stars are bringing the laughs on the new season of A Black Lady Sketch Show. Drew Dowdle and John Erick Dowdle, showrunners of the Showtime limited series Waco: The Aftermath, tell us what they're watching. Plus, Hollywood trivia, our Sound Bite of the Week from the new teaser for Pete Davidson's Bupkis, and entertainment headlines, including Davidson's return to SNL as host, Mo'Nique suing various companies over royalties for The Parkers, and Jamie Foxx's medical complication. More at ew.com, ew.com/wtw, and @EW on Twitter and @EntertainmentWeekly everywhere else. Host, Writer, Producer: Gerrad Hall (@gerradhall); Writer, Producer: Ashley Boucher (@ashleybreports); Editor: Samee Junio (@it_your_sam); Writer: Calie Schepp; Executive Producer: Chanelle Johnson (@chanelleberlin). Learn more about your ad choices. Visit megaphone.fm/adchoices
Washington Post criminal justice reporter Tom Jackman speaks with actor Giovanni Ribisi and showrunners John Erick Dowdle and Drew Dowdle of “Waco: The Aftermath,” about their new drama series which explores the lasting impact of the Waco siege 30 years on.
Washington Post criminal justice reporter Tom Jackman speaks with actor Giovanni Ribisi and showrunners John Erick Dowdle and Drew Dowdle of “Waco: The Aftermath,” about their new drama series which explores the lasting impact of the Waco siege 30 years on.
Bonjour!
Welcome to OUR BLOODY OBSESSION, a gorecast for the extreme created by two women whose bloody obsession is with all things nasty. Hosted by Zobo With A Shotgun (Zoë Rose Smith) and Venal Anatomica (Kelly Gredner). The goregous gals are back to unwind the tapes and trauma in John Erick Dowdle's The Poughkeepsie Tapes (2009). - Twitter: https://twitter.com/ourbloodypod - Facebook: https://www.facebook.com/groups/zobowithashotgunpodcast - Instagram: https://instagram.com/bloodyobsessionpod?igshid=YmMyMTA2M2Y= Follow Venal: https://twitter.com/KGredner Follow Zobo: https://twitter.com/zobowithshotgun Podcast logo by Martin Trafford (https://www.instagram.com/traffart/?hl=en) Theme music by Emanuele Bellini
Found footage films are usually not our favorite but if we had to choose one we both agree that this is worth watching. A serial killer on the loose in New York who records his tortures and kill. No one is off limits to this killer. Starring Stacy Chbosky, Ben Messmer, Samantha Robson, and Ivar Brogger. Written by John Erick Dowdle and Drew Dowdle. Directed by John Erick Dowdle. Check out our favorite coffee by clicking on our link: Four Sigmatic Please share the podcast with your friends on social media to help us grow. Leave us a great review on whatever platform you are listening. Check us out on Facebook, Instagram, Twitter, and Slasher. If you would like to ask us a question or make a suggestion for the show, send us an email at horrorscriptpodcast@gmail.com You can write us or record a voice memo of yourself asking the question and we can play it on an upcoming episodeSupport the show by picking up some Horror Script Podcast merchandiseIf you do reviews and interviews virtually try Squadcast for free by using our link below. You also help support the show by using it. Special thanks to John Saccardo and Vince Lipscomb for the amazing music. Support the show
Hey there guys, Welcome back to your favorite late night radio show Gem Mint Horror !Im your host Joel and on this show for those new Insomniacs tuning in we talk about lesser known horror films in order to find you guys a new favorite horror movie ! Ahhh Paris the city of love, what most people don't know is about the 186 mile catacombs that house a labyrinth of tunnels housing old bones from the transfer of bones from the parochial cemeteries of Paris. Now there are a bunch of creepy pastas and first hand encounters of things going bump in the night down in those tunnels. That is what happens in tonights episode on the controversial film in the horror community but I am here to convince you that this film is worth your time and that film is John Erick Dowdle's As Above so Below. This is a found footage film that was released in 2014 and I remember liking it when I first saw this movie and I know this film is talked about in the horror community but I have heard some bad things about it so it might discourage newbies to horror to look over it but I am here to tell you to watch it. This show is about lesser known horror films but as well as films that I deem need a second chance, almost like a film going back to the picture show haha. As Above so Below is When a team of explorers ventures into the catacombs that lie beneath the streets of Paris, they uncover the dark secret that lies within this city of the dead. Now that is a pretty straight forward synopsis for this film and I like it because it tells you what its about and I think with that you can decide if you want to watch it. I will say currently this film is only rentable on streaming services like VUDU, Apple TV, Prime Video, and anywhere that offers digital rentals but it is worth the money to rent. I hope you guys love the episode and enjoy watching this film ! see you late night freaks next Friday night !Follow me :Instagram: @gem_mint_horrorTwitter: @GemHorror7Facebook Group: Gem Mint HorrorDiscord: https://discord.gg/dQ6vVkka5a
“To be perfectly honest, I don't think either of us are gonna want you alive for the things I'm going to do to you” Join your horrible hosts Jen and Kaytlynn as they dissect, dismember and mutilate John Erick Dowdle's film THE POUGHKEEPSIE TAPES. Don't get too comfortable… horrible things are happening here…
Welcome back to The Movie Draft House! We're back with a new theme for the month of February! Bear with us as we math equation this theme...Jeff and Mark gave each other five actors they cannot stand (from an acting perspective...we love everyone) and they were tasked with choosing two from the list and choosing two films that star those respective actors that may sway their perception on the actor. This week, Mark chose Owen Wilson (Jeff hates him, but loves his brother, Luke :shrugs:) from Jeff's list and the 2015 thriller No Escape, directed by John Erick Dowdle. Starring Owen Wilson, Lake Bell, and Pierce Brosnan. Come for the review, stay for the Owen Wilson impression by Jeff. IMDB synopsis "In their new overseas house, an American family soon finds themselves caught in the middle of a coup, and they frantically look for a safe escape from an environment where foreigners are being immediately executed." Music this month is brought to you by the pop-indie duo Hotel Fiction with their song "Think Twice". The band consists of best friends from Athens, GA with musical influences from pop, indie, and rock...however they consider their sound "genre fluid". Find their music wherever you get yours! Hit the links below to show them some love! Web Spotify Instagram YouTube If you want to get at the podcast on Twitter do so via @moviedrafthouse Jeff - @PodcastsbyJeff Mark - @iheardyouliked
Final November 2021 episode of the program all about TV. Our guests: Greg Kahn, president-chief executive officer of the Emerging Tech Exchange (formerly the Internet Of Things Consortium); Famiiy Affair co-star and author Kathy Garver; John Erick Dowdle, Drew Dowdle and C.J. Box, executive producers of Joe Pickett, the latest Spectrum Originals series launching December 6 through video-on-demand cable systems, and Zack Estrin, creeator-executive producer and showrunner of Lost In Space, starting its final Netflix season December 1.
In this episode we get lost in the catacombs of Paris with 2014's As Above, So Below. Directed by John Erick Dowdle and written by John Erick Dowdle and Drew Dowdle, As Above, So Below stars Perdita Weeks, Ben Feldman and Edwin Hodge. If you enjoy the show, give us a subscribe/rating/review and of course, tell your friends! We have some sweet merch for sale over at : www.teepublic.com/user/we-are-horr…or-movie-podcast Visit us at wearehorrifiedpodcast.com
In the latest episode of your favorite unprofessional podcast, Kyle and Joe turn into a couple of DIRTY MOLE PEOPLE. We're digging real deep into this one... Featuring: Joe MoubhijRegular bi-weekly co-host and best-friend
In this episode, we tackle the world of Found Footage with John Erick Dowdle's pseudo-documentary The Poughkeepsie Tapes. This is an interesting and notable film if for nothing else than its strange release history and the urban legend spawning notoriety that it gained; which we eagerly dive into. Jason charts the film's reputation of being difficult to handle and where it sits in the pantheon of "extreme" horror cinema among other infamous titles. Michael points out the various true crime connections and possible inspirations on the narrative to be found with other famous serial killers. Meanwhile, Dustin threatens to derail the whole show as he gets way too hung up on the particular events of the story and the characterization of our leading serial killer. And so much more! What We've Been Watching: -Jason: The Barbarians (1987) -Dustin: Teketeke (2009) -Michael: As Above, So Below (2014) Show Notes: -The Poughkeepsie Tapes Trailer -Stream The Poughkeepsie Tapes on Pluto TV -Related Show: Unsolved Mysteries -Related Film: Hostel -Related Film: Guinea Pig Series -Related Film: August Underground -Related Film: Terrifier -Related Film: The Blair Witch Project -Related Film: Curse of the Blair Witch -Related Film: The Town that Dreaded Sundown -Related Topic: Leonard Lake & Charles Ng -Related Film: Creep -Related Film: REC -Related Show: Waco -Related Film: Lake Mungo Next Time: Promare (2019)
CW: rape, torture, stalking, kidnapping, child death MB and Dax move from their Haeneke series to their one-offs, starting with John Erick Dowdle's The Poughkeepsie Tapes, a HARROWING found footage film. Follow WONA: @WONApodcast Follow MB: @mbmcandrews Follow Dax: @DaxEbaben
Son jóvenes, ambiciosos y hacen películas de presupuestos módicos. Se trata de #PanosCosmatos, director de #Mandy y #BeyondTheBlackRainbow y #JohnErickDowdle, director de #AsAboveSoBelow y #Devil, aquí analizamos esas películas de ambos directores, establecemos paralelismos y las evaluamos. As Above, So Below como Mandy están ambas en #Netflix, así que las pueden mirar luego de escuchar el capítulo como doble función ¿por qué no?
Hold on to your butts, because we finally reviewed the 2007 horror/ found footage/ mockumentary The Poughkeepsie Tapes. Our reaction might surprise you.In an abandoned house in Poughkeepsie, New York murder investigators uncover hundreds of tapes showing decades of a serial killer's work. Directed by John Erick Dowdle and staring his IRL wife Stacy Chboskyas.Not scared yet? You will be with a free month of Shudder streaming service, just use code "FINALBOYS" at check out to start your month of sleepless nights..........................................................Stay up to date and follow us on twitter and Instagram @thefinalboysSend us your spooky listener stories at www.thefinalboys.comIntro music done by @twin_crab
One part Tomb Raider meets Indiana Jones and maybe The Goonies, one part tour of Dante's Inferno, this week's horror movie is a favorite of both Long Legged Beasties co-hosts. John Erick Dowdle's As Above, So Below does an excellent job of luring the unsuspecting into a surprisingly scary tale of a descent into hell. Join us as we discuss the deeper context and proper category for this wonderful thrillfest.
En esta nueva entrega de Keep Rolling, el especial que El Calabozo del Reverendo Wilson dedica al mockumentary y al found footage, le toca el turno a "The Poughkeepsie Tapes", que aglutina ambos formatos creando un émulo del true crimen repleto de pormenorizados aspectos criminológicos y sórdidos aspectos del serial killer que es analizado. Una pequeña joya olvidada en su día, y que conviene rescatar. Enjoy! Si te ha gustado el programa, recuerda que tienes la posibilidad de ayudar a El Calabozo del Reverendo Wilson dándole a "Me gusta". ¡Gracias y feed the cvlt!
This low budget "found footage" horror film directed by John Erick Dowdle and written by Dowdle and his brother Drew followed a group of treasure-hunters searching the catacombs of Paris for the Philosopher's Stone. Our humble podcasters were divided on the film, and offer a few different philosophies on going into a film. Follow us! Instagram: @undercastcompany, Twitter: @undercastco, Facebook: Undercast Company @undercastcompany, Email us at undercastcompany@gmail.com And don't forget, drink responsibly...
The only way out is down. Join Reneé, John Paul, and Travis as they discuss John Erick Dowdle's 2014 found-footage horror film "As Above, So Below." Where to listen to the podcast and follow us on social media:https://allmylinks.com/thepodmortem Follow us on Twitter:https://twitter.com/thepodmortemhttps://twitter.com/bloodandsmokehttps://twitter.com/realstreeter84https://twitter.com/travismwh What would you rate As Above, So Below and what should we watch next? Email us at thepodmortem@gmail.com "Pod Mortem Theme" written and performed by Travis Hunter.https://youtube.com/travismwh
What goes bump in the night, giving Kyle a fright? This episode it’s As Above So Below (2014) written and directed by John Erick Dowdle. Enjoy a nice brunch in Paris with the Boo Boys to discuss a harrowing journey into the catacombs. What do you do when a girl mad-dogs you in the club? Do you stay in the front or the back of the line? Was Kyle able to follow the plot at all? Sit back under the Eiffel Tower as the Boo Boys break it all down.
Listen to the experts: remain indoors! What's the worst that could happen? Well, 2008's Quarantine shows us exactly that. This somewhat forgettable found footage horror movie may have a lot more to offer than you remember. Is it worth a rewatch? We'll let you know. Plus, movies that spoil the ending in the trailer, hacked Twitter accounts, the amazing stunt work of Jeannie Epper, and a hell of a lot more is covered in our discussion.Quarantine stars Jennifer Carpenter, Jay Hernandez, Columbus Short, Greg Germann, Steve Harris, Dania Ramirez, Rade Šerbedžija, and Johnathon Schaech. Directed by John Erick Dowdle.If you enjoy what we do, please subscribe to our show, and leave us a rating and some feedback as well!Like us on FacebookFollow us on TwitterCatch up with us on InstagramJoin the discussion on our subredditBrought to you by HOLY Propaganda
We watched Quarantine for free on Crackle and it hasn’t lost it’s luster. This is still a staple of the found footage genre, and one that sticks out in my mind for a number of reasons. On this episode we go over the movie, play a rousing game of Attack of the Rotten Tomatoes, and talk about what happened to us over social media over the last week. We also discuss a bit of what it's been like in our own quarantine. Intro - (0:40)Synopsis - (06:20)Review - (12:10)Score - (15:15)Spoilers - (27:38)Final Recommendations - (1:04:00)Attack of the Rotten Tomatoes - (1:04:48)It Came From Social Media - (1:12:58)Outro - (1:24:30) @dgoebel00 on Instagram provided this amazing artwork. Follow him and check out his website. Synopsis Quarantine is a 2008 American recreation of the 2007 Spanish film REC. It’s very similar to REC in just about every way, but because it’s out of Hollywood, it seems to have dwarfed the original, despite not being as effective. Quarantine follows a reporter, Angela, who is doing a slice of life piece on some local firefighters in LA. As she goes on a routine call with the crew, they end up at a small tenant building that houses a variety of residents. Watch QuarantineStream it or buy it on AmazonClick here to watch It soon becomes apparent that there is some kind of infection going around the building as matronly and old tenants begin to brutally attack those trying to help them. The firefighters, camera crew and the tenants are all locked inside and soon they find themselves with more quarantine than they bargained for! Quarantine Trailer https://youtu.be/GQ4EyBGKDM4 Review of Quarantine Quarantine was directed by John Erick Dowdle who is also known for some staple cult favorites like As Above, So Below and The Poughkeepsie Tapes. It stars Jennifer Carpenter who we love when she acts in the horror genre. We just reviewed The Taking of Emily Rose, which also starred her. I enjoy this movie because it has a great start, middle, and a decent ending, although it’s impossible to beat the ending of REC even though this tries. It has all the elements that make a great found footage movie. Watch RECStream it or buy it on AmazonClick here to watch The story is compelling, the situation is extremely relatable...now, and there is plenty of shaky-cam footage to keep your eyes clawing at the edges of the frame for whatever that thing was that just ran by. I will say that Jennifer Carpenter’s acting gets in the way of the ending of this movie. She hams it up to such an incredible degree that I couldn’t stop thinking about every middle school girl nervous breakdown I ever witnessed or had myself - and there were more than a few. A freakishly pretty Jennifer Carpenter Even with the overacting, I think Quarantine stands out as one of the classic found footage examples. If I had to point people to a movie to watch, I would point them at REC before this. You can find REC right now on prime for a few bucks. Score 7/10 Spoilers for Quarantine After watching this movie, it's a lot more simple than it seems as it's unfolding - not that it seems terribly complicated. It has a learn-as-you-go structure and there is a mystery that slowly unravels: why are we being quarantined and what is this sickness? It starts with some engaging banter between our reporter and her firefighter subjects. I always enjoy horror movie beginnings that are light and breezy and fun. It's a refreshing palate cleanser to what is going to become a horrendous scenario. Queue the horrendous scenario. They get to the apartment building and they meet some creepy old grannies who are obviously afflicted with some malady. Ms. Espinoza, one of the old ladies in question, attacks a firefighter and rips out his jugular. Ms. Espinoza...this bitch... What is the infection in Quarantine? The only real spoiler in this movie is what the malady is that affe...
Welcome to Everything Trying to Kill You, the comedy podcast that talks about horror movies! In episode 61 about As Above So Below your hosts Mary Kay, Rachel, and Mary answer important questions like these:What terrifying place would you choose to explore? And who is your dream team? And love interest? Why does that inscription rhyme in English? Do we like the found footage execution? Why was this premise so brain-meltingly dumb? Is this movie scary? Are we just going to ignore the cult? Would you really just go ask for this criminal trespasser by name in a night club? Did Benji disappoint you the most? Do beautiful, petite white ladies with clavicles of steel really get forgiven for Turkish prisons so easily? (Rachel weighs in!) Why didn’t we get to stay in Iran? Why would Nicholas Flamel know Aramaic? Does anyone else hate acronyms? With this deductive logic, why weren’t they on Legends of the Hidden Temple? Why/how/for why does Scarlett have all of these random degrees? Is this a video game? Is Scarlett Dwayne “The Rock” Johnson? How is this woman not hospitalized? Why be scared when you could be just NOT UNDERGROUND? What’s the first thing you’d do when you survive the adventure? As Above So Below (2014)– Written and directed by John Erick Dowdle. Performances by Perdita Weeks, Ben Feldman, Edwin Hodge, and Francois Civil. Genre: Horror, Thriller, Suspense, Supernatural Where to watch: NetflixSummary: Archaeologist Scarlett Marlowe (Perdita Weeks) has devoted her whole life to finding one of history's greatest treasures: Flamel's Philosopher's Stone. According to legend, the artifact can grant eternal life and turn any metal into gold. When she learns that the stone is hidden underground in the Catacombs of Paris, she assembles a crew to guide and document her historic mission. As they begin their descent, the team-members have no way of knowing that they are entering their own personal hell.Links: Pre-order Mary Kay’s book on Indiebound, Amazon, or from her person via email.“Everyday Use” by Alice Walker Pull Quotes:When she was like, Let’s go into the earth to search for this alchemical agent, I would have been like, No.—Mary BeyerAll of the obstacles are false obstacles.—Mary BeyerSo we’re just going to ignore the cult?—Mary Kay McBrayerCommit to ONE ridiculous premise.—Rachel EstridgeAnd then, boom, we’re in Paris.—Mary Kay McBrayerNicholas Flamel wakes up and says, ‘Get out of my room.’—Mary BeyerI would never compare Scarlett to my beloved, beloved Rock. She IS a rock. She is basically a rock.—Mary BeyerIf she left me in a Turkish prison… I don’t care how beautiful she is, don’t show up at my work place!—Mary Kay McBrayer
As those of you who have followed our show probably know, I'm not the biggest fan of found footage based on my negative experience with The Blair Witch Project back in the day, a fact that I seem to reflexively reiterate as though it was more than a movie I didn't enjoy and something that truly scarred me. Funny how that happens, as to my recollection it was just a bad time at the movies where I thought a good one was to be had. Gripping the bat a bit too tightly in that regard...if I watched it again I may even find that whatever burr was in my saddle that day had less to do with the film itself, but I'm not at all eager to find out. That said, the found footage film has become a sub-genre with it's own lineage now going back over twenty years and hundreds of films (in the modern sense, where films like Peeping Tom and Cannibal Holocaust toyed with the notion decades before but without inciting a movement) and if we're to cover horror in film in it's entirety, we can't well ignore the thing as much as I sometimes think I'd want to. Watching this one, what really stuck out to me was that some fifteen years and countless of iterations of found footage after The Blair Witch Project, co-writer and director John Erick Dowdle used not only the trappings of a found footage film from a technical standpoint but also reconstructed the notion of an eerie place mixed with lore in a way that infused his film with the spirit of that original film, while also improving on the formula. Not only building on the heart and soul at the foundation of that original excursion into the medium, but also in bringing in other influences in a way that felt to me to be both ambitious and effective. The density and the pacing felt much more right to me than the recollection of BWP, a liberty of hindsight and foundation, whereas in defense of the prior film the film makers great asset was their ingenuity, and despite my protests their proof of concept was an undeniable success at the box office, as an inspiration to other film makers, and to more horror fans than not. One advantage to not getting invested in a certain kind of art or entertainment for whatever reason, especially one that establishes a legacy of it's own as a sub-genre, is that by simply opening the mind enough to get over personal bias, there's a treasure trove of work to pick through. By allowing oneself to be open to sampling the cream, there's certainly something to be found as having risen to the top. In that sense, As Above So Below was very satisfying. It's still not my jam, that found footage thing, but as it goes I liked a lot of what this film had to offer. Chzuck liked it too. Much more in fact. One might suspect that if he were allowed to select movies for coverage on the show this would have been one of them. Just so we're clear, and apropos of nothing other than my inability to stick the landing in this written introduction, I choose the movies around here. Had Chzuck picked this one, I'd say he brought a good one to the table, and I enjoyed discussing it. Cheers! Shonny Constant 3.3.2020 Let us know what you thought of the film, or just join us for any kind of horror chat at one of the links below Talk Horror To Me Facebook Group Instagram @TalkHorrorShow @Shonny.Constant Twitter @ChzuckBean Cover art for this episode by Crystal Mielcarek! Find more of her work on Facebook, Instagram, or Smushbox.net
Talking about the 2014 American film directed by John Erick Dowdle, starring Perdita Weeks and Ben Feldman. Some tangents into Parasite (last time), Dante's Inferno (obviously), "The Take", and Spice World (1997).
Can you believe it's been 30 episodes already? How time flies. This week was Elle's pick, so we cover 2014's AS ABOVE, SO BELOW, directed by John Erick Dowdle, and written by Drew Dowdle and John Erick Dowdle. We also talk about people who have disappeared in the legendary catacombs of Paris, why this movie is one of the better found-footage films, and the start to Noir November! You can follow the podcast on Twitter at @HorrorTimePod and the hosts at @dykemadden and @ellemdesigns! We also are on Facebook at facebook.com/stophorrortimepod, and our website is stophorrortime.wordpress.com. If you like what we do, you can rate, review, and subscribe to us on Apple Podcast, Stitcher, or wherever you listen to your favorites. Contact us at stophorrortime@gmail.com for any comments, questions, or movies you would like for us to cover!
This week Yan goes through the exciting layers of Hell with As Above, So Below, but gets confused because he didn't read the source material. Also, he gets scared shitless with Marianne (again) and says goodbye to Creepshow, at least for now. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/casualfanyan/message Support this podcast: https://anchor.fm/casualfanyan/support
As Above So Below is an American found footage Horror film released in 2014. It was written and directed by John Erick Dowdle and his brother Drew. The film is about an alchemy scholar that continues her father's work in search of the philosopher's stone. She gets a crew on the way and the journey takes them to the Catacombs of Paris. Soon they are met by claustrophobia, traps and NO HOPE!
Which is better, the original or the remake? Rhian, Martyn and Lee compare the British 'Death at a Funeral' (Frank Oz, 2007) to its American remake (Neil LaBute, 2010), then turn our attention to the spine-tingling foreign horror, 'Rec' (Jaume Balaguero and Paco Plaza,2007), pegging it against John Erick Dowdle's US counterpart 'Quarentine' (2008).
On this episode of Talking Terror, the eerie emcees are delving into the world of serial killers. While last week may have been a thoughtful discussion on what is considered, "elevated horror", this week, they decide to discuss something a little less elevated and a bit more distasteful. Listen in as your friends in fright talk about The King of Horror Andy G's film pick of the week; "The Poughkeepsie Tapes" directed by John Erick Dowdle. Some killers leave clues, some leave warnings but as they find out, this killer leaves behind an entire collection of VHS tapes. What's on them and what is this killer trying to say? There's only one way to find out, listen in! Stay scared people, stay scared.
While not as well-regarded as its source material, Dante Alighieri's Inferno, As Above, So Below certainly leaves an impression. The film was written and directed by John Erick Dowdle, with partial writing credits to his brother, John. The plot surrounds Scarlett Marlowe (Perdita Weeks) in her quest for the Philosopher's Stone, documented by camera man Benji (Edwin Hodge). Along the way, she joins up with estranged lover, George (Ben Feldman, Friday the 13th, Cloverfield). As they descend into (the real) catacombs beneath France, each floor represents a different circle of hell. Though not a direct replication of Alighieri's work, the framework gives a much deeper story than the typical found footage film. Some good practical effects and fair acting make this film a must see for anyone with nothing better to do. If you ever have feedback or recommendations on future episodes, please let us know at slasherspod@gmail.com. You can always find us on our social media: Instagram, Twitter, Slasher App: @slasherspod Facebook: /slasherspod Reddit: u/slasherspod https://www.youtube.com/c/slasherspodcast paradiso, purgatorio, divine comedy, nine circles of hell, limbo, virgil, lust, gluttony, greed, anger, heresy, violence, fraud, trechery, satan, the devil, lucifer, book adaptation, horror film, foreign film, cult, sin, sinners, paris, harry potter, nicholas flamel, sorcerers stone, magic, alchemy, gold --- Support this podcast: https://anchor.fm/slasherspod/support
This week we try to organize out episode by going through it in a very segmented way. Too much to mention, so you should just listen!
We once reviewed As Above, So Below (that horror flick from John Erick Dowdle) and T hated it... Mr. D returns for this Owen Wilson driven actioner featuring Pierce Brosnan and Lake Bell. What are T's thoughts? Find out here with this bite sized review of No Escape. . Twitter: @TwoAndAMovie . Instagram: @TwoGuysAndAMovie . E-Mail: TwoGuysAndAMovie@outlook.com . anchor.fm/TwoGuysAMovieAndAPodcast . Sound effects provided by Anchor. --- Support this podcast: https://anchor.fm/TwoGuysAMovieAndAPodcast/support
Faire du sport, manger des légumes, devenir star du porno ou maître du monde : des résolutions classiques de début d'année. Au PIFFFcast, on a décidé de commencer 2019 en rendant hommage aux films oubliés des tops 2018, les petits bijoux snobés par le plus grand nombre mais qui selon nous méritent affection et considération. Gloire à eux, et bonne année 2019 à tous ! Avec Véronique Davidson, Xavier Colon, Laurent Duroche, Talal Selhami et Cyril Despontin. Réalisation : Xavier Colon Musique du générique : Donuts' slap par Laurent Duroche ► Flux RSS pour Android : bit.ly/2FrUwHo ► En écoute aussi sur Itunes : apple.co/2Enma9n ► Sur Deezer : www.deezer.com/fr/show/56007 ► Sur Spotify : https://open.spotify.com/show/40t9IIhJ9IbKQUAvO9Vt0T ► Mais aussi sur YouTube : https://youtu.be/67d60NZZNYg Références des films cités : • Catacombes de John Erick Dowdle (2014) • 2.0 de S. Shankar (2018) • Miracle Mile de Steve de Jarnatt (1988) • Mother! de Darren Aronofsky (2017) • May the Devil Take You de Timo Tjahjanto (2018) • Détective Dee 3 : La légende des rois célestes de Tsui Hark (2018) • Caniba de Verena Paravel, Lucien Castaing-Taylor (2017) • Annihilation de Alex Garland (2018) • Cold Skin de Xavier Gens (2017) • Un Couteau dans le coeur de Yann Gonzalez (2018) Bande Originale : • Eega de S. S. Rajamouli, J.V.V. Sathyanarayana, composée par M.M. Keeravani (2012)
Hope you brought your book bags because in this episode we are taking you to school! Our "first" Fact in Fiction episode where we talk about the history of the Paris Catacombs and then discuss the 2014 film by John Erick Dowdle "As Above so Below" .......................................................... Stay up to date and follow us on twitter and Instagram @thefinalboys www.thefinalboys.com Intro music done by @twin_crab
Actress, writer and producer Annika Marks joins the LadyGang to talk about working on the new miniseries Waco and what exactly the short film G Spots? on her IMDB page is all about, then plays a rousing game of which celebrity cults she'd be interested in joining in real life. Let's hope for a wonderful harvest of bananas this year--pun definitely intended.
In this episode, Nathan and Reed discuss justice, mercy, and forgiveness in John Erick Dowdle's DEVIL.1:12 - Introductions and Errors4:14 - M. Night Shyamalan and the Night Chronicles9:08 - What We Liked About Devil16:10 - Scary Moments23:33 - Devil's Direct Religious Themes29:52 - The Unusual Choice (Forgiveness vs Vengeance)32:42 - The Relationship Between Justice and Mercy43:30 - Conclusions and Sign-OffsEmail: fearofgodpodcast@gmail.comTwitter: @thefearofgodInstagram: fearofgodpodcastFacebook: The Fear of God (or join the Fear of God FB Discussion Group)Reed on Twitter: @reedlackeyNathan on Twitter: @thenathanrouseFind the official episode post at www.morethanonelesson.comMerchandise available at teepublic.com/user/thefearofgodpodcast
We head into a sex dungeon with Horrortober‘s latest bonus Kulturecast and take a look at a true underground horror classic: The Poughkeepsie Tapes. The film chronicles, through a documentary-style, the horrific actions of a serial killer in the town of Poughkeepsie, New York. It features videos shot by the serial killer, along with talking-head style interviews with experts about the killer. It's a one of a kind film, and a truly horrifying look into a serial killer's mind. Along with a talk about the film, we also spoke with director John Erick Dowdle, writer Drew Dowdle, and actress Stacy Chbosky about the film, what it was like to work together, and what they are up to now.As always, you can follow Chris Stachiw on Twitter at @KultureStach, Sean Liang at @Seannifer and Kulture Shocked at @KultureShocked. You can also subscribe to the Kulturecast on iTunes here. Also, don't forget to check out our official Facebook page for news, upcoming reviews, contests, and new content.
Episode Description: In this episode, Christopher Schnese and Stephen Miller review No Escape. Directed by John Erick Dowdle. With Lake Bell, Pierce Brosnan, and Owen Wilson. In their new overseas home, an American family soon finds themselves caught in the middle of a coup, and they frantically look for a safe escape in an environment where foreigners are being immediately executed. Show Notes Hosts: • Christopher Schnese with Stephen Miller Featured Review: • No Escape The Verdict: • Stephen: Wait for Rental • Christopher: Pass (with Caveat) Music for this Episode: • "Jol Dondeung Kone Key (Going to Get Engaged)" Contact the show: • email: fans@thespoilerwarning.com • voicemail: 1 (760) 575-4879
Episode Description: In this episode, Christopher Schnese and Stephen Miller review No Escape. Directed by John Erick Dowdle. With Lake Bell, Pierce Brosnan, and Owen Wilson. In their new overseas home, an American family soon finds themselves caught in the middle of a coup, and they frantically look for a safe escape in an environment where foreigners are being immediately executed. Show Notes Hosts: • Christopher Schnese with Stephen Miller Featured Review: • No Escape The Verdict: • Stephen: Wait for Rental • Christopher: Pass (with Caveat) Music for this Episode: • "Jol Dondeung Kone Key (Going to Get Engaged)" Contact the show: • email: fans@thespoilerwarning.com • voicemail: 1 (760) 575-4879
Welcome the newest episode of Dark Discussions, your place for the discussion of horror film, fiction, and all that’s fantastic. It seems like never before that cinéma vérité is a format used in many horror and genre films over this past year. One could probably lose count. John Erick Dowdle and Drew Dowdle are no stranger to the median. Two of their prior films, the unreleased Poughkeepsie Tapes and the English language remake of Rec entitled Quarantine, show they have a good footing into the subgenre. Now in 2014, they have made a new film, As Above So Below, getting wide release throughout many nations. The film is about a young scholar named Scarlett who decides to continue and pursue the work of her father in the search of the notorious Philosopher's Stone. Her research brings her to Paris, France and the history surrounding a 14th century Parisian scientist named Nicolas Flamel. After working with another scholar who she once had a relationship with, the two along with their documentarian, hire a group of local guides that will bring them through the Catacombs of Paris below the city streets searching the necropolis to six million people in hopes of finding the mysterious and valuable artifact. Your hosts discuss this new widely released film and whether the fantastic concept of adventure seekers exploring one of the most surreal monuments to a city's forefathers holds up to the spook factor. Included is a discussion of the success of the Dowdle brothers, this movie in comparison to other found footage films, and what determines whether a film will get a theatrical run or simply be released straight to disc or video on demand. As always we welcome your comments: darkdiscussions@aol.com (written email or attached mp3 files) WWW.DARKDISCUSSIONS.COM
For many audience members, found footage films are just an opportunity to to film a horror story on the cheap and don't bring anything to the table. There are films, however, that work to use the filmmaking style to their advantage in exploring different ways to tell their stories. Sure, it's a conceit, but if you buy into it, it can make for a fun style of storytelling. Join us -- Pete Wright and Andy Nelson — as we begin our Found Footage Series with John Erick Dowdle's 2008 film "Quarantine." We talk about the nature of found footage films, what they need, why they're often horror films, and why it works in this film. We discuss the script of this film and, while still enjoyable, what big problem crops up late in the film that leads to too many questions and, if thought about critically, can really spoil the story. We chat about the original Spanish film, "[REC]," on which this is based, what the differences are, which version works better, and why the original film's director hates this one so much. We chat about the cast and what they bring to the table in a film largely made up of long shots. And we complain about the marketing images for this film and ponder what could possibly have been their intention when using the film's final image as the poster design. It's a fun and frightening horror film that has its problems, but still is effective at creating a claustrophobic horror film. We have a great chat about it. Tune in! Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we’re doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it’s just a nice thing to do. Thanks!! The Next Reel on iTunes The Next Reel on Facebook The Next Reel on Twitter The Next Reel on Flickchart The Next Reel on Letterboxd Guess the Movie with The Next Reel on Instagram Check out the Posters with The Next Reel on Pinterest And for anyone interested in our fine bouquet of show hosts: Follow Andy Nelson on Twitter Follow Pete Wright on Twitter Follow Steve Sarmento on Twitter Check out Tom Metz on IMDB Follow Mike Evans on Twitter Follow Chadd Stoops on Twitter
For many audience members, found footage films are just an opportunity to to film a horror story on the cheap and don't bring anything to the table. There are films, however, that work to use the filmmaking style to their advantage in exploring different ways to tell their stories. Sure, it's a conceit, but if you buy into it, it can make for a fun style of storytelling. Join us -- Pete Wright and Andy Nelson — as we begin our Found Footage Series with John Erick Dowdle's 2008 film "Quarantine." We talk about the nature of found footage films, what they need, why they're often horror films, and why it works in this film. We discuss the script of this film and, while still enjoyable, what big problem crops up late in the film that leads to too many questions and, if thought about critically, can really spoil the story. We chat about the original Spanish film, "[REC]," on which this is based, what the differences are, which version works better, and why the original film's director hates this one so much. We chat about the cast and what they bring to the table in a film largely made up of long shots. And we complain about the marketing images for this film and ponder what could possibly have been their intention when using the film's final image as the poster design. It's a fun and frightening horror film that has its problems, but still is effective at creating a claustrophobic horror film. We have a great chat about it. Tune in! Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we're doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it's just a nice thing to do. Thanks!! The Next Reel on iTunes The Next Reel on Facebook The Next Reel on Twitter The Next Reel on Flickchart The Next Reel on Letterboxd Guess the Movie with The Next Reel on Instagram Check out the Posters with The Next Reel on Pinterest And for anyone interested in our fine bouquet of show hosts: Follow Andy Nelson on Twitter Follow Pete Wright on Twitter Follow Steve Sarmento on Twitter Check out Tom Metz on IMDB Follow Mike Evans on Twitter Follow Chadd Stoops on Twitter
For many audience members, found footage films are just an opportunity to to film a horror story on the cheap and don't bring anything to the table. There are films, however, that work to use the filmmaking style to their advantage in exploring different ways to tell their stories. Sure, it's a conceit, but if you buy into it, it can make for a fun style of storytelling. Join us -- Pete Wright and Andy Nelson — as we begin our Found Footage Series with John Erick Dowdle's 2008 film "Quarantine." We talk about the nature of found footage films, what they need, why they're often horror films, and why it works in this film. We discuss the script of this film and, while still enjoyable, what big problem crops up late in the film that leads to too many questions and, if thought about critically, can really spoil the story. We chat about the original Spanish film, "[REC]," on which this is based, what the differences are, which version works better, and why the original film's director hates this one so much. We chat about the cast and what they bring to the table in a film largely made up of long shots. And we complain about the marketing images for this film and ponder what could possibly have been their intention when using the film's final image as the poster design. It's a fun and frightening horror film that has its problems, but still is effective at creating a claustrophobic horror film. We have a great chat about it. Tune in!* * *Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we're doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it's just a nice thing to do. Thanks!!- [The Next Reel on iTunes](https://itunes.apple.com/us/podcast/the-next-reel/id478159328?mt=2)- [The Next Reel on Facebook](https://www.facebook.com/TheNextReel)- [The Next Reel on Twitter](http://twitter.com/thenextreel)- [The Next Reel on Flickchart](http://www.flickchart.com/thenextreel)- [The Next Reel on Letterboxd](http://letterboxd.com/thenextreel/)- [Guess the Movie with The Next Reel on Instagram](http://instagram.com/thenextreel)- [Check out the Posters with The Next Reel on Pinterest](http://pinterest.com/thenextreel)And for anyone interested in our fine bouquet of show hosts:- [Follow Andy Nelson on Twitter](http://twitter.com/sodacreekfilm)- [Follow Pete Wright on Twitter](http://twitter.com/petewright)- [Follow Steve Sarmento on Twitter](https://twitter.com/mr_steve23)- [Check out Tom Metz on IMDB](http://www.imdb.com/name/nm1224453/?ref_=fn_al_nm_1)- [Follow Mike Evans on Twitter](https://twitter.com/ubersky)- [Follow Chadd Stoops on Twitter](https://twitter.com/ChaddStoops)
For many audience members, found footage films are just an opportunity to to film a horror story on the cheap and don't bring anything to the table. There are films, however, that work to use the filmmaking style to their advantage in exploring different ways to tell their stories. Sure, it's a conceit, but if you buy into it, it can make for a fun style of storytelling. Join us -- Pete Wright and Andy Nelson — as we begin our Found Footage Series with John Erick Dowdle's 2008 film "Quarantine." We talk about the nature of found footage films, what they need, why they're often horror films, and why it works in this film. We discuss the script of this film and, while still enjoyable, what big problem crops up late in the film that leads to too many questions and, if thought about critically, can really spoil the story. We chat about the original Spanish film, "[REC]," on which this is based, what the differences are, which version works better, and why the original film's director hates this one so much. We chat about the cast and what they bring to the table in a film largely made up of long shots. And we complain about the marketing images for this film and ponder what could possibly have been their intention when using the film's final image as the poster design. It's a fun and frightening horror film that has its problems, but still is effective at creating a claustrophobic horror film. We have a great chat about it. Tune in!* * *Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we're doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it's just a nice thing to do. Thanks!!- [The Next Reel on iTunes](https://itunes.apple.com/us/podcast/the-next-reel/id478159328?mt=2)- [The Next Reel on Facebook](https://www.facebook.com/TheNextReel)- [The Next Reel on Twitter](http://twitter.com/thenextreel)- [The Next Reel on Flickchart](http://www.flickchart.com/thenextreel)- [The Next Reel on Letterboxd](http://letterboxd.com/thenextreel/)- [Guess the Movie with The Next Reel on Instagram](http://instagram.com/thenextreel)- [Check out the Posters with The Next Reel on Pinterest](http://pinterest.com/thenextreel)And for anyone interested in our fine bouquet of show hosts:- [Follow Andy Nelson on Twitter](http://twitter.com/sodacreekfilm)- [Follow Pete Wright on Twitter](http://twitter.com/petewright)- [Follow Steve Sarmento on Twitter](https://twitter.com/mr_steve23)- [Check out Tom Metz on IMDB](http://www.imdb.com/name/nm1224453/?ref_=fn_al_nm_1)- [Follow Mike Evans on Twitter](https://twitter.com/ubersky)- [Follow Chadd Stoops on Twitter](https://twitter.com/ChaddStoops)