Podcast appearances and mentions of Owen Wilson

Brande - my 200th guest!It was wonderful to finally sit down with Brande and talk to her about her role in Wes Craven's “Dracula II: Ascension” and getting a better understanding of what it was like to play her role as ‘Tanya' and to gain insight what it was like to film the movie as well. We also dived in about her movie, “Wineville” which happens to be her directorial debut! I am certain that the movie is going to make an impact in the horror community. It's most certainly a great achievement for any actress to direct her first film, especially when you are as talented as she is. We also kind of went off topic and spoke about her role in “Starsky and Hutch” acting alongside Ben Stiller and Owen Wilson! She gave a little tidbit about a scene that was 100% improvised and the director kept that scene in the movie.Brande provides some resounding advice for those aspiring actors and actresses at the end of the interview, advice you might want to take her up on.You can catch Brande in the horror convention circuit but mostly in her most recent movie, “Wineville” which can be watch anywhere where movies are streamed. You can also follow her on Facebook and Instagram and show her your support!

Remember when the 70s were only 30 years ago? Well put your flares back on as we go back to 2004 and then back to the 70s to watch Starsky & Hutch!Jump in your Gran Torino and crank up the radio to hear us discuss multiple montages, water bed ponderance and Iguana tail removal!Thanks for listening! You can find us here: Instagram - ThatsHindsightpod Twitter - ThatsHindsight Facebook - ThatsHindsight Email - thatshindsight@gmail.com Please feel free to give us any feedback, suggestions or just send us a lovely message

This week we spent as much time talking about Trey Lance as we did "Behind Enemy Lines" starring Owen Wilson. Follow us on Betstamp and we can amend Gene Hackman's IMDB! https://signupexpert.com/thfantac Hosted on Acast. See acast.com/privacy for more information.

Jan de Bont's adaptation of Shirley Jackson's novel bears little resemblance to the source material, much less the 1963 Robert Wise film, but with all the talent that worked on the movie it should have still been a success. Stephen King and Steven Spielberg both pitched in, but for whatever reason they couldn't save the movie from critical disappointment. Stars Catherine Zeta Jones, Owen Wilson, Liam Neeson, and Lili Taylor are all there, too, but can they elevate the movie above cheap thrills? Enjoy this former Patreon-exclusive episode! Episode Links Support the show on Patreon for bonus content, merch, and the ability to vote on upcoming projects! https://www.patreon.com/inktofilm Get any of the source novels at the Ink to Film Bookshop: https://bookshop.org/shop/inktofilm Ink to Film's Twitter, Facebook, Instagram, Bluesky (@inktofilm) Home Base: inktofilm.com Luke Elliott Recent publications: “Your Black Apron Meal Kit Has Arrived” in the Even Cozier Cosmic anthology https://bookshop.org/a/23566/9781630230975 “Beyond Heaven” in the Beyond the Vanishing Point anthology: https://a.co/d/cTwnwz7 Website: www.lukeelliottauthor.com Social Media Accounts: www.lukeelliottauthor.com/social James Bailey Bluesky: https://bsky.app/profile/jamebail.bsky.social IG: https://www.instagram.com/jamebail/

Nel suo podcast “In Real Life”, Marco Maisano racconta le storie vere, assurde e incredibili di persone che potrebbero essere i nostri vicini di casa. In questa puntata di “Che film guarda stasera?”, invece, racconta a Betty Senatore la storia cinematografica che più lo diverte rivedere sul divano: “I Tenenbaum” di Wes Anderson. Una commedia un po' surreale su una famiglia altrettanto disfunzionale, con un cast stellare composto da Gene Hackman, Anjelica Huston, Ben Stiller, Gwyneth Paltrow e Owen Wilson.See omnystudio.com/listener for privacy information.

Welcome back to Morgan Hasn't Seen with Jeannine Brice & Morgan Robinson!!The return of one of Morgan Hasn't Seen's original favourite series formats for April as Jeannine has crafted together another fascinating, and rather silly, look at Movies Based On TV Shows! They will also be watching an episode of each show discussed to see how it compares to its movie adaptation!The series starts with the seminal 70s buddy cop show starring David Soul & Paul Michael Glaser and its early 2000s frat pack adjacent movie version, STARSKY & HUTCH (2004) starring Ben Stiller, Owen Wilson, Snoop Dogg & Vince Vaughn!Our YouTube Channel for all our regular videos:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vow⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Donate:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.buymeacoffee.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Patreon:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IT'S A WONDERFUL PODCAST STORE:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.teepublic.com/user/g9design⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sub to the feed and download now on all major podcast platforms and be sure to rate, review and SHARE AROUND!!Keep up with us on (X) Twitter:Podcast:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Morgan:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/Th3PurpleDon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jeannine:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/JeannineDaBean_⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Keep being wonderful!!

Another Chinese spy ship has been spotted off the Australian Coastline. Donald Trump is not ruling out the possibility of seeking a third term in the White House. And Super star Owen Wilson has jetted into Sydney to film his next movie role.See omnystudio.com/listener for privacy information.

Another Chinese spy ship has been spotted off the Australian Coastline. Donald Trump is not ruling out the possibility of seeking a third term in the White House. And Super star Owen Wilson has jetted into Sydney to film his next movie role.See omnystudio.com/listener for privacy information.

This week, we're having a ball -- scrapping, yelling and mixing it up, loving every minute with this damn crew as we close out Gene HackMarch with a regal induction into the podcast canon. It's 2001's The Royal Tenenbaums, directed by Wes Anderson, co-written by Wes Anderson and Owen Wilson, and starring Gene Hackman, Anjelica Huston, Ben Stiller, Gwyneth Paltrow, Luke Wilson, Owen Wilson, Bill Murray, Danny Glover and the voice of Alec Baldwin. While Anderson launched himself to prominence with Rushmore, Tenenbaums marked the full-throated arrival of a confident new voice in American cinema, and arguably remains his best effort nearly two and a half decades later. Perfectly utilising Hackman's gruff hard-ass patriarcal screen presence, cut by the man's easily over-looked and ofter under-utilised comedic abilities, it's a redemption story for an almost historically bad dad -- a funny, feel-good movie that says it's never too late to make things right. Plus: Hayley's got another theatrical outing to report on as she headed to the cinema to catch Black Bag, while both hosts have food fixations on the brain this week. If you'd like to watch the movie before listening along to our discussion, The Royal Tenenbaums is currently available to stream on Disney+, as well as Crave and Starz north of the border. Other works discussed this week include Presence, Kimi, Ocean's Eleven, Enemy of the State, The Conversation, No Way Out, Dirty Dancing, Step Up, Center Stage, Stranger Than Fiction, Arrested Development, Hard Eight, Sliding Doors, The French Dispatch, The French Connection, Isle of Dogs, The Life Aquatic with Steve Zissou, The Darjeeling Limited, The Grand Budapest Hotel, Bottle Rocket, Asteroid City and Eastbound and Down, among many more. We don't know when we'll be back or what we'll be watching, as events in Hayley's life are making recording rather difficult over the next few months. But we will return, so don't fret! We just may be going down to a bi-weekly schedule for the next little while until things blow over. And don't worry, it's nothing bad. Updates coming on our social media feeds when we have them, but until then, we'll see you at the movies!!

Season 7 carries on with 2001's Behind Enemy Lines starring Owen Wilson and Gene Hackman. Lieutenant Chris Burnett is shot during a reconnaissance mission in Bosnia shortly after the Bosnian War of the 1990's. With his co-pilot executed, Chris Burnett (Owen Wilson), must escape to an extraction point that is not only safe for himself, but safe for his Rear Admiral Leslie Reigart (Gene Hackman) to pick him up from to avoid ruining an existing peace agreement.Support the showCatch new episodes of the Where to Stick It Podcast every Tuesday and Thursday. If you like the show, please consider supporting us on Patreon where we upload exclusive content each month for only $3 a month.

Charles Skaggs and Xan Sprouse pay tribute to Gene Hackman as they watch The Royal Tenenbaums, the 2001 comedy-drama directed by Wes Anderson, featuring Gene Hackman as Royal Tenenbaum, Ben Stiller as Chas Tenenbaum, Gwyneth Paltrow as Margot Tenenbaum, and Luke Wilson as Richie Tenenbaum! Find us here:X/Twitter:  @DrunkCinemaCast, @CharlesSkaggs, @udanax19 Facebook:  @DrunkCinema Bluesky:  @charlesskaggs.bsky.social, @udanax19.bsky.social Email:  DrunkCinemaPodcast@gmail.com Listen and subscribe to us on Apple Podcasts and leave us a review!

Coming out of nowhere is Owen Wilson to show us what real confidence is. 

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Send us a textWelcome to the Jungle! Eric, Neil and David talk about the cheese filled snake movie from the late 90's, Anaconda. Watch as John Voight chews up every scene he is. Watch a pre wowified Owen Wilson. Grab your bug spray and join us! 

Okay, gang. Last episode on Jackie for a while! We discuss his two "Shanghai" films with costar Owen Wilson.  Next time we are back with an episode on a film from 2012 with Bruce Willis... wink wink. 

Erik shares his story of drinking too much water and the guys talk poopin your pants, Pisces birthdays, Brendan's torn bicep, rhinos and hippos, getting tattoos under anesthesia, Erik's butt scar removal and meeting Owen Wilson, Nicholas Hoult and the new superman, celebrity blackout tattoos, Matt Rife's boxing skills, favorite scary movies, debate different serial killers and much more! Get two extra episodes every month at https://patreon.com/thegoldenhourpodcast Factor meals - Get started at http://factormeals.com/golden50off and use code golden50off to get 50% off your first box plus free shipping. Get two extra episodes every month at https://patreon.com/thegoldenhourpodcast

In this Season 9 Episode 13 of Milkcrates & Microphones, we bring you the first episode of the new year. Throughout this episode, we dive into a number of different subjects such as Harry Mack's NYE freestyle, Raekwon on the Joe Rogan Experience, MrBeast, A Complete Unknown, the new Eyedea book, unreleased Michael Jackson tapes, Owen Wilson mesmerized by Sexyy Red at Rolling Loud, Logan Paul vs Conor McGregor, the Wayans Bros, Don't Be A Menace Part 2, Happy Gilmore 2, LL Cool J, the drones/orbs mystery, plus so much more. We also bring you your favorite Milk&Mics segments like “This Week in Hip Hop” & “Song Picks of the Week”. Enjoy! Follow us on Youtube @ https://www.youtube.com/channel/UC5Jmk_m0_zhxjjYRHWDtvjQ on Instagram @ https://www.instagram.com/milkandmics/?hl=en and Facebook @ https://www.facebook.com/milkandmics/

In der ARD-Mediathek tauchen plötzlich Geister auf, bei Netflix versuchen sich Vince Vaughn und Owen Wilson an Google, und auf Wow fühlt sich Jan Josef Liefers wie ein „Alter weißer Mann“. Hier entlang geht's zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/was-laeuft-heute >> Artikel zum Nachlesen: https://detektor.fm/kultur/was-laeuft-heute-ghosts-prakti-com-alter-weisser-mann

In der ARD-Mediathek tauchen plötzlich Geister auf, bei Netflix versuchen sich Vince Vaughn und Owen Wilson an Google, und auf Wow fühlt sich Jan Josef Liefers wie ein „Alter weißer Mann“. Hier entlang geht's zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/was-laeuft-heute >> Artikel zum Nachlesen: https://detektor.fm/kultur/was-laeuft-heute-ghosts-prakti-com-alter-weisser-mann

In der ARD-Mediathek tauchen plötzlich Geister auf, bei Netflix versuchen sich Vince Vaughn und Owen Wilson an Google, und auf Wow fühlt sich Jan Josef Liefers wie ein „Alter weißer Mann“. Hier entlang geht's zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/was-laeuft-heute >> Artikel zum Nachlesen: https://detektor.fm/kultur/was-laeuft-heute-ghosts-prakti-com-alter-weisser-mann

Gay homosexuals Nick and Joseph discuss ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Royal Tenenbaums - a 2001 American comedy-drama film directed by Wes Anderson and co-written with Owen Wilson. It stars Danny Glover, Gene Hackman, Anjelica Huston, Bill Murray, Gwyneth Paltrow, Ben Stiller, Luke Wilson, and Owen Wilson.Additional topics include: ⁠97th Academy Awards 45th Golden Raspberry Awards ⁠⁠⁠⁠Illiteracy Black filmmakers who are not Tyler Perry: Eric Lanueville, Robert Townsend, Darnell Martin, Tanya Hamilton, and Debbie Allen The deaths of Gene Hackman, Angie Stone, Roberta Flack, Michelle Trachtenberg, David Johansen, and Jesus GuerreroJoin us on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/FishJellyFilmReviews⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Want to send them stuff? Fish Jelly PO Box 461752 Los Angeles, CA 90046Find merch here: https://fishjellyfilmreviews.myspreadshop.com/allVenmo @fishjellyVisit their website at www.fishjellyfilms.comFind their podcast at the following: Anchor: https://anchor.fm/fish-jelly Spotify: https://open.spotify.com/show/388hcJA50qkMsrTfu04peH Apple Podcasts: https://podcasts.apple.com/us/podcast/fish-jelly/id1564138767Find them on Instagram: Nick (@ragingbells) Joseph (@joroyolo) Fish Jelly (@fishjellyfilms)Find them on Letterboxd: https://letterboxd.com/ragingbells/ https://letterboxd.com/joroyolo/Nick and Joseph are both Tomatometer-approved critics at Rotten Tomatoes: https://www.rottentomatoes.com/critics/nicholas-bell https://www.rottentomatoes.com/critics/joseph-robinson

Beat Migs! And we find out that we actually work with OWEN WILSON!

JC Shurburtt and Mad Dog Mullinax get Mike Morgan's take on the Sellers vs. Lagway debate (if there even is one). The NFL Combine is discussed. Memories of the 2002 Carolina vs. Clemson College World Series meeting from Morgan who called it. Favorite Gene Hackman films and may he RIP. Plus, Luke Wilson or Owen Wilson? The answers will surprise you. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Welcome back to The Movie Draft House! Join us as we review the 1998 Michael Bay film "Armageddon" starring Bruce Willis, Ben Affleck, Billy Bob Thorton, Michael Clarke Duncan, Owen Wilson, and more as we continue our year long theme of "one degree of separation" from the previous weeks' film. Tune in!A run down of the previous weeks films...We finished 2024 with "A Simple Favor" starring Anna KendrickAnna Kendrick was also in "Life After Beth" which starred Paul ReiserPaul Reiser was also in the film "Whiplash" which starred Miles TellerMiles Teller was also in "Top Gun: Maverick" which was written by Peter CraigPeter Craig also wrote "Gladiator II" starring Pedro PascalPedro Pascal was also in "Drive-Away Dolls" starring Margaret QualleyMargaret Qualley was also in "The Substance" which starred Demi MooreDemi Moore was also in "Indecent Proposal" which also starred Billy Bob Thorton...Follow the podcast across all social media!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Send us a textMOVIE DISCUSSION: Kathryn joins Melvin to discuss The Life Aquatic with Steve Zissou, Wes Anderson's follow-up to The Royal Tenenbaums. It's comedy, it's drama, it's silly outfits are all on the table as the two explore ideas of legacy, found-family, and so much more.Topics:(PATREON EXCLUSIVE) 37-minutes discussing the games Kathryn & Melvin are playing, including an "uglicy" in Sims 3 and reflections on over and decade of Call of Duty games. (PATREON EXCLUSIVE)Kathryn has seen more Wes Anderson movies than Melvin, and something about his style was getting to her. Melvin, however, really enjoyed the film.Melvin shares what resonated with him, contrasting it with what he felt The Royal Tenenbaums wasn't able to do a year ago.Steve Zissou is constantly thinking about his future, and is clearly ruminating on his past, and the film takes these things to task as it orients him toward his present.One's legacy is at the forefront of the film, and this is contrasted against nature's beautiful indifference.Kathryn, "...the emotional heart of this movie is definitely Ned."Discussing the ending, and why Melvin loved it so much.Recommendations:And Then We Grew Up: On Creativity, Potential, and the Imperfect Art of Adulthood by Rachel Friedman (2019) (Book)The Peanut Butter Solution (1985) (Movie) Support the showSupport on Patreon for Unique Perks! Early access to uncut episodes Vote on a movie/show we review One-time reward of two Cinematic Doctrine Stickers & Pins Social Links: Threads Website Substack Instagram Facebook Group

Owen Wilson and Vince Vaughn are a pair of mates with a day job, and a wild Wedding season hobby - Crashing Weddings. We learn their strategies, witness their conquests but then follow along as things take a turn, for the worst and better - depending on perspectives. This isn't an Oscar nom style movie, but what does Trev think? Stephen runs him through it and we find out!

In this episode, comedian and actor Ronny Chieng sits with talent manager and producer Barry Katz, to share his journey in stand-up comedy to becoming a correspondent on The Daily Show, and landing his breakout role in Crazy Rich Asians, offering behind-the-scenes insights, and reflecting on how his multicultural background has shaped his comedy and career. Ronny opens up about navigating cultural identity and balancing success across Hollywood and global stages. He also shares career highlights such as opening for Bill Burr, learning from Dave Chappelle, and working with Trevor Noah, Owen Wilson, and Michelle Yeoh. He also praises Jon Stewart as the inventor of modern political satire. Tune in for an inspiring and hilarious conversation about ambition, authenticity, and finding your voice. #StandUpComedy #RonnyChieng #Podcast Blueprint for Success https://www.blueprint-for-success.com Are you a comedian, actor, writer, director, producer, manager, host, podcaster or agent? Would you like personalized help to reach all of your goals in the entertainment business? Click the link to learn more & join our FREE industry networking group full of decades of experience!

"The last time I was in water like this I had to stay up all night picking leeches off my scrotum" Episode 76 of Absolute Cuts sees hosts Mark Nelson and Ryan Cullen discuss the 1997 wasp choking, Owen Wilson shagging, sneering at J-Loing classic Anaconda. Mark & Ryan discuss ruining wrestling for kids, Cullen Oscar play offing Nelson and fucking JON VOIGT. Please get in touch and let us know if you enjoy the podcast, what guests you'd like to see on in future episodes and to suggest a film. Email : absolutecutspodcast@hotmail.com You can follow the podcast on social media here - Twitter : @AbsoluteCuts Instagram : @AbsoluteCutsPod   Please leave a 5 star rating and review if you have enjoyed and recommend us to anyone you think might enjoy the pod.   The Absolute Cuts soundtrack can be found here :  https://open.spotify.com/playlist/7y4PQxrbJk7PJLz3IJKIot?si=1d999a719b17409b You can also find both Nelson and Cullen at the various places below -    Mark Links LIQUID GOLD Tour 2025/26 Tickets https://linktr.ee/marknelsoncomic BBC SPECIAL https://www.bbc.co.uk/iplayer/episode/m0026gr4/mark-nelson-live-from-dumfries Twitter : @marknelsoncomic Instagram : @marknelsoncomic Facebook : MarkNelsonComic Youtube : Mark Nelson - YouTube LINKTREE : marknelsoncomic | Instagram, Facebook | Linktree   Ryan Links NEW SPECIAL https://youtu.be/_EIdRCFlCqk?si=jyznUrONsrcgfztP Twitter : @RyanCullen90 Instagram : @ryancullen90 Tik Tok : @ryancullencomedy Tour Tickets  : https://linktr.ee/ryancullen90 Bookings : ryancullen90 | Twitter, Instagram, Facebook, TikTok | Linktree

When you can't breathe, you can't scream Snake fans rejoice! This week your hosts embrace a Patreon Pick brought to you by patron Jamie Derelict: 1997's Anaconda. Director Terri Flores and her team of documentarians venture deep into the Brazilian rainforest in search of a mysterious tribe, but soon find themselves ensnared in a deadly game when they encounter a mysterious adventurer and a monstrous anaconda. They then must fight for survival against the predator's tightening grip. Will The Boys get choked out? Find out here! Also this week:  Lance and an A.I. song writer write an N.B. song, Dateline's Stoned Phillips, and the best Jon Voight impersonations on the web. All this--and a whole lot more--on this week's episode of NEON BRAINIACS! Check out our Patreon for tons of bonus content, exclusive goodies, and access to our Discord! "This river can kill you in a thousand ways."  ----- Directed by Luis Llosa Starring Jennifer Lopez, John Voight, Ice Cube, Eric Stoltz and Owen Wilson        

Mike Judge's 2006 cult classic, 'Idiocracy'—a film that has sparked debate for nearly two decades. While one of us appreciates it for what it was at the time, the other two think "it's just plain stupid..." Is it clever satire, or just lowbrow absurdity? In this epsiode we break down its social commentary, its unexpected cultural relevance, and whether it deserves its cult status. Send us a textThank you for listening! Don't forget to rate & subscribe. New episodes bi-weekly. Also available on YouTube. All new website coming soon!

Dave McArthur welcomes guest host Kevin Doyle to soberly discuss the 2014 Paul Thomas Anderson film Inherent Vice starring Joaquin Phoenix, Reese Witherspoon, Josh Brolin, Owen Wilson, and Martin Short among others. It's film noir, it's like the Big Lebowski, and it's one of our generation's greatest directors.

Dive headfirst into the absurd and whimsical world of Wes Anderson's "The Life Aquatic with Steve Zissou" with us! In this episode, we dissect the eccentric oceanographer Steve Zissou's quest for revenge against the Jaguar Shark that claimed his partner's life. Join us as we navigate the chaotic crew of the Belafonte, encounter the enigmatic Ned Plimpton, and unravel the mysteries surrounding Team Zissou's latest expedition. We'll explore the film's unique blend of humor, pathos, and stunning cinematography, while discussing its themes of grief, legacy, and the search for meaning in the face of the unknown. From the flamboyant costumes and catchy David Bowie soundtrack to the unforgettable performances by Bill Murray, Cate Blanchett, and Owen Wilson, "The Life Aquatic" is a cinematic experience like no other. We'll share our favorite moments, analyze the film's cultural impact, and debate the true meaning of the "Team Zissou" motto. So grab your flippers and join us for a deep dive into the depths of this Wes Anderson masterpiece. ·Season 4 Episode 39· No More Late Fees  ⁠https://nomorelatefeespodcast.com⁠ 909-601-NMLF (6653) — Follow Us on Social: Instagram https://www.instagram.com/nomorelatefees  TikTok https://www.tiktok.com/@nomorelatefees  Facebook https://www.facebook.com/nomorelatefees Youtube https://www.youtube.com/@nomorelatefees  Twitter https://x.com/NoMoreLateFees  — CONQUERing ⁠⁠myconquering.com⁠⁠ 10% Off Code: JACKIE10 — NostaBeauty https://nostabeauty.com  20% Off Code: NMLF  — Nick Previous Episodes Monsters Inc. https://nomorelatefeespodcast.com/episode/monsters-inc The Great Pixar Debate with Nick https://nomorelatefeespodcast.com/episode/the-great-pixar-debate-with-nick Clerks https://nomorelatefeespodcast.com/episode/clerks Video Tales with Nick https://nomorelatefeespodcast.com/episode/video-store-tales-with-nick Goldeneye https://nomorelatefeespodcast.com/episode/goldeneye Spy Hard: Ranking 90s - 00 Movie Spies with Nick https://nomorelatefeespodcast.com/episode/spy-hard-ranking-90s-00s-movie-spies-with-nick —

Grab your smartphone and get ready to LIVE stream an all new LIVE! This week, the Boiz are watching and reviewing the 2022 feature “Marry Me” starring Jennifer Lopez and Owen Wilson. Take the journey with them as they head to Chicago or Pittsburgh to the Grammys for Math. Laugh alongside them as they watch leading lady Kat Valdez struggle to open doors or operate a blender. Jump in fright at the multiple contractually obligated Jimmy Fallon cameos. Plus, what if Dua Lipa came to your prom? Is J.Lo good at bowling? Who is this movie for? All that and the Pat Scale and it all happens LIVE!

We are off this week for EHG Prime but present you with this EHG Club unlock of EEHG 313: Taking A Journey In The World Of David The Gnome. It's time again for us to submit to the wishes of listeners like you, which is how we've ended up watching the series finale of The World Of David The Gnome. What was clearly conceived as a sweet story about gnomes and animals living harmoniously together in nature takes a WILD turn for its very last episode, so: thanks for exposing us all to that, Matt! Then it's on to your answers to our last Ask Ask EHG question, and our answers to your latest Ask EHG questions about Bryan Fuller's career, whether we are brat, and more. Some Not Quite Winners and Losers get their time in the sun and shade. Then we welcome in the grandpas for cartoon crossovers. Hop onto the fox that transports you around the forest and join us! TOPICS 15s Of Fame:

Send us a textAaron Rosen started doing improv back in 2013 and only tried stand-up a few times before going all-in on it in 2022. A teacher in Jersey City, N.J., he's a favorite among the students. He's a very talented impressionist, too, which helps. He's got Seth MacFarlane's resume down and can do several others -- Billy Porter, Owen Wilson, John Mulaney, Donald Trump and the Hormone Monster. He'll be at the Windsor Comedy Festival in Ontario, Canada, on Friday, Dec. 27 and is a regular at the Laugh Tour Comedy Club in Jersey City.Follow Aaron Rosen: Instagram: https://www.instagram.com/stufffromaaron/ TikTok: https://www.tiktok.com/@stufffromaaron YouTube: https://www.youtube.com/channel/UCvMJIIL924vvGSZVEVP8i6g Bluesky: https://bsky.app/profile/stufffromaaron.bsky.socialSupport the show

Nicky Whelan is an Australian actress and model. She is best known for her roles as Laurie Mitchell in Chosen (2013), and Pepper Steiger in Australian soap opera Neighbours (2006–2007). Before Neighbours, Whelan hosted a number of shows, including Coxy's Big Break (Seven Network), Beyond the Boundary (Network Ten), and Melbourne Woman (Seven Network), and played the fictional celebrity "Chrissie Grant" on Russell Coight's Celebrity Challenge, a spin-off of All Aussie Adventures.[citation needed] Whelan is also known as the face of the rural Victorian city, Shepparton, and she hosted the night racing at Moonee Valley for eight years.[citation needed] Whelan has also posed for a number of Australian magazines, including FHM (in October 2007), Ralph (in November 2005) and Inside Sport. In November 2007, Whelan made a special appearance in Harrow, London, to promote sustainable transport and initiatives that benefit the environment. She also shot some photos for Harrow's 'It's Up to All of Us' campaign. After leaving Neighbours, Whelan moved to Los Angeles. She made guest appearances in episodes of Entourage and Melrose Place, before securing a role in the final season of Scrubs as Maya, an Australian medical-school student, Whelan also stars in the 2010 film Hollywood & Wine alongside David Spade. In November 2010, Whelan appeared in a viral advertisement for Rökk Vodka alongside The Lonely Island. Whelan got her "big break" in the 2011 film Hall Pass, in which she played Leigh, the love interest of Owen Wilson's character. In October 2011, Whelan guest-starred as an attractive telemarketing temp in the episode "Temp-Tress" of the American sitcom Workaholics.  In 2014, Whelan starred in the short-lived action drama series Matador, as well as the apocalyptic thriller film Left Behind as Hattie Durham. The following year, she appeared in comedy film The Wedding Ringer and Terrence Malick's drama film Knight of Cups. In 2017, Whelan appeared in the horror film Tragedy Girls. She also filmed the 2020 mystery drama film Love by Drowning in which she plays the lead. Whelan starred in betting advertisements on Australian television for BetEasy. Whelan was born in Cranbourne, Victoria, Australia. She is the granddaughter of Marcus Whelan, who played in the Victorian Football League between the 1930s and 1940s. In 2016, Whelan became engaged to American football player Kerry Rhodes. Whelan and Rhodes were married in Los Angeles on 15 April 2017. In October 2017, Whelan confirmed that she had left Rhodes and the couple had separated. They divorced that same year. In her spare time, Whelan also trains boxing as well as Brazilian jiu-jitsu

This week on THE WET SLAP, Brant and Slim catch up and talk about world news and being the new kitty. FOLLOW OUR INSTAGRAM

This episode is a deep dive into character acting with the esteemed Anna Garduño, a voiceover artist and coach. The BOSSES share their invaluable insights on mastering the art of engagement in voice acting. Anne and Anna emphasize the importance of enthusiasm and authenticity, and use examples from industry legends to discuss how to breathe life into every line by using script analysis and character creation. The BOSSES also dispel the myth that success in animation voice acting is about being a celebrity, emphasizing that unique and authentic acting choices are what leads to booking success. 00:02 - Jen Keefe (Ad) Hi Anne, this is Jen Keefe from Real Women's Work Podcast. I just wanted to come on and say thank you, thank you, thank you for the series you're doing on AI and voice. I've listened to VO Boss Podcast for a few years now and it's always been informative and helpful, and not only is this series not an exception to that, but it is just the cherry on top. It has been so comforting and helpful to learn about this industry and I just thank you for taking all of the time you must have taken to research and understand, to know what questions to ask so that we're all better informed. It is just awesome, awesome, awesome. I feel excited and confident going forward into the future in the VO industry, all because of this series that you're doing. So, thank you, into the future in the VO industry, all because of this series that you're doing.  00:46 - Anne Ganguzza (Host) So thank you, hey, how's it going? Bosses Anne Ganguzza here. Elevate your voiceover game with our VIPeeps membership. With VIP membership, you can access our extensive library of over 350 hours of pre-recorded workshops. Whether you're interested in commercials, promos, character animation, audioos, character animation audiobooks, video games, corporate narration, audio description or dubbing, our workshops cover it all. Plus, as a VIPeeps member, you'll enjoy a 15% discount on current workshops and complimentary free monthly workshops to further develop your skills. Join VIPeeps today at vopeepscom and take your voiceover career to new heights.  01:31 - Intro (Announcement) It's time to take your business to the next level, the boss level. These are the premier business owner strategies and successes being utilized by the industry's top talent today. Rock your business like a boss, a VO Boss. Now let's welcome your host, Anne Ganguzza.  01:50 - Anne Ganguzza (Host) Hey everyone, welcome to the VO Boss podcast. I'm your host, Anne Ganguzza, and I am here today with very special guest. I'm so excited, Anna Garduno. Anna, thank you so much for joining me today. Thank you.  02:04 - Anna Garduno (Guest) I was completely thrilled when you asked me because the truth is it's been a bit of a goal, a little career goal. To please get me on with the boss.  02:12 - Anne Ganguzza (Host) Oh, I love it, oh my gosh. Well, bosses out there. For those of you that are not familiar with Anna, Anna is a boss. I was just saying this before you came out of the womb.  02:20 A boss, Hilarious you came out of the womb a boss, but recorded her first radio spot when you were 15 years old, shot your first TV job at 17, and currently teaches classes for VO, commercials, animation, promos, narrations and games, and has been nominated Best Voice Over Teacher two years in a row by the readers of Backstagecom. And I wore my Teach, love and Inspire shirt just for you today, Anna. I love it Again. I love the cougar aspect it's a little bit of that sexy?  02:52 - Anna Garduno (Guest) come on, make it happen.  02:54 - Anne Ganguzza (Host) fabulous, you got to add that little bit of flair to it. But, gosh, anybody that knows me knows how much I love teaching. It's so important. It is who I think. I was born to be a teacher and I love talking to other teachers, such as yourself and bosses. So the combination teacher boss love it, absolutely love it. So thanks, first of all, for being here. I know you've got a busy schedule and you know what's interesting. Another fact that you wrote in your bio is that your students have booked over a million dollars in jobs and continue to thrive, which is such a great. I love that you have a number.  03:29 - Anna Garduno (Guest) Well, I imagine that yours have too, and absolutely because I'm sure your students every week say hey, I booked this. Hey, I booked this.  03:38 - Anne Ganguzza (Host) Hey, I booked this. They do, thankfully. Yes, I'm grateful for that. And when?  03:40 - Anna Garduno (Guest) you really think about it when you've been teaching for years, as you and I both have, because I started keeping track, really, and I was actually like, oh well, this is exciting and encouraging. I know you're such an encouraging teacher and there's so many cynics out there and I like to be encouraging. Come from joy, Come from possibility.  03:58 I believe in that too, you know it's so important and I think when people see that they go. Oh, because once in a while I hear people say does anyone really make money in voiceover? And I try not to laugh. Yeah, there's a reason, it's a global industry. So, yes, get that negative interject out of your head Absolutely and go forward.  04:18 - Anne Ganguzza (Host) You know what's so very interesting. Now I'm going to tell you. I was in Pilates this morning and there was a substitute that came in and she was teaching. I'm all about teaching, she was teaching, but she was teaching with a very like kind of monotone sort of and this, and then next we'll put our left toe over our right ear while simultaneously rotating our hip. The whole class, I mean, we're talking 45 minutes of no emotion, and I understand that she was trying to maybe put us in a Zen mode, right, but it was.  04:46 - Anna Garduno (Guest) Pilates Maybe sleepy, not meditation.  04:49 - Anne Ganguzza (Host) And she was really good. Like technically she was really good. But she was shouting out all these instructions and I was listening so hard because her voice was so like even keel, with no like real I would call it elevating the teaching moments. So I was listening so hard, I was exhausted, mentally, okay, and physically. But at the very end, right after this, I had decided, like literally 10 minutes into it, I don't like this class, I don't like this teacher. She's not like. I don't feel an emotion, I don't feel encouragement, I don't feel anything. And when she was done she said oh my God, you guys did so good. And then I immediately loved her and I thought why. You know what I mean. So it really made me reflect on being a teacher for my students and also for the whole e-learning genre. And anybody knows I'm like a broken record, like you have to be everyone's favorite teacher.  05:36 You do, you just do Not just if you teach, but if you're doing e-learning, and so you've got to bring that emotion and that point of view, which I consider and let's have a discussion on this I consider that to be the frosting on the cake, that's the top element when you are there as an actor, right, that is what you're bringing to the copy, no matter what genre you're in.  05:55 - Anna Garduno (Guest) Oh, absolutely. And you bring up such an important point because this I know exactly what you mean. I've had teachers exercise teachers like that also, and I think one of the most challenging things in our industry right now, in whatever genre and I'm sure you've come across this, but correct me if I'm wrong where people say we want it natural, we want it real, yeah, yeah. And actors unfortunately misinterpret that and think, oh, passive, yes, oh, my god, that's casual, so it sounds like you have this passive teacher right now, nobody's passive in life.  06:24 We speak for a reason. We have a lot of musicality in our voice. Even if we're calm and relaxing, there's an intention behind it, even if it's the poppy reed.  06:32 - Anne Ganguzza (Host) I'm just saying I'm just saying the poppy reed has dynamics to it. Oh my God, so much If you were to score that reed and really try to copy it.  06:40 - Anna Garduno (Guest) She goes up, she goes down, she takes pauses. There's all of this musicality. It's not a sleep, and so you bring up a really good point. You have to be engaged with who you're talking to and then it's engaging and it brings people along. Voice work is communication, obviously, but I find too that people get so quiet Sometimes they're disconnected from their breath and not to be too focused about it. But your breath is literally like your life force. So I'm not saying yell, but be connected, and that's why my little company is called Voice Forward, like send your voice forward. You want to connect through the microphone, through whatever, to that other person. You don't want your energy to go here and hi.  07:19 - Anne Ganguzza (Host) I'm halfway to you.  07:20 - Anna Garduno (Guest) And then you stop. You don't want that.  07:21 - Anne Ganguzza (Host) And it's so interesting. I think about it as an older, more mature woman, about communication, right. I mean today everybody's texting right, and it's the communication is changing. But I also feel that for us as voice actors right, our voice is so, so important, and especially in this world of technology and digital everything and synthetic voices right, technology and digital everything and synthetic voices right I think it's more important than ever that our voices really keep that engagement, keep that human aspect of emotion and point of view, because that's what makes us interesting.  07:54 And, honestly, when I choose what I'm going to listen to on a day-to-day basis, honestly it has to be interesting to me and, I think, right for your listener. When you're being engaging and you're behind the mic reading a commercial whatever you're doing a commercial, e-learning corporate you have to connect with that listener to get their attention. Otherwise, I mean, it's always self-serving. Because why do I listen to somebody? Well, I listen to somebody because they've got something that I need right. Either they're educating me or they're entertaining me, right, and hopefully both at the same time. Those are the best teachers and that would be great. So I need to have a reason to listen. And so if you're coming at it from behind the mic where you're like, no, listen to my beautiful voice, you're not connecting.  08:38 And I think that today more than ever, we need to connect and we need to be the actor, and I know that you put in your notes that this is something that you wanted to discuss today about. How can we, as voice actors, get there? I have my methods. I stand on my soapbox all the time and say it's so important, more important than ever, to really bring that connection. Let's talk about how you have your students. How do you elevate your students to be able to do that?  09:03 - Anna Garduno (Guest) Okay, sure, well, I have. There's a couple of things you know. We all come to this as actors. My training, my background, everything is an actor, particularly a theater actor.  09:11 I've been blessed to work with incredible teachers through the years, primarily with Larry Moss and Patsy Rodenberg, who's you know, the premier voice Shakespeare teacher in the world and Stella Adler, who's all about script analysis right For teaching or plays and theater and film, and that's what we do, right, we get a script and then how do we communicate best? And there's two basic things that she talks about that are very rudimentary, that I like to give my students a place to start, which is when you look at text, what is your point of view about people, places, objects and events that you're talking about? Right? So that's how you start, because so often people can do sort of like hi, I'm a generic, happy read sort of like this or I'm a very generic seductive read you know whatever it is.  09:53 So you don't want to be generic, right? So the easiest example is something like about the people I'm talking about. Let's say you have a thing where you say and it's the best ice cream from Ben and Jerry's. So many people do. And I say, well, pretend that Jerry's your absolute best friend and he's a bit of a goofball. So from Ben and Jerry, you know what?  10:09 - Anne Ganguzza (Host) I mean, you know Jerry.  10:11 - Anna Garduno (Guest) Just that. Or say you have a thing where you say so my husband came home with a new computer. Now, if the ad is about the right computer, right, then you're going to say husband, he did a great thing. Now say but the wrong, the anti-commercial, so my husband came home with a new computer.  10:28 - Anne Ganguzza (Host) What is your point of view?  10:29 - Anna Garduno (Guest) about the husband and about the new computer. I mean, it's so basic. And then also, where you are is who you are is a big way to connect to a script too. And are you a CEO talking to another CEO about finance? Or are you that reassuring financial advisor for someone who's really nervous making their first investment?  10:48 Because you can have the exact same text but depending on who you're talking to and I'd like to think like what are you wearing? Really helps me personally. There's a million ways in, but I know if I'm playing a character on TV or something or movie that's like in a full-on business suit, I'm going to stand differently, I'm going to present differently.  11:06 My tone of voice is going to be different, whereas if I'm playing, like you know, the hippie chick from Laurel Canyon which I mentioned, who I am, it's going to be a whole different vibe, a whole different thing. So these are two very simple things that you can look at text right away and circle oh wait, here's the event, here's the object. Or in an animation example, I have a piece of copy I like to work on where someone's putting together a potion you know like to get revenge on somebody, and one of the lines is my potion will be ready and one of the lines is one more lizard leg and my potion will be ready. And so often people will go one more lizard leg and my potion will be ready, right? So I would say, you know, the people who wrote this copy, whatever it is, are often the people hiring you, right? Which wasn't always the case so often, right? So if you can make their text pop out just a little bit, because they could have said anything, they could have said one more batling, one more toad head, they could have said anything, but they said lizard leg.  11:57 And I always joke with my students. They got that approved. You know, disney approved lizard leg. They think they're going to get a bonus at the end of the year for coming up with lizard leg and plus, it's funny, with the two L's, you know lizard leg and the G. So instead of just saying one more lizard leg and my thing is ready, how about you take the number one and it's like you're thinking about it, right, and you go one more and you're looking at your stuff in your mind.  12:22 - Anne Ganguzza (Host) Lizard leg. Lizard leg.  12:23 - Anna Garduno (Guest) Exactly so. It's specifically a lizard leg. So it's really simple and it's what we do in life when we talk about you know, I got these new glasses that I love. I got these new glasses. You know what is your point of view, and so that's the basic thing that I do with people all the time how do you feel about what you're talking about? Not moody, how do you feel, but literally.  12:44 - Anne Ganguzza (Host) I love that. How do you feel it's so important? And how you feel changes and can evolve from the start of your sentence to the end of your sentence can absolutely evolve and it can evolve throughout the script. So I feel like what you're really talking about is, first of all, we need to assess the script, right. We need to assess what's the purpose. The script, right, we need to assess what's the purpose. Why are we saying these words? Right? Who are we saying them to? And again, changing who we're saying them to can make all the difference in the world.  13:11 And what I like to also say is that, like, especially in corporate like, no, you're not talking to your best friend. I need you to be engaging, but Sally could give a crap about SAP. Sally doesn't even know what SAP does or who they are or what they make, right, right? So don't talk to Sally because it's not relevant to Sally, right? And so that whole conversational talk to your best friend. Yes, they may put that in specs, but in reality, you need to talk to the person that's going to benefit from listening to the context of the script, right? So what's the purpose? Are you trying to sell a product? Are you trying to explain how it works, you know, and who is it that needs to listen to that?  13:47 And I had a discussion with La the other day, la Lapidez and we were talking about there's always stakes, right, there's always stakes in the script, and so you've got to know what those stakes are as an actor, right, I mean, we are actors. It is not enough to just read that. And I love how you did the melody in the head about the lizard One more lizard. And it's funny because in our head that's the melody we all hear and I swear we're all on the same wavelength, right. One more. Where does that come from? I don't know, because we read the words and we feel like, oh, initially this is where the emphasis has to go Right, but in the real world we're thinking about things. Well, every sentence is a new idea.  14:25 - Anna Garduno (Guest) Exactly Every sentence is a new idea, and when you're reading or anything like that, and so that's another thing I say is it's a new idea and also a good example of you bring up such a good point about talking to a friend Like what does that mean? Or conversational, what does that mean? And I always say to people going back to you have different kinds of conversations.  14:38 - Anne Ganguzza (Host) Every day.  14:38 - Anna Garduno (Guest) We have conversations every day Exactly, and I tell my students, like, say, you get an audition for Lexus and Subaru the same day and the specs are going to be pretty similar, conversational, real, talking to a friend blah, blah, blah. But Lexus, as we know are usually kind of seductive and a little bit like this and all that. And so I'll say to one student what do you call that? Like, I always have my students come up with titles or names for different types of reads.  15:01 - Anne Ganguzza (Host) Right, what's that?  15:02 - Anna Garduno (Guest) read yeah, and one of my students had the best thing ever. He said I call that my I've earned it guy. Is that great?  15:08 - Anne Ganguzza (Host) Oh, I like it.  15:09 - Anna Garduno (Guest) Yeah, Now the I've earned it guy is right next door to what I like to call the. I know you want it, so it's the same volume, the same note of your voice right the same sound, but there's a slightly different intention. And then the Subaru, which is getting a little more rugged now, but Subaru, as you know, they always end with that love. It's what makes a Subaru.  15:30 - Anne Ganguzza (Host) Yeah, yeah, yeah, it's the family. Family You've got like dogs and kids, exactly, you know, on a picnic Soccer equipment.  15:37 - Anna Garduno (Guest) Yeah, sauger equipment, exactly so I always call that one like the kind of the save the planet mom, yeah, yeah. And what I tell students is those styles cross different brands. So the person who does the Subaru, the save the planet, mom is going to do Kashi, seven whole grains on a mission, and Patagonia and all that. You see they're both having conversations. So I know you know this, but I find to be able to come up with names for the different types is helpful.  16:03 - Anne Ganguzza (Host) Well, and characters You've given a character to it, which is great, rather than I want this sexy read or this seductive read. You've given it a character which I think gives it more definition.  16:13 And I think when you're analyzing, too many of us run into our studios and like, oh, I got it and they play to that melody in their head. Right, they play the melody in the head that probably 90% of everybody that is going in their studios doing the same darn thing. And we've all talked about what do casting directors want? They want to be able to hear something different than 200 of the same kind of melodies right, and so if you're coming up with a different melody or a different story, that's immediately oh cause for, yeah, I'm shortlisting.  16:44 I can tell you me as a casting director, every time I hear somebody that enters into a script and I can tell they've got a story, I'm like shortlist Because there's an actor, there's an actor, there's an actor.  16:53 - Anna Garduno (Guest) And it's about having that point where you bring up a really good point, too, about how do you make your reads stand out, and At that point you bring up a really good point too, about how do you make your reads stand out. And I'm very big on playing with pace, particularly in the first sentence.  17:02 Yeah, yeah, yeah, Almost any first sentence you can play with pace, because often a sentence as you were saying, looking at the text has two ideas in it. So like to use an animation example. I have a piece of copy I love to work with. The first sentence is hey, you know what's the best thing, about being a jellyfish, so that's it right.  17:18 So everyone kind of usually does it that way, like enthusiastic surfer jellyfish. Now, if you just play with pace and you go, you know what's the best thing about being a jellyfish yeah, yeah, yeah, like all of a sudden he's mischievous, or the other way you do it fast.  17:34 You know what's the best thing about being a jellyfish. So already that first sentence is engaging yes, so little things like that. No, I wanted to ask you, anne, I found and you probably come across this too a couple months ago I started working with students on animation who were getting this spec which I thought was hilarious where they would say we want it like you're in a movie, but louder. And my poor students would be like what does that mean? We want in a movie? And I like, when casting people not you, of course, but some people you know don't act, just do it like you're in a movie.  18:06 - Jen Keefe (Ad) Okay.  18:06 - Anna Garduno (Guest) You're. You're acting in a movie, just so you know. So I was sitting there, I go. What do they mean? And I it was what we talked about earlier it means to not be passive, you're told do less, so they've been getting reads. Yeah, yeah, yeah, you're told do less. So they've been getting reads, obviously, from people being very quiet, very hello. I have a mic right here.  18:21 - Anne Ganguzza (Host) Yes hi, yes hi.  18:22 - Anna Garduno (Guest) I'm going to read like this yeah, exactly, and it's like I'm in a movie and I don't have to do anything.  18:27 - Anne Ganguzza (Host) And it's so boring, or you're in a movie theater where you have to be quiet.  18:32 - Anna Garduno (Guest) Yes, exactly. So what they mean is Point of view, don't be passive. Yeah, so they were getting all these under, these de-energized voices, and of course, it's not engaging at all.  18:44 - Anne Ganguzza (Host) And you can be quiet and have a ton of energy. I mean, it's so much about the energy, but it really has nothing to do with volume, right? The energy of the Well, I use a term.  18:52 - Anna Garduno (Guest) I say to people you need more vocal vitality. I don't mean louder, I mean vocal vitality, and it's exactly what we're talking about. You need to have presence in that you're engaged with whoever you're talking to on the other side of that copy, because you're never just talking to yourself, ever Exactly.  19:07 - Anne Ganguzza (Host) I mean, let's talk storytelling. I mean, how important is storytelling? I mean I say it all the time, like I think exhaustively, yeah, but there's storytelling in every like, everything, everything everything right?  19:20 - Anna Garduno (Guest) Yes, absolutely. And also, you're always in the middle of a conversation, too, even if it's e-learning. You've already been talking to somebody about something and now we just happen to pick up the conversation in the middle.  19:29 - Anne Ganguzza (Host) Oh, I love that. I'm always telling people you don't start a script with once upon a time because, right, like cause, that means you just, oh, I thought of it and I'm going to go into a monologue, right, Right. And that means you're not going to engage.  19:41 If you're going to go in you're like that friend that doesn't shut up. You're like, hi, it's all about me, me, me, me, me, me, and I'm just going to talk and I'm not going to allow you to interact at all with me. And I didn't even hear what you said.  19:55 - Anna Garduno (Guest) It was tiring for the listener.  19:58 - Anne Ganguzza (Host) Exactly, exactly, and so you do have to start in the middle, and that's why I'm always saying that moment before right.  20:04 - Anna Garduno (Guest) It's so important, which is your basic acting thing. Right, like what happened before you came in the door, the scene, what happened, like how was the drive over?  20:11 - Anne Ganguzza (Host) Yes, and I'm like no, no, no, no, no. I hear the events that are happening. Tell me what the other person said and then how you responded. And I don't want you to respond with the first word. I want you to respond with maybe something that's rolling into the first word of the script.  20:30 Yeah, give yourself a lead in, because then it doesn't sound like the note like once and we all start on that same pitch. Right, I broke it down technically into musical notes, but still, you don't need to start like, hi, I'm just starting to talk.  20:45 - Anna Garduno (Guest) Yeah, you know no, of course not, but see, the moment before is really important. I imagine you do this with your students too. One of the benefits of doing these auditions at home and working at home is you can try a lot of things, which is and you can also give yourself a lead in, sometimes so that you are literally starting in. You say absolutely.  21:04 Don't stress about that credit card. Let me look. Let me look at the credit card. Like I have a piece of copy that starts out Wait, did you book the bartender? $200 last week. Like that's a good sentence, actually, but how much better is it if you imagine that your friend's upset crying. They're freaking out, Exactly. Listen, let me see you grab it. You go, okay, let me look at this for a minute. Wait, did you? $200? Which really means like, how drunk were you, Dear God?  21:30 - Jen Keefe (Ad) what was that about?  21:32 - Anna Garduno (Guest) And it's just taking that extra moment to put yourself in this situation Absolutely. And then, because you do it at home, you can do that lead in and cut it out. And that's one of the benefits, I think, of doing these auditions at home Because, as you know, in the in-person auditions which are starting up again thank God a little bit you usually get one shot and you can't do that lead in ahead of time.  21:51 - Anne Ganguzza (Host) Well, exactly so. We've talked about the moment before, which, again, I think is so important. We've talked about storytelling. What other things would you say are important for a voice actor to know today in order to get noticed and stand out?  22:06 - Anna Garduno (Guest) Okay, well, this is such a basic thing. It's going to sound so silly, but it's very important to do some homework. We'll just talk right now about two areas, about commercial and animation, but this is true for everything. Actually, listen to what is actually on the air to hear what the styles are, what the tones are and everything. I have students and I'm sure you do too Some, you know, women students who've gone off and raised children and they're coming back 20 years later, right, and everything is like it's in the eighties or the nineties. It's so amped up. I'm like, okay, have you actually heard a commercial? And I'm shocked at how people say, well, no, I stream.  22:43 - Anne Ganguzza (Host) I don't watch TV. Yeah, I don't watch TV. What?  22:46 - Anna Garduno (Guest) What does it matter with you? And what's so nice is you can that's research, yes, and also watch some different animation too, because, as we know, that natural voice, right, which is sort of the BoJack Horseman model, and then there's, you know, slightly more character-y things like in Spongebob, and then there's super cartoony, right. I am shocked at how many people do not actually pay attention to cartoons and they'll say, well, there's so many. How do I start? I go okay, watch movie trailers.  23:12 Watch the movie trailer, for inside out it's three minutes. There's five women and five men. Watch that and take notes. Don't just watch it passively. Write down what are the archetypes, what are the things, and then you put a check mark. So I'm very surprised at how people don't do their research. And I also tell my students it doesn't take long. If you spend half an hour a week listening to commercials in a very specific way and half an hour a week to different animation, listen to 10 minutes of three different shows and take notes on them, you do that for a month solid. Oh my God.  23:43 You have such a better foundation than everybody else. Oh my gosh, it's a very basic thing It'd be hard to audition for a play if you'd never seen a play Right. It would be hard to audition for an hour-long TV show if you hadn't watched hour-long TV in 20 years. You had no idea what those shows are like, because they're different than what they used to be.  24:01 - Anne Ganguzza (Host) And before you run into audition for no Matter what, can you take five to ten minutes to just look up the brand yes and look and see what's their website look? Like what is the product that you're talking about actually do. Do you know the product? Are you familiar with it? What is their demographic? Who are they trying to sell to? I mean, there's so much backstory.  24:22 Again, it's almost like you're doing character study right, but you're doing it about the brand because the brand is looking for a voice. Even if there are casting specs, right, you can always go to a brand and find out, like, who are they selling to and how are they trying to do that by just literally a Google search. Absolutely, and I don't see why people don't take the time to do that. I mean it could take literally five to ten minutes before you rush in and everybody's like I've got to get the audition in. I've got to get the audition in, but do the homework first. Spend five or ten minutes. I don't think that you're going to miss the timing. I mean, I know people are like I've got to get it in first.  24:52 - Anna Garduno (Guest) Also, it's going to be much more efficient. Right, you take five, ten minutes, so like, oh, what is this new? Obviously, I don't know anything about tech stuff. So what is this new tech thing about? I need to find out what it is, and then you can do almost anything in three to four. Takes Almost you know after that.  25:06 So it's not going to take you that long. But I think one of the things I recommend my students do is so that you're not always in a rush right, trying to do the audition and get all this stuff in is set aside a specific time, wednesday morning from 10 to 1030. I'm going to look at ispottv and I'm going to watch 10 car ads in a row and I'm going to write down the differences between them. So if you just set a specific time, then it's part of your ongoing kind of homework and then when you get that audition for Lexus or Jeep you've already seen it and you know what it is.  25:40 And you're like oh, or you can say oh, this is like the absolute vodka ad I just watched. Okay, and that's what that is. So you're not playing catch up. Yeah, and it's the only area of acting I've ever come across and where you can get better at it really fast, because if you have a good ear, you can hear, like students where I've done this myself right, I think I'm sounding very sexy, yeah yeah, and I just sound sad, sad and depressed.  26:07 I'm like, okay, that's bad. Or I'm trying to be enthusiastic and I sound crazy, like I've had 15 cups of coffee, so you can hear it and you can adjust it immediately and that's so satisfying. I mean, I love to do dialects, as I know you do, and you know dialects takes years to really be super great at them. And this is another area about the voiceover world is you can move forward very quickly if you are just consistent, consistent with your study consistent with your class?  26:40 - Anne Ganguzza (Host) Yes, absolutely.  26:42 - Anna Garduno (Guest) Consistent instead of stopping and starting all the time.  26:44 - Anne Ganguzza (Host) I love that. I love that and I try to tell my students you know, look, it's better for you to do one or two scripts a day because I give homework right. And I say it's better for you to do one or two scripts a day because I give homework right. Yeah, and I say it's better for you to do one or two scripts a day, then wait until the night before and then do all the scripts at the same time, because then you're in the same performance mode, right.  26:58 - Jen Keefe (Ad) You're just like, oh God, I've got to get my homework done.  27:00 - Anne Ganguzza (Host) I've got to get my homework done and so I'm going to listen to you. And so one of the reasons why I give homework is to hear, for me I'm vocally branding my students as well, so that we're prepping for the demo. Right, I want to hear them talking about Toyota or I want to hear them talking about Subaru or some other brand and I want to say, okay, I hear that, you know, and for me it's just a creative thing where I'm like, yes, I can hear that she sounds great with that brand, and so now we're going to focus on a spot on our demo for that brand. And so I give lots of homework because, number one, you should be able to practice what we're doing in between our sessions. Otherwise, like you want me to just live direct you once a week, that just, I mean, I don't feel that you're going to progress quickly.  27:45 - Anna Garduno (Guest) Well, what you're talking about, anne, is giving them the structure and the tools to become their own best director. Exactly that's what you're talking about, and that is a gift to give to students.  27:55 - Anne Ganguzza (Host) Thank you for calling homework being a gift. I love that. Oh, it is a gift. Yeah, I love that, and also I always say to people it's optional okay. I don't want to stress you out, yeah me too.  28:03 - Anna Garduno (Guest) I don't want to stress you out, but you're giving them. It was a new student, they go. Well, I just need to be. You know, if I have a director or a cast member, they tell me what to do. And I said to them okay, well, what might they say? And she said, well, they would tell me to be more conversational. I said, okay, and then what would you do? Blank face, yeah, and everyone's different. Like for me to be more conversational. In general, I have to slow down and I have to bring my voice down just a little bit.  28:31 Other people have to go faster.  28:38 - Anne Ganguzza (Host) Typically people pitch up when they're reading. That's just a, I think, human nature kind of thing, but you're right. And then sometimes they just go fast through everything or they go too slow through everything and then they sound too consistent. Consistency is like. I think I can't be stagnant in my business. That's the death of my business, and I think consistency might be the death of a voice actor. Because you can't be consistent in any sound right, because then it sounds robotic, it sounds with no point of view, there's no right, it's rhythm, and point of view is everything.  29:05 - Anna Garduno (Guest) I think Point of view drives the rhythm and sometimes the rhythm is like there's one style that sort of is kind of the opposite of all we're talking about a little bit is I call it a cello read Is that Eternity by Calvin Klein?  29:16 - Jen Keefe (Ad) Right when they just say do less, do less, do less.  29:18 - Anna Garduno (Guest) Right, hi, yes Hi, I'm not going up or down, but that's its own rhythm.  29:22 - Anne Ganguzza (Host) So that's why I call it a cello.  29:24 - Anna Garduno (Guest) So if somebody plays one note on a cell, that's what it is. Yeah, it's like that. So even that is a very specific point of view.  29:32 - Jen Keefe (Ad) Yeah, absolutely.  29:35 - Anna Garduno (Guest) And it makes it dynamic because you're right, if you're just consistent all the way through the same way, it's so boring, yeah, you just stop. It loses any kind of dynamic.  29:42 - Anne Ganguzza (Host) It loses point of view too Correct, it really does.  29:44 - Jen Keefe (Ad) Oh, absolutely yeah.  29:53 - Anne Ganguzza (Host) It's interesting how musical it can be and then yet I don't want my students to approach it necessarily musically. I want them to approach it like an actor, because if you can do that, then ultimately things just fall into place. When you're responding to something, you're acting is reacting. When you're reacting right and you're reacting with the lines in the script, it falls together naturally. It really does.  30:08 And so the rhythm and the melody just fall together, and the emphasis on the words. It just falls together Like it's an easy thing for me to say. However, somehow, when people get words in front of their face, yes, because I was taught to read aloud, you know, in grade school, and I was like yes, me, I love to read, I'm a good reader, and let me hello, I'm going to read my text now, and so you have no time to put a point of view on when you're just reading from left to right, you don't know what the story is. There's no history there, there's no. Who are you talking to? Well, I'm just reading to the air, right?  30:40 - Anna Garduno (Guest) Well, I think you bring up also a really good point too. The approach isn't after the voice will follow the musicality, all that will follow. And something that's a particular challenge is since when we're reading or working, a lot of times we have headphones, so we're hearing ourselves while we're talking and there's a big temptation to be the director, the producer, all at once while you're literally saying your words absolutely you have to not do that.  31:02 So I'm a big advocate just put one headphone on, because you don't ever hear what you actually sound like through your head or your headphones. It's close because you're listening through the speaker of your head, right? So that's that's. The other thing, too, is I tell students don't judge your read like. Listen to it back first before you start making adjustments, or you stop in the middle or you change it or something.  31:21 - Anne Ganguzza (Host) Yeah, that's good, I like that. Wait until you're done. I have the advice, which is interesting I get the one ear on, one ear off. For some people yeah, for some people, because for me, when I was initially starting, I had a lot of like noises coming out and I was evaluating my booth and so I couldn't tell if there was noise and also being directed right. So when you're directed, you kind of have to have your headphones on.  31:42 - Anna Garduno (Guest) Oh no, absolutely Right, You've got to be able to hear the direction.  31:44 - Anne Ganguzza (Host) So I always say your headphones are amplifying your sound, yes, and so if you get used to not listening to your sound and you're into the storytelling, it won't matter if you have headphones on or not. But that's a hard thing for people to do sometimes, because I know when I first started hi, oh, I love this. It's amplifying my voice, you know that kind of thing and it just gets to be a little egocentrical there for a minute. But I don't think any voice acting really should be egocentrical at all. It's something you are gifting right to the person who is listening to you and that is a gift you give to them. It's not about you listening to yourself.  32:20 - Anna Garduno (Guest) Well, even though you're just doing one side of the conversation. You're in fact interacting. Yeah, you are always interacting, and that's when they say talking to a friend. That's what they're trying to say is you're talking about this paper towel is going to soak up that spilled wine. Because you just came to your friend and said, oh my God, I spilled red wine all over my couch, I don't know what to do. You say, oh well, actually this thing is going to help you. You're interacting. Right, it's not about you at all. And it is a challenge sometimes not to fall either, to fall in love with your own voice or to decide.  32:49 You hate everything about it which is also not helpful.  32:52 - Anne Ganguzza (Host) That's so true. So you have to not judge.  32:54 - Anna Garduno (Guest) You have to wait and listen back and then see do I sound like I'm engaging with someone? Because you're always talking, like you say, for a reason. You know, even in animation stuff. You know I was talking to someone the other day about BoJack Horseman because that's such a common spec.  33:10 You know they say we want to like bojack horsemen, not rugrats and things like that. And I had somebody once I think was at sad foundation, wasn't a regular student said, and they said, well, you know, will arnett, they just hired him because you know he's just will arnett all the time. And you know what I said. I said, okay, I see why you're saying that, but my guess is a lot of people would like to play bojack. I bet chris rock would have loved it, paul rudd would have loved it.  33:28 Paul Rudd would have loved it. Owen Wilson would have loved it. There's a lot of comedic Seth Rogen, there's a lot of guys, and Willa and I get it, not because of the sound of his voice, but because he created a character that was engaging. So don't self-sabotage by saying, oh, it's a star. That's all they do. Don't diminish their work and don't diminish your possibility to do work as good, absolutely.  33:52 - Anne Ganguzza (Host) So I think that that's really interesting. Oh, I love that. I love that. Gosh, Anna, I could talk all day to you.  33:58 - Jen Keefe (Ad) Well, that's why we're going to get together and have cocktails and dinner.  34:00 - Anne Ganguzza (Host) There we go Well, there we go Well. I have to say thank you. So so much. Thank you so much and I know that it's been a pleasure having you on. Now you've got a special offer for boss listeners. I do Special offer.  34:12 - Anna Garduno (Guest) Talk to us about that a little bit so for boss listeners. You get 10% off any classes, 10% off any private coaching or things like that, and also 10% off any demos you may want to work on or refresh or anything like that. Just say that you're a fan of the boss lady. The queen herself Love it and I'm very happy to do that. And you can reach me through.  34:33 - Anne Ganguzza (Host) My direct email is AnnaVoiceForward at gmailcom, and just say hey, heard you on the boss, and we'll put that link in the show notes as well to get to your website. And so thank you so much, anna, for being with us today, and I look forward to working with you more in the future. For sure I want to have you as a VO Peeps guest director too, so coming up, so I'll be sending you that schedule. Yay, I would love that. So perfect. Thank you so much. Thank you so much, and so a big shout out to our sponsor, ipdtl. You too can connect and network like bosses. Find out more at IPDTLcom. Bosses. Have an amazing week and we'll see you next week. See you next week, bye, thank you.  35:20 - Intro (Announcement) Join us next week for another edition of VO Boss with your host, anne Ganguza, and take your business to the next level. Sign up for our mailing list at VOBosscom and receive exclusive content, industry revolutionizing tips and strategies and new ways to rock your business like a boss. Redistribution, with permission. Coast-to-coast connectivity via IPD TL.   

Twenty years ago on Christmas Day, Wes Anderson released his fourth feature film into the world. The star-studded Life Aquatic with Steve Zissou was not as an immediate hit as some of Anderson's other films but it's one that has aged incredibly well. Bill Murray leads a cast of phenomenal actors such as Owen Wilson, Cate Blanchett, Willem Dafoe, Jeff Goldblum, Anjelica Huston, and many others as the titular Steve Zissou on a quest for both revenge against the rare (and possibly fictional) shark that killed his partner and best friend, and his long lost dignity and relevance as an oceanographer and documentarian. As funny as it is, the movie also is about a man struggling against his mortality and seeking to repair his legacy. It's charming, exciting, funny, and deeply heartfelt. Whether you revisit this as an old favorite or are coming to it for the first time, we hope you enjoy! We are also thrilled to welcome Dan McCoy (The Flop House podcast, The Daily Show with Jon Stewart) to discuss the film with us. Dan is a veteran writer, comedian, podcaster, and movie watcher and it was a wonderful time having him on to talk about one of his favorite films. Follow/Listen to The Flop House Substantive Cinema Episode List If you're newer to the show be sure to check out our library of 150+ episodes with folks like Filmspotting's Josh Larsen, artist Stephanie Stalvey, Jemar Tisby, New York Times film critic Alissa Wilkinson, Propaganda, actor/director John Carroll Lynch, Kaitlyn Schiess (The Holy Post), and our old pal Slim (Letterboxd & 70mm Podcast). Shoutouts: The Burial Continental Drifter by Kathy MacLeod The Last Stop in Yuma County Hundreds of Beavers Dan: Letterboxd BlueSky Website Follow Us ⁠⁠Instagram⁠⁠ ⁠⁠Twitter⁠⁠ ⁠⁠Philip's Letterboxd⁠⁠ Share Your Questions/Suggestions/Feedback With Us: Email: thesubstancepod@gmail.com DM on Instagram Support Us: Support the show with an individual donation on CashApp to $TheSubstancePod or become a monthly Patreon supporter at patreon.com/TheSubstancePod --- Support this podcast: https://podcasters.spotify.com/pod/show/thesubstancepod/support

This podcast covers New Girl Season 4, Episode 19, The Right Thing, which originally aired on Mar 31, 2015 and was written by Alex Cuthbertson and Matt Fusfeld and directed by Erin O'Malley. Here's a quick recap of the episode:Jess, Cece, and Coach attend the funeral for a guy Jess went on two dates with and “sext”ed. Meanwhile, Schmidt's mom, Louise, comes to visit and Winston is trying to get his cop partner, Aly, to hang out with him! This episode got a 7/10 rating from both Kritika and Kelly and we both had the same favorite character: Winston!While not discussed in the podcast, we noted other references in this episode including:Boyz II Men - “Motownphilly" - When Winston and Aly were helping Winston remember who attended his Bar Mitzvah, they were playing the song Motown Philly, which Winston sang along to. J.J. Watt - The real J.J. Watt guest acted in this episode and played himself where Pete was his agent. Alan Iverson / [Memphis] Grizzlies / [Philadelphia] 76rs - Jess is trying to tell a story about Pete to keep up the ruse or her working with him and mentioned that Allen Iverson should not go to the  "Grizzlies” but should finish his career off with “the '76ers!"Kieran Culkin / Owen Wilson - When Nick thought they may not have the money for the bar, Mike said the right guys would have the money, “Or Kieran Culkin's mouth” and further asked, “How about Owen Wilson's nose?” Additionally we mentioned in our podcast episode a promo video that J.J. Watt filmed for the promo of this episode.Thanks for listening and stay tuned for Episode 20! Music: "Hotshot” by scottholmesmusic.comFollow us on Twitter, Instagram or email us at whosthatgirlpod@gmail.com!Website: https://smallscreenchatter.com/

Jeff Diamant : Heist: The Oddball Crew Behind the $17 Million Loomis Fargo TheftThe inspiration behind the major motion picture Masterminds starring Zach Galifianakis, Owen Wilson, Kristen Wiig, and Jason Sudeikis!The bizarre true story of the criminals behind the second-largest bank heist in American history.One night in a small North Carolina town, a down-on-his-luck guard at Loomis Fargo manages to steal $17 million―literally more than one ton of cash. Despite being caught on camera wheeling the money from the vault to the getaway van, David Ghantt makes off to Mexico before the FBI can blink.There's just one hitch: Ghantt has entrusted the money to an oddball crew of accomplices who had wooed him into committing this massive theft in the first place―and who, he soon learns, are trying to take him out. Now one of the most wanted men in America with the FBI hot on his heels, Ghantt must figure out how to get his money, get away from a hit man, and get even.In this outrageously entertaining book, Jeff Diamant, the Charlotte Observer's lead reporter on the case, offers the definitive inside account of this astonishingtrue story that has captivated American audiences on the news and now on the big screen in the major motion picture, Masterminds.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

Happy Holidays! For some of us, November 1st is the start of the Christmas season. For others, it starts the day after thanksgiving. For even others, it should never start. One of the latter is Ebenezer Scrooge (AKA Dan's character. The one he has been playing for years. Tune in to The supreme resort to learn about the real Dan). Will Dan enjoy this holiday classic? Does Jimmy blindly gush over anything? Does Audrey do a surprisingly good Owen Wilson impression? The answers to all these questions should be obvious, but you'll have to tune in to find out. Enjoy! Leave a review! Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we discuss the Rusty Blackbird. Rusty Blackbird is one of North America's most rapidly declining species. The population has dropped between 85-99 percent over the past forty years, and Amanda and RJ saw one a few weeks ago so we decided to talk about them. Join John Bates, Shannon Hackett, RJ Pole, and Amanda Marquart for Birds of a Feather Talk Together. We also answer a mailbag question on The Big Year (the movie with Owen Wilson, Steve Martin, and Jack Black, and also the book by Mark Obmascik.)Please send us your questions for us to answer as well! You can send them to podcast.birdsofafeather@gmail.comMake sure to follow us on instagram, Blue Sky Social and tik tok as well!!

In this episode, our month of underwater adventures takes us back to 2004 with the fourth film from director Wes Anderson, "The Life Aquatic with Steve Zissou", starring Bill Murray, Owen Wilson, Cate Blanchett and Willem Defoe. Listen now!

Stressed about the biggest election of our lives? Shat The Movies will transport you back to a time when America was united against global terror and supermodels roamed the runways. Join us for the 2001 Ben Stiller comedy, "Zoolander." Hot Sauce Steve won the Shat Fantasy Football League last season and chose "Zoolander" as his prize. This cameo comedy is a true time capsule—touching on disposable fashion, millennial celebrities and a few dated jokes. On this episode, Gene explains why "Zoolander" should be viewed with subtitles. Big D makes the case for reviewing more movies from the 2000s. And Will Farrell proves why he's the funniest guy in every movie he graces. Subscribe Now Android: https://www.shatpod.com/android Apple/iTunes: https://www.shatpod.com/apple Help Support the Podcast Contact Us: https://www.shatpod.com/contact Commission Movie: https://www.shatpod.com/support Support with Paypal: https://www.shatpod.com/paypal Support With Venmo: https://www.shatpod.com/venmo Shop Merchandise: https://www.shatpod.com/shop Theme Song - Die Hard by Guyz Nite: https://www.facebook.com/guyznite

As most of you know, our Patreon audience has the INSIDE access to the KF Show. The year 2024 will be an important one for Patreon specifically and if you'd consider jumping up to the $5 level it would sure help. The $10 level will remain and we now have a brand new $20 level as well! All members who join at that level will receive a sticker swag pack in the mail, you'll be IMMEDIATELY entered in the monthly prize grab, and you'll receive a phone call from one (or all) of us to chat up whatever you want for 30 minutes! Thank you SO MUCH to those of you who have joined in for the extra content that is only for Patreon supporters. To get in on the action and support the show with a minor financial contribution just click the link below to sign up. Join up via Patreon at patreon.com/KFSHOW ======================================== Presented with Holley - Back for 2024!  Phase 3 of Kibbe and Friends is officially here, and Holley is back for more fun, foolishness, and flying orange Chargers! Once again we're proud to be associated with the historic name that has made cars fast for years and years, and their innovations continue forward (as always)! Fall is here and the Holley Fall Into Power deal is now in full swing. Visit Holley.com to find killer deals on many items you've been waiting for…..but know that ALL SALES ARE FINAL. There are full Holley Sniper 2 EFI kits with FULL TIMING CONTROL going for just $2K right now! Visit https://www.holley.com/products/deals/sale and tell them we sent you! ======================================== Car Movie Review: 2004's “Starsky & Hutch” Feature Film K&F Movie Summary: If you combined Old School, Wedding Crashers, Anchorman, and the Hangover with a former Dukes of Hazzard stunt driver, you'd get this; an unbelievably funny remake with great car action, great music, and likely a pure hatred from original fans of the show! Ben Stiller and Owen Wilson play Detectives David Starsky and Ken Hutchison in the 2004 Hollywood remake of Starsky and Hutch. They chase bad-buy-drug-lord Vince Vaughn across fictional Bay City in a hopped up '76 Gran Torino, painted Dodge Viper red with a beefed up small block Ford under the good. They get in a dance off, are accosted by Will Ferrell into acting like naked dragon riders, shoot a pony and a Karmann Ghia, all just to get to the bottom of the mysterious untraceable cocaine deal that Jason Bateman (Vaughn's henchman) is making happen. This movie is full of one liners, good cars, and a version of Huggy Bear played by Snoop Dogg that'll give you faith in the underworld. But best of all, it ends in a car chase littered with jumps across a golf course and (almost) landed on a yacht.   10 Striped Tomatoes all around! ======================================== Join up via Patreon at patreon.com/KFSHOW Kibbe, Corndog, and the Bern! National Parts Depot Presents: Bernie on the News! https://www.npdlink.com. The post K&F Show #310: Do It. Do it. Car Movie Review – “Starsky & Hutch” first appeared on The Muscle Car Place.

High thoughts! Fucked Up Physics! Things Phoebe saw (and endured for 23 seconds) while she was high!

Last month saw the passage of Sandy Komito, perhaps the ultimate Big Year birder. Not only did he set records twice, but his second attempt, along with Al Levantin and Greg Miller, was the subject of Mark Obmascik's book, The Big Year. That book because a movie of the same name, where an exagerated version of Komito was played by Owen Wilson. While a great deal of artistic license was taken in the underhanded behavior of Wilson's character, the drive, passion, and charisma was recognized by those who befriended Sandy over the years. In light of his passage, we bring you a series of interviews by the ABA's Greg Neise, where Sandy tells the stories of his Big Year and what it takes to put it all together not once, but twice, in his own words.  Thanks to our friends at FeatherSnap for sponsoring this episode. Feathersnap is a smart bird feeder with AI bird identification capabilities that send photos of the birds visiting your yard. Capture every moment with FeatherSnap. Subscribe to the podcast at Apple Podcasts, Spotify, or wherever you get your podcasts and please leave a rating or a review if you are so inclined! We appreciate it! And don't forget to join the ABA to support this podcast and the many things we do for birds and birders!

Yerrr we got Dax Shepard in the studio, we talk going on a date with Matthew McConaughey, meeting the legendary Jack Black, and breaking down what it's like to be part of a major movie flops. We also get real about what it truly means to be a good man in today's world. INDULGE! 00:00 Intro 1:30 Bringing up hard topics + No-one cares 4:50 Classic Films that bombed 7:35 Theaters aren't done + Top Gun Maverick proves it 12:32 Our very different algorithms 15:38 Top Gun 1 is aight + PATRIOTISM 17:07 Bad guys from the past + Stalin too handsome 19:35 Top 3 Good People ever + Ulysses S. Grant??? 26:08 Dyslexia is Dax's super power 27:48 Hot Mom Segment + Dax's Mom is a GANGSTER 31:49 Being too traditional 35:00 Lack of father + Establishing manhood 36:44 Best Fight Win, Hating Bullies + Containing aggression 48:21 Matthew McConaughey is IMMENSE 1:01:04 Woody Harrelson is awesome + Walton Goggins' underrated 1:03:26 Will Jack Black will stand me up? 1:07:32 Therapy, worthiness + Impostor syndrome 1:16:32 Approaching Superstars + Fan interactions 1:22:37 Owen Wilson joins the podcast 1:24:17 People being able to float through life 1:26:56 Being Dad 1:32:14 Growing up in privilege 1:34:16 Resolving conflict + Setting expectations 1:39:28 Creating challenge for his kids 1:42:19 Managing your own relationship 1:46:47 How to make a relationship last? 1:53:42 Most impactful podcast episode? 1:55:54 Realising the podcast was for Dax 2:00:37 Dax's reason to do the podcast

Marc fell on his face and made a new special about it. Maron comes to break bread with Tom Papa and talks smoking with Keith Richards and how to avoid owning a cigar shop in a strip mall. Marc gushes over Taylor Swift, patchouli, New Jersey, and Wendy's. The two talk about how awful acting is and Marc's new show on Apple TV+ with Owen Wilson, and making Eddie Murphy and Larry David laugh.