Podcast appearances and mentions of kaya press

Show Notes: Bonni Theriault initially went to business school and worked as a business analyst at McKinsey for a few years, where she worked with consumer products for companies and marketing. After working at Pepperidge Farm for a couple of years, she decided to build her own company and joined forces with a woman who was the head of advertising at Campbell Soup, and together they launched a brand strategy company where they worked for companies like Cadbury Schweppes, Johnson and Johnson, and Stryker. From Marketing to Coaching to Global Emergency Care After 13 years at the company, Bonni found herself tired of constantly pitching to employers and sought coaching roles. She had previously worked closely with the McKinsey assessment team, coaching candidates and helping them improve their interview skills. And so, with the experience under her belt, she returned to McKinsey as a professional development manager. When her oldest son turned 14, she took two years off to spend more time with her children and also volunteered with Global Emergency Care, an organization that trains emergency medicine nurses in Uganda. She worked with Global Emergency Care's marketing and fundraising for two years on a volunteer basis. The Role of Chief Partnerships Officer at Generation When Bonni decided to return to work, she wanted to stay in the social sector but was offered a position at McKinsey. She worked there until an opportunity at Generation was presented. Generation is an independent non-profit that works with unemployed individuals. Bonni has now worked there for seven years. Bonni explains that her responsibility as chief partnerships officer includes global fundraising and employer partnerships for Generation, a company operating in 17 countries worldwide. They train across 40 different professions, based on labor dynamics in each country. They conduct extensive research before starting a training program to identify job vacancies and bring learners from historically underrepresented groups, and they focus on employment in five different industries: tech, green jobs, customer service and sales, skilled trades, and healthcare. They also teach behavioral skills and the importance of having a growth mindset.  The Impact of AI in Job Forecasting and Training AI has been a topic of interest for Generation, as it impacts the skills needed to train learners in specific roles. Bonni explains that they have analyzed various roles, including entry-level roles, which may go away entirely or be significantly impacted by AI, and roles that might have a different set of skills. Jobs such as solar panel installation or healthcare, are likely to be more resilient over time in the face of AI. They are also considering more jobs in the data center technician category, where tech roles are more hands-on and dealing with equipment than providing coding or IT support. How Generation Is Using AI The organization is using AI to deliver training to learners and alumni, ensuring they have the necessary skills for their jobs. They have created AI modules for learners and alumni to help them upskill and remain relevant in their work. AI is also used to help develop the curriculum, with chat bots helping learners answer first-line questions and focusing on more complex material. This helps streamline the curriculum creation process, as it often involves research and talking to subject matter experts. Operational efficiencies are also being used to improve efficiency and effectiveness. Working as a Professional Development Manager  The conversation turns back to Bonni's as a professional development manager at McKinsey. She mentions that a lot of time was spent negotiating with partners and consultants to find the right balance between professional growth and client needs. She built relationships of trust between consultants and partners to influence decisions in a way that was best for everyone involved. She also focused on performance evaluation, helping people understand their strengths and areas for improvement, and helping them find ways to build skills through studies, formalized training, coaching, or mentorship.  Marketing Goldfish and Chocolate Bonni shares her experience working on marketing Goldfish, a product that was initially marketed as a snack for adults drinking beer in bars but later was marketed to moms as an appealing snack for children. She also discusses her experience working with Cadbury, a chocolate brand that had over 150 chocolate brands worldwide. She worked on a brand architecture project to help consolidate these brands and increase their advertising dollars. She was sent boxes of chocolate bars from around the world to analyze packaging and brand identity and helped create seven mega brands for Cadbury, which led to a significant increase in their chocolate market share. Influential Harvard Courses and Professors Bonni mentions a course taught by Professor Dominguez where he focused on critical thinking. He presented different perspectives on events, presenting different sides as the truth. This skill has been passed down through her life and has become essential in today's world. Bonni wishes more classes would take this approach, as it helps students analyze and think critically about various situations and perspectives. Bonni's experiences with Professor Dominguez's course and her critical thinking skills have shaped her life and career. Timestamps: 02:29: Transition to Coaching and McKinsey  05:41: Role at Generation and Impact on Workforce  09:43: Impact of AI on Training and Roles  15:02: Learners vs. Students and Personal Time Management  20:55: Professional Development at McKinsey  22:59: Goldfish Marketing Strategy and Cadbury Brand Architecture  28:29: Travel Experiences and Language Skills  32:06: Influence of Harvard Courses and Critical Thinking  Links:   LinkedIn: https://www.linkedin.com/in/bonni-theriault-710b79/  Website:  www.generation.org Featured Non-profit: The featured non-profit of this week's episode of The 92 Report is recommended by Juliana Koo who reports: “Hi. I'm Juliana Koo, class of 1992. The featured nonprofit of this episode of The 92 report is Kaya Press. Kaya is a publisher of Asian diasporic literature, and I was the managing editor for nearly a decade in the 1990s and now serve on the board. You can learn more about Kaya's work at WWW dot k, a, y, adotcom, and now here's Will Bachman with this week's episode.” To learn more about their work, visit: www.kaya.com.

treehugger has bounced from Julia Plevin's offer “what message might invasive species have to share for you” to the Just Language invitation to pay more respect and humility to them. Now Jenny Liou leads us through a critical rethinking of invasive species. This is the episode where we tell shories about identity/politics, our entanglement with weeds, the invasive vs. native ideology and more. Jenny Liou is an English professor at Pierce College and an avid naturalist and ecological restorationist. She likes thinking and writing about bodies – bodies of thought, the mineral body of the loess-covered plains where she grew up, bodies of water – the rivers along whose banks she has explored the Pacific Northwest and her family's history in China, the body of the Pacific which divides her from that part of her family. She lives and writes near that ocean in Tacoma, Washington. “Am I an Invasive Species?” in Hight Country News from July 9, 2020 Washington Native Plant Society South Sound Chapter – “The Invasion that Sustains Us: Himalayan Blackberries and Invasive and National Discourses in Native Plant Conservation” https://www.wnps.org/events/1527 Samples of Jenny's work and more on her website https://www.jennyhwayuliou.com Muscle Memory from Kaya Press https://kaya.com/authors/jenny-liou It takes a community to keep a podcast going. Donate to the show via Paypal and Venmo and CashApp Music on the show was from DJ Freedem, Chris Haugen and DJ Williams. Tell a few friends about the show and follow the podcast on Instagram and Twitter @treehuggerpod Review treehugger podcast on iTunes

Who is the Snoring Ghost? Why should you bribe future ghosts with a Starbucks card during "Ghost Month"? And why was Chiwan's parents worried the cat was going to kill him? Welcome to an all new episode of Are You There, Ghost? It's Me, Chiwan. Join Chiwan and writer Ed Lin as we find the answers out together. Ed Lin, a native New Yorker of Taiwanese and Chinese descent, is the first author to win three Asian American Literary Awards and is an all-around standup kinda guy. His books include Waylaid, and a mystery trilogy set in New York's Chinatown in the ‘70s: This Is a Bust, Snakes Can't Run and One Red Bastard. Ghost Month, published by Soho Crime, is a Taipei-based mystery, and Incensed and 99 Ways to Die continue that series. David Tung Can't Have a Girlfriend Until He Gets Into an Ivy League College, his first YA novel, is published by Kaya Press in October 2020. #GhostsMonth #EdLin #TaiwaneseGhosts #Haunted

AAWW, Kundiman, & Kaya Press combine to bring acclaimed novelist Ed Lin together with pioneering YA author of FINDING MY VOICE and co-founder of AAWW Marie Myung-Ok Lee, in conversation to celebrate the release of Ed Lin’s YA debut, DAVID TUNG CAN’T HAVE A GIRLFRIEND UNTIL HE GETS INTO AN IVY LEAGUE COLLEGE (Kaya Press, October 2020). Moderated by Ruth Minah Buchwald, Ed Lin and Marie Lee’s dialogue will orbit themes, such as: Asian American study culture; the pitfalls of the “model minority” myth and how to challenge it; multiple standards and (mis)representations of Asian Americans in literature and the media; and coming-of-age in the Asian American diaspora while navigating relationships through race, class, young love, not to mention the confusing expectations of immigrant parental pressure.   https://sohopress.com/books/finding-my-voice/  

Mimi Lok is the guest. Her debut story collection, Last of Her Name, is available from Kaya Press. Lok is the recipient of a Smithsonian Ingenuity Award and an Ylvisaker Award for Fiction, and was a finalist for the Susan Atefat Arts and Letters Prize for nonfiction. Her work can be found in McSweeney’s, Electric Literature, LitHub, Nimrod, Lucky Peach, Hyphen, the South China Morning Post, and elsewhere. She is currently working on a novel. Lok is also the executive director and editor of Voice of Witness, an award-winning human rights/oral history nonprofit she cofounded that amplifies marginalized voices through a book series and a national education program. Learn more about your ad choices. Visit megaphone.fm/adchoices

Buy American Sutra from Harvard Press here Bio from: https://www.duncanryukenwilliams.com/ Duncan Ryuken Williams was born in Tokyo, Japan to a Japanese mother and British father. After growing up in Japan and England until age 17, he moved to the U.S. to attend college (Reed College) and graduate school (Harvard University, where he received a Ph.D. in Religion). Williams is currently an Professor of Religion and East Asian Languages & Cultures and the Director of the USC Shinso Ito Center for Japanese Religions and Culture. Previously, he held the Shinjo Ito Distinguished Chair of Japanese Buddhism at University of California at Berkeley and served as the Director of Berkeley's Center for Japanese Studies for four years. He has also been ordained since 1993 as a Buddhist priest in the Soto Zen tradition and served as the Buddhist chaplain at Harvard University from 1994-96. He is the author of a monograph entitled The Other Side of Zen: A Social History of Soto Zen Buddhism in Tokugawa Japan(Princeton University Press, 2005) and co-editor of seven volumes including Hapa Japan (Kaya Press, 2017), Issei Buddhism in the Americas (U-Illinois Press, 2010), American Buddhism (Routledge, 1998), and Buddhism and Ecology (Harvard University Press, 1997). He has also translated four books from Japanese into English including Putting Buddhism to Work: A New Theory of Economics and Business Management (Kodansha, 1997). His latest book is American Sutra: A Story of Faith and Freedom in the Second World War (Harvard University Press, 2019). He has previously received research grants from the American Academy of Religion, Andrew W. Mellon Foundation, the Lilly Endowment, the Japan Foundation, the Japan Society for the Promotion of Science, the Numata Foundation/Society for the Promotion of Buddhism. In 2011, Williams received a commendation from the Japanese government for deepening the mutual understanding between the peoples of Japan and California.

[gallery columns="1" link="none" size="full" ids="32551,32550,32549,32548,32547,32546"] A live recording of our educational podcast The How, The Why with Neelanjana Banerjee, Anelise Chen and Q.M. Zhang. Neelanjana Banerjee is the Managing Editor of Kaya Press; assistant editor with the Los Angeles Review of Books; instructor with artworxLA and Writing Workshops Los Angeles; journalist; co-editor of Indivisible: An Anthology of Contemporary South Asian American Poetry (University of Arkansas Press); and writer whose works have appeared in anthologies such as Desilicious (Arsenal Press), The HarperCollins Book of English Poetry (HarperCollins India), and Breaking the Bow: Speculative Stories Inspired by the Ramayana (Zubaan Books), as well as in numerous magazines and journals such as PANK Magazine, The Rumpus, Prairie Schooner, and Asian Pacific American Journal. Anelise Chen is the author of So Many Olympic Exertions (Kaya Press 2017), an experimental novel that blends elements of sportswriting, memoir, and self help. She hails from Temple City, California, and received a BA in English from UC Berkeley and an MFA in Fiction from NYU. Her essays and reviews have appeared in the New York Times, NPR, BOMB Magazine, The New Republic, VICE, Village Voice and many other publications. She has received fellowships from the Asian American Writers’ Workshop, the Wurlitzer Foundation, and she will be a 2019 Literature Fellow at the Akademie Schloss Solitude in Stuttgart, Germany. She currently teaches writing at Columbia University and writes a column on mollusks for The Paris Review. Q.M. Zhang (Kimberly Chang), author of Accomplice to Memory (Kaya Press 2017), grew up in upstate New York, lived in China and Hong Kong, and currently makes her home in Western Massachusetts.  She is a writer and teacher of creative non/fiction stories and forms, with a focus on Chinese American border crossings.  Trained in the disciplines of anthropology and psychology, she has published ethnographic studies of Asian diasporic communities on both sides of the Pacific.  Faced with the limitations of her social science tools, she has worked over the last decade to develop herself at the craft of creative non/fiction as the quintessential hybrid literary form for writing about migration and diaspora.  She is an alumni of the Juniper Summer Writing Institute and was a resident writer at the Vermont Studio Center.  Her book, Accomplice to Memory, combines memoir, fiction, and documentary photographs to explore the limits and possibilities of truth telling across generations and geographies.  An excerpt from the book was published in The Massachusetts Review.  She currently teaches at Hampshire College in Amherst, MA. Producer: Jon-Barrett Ingels and Kevin Staniec Manager: Sarah Becker Moderator: Julianne Berokoff Guests: Anelise Chen and Q.M. Zhang Audio: Brew Sessions Live Photo: Arthur Pham     The How, The Why is a half-hour podcast documenting the creative process and the creative purpose hosted by Jon-Barrett Ingels. This free weekly series is an educational resource provided to discuss the evolution of literary arts with industry innovators—authors, journalists, and publishers.

Today our podcast connects with Neelanjana Banerjee, 2016 The Plaza Literary Prize Judge; Managing Editor of Kaya Press; assistant editor with the Los Angeles Review of Books; instructor with artworxLA and Writing Workshops Los Angeles; journalist; co-editor of Indivisible: An Anthology of Contemporary South Asian American Poetry (University of Arkansas Press); and writer whose works have appeared in anthologies such as Desilicious (Arsenal Press), The HarperCollins Book of English Poetry (HarperCollins India), and Breaking the Bow: Speculative Stories Inspired by the Ramayana (Zubaan Books), as well as in numerous magazines and journals such as PANK Magazine, The Rumpus, Prairie Schooner, and Asian Pacific American Journal. Producer: Jon-Barrett Ingels and Kevin Staniec Manager: Sarah Becker Host: Jon-Barrett Ingels Guest: Neelanjana Banerjee

Join us for an evening with authors from Kaya Press, the group of dedicated writers, artists, readers, and lovers of books working together to publish the most challenging, thoughtful, and provocative literature being produced throughout the Asian and Pacific Island diasporas, with special guest Abeer Hoque. The Secret Room In Kazim Ali's wildly inventive novel The Secret Room, written as musical score for a string quartet, he asks: How does one create a life of meaning in the face of loneliness and alienation from one’s own family, culture, or even sense of self? During the space of one single day, the lives of four people converge and diverge in ways they themselves may not even measure. Sonia Chang, a violinist prepares for a concert. Rizwan Syed, a yoga teacher who gives so much to others, makes one last panicked attempt at reconciliation with his own family. Jody Merchant tries to balance a difficult and stressful work-life with a dream she abandoned long ago. Pratap Patel trudges through his life trying to ignore the pain he still feels at old losses. Just like the real musical quality of a string quartet, these four characters weave in and out of one another's experiences in a raw, fluid song that mimics the hidden lives that exist within us all. Praise for Kazim Ali “Here are new organizing principles; to allow ourselves to be organized by music; to be scored. This is a text that suggests not to worry about how to read it. Rather, it extends an invitation to allow the text to happen with us (and/or for us to happen with the text), and this is a Revolutionary Hermeneutics: to open to the experiences of pain and awe. Text as ambient drift we can move through (the same space where healing and magic happens). The way a line divines another, a voice divines a voice, and the emergent conversation, and how this conversation is a hidden music, the music we have been waiting for.”-- Selah Saterstrom, author of Slab and Ideal Suggestions: Essays in Divinatory Poetics "Kazim Ali has managed to render into the English language the universal inner voice." -- Lucille Clifton Kazim Ali's books include five volumes of poetry, The Far Mosque, The Fortieth Day, Bright Felon, Sky Ward, and All One’s Blue: New and Selected Poems; three novels, Quinn’s Passage, The Disappearance of Seth and Wind Instrument; a collection of short stories, Uncle Sharif’s Life in Music, and three collections of essays, Orange Alert: Essays on Poetry, Art and the Architecture of Silence, Fasting for Ramadan and Resident Alien: On Border-crossing and the Undocumented Divine. He has translated books by Sohrab Sepehri, Ananda Devi and Marguerite Duras. He is an associate professor of Comparative Literature and the director of the Creative Writing Program at Oberlin College. The Flayed City Hari Alluri is an author who, according to U.S. Poet Laureate Juan Felipe Herrera, “carries a new, quiet brush of multi-currents, of multi-worlds to paint this holographic life-scape.” In The Flayed City, Alluri gives an intimate look into the lives of city dwellers and immigrants, imagining the souls that reside in “broom-filled nights”, “skyscrapers for buoys”, and under an “aluminum rising sun”. The charged poems in The Flayed City sweep together “an archipelago song” scored by memory and landscape, history and mythology, desire and loss. Driven by what is residual—of displacement, of family, of violent yet delicate masculinity, of undervalued yet imperative work—Alluri's lines quiver with the poet's distinctive rendering of praise and lament steeped with “gravity and blood” where “the smell of ants being born surrounds us” and “city lights form constellations // invented to symbolize war.” Praise for Hari Alluri “Hari Alluri is Michaux for our time. Which is to say: he is the poet who is able to find myth in our days of sorrow and displacement, when so many lose homes and identities, Hari Alluri offers a new music. When cities are destroyed by fire, Hari Alluri offers lyric fire that heals the heart, that lets theimagination save us. When there is nothing left to say and the page of our drive to stop the pain is brightly-lit and blank, Hari Alluri brings a few words that sing, brings them by the hand, gives them to us—not just words but images, sparks, from which the fire comes, from which whole villages are alive again. This is the poet to live with."-- Ilya Kaminsky, author of Dancing in Odessa  [Hari Alluri] carries a new, quiet brush of multi-currents, of multi-worlds to paint this holographic life-scape; a most rare set of poems—with jazz beat word lines, long-line wisdom and open space scenes where you can widen your eyes, scrape your hands and rush into colliding worlds. Bravo, many bravos!” Hari Alluri, who immigrated to Vancouver, Coast Salish territories at age twelve, is the author of Carving Ashes (CiCAC, 2013) and The Promise of Rust (Mouthfeel, 2016). An award-winning poet, educator, and teaching artist, his work appears widely in anthologies, journals and online venues, including Chautauqua, Poemeleon and Split This Rock. He is a founding editor at Locked Horn Press, where he has co-edited two anthologies, Gendered & Written: Forums on Poetics andRead America(s): An Anthology. He holds an MFA in Creative Writing from San Diego State University and, along with the Federico Moramarco Poetry International Teaching Prize, he has received VONA/Voices and Las Dos Brujas fellowships and a National Film Board of Canada grant. Hari currently serves as editor of pacific Review in San Diego, Kumeyaay land. Photo by Cynthia Dewi Oka Olive Witch (Harper 360) In the 1970s, Nigeria is flush with oil money, building new universities, and hanging on to old colonial habits. Abeer Hoque is a Bangladeshi girl growing up in a small sunlit university town where the red clay earth, corporal punishment and running games are facts of life. At thirteen she moves with her family to suburban Pittsburgh and finds herself surrounded by clouded skies and high schoolers who speak in movie quotes and pop culture slang. Finding her place as a young woman in America proves more difficult than she can imagine. Disassociated from her parents and laid low by academic pressure and a spiraling depression, she is committed to a psychiatric ward in Philadelphia. When she moves to Bangladesh on her own, it proves yet another beginning for someone who is only just getting used to being an outsider – wherever she is. Arresting and beautifully written, with poems and weather conditions framing each chapter, Olive Witch is an intimate memoir about taking the long way home. Praise for Abeer Y. Hoque “Told with vivid lyricism yet unflinching in its gaze, Abeer Hoque's memoir is the coming-of-age story of migration on three continents, and about the pain, rupture, and redemptive possibilities of displacement.”
--Tahmima Anam, author of The Bones of Grace "An unflinching yet luminously beautiful take on family, race, sex and the treachery of memory. Don’t be fooled by the frangipani beauty of Abeer Hoque’s prose. Its razor-sharp edges can draw blood."--Sandip Roy, author of Don't Let Him Know Abeer Y. Hoque is a Bangladeshi-American writer and photographer. Her first book of fiction, The Lovers and the Leavers, was published by HarperCollins to critical acclaim. She also has a book of travel photographs and poems, The Long Way Home. She lives in New York City. 

UK journalist Laurie Penny has been covering the 2016 presidential campaign through a feminist lens with dark wit and an eye toward her native country’s alarming Brexit vote last summer. On January 10, 2017, Penny was joined in conversation by Neelanjana Banerjee, managing editor at Kaya Press, to discuss misogyny, sexism and female flesh under capitalism. This event was co-presented with Women’s Center for Creative Work. Suggested reading: “Against Bargaining” Laurie Penny, The Baffler, November 18, 2016 “I’m With the Banned” Laurie Penny, Medium, July 21, 2016 “What Women Problem?” Laurie Penny, Medium, July 18, 2016 Clockshop’s Counter-Inaugural is a series of talks addressing the misogyny, hate speech, and climate change denial that dominated the 2016 presidential campaign. This event was recorded by Rounak Maiti.

The films and videos of Roddy Bogawa are known for their investigation of history and culture via lyrical low-fi means and innovative narrative structures. He has made four feature films, I WAS BORN, BUT… (2004), JUNK (1999), and SOME DIVINE WIND (1991) and most recently the documentary TAKEN BY STORM: THE ART OF STORM THORGERSON AND HIPGNOSIS (2011) and numerous shorts including IF ANDY WARHOL’S SUPER-8 CAMERA COULD TALK (1993), A SMALL ROOM IN THE BIG HOUSE (1988), THE IMAGINED, THE LONGED-FOR, THE CONQUERED, AND THE SUBLIME (1996), and I’M SIMPLY OVERWHELMED, I JUST DON’T KNOW WHAT TO SAY – THANK YOU ALL VERY MUCH. GOOD NIGHT (2002). His films have screened in competition at the Sundance, Mannheim, Hawaii, Oberhausen, and Fukuoka film festivals and the New York Film Festival, New York and Chicago Underground film festivals, Asian American International Film Festival, and South by Southwest, as well as the Museum of Modern Art in New York, Guggenheim and Whitney Museum, and the Moderna Museet in Stockholm and have been reviewed in Variety, the Village Voice, Off Hollywood Report, A Magazine, and Art Forum. He has written on art and film for Frieze, Purple Prose, Documents, Motion Picture, and the magazine Citizen K. In 2013, he had a mid-career retrospective IF FILMS COULD SMELL over six days at the Museum of Modern Art. His book for Kaya Press of the same name is forthcoming this fall. TAKEN BY STORM: THE ART OF STORM THORGERSON AND HIPGNOSIS will have it’s theatrical release at the Museum of Modern Art in New York October 2-8th. 

Art as transformation:  Kate Raphael talks with filmmaker and novelist Lucia Puenzo, whose film THE GERMAN DOCTOR (WAKOLDA), adapted from her novel, opens next week.  Tara Dorabji talks with Shailja Patel, whose one-woman show Migritude, is now a book published by Kaya Press, which celebrates its 20th anniversary this week with a reading at City Lights.  And filmmaker and activist Tracey Quezada talks about what's wrong with the criminal justice approach to child sexual assault and what we can do to address this public health problem as a community. The post Women's Magazine – April 14, 2014 appeared first on KPFA.

On Tonight's Apex Express! We'll start out with Asha Kowtal—an Indian organizer that is raising the voice of Dalit women across India and around the world. Dalit, meaning broken people, are on the bottom of India's caste system and face brutal discrimination. Asha Kowtal will be speaking at UC Berkeley on April 19.   Then, we'll be in conversation with   Shailja Patel, poet, playwright and author of Migritude, a book, which weaves together family history, colonization and love. Migritude is the portrait of a woman in the boot print of Empire. Shailja Patel will be performing at Kaya Press' 20th anniversary party at City Lights in San Francisco on April 17th. We'll also be giving away a pair of tickets to hip-hop orchestra Ensemble Mik Nawooj at Yoshis Oakland. We have all this and more, catch us in the sound waves. Hosted by Tara Dorabji.   The post APEX Express – April 10, 2014 appeared first on KPFA.