Podcasts about arkansas press

Award-winning NY author Sarah Freligh joins us to discuss her new collection OTHER EMERGENCIES (Univ of Arkansas Press), which is the 2025 Moon City Press Editors Choice Selection. Her oeuvre includes several poetry collections and a novella. We read "All That Water," which was first published in Stone Canoe.   https://sarahfreligh.com/Support the show

A newly formed organization in northwest Arkansas wants to keep immigrants in the region informed. On today's Ozarks at Large, Sophia Nourani talks with organizers of the Alliance for Immigrant Respect and Education. Also, the Black-Owned Northwest Arkansas Business Expo is back again and more extensive this time. Plus, a new book from the University of Arkansas Press explores Asian-American identity through recipes, essays and illustrations.

Chuck Heinz and Jamie Lent talk about High School Basketball tonight, nature vs nurture, comments from Joey McGuire, favorite play in Tech bowl game history and Tech vs Arkansas press conference.

Robert Cochran's Haunted Man's Report: Reading Charles Portis (U Arkansas Press, 2024) is a pioneering study of the novels and other writings of Arkansan Charles Portis (1933–2020), best known for the novel True Grit and its film adaptations. Hailed by one critic as “the author of classics on the order of a twentieth-century Mark Twain” and as America's “least-known great novelist,” Portis has garnered a devoted fan base with his ear for language, picaresque characters, literary Easter eggs, and talent for injecting comedy into even the smallest turn of phrase. As a former Marine who served on the front lines of the Korean War and as a journalist who observed firsthand the violent resistance to the civil rights movement, Portis reported on atrocities that came to inform his fiction profoundly. His novels take aim at colonialism and notions of American exceptionalism, focusing on ordinary people, often vets, searching for safe havens in a fallen world. Haunted Man's Report, a deeply insightful literary exploration of Portis's singular and underexamined oeuvre, celebrates this novelist's great achievement and is certain to prove a valuable guide for readers new to Portis as well as aficionados. Robert Cochran is Professor of English at the University of Arkansas. He won a Guggenheim Fellowship in 1989, and has been awarded three Fulbright lecturing assignments (Romania in 1985, Hungary in 1986, and Korea in 1995). Professor Cochran has refused to specialize decently, writing books on topics as remote from one another as Irish playwright Samuel Beckett and Ozark folklore collector Vance Randolph. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers (2016), he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. His work also appears on Pages and Frames. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Robert Cochran's Haunted Man's Report: Reading Charles Portis (U Arkansas Press, 2024) is a pioneering study of the novels and other writings of Arkansan Charles Portis (1933–2020), best known for the novel True Grit and its film adaptations. Hailed by one critic as “the author of classics on the order of a twentieth-century Mark Twain” and as America's “least-known great novelist,” Portis has garnered a devoted fan base with his ear for language, picaresque characters, literary Easter eggs, and talent for injecting comedy into even the smallest turn of phrase. As a former Marine who served on the front lines of the Korean War and as a journalist who observed firsthand the violent resistance to the civil rights movement, Portis reported on atrocities that came to inform his fiction profoundly. His novels take aim at colonialism and notions of American exceptionalism, focusing on ordinary people, often vets, searching for safe havens in a fallen world. Haunted Man's Report, a deeply insightful literary exploration of Portis's singular and underexamined oeuvre, celebrates this novelist's great achievement and is certain to prove a valuable guide for readers new to Portis as well as aficionados. Robert Cochran is Professor of English at the University of Arkansas. He won a Guggenheim Fellowship in 1989, and has been awarded three Fulbright lecturing assignments (Romania in 1985, Hungary in 1986, and Korea in 1995). Professor Cochran has refused to specialize decently, writing books on topics as remote from one another as Irish playwright Samuel Beckett and Ozark folklore collector Vance Randolph. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers (2016), he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. His work also appears on Pages and Frames. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Robert Cochran's Haunted Man's Report: Reading Charles Portis (U Arkansas Press, 2024) is a pioneering study of the novels and other writings of Arkansan Charles Portis (1933–2020), best known for the novel True Grit and its film adaptations. Hailed by one critic as “the author of classics on the order of a twentieth-century Mark Twain” and as America's “least-known great novelist,” Portis has garnered a devoted fan base with his ear for language, picaresque characters, literary Easter eggs, and talent for injecting comedy into even the smallest turn of phrase. As a former Marine who served on the front lines of the Korean War and as a journalist who observed firsthand the violent resistance to the civil rights movement, Portis reported on atrocities that came to inform his fiction profoundly. His novels take aim at colonialism and notions of American exceptionalism, focusing on ordinary people, often vets, searching for safe havens in a fallen world. Haunted Man's Report, a deeply insightful literary exploration of Portis's singular and underexamined oeuvre, celebrates this novelist's great achievement and is certain to prove a valuable guide for readers new to Portis as well as aficionados. Robert Cochran is Professor of English at the University of Arkansas. He won a Guggenheim Fellowship in 1989, and has been awarded three Fulbright lecturing assignments (Romania in 1985, Hungary in 1986, and Korea in 1995). Professor Cochran has refused to specialize decently, writing books on topics as remote from one another as Irish playwright Samuel Beckett and Ozark folklore collector Vance Randolph. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers (2016), he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. His work also appears on Pages and Frames. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Robert Cochran's Haunted Man's Report: Reading Charles Portis (U Arkansas Press, 2024) is a pioneering study of the novels and other writings of Arkansan Charles Portis (1933–2020), best known for the novel True Grit and its film adaptations. Hailed by one critic as “the author of classics on the order of a twentieth-century Mark Twain” and as America's “least-known great novelist,” Portis has garnered a devoted fan base with his ear for language, picaresque characters, literary Easter eggs, and talent for injecting comedy into even the smallest turn of phrase. As a former Marine who served on the front lines of the Korean War and as a journalist who observed firsthand the violent resistance to the civil rights movement, Portis reported on atrocities that came to inform his fiction profoundly. His novels take aim at colonialism and notions of American exceptionalism, focusing on ordinary people, often vets, searching for safe havens in a fallen world. Haunted Man's Report, a deeply insightful literary exploration of Portis's singular and underexamined oeuvre, celebrates this novelist's great achievement and is certain to prove a valuable guide for readers new to Portis as well as aficionados. Robert Cochran is Professor of English at the University of Arkansas. He won a Guggenheim Fellowship in 1989, and has been awarded three Fulbright lecturing assignments (Romania in 1985, Hungary in 1986, and Korea in 1995). Professor Cochran has refused to specialize decently, writing books on topics as remote from one another as Irish playwright Samuel Beckett and Ozark folklore collector Vance Randolph. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers (2016), he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. His work also appears on Pages and Frames. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Robert Cochran's Haunted Man's Report: Reading Charles Portis (U Arkansas Press, 2024) is a pioneering study of the novels and other writings of Arkansan Charles Portis (1933–2020), best known for the novel True Grit and its film adaptations. Hailed by one critic as “the author of classics on the order of a twentieth-century Mark Twain” and as America's “least-known great novelist,” Portis has garnered a devoted fan base with his ear for language, picaresque characters, literary Easter eggs, and talent for injecting comedy into even the smallest turn of phrase. As a former Marine who served on the front lines of the Korean War and as a journalist who observed firsthand the violent resistance to the civil rights movement, Portis reported on atrocities that came to inform his fiction profoundly. His novels take aim at colonialism and notions of American exceptionalism, focusing on ordinary people, often vets, searching for safe havens in a fallen world. Haunted Man's Report, a deeply insightful literary exploration of Portis's singular and underexamined oeuvre, celebrates this novelist's great achievement and is certain to prove a valuable guide for readers new to Portis as well as aficionados. Robert Cochran is Professor of English at the University of Arkansas. He won a Guggenheim Fellowship in 1989, and has been awarded three Fulbright lecturing assignments (Romania in 1985, Hungary in 1986, and Korea in 1995). Professor Cochran has refused to specialize decently, writing books on topics as remote from one another as Irish playwright Samuel Beckett and Ozark folklore collector Vance Randolph. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers (2016), he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. His work also appears on Pages and Frames. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

Twenty Acres: A Seventies Childhood in the Woods – Sarah Neidhardt – University of Arkansas Press – Paperback – 320 pages – 9781682262276 – $29.95 – Published March 7, 2023. Audiobook and ebook versions available at varying prices. Twenty Acres is a wonderful, rewarding family memoir that will resonate both for elder veterans of the […] The post Sarah Neidhardt: Twenty Acres A Seventies Childhood in the Woods first appeared on WritersCast.

Dave Shumate from Mach 10 Sports reacts to John Calipari's opening press conference in Fayetteville. ⬇️ Support SECU ⬇️ PRIZE PICKS Use code "SECU" to receive a 100% deposit match up to $100. https://app.prizepicks.com/sign-up?invite_code=SECU&af_xp=social&source_caller=ui&pid=SECU&utm_content=SECU&utm_source=partner&shortlink=SECU&utm_medium=influencer&utm_campaign=100depositmatch&utm_term=SECU&c=SECU MYBOOKIE Use code "SECU" at signup to receive a special Welcome Offer from MyBookie. https://www.mybookie.ag/ RHOBACK Use code "SECU" for 20% off your first purchase at https://rhoback.com/. Subscribe to SEC Unfiltered, the best SEC podcast on the internet: https://podcasts.apple.com/us/podcast/sec-unfiltered/id1441899352 Website: https://www.secunfiltered.com/ Discord: https://discord.gg/ARtaSp25DH X: ​https://twitter.com/SECUnfiltered Instagram: https://www.instagram.com/secunfiitered/ Facebook: ​https://www.facebook.com/SECUnfiItered Podcast: https://podcasts.apple.com/pl/podcast/sec-unfiltered/id1441899352 Let's get it! Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode, I was thrilled to welcome historian—and fellow Missourian—Kimberly Harper to the show. I am especially delighted by this episode because I get many requests to feature guests who have written history books while off of the tenure track or outside of academia, and Kim is a great example of that. I find guests for the show in a lot different ways – sometimes they are people I am a longtime fan of, other times I see books getting some press, or they pitch themselves for the show or other people suggest them. But I also scan catalogs of upcoming books to make sure I'm catching things that might otherwise get overlooked, and that's how I first learned about Kimberly Harper. I spotted her new book, Men of No Reputation: Robert Boatright, the Buckfoot Gang, and the Fleecing of Middle America in the University of Arkansas Press catalog, and got to read an early copy. I was so impressed by the research and storytelling that I knew I had to reach out right away, and lucky for us, Kim agreed to come on the show. Kimberly Harper earned a master's degree in history from the University of Arkansas, and she is an editor for the Missouri Historical Review. Her first book, White Man's Heaven: The Lynching and Expulsion of Blacks in the Southern Ozarks, 1894-1909, came out in 2010, and it received the Missouri Humanities Council's Distinguished Achievement in Literature award. Kim and I spoke about how some key mentors helped her find her way as a historian and writer, how she is learning to balance her day job, writing, and family life, and how you deal with sources for a book in which everyone is lying. Enjoy my conversation with Kimberly Harper.

In the decades leading up to the Civil War, abolitionists crafted a variety of visual messages about the plight of enslaved people, portraying the violence, familial separation, and dehumanisation that they faced. In response, proslavery southerners attempted to counter these messages either through idealisation or outright erasure of enslaved life. In Hidden in Plain Sight: Concealing Enslavement in American Visual Culture (University of Arkansas Press, 2023), Dr. Rachel Stephens addresses an enormous body of material by tracing themes of concealment and silence through paintings, photographs, and ephemera, connecting long overlooked artworks with both the abolitionist materials to which they were responding and archival research across a range of southern historical narratives. Dr. Stephens begins her fascinating study with an examination of the ways that slavery was visually idealised and defended in antebellum art. She then explores the tyranny—especially that depicted in art—enacted by supporters of enslavement, introduces a range of ways that artwork depicting slavery was tangibly concealed, considers photographs of enslaved female caretakers with the white children they reared, and investigates a printmaker's confidential work in support of the Confederacy. Finally, she delves into an especially pernicious group of proslavery artists in Richmond, Virginia. Reading visual culture as a key element of the antebellum battle over slavery, Hidden in Plain Sight complicates the existing narratives of American art and history. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In the decades leading up to the Civil War, abolitionists crafted a variety of visual messages about the plight of enslaved people, portraying the violence, familial separation, and dehumanisation that they faced. In response, proslavery southerners attempted to counter these messages either through idealisation or outright erasure of enslaved life. In Hidden in Plain Sight: Concealing Enslavement in American Visual Culture (University of Arkansas Press, 2023), Dr. Rachel Stephens addresses an enormous body of material by tracing themes of concealment and silence through paintings, photographs, and ephemera, connecting long overlooked artworks with both the abolitionist materials to which they were responding and archival research across a range of southern historical narratives. Dr. Stephens begins her fascinating study with an examination of the ways that slavery was visually idealised and defended in antebellum art. She then explores the tyranny—especially that depicted in art—enacted by supporters of enslavement, introduces a range of ways that artwork depicting slavery was tangibly concealed, considers photographs of enslaved female caretakers with the white children they reared, and investigates a printmaker's confidential work in support of the Confederacy. Finally, she delves into an especially pernicious group of proslavery artists in Richmond, Virginia. Reading visual culture as a key element of the antebellum battle over slavery, Hidden in Plain Sight complicates the existing narratives of American art and history. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the decades leading up to the Civil War, abolitionists crafted a variety of visual messages about the plight of enslaved people, portraying the violence, familial separation, and dehumanisation that they faced. In response, proslavery southerners attempted to counter these messages either through idealisation or outright erasure of enslaved life. In Hidden in Plain Sight: Concealing Enslavement in American Visual Culture (University of Arkansas Press, 2023), Dr. Rachel Stephens addresses an enormous body of material by tracing themes of concealment and silence through paintings, photographs, and ephemera, connecting long overlooked artworks with both the abolitionist materials to which they were responding and archival research across a range of southern historical narratives. Dr. Stephens begins her fascinating study with an examination of the ways that slavery was visually idealised and defended in antebellum art. She then explores the tyranny—especially that depicted in art—enacted by supporters of enslavement, introduces a range of ways that artwork depicting slavery was tangibly concealed, considers photographs of enslaved female caretakers with the white children they reared, and investigates a printmaker's confidential work in support of the Confederacy. Finally, she delves into an especially pernicious group of proslavery artists in Richmond, Virginia. Reading visual culture as a key element of the antebellum battle over slavery, Hidden in Plain Sight complicates the existing narratives of American art and history. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In the decades leading up to the Civil War, abolitionists crafted a variety of visual messages about the plight of enslaved people, portraying the violence, familial separation, and dehumanisation that they faced. In response, proslavery southerners attempted to counter these messages either through idealisation or outright erasure of enslaved life. In Hidden in Plain Sight: Concealing Enslavement in American Visual Culture (University of Arkansas Press, 2023), Dr. Rachel Stephens addresses an enormous body of material by tracing themes of concealment and silence through paintings, photographs, and ephemera, connecting long overlooked artworks with both the abolitionist materials to which they were responding and archival research across a range of southern historical narratives. Dr. Stephens begins her fascinating study with an examination of the ways that slavery was visually idealised and defended in antebellum art. She then explores the tyranny—especially that depicted in art—enacted by supporters of enslavement, introduces a range of ways that artwork depicting slavery was tangibly concealed, considers photographs of enslaved female caretakers with the white children they reared, and investigates a printmaker's confidential work in support of the Confederacy. Finally, she delves into an especially pernicious group of proslavery artists in Richmond, Virginia. Reading visual culture as a key element of the antebellum battle over slavery, Hidden in Plain Sight complicates the existing narratives of American art and history. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In the decades leading up to the Civil War, abolitionists crafted a variety of visual messages about the plight of enslaved people, portraying the violence, familial separation, and dehumanisation that they faced. In response, proslavery southerners attempted to counter these messages either through idealisation or outright erasure of enslaved life. In Hidden in Plain Sight: Concealing Enslavement in American Visual Culture (University of Arkansas Press, 2023), Dr. Rachel Stephens addresses an enormous body of material by tracing themes of concealment and silence through paintings, photographs, and ephemera, connecting long overlooked artworks with both the abolitionist materials to which they were responding and archival research across a range of southern historical narratives. Dr. Stephens begins her fascinating study with an examination of the ways that slavery was visually idealised and defended in antebellum art. She then explores the tyranny—especially that depicted in art—enacted by supporters of enslavement, introduces a range of ways that artwork depicting slavery was tangibly concealed, considers photographs of enslaved female caretakers with the white children they reared, and investigates a printmaker's confidential work in support of the Confederacy. Finally, she delves into an especially pernicious group of proslavery artists in Richmond, Virginia. Reading visual culture as a key element of the antebellum battle over slavery, Hidden in Plain Sight complicates the existing narratives of American art and history. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In the decades leading up to the Civil War, abolitionists crafted a variety of visual messages about the plight of enslaved people, portraying the violence, familial separation, and dehumanisation that they faced. In response, proslavery southerners attempted to counter these messages either through idealisation or outright erasure of enslaved life. In Hidden in Plain Sight: Concealing Enslavement in American Visual Culture (University of Arkansas Press, 2023), Dr. Rachel Stephens addresses an enormous body of material by tracing themes of concealment and silence through paintings, photographs, and ephemera, connecting long overlooked artworks with both the abolitionist materials to which they were responding and archival research across a range of southern historical narratives. Dr. Stephens begins her fascinating study with an examination of the ways that slavery was visually idealised and defended in antebellum art. She then explores the tyranny—especially that depicted in art—enacted by supporters of enslavement, introduces a range of ways that artwork depicting slavery was tangibly concealed, considers photographs of enslaved female caretakers with the white children they reared, and investigates a printmaker's confidential work in support of the Confederacy. Finally, she delves into an especially pernicious group of proslavery artists in Richmond, Virginia. Reading visual culture as a key element of the antebellum battle over slavery, Hidden in Plain Sight complicates the existing narratives of American art and history. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography

In the decades leading up to the Civil War, abolitionists crafted a variety of visual messages about the plight of enslaved people, portraying the violence, familial separation, and dehumanisation that they faced. In response, proslavery southerners attempted to counter these messages either through idealisation or outright erasure of enslaved life. In Hidden in Plain Sight: Concealing Enslavement in American Visual Culture (University of Arkansas Press, 2023), Dr. Rachel Stephens addresses an enormous body of material by tracing themes of concealment and silence through paintings, photographs, and ephemera, connecting long overlooked artworks with both the abolitionist materials to which they were responding and archival research across a range of southern historical narratives. Dr. Stephens begins her fascinating study with an examination of the ways that slavery was visually idealised and defended in antebellum art. She then explores the tyranny—especially that depicted in art—enacted by supporters of enslavement, introduces a range of ways that artwork depicting slavery was tangibly concealed, considers photographs of enslaved female caretakers with the white children they reared, and investigates a printmaker's confidential work in support of the Confederacy. Finally, she delves into an especially pernicious group of proslavery artists in Richmond, Virginia. Reading visual culture as a key element of the antebellum battle over slavery, Hidden in Plain Sight complicates the existing narratives of American art and history. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

In the decades leading up to the Civil War, abolitionists crafted a variety of visual messages about the plight of enslaved people, portraying the violence, familial separation, and dehumanisation that they faced. In response, proslavery southerners attempted to counter these messages either through idealisation or outright erasure of enslaved life. In Hidden in Plain Sight: Concealing Enslavement in American Visual Culture (University of Arkansas Press, 2023), Dr. Rachel Stephens addresses an enormous body of material by tracing themes of concealment and silence through paintings, photographs, and ephemera, connecting long overlooked artworks with both the abolitionist materials to which they were responding and archival research across a range of southern historical narratives. Dr. Stephens begins her fascinating study with an examination of the ways that slavery was visually idealised and defended in antebellum art. She then explores the tyranny—especially that depicted in art—enacted by supporters of enslavement, introduces a range of ways that artwork depicting slavery was tangibly concealed, considers photographs of enslaved female caretakers with the white children they reared, and investigates a printmaker's confidential work in support of the Confederacy. Finally, she delves into an especially pernicious group of proslavery artists in Richmond, Virginia. Reading visual culture as a key element of the antebellum battle over slavery, Hidden in Plain Sight complicates the existing narratives of American art and history. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

L.J. Sysko is the author of “The Daughter of Man” (April '23, University of Arkansas Press), the 2023 Miller Williams Poetry Series first finalist selected by Patricia Smith, and Battledore (Finishing Line Press), a chapbook about early motherhood. Sysko's poems have been anthologized in “Best New Poets” and “Let me Say This: A Dolly Parton Poetry Anthology” (Madville Publishing) and have appeared in publications such as Ploughshares, The Missouri Review's "Poem of the Week," and Mississippi Review, among others. An MFA in poetry from New England College, a Virginia Center for Creative Arts Fellow, and a 2022 Palm Beach Poetry Festival Thomas Lux Scholar, Sysko is Director of Executive Communications at Delaware State University. Adult content warning: A trigger warning for listeners: this interview includes adult themes and may not be appropriate for children. --- Support this podcast: https://podcasters.spotify.com/pod/show/viewlesswings/support

Join Chris in conversation with Michael Mlekoday, author of All Earthly Bodies (University of Arkansas Press), about passions, process, pitfalls, & Poetry! --- Support this podcast: https://podcasters.spotify.com/pod/show/tpq20/support

On Tuesday, January 24th, 2023, The Lannan Center hosted a reading and conversation with poet Patricia Smith,Patricia Smith is the award-winning author of eight critically-acclaimed books of poetry, including Incendiary Art (Triquarterly Books, 2017), winner of the 2018 Kingsley Tufts Poetry Award, the 2018 NAACP Image Award, and the Los Angeles Times Book Prize, and was a finalist for the Pulitzer Prize; Shoulda Been Jimi Savannah (Coffee House Press, 2012), winner of the Lenore Marshall Prize from the Academy of American Poets; Blood Dazzler (Coffee House Press, 2008), a National Book Award finalist; and Gotta Go, Gotta Flow (CityFiles Press, 2015), a collaboration with award-winning Chicago photographer Michael Abramson. Her other books include the poetry volumes Teahouse of the Almighty (Coffee House Press, 2006), Close to Death (Zoland Books, 1998), Big Towns Big Talk (Zoland Books, 2002), Life According to Motown (Tia Chucha, 1991);  the children's book Janna and the Kings (Lee & Low, 2013), and the history Africans in America (Mariner, 1999), a companion book to the award-winning PBS series. Her work has appeared in Poetry, The Paris Review, The Baffler, The Washington Post, The New York Times, Tin House and in Best American Poetry, Best American Essays and Best American Mystery Stories. She co-edited The Golden Shovel Anthology—New Poems Honoring Gwendolyn Brooks (University of Arkansas Press, 2017), and edited the crime fiction anthology Staten Island Noir (Akashic Books, 2012). She is a Guggenheim fellow, a Civitellian, a National Endowment for the Arts grant recipient, a finalist for the Neustadt Prize, a two-time winner of the Pushcart Prize, a former fellow at both Yaddo and the MacDowell Colony, and a four-time individual champion of the National Poetry Slam, the most successful poet in the competition's history. Smith is a Distinguished Professor for the City University of New York, a visiting professor at Princeton University and an instructor in the Vermont College of Fine Arts Post-Graduate Residency Program.Music: Quantum Jazz — "Orbiting A Distant Planet" — Provided by Jamendo.

Lynching is often viewed as a narrow form of violence: either the spontaneous act of an angry mob against accused individuals, or a demonstration of white supremacy against an entire population considered subhuman. However, in this new treatise, historian Guy Lancaster exposes the multiple forms of violence hidden beneath the singular label of lynching. Lancaster, who has written extensively on racial violence, details several lynchings of Blacks by white posses in post-Reconstruction Arkansas. Drawing from the fields of history, philosophy, cognitive science, sociology, and literary theory, and quoting chilling contemporary accounts, he argues that the act of lynching encompasses five distinct but overlapping types of violence. This new framework reveals lynching to be even more of an atrocity than previously understood: that mobs did not disregard the humanity of their victims but rather reveled in it; that they were not simply enacting personal vengeance but manifesting an elite project of subjugation. Lancaster thus clarifies and connects the motives and goals of seemingly isolated lynch mobs, embedding the practice in the ongoing enforcement of white supremacy. By interrogating the substance of lynching, American Atrocity: The Types of Violence in Lynching (U Arkansas Press, 2021) shines new light on both past anti-Black violence and the historical underpinnings of our present moment. Brandon T. Jett, professor of history at Florida SouthWestern State College, creator of the Lynching in LaBelle Digital History Project, and author of Race, Crime, and Policing in the Jim Crow South (LSU Press, 2021) and co-editor of Steeped in a Culture of Violence: Murder, Racial Injustice, and Other Violent Crimes in Texas, 1965–2020 (Texas A&M University Press, scheduled Spring 2023). Twitter: @DrBrandonJett1. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Lynching is often viewed as a narrow form of violence: either the spontaneous act of an angry mob against accused individuals, or a demonstration of white supremacy against an entire population considered subhuman. However, in this new treatise, historian Guy Lancaster exposes the multiple forms of violence hidden beneath the singular label of lynching. Lancaster, who has written extensively on racial violence, details several lynchings of Blacks by white posses in post-Reconstruction Arkansas. Drawing from the fields of history, philosophy, cognitive science, sociology, and literary theory, and quoting chilling contemporary accounts, he argues that the act of lynching encompasses five distinct but overlapping types of violence. This new framework reveals lynching to be even more of an atrocity than previously understood: that mobs did not disregard the humanity of their victims but rather reveled in it; that they were not simply enacting personal vengeance but manifesting an elite project of subjugation. Lancaster thus clarifies and connects the motives and goals of seemingly isolated lynch mobs, embedding the practice in the ongoing enforcement of white supremacy. By interrogating the substance of lynching, American Atrocity: The Types of Violence in Lynching (U Arkansas Press, 2021) shines new light on both past anti-Black violence and the historical underpinnings of our present moment. Brandon T. Jett, professor of history at Florida SouthWestern State College, creator of the Lynching in LaBelle Digital History Project, and author of Race, Crime, and Policing in the Jim Crow South (LSU Press, 2021) and co-editor of Steeped in a Culture of Violence: Murder, Racial Injustice, and Other Violent Crimes in Texas, 1965–2020 (Texas A&M University Press, scheduled Spring 2023). Twitter: @DrBrandonJett1. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Lynching is often viewed as a narrow form of violence: either the spontaneous act of an angry mob against accused individuals, or a demonstration of white supremacy against an entire population considered subhuman. However, in this new treatise, historian Guy Lancaster exposes the multiple forms of violence hidden beneath the singular label of lynching. Lancaster, who has written extensively on racial violence, details several lynchings of Blacks by white posses in post-Reconstruction Arkansas. Drawing from the fields of history, philosophy, cognitive science, sociology, and literary theory, and quoting chilling contemporary accounts, he argues that the act of lynching encompasses five distinct but overlapping types of violence. This new framework reveals lynching to be even more of an atrocity than previously understood: that mobs did not disregard the humanity of their victims but rather reveled in it; that they were not simply enacting personal vengeance but manifesting an elite project of subjugation. Lancaster thus clarifies and connects the motives and goals of seemingly isolated lynch mobs, embedding the practice in the ongoing enforcement of white supremacy. By interrogating the substance of lynching, American Atrocity: The Types of Violence in Lynching (U Arkansas Press, 2021) shines new light on both past anti-Black violence and the historical underpinnings of our present moment. Brandon T. Jett, professor of history at Florida SouthWestern State College, creator of the Lynching in LaBelle Digital History Project, and author of Race, Crime, and Policing in the Jim Crow South (LSU Press, 2021) and co-editor of Steeped in a Culture of Violence: Murder, Racial Injustice, and Other Violent Crimes in Texas, 1965–2020 (Texas A&M University Press, scheduled Spring 2023). Twitter: @DrBrandonJett1. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Lynching is often viewed as a narrow form of violence: either the spontaneous act of an angry mob against accused individuals, or a demonstration of white supremacy against an entire population considered subhuman. However, in this new treatise, historian Guy Lancaster exposes the multiple forms of violence hidden beneath the singular label of lynching. Lancaster, who has written extensively on racial violence, details several lynchings of Blacks by white posses in post-Reconstruction Arkansas. Drawing from the fields of history, philosophy, cognitive science, sociology, and literary theory, and quoting chilling contemporary accounts, he argues that the act of lynching encompasses five distinct but overlapping types of violence. This new framework reveals lynching to be even more of an atrocity than previously understood: that mobs did not disregard the humanity of their victims but rather reveled in it; that they were not simply enacting personal vengeance but manifesting an elite project of subjugation. Lancaster thus clarifies and connects the motives and goals of seemingly isolated lynch mobs, embedding the practice in the ongoing enforcement of white supremacy. By interrogating the substance of lynching, American Atrocity: The Types of Violence in Lynching (U Arkansas Press, 2021) shines new light on both past anti-Black violence and the historical underpinnings of our present moment. Brandon T. Jett, professor of history at Florida SouthWestern State College, creator of the Lynching in LaBelle Digital History Project, and author of Race, Crime, and Policing in the Jim Crow South (LSU Press, 2021) and co-editor of Steeped in a Culture of Violence: Murder, Racial Injustice, and Other Violent Crimes in Texas, 1965–2020 (Texas A&M University Press, scheduled Spring 2023). Twitter: @DrBrandonJett1. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Lynching is often viewed as a narrow form of violence: either the spontaneous act of an angry mob against accused individuals, or a demonstration of white supremacy against an entire population considered subhuman. However, in this new treatise, historian Guy Lancaster exposes the multiple forms of violence hidden beneath the singular label of lynching. Lancaster, who has written extensively on racial violence, details several lynchings of Blacks by white posses in post-Reconstruction Arkansas. Drawing from the fields of history, philosophy, cognitive science, sociology, and literary theory, and quoting chilling contemporary accounts, he argues that the act of lynching encompasses five distinct but overlapping types of violence. This new framework reveals lynching to be even more of an atrocity than previously understood: that mobs did not disregard the humanity of their victims but rather reveled in it; that they were not simply enacting personal vengeance but manifesting an elite project of subjugation. Lancaster thus clarifies and connects the motives and goals of seemingly isolated lynch mobs, embedding the practice in the ongoing enforcement of white supremacy. By interrogating the substance of lynching, American Atrocity: The Types of Violence in Lynching (U Arkansas Press, 2021) shines new light on both past anti-Black violence and the historical underpinnings of our present moment. Brandon T. Jett, professor of history at Florida SouthWestern State College, creator of the Lynching in LaBelle Digital History Project, and author of Race, Crime, and Policing in the Jim Crow South (LSU Press, 2021) and co-editor of Steeped in a Culture of Violence: Murder, Racial Injustice, and Other Violent Crimes in Texas, 1965–2020 (Texas A&M University Press, scheduled Spring 2023). Twitter: @DrBrandonJett1. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Lynching is often viewed as a narrow form of violence: either the spontaneous act of an angry mob against accused individuals, or a demonstration of white supremacy against an entire population considered subhuman. However, in this new treatise, historian Guy Lancaster exposes the multiple forms of violence hidden beneath the singular label of lynching. Lancaster, who has written extensively on racial violence, details several lynchings of Blacks by white posses in post-Reconstruction Arkansas. Drawing from the fields of history, philosophy, cognitive science, sociology, and literary theory, and quoting chilling contemporary accounts, he argues that the act of lynching encompasses five distinct but overlapping types of violence. This new framework reveals lynching to be even more of an atrocity than previously understood: that mobs did not disregard the humanity of their victims but rather reveled in it; that they were not simply enacting personal vengeance but manifesting an elite project of subjugation. Lancaster thus clarifies and connects the motives and goals of seemingly isolated lynch mobs, embedding the practice in the ongoing enforcement of white supremacy. By interrogating the substance of lynching, American Atrocity: The Types of Violence in Lynching (U Arkansas Press, 2021) shines new light on both past anti-Black violence and the historical underpinnings of our present moment. Brandon T. Jett, professor of history at Florida SouthWestern State College, creator of the Lynching in LaBelle Digital History Project, and author of Race, Crime, and Policing in the Jim Crow South (LSU Press, 2021) and co-editor of Steeped in a Culture of Violence: Murder, Racial Injustice, and Other Violent Crimes in Texas, 1965–2020 (Texas A&M University Press, scheduled Spring 2023). Twitter: @DrBrandonJett1. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/law

Lynching is often viewed as a narrow form of violence: either the spontaneous act of an angry mob against accused individuals, or a demonstration of white supremacy against an entire population considered subhuman. However, in this new treatise, historian Guy Lancaster exposes the multiple forms of violence hidden beneath the singular label of lynching. Lancaster, who has written extensively on racial violence, details several lynchings of Blacks by white posses in post-Reconstruction Arkansas. Drawing from the fields of history, philosophy, cognitive science, sociology, and literary theory, and quoting chilling contemporary accounts, he argues that the act of lynching encompasses five distinct but overlapping types of violence. This new framework reveals lynching to be even more of an atrocity than previously understood: that mobs did not disregard the humanity of their victims but rather reveled in it; that they were not simply enacting personal vengeance but manifesting an elite project of subjugation. Lancaster thus clarifies and connects the motives and goals of seemingly isolated lynch mobs, embedding the practice in the ongoing enforcement of white supremacy. By interrogating the substance of lynching, American Atrocity: The Types of Violence in Lynching (U Arkansas Press, 2021) shines new light on both past anti-Black violence and the historical underpinnings of our present moment. Brandon T. Jett, professor of history at Florida SouthWestern State College, creator of the Lynching in LaBelle Digital History Project, and author of Race, Crime, and Policing in the Jim Crow South (LSU Press, 2021) and co-editor of Steeped in a Culture of Violence: Murder, Racial Injustice, and Other Violent Crimes in Texas, 1965–2020 (Texas A&M University Press, scheduled Spring 2023). Twitter: @DrBrandonJett1. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

Aram Goudsouzian is a professor and the chair of the history department at the University of Memphis. He's appeared on Book Talk before to discuss his books, King of the Court about NBA legend Bill Russell, Down to the Crossroads: Civil Rights, Black Power, and the Meredith March Against Fear, and The Men and the Moment: The Election of 1968 and the Rise of Partisan Politics in America. Today we'll be talking about his latest project, Man on a Mission:James Meredith and the Battle of Ole Miss, an illustrated graphic history of James Meredith's attempts to attend The University of Mississippi in the early 1960s during Jim Crow. The illustrator for the book is Bill Murray, and the editor is Vijay Shah, and it is published by The University of Arkansas Press.   

Enter the poetic dreamscape of Piscean poets Sara Lupita Olivares and Alyssa Jewell. People born under the star sign of Pisces (Feb 19-March 20) are known for being old souls with a great affinity for both mystical and artistic realms. Pisces is a water sign ruled by Neptune, a planet of mystery and psychic energy. Pisceans are gifted with natural intuition and house creative gifts that truly captivate us. Dreams and poetry are a very natural intersection to find a creative Pisces.  In this episode of The Fairy Ring, we discuss dreams and how they connect to poetry in seen and unseen ways. Grab a cup of tea and join us for our watery, dreamy, and poetic conversation. Sara Lupita Olivares is the author of Migratory Sound (The University of Arkansas Press), which was selected as winner of the 2020 CantoMundo Poetry Prize, and the chapbook Field Things (dancing girl press). Her poems have appeared or are forthcoming in The New York Times, Hayden's Ferry Review, Black Warrior Review, Salt Hill Journal, Quarterly West, and elsewhere. She currently lives and teaches in the midwest. website: www.saralupitaolivares.com instagram: saralupitao Alyssa Jewell edits poetry for Waxwing as well as Third Coast and coordinates the Poets in Print reading series at the Kalamazoo Book Arts Center. Her work has appeared or is forthcoming in Best New Poets, Witness, Virginia Quarterly Review, Colorado Review, Hayden's Ferry Review,  Washington Square Review, and elsewhere. She lives in Grand Rapids where she teaches college ESL classes. She is a graduate student at Western Michigan University. website: alyssajewell.orgThe Poets in Print Event page is: https://kalbookarts.org/events/ Thank you for listening. Taking a moment to rate and share is a great source of support. Your energy is appreciated

(This conversation originally aired on April 27, 2022) Welcome to an archive edition of Midday. We're going to listen to a conversation Tom had in the spring of 2022 with Dr. Terry Anne Scott, the chair of the History Department at Hood College and a good friend of the Midday show. Dr. Scott has written a book that is as difficult as it is important. It chronicles the evolution of mob violence in Texas at the end of the 19th and beginning of the 20th centuries. The NAACP has documented more than 4,700 lynchings across America from the 1880s through the 1960s.  Terry Anne Scott has found evidence, in just the state of Texas, of 469 Black people, as well as 140 white people, 111 Mexicans and at least one Native American who were victims of mob violence in roughly that same time period.  Her book traces how these killings, once furtive, clandestine acts, eventually became popular public spectacles, and she examines what that means for our understanding of the legacy of racial violence and discrimination in America. A warning: we'll be talking today about a book that includes graphic descriptions of torture and murder.  It is difficult to hear about and to comprehend the cruelty of the White mobs that inflicted painful deaths on so many people.  But understanding the depravity of these acts is fundamental to understanding what Black people faced and feared on a daily basis.  Dr. Scott's book is the result of important research that we think is very important to share.  It's called Lynching and Leisure:  Race and the Transformation of Mob Violence in Texas.  It's published by University of Arkansas Press. Terry Anne Scott joined us on our digital line from Frederick, Maryland.See omnystudio.com/listener for privacy information.

Host Rekaya Gibson pays tribute to Louise Fulton, an American professional bowler. In 1964, she won the Professional Women's Bowling Association's Princeton Open, becoming the first African American to win a professional bowling title. Also, Fulton was the first African American bowler inducted into the United States Bowling Congress Hall of Fame in 2001. #blackbowler #blackwomenbowlers #keepitsporty Mentioned in this episode: Marjorie Mitchell, professional bowler  Meadow Lanes Bowling Center, Pittsburgh, Pennsylvania  City of Pittsburgh, Pennsylvania  Podcast Items of Interest: Listen and Support Black Girls Talk Sports Podcast - https://www.blackgirlstalksports.com Join our Facebook Group (Women only) @BlackGirlsTalkSports Follow us on Instagram @BlackGirlsTalkSportsPodcast Download BGTS Android App for free in the Google Play Store https://play.google.com/store/apps/details?id=com.blackgirlstalksports.android.girls Podcast Sponsor: Food Temptress Cookbook Store – https://www.foodtemptress.com Sources: Louise Fulton and Marjorie Mitchell Papers and Photographs, 1982-2010, MSS 897, Thomas and Katherine Detre Library and Archives, Senator John Heinz History Center. historicpittsburgh.org/islandora/object/pitt%3AUS-QQS-mss897/viewer United States Bowling Congress. (2022). Louise Fulton. bowl.com/usbc-hall-of-fame/hall-of-famers/louise-fulton Wiggins, D. K., & Swanson, R. A. (Eds.). (2016). Separate Games: African American Sport behind the Walls of Segregation. University of Arkansas Press. doi.org/10.2307/j.ctt1f89v0m

The Crown Games were the apex of competition in ancient Greece. Along with prestigious athletic contests in honor of Zeus at Olympia, they comprised the Pythian Games for Apollo at Delphi, the Isthmian Games for Poseidon, and the Nemean Games, sacred to Zeus. For over nine hundred years, the Greeks celebrated these athletic and religious festivals, a rare point of cultural unity amid the fierce regional independence of the numerous Greek city-states and kingdoms. The Crown Games of Ancient Greece: Archaeology, Athletes, and Heroes (U Arkansas Press, 2022) examines these festivals in the context of the ancient Greek world, a vast and sprawling cultural region that stretched from modern Spain to the Black Sea and North Africa. Illuminating the unique history and features of the celebrations, David Lunt delves into the development of the contest sites as sanctuaries and the Panhellenic competitions that gave them their distinctive character. While literary sources have long been the mainstay for understanding the evolution of the Crown Games and ancient Greek athletics, archaeological excavations have significantly augmented contemporary understandings of the events. Drawing on this research, Lunt brings deeper context to these gatherings, which were not only athletics competitions but also occasions for musical contests, dramatic performances, religious ceremonies, and diplomatic summits--as well as raucous partying. Taken as a circuit, the Crown Games offer a more nuanced view of ancient Greek culture than do the well-known Olympian Games on their own. With this comprehensive examination of the Crown Games, Lunt provides a new perspective on how the ancient Greeks competed and collaborated both as individuals and as city-states. Reyes Bertolin is a professor of Classics at the University of Calgary. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Crown Games were the apex of competition in ancient Greece. Along with prestigious athletic contests in honor of Zeus at Olympia, they comprised the Pythian Games for Apollo at Delphi, the Isthmian Games for Poseidon, and the Nemean Games, sacred to Zeus. For over nine hundred years, the Greeks celebrated these athletic and religious festivals, a rare point of cultural unity amid the fierce regional independence of the numerous Greek city-states and kingdoms. The Crown Games of Ancient Greece: Archaeology, Athletes, and Heroes (U Arkansas Press, 2022) examines these festivals in the context of the ancient Greek world, a vast and sprawling cultural region that stretched from modern Spain to the Black Sea and North Africa. Illuminating the unique history and features of the celebrations, David Lunt delves into the development of the contest sites as sanctuaries and the Panhellenic competitions that gave them their distinctive character. While literary sources have long been the mainstay for understanding the evolution of the Crown Games and ancient Greek athletics, archaeological excavations have significantly augmented contemporary understandings of the events. Drawing on this research, Lunt brings deeper context to these gatherings, which were not only athletics competitions but also occasions for musical contests, dramatic performances, religious ceremonies, and diplomatic summits--as well as raucous partying. Taken as a circuit, the Crown Games offer a more nuanced view of ancient Greek culture than do the well-known Olympian Games on their own. With this comprehensive examination of the Crown Games, Lunt provides a new perspective on how the ancient Greeks competed and collaborated both as individuals and as city-states. Reyes Bertolin is a professor of Classics at the University of Calgary. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The Crown Games were the apex of competition in ancient Greece. Along with prestigious athletic contests in honor of Zeus at Olympia, they comprised the Pythian Games for Apollo at Delphi, the Isthmian Games for Poseidon, and the Nemean Games, sacred to Zeus. For over nine hundred years, the Greeks celebrated these athletic and religious festivals, a rare point of cultural unity amid the fierce regional independence of the numerous Greek city-states and kingdoms. The Crown Games of Ancient Greece: Archaeology, Athletes, and Heroes (U Arkansas Press, 2022) examines these festivals in the context of the ancient Greek world, a vast and sprawling cultural region that stretched from modern Spain to the Black Sea and North Africa. Illuminating the unique history and features of the celebrations, David Lunt delves into the development of the contest sites as sanctuaries and the Panhellenic competitions that gave them their distinctive character. While literary sources have long been the mainstay for understanding the evolution of the Crown Games and ancient Greek athletics, archaeological excavations have significantly augmented contemporary understandings of the events. Drawing on this research, Lunt brings deeper context to these gatherings, which were not only athletics competitions but also occasions for musical contests, dramatic performances, religious ceremonies, and diplomatic summits--as well as raucous partying. Taken as a circuit, the Crown Games offer a more nuanced view of ancient Greek culture than do the well-known Olympian Games on their own. With this comprehensive examination of the Crown Games, Lunt provides a new perspective on how the ancient Greeks competed and collaborated both as individuals and as city-states. Reyes Bertolin is a professor of Classics at the University of Calgary. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sports

The Crown Games were the apex of competition in ancient Greece. Along with prestigious athletic contests in honor of Zeus at Olympia, they comprised the Pythian Games for Apollo at Delphi, the Isthmian Games for Poseidon, and the Nemean Games, sacred to Zeus. For over nine hundred years, the Greeks celebrated these athletic and religious festivals, a rare point of cultural unity amid the fierce regional independence of the numerous Greek city-states and kingdoms. The Crown Games of Ancient Greece: Archaeology, Athletes, and Heroes (U Arkansas Press, 2022) examines these festivals in the context of the ancient Greek world, a vast and sprawling cultural region that stretched from modern Spain to the Black Sea and North Africa. Illuminating the unique history and features of the celebrations, David Lunt delves into the development of the contest sites as sanctuaries and the Panhellenic competitions that gave them their distinctive character. While literary sources have long been the mainstay for understanding the evolution of the Crown Games and ancient Greek athletics, archaeological excavations have significantly augmented contemporary understandings of the events. Drawing on this research, Lunt brings deeper context to these gatherings, which were not only athletics competitions but also occasions for musical contests, dramatic performances, religious ceremonies, and diplomatic summits--as well as raucous partying. Taken as a circuit, the Crown Games offer a more nuanced view of ancient Greek culture than do the well-known Olympian Games on their own. With this comprehensive examination of the Crown Games, Lunt provides a new perspective on how the ancient Greeks competed and collaborated both as individuals and as city-states. Reyes Bertolin is a professor of Classics at the University of Calgary. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/archaeology

The Crown Games were the apex of competition in ancient Greece. Along with prestigious athletic contests in honor of Zeus at Olympia, they comprised the Pythian Games for Apollo at Delphi, the Isthmian Games for Poseidon, and the Nemean Games, sacred to Zeus. For over nine hundred years, the Greeks celebrated these athletic and religious festivals, a rare point of cultural unity amid the fierce regional independence of the numerous Greek city-states and kingdoms. The Crown Games of Ancient Greece: Archaeology, Athletes, and Heroes (U Arkansas Press, 2022) examines these festivals in the context of the ancient Greek world, a vast and sprawling cultural region that stretched from modern Spain to the Black Sea and North Africa. Illuminating the unique history and features of the celebrations, David Lunt delves into the development of the contest sites as sanctuaries and the Panhellenic competitions that gave them their distinctive character. While literary sources have long been the mainstay for understanding the evolution of the Crown Games and ancient Greek athletics, archaeological excavations have significantly augmented contemporary understandings of the events. Drawing on this research, Lunt brings deeper context to these gatherings, which were not only athletics competitions but also occasions for musical contests, dramatic performances, religious ceremonies, and diplomatic summits--as well as raucous partying. Taken as a circuit, the Crown Games offer a more nuanced view of ancient Greek culture than do the well-known Olympian Games on their own. With this comprehensive examination of the Crown Games, Lunt provides a new perspective on how the ancient Greeks competed and collaborated both as individuals and as city-states. Reyes Bertolin is a professor of Classics at the University of Calgary. Learn more about your ad choices. Visit megaphone.fm/adchoices

Tom's guest today is Dr. Terry Anne Scott, an associate professor of history, the chair of the History Department at Hood College, and a good friend of the Midday show. Dr. Scott has written a book that is as difficult as it is important. It chronicles the evolution of mob violence in Texas at the end of the 19th and beginning of the 20th centuries. The NAACP has documented more than 4,700 lynchings across America from the 1880s through the 1960s. Professor Scott has found evidence — in just the state of Texas — that 469 Black people, as well as 140 white people, 111 Mexicans and at least one Native American were victims of mob violence in roughly that same time period. Dr. Scott's book traces how these killings — once furtive, clandestine acts — eventually became popular public spectacles, and she examines what that means for our understanding of the legacy of racial violence and discrimination in America. Her book is called Lynching and Leisure:  Race and the Transformation of Mob Violence in Texas. It's published by University of Arkansas Press. CONTENT ADVISORY: We talk today about a book that includes graphic descriptions of torture and murder. Understanding the depravity of these acts is fundamental to understanding what Black people faced and feared on a daily basis. It is difficult to comprehend the cruelty of the White mobs that inflicted these painful deaths on so many people. But Dr. Scott's book is the result of important research that we think is very important to share. Terry Anne Scott joins us on our digital line from Frederick, Maryland. You're welcome to join us as well. Call us: 410.662.8780. email us: midday@wypr.org Tweet us: @MiddayWYPR See omnystudio.com/listener for privacy information.

Read: Angie Mazakis's poem "Oh, My Kidneys," which she reads on the episode, and Han's review of I Was Waiting to See What You Would Do First.Angie Mazakis's first book of poetry, I Was Waiting to See What You Would Do First, was chosen by Billy Collins as a finalist for the 2020 Miller Williams Prize and was published by University of Arkansas Press in March 2020. The book was also a finalist for the National Poetry Series and was named by The Boston Globe as one of the Best Books of 2020. Her poems have appeared in The New Republic, Boston Review, The Iowa Review, Best New Poets, Washington Square Review, Columbia Journal, Indiana Review, Conduit, Lana Turner Journal, Nat. Brut and other journals. She is a PhD student in creative writing at Ohio University.Purchase: I Was Waiting to See What You Would Do First (UAPress, 2020).Check out: Jeremy Geddes' Art

Geleve Grice was born on January 16, 1922, in Tamo, a small farming town located fifteen miles from Pine Bluff. At thirteen, Grice moved with his parents, Toy and Lillie, to Little Rock, where he graduated from Dunbar High School in 1942. An accomplished sportsman, Grice made the all-state football team his senior year of high school and later played for a service team during his four-year stint in the Navy. Grice entered the U.S. Navy immediately after graduation in the heat of World War II, eventually serving in the Pacific, where he guarded Japanese prisoners. Grice began his photography career as a high school senior. L. C. and Daisy Bates, publishers of the Arkansas State Press newspaper, encouraged his journalistic interests by creating a column that featured his images and writings about fellow Dunbar classmates. While in the Navy, Grice was stationed at Great Lakes Naval Air Station in Illinois and went to Chicago on leave, where he took photos of the city's nightlife, capturing unique images of famous black Americans like Joe Louis, Louis Armstrong, and famed guitarist T-Bone Walker. After completing his military service on April 23, 1946, Grice enrolled at Arkansas Agricultural, Mechanical, and Normal College (AM&N College), later to be known as UAPB, the University of Arkansas at Pine Bluff where he majored in psychology. He also played football for the Golden Lions, served as yearbook photographer, and was eventually hired in 1947 as the campus photographer. In September 1949, Grice married his college sweetheart, Jean Bell of North Little Rock, a singer who became the first black graduate student in the music department of the University of Arkansas in Fayetteville. They had one son, Michael. When he graduated in 1950, Grice had already opened the professional photography studio to earn his living for the next forty years. He frequently worked outside the studio for the Arkansas State Press and various local television stations. Grice's photos also appeared in such national publications as Ebony, Jet, and Life magazines. One of the highlights of Grice's career came while still a college student in 1948, when he was asked to document the integration of the University of Arkansas Law School in Fayetteville. As a result, Silas Hunt, accompanied by attorneys Wiley Branton and Harold Flowers, became the first black student to enroll at an all-white Southern university since Reconstruction. In 1958, Grice photographed Martin Luther King Jr.'s commencement address at AM&N College. Because Grice was often called upon to chronicle significant happenings in the black community, his collection includes images of other notable black Americans, such as Mary McLeod Bethune, Ray Charles, Thurgood Marshall, and Muhammad Ali. In 1998, the UAPB art department sponsored an exhibit of his work, Those Who Dare to Dream: The Works of Arkansas Photographer Geleve Grice. The Old State House Museum in Little Rock followed in 2003 with a more extensive exhibition of his work, A Photographer of Note: Arkansas Artist Geleve Grice. In 2003, the University of Arkansas Press published a book of the same title by Robert Cochran, featuring many of Grice's most captivating photos. Grice died on August 17, 2004.https://encyclopediaofarkansas.net/entries/geleve-grice-1161/https://digitalcollections.uark.edu/digital/collection/Civilrights/id/157https://news.uark.edu/articles/9559/diane-blair-and-geleve-grice-papers-donated-to-mullinshttps://arkansasresearch.uark.edu/a-photographer-of-note-arkansas-artist-geleve-grice/https://fulbright.uark.edu/departments/english/directory/index/uid/rcochran/name/Robert-Cochran/https://youtu.be/bUqlnPFeFew 

In this episode Jessica is joined by Farnoosh Hashemian, Freshta Karimi, Rana Hazarat and Sahar Muradi to discuss the human rights dimensions of the issues facing Afghanistan in 2021.    In this episode we discuss: The impact of the United States withdrawing in August 2021 from Afghanistan  The reasons for the nature and timing of the United States withdrawing  after 20 years of engagement Different vulnerable groups impacted by the changes in the balance of power and takeover of the Taliban Life for Afghanis under the Taliban Sahar's work as an artist to enable Afghani artists to use their voices and to assist some in attempting to exit  the country so they can continue their work freely Rana's experience working as a Canadian human rights lawyer and with networks of people worldwide attempting to relocate Afghan refugees Frehta's recent journey out of Afghanistan to Canada with her family and the details of how she almost did not make it out despite having been granted visas to multiple countries Farnoosh's work to assist the human rights defenders still stuck in Afghanistan how are at risk with options for exiting the country Freshta's observations of the problems with how US programs and development were conducted in light of the recent withdrawl Fresha's grave concern for her fellow Afghanis  How you can help Afghani people and refugees: These are the sources recommended by our panel:   1) Uplift Afghanistan: http://www.upliftafghanistan.org   2) Lifeline Afghanistan: http://www.lifelineafghanistan.ca    3) Afghan American Artists and Writers Association: http:/www.aaawa.net BIOGRAPHIES  Farnoosh Hashemian is an Iranian-American human rights lawyer with over two decades of experience advancing the rights and dignity of vulnerable people around the globe. Notably, in 2011, she worked with Afghanistan Independent Human Rights Commission on security sector reform. From 2014-2018 she provided technical support to a coalition of prominent criminal justice reform groups and government officials, to draft and pass, Afghanistan's groundbreaking anti-torture legislation. She is currently the Acting Director for Law Exchange with the Open Society Foundations' Public Health Program, where she works on legal empowerment initiatives that improve health justice for marginalized groups. Since the beginning of the crisis, and in her personal capacity, she has co-led Afghan Legal Empowerment Portal, aiming to secure a safe right of passage for all Afghan grassroots activists.   Throughout her career, she has sought to honor the work of justice defenders who came before her, build on collective local wisdom, and do the deliberate and careful intersectional work in pursuit of gender justice. In her view, it is indeed a feminist's job to counter the alarming overuse of policing, surveillance, detention, and oppressive measures in the war on terror, the war on drugs, and the war on migrants.  Freshta Karimi is the Founder and Director of Da Qanoon Ghushtonky (DQG – “Seeker of Law” in Pashto), one of the largest legal aid service organizations in Afghanistan. Shereceived her Law degree in 2014 from Payam-e-Noor University in Kabul and she is currently studying her masters in Kabul in law and criminology.  Freshta Karimi has dedicated her career to improving access to justice and promoting women and children's rights since 2002. She is also a member of several groups advocating policy changes and has traveled extensively internationally representing her organization and promoting various women's rights issues and highlighting the concerns of Afghan women. As an activist from the ‘new generation' of Afghan women, Ms. Karimi has already affected change within her own organization and is committed to building a more secure and safe country for vulnerable groups. In addition to her commitment to combatting violence against women in Afghanistan, through her organization, Da Qanoon Ghushtonky (DQG), Ms. Karimi has worked to increase communities' legal public awareness at the district and provincial levels, utilizing the publication of a variety of popular legal awareness materials.   DQG currently provides legal aid services for women, children and men in criminal and family cases in 16 provinces of Afghanistan. From DQG's establishment in 2006 through March 2017, DQG lawyers have handled more than25,000 criminal and family cases, of which 70% of clients have been released or in civil cases, resolved in the favor of clients.  Moreover, DQG has worked consistently to build the capacity of defense lawyers, law and Sharia Law students, paralegals, judges, prosecutors and police over the past eight and half yearsthrough various training programmes. She has also frequently travel within Afghanistan, as part of her duties as Director of DQG.  She has also traveled internationally to represent both DQG and Afghan civil society. Recent travel has included trips to the India, Maldives, Belgium, United States, Germany, Spain, France, Denmark, Sweden and Hungary. In 2018 and 2016 she has also attended the Brussels and Geneva conferences and in 2014, she attended the London Conference on Afghanistan as the spokesperson on behalf of Afghan civil society. On many of these trips she has engaged the international media. Freshta received an award for her work from the Danish government.  She can be reached by email at freshta.karimi1@gmail.com.   Rana Hazarat is an Afghan-Canadian human rights lawyer based in Vancouver, BC. My family and I came to Canada as refugees. I am of Tajik and Hazara descent. My lived experience as a refugee has impacted my desire to pursue a legal education. I studied Political Science and Economics at the University of British Columbia and obtained a Juris Doctor from the Peter A. Allard School of Law. I currently work for Lawyers for Human Rights as a legal intern, which is funded by the Canadian Bar Association and Global Affairs Canada. I work in LHR's Refugee and Migrant Rights Programme. I am also working on several national and international initiatives in response to the humanitarian crisis in Afghanistan, such as assisting with the resettlement of Afghans in Canada, facilitating refugee sponsorship applications, and drafting public legal education materials, calls to actions, and policy papers.  She can be reached by email at ranahazarat@gmail.com    Sahar Muradi is a NYC-based writer, performer, and educator. She is the author of Ask Hafiz (which received the 2021 Patrons' Prize for Emerging Artists from Thornwillow Press), [ G A T E S ] (Black Lawrence Press), and A Garden Beyond My Hand (Belladonna*), as well as co-author of A Ritual in X Movements (Montez Press), and co-editor of One Story, Thirty Stories: An Anthology of Contemporary Afghan American Literature (University of Arkansas Press). She is a founding member of the Afghan American Artists and Writers Association, which has recently mobilized to respond to the current humanitarian crisis in Afghanistan through public education and advocacy, fundraising on behalf of at-risk Afghan artists and activists, assisting with evacuation and resettlement efforts, and facilitating visa and parole application filing. Sahar has an M.F.A. in poetry from Brooklyn College, an M.P.A. in international development from NYU, and a B.A. in creative writing from Hampshire College. She directs the arts education programs at the cultural equity organization City Lore and dearly believes in the bottom of the rice pot. More at saharmuradi.com.  

A new book authored by noted Arkansas historian Guy Lancaster titled American Atrocity tears down the historic scaffolding upholding the historic rationale for racialized lynching in America to make way for the true reasons behind the violent practice. American Atrocity is published by the University of Arkansas Press and is available at discount. Lancaster will discuss his book at Six Bridges Book Festival October 24th. Registration for the free virtual event is required.

Featured Book: Louis Moore, I Fight for a Living: Boxing and the Battle for Black Manhood, 1880-1915. University of Illinois, 2017. (Purchase)Other Sources:Collen Aycock and Mark Scott.  Joe Gans: A Biography of the First African American World Boxing Champion. Jefferson, North Carolina: McFarland, 2008. (Purchase)William Gildea. The Longest Fight: In the Ring with Joe Gans, Boxing's first African American Champion. Farrar, Straus and Giroux, 2012. (Purchase).Steven Laffoley. Shadow Boxing: The Rise and Fall of George Dixon.  Pottersfield Press, 2012. (Purchase)Jason Winders. George Dixon: The Short Life of Boxing's First Black World Champion, 1870–1908. University of Arkansas Press, 2021. (Purchase).

Consumption and the Literary Cookbook, edited by Roxanne Harde and Janet Wesselius (published 2021 by Routledge) examines the ways in which recipe authors and readers engage with one another through reading, cooking and eating the foods contained within the pages of Literary Cookbooks. The editors define literary cookbooks as novels and memoirs that include recipes, cookbooks that include narrative, and children's books that include recipes. Divided into three parts­– “Textual Consumption,” “Consumption and Community,” and “Cultural Consumption”– the collection explores a diverse cross section of cooking literature and food culture from nineteenth century manuscript cookbooks to cookbooks built on the narratives of childhood classics Alice in Wonderland and Anne of Green Gables. Through this assortment of historical documents and cultural touchstones, Harde and Wesselius and their contributors work to convince scholars of literature and food studies that literary cookbooks offer unique insight into the era, society, and region they represent. The collection creates a foundation for an in-depth study of consumption as it pertains to the intellectual consumption of information, emotional connection and release through empathetic consumption, and of course, the physical consumption of the edible results of the recipes contained within each book. Ardent cooks and cookbook consumers, Harde and Wesselius hope that this collection will liberate literary cookbooks from kitchen shelves and incorporate them into both literature and food studies as important tools for understanding culture and society. Roxanne Harde is Professor of English at the University of Alberta's Augustana campus where she also serves as Chair of Department of Fine Arts and humanities. A Fullbright Scholar, Roxanne researches and teaches American literature and culture focusing on American women writers, children's literature, and popular culture. Find her on Twitter @ProfessorRoxy. Janet Wesselius is Professor of Philosophy at the University of Alberta's Augustana campus. In addition to her work in feminist epistemology, she has published on philosophy and children's literature. Eliza Weeks is a recent graduate of the Master of Food Studies program at Chatham University in Pittsburgh, PA. She hopes to do work related to amplifying diverse and often marginalized voices within the food system so that the opportunity to represent and share food and food culture is not limited to the privileged few. When Eliza is not on the job hunt she enjoys adventuring through new recipes, sharing food and stories with others, and cohosting her podcast Dear Human. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this riveting discussion, Laurence shares his father's incredible story of survival from World War II. This led him to become a subject matter expert on survival. What separates survivors from victims? Are there secrets in the stories of survivors that can help all of us survive everyday life? We will explore all of this and more. Show notes: Laurence Gonzales is the author of numerous books and has won many awards, including two National Magazine Awards and the Distinguished Service Award from the Society of Professional Journalists. He was also awarded the Montaigne Medal from the Eric Hoffer Society in 2018 and won the Eric Hoffer Award in both 2018 and 2019. After reading in neuroscience for several years, he wrote the best-selling book Deep Survival: Who Lives, Who Dies, and Why and its sequel Surviving Survival: The Art and Science of Resilience, which attempt to answer related questions about how people make bad decisions and what leads some of them to survive and some to perish. His most recent non-fiction book is Flight 232: A Story of Disaster and Survival, a detailed reconstruction of the crash of a fully-loaded DC-10. It was adapted for the stage by The House Theater of Chicago and played to sold-out houses and rave reviews in both 2016 and 2017. It also had successful runs in both Boulder, Colorado, and Miami, Florida. For more than a decade and a half, he has appeared as a featured speaker before groups ranging from the Los Alamos National Laboratory to Exxon-Mobil, and from the Wilderness Medical Society to the Sloan School of Management at the Massachusetts Institute of Technology. His most recent novel is Lucy (Alfred A. Knopf). His essays are collected in the book House of Pain (University of Arkansas Press). In the past he has served on the adjunct faculty at Northwestern University in the Medill School of Journalism, where he taught writing. https://laurencegonzales.com/ "Deep Survival: Who Lives, Who Dies and Why" https://www.amazon.com/Deep-Survival-Who-Lives-Dies/dp/0393353710 "Surviving Survival: The Art and Science of Resilience" https://www.amazon.com/Surviving-Survival-Art-Science-Resilience/dp/0393346633/ref=sr_1_1?dchild=1&keywords=surviving+survival&qid=1611114688&s=books&sr=1-1 "Flight 232: A Story of Disaster and Survival" https://www.amazon.com/Flight-232-Story-Disaster-Survival/dp/0393351262/ref=sr_1_1?crid=WH9YXS67RNWH&dchild=1&keywords=flight+232+a+story+of+disaster+and+survival&qid=1611114772&s=books&sprefix=flight+232%2Cstripbooks%2C183&sr=1-1

Marion Nestle describes her new book as “a small, quick and dirty reader for the general audience” summarizing some of her biggest and most influential works. Let's Ask Marion: What You Need to Know About the Politics of Food, Nutrition, and Health published September 2020 by University of California Press, was written in conversation with Kerry Trueman, a blogger and friend. Trueman's questions served as prompts to organize Nestle's 800-1000 word summaries in approachable and engaging prose. Readers familiar with Nestle's groundbreaking Food Politics will recognize many of the ideas and information, but this new pocket-sized and affordable volume serves as an introduction for undergraduate students or readers new to Food Studies. However, Nestle does cover some new material in her explanation of the United Nations' Sustainable Development Goals, especially the campaign for Zero Hunger. Nestle also summarizes how nutrition advice has changed in the last few years by thinking about food in categories ranging from unprocessed (corn on the cob) to ultraprocessed (Nacho Cheese tortilla chips). This reevaluation makes it easier to identify foods that are acceptable to eat without excessive focus on micronutrients. In the conversation, Nestle addresses the ethics of marketing food to children, food as a human right and access in the Covid era, the possibility of a National Food Policy Agency, the politics of food banks, and the promise of regenerative agricultural practices. Nestle concludes by talking about the pleasures of food and eating and how to establish a “loving relationship” with food that doesn't include fear, guilt, or anxiety about nutrition.   Marion Nestle is the Paulette Goddard Professor of Nutrition, Food Studies, and Public Health, Emerita, at New York University, and the author of books about food politics, most recently Unsavory Truth. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Lindsay Herring is a first-year M.A. Food Studies Candidate at Chatham University. She loves historical cookbooks, food policy and activism through history, and vegan baking. Personally, she enjoys theatre, singing and traveling (someday again!). Archish Kashakar is a chef and culinary educator who is currently a second-year M.A. Food Studies Candidate at Chatham University. He works with the program's research offshoot CRAFT as a Food Lab Graduate Consultant and also serves on the board of the Graduate Association of Food Studies as a Social Media Manager. He is currently working on his thesis that traces the history of Singaporean street food dishes and their development in a post-World War II era. Follow on Twitter @archishkash. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Diners, Dudes, and Diets: How Gender and Power Collide in Food Media and Culture (UNC Press, 2020), Emily Contois argues that the figure of The Dude was invented (or perhaps only capitalized on) by marketing and advertising firms to combat “gender contamination” and sell what may be perceived as “feminine” foods to men. Contois suggests that this figure coalesced in response to the 2008 recession and the “gender crisis” that it created. Not only were job losses higher for men during this “mancession,” but struggling companies sought to improve sales by marketing products to men that had previously been targeted exclusively at women including diet sodas and low-calorie yogurts, as well as cookbooks, food television, and weight loss programs. In short, The Dude – represented by Jeff Bridges's famous character in The Big Lebowski – is a male figure who “resit[s] the demands of manhood like competitiveness and breadwinning” by “simply opt[ing] out of the struggle.”  Contois devotes an entire chapter to the figure of Guy Fieri, who embodies the carefully crafted ambivalence of the Dude. Contois explains that while the Dude somehow seems to be breaking gender stereotypes by offering a pathway for defying social expectations and un-gendering products, the Dude only serves to reinforce binary gender and hegemonic masculinities. Contois concludes that most of the marketing campaigns featuring the Dude have essentially failed or changed course. Notably, Coke Zero and Weight Watchers for Men have had design and marketing makeovers to Coca-Cola Zero Sugar and WW. Still others have repurposed the Dude into a gender inclusive message that uncritically accepts not caring about consequences of the food system. Contois's final word of the book is directed to media strategists and designers, asking them to think more carefully about the role that they play in forming and reforming expectations and performances of gender in the real world. “Advertisers can do better,” Contois asks, “so why aren't they?” Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her new book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society.

In this this interview, Carrie Tippen talks with Jeanette M. Fregulia about the movements of coffee beans, coffee drinking, and coffee houses from Ethiopia and Yemen, across the Mediterranean region, through Western Europe, and to the Americas. In A Rich and Tantalizing Brew: A History of How Coffee Connected the World (University of Arkansas Press, 2019), Fregulia examines the geographic movements of coffee beans through global trade as well as the social and cultural movements of coffee drinking from a medicine to an aid in religious ritual to an elite domestic drink to a public event in the coffee house. Covering a wide ranging chronology from the sixth century to today, the story of coffee as it moves East to West shares much in common with the movements of other foods like chocolate, sugar, tea, and olives, but Fregulia argues that coffee is unique among global foodstuffs for the way it transformed social structures and social behaviors to become part of the pubic sphere. Fregulia's history decenters the European perspective of global market and cultural exchanges by drawing on archives of primary sources from Islamic histories as well as European travel narratives. For early modern Europeans, Fregulia argues, consuming coffee was a product of imperialism and Orientalism, arising from the general acquisitiveness of early modern Europeans who “consumed the East in new forms of art and architecture, in the pages of travel narratives, with the collection of artifacts, and in luxurious adornments for the body” (99). Fregulia brings a new perspective to a familiar drink by intertwining cultural, political, economic, religious, and legal histories altogether through the story of one rich and tantalizing brew. Jeanette M. Fregulia is Associate Professor of History and Chair of the History at Carroll College in Helena, Montana. Jeanette's research focuses on merchants and material, cultural, and social exchanges between early modern Italy and the Eastern Mediterranean, as well as on the role of gender in the history of Mediterranean exchanges. In addition to PhD in Renaissance Italian History, she holds a Master's Degree in Middle East Area Studies from the University of London, School of Oriental and African Studies, and continues to actively pursue research in the history of the Middle East and Islam. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her new book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices

今天的主题是快攻和篮球战术的变革。内容包括： 美国篮球的战术从诞生到二战前的演化； 美国篮球如何从地域之争转向技战术之争； 对于篮球演进的一些思考，和那些被遗忘的故事。 《talich 闲侃》，有闲得聊，关注美国流行文化史，网址：https://talich.fm 相关链接 主要参考文献 Isaacs, N. D. (1975). All the moves: a history of college basketball (1st ed). Philadelphia: Lippincott. Maury Klein, Keaney Invented the Fast Break and Rhode Island Made the Big Time, Sports Illustrated, Nov 27, 1978 Carlson, C. (2017). Making March Madness: The Early Years of the NCAA, NIT, and College Basketball Championships 1922-1951. University of Arkansas. 其他本系列未提到的话题： Kuska, B. (2004). Hot potato: how Washington and New York gave birth to Black basketball and changed America's game forever. Charlottesville: University of Virginia Press. Katz, Milton S. (2010). Breaking Through: John B. McLendon, Basketball Legend and Civil Rights Pioneer. Fayetteville, Arkansas: University of Arkansas Press. Caponi-Tabery, G. (2008). Jump for joy: jazz, basketball, and Black culture in 1930s America. Amherst: University of Massachusetts Press. Green, B. (2005). Spinning the globe: the rise, fall, and return to greatness of the Harlem Globetrotters (1st ed). New York: Amistad, an imprint of HarperCollins Pub.. Yep, K. S. (2009). Outside the paint: when basketball ruled at the Chinese playground. Philadelphia: Temple University Press. 登场人物 talich: 美国流行文化史爱好者，《娱乐的逻辑》作者