Podcast appearances and mentions of peter baldwin

Peter Baldwin was mentioned many times in Rob Woolley's podcast and Rob was instrumental in ensuring that Bruce captured Peter at his home in Renmark to hear this amazing mans story. Working for some legendary companies in outback Australia, Peter made a name for himself as both a driver and a Manager for companies enduring our harshest travel conditions. Pete's now retired but his recollection of those days were fantastic and a steep learning curve in each one resulted in knowledge and resilience that only experience can create.

Despite decades of government investment, significant research endeavour, and a growing commitment to mental health training and response activities in schools and workplaces, rates of mental health in Australia are rising. The scale of this issue is staggering: a recent report shows that 494,000 Australians with moderate to severe mental health problems are not receiving the support they desperately need. Long wait times and a shortage of mental health professionals are leaving vulnerable Australians without access to timely and appropriate care, particularly those in rural and remote areas. When people finally get care, it doesn't always help. We know the current system is broken. We know what we need – a robust mental health system that is well-staffed, adequately funded and integrated across the country that will lay the foundations for a mentally healthier future. But how do we get there? How do we plan for a better future? And what is the role of Health Professionals? Listen to our Mental Health Month edition of Expert Insights were Black Dog Institute's Dr Peter Baldwin, Senior Research Fellow and Policy Research Manager, will share findings from BDI's recent mental health poll and discuss the key issues facing the health sector.   Panel Members: -Dr Peter Baldwin - Senior Research Fellow and Policy Research Manager, Black Dog InstituteDr Laura Kampel - Head of Clinical Services and Senior Clinical Psychologist, Black Dog InstituteMatt - Lived Experience Representative Facilitator: -Dr Sarah Barker - Clinical Psychologist

Despite decades of government investment, significant research endeavour, and a growing commitment to mental health training and response activities in schools and workplaces, rates of mental health in Australia are rising. The scale of this issue is staggering: a recent report shows that 494,000 Australians with moderate to severe mental health problems are not receiving the support they desperately need. Long wait times and a shortage of mental health professionals are leaving vulnerable Australians without access to timely and appropriate care, particularly those in rural and remote areas. When people finally get care, it doesn't always help. We know the current system is broken. We know what we need – a robust mental health system that is well-staffed, adequately funded and integrated across the country that will lay the foundations for a mentally healthier future. But how do we get there? How do we plan for a better future? And what is the role of Health Professionals? Listen to our Mental Health Month edition of Expert Insights were Black Dog Institute's Dr Peter Baldwin, Senior Research Fellow and Policy Research Manager, will share findings from BDI's recent mental health poll and discuss the key issues facing the health sector.   Panel Members: -Dr Peter Baldwin - Senior Research Fellow and Policy Research Manager, Black Dog InstituteDr Laura Kampel - Head of Clinical Services and Senior Clinical Psychologist, Black Dog InstituteMatt - Lived Experience Representative Facilitator: -Dr Sarah Barker - Clinical Psychologist

Show Notes: Richard Primus initially had no idea what he wanted to do professionally after graduation, but eventually realized that he wanted to be a professor with interests in both law and political theory. He took HW Perry's constitutional interpretation class and decided to pursue graduate school and political theory before going to law school. Richard decided to study political theory at Oxford with the idea of becoming a law professor. He found his studies there focused on the abstract nature of political theory at the time, which required abstract questions about justice, liberty, and government. Richard wanted to ask questions about Hobbes's ideas and how he saw the world he lived in and the system in which he was operating, but this didn't align with what his teachers at Oxford taught.   His time at Oxford made it clear that he belonged in America, and he was excited to return home and attend Yale Law School where he confirmed his decision to become a law professor. His experience in England and Yale helped him understand the importance of being an American and the need for a diverse perspective on the world. He also learned about the challenges faced by students in law schools and the importance of a good professor in teaching. Working in The Supreme Court He spent four years in New Haven clerking for a federal judge and spent two years in Washington, DC, clerking for Justice Ginsburg at the US Supreme Court.  Richard discusses his frustration with the US Supreme Court and goes on to explain how a great law school teaches students. He also talks about his time as a clerk on the US Court of Appeals, and what he learned about processes and how cases are approached. He goes on to talk about his time at the US Supreme Court, which was more personality-driven and focused on technical cases. He found that these cases were satisfying because they weren't just about clashing ideologies. He later worked as a lawyer in DC before deciding to finally become a law professor. He was offered a position at the University of Michigan where he has taught for 23 years.  Behind the Scenes at The Supreme Court Richard shares insights gained while working in The Supreme Court, which is often seen as the least lawful court in the federal system, which can distort our perception of courts and law. However, when functioning well, it has a different function: statesmanship rather than rule application, which is essential when dealing with difficult cases where ideologies play a role and there are no easy answers.  It calls for the exercise of a different kind of judgment than is applied in other parts of the system. Trial judges must exercise judgment about witnesses' credibility, litigation progress, and governance, whereas Supreme Court Justices need to exercise judgment about governance and how it functions, and how it negotiates among the various aspects of the system that trade off against each other. A lot of this falls outside of the scope of rules that can be applied. Some justices may pretend this isn't the case, but this is not a realistic understanding of what the court does or could do. Richard goes on to explain what he has been unhappy with in a lot of the recent work and direction of the court. He also talks about the right vs. left components of involvement, and how the steady shift right by judicial doctrine in most areas was largely masked from the general public.   A View on Federal Judges Richard talks about why people become federal judges. They are often smart, good attorneys who could make more money as private practice people. They take pay cuts, often from private practice.  People become federal judges partly because they like the idea of public service, partly because the work is interesting, and partly because they like prestige and power. One of the hazards of the job is spending their working life with people who defer to you, which can lead to losing perspective. Some of the best federal judges create structural ways to prevent themselves from losing perspective. Constitutional Expectations Richard discusses his favorite essay, "Constitutional Expectations," which he wrote 15 years ago after a minor crisis in American constitutional history. The incident involved President Obama taking the inaugural oath, but he and Chief Justice John Roberts got their signals crossed, resulting in Obama saying all the words in the presidential oath out of order. The next day, they restaged the oath one on one with the Chief Justice. However, the second time through, they still didn't recite the oath exactly as it appears in the Constitution. This highlights the deep and important aspect of constitutional law, as it teaches us that people do not believe they have a constitutional obligation to adhere to the printed words in the text of the Constitution. Instead, it's society's deeply developed expectations about how the system is supposed to work. The essay "Constitutional Expectations," explores the difference between the big C constitution and the smaller C constitution. Richard offers a few examples of interpretations from the big C constitution to small c constitution and norms that have developed. Richard's Book on The Constitution Richard moves on to talk about his book that explores a central idea in constitutional law, which is that, state legislatures are legislatures of general jurisdiction, meaning they can make any law without affirmative prohibition from the federal government. However, Congress has a specific list of authorizations written into the Constitution called the enumerated powers of Congress. This understanding has been an orthodox part of American constitutional law since its inception. Richard's book aims to show that many of the things we say about enumerated powers are not true, and that the system of federalism doesn't depend in any way on Congress. He believes that the text of the Constitution and the history of the Constitution do not fully explain the enumerated powers required by the Constitution. He goes on to explain the role of the Bill of Rights and the myths surrounding it, its function, and its place in history. Influential Harvard Professors and Courses  Richard shares his passion for teaching and the experiences he gained from his first year of college. He enjoyed taking various classes, including Greatest Hits, Sandell's justice class, Stephen Jay Gould Science B16. He also enjoyed Seymour Slive's Rembrandt class, and a European history class with Peter Baldwin. He mentions the Constitutional Interpretation class with W.H. Perry,  and one of the teachers he appreciated was Judith Shklar in the Gov. department. Richard also mentioned his dual track in law school, where he learned from professors and implemented best practices in his own teaching. He learned from Carol Rose, a property professor, who taught the class critically, asking questions, and building conversate conversations with students. Richard learned the importance of communication, high expectations, and pushing students' success. Timestamps: 05:11 Academic journey and approaches to political theory 09:30 Law school, clerkships, and judicial decision-making 15:01 The politicization of the Supreme Court and its unique workings 22:27 The role of judicial judgment in the Supreme Court 27:15 Why people become federal judges and research interests 31:19 Constitutional Expectations vs. Textual Interpretation 40:07 The origins of the US Constitution and Bill of Rights 46:36 Constitutional Interpretation and Historical Record 51:42 Teaching techniques and intellectual growth in law school Links: Website: https://michigan.law.umich.edu/faculty-and-scholarship/our-faculty/richard-primus

Colson learns that he needs to keep a lower profile, Jack has an interesting meeting with fans at Coronation Street and we rate Oppenheimer! Hosted on Acast. See acast.com/privacy for more information.

In this episode, historian Peter Baldwin makes the case for open access.  He surveys the history of knowledge production and transmission from the Gutenberg Bible, which opened up access in unprecedented ways.  Open access today, he argues, is not a novelty but continuous with earlier developments in which artists and thinkers were "workers for hire," who were compensated for their creative and scholarly labor. In the same vein, university professors are paid to produce scholarship which, Baldwin argues, should incline them to accept open access.  The conversation takes up the fate of copyright, ownership of ideas, and the core notion of authorship, all the more important to consider in the age of AI. Peter Baldwin is an Emeritus Professor of History at UCLA. His previous books have focused on comparative histories of Europe and America as well as the history of copyright law. Dr. Baldwin's most recent book, Athena Unbound: Why and How Scholarly Knowledge Should be Free for All, was published by MIT Press in March 2023 as an open-access volume.

A clear-eyed examination of the open access movement: past history, current conflicts, and future possibilities. Open access (OA) could one day put the sum of human knowledge at our fingertips. But the goal of allowing everyone to read everything faces fierce resistance. In Athena Unbound: Why and How Scholarly Knowledge Should Be Free for All (MIT Press, 2023), Peter Baldwin offers an up-to-date look at the ideals and history behind OA, and unpacks the controversies that arise when the dream of limitless information slams into entrenched interests in favor of the status quo. In addition to providing a clear analysis of the debates, Baldwin focuses on thorny issues such as copyright and ways to pay for “free” knowledge. He also provides a roadmap that would make OA economically viable and, as a result, advance one of humanity's age-old ambitions. Baldwin addresses the arguments in terms of disseminating scientific research, the history of intellectual property and copyright, and the development of the university and research establishment. As he notes, the hard sciences have already created a funding model that increasingly provides open access, but at the cost of crowding out the humanities. Baldwin proposes a new system that would shift costs from consumers to producers and free scholarly knowledge from the paywalls and institutional barriers that keep it from much of the world. Rich in detail and free of jargon, Athena Unbound is an essential primer on the state of the global open access movement. Peter Baldwin is Professor of History at UCLA, and Global Distinguished Professor at NYU. Caleb Zakarin is the Assistant Editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A clear-eyed examination of the open access movement: past history, current conflicts, and future possibilities. Open access (OA) could one day put the sum of human knowledge at our fingertips. But the goal of allowing everyone to read everything faces fierce resistance. In Athena Unbound: Why and How Scholarly Knowledge Should Be Free for All (MIT Press, 2023), Peter Baldwin offers an up-to-date look at the ideals and history behind OA, and unpacks the controversies that arise when the dream of limitless information slams into entrenched interests in favor of the status quo. In addition to providing a clear analysis of the debates, Baldwin focuses on thorny issues such as copyright and ways to pay for “free” knowledge. He also provides a roadmap that would make OA economically viable and, as a result, advance one of humanity's age-old ambitions. Baldwin addresses the arguments in terms of disseminating scientific research, the history of intellectual property and copyright, and the development of the university and research establishment. As he notes, the hard sciences have already created a funding model that increasingly provides open access, but at the cost of crowding out the humanities. Baldwin proposes a new system that would shift costs from consumers to producers and free scholarly knowledge from the paywalls and institutional barriers that keep it from much of the world. Rich in detail and free of jargon, Athena Unbound is an essential primer on the state of the global open access movement. Peter Baldwin is Professor of History at UCLA, and Global Distinguished Professor at NYU. Caleb Zakarin is the Assistant Editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/education

A clear-eyed examination of the open access movement: past history, current conflicts, and future possibilities. Open access (OA) could one day put the sum of human knowledge at our fingertips. But the goal of allowing everyone to read everything faces fierce resistance. In Athena Unbound: Why and How Scholarly Knowledge Should Be Free for All (MIT Press, 2023), Peter Baldwin offers an up-to-date look at the ideals and history behind OA, and unpacks the controversies that arise when the dream of limitless information slams into entrenched interests in favor of the status quo. In addition to providing a clear analysis of the debates, Baldwin focuses on thorny issues such as copyright and ways to pay for “free” knowledge. He also provides a roadmap that would make OA economically viable and, as a result, advance one of humanity's age-old ambitions. Baldwin addresses the arguments in terms of disseminating scientific research, the history of intellectual property and copyright, and the development of the university and research establishment. As he notes, the hard sciences have already created a funding model that increasingly provides open access, but at the cost of crowding out the humanities. Baldwin proposes a new system that would shift costs from consumers to producers and free scholarly knowledge from the paywalls and institutional barriers that keep it from much of the world. Rich in detail and free of jargon, Athena Unbound is an essential primer on the state of the global open access movement. Peter Baldwin is Professor of History at UCLA, and Global Distinguished Professor at NYU. Caleb Zakarin is the Assistant Editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/economics

A clear-eyed examination of the open access movement: past history, current conflicts, and future possibilities. Open access (OA) could one day put the sum of human knowledge at our fingertips. But the goal of allowing everyone to read everything faces fierce resistance. In Athena Unbound: Why and How Scholarly Knowledge Should Be Free for All (MIT Press, 2023), Peter Baldwin offers an up-to-date look at the ideals and history behind OA, and unpacks the controversies that arise when the dream of limitless information slams into entrenched interests in favor of the status quo. In addition to providing a clear analysis of the debates, Baldwin focuses on thorny issues such as copyright and ways to pay for “free” knowledge. He also provides a roadmap that would make OA economically viable and, as a result, advance one of humanity's age-old ambitions. Baldwin addresses the arguments in terms of disseminating scientific research, the history of intellectual property and copyright, and the development of the university and research establishment. As he notes, the hard sciences have already created a funding model that increasingly provides open access, but at the cost of crowding out the humanities. Baldwin proposes a new system that would shift costs from consumers to producers and free scholarly knowledge from the paywalls and institutional barriers that keep it from much of the world. Rich in detail and free of jargon, Athena Unbound is an essential primer on the state of the global open access movement. Peter Baldwin is Professor of History at UCLA, and Global Distinguished Professor at NYU. Caleb Zakarin is the Assistant Editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

A clear-eyed examination of the open access movement: past history, current conflicts, and future possibilities. Open access (OA) could one day put the sum of human knowledge at our fingertips. But the goal of allowing everyone to read everything faces fierce resistance. In Athena Unbound: Why and How Scholarly Knowledge Should Be Free for All (MIT Press, 2023), Peter Baldwin offers an up-to-date look at the ideals and history behind OA, and unpacks the controversies that arise when the dream of limitless information slams into entrenched interests in favor of the status quo. In addition to providing a clear analysis of the debates, Baldwin focuses on thorny issues such as copyright and ways to pay for “free” knowledge. He also provides a roadmap that would make OA economically viable and, as a result, advance one of humanity's age-old ambitions. Baldwin addresses the arguments in terms of disseminating scientific research, the history of intellectual property and copyright, and the development of the university and research establishment. As he notes, the hard sciences have already created a funding model that increasingly provides open access, but at the cost of crowding out the humanities. Baldwin proposes a new system that would shift costs from consumers to producers and free scholarly knowledge from the paywalls and institutional barriers that keep it from much of the world. Rich in detail and free of jargon, Athena Unbound is an essential primer on the state of the global open access movement. Peter Baldwin is Professor of History at UCLA, and Global Distinguished Professor at NYU. Caleb Zakarin is the Assistant Editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

A clear-eyed examination of the open access movement: past history, current conflicts, and future possibilities. Open access (OA) could one day put the sum of human knowledge at our fingertips. But the goal of allowing everyone to read everything faces fierce resistance. In Athena Unbound: Why and How Scholarly Knowledge Should Be Free for All (MIT Press, 2023), Peter Baldwin offers an up-to-date look at the ideals and history behind OA, and unpacks the controversies that arise when the dream of limitless information slams into entrenched interests in favor of the status quo. In addition to providing a clear analysis of the debates, Baldwin focuses on thorny issues such as copyright and ways to pay for “free” knowledge. He also provides a roadmap that would make OA economically viable and, as a result, advance one of humanity's age-old ambitions. Baldwin addresses the arguments in terms of disseminating scientific research, the history of intellectual property and copyright, and the development of the university and research establishment. As he notes, the hard sciences have already created a funding model that increasingly provides open access, but at the cost of crowding out the humanities. Baldwin proposes a new system that would shift costs from consumers to producers and free scholarly knowledge from the paywalls and institutional barriers that keep it from much of the world. Rich in detail and free of jargon, Athena Unbound is an essential primer on the state of the global open access movement. Peter Baldwin is Professor of History at UCLA, and Global Distinguished Professor at NYU. Caleb Zakarin is the Assistant Editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

A clear-eyed examination of the open access movement: past history, current conflicts, and future possibilities. Open access (OA) could one day put the sum of human knowledge at our fingertips. But the goal of allowing everyone to read everything faces fierce resistance. In Athena Unbound: Why and How Scholarly Knowledge Should Be Free for All (MIT Press, 2023), Peter Baldwin offers an up-to-date look at the ideals and history behind OA, and unpacks the controversies that arise when the dream of limitless information slams into entrenched interests in favor of the status quo. In addition to providing a clear analysis of the debates, Baldwin focuses on thorny issues such as copyright and ways to pay for “free” knowledge. He also provides a roadmap that would make OA economically viable and, as a result, advance one of humanity's age-old ambitions. Baldwin addresses the arguments in terms of disseminating scientific research, the history of intellectual property and copyright, and the development of the university and research establishment. As he notes, the hard sciences have already created a funding model that increasingly provides open access, but at the cost of crowding out the humanities. Baldwin proposes a new system that would shift costs from consumers to producers and free scholarly knowledge from the paywalls and institutional barriers that keep it from much of the world. Rich in detail and free of jargon, Athena Unbound is an essential primer on the state of the global open access movement. Peter Baldwin is Professor of History at UCLA, and Global Distinguished Professor at NYU. Caleb Zakarin is the Assistant Editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

A clear-eyed examination of the open access movement: past history, current conflicts, and future possibilities. Open access (OA) could one day put the sum of human knowledge at our fingertips. But the goal of allowing everyone to read everything faces fierce resistance. In Athena Unbound: Why and How Scholarly Knowledge Should Be Free for All (MIT Press, 2023), Peter Baldwin offers an up-to-date look at the ideals and history behind OA, and unpacks the controversies that arise when the dream of limitless information slams into entrenched interests in favor of the status quo. In addition to providing a clear analysis of the debates, Baldwin focuses on thorny issues such as copyright and ways to pay for “free” knowledge. He also provides a roadmap that would make OA economically viable and, as a result, advance one of humanity's age-old ambitions. Baldwin addresses the arguments in terms of disseminating scientific research, the history of intellectual property and copyright, and the development of the university and research establishment. As he notes, the hard sciences have already created a funding model that increasingly provides open access, but at the cost of crowding out the humanities. Baldwin proposes a new system that would shift costs from consumers to producers and free scholarly knowledge from the paywalls and institutional barriers that keep it from much of the world. Rich in detail and free of jargon, Athena Unbound is an essential primer on the state of the global open access movement. Peter Baldwin is Professor of History at UCLA, and Global Distinguished Professor at NYU. Caleb Zakarin is the Assistant Editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

Michael Truscello, author of Infrastructural Brutalism: Art and the Necropolitics of Infrastructure, discusses the ways in which infrastructure determines who may live and who must die under contemporary capitalism. In this book, Michael Truscello looks at the industrial infrastructure not as an invisible system of connectivity and mobility that keeps capitalism humming in the background but as a manufactured miasma of despair, toxicity, and death. Truscello terms this “infrastructural brutalism”—a formulation that not only alludes to the historical nexus of infrastructure and the concrete aesthetic of Brutalist architecture but also describes the ecological, political, and psychological brutality of industrial infrastructures. Truscello explores the necropolitics of infrastructure—how infrastructure determines who may live and who must die—through the lens of artistic media. He examines the white settler nostalgia of “drowned town” fiction written after the Tennessee Valley Authority flooded rural areas for hydroelectric projects; argues that the road movie represents a struggle with liberal governmentality; considers the ruins of oil capitalism, as seen in photographic landscapes of postindustrial waste; and offers an account of “death train narratives” ranging from the history of the Holocaust to postapocalyptic fiction. Finally, he calls for “brisantic politics,” a culture of unmaking that is capable of slowing the advance of capitalist suicide. “Brisance” refers to the shattering effect of an explosive, but Truscello uses the term to signal a variety of practices for defeating infrastructural power. Brisantic politics, he warns, would require a reorientation of radical politics toward infrastructure, sabotage, and cascading destruction in an interconnected world. The open access edition of this book was made possible by generous funding from Arcadia – a charitable fund of Lisbet Rausing and Peter Baldwin. Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Michael Truscello, author of Infrastructural Brutalism: Art and the Necropolitics of Infrastructure, discusses the ways in which infrastructure determines who may live and who must die under contemporary capitalism. In this book, Michael Truscello looks at the industrial infrastructure not as an invisible system of connectivity and mobility that keeps capitalism humming in the background but as a manufactured miasma of despair, toxicity, and death. Truscello terms this “infrastructural brutalism”—a formulation that not only alludes to the historical nexus of infrastructure and the concrete aesthetic of Brutalist architecture but also describes the ecological, political, and psychological brutality of industrial infrastructures. Truscello explores the necropolitics of infrastructure—how infrastructure determines who may live and who must die—through the lens of artistic media. He examines the white settler nostalgia of “drowned town” fiction written after the Tennessee Valley Authority flooded rural areas for hydroelectric projects; argues that the road movie represents a struggle with liberal governmentality; considers the ruins of oil capitalism, as seen in photographic landscapes of postindustrial waste; and offers an account of “death train narratives” ranging from the history of the Holocaust to postapocalyptic fiction. Finally, he calls for “brisantic politics,” a culture of unmaking that is capable of slowing the advance of capitalist suicide. “Brisance” refers to the shattering effect of an explosive, but Truscello uses the term to signal a variety of practices for defeating infrastructural power. Brisantic politics, he warns, would require a reorientation of radical politics toward infrastructure, sabotage, and cascading destruction in an interconnected world. The open access edition of this book was made possible by generous funding from Arcadia – a charitable fund of Lisbet Rausing and Peter Baldwin. Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Michael Truscello, author of Infrastructural Brutalism: Art and the Necropolitics of Infrastructure, discusses the ways in which infrastructure determines who may live and who must die under contemporary capitalism. In this book, Michael Truscello looks at the industrial infrastructure not as an invisible system of connectivity and mobility that keeps capitalism humming in the background but as a manufactured miasma of despair, toxicity, and death. Truscello terms this “infrastructural brutalism”—a formulation that not only alludes to the historical nexus of infrastructure and the concrete aesthetic of Brutalist architecture but also describes the ecological, political, and psychological brutality of industrial infrastructures. Truscello explores the necropolitics of infrastructure—how infrastructure determines who may live and who must die—through the lens of artistic media. He examines the white settler nostalgia of “drowned town” fiction written after the Tennessee Valley Authority flooded rural areas for hydroelectric projects; argues that the road movie represents a struggle with liberal governmentality; considers the ruins of oil capitalism, as seen in photographic landscapes of postindustrial waste; and offers an account of “death train narratives” ranging from the history of the Holocaust to postapocalyptic fiction. Finally, he calls for “brisantic politics,” a culture of unmaking that is capable of slowing the advance of capitalist suicide. “Brisance” refers to the shattering effect of an explosive, but Truscello uses the term to signal a variety of practices for defeating infrastructural power. Brisantic politics, he warns, would require a reorientation of radical politics toward infrastructure, sabotage, and cascading destruction in an interconnected world. The open access edition of this book was made possible by generous funding from Arcadia – a charitable fund of Lisbet Rausing and Peter Baldwin. Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

Michael Truscello, author of Infrastructural Brutalism: Art and the Necropolitics of Infrastructure, discusses the ways in which infrastructure determines who may live and who must die under contemporary capitalism. In this book, Michael Truscello looks at the industrial infrastructure not as an invisible system of connectivity and mobility that keeps capitalism humming in the background but as a manufactured miasma of despair, toxicity, and death. Truscello terms this “infrastructural brutalism”—a formulation that not only alludes to the historical nexus of infrastructure and the concrete aesthetic of Brutalist architecture but also describes the ecological, political, and psychological brutality of industrial infrastructures. Truscello explores the necropolitics of infrastructure—how infrastructure determines who may live and who must die—through the lens of artistic media. He examines the white settler nostalgia of “drowned town” fiction written after the Tennessee Valley Authority flooded rural areas for hydroelectric projects; argues that the road movie represents a struggle with liberal governmentality; considers the ruins of oil capitalism, as seen in photographic landscapes of postindustrial waste; and offers an account of “death train narratives” ranging from the history of the Holocaust to postapocalyptic fiction. Finally, he calls for “brisantic politics,” a culture of unmaking that is capable of slowing the advance of capitalist suicide. “Brisance” refers to the shattering effect of an explosive, but Truscello uses the term to signal a variety of practices for defeating infrastructural power. Brisantic politics, he warns, would require a reorientation of radical politics toward infrastructure, sabotage, and cascading destruction in an interconnected world. The open access edition of this book was made possible by generous funding from Arcadia – a charitable fund of Lisbet Rausing and Peter Baldwin. Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Michael Truscello, author of Infrastructural Brutalism: Art and the Necropolitics of Infrastructure, discusses the ways in which infrastructure determines who may live and who must die under contemporary capitalism. In this book, Michael Truscello looks at the industrial infrastructure not as an invisible system of connectivity and mobility that keeps capitalism humming in the background but as a manufactured miasma of despair, toxicity, and death. Truscello terms this “infrastructural brutalism”—a formulation that not only alludes to the historical nexus of infrastructure and the concrete aesthetic of Brutalist architecture but also describes the ecological, political, and psychological brutality of industrial infrastructures. Truscello explores the necropolitics of infrastructure—how infrastructure determines who may live and who must die—through the lens of artistic media. He examines the white settler nostalgia of “drowned town” fiction written after the Tennessee Valley Authority flooded rural areas for hydroelectric projects; argues that the road movie represents a struggle with liberal governmentality; considers the ruins of oil capitalism, as seen in photographic landscapes of postindustrial waste; and offers an account of “death train narratives” ranging from the history of the Holocaust to postapocalyptic fiction. Finally, he calls for “brisantic politics,” a culture of unmaking that is capable of slowing the advance of capitalist suicide. “Brisance” refers to the shattering effect of an explosive, but Truscello uses the term to signal a variety of practices for defeating infrastructural power. Brisantic politics, he warns, would require a reorientation of radical politics toward infrastructure, sabotage, and cascading destruction in an interconnected world. The open access edition of this book was made possible by generous funding from Arcadia – a charitable fund of Lisbet Rausing and Peter Baldwin. Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Michael Truscello, author of Infrastructural Brutalism: Art and the Necropolitics of Infrastructure, discusses the ways in which infrastructure determines who may live and who must die under contemporary capitalism. In this book, Michael Truscello looks at the industrial infrastructure not as an invisible system of connectivity and mobility that keeps capitalism humming in the background but as a manufactured miasma of despair, toxicity, and death. Truscello terms this “infrastructural brutalism”—a formulation that not only alludes to the historical nexus of infrastructure and the concrete aesthetic of Brutalist architecture but also describes the ecological, political, and psychological brutality of industrial infrastructures. Truscello explores the necropolitics of infrastructure—how infrastructure determines who may live and who must die—through the lens of artistic media. He examines the white settler nostalgia of “drowned town” fiction written after the Tennessee Valley Authority flooded rural areas for hydroelectric projects; argues that the road movie represents a struggle with liberal governmentality; considers the ruins of oil capitalism, as seen in photographic landscapes of postindustrial waste; and offers an account of “death train narratives” ranging from the history of the Holocaust to postapocalyptic fiction. Finally, he calls for “brisantic politics,” a culture of unmaking that is capable of slowing the advance of capitalist suicide. “Brisance” refers to the shattering effect of an explosive, but Truscello uses the term to signal a variety of practices for defeating infrastructural power. Brisantic politics, he warns, would require a reorientation of radical politics toward infrastructure, sabotage, and cascading destruction in an interconnected world. The open access edition of this book was made possible by generous funding from Arcadia – a charitable fund of Lisbet Rausing and Peter Baldwin. Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy

Michael Truscello, author of Infrastructural Brutalism: Art and the Necropolitics of Infrastructure, discusses the ways in which infrastructure determines who may live and who must die under contemporary capitalism. In this book, Michael Truscello looks at the industrial infrastructure not as an invisible system of connectivity and mobility that keeps capitalism humming in the background but as a manufactured miasma of despair, toxicity, and death. Truscello terms this “infrastructural brutalism”—a formulation that not only alludes to the historical nexus of infrastructure and the concrete aesthetic of Brutalist architecture but also describes the ecological, political, and psychological brutality of industrial infrastructures. Truscello explores the necropolitics of infrastructure—how infrastructure determines who may live and who must die—through the lens of artistic media. He examines the white settler nostalgia of “drowned town” fiction written after the Tennessee Valley Authority flooded rural areas for hydroelectric projects; argues that the road movie represents a struggle with liberal governmentality; considers the ruins of oil capitalism, as seen in photographic landscapes of postindustrial waste; and offers an account of “death train narratives” ranging from the history of the Holocaust to postapocalyptic fiction. Finally, he calls for “brisantic politics,” a culture of unmaking that is capable of slowing the advance of capitalist suicide. “Brisance” refers to the shattering effect of an explosive, but Truscello uses the term to signal a variety of practices for defeating infrastructural power. Brisantic politics, he warns, would require a reorientation of radical politics toward infrastructure, sabotage, and cascading destruction in an interconnected world. The open access edition of this book was made possible by generous funding from Arcadia – a charitable fund of Lisbet Rausing and Peter Baldwin. Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux Learn more about your ad choices. Visit megaphone.fm/adchoices

As part of Mental Health Month, Dental Central is focusing a series of episodes on mental health and wellbeing. This week we talk to Dr Peter Baldwin (Clinical Psychologist), the Head of Clinical Research at the Black Dog Institute, the leading mental health research institute in Australia. Peter talks about: What the Black Dog Institute does How the pandemic has impacted on the mental health of health care workers Why overcoming the stigma associated with mental health is so important Some of the common mental health issues including anxiety, depression and burnout The key issue of suicide The Essential Network – resources and support for health practitioners For more information, go to blackdoginstitute.org.au/the-essential-network   Note: some listeners might find some of this content difficult or confronting. If it does cause distress, there are support services available, including: Beyond Blue - 1300 22 4636 Lifeworks - 1300 361 008 Dental Practitioner Support - 1800 377 700

Social engineering attacks are at the core of all cyber-attacks, as threat actors use many different types of psychological manipulation to kick off their cyber-attacks. In this episode, Jason G. Weiss welcomes Peter Baldwin explore the ins and outs of social engineering attacks, how to identify them and how to defeat them.

Cyberattacks are an increasingly common presence in the news, and disruptionware has emerged as a popular type of attack. In this episode of the Faegre Drinker on Law and Technology Podcast, host Jason G. Weiss sits down with Peter Baldwin to break down disruptionware attacks, the industries that are most susceptible to them, and what we can learn from high-profile incidents. 

Those awe-inspiring dinosaur skeletons on display in museums do not spring fully assembled from the earth. Technicians known as preparators have painstakingly removed the fossils from rock, repaired broken bones, and reconstructed missing pieces to create them. These specimens are foundational evidence for paleontologists, and yet the work and workers in fossil preparation labs go largely unacknowledged in publications and specimen records. In Preparing Dinosaurs: The Work Behind the Scenes (MIT Press, 2021), Caitlin Wylie investigates the skilled labor of fossil preparators and argues for a new model of science that includes all research work and workers. Drawing on ethnographic observations and interviews, Wylie shows that the everyday work of fossil preparation requires creativity, problem-solving, and craft. She finds that preparators privilege their own skills over technology and that scientists prefer to rely on these trusted technicians rather than new technologies. Wylie examines how fossil preparators decide what fossils, and therefore dinosaurs, look like; how labor relations between interdependent yet hierarchically unequal collaborators influence scientific practice; how some museums display preparators at work behind glass, as if they were another exhibit; and how these workers learn their skills without formal training or scientific credentials. The work of preparing specimens is a crucial component of scientific research, although it leaves few written traces. Wylie argues that the paleontology research community's social structure demonstrates how other sciences might incorporate non-scientists into research work, empowering and educating both scientists and nonscientists. The open access edition of this book was made possible by generous funding from Arcadia – a charitable fund of Lisbet Rausing and Peter Baldwin. Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. To discuss and propose the book for an interview you can reach her at galina.limorenko@epfl.ch. Learn more about your ad choices. Visit megaphone.fm/adchoices

Those awe-inspiring dinosaur skeletons on display in museums do not spring fully assembled from the earth. Technicians known as preparators have painstakingly removed the fossils from rock, repaired broken bones, and reconstructed missing pieces to create them. These specimens are foundational evidence for paleontologists, and yet the work and workers in fossil preparation labs go largely unacknowledged in publications and specimen records. In Preparing Dinosaurs: The Work Behind the Scenes (MIT Press, 2021), Caitlin Wylie investigates the skilled labor of fossil preparators and argues for a new model of science that includes all research work and workers. Drawing on ethnographic observations and interviews, Wylie shows that the everyday work of fossil preparation requires creativity, problem-solving, and craft. She finds that preparators privilege their own skills over technology and that scientists prefer to rely on these trusted technicians rather than new technologies. Wylie examines how fossil preparators decide what fossils, and therefore dinosaurs, look like; how labor relations between interdependent yet hierarchically unequal collaborators influence scientific practice; how some museums display preparators at work behind glass, as if they were another exhibit; and how these workers learn their skills without formal training or scientific credentials. The work of preparing specimens is a crucial component of scientific research, although it leaves few written traces. Wylie argues that the paleontology research community's social structure demonstrates how other sciences might incorporate non-scientists into research work, empowering and educating both scientists and nonscientists. The open access edition of this book was made possible by generous funding from Arcadia – a charitable fund of Lisbet Rausing and Peter Baldwin. Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. To discuss and propose the book for an interview you can reach her at galina.limorenko@epfl.ch. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Those awe-inspiring dinosaur skeletons on display in museums do not spring fully assembled from the earth. Technicians known as preparators have painstakingly removed the fossils from rock, repaired broken bones, and reconstructed missing pieces to create them. These specimens are foundational evidence for paleontologists, and yet the work and workers in fossil preparation labs go largely unacknowledged in publications and specimen records. In Preparing Dinosaurs: The Work Behind the Scenes (MIT Press, 2021), Caitlin Wylie investigates the skilled labor of fossil preparators and argues for a new model of science that includes all research work and workers. Drawing on ethnographic observations and interviews, Wylie shows that the everyday work of fossil preparation requires creativity, problem-solving, and craft. She finds that preparators privilege their own skills over technology and that scientists prefer to rely on these trusted technicians rather than new technologies. Wylie examines how fossil preparators decide what fossils, and therefore dinosaurs, look like; how labor relations between interdependent yet hierarchically unequal collaborators influence scientific practice; how some museums display preparators at work behind glass, as if they were another exhibit; and how these workers learn their skills without formal training or scientific credentials. The work of preparing specimens is a crucial component of scientific research, although it leaves few written traces. Wylie argues that the paleontology research community's social structure demonstrates how other sciences might incorporate non-scientists into research work, empowering and educating both scientists and nonscientists. The open access edition of this book was made possible by generous funding from Arcadia – a charitable fund of Lisbet Rausing and Peter Baldwin. Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. To discuss and propose the book for an interview you can reach her at galina.limorenko@epfl.ch. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Those awe-inspiring dinosaur skeletons on display in museums do not spring fully assembled from the earth. Technicians known as preparators have painstakingly removed the fossils from rock, repaired broken bones, and reconstructed missing pieces to create them. These specimens are foundational evidence for paleontologists, and yet the work and workers in fossil preparation labs go largely unacknowledged in publications and specimen records. In Preparing Dinosaurs: The Work Behind the Scenes (MIT Press, 2021), Caitlin Wylie investigates the skilled labor of fossil preparators and argues for a new model of science that includes all research work and workers. Drawing on ethnographic observations and interviews, Wylie shows that the everyday work of fossil preparation requires creativity, problem-solving, and craft. She finds that preparators privilege their own skills over technology and that scientists prefer to rely on these trusted technicians rather than new technologies. Wylie examines how fossil preparators decide what fossils, and therefore dinosaurs, look like; how labor relations between interdependent yet hierarchically unequal collaborators influence scientific practice; how some museums display preparators at work behind glass, as if they were another exhibit; and how these workers learn their skills without formal training or scientific credentials. The work of preparing specimens is a crucial component of scientific research, although it leaves few written traces. Wylie argues that the paleontology research community's social structure demonstrates how other sciences might incorporate non-scientists into research work, empowering and educating both scientists and nonscientists. The open access edition of this book was made possible by generous funding from Arcadia – a charitable fund of Lisbet Rausing and Peter Baldwin. Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. To discuss and propose the book for an interview you can reach her at galina.limorenko@epfl.ch. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/animal-studies

Those awe-inspiring dinosaur skeletons on display in museums do not spring fully assembled from the earth. Technicians known as preparators have painstakingly removed the fossils from rock, repaired broken bones, and reconstructed missing pieces to create them. These specimens are foundational evidence for paleontologists, and yet the work and workers in fossil preparation labs go largely unacknowledged in publications and specimen records. In Preparing Dinosaurs: The Work Behind the Scenes (MIT Press, 2021), Caitlin Wylie investigates the skilled labor of fossil preparators and argues for a new model of science that includes all research work and workers. Drawing on ethnographic observations and interviews, Wylie shows that the everyday work of fossil preparation requires creativity, problem-solving, and craft. She finds that preparators privilege their own skills over technology and that scientists prefer to rely on these trusted technicians rather than new technologies. Wylie examines how fossil preparators decide what fossils, and therefore dinosaurs, look like; how labor relations between interdependent yet hierarchically unequal collaborators influence scientific practice; how some museums display preparators at work behind glass, as if they were another exhibit; and how these workers learn their skills without formal training or scientific credentials. The work of preparing specimens is a crucial component of scientific research, although it leaves few written traces. Wylie argues that the paleontology research community's social structure demonstrates how other sciences might incorporate non-scientists into research work, empowering and educating both scientists and nonscientists. The open access edition of this book was made possible by generous funding from Arcadia – a charitable fund of Lisbet Rausing and Peter Baldwin. Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. To discuss and propose the book for an interview you can reach her at galina.limorenko@epfl.ch. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science

German election results are in, and they mark a new era for Germany. On 26 September, Germans headed to the polls to vote in one of the most unpredictable elections since Angela Merkel took office over a decade and a half ago. Now, Germany will have to endure weeks – or possibly months – of fraught coalition talks before a new government can be formed. In this week's World in 30 Minutes episode, host Mark Leonard talks with Jeremy Cliffe, international editor of the New Statesman, Jana Puglierin, head of ECFR's Berlin Office, Lykke Friis, ECFR co-chair and Director of the Danish Think Tank Europa, and Sylvie Kauffmann, editorial director of Le Monde, about the fragmented election result and its implications for Europe. What coalition – the ‘traffic light', ‘Jamaica' or ‘grand' – is most likely? How are the results being perceived throughout Europe? And what do they mean for the future of our continent? Bookshelf: How Olaf Scholz and the SPD could lead Germany's next government by Jeremy Cliffe The Fateful Chancellor: What the end of the Merkel era means for the world by Jeremy Cliffe Speak, Silence: In Search of WG Sebald by Caroline Angier Pandemonium: Europe's COVID Crisis by Luuk van Middelaar Age of Unpeace: How Connectivity causes Conflict by Mark Leonard The Vaccine by Joe Miller with Dr. Özlem Türeci and Dr. Ugur Sahin Le Premier XXIe siècle by Jean-Marie Guehenno Crime and persuade by Peter Baldwin

To outside observers, cybersecurity regulatory activity and priorities can be somewhat opaque. In this special episode of the Faegre Drinker on Law and Technology Podcast, Faegre Drinker's Peter Baldwin sits down with Brent Wilner, senior advisor to the SEC's Cyber Unit, and Justin Herring, leader of the New York Department of Financial Services' Cybersecurity Division, to talk about each agency's cybersecurity work.

As Sydney starts another round of lockdown, we are pleased to say we will still be able to produce the weekly On Liberty -- fitting, considering it is the reason we started the show in the first place! This week we ask, if liberalism falls will that usher in a 'new dark age'? If so, what, exactly, will go dark? Freedom of speech and the press, democratic elections, and independent judiciaries are the foundation of the contemporary civilization, not only of the West but of the whole world. But they are threatened by identity politics, which sees little of value in our post-Enlightenment civilization, to the point of disputing whether such a civilization even exists. We talk to former ALP federal minister and serial social entrepreneur Peter Baldwin about his new online magazine: Politics & Civilization. An outgrowth of the Blackheath Philosophy Forum, Politics & Civilization publishes articles and videos that address long-term developments that are reshaping Western societies and transforming their politics. We'll be asking Peter what the suppression of speech means for the future of civilization -- and what we can do to preserve the future from the depredations of the past.

A tribute to Peter Baldwin, who recently passed away, from author John Harrisson, who has written a history on the Haleakala Ranch and spent 3 years interviewing the head of Maui's Haleakala Ranch for an in depth biography of this iconic man.

As California lifts longtime public health restrictions and life in parts of the United States begin returning to a semblance of pre-pandemic normalcy, it is important to recall the unfolding crises of the past 15 months. In this episode, UCLA Historian Peter Baldwin, author of the recent book Fighting the First Wave: Why the Coronavirus was Tackled So Differently Across the Globe, looks back on the past year and offers intriguing historical insight into why some countries were more effective at initially containing the coronavirus than others. He discusses the simultaneously global and local reach of the pandemic and analyzes the differences in political and cultural approaches to the pandemic across different countries around the world.

Will you need a digital passport to prove you’ve been vaccinated the next time you try to board a flight or get into a concert? The idea is already being tested in Israel and governments around the world – including the Biden administration – are exploring what vaccine credentials might look like. For some, these digital tools are a golden ticket back to “normal” life. But for others, these tools raise dire concerns about privacy, civil rights, and equitable access.  In this episode of Agree to Disagree, John Donvan sits with Peter Baldwin, history professor from UCLA, and Jay Stanley, senior policy analyst at ACLU, to debate the future of vaccine passports. Learn more about your ad choices. Visit megaphone.fm/adchoices

Just over a year ago, a health crisis of proportions never seen in recent history captured the attention of the world. However, faced with the same threat, nations all over the globe reacted vastly differently to the covid-19 pandemic. To find out why, host Mark Leonard talks this week to Peter Baldwin, professor of history at the University of California and author of the new book “Fighting the first wave: Why the coronavirus was tackled so differently across the globe”. Together, they discuss why the approaches to handling the coronavirus differed so much even in countries normally considered rather similar, like the Nordics. Who succeeded initially and who did not and for what reasons? Looking back, what can we learn from the fight against the first wave of corona and what will the lasting impact be? This podcast was recorded on 15 March 2021. Further reading: - “Fighting the first wave: Why the coronavirus was tackled so differently across the globe” by Peter Baldwin: https://buff.ly/3rmsS66 - “Leadership in a time of contagion” by Mark Leonard: https://buff.ly/3feDDVQ “Tracking European solidarity during covid-19: Lessons from the first wave” by Rafael Loss: https://buff.ly/3nfXAfO Bookshelf: - “Failures of state: The inside story of Britain's battle with coronavirus by Jonathan Calvert & George Arbuthnott - “Unearthly powers: Religious and political change in world history” by Alan Strathern Alan Strathern - “The herd” by Johan Anderberg

On this episode of Going Underground, we speak to NHS intensive care unit nurse and national organizer of NHS Workers Say NO, Dave Carr. He discusses the government’s meagre one-percent pay rise for NHS staff after a year of battling the coronavirus pandemic, possible strike action over the dismal pay rise, Rishi Sunak’s lack of support for the NHS, why he thinks the government clapping for the NHS is hypocritical, reports of another coronavirus wave after lockdown lifts, and much more! Next, we speak to Kelechi Okafor, actress and host of the ‘Say Your Mind’ podcast. She discusses the fallout of Meghan Markle and Harry’s interview with Oprah, why she believes the royal family is institutionally racist, why Meghan Markle’s alleged bullying is nothing compared to the British Empire and the royal family’s bullying of other countries historically, why the family even today represents colonial violence, why the monarchy should be abolished, and more! Finally, we speak to Prof. Peter Baldwin, author of ‘Fighting the First Wave: Why Coronavirus Was Tackled So Differently Across The Globe’. He discusses levels of populism in countries around the world and how it affected the ability to respond to coronavirus, why countries such as China, Cuba and Vietnam were able to deal with the coronavirus pandemic so effectively, the success of certain democracies such as New Zealand and Australia in dealing with the pandemic, and why Western Europe did not have similar success, why governments will find it hard to impose new lockdowns as new variants emerge, and much more!

The New York SHIELD Act updated and expanded the state's data breach notification requirements and introduced new and broad cybersecurity requirements that exceed those imposed by most other states around the country. Jason G. Weiss and Peter Baldwin dive into the details of this sweeping new law and discuss how it raises the bar on cybersecurity regulations.

What are the key aspects of how the European Green Deal will change the world? Introduced by the new European Commission in 2019, the Green Deal’s goal is to decouple economic growth from resource use and to create an EU economy with zero net emissions of greenhouse gases by 2050. To reach that goal a fundamental overhaul of the European economy is needed. But this transformation will also have a dramatic effect on external economic relations and on foreign policy. This week host Mark Leonard invited ECFR Council Member and Member of the German Bundestag for Alliance 90/The Greens Franziska Brantner as well as Jean Pisani Ferry and Simone Tagliapietra from the Brussels-based think-tank Bruegel to discuss the geopolitical repercussions of the European Green Deal. This podcast was recorded on 4 February 2021. Further reading: “The geopolitics of the European Green Deal” by Mark Leonard, Jean Pisani-Ferry, Jeremy Shapiro, Simone Tagliapietra, and Guntram Wolff: https://buff.ly/3cJHAjW Bookshelf: • “National power and the structure of foreign trade” by Albert O. Hirschman •"21st century diplomacy: foreign policy is climate policy” by the Wilson Centre & adelphi • "The new map: Energy, climate, and the clash of nations” by Daniel Yergin • “Fighting the first wave: Why the coronavirus was tackled so differently across the globe” by Peter Baldwin

This week we chat to Healthy Mind website creator Dr Peter Baldwin and 3DN’s Prof Julian Trollor about their experiences working on the edge of the mental health and disability divide.Healthy Mind, Black Dog Institute, 3DN, IDTWO, DSC newsletter, DSC website, DSC training, TRANSCRIPT

Michael is joined by Peter Baldwin, Former minister in the Hawke & Keating governments & member of the Australian House of Representatives from 1983 to 1998, who wrote in the Weekend Australian that ‘we are in the grip of a cultural revolution and Western civilisation itself is in danger of being destroyed.’ ‘Something very weird and profoundly disturbing is going on in the Western world at the moment, something I would not have imagined possible just a few years ago — indeed a few months ago.’ ‘We are witnessing nothing less than a cultural revolution, with distinct echoes of the one that rent China in the 1960s and 70s. We see mob hysteria in the physical and online space, and ritual denunciations of anyone expressing the slightest disagreement with the ever-changing orthodoxies of the identity politics creed, as even the hitherto impeccably politically correct JK Rowling has found.’ See omnystudio.com/policies/listener for privacy information.

Peter Baldwin of Bedstudy comes on the show to talk about what is was like to move from Orlando, FL to NYC to pursue music, playing gigs in the city, record labels, and much more! Follow Peter on Instagram @stayencouraged and check out his band on all social media platforms @Bedstudy Check out their website here: http://bedstudy.nyc/

We interview Prof. Peter Baldwin of UCLA on the divide between US and European politics, Anglo-American vs Continental copyright law, and European reaction to the spread of disease. Discover how different are the US and Europe really are, how Europe combated an enemy it barely understood, and the two theories of copyright law which dominate the world.

Peter is the president of AMDG Architects a full service architectural firm with experience in residential, recreational, educational, faith-based, not-for-profit, commercial, industrial, and environmental design.  Peter and his wife Michelle have 7 children and live in Grand Rapids Michigan.

Universitetslärare i vetenskapshistoria och barnbarn till Tetra Paks grundare Ruben Rausing Behandlingshem och överdoser. Daglig ångest och nattliga samtal. I Sommar i P1 berättar Lisbet Rausing för första gången om familjens stora sorg, missbruksproblemen som ledde till svägerskans död och som blev en världsnyhet. - Medan vi tröstade familjen, stod kvällstidningarna på pass utanför sommarstugan. Medan vi förberedde begravningen, klistrade de upp oss på löpsedlarna. Och medan vi sökte frid, körde journalisterna efter oss. Sorgen är svårare att hantera, om den av kvällspressen görs till ett folknöje, berättar hon i Sommar i P1. Om Lisbet Rausing Tillhör Tetra Pak-familjen som sedan 70 år är en av de mest inflytelserika inom Sveriges näringsliv. Har en aktiv del i förvaltandet av sin del av släktens förmögenhet och har startat Ingleby, ett globalt jordbruks- och skogsbruksföretag. Tillsammans med sin man Peter Baldwin har hon donerat cirka två och en halv miljard kronor till välgörenhet, primärt för att skydda fragila naturmiljöer och försvinnande kulturarv. Har doktorerat vid Harvard i ämnet Carl von Linnés tankevärld. På samma universitet undervisade hon i åtta år som docent och lektor i vetenskapshistoria. Producent: Kersti Adams-Ray

Audio recording of past Tate Modern conference. What is and what ought to be the relationship between creativity, cultural heritage institutions and copyright? Speakers include Kim Treiger, Peter Baldwin, Marysia Lewandowska and Darryl Mead.

Audio recording of past Tate Modern conference. What is and what ought to be the relationship between creativity, cultural heritage institutions and copyright? Speakers will include Kim Treiger, Peter Baldwin, Marysia Lewandowska and Darryl Mead.

What is and what ought to be the relationship between creativity, cultural heritage institutions and copyright? Speakers will include Kim Treiger, Peter Baldwin, Marysia Lewandowska and Darryl Mead.

Audio recording of past Tate Moden conference: What is and what ought to be the relationship between creativity, cultural heritage institutions and copyright? Speakers will include Kim Treiger, Peter Baldwin, Marysia Lewandowska and Darryl Mead.

Audio recording of past Tate Modern conference: What is and what ought to be the relationship between creativity, cultural heritage institutions and copyright? Speakers will include Kim Treiger, Peter Baldwin, Marysia Lewandowska and Darryl Mead.

Audio recording of past Tate Modern conference: What is and what ought to be the relationship between creativity, cultural heritage institutions and copyright? Speakers will include Kim Treiger, Peter Baldwin, Marysia Lewandowska and Darryl Mead.

Audio recording of the past Tate Modern conference. What is and what ought to be the relationship between creativity, cultural heritage institutions and copyright? Speakers include Kim Treiger, Peter Baldwin, Marysia Lewandowska and Darryl Mead.

Peter Baldwin, son of a Presbyterian Pastor tells how the love of his father and friends of God led him into the Catholic Church.