Podcasts about Wovoka

https://abbeyofthearts.com/lift-every-voice/ Christine Valters Paintner is joined by author Claudia Love Mair for a series of video conversations. Each month they take up a new book by or about a voice of color. The community is invited to purchase and read the books in advance and participate actively in this journey of deepening, discovery, and transformation. This month they speak with Steven Charleston about his book We Survived the End of the World: Lessons from Native America on Apocalypse and Hope. From the moment European settlers reached these shores, the American apocalypse began. But Native Americans did not vanish. Apocalypse did not fully destroy them, and it doesn't have to destroy us. Pandemics and war, social turmoil and corrupt governments, natural disasters and environmental collapse–it's hard not to watch the signs of the times and feel afraid. But we can journey through that fear to find hope. With the warnings of a prophet and the lively voice of a storyteller, Choctaw elder and author of "Ladder to the Light" Steven Charleston speaks to all who sense apocalyptic dread rising around and within. You'd be hard pressed to find an apocalypse more total than the one Native America has confronted for more than four hundred years. Yet Charleston's ancestors are a case study in the liberating and hopeful survival of a spiritual community. How did Indigenous communities achieve the miracle of their own survival and live to tell the tale? What strategies did America's Indigenous people rely on that may help us to endure an apocalypse–or perhaps even prevent one from happening? Charleston points to four Indigenous prophets who helped their people learn strategies for surviving catastrophe: Ganiodaiio of the Seneca, Tenskwatawa of the Shawnee, Smohalla of the Wanapams, and Wovoka of the Paiute. Through gestures such as turning the culture upside down, finding a fixed place on which to stand, listening to what the earth is saying, and dancing a ghostly vision into being, these prophets helped their people survive. Charleston looks, too, at the Hopi people of the American Southwest, whose sacred stories tell them they were created for a purpose. These ancestors' words reach across centuries to help us live through apocalypse today with courage and dignity. https://AbbeyoftheArts.com/Lift-Every-Voice/We-Survived-the-End-of-the-World  

#AlaCartaIB3| Ja disponible el programa 12x06 (edició 500) Aquest programa 500 de Font de Misteris l'hem començat xerrant d'una jugueta molt perillosa de l'any 1950. Al Contes i Rondalles amb na Irene Font hem conegut una Rondalla Eslovena titulada “Set anys amb la Serp Blanca” i la seva versió illenca. I després hem seguit amb la història de Wovoka que la setmana pasada ens va començar a contar en Borja i hem conegut altres profecies d'indis. #FontdeMisterisIB3

#AlaCartaIB3 | Ja disponible el programa 12x03 (edició 497). Hem començat aquesta edició parlant de les possibles novetats damunt del tema OVNI per part dels nord-americans i de l'astrofísic de Harvard, Loev que va fer una expedició per tractar de trobar restes d'un objecte interestel·lar i que efectivament les hauria trobades. També hem conegut algunes qüestions relacionades amb el Cosmisme Rus. Què és aquest corrent? I també hem parlat d'una història que ens du al farwest i que hem titulat com a "Wovoka i la Dansa dels Esperits". #FontdeMisterisIB3

Beginning in the 1680s, Indigenous people began coming together to form military and political coalitions that sought to include all Indigneous people in a common front against European invasion.

Motivatore: WovokaMotivazione: La tua visione cambia il mondo

The best show on TV is on FX--well, FX on Hulu, that is. It's called Reservation Dogs, it was created by Sterlin Harjo and Taika Waititi, and it is about four Indigenous kids from Oklahoma dreaming of escape to California. To discuss this funny, heartbreaking show, Paul and Arlo are joined by pop culture writer extraordinaire Nikki Stafford. The gang discusses the show's subtle storytelling, its incredible cast, the way Harjo and his team thread the needle between tragedy and comedy, and how this series breaks ground for mainstream Native representation in America. Plus, Arlo almost killed Paul.   NEXT: second time's the charm; hopefully, we'll actually do a Four-Color Flashback on John Layman and Afu Chan's Outer Darkness.     BREAKDOWN 00:00:42  -  Intro / Guest 00:10:45  -  Reservation Dogs 01:25:45  -  Outro / Next     LINKS   ‘Stoodis!' & ‘Skoden' — ‘Reservation Dogs' Puts NDN Slang in Focus by Jeanette Centeno, powwows.com   “‘Reservation Dogs' Co-Creators Sterlin Harjo & Taika Waititi Talk Using Humor “To Subvert Expectations” In Indigenous Representation – TCA” by Alexandra Del Rosario, Deadline   “'Reservation Dogs' Creator Talks New FX Series,” All Things Considered “‘Reservation Dogs': The Interview” by Jonathan Sims, The Paper. Sterlin Harjo on creating FX's ‘Reservation Dogs' with an Indigenous cast and crew -- The Business Podcast There There, a novel by Tommy Orange       MUSIC “I Wanna Be Your Dog” by The Stooges, The Stooges (1969) “Come and Get Your Love” by Redbone, Wovoka (1973)     GOBBLEDYCARES National Suicide Prevention Lifeline: https://suicidepreventionlifeline.org/  Support AAPI communities and those affected by anti-Asian violence: https://www.gofundme.com/c/act/stop-aapi-hate Support the AAPI Civic Engagement Fund: https://aapifund.org/ Support Black Lives Matter and find anti-racism resources: https://blacklivesmatters.carrd.co/ Advocate for writers who might be owed money due to discontinuance of royalties: https://www.writersmustbepaid.org/  Help teachers and classrooms in need: https://www.donorschoose.org/ Do your part to remove the burden of medical debt for individuals, families, and veterans: https://ripmedicaldebt.org/ Register to vote: https://vote.gov/

Peyote crosses the border and causes a riot. Drug companies want their taste, and psychedelics reach the social elite. What could possibly go wrong?In episode two of PsychedeRx, Peyote comes north to the good old US of A. And it's not just for religious ceremonies anymore, either. Spanish conquistadors and European explorers, seeking to dominate the indigenous tribes, used Peyote to show force by banning its use and denying the tribes their spiritual practices. And we all know what happens when prohibitions are imposed - the use doesn't stop, it just gets moved underground. James Mooney, an ethnographer dispatched by the Smithsonian Institute, is one of our best resources for this era. He committed to his diary first-hand accounts of the use of and backlash against peyote in tribal rituals.As Peyote moved north, albeit underground, it became the catalyst for a series of events that were bloodier than an episode of Dexter. Wovoka and the Ghost Dance were the turning point. The execution of Sitting Bull led to the massacre at Wounded Knee - and it was all over peyote and freedom of religion - ain't that an ironic twist?Episode two also sheds light on the earliest interventions of the drug companies like Merck and Parke-Davis and their part in our little psychedelic drama. Arthur Heffter separates the resins from the alkaloids and isolates the first real information on dosing. We get a close-up look at how the psychiatrists and psychologists got involved - where they got it right, and where they got it all wrong. Psychedelics also make their way into the world of the social elites through folks like Aldous Huxley and Ken Kesey. We'll close out this week with our first peek at LSD. So remember to “Turn on, tune in, and drop out.”This documentary series is made possible by our kind donors. Kindly help us by donating to our cause of disseminating factual stories of science, scientists and innovations at https://skrapspodcast.com/donate/

Welcome to Episode 41, "The Ghost Dance," featuring Native American prophet Wovoka (1856-1932). A descendent of the Numu language family and Paiute tribe in Nevada, Wovoka had a vision in 1889 in which he visited heaven and communed with the spirits of his ancestors. The spirits told him that by performing the “Ghost Dance,” the white man's violent oppression would subside and the native tribes would thrive following an apocalyptic resurrection of Native life. The rapid spread of the Ghost Dance across the nation was so threatening to white oppressors that it compelled them to even greater atrocities, resulting in the Massacre at Wounded Knee in 1890. Wovoka's prophetic religion, music, and dance, however, still remain today. Through the life of Wovoka and his Paiute heritage this episode explores the meaning and music of the Ghost Dance tradition. Welcome to a prophecy of hope...

Peyote crosses the border and causes a riot. Drug companies want their taste, and psychedelics reach the social elite. What could possibly go wrong?In episode two of PsychedeRx, Peyote comes north to the good old US of A. And it's not just for religious ceremonies anymore, either. Spanish conquistadors and European explorers, seeking to dominate the indigenous tribes, used Peyote to show force by banning its use and denying the tribes their spiritual practices. And we all know what happens when prohibitions are imposed - the use doesn't stop, it just gets moved underground. James Mooney, an ethnographer dispatched by the Smithsonian Institute, is one of our best resources for this era. He committed to his diary first-hand accounts of the use of and backlash against peyote in tribal rituals.As Peyote moved north, albeit underground, it became the catalyst for a series of events that were bloodier than an episode of Dexter. Wovoka and the Ghost Dance were the turning point. The execution of Sitting Bull led to the massacre at Wounded Knee - and it was all over peyote and freedom of religion - ain't that an ironic twist?Episode two also sheds light on the earliest interventions of the drug companies like Merck and Parke-Davis and their part in our little psychedelic drama. Arthur Heffter separates the resins from the alkaloids and isolates the first real information on dosing. We get a close-up look at how the psychiatrists and psychologists got involved - where they got it right, and where they got it all wrong. Psychedelics also make their way into the world of the social elites through folks like Aldous Huxley and Ken Kesey. We'll close out this week with our first peek at LSD. So remember to “Turn on, tune in, and drop out.”

Never has music been so available to the public than it is right now.  The multitude of streaming services gives us the opportunity to listen to virtually anything we want, which means music of the past is now equally present to music just recently released.  With that in mind, does this change your perception of music?Song Samples from the Discussion:Sweet – “Fox On The Run” from Desolation Boulevard (1974)Elvin Bishop – “Fooled Around & Fell In Love” from Struttin’ My Stuff (1975)The Who – “Cut My Hair” from Quadrophenia (1973)Weezer – “The World Has Turned & Left” from Weezer [Blue Album] (1994)Joan Baez – “Fountain Of Sorrow” from Diamonds & Rust (1975)Sam & Dave – “Said I Wasn’t Gonna Tell Nobody” from Double Dynamite (1967)Rodriguez – “Cause” from Coming From Reality (1971)Moby Grape – “Omaha” from Moby Grape (1967)Quicksilver Messenger Service – “Fresh Air” from Just For Love (1970)Redbone – “Come & Get Your Love” from Wovoka (1973)Chuck Mangione – “Feels So Good” from Feels So Good (1977)Support the show (https://www.patreon.com/SchizoMusic)

In this episode, I go deep inside the Ghost Dance and talk about it and how it ultimately led to Sitting Bull's death. Hello everyone and thank you so much for continuing to listen and support this podcast! I am so happy to put out another podcast and it has been much too long since I have uploaded a podcast! A general overview of the topics of this podcast is that I go deep into the Ghost Dance. The Ghost Dance originated in Nevada with a prophet named Wovoka and ultimately spread to Plains Indians and became a growing fear for many Americans. The Bureau of Indian Affairs made it against the law to do the Ghost Dance. Because it was in secret, they had to resort to secret ways and those ways cost Sitting Bull his life. If you enjoyed this or want to leave feedback please email me or leave a comment on my blog post!! I would love to hear what you all think! CHECK OUT THE NEW BLOG- blackhillsbookandpodcast.weebly.com EMAIL ME- blackhillsbookandpodcast@gmail.com FOLLOW THIS ACCOUNT- instagram.com/blackhillsbookandpodcast LISTEN & SHARE ON ANCHOR- https://anchor.fm/josh-martinez96 LISTEN & SHARE ON SPOTIFY - https://open.spotify.com/show/7Jmq8cYjgHInv73jG0dj3w LISTEN ON APPLE PODCASTS! https://podcasts.apple.com/us/podcast/the-black-hills-are-not-for-sale-book-podcast/id1510149439 LISTEN ON BREAKER! - https://www.breaker.audio/the-black-hills-are-not-for-sale-book-podcast LISTEN ON POCKETCASTS! - https://pca.st/2cjpza5r LISTEN ON RADIOPUBLIC! - https://radiopublic.com/the-black-hills-are-not-for-sale-G3LBj2 LISTEN ON GOOGLE PODCASTS! - https://www.google.com/podcasts?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy8xYmU4NTM0NC9wb2RjYXN0L3Jzcw== THANK YOU ALL FOR THE CONTINUED SUPPORT! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/josh-martinez96/support

Arnold Woods and Emily Cornell discuss:  Wovoka by Redbone Rumours by Fleetwood Mac Talking Book by Stevie Wonder Parade by Prince  

History Riders Radio Podcast HRR 3920 for Week 39 of 2020 – Saturday 09/19/2020 to Friday 09/25/2020. History Riders, ride this Week’s Memory Trail with Doc Boyle to discover an event from Western History for each day of the week; all rounded up from the pages of Old West Daily Reader. Subjects Include: Doc & Wyatt; Wovoka; NMAI; Wild Bunch; The Granddaddy of 'em All!; Seth Bullock; Tenth Hand Cart Company; Tom Mix. (00:06:04)Please leave a FaceBook “Like” and share our link with a friend. Thanks for the visit! - oldwestdailyreader.comSupport the show (http://oldwestdailyreader.com)

Radical Religions Series. Episode #3 of 4. In the 1880s, when the buffalo were all but extinct, droughts and over-grazing meant famines, and the promised rations from the government shrank, a new religion spread rapidly through the tribes of the Great Basin and Plains west. It was called the Ghost Dance religion, preached by the Paiute prophet Wovoka, who spread a message that peace and hard work would bring a better future. But the hope-filled religious revival was perceived as a threat by Indian agents and the US Army, and Wovoka’s message of peace led to slaughter at Wounded Knee Creek. The Ghost Dance and Wounded Knee have been considered inextricably linked ever since, but in this episode, we explore the complex and moving history of the religion and question whether we really should end this story with the massacre at Wounded Knee. For show notes and transcripts, visit www.digpodcast.org. Learn more about your ad choices. Visit megaphone.fm/adchoices

Best dressed guest of the year Ed The Dog joined us for a chat, the very chill Wovoka Gentle kept Joey company for a bit, beautiful Ellie Bleach talked her upcoming release and indie veterans Tokyo Police Club rang Joey.

With Stanley Kubrick Month in the rearview mirror, it's time to talk horny summer campers, sadistic slashers, and a ton of nudity with Jess Byard June. To kick off the aforementioned month, we'll be taking a look at one of the few summer camp slasher flicks that were hard to find in its uncut form until recently The Burning. The film features a veritable cavalcade of then up, and coming talent who would go on to have successful careers such as Jason Alexander, Fisher Stevens, and Holly Hunter and some significant effects work from the legendary Tom Savini. While the film doesn't feature the most memorable villain or the most original plot, it's a worthy entry into the summer camp slasher subgenre. The Projection Booth's Mike White joins Chris to talk Cropsey's weapon of choice, the film's use of style, and whether it deserves the praise it gets.You can follow Chris Stachiw at @KultureStach and the Kulturecast @kulturecast. The music is an original track from Eric Kniss of Wovoka. You can also subscribe to the Kulturecast on iTunes here. Also, don't forget to check out our official Facebook page for news, upcoming reviews, contests, and new content along with our Patreon page.

The Kulturecast wraps up Stanley Kubrick Month with a film that many have derided as the auteur's most indulgent and meandering: Barry Lyndon. The film follows the roguish titular character, played sleepily by Ryan O'Neal, as he wanders through 18th century England getting involved in a series of adventures and misadventures. It's not regarded as one of Kubrick's finest films but it is widely appreciated as yet another technical masterpiece due to his staunch requirement to film only by natural light. Chris is joined by OughtFive Film's Father Malone to talk about the film, how it's aged since its release, and how it may just be a technical masterpiece.You can follow Chris Stachiw at @KultureStach and the Kulturecast @kulturecast. The music is an original track from Eric Kniss of Wovoka. You can also subscribe to the Kulturecast on iTunes here. Also, don't forget to check out our official Facebook page for news, upcoming reviews, contests, and new content along with our Patreon page.

The Kulturecast continues Stanley Kubrick Month with a look at not only his last film but also his most controversial film: Eyes Wide Shut. The film stars real-life couple at the time Tom Cruise and Nicole Kidman as an on-screen couple whose relationship is tested when Cruise enters the bizarre underworld of a sex cult. Derided by many at the time as Kubrick's weakest film, Eyes Wide Shut has aged in the last two decades into not only one of the auteur's most beautiful movies but also an exciting look into the reality of the relationships that drive us as humans. Chris is joined by award-winning screenwriter Jess Byard to talk about the film; its place in Kubrick's filmography, and how the film has benefitted from age.You can follow Chris Stachiw at @KultureStach and the Kulturecast @kulturecast. The music is an original track from Eric Kniss of Wovoka. You can also subscribe to the Kulturecast on iTunes here. Also, don't forget to check out our official Facebook page for news, upcoming reviews, contests, and new content along with our Patreon page.

The Kulturecast kicks off Stanley Kubrick Month with a look at the famed auteur's freshman film The Killing. The film stars Sterling Hayden and a veritable cast of characters that are caught up in Hayden's plot to rip off a horse racing track for millions of dollars. While the attempt goes sideways, the film is one of Kubrick's finest and one that still stands up as a prime example of the director's impressive abilities. Chris is joined by The Projection Booth's Mike White to talk about the film, whether it's noir or not, and the legendary character actor Timothy Carey.You can follow Chris Stachiw at @KultureStach and the Kulturecast @kulturecast. The music is an original track from Eric Kniss of Wovoka. You can also subscribe to the Kulturecast on iTunes here. Also, don't forget to check out our official Facebook page for news, upcoming reviews, contests, and new content along with our Patreon page.

The Kulturecast takes a slight break from Stanley Kubrick Month to take a look at the upcoming Scary Stories: A Documentary. The film, directed by Cody Meirick, focuses on the Scary Stories to Tell in the Dark series of children's books from the '80s and '90s that caused massive waves in and out of schools. The documentary features interviews with Alvin Schwartz's family, famed horror writers RL Stine, and megafans of the original trilogy of books. Chris is joined by award-winning screenwriter Jess Byard to talk about the documentary, the influence the book has had on horror culture, and thoughts on the upcoming narrative film.You can follow Chris Stachiw at @KultureStach and the Kulturecast @kulturecast. The music is an original track from Eric Kniss of Wovoka. You can also subscribe to the Kulturecast on iTunes here. Also, don't forget to check out our official Facebook page for news, upcoming reviews, contests, and new content along with our Patreon page.

It's finally here! The most anticipated film of 2019 and the sequel to 2018's Avengers: Infinity War along with being the final film in a 10+ year storyline, Avengers: Endgame. The film picks back up only weeks after the events of Infinity War with the remaining Avengers attempting to find a way to undo the Snap heard round the Universe. It's the culmination of 22 films worth of story and character development along with the emotional end to the current cast of the MCU. The Projection Booth's Mike White joins Chris to finish the journey taken with Iron Man, Captain America, and Thor that started so long ago and to look to the future of what Marvel Studios may have up its sleeves.You can follow Chris Stachiw at @KultureStach and the Kulturecast @kulturecast. The music is an original track from Eric Kniss of Wovoka. You can also subscribe to the Kulturecast on iTunes here. Also, don't forget to check out our official Facebook page for news, upcoming reviews, contests, and new content along with our Patreon page.

Long live Mike White March! As opposed to ending the month with a bang, it ends with a whimper, that whimper being Bruce Beresford's Money Movers. The film is a mediocre take on a crime/heist drama that ends up dragging more than being an interesting entry into the genre. It does feature Bryan Brown of FX fame, however, which is always a plus. The Projection Booth's Mike White joins Chris for one last ride into the Outback to tackle the disappointing film, some talk about the Oscars, and general cinema chit chat.You can follow Chris Stachiw at @KultureStach and the Kulturecast @kulturecast. The music is an original track from Eric Kniss of Wovoka. You can also subscribe to the Kulturecast on iTunes here. Also, don't forget to check out our official Facebook page for news, upcoming reviews, contests, and new content along with our Patreon page.

This week! Uncle Mark dances as fast as he can, Uncle Doug talks shit about a dead guy who richly deserves it, and Uncle Dan ponders how much religion is too much religion in the workplace. 

As we near the end of Mike White March, we come upon the curious case of Mad Dog Morgan, a film that benefits having prior knowledge about the insane behind the scenes machinations due to the powerhouse of acting that was Dennis Hopper. Starring the Hopper mentioned above, the film follows the exploits of the infamous bushranger and all around ne'er-do-well Dan "Mad Dog" Morgan as he caused trouble for the Australian government in the mid-1800s. Dennis Hopper's offscreen antics translate to a true method performance as the unhinged Morgan along with some cinema verite style that is reminiscent of Alejandro Jodorowsky. The Projection Booth's Mike White joins Chris once again to talk Hopper's performance, the translation from page to screen, and more familiar faces from Aussie cinema.You can follow Chris Stachiw at @KultureStach and the Kulturecast @kulturecast. The music is an original track from Eric Kniss of Wovoka. You can also subscribe to the Kulturecast on iTunes here. Also, don't forget to check out our official Facebook page for news, upcoming reviews, contests, and new content along with our Patreon page.

It's finally here, the long-awaited sophomore film from Academy Award-winning writer/director of Get Out Jordan Peele: Us. While touching on similar topics to Get Out including racial tension, socio-economic divide, and class warfare, the film follows a family who is plagued while on vacation by a group of doppelgangers who hold a sinister secret. With standout performances from Lupita Nyong'o and Winston Duke, the film is an interesting follow up the Peele's freshman outing and one that attempts world and mythology building with varying degrees of success. Chris and Eric are joined by award-winning screenwriter Jess Byard to talk the year's most hotly anticipated horror film along with if it's a worthy successor to Peele's modern genre classic and where he goes from here.You can follow Chris Stachiw at @KultureStach, Eric Kniss at @tychomagnetics and the Kulturecast @kulturecast. The music is an original track from Eric Kniss of Wovoka. You can also subscribe to the Kulturecast on iTunes here. Also, don't forget to check out our official Facebook page for news, upcoming reviews, contests, and new content along with our Patreon page.

Continuing Mike White March, we come to The Man from Hong Kong, a unique kung-fu film that lacks a charismatic lead but has all the trappings of a truly standout Ozploitation film. Directed by Ozploitation legend Brian Trenchard-Smith, the film stars Jimmy Wang Yu as the previously mentioned stale lead who is surrounded by some of Australia's finest exploitation actors including one-time James Bond George Lazenby who chews through the scenery every chance he gets. It's a more enjoyable experience than Stone with different problems that hamper it. The Projection Booth's Mike White joins Chris to talk Wang Yu's robotic performance, Lazenby's fantastic turn as a villain, and the film's fantastic climax.You can follow Chris Stachiw at @KultureStach, Eric Kniss at @tychomagnetics and the Kulturecast @kulturecast. The music is an original track from Eric Kniss of Wovoka. You can also subscribe to the Kulturecast on iTunes here. Also, don't forget to check out our official Facebook page for news, upcoming reviews, contests, and new content along with our Patreon page.

We're taking a quick break from Mike White March to catch up with the final Marvel Cinematic Universe film before the hotly anticipated Avengers: Endgame, that film being Captain Marvel. Centering around the eponymous character and her struggle to reclaim her place in the world all the while protecting Earth from the warring factions of the Kree and Skrull, it's an exciting diversion backward into the history of the MCU. While struggling from many of the issues the early MCU origin story films experienced, its ultimately a good not great introduction to a character who will have massive implications on the MCU as a whole. Filmmaker Matt Campagna joins Chris to breakdown the film, spoilers and all, including the buddy cop aspect, Brie Larson's performance, and what the film means for Endgame. You can follow Chris Stachiw at @KultureStach, Eric Kniss at @tychomagnetics and the Kulturecast @kulturecast. The music is an original track from Eric Kniss of Wovoka. You can also subscribe to the Kulturecast on iTunes here. Also, don't forget to check out our official Facebook page for news, upcoming reviews, contests, and new content along with our Patreon page.

It's that time of the year again where we turn over the reigns of programming to The Projection Booth's Mike White for the second annual Mike White March. This year's films are all Ozploitation, focusing on the best exploitation films Australia has to offer, and this month is kicked off with Stone. A biker film that was a precursor to the more popular stateside Mad Max, the film follows the eponymous Stone, an undercover cop, who joins the Gravedigger biker gang to try and determine who is killing them one by one. It's a novel premise that ultimately falls flat as it fails to build upon the initial albeit exciting idea. Chris is joined by Mike White to talk about the film, its lasting influence on both American and Australian cinema, and the always fantastic Hugh Keays-Byrne.You can follow Chris Stachiw at @KultureStach, Eric Kniss at @tychomagnetics and the Kulturecast @kulturecast. The music is an original track from Eric Kniss of Wovoka. You can also subscribe to the Kulturecast on iTunes here. Also, don't forget to check out our official Facebook page for news, upcoming reviews, contests, and new content along with our Patreon page.

Thanks to our latest Patreon patron, we were tasked with taking a look at one of the most baffling films of the early '00s, Tiptoes. Not only does the film star a veritable whos who of know famous and award-winning actors the likes of Matthew McConaughey, Gary Oldman, Peter Dinklage, and Patricia Arquette, but it also attempts to tackle a serious topic: dwarfism. McConaughey stars as Steve, a normal man from a family of dwarfs who knocks up his girlfriend, played by Kate Beckinsale, only to be unable to come to terms with the fact their child may be a dwarf. It's a bizarre, tonally inconsistent film that has to be seen to be believed. Chris and Eric discuss the film, Gary Oldman as a dwarf, and why it's seemingly gone under the radar for so long.As always, you can follow Chris Stachiw at @KultureStach, Eric Kniss at @tychomagnetics and Kulture Shocked at @KultureShocked. The music is an original track from Eric Kniss of Wovoka. You can also subscribe to the Kulturecast on iTunes here. Also, don't forget to check out our official Facebook page for news, upcoming reviews, contests, and new content along with our Patreon page.

It's finally here! The yearly Kulturecast wrap-up where we talk our favorite films, least favorite, and everything in between for the year in film that was 2018. With superlatives like "the Super Mario Bros. Tribute Award" and the "Jordan Peele Breakout Award," this year's wrap-up has a little something for everyone. Along with in-theater releases, streaming films and movies are given their category since we are just a tad more progressive than that other awards show. Joined by award-winning screenwriter Jess Byard, Chris and Eric talk everything from the biggest sequels to the lowest points of the year, which may also be sequels.As always, you can follow Chris Stachiw at @KultureStach, Eric Kniss at @tychomagnetics and Kulture Shocked at @KultureShocked. The music is an original track from Eric Kniss of Wovoka. You can also subscribe to the Kulturecast on iTunes here. Also, don't forget to check out our official Facebook page for news, upcoming reviews, contests, and new content along with our Patreon page.

Best dressed guest of the year Ed The Dog joined us for a chat, the very chill Wovoka Gentle kept Joey company for a bit, beautiful Ellie Bleach talked her upcoming release and indie veterans Tokyo Police Club rang Joey.

Drunken Master II or The Legend of the Drunken Master, as it was released stateside, is one of Jackie Chan's finest films and an example of what happens when kung-fu, comedy, and a well-written story are combined into something truly magical. The film follows Jackie as Wong Fei-hung who must stop a group of foreigners who are hell-bent on stealing precious antiques from the Chinese countryside. The Projection Booth's Mike White joins Chris to talk a whole bunch of drunken fighting moves, a climax for the ages, and the best Jackie Chan movie of the month.As always, you can follow Chris Stachiw at @KultureStach, Eric Kniss at @tychomagnetics and Kulture Shocked at @KultureShocked. The music is an original track from Eric Kniss of Wovoka. You can also subscribe to the Kulturecast on iTunes here. Also, don't forget to check out our official Facebook page for news, upcoming reviews, contests, and new content along with our Patreon page.

Armour of God is the first film in Jackie Chan's Armour of God trilogy, despite what the hacks over Miramax would have you believe in their release of the film. The film follows the exploits of Jackie as well, Jackie a.k.a. Asian Hawk, as he must help his former bandmate Alan procure the pieces of the Armour of God for a cult that has kidnapped his girlfriend. It's a mash-up between James Bond and Indiana Jones with a healthy dose of chopsocky thrown in for good measure. The Projection Booth's Mike White joins Chris to talk Amazonian assassins, hot air balloons, and Jackie's near-death experience.As always, you can follow Chris Stachiw at @KultureStach, Eric Kniss at @tychomagnetics and Kulture Shocked at @KultureShocked. The music is an original track from Eric Kniss of Wovoka. You can also subscribe to the Kulturecast on iTunes here. Also, don't forget to check out our official Facebook page for news, upcoming reviews, contests, and new content along with our Patreon page.

Police Story is the first film in the acclaimed Police Story franchise that saw Jackie Chan not only as the lead in front of the camera but also behind the camera as well. Jackie stars as a Hong Kong cop tasked with taking down a corrupt crime boss and clearing his name after being framed for murder. It's not only one of Jackie's best films but also features one of the best opening scenes in all of cinema. The Projection Booth's Mike White joins Chris to talk downhill shanty town racing, dangerous stunts, and an unhinged Jackie Chan. As always, you can follow Chris Stachiw at @KultureStach, Eric Kniss at @tychomagnetics and Kulture Shocked at @KultureShocked. The music is an original track from Eric Kniss of Wovoka. You can also subscribe to the Kulturecast on iTunes here. Also, don't forget to check out our official Facebook page for news, upcoming reviews, contests, and new content along with our Patreon page.

Dragons Forever is the final film starring the illustrious "Three Brothers," the trio of Jackie Chan, Sammo Hung, and Yuen Biao. The film follows Jackie Chan as a Hong Kong lawyer who is hired by a sleazy chemical company to try and discredit a lawsuit brought against them by a fishery for polluting the water. Jackie must figure out what the company is actually up to with the help of his two friends, a arms dealer, and an inventor, along with trying to stop himself from falling in love with the prosecutor's key witness. The Projection Booth's Mike White joins Chris and Eric to talk about the final ride for the Three Brothers along with some poorly translated subtitles.As always, you can follow Chris Stachiw at @KultureStach, Eric Kniss at @tychomagnetics and Kulture Shocked at @KultureShocked. The music is an original track from Eric Kniss of Wovoka. You can also subscribe to the Kulturecast on iTunes here. Also, don't forget to check out our official Facebook page for news, upcoming reviews, contests, and new content along with our Patreon page.

Suspiria (2018) is the hotly anticipated remake of the Dario Argento Giallo classic, and it takes the story and tone of the original film and does something wholly unique and innovative with it. Operating within the loosely defined confines of the original plot, the film follows Susie Bannion played by Dakota Johnson as she becomes the newest member of the Markos School of Dance only to find herself thrust into a plot to revitalize an ancient witch. Chris and Eric are joined by award-winning writer Jess Byard to talk about the Guadagnino's polarizing re-imagining of the film along with more than a little analysis of the film's actual lead, Tilda Swinton.As always, you can follow Chris Stachiw at @KultureStach, Eric Kniss at @tychomagnetics and Kulture Shocked at @KultureShocked. The music is an original track from Eric Kniss of Wovoka. You can also subscribe to the Kulturecast on iTunes here. Also, don't forget to check out our official Facebook page for news, upcoming reviews, contests, and new content along with our Patreon page.

Halloween (2018) returns the franchise to its roots with the first true sequel to the original film that looks to rewrite the worst parts of the franchise while creating a new canonical storyline. Focusing on the struggle between a wisened Laurie Strode and a grizzled Michael Myers, Halloween (2018) tries to have its cake and eat it too by offering the original characters a worthy ending while attempting to set up a new line of sequels. Chris and Eric have a spoiler-filled discussion on the overhyped entry in the franchise that seems to be able to do no wrong. As always, you can follow Chris Stachiw at @KultureStach, Eric Kniss at @tychomagnetics and Kulture Shocked at @KultureShocked. The music is an original track from Eric Kniss of Wovoka. You can also subscribe to the Kulturecast on iTunes here. Also, don't forget to check out our official Facebook page for news, upcoming reviews, contests, and new content along with our Patreon page.

The Taking of Deborah Logan is another entry into the found footage genre that falls into every trap that the subgenre has to offer including being outright boring while also attempting to shock the audience. Written and directed by Adam Robitel, the film presents some interesting ideas about possession and disease but it ultimately falls short of being both a successful horror film or a worthy entry into the found footage subgenre. Chris and Eric are joined by award-winning writer Jess Byard to discuss both the film and the year the film came out along with a discussion on the state of found footage in 2018.As always, you can follow Chris Stachiw at @KultureStach, Eric Kniss at @tychomagnetics and Kulture Shocked at @KultureShocked. The music is an original track from Eric Kniss of Wovoka. You can also subscribe to the Kulturecast on iTunes here. Also, don't forget to check out our official Facebook page for news, upcoming reviews, contests, and new content along with our Patreon page.

The Conspiracy is the directorial debut from writer/director Christopher MacBride and it sets itself apart from the found-footage/reality horror subgenre by focusing on real-world events along with crafting a believable narrative. It's a unique twist on the found-footage subgenre that works outside of the normal confines of the typical horror film to craft something wholly original, convincing, and terrifying all at the same time. Chris and Eric give their spoiler-free thoughts on the film along with interviews with the film's co-leads Aaron Poole (Aaron) and James Gilbert (Jim).As always, you can follow Chris Stachiw at @KultureStach, Eric Kniss at @tychomagnetics and Kulture Shocked at @KultureShocked. The music is an original track from Eric Kniss of Wovoka. You can also subscribe to the Kulturecast on iTunes here. Also, don't forget to check out our official Facebook page for news, upcoming reviews, contests, and new content along with our Patreon page.

Hell House LLC and Hell House LLC II: The Abbadon Hotel are the first two films in the Hell House LLC trilogy and establish a compelling, terrifying narrative behind a seemingly normal abandoned hotel turned haunted house. Written and directed by Stephen Cognetti, the films present a fresh approach to the found footage genre as well as creating some truly unique and memorable characters and scares. Chris and Eric have a spoiler-filled discussion about both films and speak with director Stephen Cognetti about his films and what the future holds for the Hell House LLC trilogy.As always, you can follow Chris Stachiw at @KultureStach, Eric Kniss at @tychomagnetics and Kulture Shocked at @KultureShocked. The music is an original track from Eric Kniss of Wovoka. Also, make sure to check out Jilly's Socks 'n Such for not only awesome socks but also gifts for any occasion! You can also subscribe to the Kulturecast on iTunes here. Also, don't forget to check out our official Facebook page for news, upcoming reviews, contests, and new content along with our Patreon page.

Redbone are another of those excellent 70s hitmakers that are enjoying a career resurgence thanks to their inclusion on the Guardians of the Galaxy soundtracks. The band released many hits that decade like "The Witch Queen of New Orleans,"One More Time," and "Wovoka," but the biggest was "Come and Get Your Love" which reached #5 in 1974 and is currently enjoying a rebirth. Pat Vegas and his brother Lolly were working musicians during that legendary Southern California classic rock period before starting Redbone and becoming the most successful Native American rock band in history. Lolly passed away in 2010, but Pat is keeping the band alive and is a gusher of stories including everyone from Jimi Hendrix to Jim Morrison to Aretha Franklin. Enjoy!    https://www.facebook.com/REDBONE.Official.Page/

Historians and other writers often portray the Ghost Dance religious movement and massacre at Wounded Knee in 1890 as endings, the final gasps of armed Native resistance and their older ways of life. This interpretation is backwards for several reasons, argues Dr. Louis Warren, W. Turrentine Professor of U.S. Western History at U.C. Davis. In his Bancroft Prize winning new book, God’s Red Son: The Ghost Dance Religion and the Making of Modern America (Basic Books, 2017), Warren dramatically reorients our understanding of what the Ghost Dance religion was all about. Rather than a backwards looking movement focused on returning to a pre-conquest past, the prophet Wovoka and his disciples attempted to teach and prepare Indigenous people for life on reservations within an industrializing, wage-based economic and social system. Nor did the Ghost Dance die with the bloodshed in South Dakota in 1890, but instead it carried on and continues to be practiced to this day. God’s Red Son is a sweeping reinterpretation of a well-known era in American history, which emphasizes the importance of context to understanding the power of the religion, as well as the fear it caused among white American officials. Warren persuasively argues that the Ghost Dance was but one mark on the timeline of Native American history, rather than an end. Stephen Hausmann is a doctoral candidate at Temple University and Visiting Instructor of history at the University of Pittsburgh. He is currently writing his dissertation, a history of race and the environment in the Black Hills and surrounding northern plains region of South Dakota, Wyoming, and Montana. Learn more about your ad choices. Visit megaphone.fm/adchoices

Historians and other writers often portray the Ghost Dance religious movement and massacre at Wounded Knee in 1890 as endings, the final gasps of armed Native resistance and their older ways of life. This interpretation is backwards for several reasons, argues Dr. Louis Warren, W. Turrentine Professor of U.S. Western History at U.C. Davis. In his Bancroft Prize winning new book, God’s Red Son: The Ghost Dance Religion and the Making of Modern America (Basic Books, 2017), Warren dramatically reorients our understanding of what the Ghost Dance religion was all about. Rather than a backwards looking movement focused on returning to a pre-conquest past, the prophet Wovoka and his disciples attempted to teach and prepare Indigenous people for life on reservations within an industrializing, wage-based economic and social system. Nor did the Ghost Dance die with the bloodshed in South Dakota in 1890, but instead it carried on and continues to be practiced to this day. God’s Red Son is a sweeping reinterpretation of a well-known era in American history, which emphasizes the importance of context to understanding the power of the religion, as well as the fear it caused among white American officials. Warren persuasively argues that the Ghost Dance was but one mark on the timeline of Native American history, rather than an end. Stephen Hausmann is a doctoral candidate at Temple University and Visiting Instructor of history at the University of Pittsburgh. He is currently writing his dissertation, a history of race and the environment in the Black Hills and surrounding northern plains region of South Dakota, Wyoming, and Montana. Learn more about your ad choices. Visit megaphone.fm/adchoices

Historians and other writers often portray the Ghost Dance religious movement and massacre at Wounded Knee in 1890 as endings, the final gasps of armed Native resistance and their older ways of life. This interpretation is backwards for several reasons, argues Dr. Louis Warren, W. Turrentine Professor of U.S. Western History at U.C. Davis. In his Bancroft Prize winning new book, God’s Red Son: The Ghost Dance Religion and the Making of Modern America (Basic Books, 2017), Warren dramatically reorients our understanding of what the Ghost Dance religion was all about. Rather than a backwards looking movement focused on returning to a pre-conquest past, the prophet Wovoka and his disciples attempted to teach and prepare Indigenous people for life on reservations within an industrializing, wage-based economic and social system. Nor did the Ghost Dance die with the bloodshed in South Dakota in 1890, but instead it carried on and continues to be practiced to this day. God’s Red Son is a sweeping reinterpretation of a well-known era in American history, which emphasizes the importance of context to understanding the power of the religion, as well as the fear it caused among white American officials. Warren persuasively argues that the Ghost Dance was but one mark on the timeline of Native American history, rather than an end. Stephen Hausmann is a doctoral candidate at Temple University and Visiting Instructor of history at the University of Pittsburgh. He is currently writing his dissertation, a history of race and the environment in the Black Hills and surrounding northern plains region of South Dakota, Wyoming, and Montana. Learn more about your ad choices. Visit megaphone.fm/adchoices

Historians and other writers often portray the Ghost Dance religious movement and massacre at Wounded Knee in 1890 as endings, the final gasps of armed Native resistance and their older ways of life. This interpretation is backwards for several reasons, argues Dr. Louis Warren, W. Turrentine Professor of U.S. Western History at U.C. Davis. In his Bancroft Prize winning new book, God’s Red Son: The Ghost Dance Religion and the Making of Modern America (Basic Books, 2017), Warren dramatically reorients our understanding of what the Ghost Dance religion was all about. Rather than a backwards looking movement focused on returning to a pre-conquest past, the prophet Wovoka and his disciples attempted to teach and prepare Indigenous people for life on reservations within an industrializing, wage-based economic and social system. Nor did the Ghost Dance die with the bloodshed in South Dakota in 1890, but instead it carried on and continues to be practiced to this day. God’s Red Son is a sweeping reinterpretation of a well-known era in American history, which emphasizes the importance of context to understanding the power of the religion, as well as the fear it caused among white American officials. Warren persuasively argues that the Ghost Dance was but one mark on the timeline of Native American history, rather than an end. Stephen Hausmann is a doctoral candidate at Temple University and Visiting Instructor of history at the University of Pittsburgh. He is currently writing his dissertation, a history of race and the environment in the Black Hills and surrounding northern plains region of South Dakota, Wyoming, and Montana. Learn more about your ad choices. Visit megaphone.fm/adchoices

Historians and other writers often portray the Ghost Dance religious movement and massacre at Wounded Knee in 1890 as endings, the final gasps of armed Native resistance and their older ways of life. This interpretation is backwards for several reasons, argues Dr. Louis Warren, W. Turrentine Professor of U.S. Western History at U.C. Davis. In his Bancroft Prize winning new book, God’s Red Son: The Ghost Dance Religion and the Making of Modern America (Basic Books, 2017), Warren dramatically reorients our understanding of what the Ghost Dance religion was all about. Rather than a backwards looking movement focused on returning to a pre-conquest past, the prophet Wovoka and his disciples attempted to teach and prepare Indigenous people for life on reservations within an industrializing, wage-based economic and social system. Nor did the Ghost Dance die with the bloodshed in South Dakota in 1890, but instead it carried on and continues to be practiced to this day. God’s Red Son is a sweeping reinterpretation of a well-known era in American history, which emphasizes the importance of context to understanding the power of the religion, as well as the fear it caused among white American officials. Warren persuasively argues that the Ghost Dance was but one mark on the timeline of Native American history, rather than an end. Stephen Hausmann is a doctoral candidate at Temple University and Visiting Instructor of history at the University of Pittsburgh. He is currently writing his dissertation, a history of race and the environment in the Black Hills and surrounding northern plains region of South Dakota, Wyoming, and Montana. Learn more about your ad choices. Visit megaphone.fm/adchoices

Historians and other writers often portray the Ghost Dance religious movement and massacre at Wounded Knee in 1890 as endings, the final gasps of armed Native resistance and their older ways of life. This interpretation is backwards for several reasons, argues Dr. Louis Warren, W. Turrentine Professor of U.S. Western History at U.C. Davis. In his Bancroft Prize winning new book, God’s Red Son: The Ghost Dance Religion and the Making of Modern America (Basic Books, 2017), Warren dramatically reorients our understanding of what the Ghost Dance religion was all about. Rather than a backwards looking movement focused on returning to a pre-conquest past, the prophet Wovoka and his disciples attempted to teach and prepare Indigenous people for life on reservations within an industrializing, wage-based economic and social system. Nor did the Ghost Dance die with the bloodshed in South Dakota in 1890, but instead it carried on and continues to be practiced to this day. God’s Red Son is a sweeping reinterpretation of a well-known era in American history, which emphasizes the importance of context to understanding the power of the religion, as well as the fear it caused among white American officials. Warren persuasively argues that the Ghost Dance was but one mark on the timeline of Native American history, rather than an end. Stephen Hausmann is a doctoral candidate at Temple University and Visiting Instructor of history at the University of Pittsburgh. He is currently writing his dissertation, a history of race and the environment in the Black Hills and surrounding northern plains region of South Dakota, Wyoming, and Montana. Learn more about your ad choices. Visit megaphone.fm/adchoices

Chris and Eric are joined by Wovoka's Rashid Najib as they talk about the scariest movie since The Exorcist since the last horror movie that was compared to The Exorcist: Hereditary. The film is the freshman effort from writer/director Ari Aster and stars Toni Collette as a miniaturist who, after losing her mother, watches as she and her family descend into madness. It's another horror film in the vein of The Witch and The Babadook but not in a good way in either regard.As always, you can follow Chris Stachiw at @KultureStach, Eric Kniss at @tychomagnetics and Kulture Shocked at @KultureShocked. The music is Wovoka's “Lament,” and Da DeCypher's “Two Step featuring Ben-Jamin”; big thanks to both for allowing us to use their tracks. Also, make sure to check out Jilly's Socks 'n Such for not only awesome socks but also gifts for any occasion! You can also subscribe to the Kulturecast on iTunes here. Also, don't forget to check out our official Facebook page for news, upcoming reviews, contests, and new content along with our Patreon page.

This week show features a beautiful letter written by one of pats fans @marywommer to him regarding his book and Redbone music. It speaks volumes to the devotion of Redbone fans. Song list includes : chance have it all,, 23rd & mad, Niji Trance (live), Wovoka,, Where is your heart, You know my name (Ambergris), Light as a feather, One world and more..... 30 min no commercials

Regular listeners of the show may notice this episode posting later than normal. That's because the normal posting date was during Pycon and I was hanging out in beautiful Montréal Canada enjoying the largest gathering of Python developers in the world. And I'm recovering from Easter weekend and a ham hangover. But lest this devolve into your typical blog post we've compiled 8 tracks of some amazing metal music, starting off with Sam Whitaker (feat. Jake Barnes of the Final Chapter), as well as brand-new music by EWÏG FROST. We also have the amazing new album by electronic black-metalers Psygnosis, and the jazz-influenced black metal of Schattenbrandung. There's also post-metal sludge from Wovka, the groove-djent stylings of Pursuance, and the groove metal of Azoah. Capping off the show is the catchy prog-metal of Pervy Perkin. So feel free to move about this episode freely, and be sure to make copies of the music for your friends. Just don't get too spooked at the gremlin ripping off the wings. I think I need a drink to calm my nerves. (00:10) Natural Force [Feat. Jake Barnes of The Final Chapter] by Sam Whitaker from None (BY-NC-ND) (04:10) The Boys Are Back by EWÏG FROST from Dirty Tales (BY-NC-ND) (06:03) Noesis by Pursuance from The Spiral Dynamic (BY-NC-ND) (11:06) Δrowning by Psygnosis from Human Be[ing] (BY) (21:28) III by Schattenbrandung from I - Apophänie (BY-NC-SA) (28:13) Sleep Eater by Wovoka from None (BY-NC-ND) (36:22) Al Kepun by Azoah from Azoah (BY-NC-SA) (42:21) The End of the Beginning by Pervy Perkin from Ink (BY-NC-SA) Please support the bands in this show! Buy a T-Shirt, head to the shows, or take them to a week-long programming conference. Whatever you can do to help these bands keep making music, please do it! Also check out the other great podcasts at Metal Injection, and be sure to listen to all of the great shows (including Open Metalcast) streaming 24/7 at Metalinjection.FM. If you have any suggestions for Creative Commons licensed metal, send me a link at craig@openmetalcast.com. Open Metalcast #094 (MP3) Open Metalcast #094 (OGG)