American actor (1916–1986)
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5 episodes with Sterling Hayden
6 episodes with Sterling Hayden
6 episodes with Sterling Hayden
2 episodes with Sterling Hayden
3 episodes with Sterling Hayden
3 episodes with Sterling Hayden
2 episodes with Sterling Hayden
2 episodes with Sterling Hayden
2 episodes with Sterling Hayden
Clay Risen, author of Red Scare: Blacklists, McCarthyism, and the Making of Modern America, discusses key elements of this era--The Hollywood 10, censorship of books and movies, those affected, including actor Sterling Hayden and Robert Oppenheimer--as well as the national landscape that provoked the conspirator style of politics, unsung heroes, and much more.
Bill Richert - Winter KillsWinter Kills is a 1979 satirical black comedy thriller film written and directed by William Richert, based on the eponymous novel of 1974 by Richard Condon. A fiction inspired by the assassination conspiracy theories about President John F. Kennedy, its all-star cast includes Jeff Bridges, John Huston, Anthony Perkins, Eli Wallach, Richard Boone, Toshirō Mifune, Sterling Hayden, Dorothy Malone, Belinda Bauer, Ralph Meeker, Elizabeth Taylor, Berry Berenson and Susan Walden.The film simplifies the plot of the book somewhat, emphasizing humor. It follows the events surrounding the assassination of the fictional President Kegan (based on John F. Kennedy). Several years later, Kegan's half-brother Nick (Bridges) discovers leads which suggest there may have been a plot to kill the President.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.
Send us a textThe adorable animals are back! This time in snake form! We have slithering serpent friends in showers, at carnivals, in air ducts, and liquor cabinets. Oh, and definitely on a plane. Join us as we sink our fangs into Snakes on a Plane (2006), Venom (1981), and Sssssss (1973)! Yes, the title is really Sssssss. Don't say it, HISS it!
Welcome to It's A Wonderful Podcast!A rather unique series for April on the main show as Morgan and Jeannine explore a selection of movies each having a U.S. State in its title! From Epics, to Westerns, to Epic Western Musicals, it promises to open up even more discovery!A pure pulpy revenge Western to close out the series as the lines between Film Noir and Revisionist Westerns have never been blurrier! Political themes and fighting against the blacklist is fully on show as Morgan and Jeannine talk Joseph H. Lewis' TERROR IN A TEXAS TOWN (1958) starring Sterling Hayden, Sebastian Cabot & Nedrick Young!Our YouTube Channel for Monday Madness on video, Morgan Hasn't Seen TV, Retro Trailer Reactions & Morehttps://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vowThe It's A Wonderful Podcast Theme by David B. Music.Donate:https://www.buymeacoffee.com/ItsAWonderful1Join our Patreon:https://www.patreon.com/ItsAWonderful1IT'S A WONDERFUL PODCAST STORE:https://www.teepublic.com/user/g9designSub to the feed and download now on all major podcast platforms and be sure to rate, review and SHARE AROUND!!Keep up with us on (X) Twitter:Podcast:https://twitter.com/ItsAWonderful1Morgan:https://twitter.com/Th3PurpleDonJeannine:https://twitter.com/JeannineDaBean_Keep being wonderful!!
“The Tragic Life of Classic Cinema Star Gail Russell” (082) - 4/07/2025 Hollywood legend has it that ethereal beauty GAIL RUSSELL was discovered after a Paramount Studios talent manager picked up two hitchhiking Santa Monica high school boys who told him all about the "Hedy Lamarr of Santa Monica High School." Allegedly, he then tracked down Russell at school and arranged for a screen test. The rest, as they say, is Hollywood history. If only it had been that easy. Russell, who was painfully shy and had no interest in a career as an actress was pushed in front of the camera by her ambitious mother and the executives at Paramount who saw dollar signs in her startling blue eyes. This week, we explore the life and career of one of Hollywood's most tragic beauties, GAIL RUSSELL. SHOW NOTES: Sources: Fallen Star: A Biography of Gail Russell (2016), by Steven Glenn Ochoa; John Wayne: The Life and Legend (2015), by Scott Erman; It's the Pictures That Got Smaller: Charles Brackett on Billy Wilder (2104), edited by Anthony Slide; “Paramount Official Biography of Gail Russell,” March 1940, Paramount Pictures; “Gail Russell,” May 1971, by Jim Meyer, Film Fan Monthly; “Stars Attend Funeral of Gail Russell,” August 30, 1961, Los Angeles Times; “Private Rites Scheduled Today for Gail Russell,” August 29, 1961, Los Angeles Times; “Gail Russell Found Dead At Home,” May 28, 1961, Los Angeles Times; “Gail Russell Threatens to Sue on Wayne Case Charge,” October 21, 1953, The Los Angeles Evening Herald & Express; “Gail Russell Held On Drunk Driving Charges,” November 25, 1953, Los Angeles Times; “Film Star Gail Russell Jailed As Drunk Driver,” November 25, 1953, LA Daily News; “Gail Russell Fights Drunk Driving Charge; Trial Set,” November 27, 1953, The Los Angeles Evening Herald & Express; “Gail Russell Charges $150 Drunk Charge,” January 18, 1954, The Los Angeles Evening Herald & Express; Wikipedia.com; TCM.com; IMDBPro.com; Movies Mentioned: Henry Aldrich Gets Glamour (1943), starring James Lydon & Diana Lynn; Lady In The Dark (1944), starring Ginger Rogers & Ray Milland; The Uninvited (1944), starring Ray Milland, Ruth Hussey, & Gail Russell; Our Hearts Were Young And Gay (1944), starring Gail Russell & Diana Lynn; Salty O'Rourke (1945), starring Alan Ladd & Gail Russell; The Unseen (1945), starring Joel McCrea & Gail Russell; Our Hearts Were Growing Up (1946), starring Gail Russell & Diana Lynn; Calcutta (1947), starring Alan Ladd & Gail Russell; Angel And The Badman (1947), starring John Wayne & Gail Russell; Night Has A Thousand Eyes (1948), starring Edward G. Robinson, Gail Russell, & JohnLund; Moonrise (1948), starring Dane Clark & Gail Russell; Wake of the Red Witch (1948), starring John Wayne & Gail Russell; Song of India (1949), starring Turban Bey & Gail Russell; El Paso (1949), starring John Wayne, Sterling Hayden, & Gail Russell; The Great Dan Patch (1949), starring Dennis O'Keefe; Captain China (1950), starring John Payne & Gail Russell; 7 Men From Now (1956), starring Randolph Scott & Gail Russell; The Tattered Dress (1957), starring Jeff Chandler & Jeanne Crain; The Silent Call (1961), starring Gail Russell & Roger Mobley --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
Book Vs. Movie: The Asphalt JungleThe W.R. Burnett Novel & the 1950 John Huston FilmW.R. Burnett's 1949 novel The Asphalt Jungle is a compelling crime story that explores the minds, motivations, and downfalls of professional criminals. Set in a Midwestern city, it offers a multi-perspective narrative that vividly portrays the underworld. John Huston's 1950 film adaptation remains faithful to the book while enhancing the story with striking cinematography and strong performances. However, it shifts the setting to an unnamed urban landscape and introduces Marilyn Monroe's expanded role as a corrupt lawyer's mistress. Between the novel & the film, which did we prefer? Listen to find out! In this ep, the Margos discuss:Author W.R Burnett and Film Noir of the 40s and 50s The work of John HustonThe differences between the book and movieThe cast includes Sterling Hayden (Dix Handley,) Louis Calhern (Alonzo D. Emmerich,) James Whitmore (Gus Minissi,) Jean Hagen (Doll Conovan,) Sam Jaffe (Doc Erwin,) John McIntire (Hardy,) Marc Lawrence (Cobby,) Barry Kelley (Lt. Dietrich,) Anthony Caruso (Louis Ciavelli,) Marilyn Monroe (Angela Phinlay,) and Teresa Celli as Maria Ciavelli. Clips Featured:“The Job”“The Asphalt Jungle” (1950 trailer)“Sweet Kid”“Play Some Music”“A Double Cross”“Hoodlums”Music by Miklos RozsaFollow us on the socials!Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupInstagram: Book Versus Movie @bookversusmoviebookversusmoviepodcast@gmail.com Margo D's Blog: Brooklynfitchick.comMargo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok Margo D's YouTube: @MargoDonohueMargo P's Instagram: @shesnachomama Margo P's Blog: coloniabook.comMargo P's YouTube Channel: @shesnachomamaOur logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine
Book Vs. Movie: The Asphalt JungleThe W.R. Burnett Novel & the 1950 John Huston FilmW.R. Burnett's 1949 novel The Asphalt Jungle is a compelling crime story that explores the minds, motivations, and downfalls of professional criminals. Set in a Midwestern city, it offers a multi-perspective narrative that vividly portrays the underworld. John Huston's 1950 film adaptation remains faithful to the book while enhancing the story with striking cinematography and strong performances. However, it shifts the setting to an unnamed urban landscape and introduces Marilyn Monroe's expanded role as a corrupt lawyer's mistress. Between the novel & the film, which did we prefer? Listen to find out! In this ep, the Margos discuss:Author W.R Burnett and Film Noir of the 40s and 50s The work of John HustonThe differences between the book and movieThe cast includes Sterling Hayden (Dix Handley,) Louis Calhern (Alonzo D. Emmerich,) James Whitmore (Gus Minissi,) Jean Hagen (Doll Conovan,) Sam Jaffe (Doc Erwin,) John McIntire (Hardy,) Marc Lawrence (Cobby,) Barry Kelley (Lt. Dietrich,) Anthony Caruso (Louis Ciavelli,) Marilyn Monroe (Angela Phinlay,) and Teresa Celli as Maria Ciavelli. Clips Featured:“The Job”“The Asphalt Jungle” (1950 trailer)“Sweet Kid”“Play Some Music”“A Double Cross”“Hoodlums”Music by Miklos RozsaFollow us on the socials!Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupInstagram: Book Versus Movie @bookversusmoviebookversusmoviepodcast@gmail.com Margo D's Blog: Brooklynfitchick.comMargo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok Margo D's YouTube: @MargoDonohueMargo P's Instagram: @shesnachomama Margo P's Blog: coloniabook.comMargo P's YouTube Channel: @shesnachomamaOur logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine
"IT'S FATAL: WHAT IS FILM NOIR?" (PART III) (080) 3/24/2025 Welcome to the third and final installment of our series on Film Noir. As we have previously discussed the technical elements of noir and met the typical character's of noir, we will now take a look at the creative aspects of the genre that help create that special brand of dark, sexy, deadly movies. We'll discuss dialogue, and clever devices like voice overs, flashbacks, and dream sequences that enhance these dark, moody films. We'll also look at the fatalistic themes that reigned supreme throughout the genre. SHOW NOTES: Sources: Film Noir (2017), by Alian Silver & James Ursini; Into the Darkness: The Hidden World of Film Noir 1941-1959 (2016), by Mark A. Viera; More than Night: film Noir in Its Contexts (2008), by James Naremore; Dark City: The Lost World of Film Noir (1998), by Eddie Muller; Voices in the Dark: The Narrative Patterns of Film Noir (1989), by J.P. Telotte; Film Noir: An Encyclopedia Reference to the American Style (1979), edited by Alain Silver & Elizabeth Ward; Wikipedia.com; TCM.com; IMDBPro.com; Movies Mentioned: Impact (1949), starring Brian Donlevy, Ella Raines, Charles Coburn, Helen Walker, & Anna May Wong; Gilda (1946), starring Rita Hayworth & Glenn Ford; Gun Crazy (1950), starring John Dall & Peggy Cummins; The Brother's Rico (1957), starring Richard Conte, Diane Foster, & James Darren; D.O.A. (1950), starring Edmond O'Brien; Cape Fear (1962), starring Robert Mitchum, Gregory Peck, and Polly Bergen; Double Indemnity (1944), starring Barbara Stanwyck, Fred MacMurray, & Edward G. Robinson; Clash By Night (1952), starring Barbara Stanwyck, Robert Ryan, & Paul Douglas; The Man I Love (1947), starring Ida Lupino & Robert Alda; The Maltese Falcon (1941), starring Humphrey Bogart & Mary Astor; Dead Reckoning (1947), starring Humphrey Bogart & Lizabeth Scott; Detour (1945), starring Tom Neal & Ann Savage; Laura (1944), starring Gene Tierney & Dana Andrews; City That Never Sleeps (1953), starring Gig Young & Mala Powers; Sunset Boulevard (1950), starring Gloria Swanson & William Holden; The Killers (1946), starring Burt Lancaster & Ava Gardner; The Great Flamarion (1945), starring Erich von Stroheim & Mary Beth Hughes; The Locket (1946), starring Laraine Day, Robert Mitchum, & Brian Aherne; The Invisible Wall (1946), starring Don Castle & Virginia Christine; The Strange Love of Martha Ivers (1946), starring Barbara Stanwyck, Van Heflin, Lizabeth Scott & Kirk Douglas; The Dark Past (1948), starring William Holden, Nina Foch, & Lee J. Cobb; Murder My Sweet (1945), starring Dick Powell & Claire Trevor; The Woman On The Beach (1947), starring Robert Ryan & Joan Bennett; Spellbound (1945), starring Ingrid Bergman & Gregory Peck; Manhandled (1949), starring Dorothy Lamour, Sterling Hayden, & Dan Duryea; Scarlet Street (1945), starring Edward G. Robinson, Joan Bennett, & Dan Duryea; Moonrise (1948), starring Dane Clark & Gail Russell; Out of the Past (1947), starring Robert Mitchum, Jane Greer, & Kirk Douglas; In a Lonely Place (1950), starring Humphrey Bogart & Gloria Grahame; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Episode Website Link: https://frombeneaththehollywoodsign.com Learn more about your ad choices. Visit megaphone.fm/adchoices
"STRANGE CHARACTERS: WHAT IS FILM NOIR? (PART II)" (079) Welcome to the second episode of our special 3-part series on Film Noir. In this episode, we'll explore the iconic character types that define the genre—characters who live in the grey areas of morality, driven by desire, deceit, and danger. From the hard-boiled detective to the femme fatale, we'll unpack the timeless archetypes that give film noir its signature edge. So, grab your trench coat, dim the lights, and join us as we explore the complex, shadowy figures who walk the fine line between good and evil in the world of noir cinema. SHOW NOTES: Sources: Film Noir (2017), by Alian Silver & James Ursini; Into the Darkness: The Hidden World of Film Noir 1941-1959 (2016), by Mark A. Viera; More than Night: film Noir in Its Contexts (2008), by James Naremore; Dark City: The Lost World of Film Noir (1998), by Eddie Muller; Voices in the Dark: The Narrative Patterns of Film Noir (1989), by J.P. Telotte; Film Noir: An Encyclopedia Reference to the American Style (1979), edited by Alain Silver & Elizabeth Ward; Wikipedia.com; TCM.com; IMDBPro.com; Movies Mentioned: Born To Kill (1947), starring Lawrence Tierney & Claire Trevor; Murder My Sweet (1944), starring Dick Powell & Claire Trevor; They Drive By Night (1940), starring George Raft & Ann Sheridan; Thieves Highway (1949), starring Richard Conte & Valentina Cortese; Body and Soul (1947), starring John Garfield & Lilli Palmer; The Killers (1946), starring Burt Lancaster & Ava Gardner; The Set-Up (1949), starring Robert Ryan & Audrey Totter; Act of Violence (1948), starring Van Heflin, Robert Mitchum, Janet Leigh & Mary Astor; In a Lonely Place (1950), starring Humphrey Bogart & Gloria Grahame; Nightmare Alley (1947(, starring Tyrone Power & Coleen Gray; Leave Her To Heaven (1944), starring Gene Tierney, Cornel Wilde & Jeanne Crain; The Lady From Shanghai (1947), starring Orson Welles & Rita Hayworth; Out of the Past (1947), starring Robert Mitchum & Jane Greer; Scarlet Street (1947), starring Edward G. Robinson, Joan Bennett & Dan Duryea; Detour (1945), starring Tom Neal & Ann Savage; Dead Reckoning (1947), starring Humphrey Bogart & Lizabeth Scott; Criss Cross (1949), starring Burt Lancaster & Yvonne DeCarlo; Gun Crazy (1950), starring John Dall & Peggy Cummins; The Killing (1956), starring Sterling Hayden & Coleen Gray; Impact (1949), starring Brian Donlevy & Ella Raines; Kiss of Death (1947), starring Victor Mature, Richard Widmark & Coleen Gray; Kansas City Confidential (1952), starring John Payne & Coleen Gray; Raw Deal (1948), starring Dennis O'Keefe, Claire Trevor & Marsha Hunt; Phantom Lady (1944), starring Ella Raines & Alan Curtis; They Live By Night (1948), starring Farley Granger & Cathy O'Donnell; Fallen Angel (1945), starring Dana Andrews, Alice Faye & Linda Darnell; White Heat (1949), starring James Cagney, Virginia Mayo & Margaret Wycherly; Night In The City (1950), starring Richard Widmark & Gene Tierney; The Big Combo (1955), starring Cornell Wilde, Jean Wallace, Richard Conte & Helen Walker; Pick Up On South Street (1953), starring Richard Widmark, Jean Peters, & Thelma Ritter; Too Late For Tears (1949), starring Lizabeth Scott & Dan Duryea: The Woman In The Window (1944), starring Edward G. Robinson, Joan Bennett, & Dan Duryea; Manhandled (1949), starring Sterling Hayden, Dorothy Lamour & Dan Duryea; Desert Fury (1947), starring Burt Lancaster & Lizabeth Scott; The Letter (1940), starring Bette Davis, Herbert Marshall, & Gale Sondergaard; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
EPISODE 78 - “FILM NOIR - Part 1 - WHAT IS NOIR?” - 3/10/2025 Have you ever wondered what exactly is film noir? TCM's EDDIE MULLER describes it this way: “Film Noir is all about treachery, deceit, and paranoia. You're never quite sure what is going on, who you can trust, or what dreadful pitfall waits around the corner.” This dark and twisted film genre popped up after WWII as a quiet cynicism began to creep into the national consciousness. In film noir, there is always an underbelly of darkness that comes out to play. And within the darkness, the shadows, and the neon lights, lie many stories of crime, dishonesty, adultery, murder, and mayhem. This week, we present the first in a special three-part series that delves into the darkest of genres where crooked cops, gangsters, torch singers, barflies, and other seedy character's live, love and kill. Join us as we discuss Film Noir! SHOW NOTES: Sources: Film Noir (2017), by Alian Silver & James Ursini; Into the Darkness: The Hidden World of Film Noir 1941-1959 (2016), by Mark A. Viera; More than Night: film Noir in Its Contexts (2008), by James Naremore; Dark City: The Lost World of Film Noir (1998), by Eddie Muller; Voices in the Dark: The Narrative Patterns of Film Noir (1989), by J.P. Telotte; Film Noir: An Encyclopedia Reference to the American Style (1979), edited by Alain Silver & Elizabeth Ward; Wikipedia.com; TCM.com; IMDBPro.com; Movies Mentioned: Leave Her To Heaven (1945), starring Gene Tierney, Cornell Wilde, & Jeanne Crain; Desert Fury (1947), starring Burt Lancaster & Lizabeth Scott; Niagara (1953), starring Joseph Cotten, Jean Peters, & Marilyn Monroe; Mildred Pierce (1945), starring Joan Crawford, Ann Blyth, & Zachary Scott; Johnny O'Clock (1947), starring Dick Powell, Evelyn Keyes, & Ellen Drew; Double Indemnity (1944), starring Barbara Stanwyck, Fred MacMurray, & Edward G. Robinson; Strangers On A Train (1951), starring Farley Granger, Robert Walker, & Ruth Roman; The Big Heat (1953), starring Glenn Ford & Gloria Grahame; I Wake Up Screaming (1941), starring Betty Grable, Victor Mature, Carole Landis, & Laird Cregar; Out of the Past (1947), starring Robert Mitchum, Jane Greer, & Kirk Douglas; Phantom Lady (1944), starring Ella Raines, Alan Curtis, & Franchot Tone; The Killers (1946), starring Burt Lancaster & Ava Gardner; The Spiral Staircase (1946), starring Dorothy McGuire, George Brent, & Ethel Barrymore; Suspicion (1941), starring Cary Grant & Joan Fontaine; The Amazing Mr. X (1948), starring Turban Bay, Lynn Bari, Cathy O'Donnell, & Richard Carlson; Two O'Clock Courage (1945), starring Tom Conway & Ann Rutherford; The Letter (1940), starring Bette Davis, Herbert Marshall, & Gale Sondergaard; The Third Man (1949), starring Jospeh Cotten, Orson Welles, & Alida Valle; Kiss Me Deadly (1955), starring Ralph Meeker & Cloris Leachman; The Narrow Margin (1952), starring Charles McGraw, Marie Windsor, & Jacqueline White; The Dark Mirror (1946), starring Olivia de Haviland & Lew Ayres; The Woman In The Window (1944), starring Edward G. Robinson, Joan Bennett, & Dan Duryea; The Lady In The Lake (1947), starring Robert Montgomery & Audrey Totter; The Lady From Shanghai (1947), starring Rita Hayworth & Orson Welles; Night of The Hunter (1955), starring Robert Mitchum, Shelley Winters, & Lillian Gish; The Naked City (1948), starring Howard Duff & Barry Fitzgerald; Pick Up On South Street (1953), starring Richard Widmark, Jean Peters, & Thelma Ritter; ‘ He Walked By Night (1948), starring Richard Basehart, Scott Brady & Jack Webb; Impact (1949), starring Brian Donlevy, Ella Raines, Charles Coburn, Helen Walker, & Anna May Wong; The Asphalt Jungle (1950), starring Sterling Hayden & Jean Hagen; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
"MARY BETH HUGHES - CLASSIC CINEMA STAR OF THE MONTH" - 3/03/2025 For those of you who don't know the charms of MARY BETH HUGHES, when she was under contract at MGM, she was dubbed "the poor man's LANA TURNER." It was a rather unfair assessment since MGM gave Lana all the plum roles, and Mary Beth got her hand-me-downs. But still, Mary Beth had great comic chops, and no one played bitchy, hard-boiled blondes as well as she. Despite her beauty and talent, she never managed to get out of B-pictures. She did have small parts in great films like The Women (1939) and The Ox-Bow Incident (1942). She played the good girl as often as she played the bad girl, but when she played bad....you were in for a treat. Her pouty lips, snappy dialogue, and petulant attitude lit up many a lackluster production. This week, we celebrate her as our Star of the Month. SHOW NOTES: Sources: The Official Mary Beth Hughes Website; “Mary Beth Hughes, Born in Alton, Benign Groomed for Stardom in Movies,” January 4, 1939, Alton Evening Telegraph; “Mary Beth Hughes,” October 1971, by T.P. Turton, Films in Review; “Mary Beth Hughes Stars In A New Shampoo,” December 20, 1976, People Magazine; Mary Beth Hughes: She Never Gave Up,” December 2015, by Dave White, Classic Images; “The Look of Mary Beth Hughes,” June 6, 2019, www.grandoldmovies.com; http://www.briansdriveintheater.com/marybethhughes.html Wikipedia.com; TCM.com; IMDBPro.com; Movies Mentioned: The Women (1939), starring Norma Shearer, Joan Crawford, & Rosalind Russell; The Ox-Bow Incident (1942), starring Henry Fonda, Harry Morgan, Dana Andrews, MBH, & Anthony Quinn; Broadway Serenade (1939), starring Jeanette MacDonald & Lew Ayres; Dancing Co-Ed (1939), starring Lana Turner & Richard Carlson; These Glamour Girls (1939), starring Lana Turner & Lew Ayres: Fast and Furious (1939), starring Franchot Tone & Ann Sothern; Free, Blonde & 21 (1940), starring Lynn Bari, MBH, & Joan Davis; Star Dust (1940), starring Linda Darnell & John Payne; Four Sons (1940), starring Don Ameche, Alan Curtis, Eugenia Leontivich, & MBH; Lucky Cisco Kid (1940), starring Cesar Romero, Dana Andrews, & MBH; The Great Profile (1940), staring John Barrymore & MBH; Sleepers West (1941), starring Lloyd Nolan & MBH: Ride on Vaquero (1941), starring Cesar Romero & MBHs; Charlie Chan In Rio (191410, starring Sidney Toler & MBH; Dressed To Kill (1941), starring Lloyd Nolan & MBH; Design For Scandal (1941), starring Rosalind Russell & Walter Pidgeon; The Cowboy and The Blonde (1941), starring MBH & George Montgomery; Blue, White, and Perfect, (1942), starring Lloyd Nolan & MBH; The Night Before The Divorce (1942), starring Lynn Bari, Joseph Allen, & MBH; Orchestra Wives (1942), starring Ann Rutherford & George Montgomery: Over My Dead Body (1942), starring Milton Berle & MBH; Timber Queen (1944), starring Richard Arlen & MBH; Men On Her Mind (1944), starring MBH; I Accuse My Parents, (1944), starring MBH & Robert Lowell; The Lady Confesses (1945), starring MBH & Hugh Beaumont; The Great Flamarion (1945), starring Erich von Stroheim, MBH, & Dan Duryea; Holiday Rhythm (1950), starring MBH & David Street; Young Man With A Horn (1950), starring Kirk Douglas, Lauren Bacall, & Doris Day; Highway Dragnet (1954), starring Richard Conte & Joan Bennett; Loophole (1955), starring Barry Sullivan, Charles MacGraw, & Dorothy Malone; Gun Battle At Monterey (1957), starring Sterling Hayden & MBH; How's Your Love Life? (1971), starring John Agar, Leslie Brooks, Grant Willians, & MBH; The Working Girls (1974), starring Sarah Kennedy, Laurie Rose, & Cassandra Peterson; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
It's time for another Mike Makes Mike Watch! This week, Mike D makes Smith watch an underseen western noir starring Sterling Hayden, 1958's TERROR IN A TEXAS TOWN. Meanwhile, Smith is making Mike D catch up with the Bob Odenkirk action movie NOBODY so he can prep for Timo Tjahanto's upcoming sequel!
Fluoridation: Doctor Strangelove, Sterling ("Jack D. Ripper") Hayden and better dentistry. Henry Miller, HenryMillerMD.org 1964
Au sommaire de cette spéciale sorties bouquins : Retour sur deux publications Faute de frappe éditions, à savoir, Une nuit avec... Graham Masterton, qui inaugure la Collection Une nuit avec..., et Destination Amityville de David Didelot préfacé par Chris McKinnell, nouvel opus de la Collection [COMPACT] Horreur ; Chronique de Starling House d'Alix E. Harrow (Collection Le Rayon Imaginaire, Éditions Hachette Heroes) ; Évocation des dernières sorties Marest Editeur : Balades Irlandaises – Journal de la nature de John Boorman illustré par Susan Morley, Wanderer de Sterling Hayden et James M. Cain de François Guérif (premier numéro de la Collection Marest bis) ; Recension de Golden Eighties : La guerre entre Louis de Funès et Marguerite Duras n'aura pas lieu de Nicolas Brevière (Carlotta Films) ; Petite promenade côté BD avec l'intégrale de Spirale par Junji Ito (Delcourt – Tonkham) et Les Envahichieurs de Marc Dubuisson (Éditions Delcourt). Bonne écoute à toutes et tous !
This week Harrison will review "The Killing" (1956) starring Sterling Hayden and directed by Stanley Kubrick #thekilling #sterlinghayden #stanleykubrick #reelyoldmovies Join my Discord!: https://discord.gg/VWcP6ge2 Social Media Links: https://linktr.ee/reelyoldmovies
Mark Maddox joins Jim for a discussion of a 1981 Thriller directed by Piers Haggard -"Venom," starring Oliver Reed, Susan George, Nicol Williamson, Klaus Kinski, Sterling Hayden, and Lance Holcombe. An attempted kidnapping of a young boy goes horribly wrong as a deadly snake threatens everyone in a London townhouse. Find out more on this episode of MONSTER ATTACK!, The Podcast Dedicated To Old Monster Movies.
Mark Maddox joins Jim for a discussion of a 1981 Thriller directed by Piers Haggard -“Venom,” starring Oliver Reed, Susan George, Nicol Williamson, Klaus Kinski, Sterling Hayden, and Lance Holcombe. An attempted kidnapping of a young boy goes horribly wrong as a deadly snake threatens everyone in a London townhouse. Find out more on this […] The post Venom 1981 | Episode 438 appeared first on The ESO Network.
In this episode at the Silver Screen Video, we explore the fascinating intersection of Johnny Guitar (1954) and the broader genre of Western Noir. Directed by Nicholas Ray and starring Joan Crawford, Sterling Hayden, and Mercedes McCambridge, Johnny Guitar stands out as a moody, subversive take on the Western genre, blending classic tropes with dark, psychological elements. We delve into how Johnny Guitar flips traditional Western conventions, turning the usual hero-villain dynamic on its head, with complex characters whose motivations are more ambiguous than in typical Westerns. With its stylized use of color, stark landscapes, and its morally gray characters, Johnny Guitar anticipates many of the hallmarks of Western Noir — a subgenre of Westerns that leans heavily into crime, fatalism, and the darker aspects of human nature. Check out episode one of movie scene breakdowns: https://www.youtube.com/@silverscreenvideo2849 Link is below for all our social media. https://linktr.ee/silverscreenvideo Thanks for stopping by. Feel free to email at silverscreenvideopodcast@gmail.com with any comments or thoughts. Also be sure to follow us on Instagram @silverscreenvideopodcast, Twitter @SilverVideo, and TikTok silver.screen.vid. --- Support this podcast: https://podcasters.spotify.com/pod/show/silverscreenvideo/support
10 years after MILDRED PIERCE and Crawford hasn't aged a day. Raise a glass for Turkey, and don't forget the importance of beating Ernest.SUPPORT THE SHOW: PATREONFOLLOW THE SHOW: INSTAGRAM // TWITTER // TIKTOK // YOUTUBEEMAIL THE SHOW: abreathoffreshmovie@gmail.com SHOP THE SHOW: TEE PUBLIC
On this week's episode Phillip is joined once again by writer Jennifer Upton www.jenniferuptonwriter.com The two of them discuss 1982's Venom starring Klaus Kinski, Oliver Reed, Susan George, and Sterling Hayden. Phillip starts the show by giving the general information of the movie with some facts sprinkled in. It's then time for Listener Opinions from Twitter, Instagram and Facebook. Then they discuss this movie and boy is it a fun discussion. They answer the question of whether they notice anything that Tarantino might have liked or used in a film. Then Phillip and Jennifer individually rate the film. It's then time to answer whether they would buy this movie, rent it, or find it for free. Phillip then gives his Phil's Film Favorite of the Week; 52 Pick Up (1986). Jennifer gives a recommendation of a movie that she watched; Savages (1974). Then Phillip promotes next week's show when he will be joined once again by Kristin Battestella to discuss Frankenstein Created Woman (1967). Thanks for listening.
EPISODE #429-- We return to the wild, wild west with Nicholas Ray's JOHNNY GUITAR from 1954. It's a good one. It's got Sterling Hayden. People love Sterling Hayden! We also talk about the lastest (French) version of THE THREE MUSKETEERS (2023) (as well as Richard Lesters' adaptations), as well as AMC's THE TERROR (2017) (now on Netflix!), Venkat Prahbu's THE GREATEST OF ALL TIME (2024), and the unfortunate TERMINATOR: ZERO (2024), which sucks an unbelievable amount of butt. Terrible show. Not The Terror, though. That show rules. Join the cause at Patreon.com/Quality. Follow the us on Ton Bluesky at kislingconnection and cruzflores, on Instagram @kislingwhatsit, and on Tiktok @kislingkino. You can watch Cruz and show favorite Alexis Simpson on You Tube in "They Live Together." Thanks to our artists Julius Tanag (http://www.juliustanag.com) and Sef Joosten (http://spexdoodles.tumblr.com). The theme music is "Eine Kleine Sheissemusik" by Drew Alexander. Also, I've got a newsletter, so maybe go check that one out, too. Listen to DRACULA: A RADIO PLAY on Apple Podcasts, at dracularadio.podbean.com, and at the Long Beach Playhouse at https://lbplayhouse.org/show/dracula And, as always, Support your local unions! UAW, SAG-AFTRA, and WGA strong and please leave us a review on iTunes or whatever podcatcher you listened to us on!
Brent, Nate, and Kate clock-in for the 1980 screwball comedy 9 To 5 starring: Jane Fonda, Lily Tomlin, Dolly Parton, Dabney Coleman, Sterling Hayden, Elizabeth Wilson, Henry Jones, Lawrence Pressman, Marian Mercer, Renn Woods, Norma Donaldson, Roxanna Bonilla-Giannini, Peggy Pope, Richard Stahl, and Ray Vitte. Hosted on Acast. See acast.com/privacy for more information.
Hey Folks! In this episode we talk about Carly's swollen two face job interview and the neo noir The Long Goodbye! The Long Goodbye is a 1973 American satirical neo-noir film directed by Robert Altman and written by Leigh Brackett, based on Raymond Chandler's 1953 novel. The film stars Elliott Gould as Philip Marlowe and features Sterling Hayden, Nina Van Pallandt, Jim Bouton, Mark Rydell, and an early, uncredited appearance by Arnold Schwarzenegger. The story's setting was moved from the 1940s to 1970s Hollywood. The film has been called "a study of a moral and decent man cast adrift in a selfish, self-obsessed society where lives can be thrown away without a backward glance ... and any notions of friendship and loyalty are meaningless."[2] In 2021, the film was selected for preservation in the United States National Film Registry by the Library of Congress as "culturally, historically, or aesthetically significant"
You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!Welcome back to Bad Dads Film Review! Today, we're delving into the noirish depths of Stanley Kubrick's early masterpiece, The Killing (1956). This film, often hailed as a seminal work in the heist genre, showcases Kubrick's burgeoning directorial prowess and his knack for intricate storytelling.The Killing is set around a meticulously planned racetrack robbery led by Johnny Clay, played by Sterling Hayden. The film is known for its non-linear narrative, a Kubrick trademark that adds layers of suspense and intrigue. The plot weaves through the perspectives of various characters involved in the heist, each bringing their own motivations and fatal flaws to the foreground.Johnny Clay assembles a team of small-time crooks and corrupt insiders to steal $2 million from the racetrack. Each member of the crew is desperate enough to risk it all for the promise of a big payoff. As the plan unfolds, the tension escalates with every step closer to the heist. However, as with many tales of greed, the meticulously laid plans begin to unravel due to personal betrayals and unforeseen variables.Kubrick's direction in The Killing is both precise and stylized, featuring sharp dialogue, dramatic lighting, and a narrative structure that keeps the audience guessing. The non-linear storytelling was innovative for its time, influencing countless heist films and crime dramas that followed. Unlike many heist films that focus on the plot, The Killing delves deeply into character psychology, providing a compelling look at what drives people to the brink of moral decay.At its core, The Killing explores themes of greed, fate, and the inherent unpredictability of the best-laid plans. It challenges the notion that perfect planning can lead to perfect outcomes, presenting a cynical view of human nature and the inevitability of chaos in criminal endeavours.For fans of classic cinema and crime thrillers, The Killing is a must-watch for its ground-breaking narrative technique and its role in shaping Stanley Kubrick's directorial identity. The film is not just a piece of entertainment but a study in how to build suspense and develop characters within the confines of a genre film.So, whether you're a seasoned cinephile or just discovering Kubrick's works, join us as we revisit The Killing. It's a journey through the shadows of human desires and the lengths to which people will go for a shot at escaping their mundane realities.
Your compendious hosts take on the Stanley Kubrick film “THE KILLING” (1956) in this week's episode. It's the ultimate heist movie starring Sterling Hayden and Elisha Cook. It's Unsane gritty therapy brought to you in shades of black and white. LINKSWee Freekz FBUnsane Radio WebsiteTarr and Fether's WebsitePsycho Cinema FBUnsane Radio FBUnsane Radio XPsycho Cinema … Continue reading "Unsane Radio 0268 – The Killing"
3 DAYS OF THE CONDOR – A Fresh Look The 1975 spy movie, 3 DAYS OF THE CONDOR, is a “reluctant spy” movie starring Robert Redford, Faye Dunaway. Cliff Robertson, and Max von Sydow. Dan and Tom take a fresh look at this movie, decoding the plot, characters, direction, and more. What are the influences on 3 DAYS OF THE CONDOR as well as what movies/TV shows may CONDOR have influenced? What about Hercules (the myth, not the movie)? “Seinfeld?” The James Bond series, Mission: Impossible, or the Bourne series? And then, there's the actor Sterling Hayden, the MCU, and more. 3 DAYS OF THE CONDOR has an intriguing plot that has Robert Redford's character, Turner – codenamed Condor, dealing with a series of murders, with him being a target as well. Turner works for the CIA in the role of a reader. Significantly, Turner is not an agent. What other spy movies can you think of where the protagonist wasn't really a spy? Decoded! We take a deep dive into the positives and negatives of 3 DAYS OF THE CONDOR. The movie generally has positive feedback, but there are some criticisms. Do you agree with our discussion of these? Tell us what you think We like 3 DAYS OF THE CONDOR. But its ending left Dan and Tom divided. Dan didn't like the ending whereas Tom thought it worked well. Who do you agree with? Let us know your thoughts, ideas for future episodes, and what you thought of this episode. Just drop us a note at info@spymovienavigator.com. The more we hear from you, the better the show will surely be! We'll give you a shout-out in a future episode! You can check out all of our CRACKING THE CODE OF SPY MOVIES podcast episodes on your favorite podcast app or our website. In addition, you can check out our YouTube channel as well. Webpage: https://bit.ly/4bxW2GR
What do you get if you combine the most divisive woman in 1970s America, the least divisive woman in modern America, and a comedy legend? You get an absolute treat, at least if it goes as well as 9 to 5 did. Colin Higgins's film brings together Jane Fonda, Dolly Parton and Lily Tomlin in a class-conscious romp about three women who kidnap their sexist pig of a boss and find the office runs a lot better without him. It's basically The Communist Manifesto with a thumping C&W theme song. This week, Graham treats himself after self-harming with The Idol by getting back together with Jeff to talk about this lasting classic of early '80s Hollywood. Prepare for an in-depth comparison of the many beards of Sterling Hayden, an appreciation of Jane Fonda's shrewdly against-type performance, and our pitch for a Dolly Parton horror movie. Patreon - what a way to make a living! Subscribe today and you can hear Graham and Aidan talking about Fred Durst's The Fanatic in an exclusive Pop Screen episode, plus our end-of-month round-up podcast Last Night..., written reviews of The X-Files and Red Dwarf, classic far eastern genre cinema reconsidered in Fantastic Asia, and more. Follow us on Instagram, Facebook and Twitter for more. --- Send in a voice message: https://podcasters.spotify.com/pod/show/pop-screen/message
This week, we've got Roy Scheider popping up for two scenes in director Irvin Kershner's LOVING, starring George Segal, Eva Marie Saint, and Sterling Hayden!
“Arf! Arf!” “What's that, Girl? Timmy's in the well!!?” We speak fluent Collie and Timmy got into plenty of trouble but he never fell into a well. What Lassie is trying to tell you there is that “Timmy,” Jon Provost, is doing very well. He's an animal rights activist who has just launched a CBD spray to help calm pets and, along with his wife, Laurie Jacobson, he's written a book chronicling his phenomenal show-biz history, including films with Bing Crosby, Grace Kelly, Jane Wyman, Robert Redford, Natalie Wood, William Holden, Clinton Eastwood and Kurt Russell. Jon spent seven years working on Lassie and June Lockhart before graduating as a bona fide teen idol and exploring all of the iconic haunts along the Sunset Strip with Davy Jones, David Cassidy and Sajid Kahn!The book is, naturally, titled Timmy's In The Well and along with Jon's acting history, it also explores what happens to a family when one kid becomes world famous. Jon's wife Laurie joins us with insights into exactly that as well as intrigue on Hollywood's hidden history and a peek into her next book about The Sunset Strip.We leave no stone unturned and no well un-excavated as we trace Jon's start back to his mother's love for Jane Wyman which compelled her to bring her 3-year-old son to a cattle-call audition for the role of Sterling Hayden and Jane Wyman's little boy in 1953's So Big. Out of a sea of hundreds, Jon won the part.From there, we go behind the Lassie scenes with Jon as he warmly remembers his relationship with the world's most beloved dog and her trainer, Rudd Weatherwax. (Actually, his trainer. Lassie was always played by a male dog.) Jon and Lassie travelled the country on promotional tours and along the way, they grand marshaled parades, hosted charity events and visited children's hospital, inspiring Jon towards a lifetime of charity work and public service.Jon also reflects on his personal struggles with dyslexia, school bullies, finding himself as he came of age and how a conversation with Kurt Russell on the set of 'The Computer Wore Tennis Shoes' convinced him it was time to take a much-needed break from the business.Plus, Laurie and Jon share their “How Did You Meet” story. It happened at an autograph show where Laurie came over to his booth to chat with Stanley Livingston. Lassie having taught Jon well in the art of non-verbal communication, Jon kicked Stan under the table which is code for, “What the heck, Stan!? Introduce me to this lovely woman!” All that plus Weezy and Fritz are recommending Hollywood Con Queen and Sugar, both on Apple TV+.Path Points of Interest:Jon ProvostTimmy's In The Well by Jon Provost & Laurie JacobsonJon Provost on WikipediaJon Provost on FacebookLaurie JacobsonLaurie Jacobson's Amazon Author PageLaurie Jacobson on InstagramProvost Pet SprayMuttvilleHollywood Con Queen on Apple +Sugar on Apple +
GGACP celebrates the birthday of Oscar-nominated actor Eric Roberts (b. April 18) by revisiting this 2020 interview with Eric and actress/casting director Eliza Roberts. In this episode, Eric and Eliza talk about their five decades in Hollywood and share entertaining stories about Bob Fosse, Tony Curtis, Rod Steiger, Sterling Hayden, Mickey Rourke and Shelly Winters (to name a few). Also, Roger Corman strikes a deal, Eric shares the screen with the King of Pop, Gilbert praises “The Pope of Greenwich Village” and Eliza appears in “National Lampoon's Animal House.” PLUS: “Three Days of the Condor”! Saluting Sonny Fox! The legend of Larry Cohen! The Diceman sends up Sly Stallone! And Eric reveals the “shortcomings” of Marlon Brando! Learn more about your ad choices. Visit megaphone.fm/adchoices
Stanley Kubrick's classic movie Dr Strangelove (1964), starring Peter Sellers, George C Scott and Sterling Hayden is reviewed in this Stellar roundtable session with Julian Charles and Antony Rotunno. Imagining the USA to be inflitrated by Soviet polluters of the domestic water supply, the deranged General Jack D Ripper, commander of Burpelson Air Force Base, initiates "Wing Attack Plan R
Johnny Guitar (1954): It’s unusual, it’s weird, and it’s unlike any other film made by these stars. And it’s our first LTS western. Because maybe your show runner has a slightly twisted appreciation for the genre. Nicholas Ray, whose directorial chops we last experienced with In A Lonely Place, directs Joan Crawford, Sterling Hayden and Mercedes McCambridge. It’s a story that centers female characters, and gives Joan a chance to stomp around in great western wardrobe. Poor Sterling Hayden is just along for the ride. I picked this because I wanted a Joan Crawford vehicle, and because at least two LTS regulars were excited when I mentioned it. Shelly Brisbin with Micheline Maynard, Nathan Alderman and Randy Dotinga.
Johnny Guitar (1954): It’s unusual, it’s weird, and it’s unlike any other film made by these stars. And it’s our first LTS western. Because maybe your show runner has a slightly twisted appreciation for the genre. Nicholas Ray, whose directorial chops we last experienced with In A Lonely Place, directs Joan Crawford, Sterling Hayden and Mercedes McCambridge. It’s a story that centers female characters, and gives Joan a chance to stomp around in great western wardrobe. Poor Sterling Hayden is just along for the ride. I picked this because I wanted a Joan Crawford vehicle, and because at least two LTS regulars were excited when I mentioned it. Shelly Brisbin with Micheline Maynard, Nathan Alderman and Randy Dotinga.
NYEAH SEE!? Who says that? Who says “Nyeah See”? Is it Jimmy Cagney? Edward G. Robinson? That tiny mobster guy in the Looney Tunes cartoon? I can't exactly remember. March is classic Film Noir five days a week and we're dramatically calling it “THE LEFT HAND ENDEAVOR” because it's cool and it makes us feel cool to say it. Bob and Angela LOVE this shit so as far as they're concerned, it's bangers all month long and today is no exception. We're tackling our third Stanley Kubrick movie for the show with one of his earliest pictures and his first “serious” film (as he sort of puts it) and it just happens to be one of the best heist movies of all time. Johnny Clay's got some boys together but some of the elements are a bit volatile. There's some sad girls and some bad girls. Crooked cops, clown masks and some Pro Wrestling. Of course we're speaking of “THE KILLING” from 1956 starring Sterling Hayden, Elisha Cook & Marie Windsor. One of the most thrilling noirs this month and you really feel that end sequence. But why is it called “The Killing”, though? Which kill is “The Killing”? Of course you can often find these older movies online if you know where to look. For Example: https://archive.org/details/thekilling1956 Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought
The Mind Renewed : Thinking Christianly in a New World Order
For the 16th Movie Roundtable—or rather Dialogue this time—we are joined once again by our good friend Antony Rotunno, for a discussion on Stanley Kubrick's classic movie Dr Strangelove (1964), starring Peter Sellers, George C Scott and Sterling Hayden (among others). Imagining the USA to be inflitrated by Soviet polluters of the domestic water supply, the deranged General Jack D Ripper, commander of Burpelson Air Force Base, initiates "Wing Attack Plan R"... and you probably know the rest! This one has been near the top of my "roundtable" list for some time, but it took Antony's particular fondness for it to nudge it into first place. And I'm very glad of that; it's a truly great film, and my enthusiasm for it has only continued to grow as I've rewatched, read and thought about it again over the last few weeks. Some say Dr Strangelove is the darkest of all comedies. And maybe that's so. Could there be anything darker than a nuclear end to the world brought about by human madness, ignorance, stupidity and hubris? Or a "Mutually Assured Destruction" revealing itself to be exactly that—M.A.D.? And yet, somehow, Kubrick and his brilliant team manage to make us laugh. Almost in spite of ourselves. After all, no matter how "over the top" it all might seem, there's always been something very real about Dr Strangelove. And I think we know it. Join us as we discuss the production, consider its themes, and reflect on (just some of) what the film might have to say to us today. [For show notes please visit https://themindrenewed.com]
For the 16th Movie Roundtable—or rather Dialogue this time—we are joined once again by our good friend Antony Rotunno, for a discussion on Stanley Kubrick's classic movie Dr Strangelove (1964), starring Peter Sellers, George C Scott and Sterling Hayden (among others). Imagining the USA to be inflitrated by Soviet polluters of the domestic water supply, the deranged General Jack D Ripper, commander of Burpelson Air Force Base, initiates "Wing Attack Plan R"... and you probably know the rest! This one has been near the top of my "roundtable" list for some time, but it took Antony's particular fondness for it to nudge it into first place. And I'm very glad of that; it's a truly great film, and my enthusiasm for it has only continued to grow as I've rewatched, read and thought about it again over the last few weeks. Some say Dr Strangelove is the darkest of all comedies. And maybe that's so. Could there be anything darker than a nuclear end to the world brought about by human madness, ignorance, stupidity and hubris? Or a "Mutually Assured Destruction" revealing itself to be exactly that—M.A.D.? And yet, somehow, Kubrick and his brilliant team manage to make us laugh. Almost in spite of ourselves. After all, no matter how "over the top" it all might seem, there's always been something very real about Dr Strangelove. And I think we know it. Join us as we discuss the production, consider its themes, and reflect on (just some of) what the film might have to say to us today. [For show notes please visit https://themindrenewed.com]
(Bonus) Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (known simply and more commonly as Dr. Strangelove) is a 1964 political satire black comedy film directed, co-written, and produced by Stanley Kubrick and starring Peter Sellers in three roles, including the title character. The film, which satirizes the Cold War fears of a nuclear conflict between the Soviet Union and the United States, also stars George C. Scott, Sterling Hayden, Keenan Wynn, Slim Pickens, and Tracy Reed, and is loosely based on the thriller novel Red Alert (1958) by Peter George, who also co-wrote the screenplay with Kubrick and Terry Southern. The story concerns an unhinged United States Air Force general who orders a pre-emptive nuclear attack on the Soviet Union. It separately follows the President of the United States, his advisors, the Joint Chiefs of Staff, and a Royal Air Force exchange officer as they attempt to prevent the crew of a B-52 (following orders from the general) from bombing the Soviet Union and starting a nuclear war.
Western Month continues with a look at Nicholas Ray's Johnny Guitar. Released in 1954 the film stars Sterling Hayden as the titular Mr. Guitar. However, he's outshone in the film by Joan Crawford as Vienna and Mercedes McCambridge as Emma, two women with a history.Andras Jones and David Kittredge join Mike to discuss this unusual Western.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.
Western Month continues with a look at Nicholas Ray's Johnny Guitar. Released in 1954 the film stars Sterling Hayden as the titular Mr. Guitar. However, he's outshone in the film by Joan Crawford as Vienna and Mercedes McCambridge as Emma, two women with a history.Andras Jones and David Kittredge join Mike to discuss this unusual Western.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.
Jim discusses a cult-classic celebrating its 60th Anniversary this year - Stanley Kubrick's "Dr. Strangelove," starring Peter Sellers, George C. Scott, Sterling Hayden, Keenan Wynn, Slim Pickens, James Earl Jones, Peter Bull, and Tracy Reed. An Air Force General (Hayden) sends his bomber wing into Russia to bomb the country because of a conspiracy he believes in. Find out more about this heralded Black Comedy on this episode of MONSTER ATTACK!, The Podcast Dedicated To Old Monster Movies.
Jim discusses a cult-classic celebrating its 60th Anniversary this year – Stanley Kubrick’s “Dr. Strangelove,” starring Peter Sellers, George C. Scott, Sterling Hayden, Keenan Wynn, Slim Pickens, James Earl Jones, Peter Bull, and Tracy Reed. An Air Force General (Hayden) sends his bomber wing into Russia to bomb the country because of a conspiracy he […] The post Dr. Strangelove | Episode 398 appeared first on The ESO Network.
Tom and Julie pick the Top 10 Man on the Street clips of all time, including Sally Wet Legs, Pink Flamingos audience reactions, John Gotti neighborhood guys, and more! Plus Tom makes a reservation for Producer Brett at Bubba Gump! Also Kyle Rittenhouse, Joe's friend Gabe, the Houdini Estate, Tom and Julie's parenting book, podcast voice, Sterling Hayden, gabbaGHOUL, Julie swallowed a smoke pellet, Caddyshack nude scene, and more! VOTE 4 THE DOUBLE THREAT MASCOT https://www.instagram.com/p/C2z_DqVxzux/?img_index=1 CLIPS FROM THIS EPISODE Sally Wet Legs https://www.tiktok.com/@weekeseyuk/video/7145857696044944646?_r=1&_t=8jWlYiSlH8o&social_sharing=1 Alien 1979 Fan Reaction https://www.youtube.com/watch?v=_zrxkUxAcsI&t=35s My Pronouns are Find/Jesus Guy https://www.youtube.com/watch?v=Cll_qV5-kmo Pink Flamingos Trailer https://www.youtube.com/watch?v=vUd_6FF4AtM I have no secrets https://www.youtube.com/watch?v=SkVRCneHW6k&t=1s Australian guy https://www.youtube.com/watch?v=9QCgqQdmr0M&t=64s Hand Lotion Kid https://www.youtube.com/watch?v=76xFw4-1pIY&t=3s John Gotti Guys https://youtu.be/2w3ELjb404E?si=4OARgLpXnvCyjTN9&t=354 Coronavirus Girl https://www.youtube.com/watch?v=tj96G9f4cu0 SUPPORT DOUBLE THREAT ON PATREON Weekly Bonus Episodes, Monthly Livestreams, Video Episodes, and More! https://www.patreon.com/DoubleThreatPod WATCH VIDEO CLIPS OF DOUBLE THREAT https://www.youtube.com/@doublethreatpod JOIN THE DOUBLE THREAT FAN GROUPS *Discord https://discord.com/invite/PrcwsbuaJx *Reddit https://www.reddit.com/r/doublethreatfriends *Facebook https://www.facebook.com/groups/doublethreatfriends DOUBLE THREAT MERCH https://www.teepublic.com/stores/double-threat TOTALLY EFFED UP T-SHIRTS https://www.teepublic.com/user/dttfu SEND SUBMISSIONS TO DoubleThreatPod@gmail.com FOLLOW DOUBLE THREAT https://twitter.com/doublethreatpod https://www.instagram.com/doublethreatpod DOUBLE THREAT IS A FOREVER DOG PODCAST https://foreverdogpodcasts.com/podcasts/double-threat Theme song by Mike Krol Artwork by Michael Kupperman Learn more about your ad choices. Visit megaphone.fm/adchoices
Dana and Tom discuss the Cold War satire, Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964): directed and written by Stanley Kubrick, with Terry Southern and Peter George, music by Laurie Johnson, starring Peter Sellers, George C. Scott, Sterling Hayden, and Slim Pickens.Plot Summary: In Stanley Kubrick's satirical masterpiece, "Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb," the Cold War tension reaches a bizarre crescendo as the United States and the Soviet Union teeter on the brink of nuclear annihilation.With a darkly comedic touch, Kubrick weaves a tale of political incompetence, military absurdity, and the unpredictable consequences of technological warfare. Peter Sellers delivers a tour de force performance in multiple roles, including the titular Dr. Strangelove, a wheelchair-bound ex-Nazi scientist with a penchant for sinister solutions.As geopolitical tensions unfold, the film explores the absurdity of mutually assured destruction and the precarious balance between power and chaos. Kubrick's sharp wit and keen eye for irony make "Dr. Strangelove" a timeless commentary on the folly of humanity in the face of its own creation.You can now follow us on Instagram, Twitter, or TikTok (@gmoatpodcast) or find our Facebook page at Greatest Movie of All-Time Podcast.For more on the episode, go to: https://www.ronnyduncanstudios.com/post/dr-strangelove-or-how-i-learned-to-stop-worrying-and-love-the-bomb-1964For the entire rankings list so far, go to:Full Graded List - Greatest Movies of All-Time Ronny Duncan Studios
Welcome to the Jungle...We've got fun and games. Well, what we have is the 49th episode of Scene Stealers. We are talking about John Huston's 1950 film The Asphalt Jungle. For The Vault, Leo is throwing jabs and talking about Rocky III. Charles has a fresh jewel from The Vault, the highly acclaimed film about the Von Erich wrestling family- The Iron Claw. The main event is The Asphalt Jungle, featuring an all-star cast of actors, Sterling Hayden, Jean Hagen, James Whitmore, Sam Jaffe, and the legendary Marilyn Monroe. It begins as what should be an easy jewel heist but as we've seen before...One way or another, we all work for our vice. Give a listen:
But the way Hollywood of the classic era liked it best was for the actor to be “discovered.” That's right. You're sitting at Schwab's Pharmacy on Sunset Boulevard in 1937 and the next thing you know, you're Lana Turner and making $1000 a week. By the way, it wasn't Schwab's, it was the Top Hat Malt Shop. Hollywood even has a genre for this, the films of “You're going to be a star, kid.” As an example, all twenty versions of A Star Is Born, under various titles. Singin' In The Rain. Day Of The Locust. Hearts Of The West. The Aviator. The Artist. Busby Berkley musicals. It's the old story. A kid with talent and heart moves to Hollywood from Nebraska or Kansas and waits tables, or parks cars, sells newspapers, or is a hat-check girl, until their big break. Someone hears them sing or sees them smile. Or sometimes they end up like the Black Dahlia --- that's a different kind of movie. But generally, it's the old hokum… It really happened. It happened to a 6' 5” blonde-haired guy who was built like a tank, with a voice like a foghorn, who really was a skilled sailor. Who, by the way, became one of the great actors of film noir, of Westerns, war films, even delving, almost unintentionally, into black comedy and films that are now acknowledged classics, no matter the genre. It happened to Sterling Hayden. And he ducked and bobbed and weaved away from his fate as an actor, as do so many film noir protagonists. But he was caught up in Hollywood's web, for better or worse. From his life storm emerged one of film's most interesting and talented actors. email: David@thosewonderfulpeople.comWebsite and blog: www.thosewonderfulpeople.comIG: @thosewonderfulpeopleTwitter: @FilmsInTheDark
Here it is. Karate in the Garage's NOIRvember Movie #3 is a classic: John Huston's The Asphalt Jungle, his adaptation of the 1949 novel of the same name from W.R. Burnett. It stars Sterling Hayden, Louis Calhern, Jean Hagen, and James Whitmore and Marilyn Monroe. From IMDB: A major heist goes off as planned, but then double crosses, bad luck and solid police work cause everything to unravel. The Asphalt Jungle: A Left-Handed Form of Human Endeavor
"Gentlemen, you can't fight in here! This is the war room!"REBROADCASTStanley Kubrick didn't do comedy often which is a shame because “Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb” is arguably one of the funniest films ever made. What's interesting is that Kubrick intended on making a serious film about one of his greatest fears at the time: the threat of nuclear war. But after several attempts at finding the right way to tell the story seriously (including one involving aliens watching us from above, discussing our penchant for destruction), he hit on the idea of making it funny. And his dark comedy classic was born.Join us – Andy Nelson and Pete Wright – as we wrap up our brief vacation challenge with Andy's choice of his favorite end-of-the-world comedy, Kubrick's 1964 film “Dr. Strangelove.” We talk about how we were introduced to this film and why it may not be a film that one connects to immediately but a film that one has to find the humor over time. We discuss the actors – Peter Sellers, George C. Scott, Slim Pickens, Sterling Hayden, Keenan Wynn, even James Earl Jones in his first screen role – and the level of comedy brilliance they all achieve individually and how it ties to the overall film. We single out Sellers, of course, as we discuss the three roles he played in the film and what makes them all so unique. We touch on the look of the film, shot by Gilbert Taylor with impeccable production design by Ken Adam, pointing out just what it took to make the war room one of the most iconic sets ever made. We mention the sequel that Kubrick wanted to make with the help of Terry Gilliam. And we argue about its placement on our Flickchart, as we inevitably do every week. It's one of the best films out there and well worth a discussion. Haven't seen it? Give it a try. Just be aware that you may not connect on the first viewing. This is one of those movies that may need a few shots. But it'll be well worth it. We promise you.Film Sundries Check out our Watch Page to get links to rent or buy this movie and everything else we've covered Script Transcript Original theatrical trailer Original poster artwork Art of the Title Red Alert by Peter George Flickchart Letterboxd Dr. Strangelove — Internet Movie Firearm Database Find source material for The Next Reel's family of podcasts – and thousands of other great reads – at Audible! Get your free audiobook and 30-day free trial today.Learn more about CODA and how it can work for you! Read more about the results of the WGA strike here. Read more about the results of the SAG-AFTRA strike here. Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Here's where you can find us around the internet: The Web Letterboxd Facebook Instagram X YouTube Flickchart Check out poster artwork for movies we've discussed on our Pinterest page Pete Andy We spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don't yet: what are you waiting for?Become a Member here: $5 monthly or $55 annuallyWhat are some other ways you can support us and show your love? Glad you asked! You can buy TNR apparel, stickers, mugs and more from our MERCH PAGE. Or buy or rent movies we've discussed on the show from our WATCH PAGE. Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT. Or sign up for AUDIBLE.
"Gentlemen, you can't fight in here! This is the war room!"REBROADCASTStanley Kubrick didn't do comedy often which is a shame because “Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb” is arguably one of the funniest films ever made. What's interesting is that Kubrick intended on making a serious film about one of his greatest fears at the time: the threat of nuclear war. But after several attempts at finding the right way to tell the story seriously (including one involving aliens watching us from above, discussing our penchant for destruction), he hit on the idea of making it funny. And his dark comedy classic was born.Join us – Andy Nelson and Pete Wright – as we wrap up our brief vacation challenge with Andy's choice of his favorite end-of-the-world comedy, Kubrick's 1964 film “Dr. Strangelove.” We talk about how we were introduced to this film and why it may not be a film that one connects to immediately but a film that one has to find the humor over time. We discuss the actors – Peter Sellers, George C. Scott, Slim Pickens, Sterling Hayden, Keenan Wynn, even James Earl Jones in his first screen role – and the level of comedy brilliance they all achieve individually and how it ties to the overall film. We single out Sellers, of course, as we discuss the three roles he played in the film and what makes them all so unique. We touch on the look of the film, shot by Gilbert Taylor with impeccable production design by Ken Adam, pointing out just what it took to make the war room one of the most iconic sets ever made. We mention the sequel that Kubrick wanted to make with the help of Terry Gilliam. And we argue about its placement on our Flickchart, as we inevitably do every week. It's one of the best films out there and well worth a discussion. Haven't seen it? Give it a try. Just be aware that you may not connect on the first viewing. This is one of those movies that may need a few shots. But it'll be well worth it. We promise you.Film Sundries Check out our Watch Page to get links to rent or buy this movie and everything else we've covered Script Transcript Original theatrical trailer Original poster artwork Art of the Title Red Alert by Peter George Flickchart Letterboxd Dr. Strangelove — Internet Movie Firearm Database Find source material for The Next Reel's family of podcasts – and thousands of other great reads – at Audible! Get your free audiobook and 30-day free trial today.Learn more about CODA and how it can work for you! Read more about the results of the WGA strike here. Read more about the results of the SAG-AFTRA strike here. Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Here's where you can find us around the internet: The Web Letterboxd Facebook Instagram X YouTube Flickchart Check out poster artwork for movies we've discussed on our Pinterest page Pete Andy We spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don't yet: what are you waiting for?Become a Member here: $5 monthly or $55 annuallyWhat are some other ways you can support us and show your love? Glad you asked! You can buy TNR apparel, stickers, mugs and more from our MERCH PAGE. Or buy or rent movies we've discussed on the show from our WATCH PAGE. Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT. Or sign up for AUDIBLE.
We continue our journey with Sterling Hayden as he joins the communist partisans in Yugoslavia! Sterling is getting more and more RED as the days go on. Will this pretty face join the class struggle or will he just jerk it to a boat or something.
Celebrities, by definition, live life out in the open. Spies, on the other hand, are happiest in the shadows. But rules are made to be broken. In this True Spies trilogy, Sophia Di Martino tells the stories of three spies whose fame and fortune were no obstacle to their espionage. Whether they used their notoriety to their advantage, or operated in spite of it, these glamorous part-time spooks had a hand in the clandestine history of the 20th century. In Part Two, Hollywood heart-throb Sterling Hayden takes to the high seas at the height of World War Two, earning his stripes in a series of daring naval missions for the OSS. He'll contend with the full might of the German Navy - and a not-so-friendly rivalry with the British secret service. From SPYSCAPE, the home of secrets. A Cup And Nuzzle production. Series producers: Gemma Newby, Joe Foley. Produced by Justin Trefgarne. Music by Nick Ryan.
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