Podcasts about a7r

Show Notes for the Billy Newman Photo Podcast   Episode Summary Billy shares reflections on creative workflows in photography, discusses Comet NEOWISE and stargazing in rural Oregon, recounts recent outdoor camping and photo expeditions, and dives into technical thoughts on camera equipment and the creative process. He also touches on issues like light pollution, the evolving nature of digital cameras, and the unique challenges of capturing stunning night sky photography. Chapter Guide Timestamp Chapter Title Segment Highlights 00:00 Opening & Creative Reflections Creative challenge in photography, blending business and creative growth, brief show intro with music. 01:30 Website & Book Plugs Directing listeners to BillyNewmanPhoto.com and his photo books on Amazon; themes — film, desert, surrealism. 02:30 Camping & Comet NEOWISE Recounts July camping in Eastern Oregon seeking views and photographs of NEOWISE; context of earlier “great comets.” 06:30 Childhood Astronomy Memories Reminiscing about viewing comets Hale-Bopp and Hyakutake in the 1990s; missing Halley's comet and thoughts on astronomical cycles. 08:30 NEOWISE Observing Details Discusses best locations, challenges of light pollution and haze near sea level, and the difference clear mountain skies make. 10:30 Field Photography and Stargazing Describes equipment and techniques: using binoculars, manual focus, and camera settings, plus tips for night sky shots in the John Day River valley. 15:00 Outdoor Adventure Recap Details on the travel route, dispersed camping, Oregon terrain, rivers, geology, and solitude near the John Day River. 19:00 More on NEOWISE and Night Shots Observing NEOWISE in prime conditions, handling photography challenges, recording images till late night, astronomical observation techniques. 22:30 Tech Talk: Cameras & Workflow Reflections on camera gear — Sony a7R, its quirks, “chimping,” differences with older cameras, and latest high-speed image technology. 27:00 Outro & Calls to Action Directs to BillyNewmanPhoto.com and Patreon, thanks listeners, previews new content, and encourages support.   Support the Podcast If you enjoyed this episode, visit billynewmanphoto.com/support or patreon.com/billynewmanphoto to participate in the value-for-value model and find ways to help keep the podcast going. Check out new blog posts, photo books, and more behind-the-scenes content.   View links at wnp.app Explore outdoor photography, technical media projects, stories from backcountry expeditions, and insights from the creative process with Billy Newman—photographer, author, and podcast producer. Connect, learn, and follow along. Quick Links:Portfolio: billynewmanphoto.com/photographsStudio: wphoto.coPosts: billynewmanphoto.com/postsPhoto Books: billynewmanphoto.com/booksAmazon Author: amazon.com/author/billynewman Podcast Episodes:Billy Newman Photo Podcast: Listen hereRelax with Rain: Listen hereNight Sky Podcast: Listen here Connect With Billy Newman:Email: billy@billynewmanphoto.comInstagram: @billynewmanLinkedIn: billynewmanphotoX (Twitter): @billynewman Recommended Books:Landscape Portfolio (PDF): DownloadBlack and White Photography (PDF): DownloadWorking With Film (PDF): DownloadWestern Overland Excursion (PDF): Download Support the Podcast & Photography Projects:Make a sustaining financial donation: Visit Support Page Podcast Forward:The Billy Newman Photo Podcast blends real-world outdoor adventure, technical insight, and practical photography tips. [MUSIC] Hello and thank you very much for listening to this episode of the Billy Newman photo podcast. I hear different industries kind of talk about what a good day of work is or how that is to kind of get out and get what you need done. And just as like a creative system, it's sort of tough in photography. There's a lot of the entrepreneurial and sort of business related stuff of how do you get paid and how do you operate in a business, how do you function as a photographer sort of a thing. But still outside of that you need to do something nourishing in the system of creativity where you're kind of gaining new ideas and putting new materials together and sort of figuring out a way to make a union of something new with media and with something visual, especially as fast as technology is moving forward. It's definitely an interesting vector kind of using the progression of technology and artistic creativity to try and make new pieces of media to put out. And that's what I really like about new media as it goes. So it's kind of interesting. I'm kind of thinking about the way of making pieces of media and new media elements and working with photographs and stuff. But it's something that I've been really interested for a long time. [MUSIC] You can see more of my work at BillyNewmanPhoto.com. You can check out some of my photo books on Amazon. I think you can look up Billy Newman under the authors section there and see some of the photo books on film, on the desert, on surrealism, on camping. Some cool stuff over there. And I wanted to jump into a couple of the things I've been doing through the month of July and some of the outdoor camping and travel stuff I've been up to. I was going to run down some of that in this podcast today. I wanted to talk about a trip I did out toward Eastern Oregon, I think like last, or what was a week before last is when I was out in this area. And I was trying to get some good observations in for Comet NeoWise. I'm not sure if any of you guys got to check that out while it was in its prime viewing section there. I think that was why we had the new moon before it switched over to being a gibbous moon or a nearly full moon like it's been the last week or so. But I think, what was it, around the 15th through the 25th or so of July, there were some pretty good observations to be made of Comet NeoWise. I guess after reading about it a little bit, it's not considered a great comet, like HaleBopp was, or I think it was Hayataki in 1996. We haven't had a great comet in a long time. I've ever seen those when I was a kid though, and that was pretty cool. Watching HaleBopp come through for, it seemed like three months or something. You were just looking at that in the low corners of the Northwestern and Western skies. It was cruising across the skyline there. I remember that still from third, fourth grade when it was coming through. And I also remember the year before that, when straight up in the sky at night, for it was only a week or so. I was a kid, but I remember for that week, you could see a real bright two-tailed comet that was going through. I think, I can't remember how to pronounce it, I think it's Hayataki or, I think it's some Japanese name, I'm pretty sure. But that was a really cool one. That one I still remember really clearly. I was only like, I don't know, seven or something when that, when that comet came through, but I really appreciate getting to make some observations. So that one, when I was a kid, I missed Haley's comet though, back in what, '87, I think was the last one it came through. And I probably will be the few years or that, that decade or two of age range that doesn't get to see Haley's comet in their lifetime. So I think I was born in '88, of course. So if I make it past a hundred, maybe I'll see it. What is it? Maybe like 80 something years. So it's probably not going to come back around until, I think it's like the 2070s or 2080s that I'd have to make it to, for to see Haley's comet again. It'd be fun, but I don't know, maybe we'll see how future, how the, you know, the future is at that time. But it was really cool to get to see comet Neowise. It was just a little below what would be the legs and feet of Ursa Major, the Big Dipper or like the Big Bear as it would kind of be observed. But if you kind of look at the Dipper part that we're all mostly familiar with, if you kind of consider Ursa Major, the larger bear constellation that it's structured on, if you kind of look down below the Dipper is where I was able to make my observations, the comet Neowise. And over here in the elevation area that I'm at in Western Oregon, it's about 200 or 300 feet above sea level. And there's kind of a constant problem with haze and with light pollution in this area. And I think it has to do something with, well, like, I mean, of course, you know, the amount of population that's around, but also there's something about the air quality or about how the air kind of flows out around here that just doesn't ever seem to be as crisp or as dark as you can get up in the mountains. And really, it's just like a stunning difference when you're able to get out further and make some some more clear observations. You know, the level of magnitude of stars that you're able to reveal just in a dark night is so much more crisp and clear. It's just like a it's a total difference. So it was cool to I think I first was able to spot just a little fuzzy bit of a second magnitude version of comet Neowise while I was here in town. But I tried to make a special trip out toward eastern Oregon out into the desert just to do some camping stuff. But what I wanted to do at the same time was make some good observations and also try and get some good photographs of common Neowise as it was coming through during its period where you could you could make some some good sightings. But it was cool. So going out to eastern Oregon, as it got dark a little past 1030 or so, as you look to the northwest, you could really see the comet and its tail spread for a couple inches in the sky. And I was really surprised to notice how little of it you could really make out or see when you're in an area of almost any light pollution once you're back in town or once you're in a lower elevation area with some light pollution and haze around. It was really difficult to make out in the same way that I could out in the desert or out in the mountains. And so I thought that was pretty cool to get to get to see and get to check out over there. But yeah, it was a blast getting to do some stuff out in eastern Oregon. I went over to the John Day River area and I was checking out that area. There's a lot of public land out in that area, but there's also some a lot of private land, too. It's just kind of an interesting area, how it's sort of broken up. And it was cool to get to go out, go out to the I headed out to Madras and then I took off and headed over east of there until I ran into the John Day River. And then I was able to use this map that I have to go through and find some of the open off or just the open roads that are, you know, the smaller gravel roads that are set up to kind of traverse the backcountry out there. So I was able to find a few of those that were open and travel around on those for a while. Now, that was pretty cool. I was able to find some dispersed campsites and set up right along the John Day River, which is really cool. It's a beautiful area out there. It's kind of interesting. The John Day River flows through this sort of, I guess it would be, I don't know, it's kind of like Canyonland and it's also sort of these rolling grass hills that sort of make up the landscape of Northern and Northeastern Oregon. And I think, yeah, as soon as you kind of get a little bit for like a little bit north of Bend is when you get out of the Great Basin area and you start to get into another kind of landscape that seems to stretch up north of the Columbia River up into Washington. I figured that some of it's from like really old deposits from the river systems and the waterways that were up there and how there's old deposits and then an erosion that's happened from those rivers running through the area for such a long time. But really cool to see kind of the rolling hills and then some of the carved out canyons that go through the John Day River area up there. When I found the campsite I was at, I was pretty far away from everybody and I was really far away from any substantial town. I think I was near, I don't know, I don't even know what it is. There wasn't anything there when I drove through it. There was a bridge and a couple little ranch houses, you know, real ranches, right? Like just a little house, like a little two bedroom house and then 100 acres of cattle to deal with. So it seems like another life out there. I wonder how they're dealing with, you know, kind of the way of the world as things are this summer. But it was cool, yeah, getting out there. Went to, oh yeah, I kind of set up my campsite and stuff, had my truck going, and that was all pretty easy going. But then I waited till dark after 1030. Yeah, Comet NeoWiser is really visible up below the Big Dipper. That was pretty cool to get to see out there in eastern Oregon. Really bright, really clear. You could almost make out the second tail. I have my binoculars with me. I think there's some 10 by 42s and those worked really well to view it, to view the comet. Looked really crisp through the binoculars and it got really easy to spot most of the night. Even just to the naked eye, it was really easy to spot it. Just like, oh yeah, it's right there. There's a comet. It's just a big wisp in the sky. So it was really cool to get to view it. What I did is I set up my tripod and I have my camera with me. And so I set it up with a really wide angle and then I was trying to get some photographs of it as the comet was coming down to set on the landscape of the hillside as the hours went on into the night. So I think I stayed out until maybe one or two in the morning when the Big Dipper was sort of scooping down a little low onto the horizon. And then at that point, the place where the comet was dipped below the horizon and then was out of view for the rest of the evening. And I think even into the morning, I think by that time when I was photographing it, it wasn't visible any longer up in the morning sky. I think they said at first in early July, you could kind of view it around Capella if you were able to get out early enough, say three or four in the morning. But as the direction, as it was moving, it was kind of creeping up pretty quickly, day over day over day. It would kind of move a good chunk through the sky. And the direction that it was moving, it was moving to be more visible at the nighttime, which really offered more hours of good observation time. Which I thought was pretty cool to wait until it was really dark enough in the northwest view of the sky, probably about 1030 onward is when you were finally able to make out those kind of finer points of light in the sky in that region. So it was really cool to set up the tripod, set up the camera, set up some manual focus to get it kind of set sharp. You can't use autofocus when you're trying to make photographs of the night sky and the stars because it just kind of seeks back and forth. You have to set it to manual focus and then ring out your focus ring to infinity and then just back a little bit. You'll notice this every time if you do it. It's really frustrating, the dark, because you can't really always make it out in an easy way and edit your mistake quickly. But if you go all the way to infinity and then take pictures there of the night sky, you're going to notice that those points of light that are the stars sort of end up a little fuzzy. And it's because all the way to infinity for whatever reason just isn't quite in focus at infinity. So you have to go all the way out to infinity and then back it off just a little bit. And that'll nearly ensure that most of that part of the image is in focus the whole way. And it's difficult even if you do have an f-stop that's a little bit more tightened out, say like an f4 or f6 or something, you're still going to get a lot of that out of focus softness. If the focus ring isn't really dialed into the right spot. So I try to work on that a little bit. And yeah, dialed in my focus was able to set it up with a reasonable ISO to get some images of the night sky and pick up some of those finer points of light. And then I was able to take a series of photographs in a few different locations out there in the John Day River Valley, which I thought was really cool. It was pretty to be out there and it was a nice night, really warm in the river canyon. And really remote too, like I was mentioning, I think I was the only person out there for a few miles. I saw another group coming in on a, they had like a little mid-size SUV and they were going fishing out at a bend in the river a couple miles up from where I was. And so I took my truck down a little further and camped out just on the side of the river. It was cool, nice green river up to the kind of high desert tan rim rock that runs the area around there. So it was a cool evening, cool campsite area. It was a cool spot to check out Comet NeoWise too. So I tried to check it out up until, I don't know what, you know, 1.30 in the morning when I couldn't see it anymore. And then spent the night out there out in the John Day River area. And then the next morning got up and tried to check out some of the different roads and stuff that went around. You can check out more information at billynumanphoto.com. You can go to billynumanphoto.com/support if you want to help me out and participate in the value for value model that we're running this podcast with. If you receive some value out of some of the stuff that I was talking about, you're welcome to help me out and send some value my way through the portal at billynumanphoto.com/support. You can also find more information there about Patreon and the way that I use it. If you're interested or feel more comfortable using Patreon, that's patreon.com/billynumanphoto. I've got the Sony a7R going through its paces. It's been really cool using it for the last couple weeks. I've been trying to figure out its idiosyncrasies and there are a lot of them. There's a lot of them with these newer cameras and I can see definitely where from the a7R or from the first series of the a7s to the a7II and so on and so forth with the better and different accentuated camera models, they get better. They really do get better. There are some things with the first renditions of the electronic viewfinder and the system of how that takes photos, how it kind of interrupts when you're taking photos that don't quite seem to the level of professionalism that I'm really trying to hit for. I know that there's a lot of custom settings that I have to go into and sort of tweak how that a7R is going to be grabbing at photos and then how it's chimping. You guys heard of that before? Chimping. I don't know what it really has to do with but it's referring to when you take a photograph or you take a couple of photographs and then you look down at that screen on the bottom of your digital camera, the back plate of your digital camera. You look down and you see the photo and then you come up, you recompose and you shoot again and then come down and look at it. It's, I guess, I don't understand it completely. It just seems sort of like a modern approach to something that the technology allows you to do. I think it's totally acceptable but for whatever reason, it is sort of an interference in the creative or in the photography process sometimes. I know that there are many pros, all of those pros coming from a past world that's no longer here a film where it wasn't really acceptable to do half shutter press autofocus. You have to do autofocus from the back and then shutter is its own system. With that, there's all these kind of silly rules about how you can use focus, how you can use composition stuff, how you can set up your frame, when you can look at the screen or when you can review the images. I guess these film shooters, they thought it was uncouth to be able to review or see the photograph before the film was developed or before it was later on. Interesting and I see kind of psychologically there's this path that does seem to create better work or more intuitive photographs and those are better. They are more needed and I can see where some of these tricks might get you closer to that but the idea of just looking at the back of the screen that doesn't impede you so much and it doesn't really stop you. If you're a pro and you know what you're doing, you look at the screen, you're looking at the screen because you know why you're looking at the screen. It doesn't really seem to make sense that there's these sort of sideways rules about features you can and can't use that are put into your camera. But to speak about efficiency, the problem that I noticed about the a7R is that it will display the image to you for about a second and a half, two seconds and it will display it on the screen but it'll also display it in the electronic viewfinder for your eye. And you can shut this feature off but there's still a little bit of a hiccup around the time that you hit the shutter button. And the problem with this is if I'm framed up to take a photograph, let's say of a situation I remember back at OSU when I was shooting sports a lot, let's say there's a football game, I'm out in front of the action and I see that the beefs set up a play, they throw a pass, the guy gets it, he's right in the pocket on the third of the frame that I have and I have focus tracking on him. I want to take a series of shots with a high frame rate so I can get that whole run of action as he moves towards me. And so the issue that I'm having is in photography you're trying to select moments that look good. That's kind of the point. Aesthetically you want them to be choices that are appealing and that has to do a lot with gesture, a lot with movement, a lot with kind of positioning and framing and composition and sort of thoughtfully considering what does the person look like? How are all these things in the frame relating to each other and is it going to work when you press the shutter? And the difficulty is with these a7Rs or even with the Sony a6000 when I'm looking at it and I take this series of photographs, I'm almost blind that whole time. Whereas before in the past when I would have been working with an SLR, there's the shutter flap where you see black for just a moment but it comes back and it's optically correct immediately. It's optically correct to what you're going to be shooting but with the EVF there's just enough lag that in high action you seem to kind of miss where the gesture is. If stuff's moving around it seems like you almost have to kind of guess or assume that the next moment's going to happen and then try and take it but you can't see it. It's weird. It's like it shuts off the viewfinder right at the time that you need to be looking through it. And so in some ways like that it's a little bit complicated of am I framed up right? Am I looking at the thing right? When I take the picture it just shows me something else all of a sudden. And I know that they've solved a lot of these problems like if you look up the Sony a9 and some of the features that it has if you bring that into high speed shooting it's got this interesting system where instead of having the electronic viewfinder blink black or cut out completely have the processor move all of its attention to processing that image that it just captured and then bring back the electronic viewfinder momentarily later. What we see in the a9 is a system where there's the bracket. There's like a let's say like a red focus bracket that kind of goes around and you're shooting, you're shooting, you're shooting. But what you're seeing is instead of the electronic viewfinder blinking out black and then showing you a frame or just blinking out black and then coming back on what we see is just that bracket, that red bracket blink yellow or blink from black to yellow or black to red or something like that. And all that's indicating is that it is firing frames, but you're just still seeing it completely normally like you would view any action on a screen. And that's a really interesting process. I think it's like, I don't know, it's like 20 frames a second or something like that. It's almost video at that point when you're shooting raw frames. Are you kidding me? Raw frames on a Sony a9 at God knows what almost 50 megapixels that it's shooting at. And you can do 20 frames a second just looking at the thing and then seeing a little black bar blink yellow and that's signaling that you're capturing all that data. Thanks a lot for checking out this episode of the Billy Newman photo podcast. Hope you guys check out some stuff on Billy Newman photo.com. A few new things up there, some stuff on the home page, some good links to other, other outbound sources, some links to books and links to some podcasts, links to some blog posts. All pretty cool. Yeah. Check it out at Billy Newman, a photo.com. Thanks a lot for listening to this episode of the podcast. Talk to you next time. Bye. [MUSIC]

Herzlich willkommen im 2023! In diesem Podcast finden wir heraus, welches iPhone sich Bojan nun gekauft hat. Wir sehen uns die Bilder des Jahres 2022 von National Geographic an und spekulieren darüber was uns im neuen Jahr wohl Fotografisch erwarten wird. Und wir klären, wie ihr auch bei Hohen ISO Werten möglichst Rauschfreie Bilder bekommt. Natürlich darf die Überraschungsfrage auch nicht fehlen. Viel Spass! Links zur Episode: National Geographice Pictures 2022: https://www.nationalgeographic.com/magazine/graphics/pictures-of-the-year-2022-feature AI Chat Bot: https://chat.openai.com/chat Sensor Noise Chart: https://photonstophotos.net/Charts/RN_ADU.htm Vergleich Sony A7R vs A7R: https://www.youtube.com/watch?v=0vSjS1mu7jk&ab_channel=MannyOrtiz Smartphone Zusatz Fjorden: https://shop.fjorden.co/ Falls ihr uns Feedback geben, oder selbst Themenvorschläge habt, dann mailt uns diese doch an: podcast@fotografie-stammtisch.ch Mehr vom Stammtisch findet ihr unter: https://linktr.ee/FotografieStammtisch

Mentre Luca Dondossola si prende una non meritata vacanza in giro per il mondo, Nico e Ricky tornano nel 2013 per parlare, tra le altre cose, dell'inizio di qualcosa destinato a cambiare il mondo fotografico: l'avvento della Nikon DF. Ah no, le prime Sony a7 e a7R, mirrorless che in futuro avrebbero cambiato il mondo, ma che al momento dell'uscita suscitarono non pochi dubbi tra i fotografi "classici".

Dans l'actu accessibilité et nouvelles technologies cette semaine : Du côté des applications et du web NVDA 2022.1 est disponible. Android 13 supportera nativement les écrans braille. Google : la nouvelle mise à jour du Play Store facilite la recherche d'applications pour les personnes handicapées. Le jeu God of War Ragnarök prône l'accessibilité avec ses 60 paramètres. Quick Capture, une application iOS pour numériser du texte en un clin d'œil. ScreenReader app, des applications mobiles iOS et Android pour apprendre à utiliser VoiceOver et TalkBack. Netflix : bientôt de nouvelles fonctions d'accessibilité. Google Chrome : la fonction Lens est maintenant disponible directement sur le navigateur. Le reste de l'actu glaucome : des lentilles de contact intelligentes pour diminuer les risques de cécité. Nouvelle tablette tactile Braille InsideONE+. Sony propose un lecteur d'écran pour son appareil photo A7R. Devenez testeur d'accessibilité en jeux vidéos, jeux et contenu numérique !. Le salon Handica 2022 se déroulera les 1 et 2 juin à Lyon. Le coup de coeur de Yannick Le podcast Futur chien guide. Cette semaine sur Oxytude Patrice nous a proposé un article Présentation de ‘l'aCCORDEUR automatique de guitares ROADIE 3. Remerciements Cette semaine, nous remercions Carlos, Murielle, Pascale, Ultra-son pour nous avoir fait un don ou transmis des infos. Si vous souhaitez vous aussi faire un don c'est sur la page "Soutenir Oxytude et pour les infos,, passez par le formulaire de contact. Pour animer cet épisode Fabrice, Pascale, Philippe et Yannick.

¿Qué cámara Sony comprar en 2021? En este episodio del podcast nos toca hablar de las cámaras que recomendamos de Sony Full Frame y de Sony Aps-c. Y como Sony es la marca de cámaras más de moda hay que ser un poco sensatos/as y no caer en comprar cualquier Sony por el mero echo de que estén de moda. Veamos que Cámaras Sony comprar si quieres trabajar en tu pasión, la fotografía. Pero antes te recuerdo que tienes disponible más de 26 cursos de fotografía y marketing (y creciendo), pero si quieres aprender de manera personal también te ofrecemos consultorías de marketing para fotógrafos como de la parte técnica de la fotografía. Partiendo de la base que todas las marcas actuales de fotografía tienen modelos 100% válidos para trabajar con ellas en fotografía, voy a contarte los pros y contras que tiene Sony sobre el resto de marcas. El mejor enfoque del mercado (Tanto en Aps-c como en Full Frame). De lo mejorcito para grabar vídeo.Su respuesta a Isos altos y rango dinámico.Muchas ópticas donde elegir, tanto nativas como de 3º marcas. Su robustez no es la mejor.Menús farragosos y pantallas no abatibles (en algunos modelos van solucionándolo).Ópticas nativas caras.El color hay que trabajárselo más en postproducción. Sony tiene muchísimos modelos de cámara en el mercado. Han estado años sacando nuevos modelos y actualizaciones prácticamente anules, y aunque ya se han relajado... puedes encontrar muchísimos modelos diferentes. No los vamos a nombrar todo o sería larguísimo. Pero empezamos descartando modelos, toda la gama alpha 5000, las cámaras A7S, ya que están realmente orientadas al vídeo. Y también descartaría las Sony Alpha 9 y la reciente Sony A1 por ser cámaras de precios casi prohibitivos. Y como último descarte meteríamos a la Sony A7c, ya que basicamente es una a7III algo recortada en el cuerpo de una Sony A-psc. Por lo que la ergonomía de cámara muy pequeña con ópticas grandes de Full Frame es muy malo. Por lo que nos quedaríamos con las cámaras sony A7 y A7R para Full Frame y Sony A6000´s si prefieres el formato Apsc. Y entre estas gamas abajo te mostramos las 2 ganadoras en cada segmento según el tamaño de su sensor. ¿Estas son las únicas cámaras Sony recomendables? Por supuesto que no, pero estas son las que compraríamos nosotros. Pero si quieres más megapixeles y no te importa sacrificar un poco el ISO puedes comprar la Sony A7RIII, la A7RIV que salió al mercado hace poco no la recomendamos porque apenas hay cambios que merezca la pena pagar más. Y si te da igual sacrificar algunas especificaciones como el estabilizador, podrías comprar la Sony A6400 y ahorrarte un poco de dinero. Sea como sea atento a las ofertas puntuales que suelen verse en cámaras Sony, ya que suelen bajar mucho el precio.

Sony's a7R II, initially released fall 2015, marks the official successor to the acclaimed A7R. In many ways, it represents the culmination of all the best features, improvements, and technology of all previous a7 cameras. https://photographypx.com/sony-a7r-ii-review/ Video https://youtu.be/p9z5yTXGKus

Sony's NEX lineup earned a solid fan-based during it's time. And with the release of Sony's a7 lineup, fans now have several full-frame flavors at their disposal. Initially released in the fall of 2013, Sony's A7R was their second full-frame mirrorless offering in the new alpha lineup. https://photographypx.com/sony-a7r-review/ Video https://youtu.be/lmDxaaLDNLc

Sony's 24.2-megapixel full-frame a7 III marks one of the most anticipated Mirrorless cameras to date. While not as specialized as the sporty a9, as high-resolution as the a7R, or as video orientated as the A7S. It represents a more well-rounded offering in Sony's Alpha 7 lineup of full-frame cameras tailored to the broadest demographic of photographic mediums possible. Blog Post https://photographypx.com/sony-a7iii-review/ Video https://youtu.be/Nqby-cDxJ8Q Lightroom Presets https://bit.ly/mobilelightroompresets

Sony's NEX lineup earned a solid fan-based during it's time. And with the release of Sony's a7 lineup, fans now have several full-frame flavors at their disposal. Initially released in the fall of 2013, Sony's A7R was their second full-frame mirrorless offering in the new alpha lineup.https://photographypx.com/sony-a7r-review/Videohttps://youtu.be/lmDxaaLDNLc

Q3 Canon R, R6, R5, Sony A7, A7S, A7R, Sony RX100, Canon G7X, Metabones. Ibis, Sensorstabiliser, Full HD mit 120f/s

Sony's 24.2-megapixel full-frame a7 III marks one of the most anticipated Mirrorless cameras to date. While not as specialized as the sporty a9, as high-resolution as the a7R, or as video orientated as the A7S. It represents a more well-rounded offering in Sony's Alpha 7 lineup of full-frame cameras tailored to the broadest demographic of photographic mediums possible.Blog Posthttps://photographypx.com/sony-a7iii-review/Videohttps://youtu.be/Nqby-cDxJ8QLightroom Presetshttps://bit.ly/mobilelightroompresets

Head to http://squarespace.com/Chelsea to save 10% off your first website or domain with code “CHELSEA” PIXEL AWARD WINNERS (and Nominees) Firmware Update of the Year: Nikon Smartphone Camera of the Year: Pixel 4 http://SDP.io/Pixel4 Biggest Broken Promise: Zeiss ZX1 Lens of the Year: WINNER: Canon 70-200mm R f/2.8 http://sdp.io/C70200r Canon 24-70mm R f/2.8 http://sdp.io/C2470r Sony 200-600mm f/5.6-6.3 http://sdp.io/S200600 Sony 600mm f/4 http://sdp.io/Sony600 Canon 85mm R f/1.2 http://C8512r Most WTF Camera: WINNER? Sigma fp http://sdp.io/fp Fuji XPro 3 http://sdp.io/XPro3 Drone of the Year: Mavic Mini http://sdp.io/MavicMini Most Innovative Camera: Olympus E-M1 X http://sdp.io/EM1X Biggest Disappointment: Peak Design Tripod http://sdp.io/PDTripod Camera of the Year (under $1,000) WINNER: Fuji X-T30 http://SDP.io/XT30 Canon SL3 http://sdp.io/SL3 Fuji X-A7 http://SDP.io/XA7 Sony a6400 http://SDP.io/a6400 Sony a6100 http://SDP.io/a6100 Nikon Z50 http://SDP.io/Z50 Camera of the Year ($1,000 - $2,000) WINNER: Canon EOS RP http://sdp.io/RP Sony a6600 http://sdp.io/a6600 Canon 90D http://sdp.io/90D Flop of the Year Olympus E-M1X http://sdp.io/EM1X Camera of the Year $2,000+ WINNER: Sony a7R IV http://sdp.io/a7R4 Panasonic S1 http://sdp.io/S1 Panasonic S1R http://sdp.io/S1R Panasonic S1H http://sdp.io/S1H Leica SL2 http://sdp.io/LSL2 Sony a9 II http://sdp.io/a92 Fuji GFX100 http://sdp.io/GFX100 Music provided by Epidemic Sound (affiliate): https://bit.ly/2MwDey7 Watch a video of this podcast at http://sdp.io/2019Pixel

Bonus Episode: Sony A7R MKIV with Sam Pilling from Sony UK   We are delighted to bring you this Bonus Episode. This episode covers the Sony A7R MKIV and has an interview with Sam Pilling from Sony UK about the camera. We hope you enjoy it. For more information visit us a www.BerminghamCameras.ie

In the 2000s and early 2010s, Sony’s cameras were TERRIBLE. They were SO FAR behind Canon and Nikon that it seemed impossible for them to catch up... but, they did catch up around 2018, and in 2019 Sony solidly surpassed the Canon and Nikon mirrorless cameras. HOW DID THEY DO IT?! I researched it and the answers are fascinating and directly relatable to your personal life and business. Head to http://squarespace.com/Tony to save 10% off your first website or domain with code “TONY”

Special guest Matt Parnell from Sony joins AlphaUniverse.com's Christopher Robinson to talk about what Kando means, the power of "Wow" and how Kando Trip 3.0 was born. At this unique multi-day event in Sunriver Oregon, hundreds of photographers, YouTubers, filmmakers and other creatives are immersed in dawn to night workshops and special shooting opportunities.     

Techstination, your destination for gadgets and gear.   I’m Fred Fishkin.        The camera innovations from Sony continue.   Already more than half the smartphones around the world are equipped with Sony image sensors…and the company’s mirrorless cameras have been winning fans among pros and enthusiasts...

Colby Brown is constantly in motion. The landscape], travel and humanitarian photographer is on the road for more than half the year. In addition to being a professional shooter, Colby also keeps an active website with detailed gear reviews and he had an opportunity to test the new Sony a7R IV with the Sony 200-600mm G lens in Alaska. AlphaUniverse.com editor Christopher Robinson caught up with Colby when they were both in New York for the a7R IV launch event. Having had a chance to use the new camera in demanding conditions, he shares what he learned and why the camera is going to be his next go-to.

Alpha Universe Editor Christopher Robinson sits down with Sony’s El Deane Naude to talk through the new a7R IV. The new high-resolution mirrorless camera has a new 61 megapixel full-frame image sensor, 16-image Pixel Shift Multi Shooting, Real Time Tracking and Animal Eye AF, Real Time Eye AF in video mode and more. El-Deane walks us through the new features and capabilities for today’s photographers and filmmakers. See more at AlphaUniverse.com 

Techstination interview: Sony unveils Alpha a7r IV: full NY press event

Chelsea & Tony took a photography trip to Iceland... and made some mistakes. 8 of them, to be exact. This Picture This Podcast goes through those 8 mistakes so you can learn from them or just laugh at how stupid Tony is. You can listen to the audio version of Picture This using your favorite podcasting app, so be sure to subscribe and review it! Here is the podcast in iTunes, but you can search for it in any podcasting app: https://podcasts.apple.com/us/podcast/picture-this-photography-podcast/id1078466875 Our sponsor: http://squarespace.com/Tony, coupon 'Tony' Watch a video of this podcast at http://sdp.io/Iceland

With the 2019 Major League season just underway, pro sports photographer and new Artisan Of Imagery, Jean Fruth joins AlphaUniverse.com editor Christopher Robinson to talk about photographing the action on and off the diamond. In Tech Talk, Sony’s El Deane Naude gives us insight into the extended battery life in the latest generation of Sony full-frame mirrorless cameras. Then Jean Fruth returns to offer up some of her top tips for photographers who are want to capture all of the action on the baseball field this spring and summer.

The first round of the mirrorless wars are over - Canon released the EOS R, Nikon released the Z7 (and announced the Z6), Panasonic announced the S1 and S1R, and Fuji launched the X-T3. We were there at the events as the camera companies battled to win back the full-frame market from Sony. We think some of the camera companies did a great job, while others made some serious mistakes. Get 90% off of this Udemy course by clicking here: http://bit.ly/2RbOtg1 Thanks to Udemy for sponsoring this video - improve your life through learning. You can watch a video of this podcast on our YouTube channel: http://sdp.io/MW2

AlphaUniverse.com editor Christopher Robinson connects with Hollywood set photographer Jennifer Clasen. Born into a photography family, Clasen didn't simply follow in her father’s footsteps. We discuss how a global gap-year trek she took during college kindled her love of making photographs and how twists and turns along her path  brought her to independent film set and began a career shooting behind the rolling cameras. In Tech Talk, Sony’s El Deane Naude explains how high-speed silent shooting works in the Sony α7R III. Jennifer Clasen offers up Do This Now tips about how to break into the multi-faceted realm of TV and feature production photography.   

In this episode of the Alpha Universe podcast, AlphaUniverse.com editor Christopher Robinson speaks with landscape and sports photographer Don Smith about his experiences with α7R III in the field. In Tech Talk, Sony’s El Deane Naude explains how Pixel Shift technology in the α7R III works. Then Don Smith returns with Do This Now tips from about how to break out of a creative rut. You can see more about Don Smith and the Sony α7R III at AlphaUniverse.com.

Mein Filmequipment: https://kit.com/TomBischof Facebook: https://www.facebook.com/nobudgetfilmer/ Itunes: https://itunes.apple.com/de/podcast/no-budget-filmer-der-filmemacher-videografie-podcast/id1263643557?l=de Torsten:  http://movie-grinder.com Musik: https://soundcloud.com/trmbrm/mushy In dieser Episode reden wir über drei neue Kameras und all ihre Funktionen, die für Filmemacher relevant sind.

Christopher Robinson, editor of AlphaUniverse.com speaks with photographer and member of the Alpha Imaging Collective, Oscar Nilsson about the enduring power and allure of landscape photography and the Art Rangers project to help preserve and protect our national parks. In Tech Talk, Sony’s El Deane Naude explains how some of the advancements in the new Sony α7R III that improve image quality. And we get some Do This Now tips from Oscar Nilsson about how you can make a difference with your photography.

Watch this podcast on YouTube: http://sdp.io/2018prediction My camera predictions for 2018: Canon 5DS-R Mk II, Canon 7D Mk III, Canon 90D, Canon M3, Nikon D650, Nikon D850A, Nikon M700, Sony a5200, Sony a7 III, Sony a7S III, Fujifilm X-H1, Pentax K-1 II, Panasonic GH5-S, Olympus E-M5 Mk III.  

Gordon and Doug from Cameralabs discuss everything you need to know about the Sony Alpha A7r Mark III, a high-end mirrorless camera in our in-depth review! We cover build, handling, photo and video quality, autofocus, burst shooting and much more!

Welcome to RAWtalk 231 LIVE. We are streaming LIVE once again to see if we will continue to do this each week. SONY invited me to an event!!! The put me up for two days, took me to dinner and had me to their launch events for the a7R III along with other press members which is cool. I headed to PPE 2017 for the day and met so many awesome people including a lot of FRO readers.

I picked up a vintage Gitzo tripod… and a cool Leitz ball head. I talk about that. The A7R and the ‘apoceclipse’ of central oregon traffic. billy newman photo podcast 8-18-2017 Produced by Billy Newman and Marina Hansen Link Website Billy Newman Photo http://billynewmanphoto.com/ YouTube  https://www.youtube.com/billynewmanphoto Facebook Page  https://www.facebook.com/billynewmanphotos/ Twitter  https://twitter.com/billynewman Instagram  https://www.instagram.com/billynewman/ About   http://billynewmanphoto.com/about/ Billy Newman Photo Podcast Feed http://billynewmanphoto.com/feed/podcast/billynewmanphotopodcast

So NAB2016 is over and we sent our roving reporter to Dave Dugdale of www.learningvideo.com to give us his thoughts on the event and what he found interesting and what he thought was a big miss. We also have a few listener questions for Dave too.  The track this week called Rising Sea by artist Be Still the Earth get it on Soundstripe Thank you for listening. SUBSCRIBE on iTunes: https://itunes.apple.com/gb/podcast/our-week-in-video-video-production/id955970525?mt=2   To see out work follow these links:   Ben’s http://www.brutoncoxvisuals.com http://www.theweddingcut.com https://twitter.com/brutoncox   Rich’s http://www.auroravideo.co.uk https://twitter.com/auroravideo

Welcome to episode 32!  Consider subscribing if you haven’t already. In this episode:00:01:22 – Controversial artist appropriates photos from Instagram, mocks up a screenshot and sells them for upwards of $100,000 for them. Is that art? # # # 00:02:55 – Miller Lite asks to use a photo from photographer Nikki May in a national ad campaign…but doesn’t want to pay for it. How devalued has photography become? # # # 00:08:19 – Sony makes a mistake and lists its awesome a7R at a $1,700 discount as hundreds, if not thousands, of people clammer to get the camera for roughly $200. Should they have honored all those orders?   # # # 00:10:19 – A judge holds of the City of Atlanta, Georgia in contempt and orders the city to properly train officers on how do deal with the public and press taking photos and/or shooting video. Another victory in the war on photography. # # # 00:11:42 – ShutterDial.com emerges as a way to visualize various camera settings utilizing Flickr’s massive cache of photos. # # # 00:12:22 – Samsung adds additional functionality to it’s awesome NX1 camera via a firmware update. Buy the Samsung NX1 here. (Affiliate link) # # # 00:12:44 – A photographer gets fed up with Pinterest and sues them seeking to compel them to do more to “protect photographers and their work.” # # # 00:14:50 – A Texas high school student is forced to remove photos from his Flickr site or face suspension. Was he being selectively singled out? # # # 00:17:08 – Olympus pokes fun at heavy DSLRs with a new commercial as mirrorless sales climb. Watch the commercial here. # # # 00:17:32 – An Italian cyclist breaks his arm as he collides with a spectator who was shooting photos while extended over a barrier. See the video here. (WARNING: not for the squeamish) # # # 00:20:53 – If you have a Nikon D750, you might want to update to the latest firmware which all Nikon says about it is: “Camera operation is now more reliable”. Buy the awesome Nikon D750 here. (Affiliate link) # # # 00:21:17 – Copyright infringement suits aren’t always what they’re cracked up to be. I discuss this and talk about one of the many copyright infringement settlements I’ve had. # # # 00:26:04 – Legendary photographer Mary Ellen Mark dies at 75. # # # 00:26:33 – Is Nikon and Apple working on a super secret app which will benefit Nikon users? # # # 00:26:58 – The ShutterSpots app seeks to help photographers find cool locations to shoot. Will you find spots? I didn’t. I came up goose eggs. # # # In Drone News:00:29:16 – Singer Enrique Iglesias severely cuts his fingers during a concert in Tijuana, Mexico has he grabbed the DJI Inspire 1 drone shooting live video of him. Buy the DJI Inspire 1 here…just be careful! (Affiliate link) # # # 00:30:41 – Lucky 7 Drones has their DJI Phantom 3 significantly damaged as an alleged drunk neighbor knocks it out of the air with his shirt. Buy a DJI Phantom 3 here…just keep it away from your drunk neighbors. (Affiliate link) # # # Announcement:Free eBook!  –  The Lens Shark Quickstart Guide to Perfect Exposure. Announcement:Free camera giveaway coming up!The winner’s choice of a Nikon D750, Canon 7D Mark II or Sony A7s! Listener questions needed:Click the link for the podcast and leave us an audio question to have a good chance to get on the show. Alternatively, you can post your questions on our site or via social media. ###  Please consider subscribing if you haven’t done so already, leave me a review and check me out on social media at the links below.  ### Facebook:  http://www.facebook.com/LensShark/ Twitter:  http://www.twitter.com/LensShark/ Pinterest:  http://www.pinterest.com/LensShark/ Instagram:  http://www.instagram.com/LensShark/   The post Episode 32: Is Richard Prince Even An Artist? [LSP #0032] appeared first on Lens Shark Photography Podcast.

‘Objectif Numérique - Épisode #46 : Fuji promet des micrologiciels, Les boitiers annoncés au CES 2014, Le site de la semaine: Strobist, Choisir un appareil avec ou sans miroir, Les Sony A7 et A7R (critique du A7), Annonces d'objectifs pour hybrides, dont la gamme NEX’  

‘Objectif Numérique - Épisode #43 - Les panneaux à DEL, Sony A7, A7R et RX10, Hassleblad copie Sony?, Nikon D5300, MixBit + Hollywood and Vines, Google+ et la photo, Le décentrement à bascule (tilt-shift), Critique Canon 70D’  

http://www.adorama.comAdoramaTV presents the Sony a7 and a7R mirrorless interchangeable lens compact. Join Diane as she explores the world's lightest interchangeable lens full-frame camera.Related Products:Sony Alpha a7 Digital Camera, Full Frame 24MP, 2.4 million dot OLED Viewfinder, Wi-Fi sharinghttps://www.adorama.com/ISOA7.html?refby=videoSony Alpha a7 Digital Camera, with FE 28-70mm f/3.5-5.6 OSS Lenshttps://www.adorama.com/ISOA7K.html?refby=videoSony Alpha a7R Digital Camera, Full Frame 36MP, 2.4 million dot OLED Viewfinder, Wi-Fi sharinghttps://www.adorama.com/ISOA7R.html?refby=videoSony 24-70mm f/4 Vario-Tessar T* FE ZA OSS - E-mount Full Frame - Digital SLR Zoom Lenshttps://www.adorama.com/ISO2470.html?refby=videoSony Sonnar T* FE 35mm F2.8 ZA Lens for E-mount Camerashttps://www.adorama.com/ISO3528.html?refby=videoSony Sonnar T* FE 55mm F1.8 ZA Lens for E-mount Camerashttps://www.adorama.com/ISO5518.html?refby=videoSony 70-200mm f/2.8 G-Series II (Alpha) Mount Digital SLR Zoom Lenshttps://www.adorama.com/ISO70200G2.html?refby=video If you have questions, share them with us at: adotv@adorama.com

Bill Henderson and Brian Tramontana talk about the impact of smaller Micro 4/3rd's cameras, Sony's entry to smaller cameras with the A7R, and is this a trend? The Crystal Ball is out for this podcast and we talk about the DSLR; is it a dinosaour?

What am I getting at when I say is this the death of the micro 4/3rd camera?  You will find out when we hit the Photo News from last week and discuss what Sony dropped on the world.  Does this mean an end to the short lived system or will it prevail to live on into the future? Take Two: We let you in on a little secret on why we had to record the podcast twice this week.  It should really serve as a wake up call to everyone, learn from our mistakes.   This weeks news is FILLED with NEW STUFF from Sony, Nikon and Sigma, what do you think about the new goodies? Episode #057 is brought to you by AllensCamera.com, Rode Microphones and Squarespace where you can get 10% of your first order when you use code FRO10.