Podcasts about Clasen

A trooper in Washington who's responsible for informing the public about investigations is now the one making the news. Authorities say Sarah Clasen crashed her car into a young motorcyclist, Jhoser Sanchez, killing her. Her resistance to doing sobriety tests instantly raised red flags. Law&Crime's Jesse Weber takes a closer look at body camera footage of Clasen's arrest with Dan Morgan, the managing partner of personal injury law firm Morgan & Morgan.PLEASE SUPPORT THE SHOW: If you're ever injured in an accident, you can check out Morgan & Morgan. You can submit a claim in 8 clicks or less without having to leave your couch. To start your claim, visit: https://forthepeople.com/LCSidebarHOST:Jesse Weber: https://twitter.com/jessecordweberLAW&CRIME SIDEBAR PRODUCTION:YouTube Management - Bobby SzokeVideo Editing - Michael Deininger, Christina O'Shea & Christina FalconeScript Writing & Producing - Savannah Williamson & Juliana BattagliaGuest Booking - Alyssa Fisher & Diane KayeSocial Media Management - Vanessa BeinSTAY UP-TO-DATE WITH THE LAW&CRIME NETWORK:Watch Law&Crime Network on YouTubeTV: https://bit.ly/3td2e3yWhere To Watch Law&Crime Network: https://bit.ly/3akxLK5Sign Up For Law&Crime's Daily Newsletter: https://bit.ly/LawandCrimeNewsletterRead Fascinating Articles From Law&Crime Network: https://bit.ly/3td2IqoLAW&CRIME NETWORK SOCIAL MEDIA:Instagram: https://www.instagram.com/lawandcrime/Twitter: https://twitter.com/LawCrimeNetworkFacebook: https://www.facebook.com/lawandcrimeTwitch: https://www.twitch.tv/lawandcrimenetworkTikTok: https://www.tiktok.com/@lawandcrimeSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Heile Deine Lebensthemen und entdecke die Leidenschaft für Dein Leben wieder.Kurzbeschreibung: MUT I LEIDENSCHAFT I TRANSFORMATIONWas eine einzige Entscheidung im Leben für einen Input haben kann, davon kann Manuela Clasen aus einem zutiefst transformierenden Schlüsselerlebnis berichten. Seitdem ist ihr Leben nicht mehr wie es vorher war. Von der unsichtbaren Person hinter dem Vorhang, raus auf die großen Bühnen dieser Welt in die Sichtbarkeit. Manuela Clasen ist eine aussergewöhnliche Wegbereiterin für persönliche Transformation. Als integraler Lifecoach unterstützt sie Menschen, tief verwurzelte Lebensthemen in den Bereichen Liebe, Sexualität und Leben zu heilen - und dadurch ihre Lebensfreude und Leidenschaft zurückzugewinnen. Mit ihrer einzigartigen Kombination aus intuitiver Hellfühligkeit, Herzöffnung und tiefgehender Coaching-Expertise begleitet sie ihre Klient:innen in ein sinnerfülltes, freies und selbstbestimmtes Leben.Ihre eigene Reise war nicht immer leicht: mit späten 40 Jahren stellte sie sich einer ihren größten Ängste - der panischen Auftrittsangst - und erfüllte sich ihren Lebenstraum, als Sängerin ohne Gesangsausbildung und jeglicher Bühnenerfahrung auf die Bühne zu gehen. Dieser mutiger Schritt veränderte ALLES! Nicht nur ihr weiteres Leben, sondern in erster Linie sie selbst in ihrer Persönlichkeit. Heute gibt sie als Speakerin in Unternehmen inspirierende Vorträge über LAMPENFIEBER, AUFTRITTSANGST & SELBSTÜBERWINDUNG um Menschen dabei zu unterstützen, ihre inneren Blockaden und Angstglaubenssätze zu sprengen und sichtbar zu werden. In erster Linie für sich selbst und dann im Aussen.Ihr Ansatz ist radikal ehrlich, tief gehend und transformierend. Sie verbindet Mindsetarbeit, emotionale Heilung und spirituelle Tiefe mit pragmatischen Strategien, um nachhaltige Veränderung zu ermöglichen. Wer mit Manuela Clasen arbeitet, entdeckt nicht nur sein volles Potenzial - sondern beginnt, das eigene Leben mit Mut, Klarheit und echter Leidenschaft und Freude zu gestalten. Mehr über Manuela findest Du hier: https://expertenportal.com/suche?search=Manuela+Clasen Hosted on Acast. See acast.com/privacy for more information.

In dieser Sendung ist Manuela Clasen zu Gast bei Mirjam und Ihrer Sendung rund um das Thema Persönlichkeitsentwicklung. Manuela erzählt von Ihren eigenen Erfahrungen und davon, wie Sie unter Anderem als Speakerin Menschen dafür begeistern will, trotz Hürden und vielleicht auch Gegenwind im eigenen Umfeld, für Ihre Träume loszugehen.

For the twelfth & final episode of our special series with ProfitSolv, we've got a Festivus extravaganza, with all the fixin's.  But, don't worry - we found a way to smuggle in some legaltech & law firm management talk!  So, get some hot chocolate & snuggle up to this very special podcast episode. Featuring guest host Joyce Brafford & guest Scott Clasen, both of ProfitSolv. [SPONSORED BY TIMESOLV] Episode Highlights 00:15 - Legal Tech Adoption Challenges 02:12 - ProfitSolv! Product Line Overview 04:47 - Festivus Origins and Seinfeld Reference 18:52 - Importance of Software Testing Before Deployment 20:10 - Challenges with Onboarding and Software Adoption 22:58 - Underutilized Tools: Workflow and Process Automation 24:15 - Effective Use of Legal Accounting Features 31:24 - Law Firm Collection Practices and Soft Collections 36:20 - Making Credit Card Acceptances Common in Firms 38:40 - Recommended TimeSolv Features: Project Management Episode Resources Connect with Jared Correia jared@redcavelegal.com https://redcavelegal.com/ https://www.linkedin.com/in/jaredcorreia https://twitter.com/RedCaveLegal www.linkedin.com/in/jaredcorreia/ Connect with Joyce Brafford and Scott Clasen joyce.brafford@profitsolv.com scott.clasen@profitsolv.com https://www.profitsolv.com/ https://www.timesolv.com/  

In this session we chat with co-founder of Ecotech Marine, Patrick Clasen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Angst en humor lijken in veel opzichten elkaars tegenpolen te zijn. Toch zijn er verrassend veel situaties die ons eerst angst aanjagen en waar we even later om lachen. Denk maar aan het bekijken van horrorfilms, het uithalen van een schrikgrap, maar ook het spelen van kiekeboe. In deze aflevering duiken we in de wetenschap achter de emoties angst en humor en hun intrigerende relatie. Ook gaan we in op de vraag hoe we humor kunnen inzetten om onze angst te beheersen. Luister mee voor boeiende voorbeelden, wetenschappelijk inzicht en praktische tips om met je angsten om te gaan door middel van humor. Onderzoek: Dr. Anita Eerland, prof.dr. Rolf ZwaanPresentatie: Rolf Zwaan & Anita EerlandMuziek: Rolf ZwaanBronAllbritton, D.W., & Gerrig,R..J. (1991). Participatory responses in text understanding. Journal of Memory and Language, 30, 603-626.Hye-Knudsen, M., Kjeldgaard-Christiansen, J., Boutwell, B.B., & Clasen, M. (2024). First they scream, then they laugh: The cognitive intersections of humor and fear. Evolutionary Psychology. DOI: 10.1177/14747049241258355Een compleet overzicht met alle thema's uit de podcast en de bijbehorende afleveringen is hier te vinden. Hosted on Acast. See acast.com/privacy for more information.

Raili CA Design is a testament to the passion and love for eclectic California interior design that former fashion executive Raili Clasen is known for. After a successful career with Quiksilver and Paul Frank, Clasen co-founded the trendy housewares brand Alice Supply Co. Her transition into the interior design business was seamless and catapulted by the press around her first home project. Raili CA Design is a full-service interior design firm specializing in new construction, complete remodels, and the occasional cool vintage cottage renovation. In this episode, Nada sits down with Raili to talk about becoming an interior designer in her late 40s and authorship at 60. Raili shares her sales background in the surf world and recalls being constantly drawn to the creatives in that field, sparking an inner desire for design. Later, she and her best friend launched a wildly popular home and tools product line. The PR success of that business opened the door to her first interior design project. Now, at age 60, she leads a business with a boldness and confidence she never had in her earlier years. Raili also shares her top design tips and encourages us to pursue our dreams, no matter our age.Check out Raili's website and book Surf Style at Home. She is currently reading The Women by Kristin Hannah. Follow on Instagram: @railiclasenPlease follow us at @thisislibertyroad on Instagram; we want to share and connect with you and hear your thoughts and comments. Please rate and review this podcast. It helps to know if these conversations inspire and equip you to consider your possibilities and lean into your future with intention. Hosted on Acast. See acast.com/privacy for more information.

Jeff, Virgil and Mark chat with Sara Clasen, General Manager of the Voy 61 Drive-In Theatre in Delmar, Iowa, about indoor and outdoor theater management, her grandfather's local theater and radio history, Drive-In trains, and more. Recorded 2/20/24 Visit the Voy 61 online at: https://www.61-driveintheatre.com https://www.facebook.com/61drivein https://www.instagram.com/voy61drivein Check out our map of all of the Drive-Ins that have been featured on the podcast at: https://www.google.com/maps/d/u/0/viewer?mid=1yJn88ZGUVg73Ui-lPCKOK3OzBulcOIg&hl=en&ll=40.32804053761244%2C-100.05065412604952&z=4 For exclusive additional podcasts, videos, sneak peeks, and on-site discounts, visit the Mahoning Drive-In Patreon page at: https://www.patreon.com/mahoningdrivein https://www.mahoningdit.com https://www.facebook.com/mahoningdriveintheater https://www.instagram.com/mahoningdriveintheater https://twitter.com/mahoningdit --- Send in a voice message: https://podcasters.spotify.com/pod/show/mahoningdrivein/message

2024 é ano de eleições municipais. Aproveitando o tema, visitaremos a galeria de ex-prefeitos de Blumenau e pinçaremos algumas boas curiosidades sobre eles. Quadro "Eu Juro que é Verdade" toda terça às 7:50 no final do Jornal da Mix, na Mix Blumenau! Sintoniza aí: 106,3 FM Siga o Blumencast: https://www.instagram.com/blumencast/?hl=pt-br

The Marlboro Man campaign, conceived by Leo Burnett and photographed by Norm Clasen, is arguably the most iconic ad campaign every photographed.  Norm's stunning iconic photography was some of my first impressions of the American West when I was young, as it was seen in just about every magazine published in the 1980's and billboards across the US. His incredible sense of story, combined with his acute eye for finding great light even in the harshest of conditions, is truly inspiring. Norm was kind enough to sit down with me to share his stories and techniques.  I hope you enjoy this episode! Norm Clasen (b.1939) was born and raised in Southern California. An avid outdoorsman from an early age, Clasen's passion for photography grew from his love of the natural world. After attending the University of Colorado, Norm moved to Aspen in 1962, where he founded and ran an independent advertising agency.  In 1978, a series of coincidences led to Clasen being invited to shoot for Marlboro.  The campaign was a natural fit, drawing on his intrinsic understanding of horses and the cowboy way of life. Clasen would go on to spend the next thirteen years of his life as a principal photographer for the campaign.  Clasen's authentic point of view helped guide the campaign to its zenith, with his work appearing in newspapers, magazines, and billboards across the world; helping shape a visual lexicon integral to the iconography of the American West. Norm Clasen lives and works in Carbondale, Colorado. Find Norm's work at his website:  https://normclasen.com/ And his Instagram @normclasenarchive Find me on Instagram @toddritondaro Join the Frame and Sequence Substack newsletter for more podcasts and semi regular newsletter exploring photography, cinema, art, and travel. 

https://cc.au.dk/en/recreational-fear-lab The question of why we would be drawn to movies and other material such as haunted houses is what Mathias Clasen and Marc Andersen investigate at the Recreational Fear Lab at Aarhus University. The negative effects of children watching movies that are inappropriate for their age has received substantial attention. However, Clasen and Andersen note how all ages are drawn in different ways to scary material, and in their work they demonstrate some of benefits of this exposure. Among other things it can help us learn how to manage our fears and bring us closer together. In this interview we talk about "the threat simulation theory of horror movies" and importantly how horror movies represent one end of a continuum in which we seek to explore fear and other emotions.  They point that even in nursery or preschools books, such as We're Going on a Bear Hunt by Michael Rosen and Helen Oxenbury explore what it is like to be afraid. These safe explorations are one way in which we learn to manages anxious feelings. 

In today's episode, we are diving into the depths of cinematic terror with Jaume Collet-Serra's The Shallows (2016) and David R. Ellis's Shark Night (2011). In The Shallows, a young woman on a pilgrimage to her late mother's favorite surf haunt finds herself stranded on a rock as she faces off against a relentless great white shark. In Shark Night, a group of unsuspecting friends gather for a little lakeside R&R, only to find themselves being stalked by an assortment of toothy terrors. While both films ostensibly fall under the subgenre of ‘shark horror,' their differing approaches have us considering the utility of the ‘shark as monster' trope. Do these films offer up waters chummed with spine-tingling suspense and jaws-dropping scares? We're finding out in today's spoiler filled episode, so stay tuned! CITED IN EPISODE  BERGER, JOHN. "WHY LOOK AT ANIMALS?." LITERATURE AND THE ENVIRONMENT; LEMNAGER, S., SHEWRY, T. EDS (1980): 32-42. CLASEN, MATHIAS. EVOLUTIONARY STUDY OF HORROR LITERATURE FUCHS, MICHAEL. LOOKING THROUGH THE BEASTS EYES?: THE DIALECTICS OF SEEING THE MONSTER AND BEING SEEN BY THE MONSTER IN SHARK HORROR MOVIES LATTANZIO, RYAN. JOHN CARPENTER HAS NO IDEA WHAT THE TERM 'ELEVATED HORROR' MEANS RELATED REVIEWS AND ESSAYS OF INTEREST HORROR REWATCH: DEEP BLUE SEA (1999) JAWS, THE SLASHER, AND THE ENCOUNTER AT THE HEART OF HORROR JERSEY SHORE SHARK ATTACK (2012) REVIEW MAKO: THE JAWS OF DEATH (1976) REVIEW SHARKANSAS WOMEN'S PRISON MASSACRE GETS IT SOOO RIGHT SHARK HORROR, PART 1: NATURALISTIC HORROR SHARK HORROR, PART 2: THE SHARK IN THE HUMAN WORLD THE BLACK DEMON: SHARK HORROR MEETS FOLK HORROR UP FROM THE DEPTHS (1979) FILM REVIEW --- Support this podcast: https://podcasters.spotify.com/pod/show/horror-homeroom/support

Imagine harnessing complete control over your focus while living a nomadic lifestyle. That's precisely what you'll learn in this engaging episode with focus coach, Timo Clasen. We pull back the curtain on Timo's journey and his unique approach towards boosting productivity for digital nomads. We venture into the realms of digital organization, self-management, and the strategic use of tools and software. Are distractions pulling you away from your goals? Don't worry, we got you covered.Connect with Timo:@coachingwithtimo on instagramConnect with Kendra:@selflove_journey_ on instagramOn her websiteLeave a review or voice message at digitalnomadstories.co

From vampire apocalypses, shark attacks, witches, and ghosts, to murderous dolls bent on revenge, horror has been part of the American cinematic imagination for almost as long as pictures have moved on screens. But why do they captivate us so? What is the drive to be frightened, and why is it so perennially popular?  Why Horror Seduces (Oxford UP, 2017) addresses these questions through evolutionary social sciences.Explaining the functional seduction of horror entertainment, this book draws on cutting-edge findings in the evolutionary social sciences, showing how the horror genre is a product of human nature. Integrating the study of horror with the sciences of human nature, the book claims that horror entertainment works by targeting humans' adaptive tendency to find pleasure in make-believe, allowing a high intensity experience within a safe context.  Through analyses of well-known and popular modern American works of horror--Rosemary's Baby; The Shining; I Am Legend; Jaws; and several others--author Mathias Clasen illustrates how these works target evolved cognitive and emotional mechanisms; we are attracted to horrifying entertainment because we have an adaptive tendency to find pleasure in make-believe that allows us to experience negative emotions at high levels of intensity within a safe context. Organized into three parts identifying fictional works by evolutionary mode--the evolution of horror; evolutionary interpretations of horror; the future of horror--Why Horror Seduces succinctly explores the cognitive processes behind spectators' need to scream. Mathias Clasen Associate Professor of English at Aarhus University in Denmark. Clasen's research integrates horror study with the natural and social sciences, in particular human behavioral biology and evolutionary and cognitive psychology Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

From vampire apocalypses, shark attacks, witches, and ghosts, to murderous dolls bent on revenge, horror has been part of the American cinematic imagination for almost as long as pictures have moved on screens. But why do they captivate us so? What is the drive to be frightened, and why is it so perennially popular?  Why Horror Seduces (Oxford UP, 2017) addresses these questions through evolutionary social sciences.Explaining the functional seduction of horror entertainment, this book draws on cutting-edge findings in the evolutionary social sciences, showing how the horror genre is a product of human nature. Integrating the study of horror with the sciences of human nature, the book claims that horror entertainment works by targeting humans' adaptive tendency to find pleasure in make-believe, allowing a high intensity experience within a safe context.  Through analyses of well-known and popular modern American works of horror--Rosemary's Baby; The Shining; I Am Legend; Jaws; and several others--author Mathias Clasen illustrates how these works target evolved cognitive and emotional mechanisms; we are attracted to horrifying entertainment because we have an adaptive tendency to find pleasure in make-believe that allows us to experience negative emotions at high levels of intensity within a safe context. Organized into three parts identifying fictional works by evolutionary mode--the evolution of horror; evolutionary interpretations of horror; the future of horror--Why Horror Seduces succinctly explores the cognitive processes behind spectators' need to scream. Mathias Clasen Associate Professor of English at Aarhus University in Denmark. Clasen's research integrates horror study with the natural and social sciences, in particular human behavioral biology and evolutionary and cognitive psychology Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

From vampire apocalypses, shark attacks, witches, and ghosts, to murderous dolls bent on revenge, horror has been part of the American cinematic imagination for almost as long as pictures have moved on screens. But why do they captivate us so? What is the drive to be frightened, and why is it so perennially popular?  Why Horror Seduces (Oxford UP, 2017) addresses these questions through evolutionary social sciences.Explaining the functional seduction of horror entertainment, this book draws on cutting-edge findings in the evolutionary social sciences, showing how the horror genre is a product of human nature. Integrating the study of horror with the sciences of human nature, the book claims that horror entertainment works by targeting humans' adaptive tendency to find pleasure in make-believe, allowing a high intensity experience within a safe context.  Through analyses of well-known and popular modern American works of horror--Rosemary's Baby; The Shining; I Am Legend; Jaws; and several others--author Mathias Clasen illustrates how these works target evolved cognitive and emotional mechanisms; we are attracted to horrifying entertainment because we have an adaptive tendency to find pleasure in make-believe that allows us to experience negative emotions at high levels of intensity within a safe context. Organized into three parts identifying fictional works by evolutionary mode--the evolution of horror; evolutionary interpretations of horror; the future of horror--Why Horror Seduces succinctly explores the cognitive processes behind spectators' need to scream. Mathias Clasen Associate Professor of English at Aarhus University in Denmark. Clasen's research integrates horror study with the natural and social sciences, in particular human behavioral biology and evolutionary and cognitive psychology Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

From vampire apocalypses, shark attacks, witches, and ghosts, to murderous dolls bent on revenge, horror has been part of the American cinematic imagination for almost as long as pictures have moved on screens. But why do they captivate us so? What is the drive to be frightened, and why is it so perennially popular?  Why Horror Seduces (Oxford UP, 2017) addresses these questions through evolutionary social sciences.Explaining the functional seduction of horror entertainment, this book draws on cutting-edge findings in the evolutionary social sciences, showing how the horror genre is a product of human nature. Integrating the study of horror with the sciences of human nature, the book claims that horror entertainment works by targeting humans' adaptive tendency to find pleasure in make-believe, allowing a high intensity experience within a safe context.  Through analyses of well-known and popular modern American works of horror--Rosemary's Baby; The Shining; I Am Legend; Jaws; and several others--author Mathias Clasen illustrates how these works target evolved cognitive and emotional mechanisms; we are attracted to horrifying entertainment because we have an adaptive tendency to find pleasure in make-believe that allows us to experience negative emotions at high levels of intensity within a safe context. Organized into three parts identifying fictional works by evolutionary mode--the evolution of horror; evolutionary interpretations of horror; the future of horror--Why Horror Seduces succinctly explores the cognitive processes behind spectators' need to scream. Mathias Clasen Associate Professor of English at Aarhus University in Denmark. Clasen's research integrates horror study with the natural and social sciences, in particular human behavioral biology and evolutionary and cognitive psychology Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

From vampire apocalypses, shark attacks, witches, and ghosts, to murderous dolls bent on revenge, horror has been part of the American cinematic imagination for almost as long as pictures have moved on screens. But why do they captivate us so? What is the drive to be frightened, and why is it so perennially popular?  Why Horror Seduces (Oxford UP, 2017) addresses these questions through evolutionary social sciences.Explaining the functional seduction of horror entertainment, this book draws on cutting-edge findings in the evolutionary social sciences, showing how the horror genre is a product of human nature. Integrating the study of horror with the sciences of human nature, the book claims that horror entertainment works by targeting humans' adaptive tendency to find pleasure in make-believe, allowing a high intensity experience within a safe context.  Through analyses of well-known and popular modern American works of horror--Rosemary's Baby; The Shining; I Am Legend; Jaws; and several others--author Mathias Clasen illustrates how these works target evolved cognitive and emotional mechanisms; we are attracted to horrifying entertainment because we have an adaptive tendency to find pleasure in make-believe that allows us to experience negative emotions at high levels of intensity within a safe context. Organized into three parts identifying fictional works by evolutionary mode--the evolution of horror; evolutionary interpretations of horror; the future of horror--Why Horror Seduces succinctly explores the cognitive processes behind spectators' need to scream. Mathias Clasen Associate Professor of English at Aarhus University in Denmark. Clasen's research integrates horror study with the natural and social sciences, in particular human behavioral biology and evolutionary and cognitive psychology Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychology

From vampire apocalypses, shark attacks, witches, and ghosts, to murderous dolls bent on revenge, horror has been part of the American cinematic imagination for almost as long as pictures have moved on screens. But why do they captivate us so? What is the drive to be frightened, and why is it so perennially popular?  Why Horror Seduces (Oxford UP, 2017) addresses these questions through evolutionary social sciences.Explaining the functional seduction of horror entertainment, this book draws on cutting-edge findings in the evolutionary social sciences, showing how the horror genre is a product of human nature. Integrating the study of horror with the sciences of human nature, the book claims that horror entertainment works by targeting humans' adaptive tendency to find pleasure in make-believe, allowing a high intensity experience within a safe context.  Through analyses of well-known and popular modern American works of horror--Rosemary's Baby; The Shining; I Am Legend; Jaws; and several others--author Mathias Clasen illustrates how these works target evolved cognitive and emotional mechanisms; we are attracted to horrifying entertainment because we have an adaptive tendency to find pleasure in make-believe that allows us to experience negative emotions at high levels of intensity within a safe context. Organized into three parts identifying fictional works by evolutionary mode--the evolution of horror; evolutionary interpretations of horror; the future of horror--Why Horror Seduces succinctly explores the cognitive processes behind spectators' need to scream. Mathias Clasen Associate Professor of English at Aarhus University in Denmark. Clasen's research integrates horror study with the natural and social sciences, in particular human behavioral biology and evolutionary and cognitive psychology Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

From vampire apocalypses, shark attacks, witches, and ghosts, to murderous dolls bent on revenge, horror has been part of the American cinematic imagination for almost as long as pictures have moved on screens. But why do they captivate us so? What is the drive to be frightened, and why is it so perennially popular?  Why Horror Seduces (Oxford UP, 2017) addresses these questions through evolutionary social sciences.Explaining the functional seduction of horror entertainment, this book draws on cutting-edge findings in the evolutionary social sciences, showing how the horror genre is a product of human nature. Integrating the study of horror with the sciences of human nature, the book claims that horror entertainment works by targeting humans' adaptive tendency to find pleasure in make-believe, allowing a high intensity experience within a safe context.  Through analyses of well-known and popular modern American works of horror--Rosemary's Baby; The Shining; I Am Legend; Jaws; and several others--author Mathias Clasen illustrates how these works target evolved cognitive and emotional mechanisms; we are attracted to horrifying entertainment because we have an adaptive tendency to find pleasure in make-believe that allows us to experience negative emotions at high levels of intensity within a safe context. Organized into three parts identifying fictional works by evolutionary mode--the evolution of horror; evolutionary interpretations of horror; the future of horror--Why Horror Seduces succinctly explores the cognitive processes behind spectators' need to scream. Mathias Clasen Associate Professor of English at Aarhus University in Denmark. Clasen's research integrates horror study with the natural and social sciences, in particular human behavioral biology and evolutionary and cognitive psychology Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.

If you love indie RECORD STORES (and who doesn't) and love VINYL, or perhaps are interested in why vinyl sales are booming everywhere, check out this week's THE TALK MUSIC podcast as I go deep into a fun chat with owner Mike Clasen about his SUPER COOL Records on Wheels shop located in Dundas, ON. Hear how he got started 38 years ago, how he survived the ups and downs of the music biz and listen to him talk about how and why the last few years have been his best ever.  Alan Cross, host of The Ongoing History of New Music, has been a customer at Clasen's store. “He's using a similar in-store model, the focus on rare stuff, the store-written reviews, that we see with Amoeba Records in L.A. and Rough Trade in London, U.K.,” Cross said. “Customers want information and context. Sadly, there are fewer and fewer of those people every year. We need more guys like Mike.” The Talk Music Podcast features host Tom Treumuth, a Multi-Platinum music producer/manager/entrepreneur. The focus is on both Canadian and Global music commentary. Over his 40 year music career, Tom Treumuth has worked across all aspects of the music industry, including as a talent scout for RCA New York and as a Record Producer producing over 60 albums, with 8 achieving Gold and Platinum status (Honeymoon Suite, Helix, Big Sugar). His Hypnotic label released over 100 albums across all genres via A&M/Universal including artists such as Big Sugar, Anvil, Voivod, Figgy Duff, the Look People, Grimskunk, Chris Spedding and many others.  Tom also owned and ran a recording studio, was a booking agent and was signed as a songwriter to RCA Publishing in New York. Tom loved artist management and during his career managed Honeymoon Suite, Lee Aaron, Platinum US rock group Steelheart and Hamilton born Kazzer ( Pedal to the Metal) signed to Columbia Records in New York. Tom also managed and Co produced rock act Gypsy Rose whom he signed to RCA in New York where he worked closely with Gene Simmons. More recently, Tom was Co-Managing Director of indie label Frostbyte (Universal) where he was involved in signing the Headstones and Matt Good. Tom also co-founded Latitude 44, a tech conference in Toronto and was Artistic Director for Estonian Music Week. Tom's career started as a musician in True Myth, who recorded the world's 1st digital rock album on Warner Music. Follow us on Facebook and Instagram. 

I ugens episode kigger vi på markedsnyheder fra Netflix, Spotify, Zscaler og CrowdStrike. Vi kommer naturligvis forbi Delivery news også. Nyt fra blockchain ligger også på programmet. Herudover er der kommet regnskaber fra Tesla, Microsoft, Intel og IBM. Vi har besøg af vice-adm. direktør fra Danske Rederier Jacob K. Clasen til en spændende snak om shippingbranchen og investeringsmulighederne deraf. Denne episode er sponsoreret af HelloFresh. Få 30% rabat på de første to måltidskasser og 10% rabat på de næste to måltidskasser ved at bruge rabatkoden AKTIE på hellofresh.dk. Fra 1. januar kan man bruge genaktiveringskoden RETURAKTIE, hvis man har opsagt sit abonnement minimum 2 måneder siden og vil have 30% rabat på de første 3 kasser.

Megan Clasen, Partner at Gambit Strategies, shares her insights into digital political advertising for persuasion and mobilization. We discuss the role of social media ads relative to CTV and OTT advertising, as well as how political ads compete with corporate brands for inventory on these services. Megan also shares her experiences with Facebook's ad 'blackout' period during the 2020 campaign and how the Biden campaign responded to countering Trump's advertisements. ...And much more! 

Hello everyone! Hope that all of our loyal listeners had a wonderful Thanksgiving. On this episode we catch up with Chris Clasen, Partner at Clasen and Schiessl CPAs, Ltd. Now, we know most of you are probably thinking "how can an interview about taxes be entertaining?" Well... listen in and you'll definitely find out! Not only does Chris give tips and advice about taxes this upcoming season, but we also talk to him about what the most interesting thing he's seen as a "'write off,' why he decided to buy a firm and move it to Pequot Lakes, growing a family in business in the BLA and most importantly... they reminisce about how Chris was Jacob's middle level basketball coach. This episode wasn't ALL about taxes either. The guys recap their thanksgiving and last Friday's Nisswa City of Lights festival. Annnnnnd, they give an update about Lakes Jam. On that note... MAKE SURE TO GET YOUR CAMPING AND TICKETS BEFORE THE PRICES GO UP ON DECEMBER 12TH! LAST but NOT LEAST, thank you so much to Tyler Gardner and Pequot Lakes and Gull Lake Sanitation! If you don't have a red or black garbage can at the end of your driveway you're doing it all wrong. So contact Pequot Lakes and Gull Lake Sanitation today! Instagram: ListenLocalMNBlazeAirMNWoodsToWaterMNNorthwoodsAgent Facebook:Listen Local MNBlazeAirMNWoodsToWaterMN

Yes, we know, technically spooky season is over (except in our hearts, where it's all year long), but this is Matt's first pick to make it into the show, so we cut him some slack.   Clearly falling for the master director John Carpenter's style in "They Live," Matt takes us back to 1978 and to arguably the birth of the modern-day slasher film with his SpOoOkY revenge pick, "Halloween". In a 3CG-first, none of the krewe had even seen this cult classic before.  However, the premise and genre sparked a fascinating internal "will he or won't he" war, where none of us could decide if Terry would even watch, let alone like, the film. Never fear though Terry fans, once the C-4 (pls sponsor us) kicked in he was fully engaged and running us off the rails with his usual quips, mildly distasteful stories, and wry observations.  Other 3CG-firsts feature Matt actually saying more than three words, and Hannah not reading a doctoral thesis (although she does blow Garrett's hamsters off the wheel when explaining the fraught symbolism and patriarchal implications of the film). So 3CG-ers, did Terry actually watch the film? Was Matt's first movie panned, forever scarring him, and discouraging any future picks? What does Garrett think about Michael Myers driving a car? And how does our resident California girl reference a Texas Toothpick? You'll have to listen to find out.   This episode contains/mentions the following: Violence Against Women, Abortion, Sex, Drinking, Drugs References Bailey, J. (2021, October 25). 'Halloween' and the problem with its sequels. The New York Times. Retrieved November 10, 2022, from https://www.nytimes.com/2021/10/25/movies/halloween-franchise-problems.html Bechdel Test Movie list. Halloween - Bechdel Test Movie List. (n.d.). Retrieved November 10, 2022, from https://bechdeltest.com/view/2815/halloween/ Clasen, M. (2017, October). Hack n' Slash: Halloween (1978) . Academic.oup.com. Retrieved November 10, 2022, from https://academic.oup.com/book/4159/chapter- abstract/145934427?redirectedFrom=fulltext Halloween movie review. Common Sense Media. (n.d.). Retrieved November 10, 2022, from https://www.commonsensemedia.org/movie-reviews/halloween IMDb.com. (1978, October 27). Halloween. IMDb. Retrieved November 10, 2022, from https://www.imdb.com/title/tt0077651/?ref_=tttr_tr_tt McCormick, C. (2020, October 18). 7 reasons John Carpenter's Halloween has aged poorly (& 8 reasons it's timeless). ScreenRant. Retrieved November 10, 2022, from https://screenrant.com/john-carpenter-original-halloween-best-parts-worst-mistakes/ Murrian, S. R. (2022, October 12). John Carpenter's 1978 'Halloween' is one of the best, Scariest Horror Movies of All Time-Here's why - parade: Entertainment, recipes, health, life, holidays. Parade. Retrieved November 10, 2022, from https://parade.com/606101/samuelmurrian/7-reasons-why-john-carpenters-halloween-is- one-of-the-most-beloved-horror-films-of-all-time/ Na. (n.d.). Halloween. Rotten Tomatoes. Retrieved November 10, 2022, from https://www.rottentomatoes.com/m/1009113-halloween Newman, S. (2022, July 31). What Halloween (1978) tells us about suburban morality and repression. MovieWeb. Retrieved November 10, 2022, from https://movieweb.com/halloween-1978-suburban-morality-repression/ R/moviedetails - in Halloween (1978) a wisp of smoke passes by the scene. it's director John Carpenter chain-smoking off screen. reddit. (n.d.). Retrieved November 10, 2022, from https://www.reddit.com/r/MovieDetails/comments/a0dmrz/in_halloween_1978_a_wisp_of _smoke_passes_by_the/ R/moviedetails - in Halloween (1978), inside Laurie's bedroom there is a poster of a painting by James Ensor (1860-1949) - a Belgian expressionist painter who was most famous for portraying human figures wearing grotesque masks. reddit. (n.d.). Retrieved November 10, 2022, from https://www.reddit.com/r/MovieDetails/comments/9pfcvj/in_halloween_1978_inside_lauri es_bedroom_there_is/ R/moviedetails - in John Carpenter's "Halloween" (1978), as Annie bribes Lindsey into going across the street, the movie on TV, "Forbidden planet", is going to a commercial break. when they arrive at Tommy's house, where Annie leaves Lindsey in Laurie's care, the movie is coming back from the break. reddit. (n.d.). Retrieved November 10, 2022, from https://www.reddit.com/r/MovieDetails/comments/78dfxk/in_john_carpenters_halloween_ 1978_as_annie_bribes/ R/moviedetails - in John Carpenter's Halloween (1978), the escalation of events is also shown visually. starting with open suburban areas, the scenes become more confined as Myers approaches, concluding in a cramped wardrobe. great imagery or brilliant use of a limited budget? reddit. (n.d.). Retrieved November 10, 2022, from https://www.reddit.com/r/MovieDetails/comments/a6r6lv/in_john_carpenters_halloween_1 978_the_escalation/ R/moviedetails - in John Carpenter's 'Halloween' (1978), they have a TV showing the movie 'the thing from another world' (1951). John Carpenter would go on to direct a remake called 'The thing' (1982) four years later. reddit. (n.d.). Retrieved November 10, 2022, from https://www.reddit.com/r/MovieDetails/comments/si8aq8/in_john_carpenters_halloween_ 1978_they_have_a_tv/ R/moviedetails - til, in John Carpenter's "Halloween" (1978), as Laurie Walks down the street away from the Myers' house, she sings a tune to herself - the song doesn't exist in real life and she and John Carpenter made it up on the spot before filming. reddit. (n.d.). Retrieved November 10, 2022, from https://www.reddit.com/r/MovieDetails/comments/9c9d5d/til_in_john_carpenters_hallowe en_1978_as_laurie/ R/unpopularopinion - halloween (1978) is a terrible movie. reddit. (n.d.). Retrieved November 10, 2022, from https://www.reddit.com/r/unpopularopinion/comments/dqi74m/halloween_1978_is_a_terri ble_movie/ TheHaughtyCulturist. (2022, August 10). Halloween (1978) explained: But wait, were there two killers? The Haughty Culturist. Retrieved November 10, 2022, from https://www.thehaughtyculturist.com/films/halloween-1978-explained-two-killers/ Tyler, A. (2020, November 16). Halloween: Why the first movie's reviews were negative (& how it changed). ScreenRant. Retrieved November 10, 2022, from https://screenrant.com/halloween-1978-movie-reviews-bad-change-reason/ Why is Michael Myers (from the original 1978 Halloween film) so ... - quora. (n.d.). Retrieved November 10, 2022, from https://www.quora.com/Why-is-Michael-Myers-from-the- original-1978-Halloween-film-so-much-more-scary-than-other-horror-movie-killers Why is Michael Myers evil? - quora. (n.d.). Retrieved November 10, 2022, from https://www.quora.com/Why-is-Michael-Myers-evil  

Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2022.11.12.516252v1?rss=1 Authors: Levitis, E., Liu, S., Whitman, E. T., Warling, A., Torres, E., Clasen, L. S., Lalonde, F., Sarlls, J., Alexander, D. C., Raznahan, A. Abstract: Diverse gene dosage disorders (GDDs) increase risk for psychiatric impairment, but characterization of GDD effects on the human brain has so far been piecemeal and lacked simultaneous analysis of multiple brain features across different GDDs. Here, through multimodal neuroimaging of 3 aneuploidy syndromes (XXY, XYY, trisomy 21), we reveal considerable diversity in cortical changes across GDDs and imaging-derived phenotypes (IDPs). This variegation of IDP change underlines the limitations of studying GDD effects unimodally. Integration across all IDP maps reveals highly distinct architectures of cortical change in each GDD, along with partial coalescence onto a common spatial axis of cortical vulnerability. This common axis shows strong alignment with shared cortical changes in behaviorally defined psychiatric disorders, and is enriched for specific molecular and cellular signatures - offering a high-priority target for future translational research. Copy rights belong to original authors. Visit the link for more info Podcast created by Paper Player, LLC

E Méindeg de Moie war den neie President vun der Fédération des Jeunes Dirigieants de Luxembourg eisen Invité vun der Redaktioun.

Os sets de Walace Clasen têm bass lines marcantes, melodias envolventes e um groove sempre muito presente. As apresentações seguem as linhas do tech house e do progressive trance.

Dr. Ruth Ley is Managing Director of the Max Planck Institute for Biology Tübingen and Director of the Department of Microbiome Science. Dr. Sara Clasen is a postdoctoral fellow in the same lab. Together, they're interested in the co-evolution of humans with their microbiomes. They use basic science to investigate the evolutionary history of gut microbes, how they have adapted to life inside humans, and how they affect human biology and health. More recently, they published a pre-print on the silent recognition of flagellins from human gut commensal bacteria by TLR5.

Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2022.08.30.505916v1?rss=1 Authors: Guma, E., Beauchamp, A., Liu, S., Levitis, E., Clasen, L. S., Torres, E., Blumenthal, J., Lalonde, F., Qiu, L. R., Hrncir, H., MacKenzie-Graham, A. J., Yang, X., Arnold, A. P., Lerch, J. P., Raznahan, A. Abstract: All eutherian mammals show chromosomal sex determination with contrasting sex chromosome dosages (SCDs) between males (XY) and females (XX). Studies in transgenic mice and humans with sex chromosome trisomy (SCT) have revealed direct SCD effects on regional mammalian brain anatomy, but we lack a formal test for cross-species conservation of these effects. Here, we develop a harmonized framework for comparative structural neuroimaging and apply this to systematically profile SCD effects on regional brain anatomy in both humans and mice by contrasting groups with SCT (XXY and XYY) vs. XY controls. We show that total brain size is substantially altered by SCT in humans (significantly decreased by XXY and increased by XYY), but not in mice. Controlling for global effects reveals robust and spatially convergent effects of XXY and XYY on regional brain volume in humans, but not mice. However, mice do show subtle effects of XXY and XYY on regional volume, although there is not a general spatial convergence in these effects within mice or between species. Notwithstanding this general lack of conservation in SCT effects, we detect several brain regions that show overlapping effects of XXY and XYY both within and between species (cerebellum, parietal, and orbitofrontal cortex) - thereby nominating high priority targets for future translational dissection of SCD effects on the mammalian brain. Our study introduces a generalizable framework for comparative neuroimaging in humans and mice and applies this to achieve a cross-species comparison of SCD effects on the mammalian brain through the lens of SCT. Copy rights belong to original authors. Visit the link for more info Podcast created by PaperPlayer

I denne bonus-episode diskuterer vi X-Files-afsnittet 'Chinga' med udgangspunkt i Stephen Kings forfatterskab, og ser på de andre (og meget anderledes) versioner af manuskriptet, som King skrev - sammen med King-ekspert Mathias Clasen. 0:00:00 - Velkomst 0:09:03 - Os og Stephen King 0:21:18 - Stephen King i 90'erne 0:50:38 - King-kendetegn i 'Chinga' 1:18:41 - Tidligere manuskript-version af 'Chinga'

------------------Support the channel------------ Patreon: https://www.patreon.com/thedissenter PayPal: paypal.me/thedissenter PayPal Subscription 1 Dollar: https://tinyurl.com/yb3acuuy PayPal Subscription 3 Dollars: https://tinyurl.com/ybn6bg9l PayPal Subscription 5 Dollars: https://tinyurl.com/ycmr9gpz PayPal Subscription 10 Dollars: https://tinyurl.com/y9r3fc9m PayPal Subscription 20 Dollars: https://tinyurl.com/y95uvkao This show is sponsored by Enlites, Learning & Development done differently. Check the website here: http://enlites.com/ Dr. Mathias Clasen is associate professor in literature and media at Aarhus University. He is the Director of the Recreational Fear Lab, and Associate Editor of Evolutionary Studies in Imaginative Culture. He studies horror fiction, and is the author of Why Horror Seduces, and A Very Nervous Person's Guide to Horror Movies. In this episode, we talk about horror from an evolutionary perspective. We discuss horror from an evolutionary perspective, and the sociocultural factors behind it. We talk about the traits of monsters, and the different types of horror. We talk about slasher movies, and apocalyptic stories. We get into human universals in horror, what makes for popular monsters, and what makes some films “so-bad-they're-good”. We discuss the relationship between personality traits and art appreciation. We discuss a study on the relationship between being morbidly curious and more psychologically resilient during the COVID-19 pandemic. Finally, we talk about what an evolutionary approach adds to the picture in literary studies. -- A HUGE THANK YOU TO MY PATRONS/SUPPORTERS: KARIN LIETZCKE, ANN BLANCHETTE, PER HELGE LARSEN, LAU GUERREIRO, JERRY MULLER, HANS FREDRIK SUNDE, BERNARDO SEIXAS, HERBERT GINTIS, RUTGER VOS, RICARDO VLADIMIRO, CRAIG HEALY, OLAF ALEX, PHILIP KURIAN, JONATHAN VISSER, JAKOB KLINKBY, ADAM KESSEL, MATTHEW WHITINGBIRD, ARNAUD WOLFF, TIM HOLLOSY, HENRIK AHLENIUS, JOHN CONNORS, PAULINA BARREN, FILIP FORS CONNOLLY, DAN DEMETRIOU, ROBERT WINDHAGER, RUI INACIO, ARTHUR KOH, ZOOP, MARCO NEVES, COLIN HOLBROOK, SUSAN PINKER, PABLO SANTURBANO, SIMON COLUMBUS, PHIL KAVANAGH, JORGE ESPINHA, CORY CLARK, MARK BLYTH, ROBERTO INGUANZO, MIKKEL STORMYR, ERIC NEURMANN, SAMUEL ANDREEFF, FRANCIS FORDE, TIAGO NUNES, BERNARD HUGUENEY, ALEXANDER DANNBAUER, FERGAL CUSSEN, YEVHEN BODRENKO, HAL HERZOG, NUNO MACHADO, DON ROSS, JONATHAN LEIBRANT, JOÃO LINHARES, OZLEM BULUT, NATHAN NGUYEN, STANTON T, SAMUEL CORREA, ERIK HAINES, MARK SMITH, J.W., JOÃO EIRA, TOM HUMMEL, SARDUS FRANCE, DAVID SLOAN WILSON, YACILA DEZA-ARAUJO, IDAN SOLON, ROMAIN ROCH, DMITRY GRIGORYEV, TOM ROTH, DIEGO LONDOÑO CORREA, YANICK PUNTER, ADANER USMANI, CHARLOTTE BLEASE, NICOLE BARBARO, ADAM HUNT, PAWEL OSTASZEWSKI, AL ORTIZ, NELLEKE BAK, KATHRINE AND PATRICK TOBIN, GUY MADISON, GARY G HELLMANN, SAIMA AFZAL, ADRIAN JAEGGI, NICK GOLDEN, PAULO TOLENTINO, JOÃO BARBOSA, JULIAN PRICE, EDWARD HALL, HEDIN BRØNNER, DOUGLAS P. FRY, FRANCA BORTOLOTTI, GABRIEL PONS CORTÈS, URSULA LITZCKE, DENISE COOK, SCOTT, ZACHARY FISH, TIM DUFFY, TRADERINNYC, AND MAX BEILBY! A SPECIAL THANKS TO MY PRODUCERS, YZAR WEHBE, JIM FRANK, ŁUKASZ STAFINIAK, IAN GILLIGAN, LUIS CAYETANO, TOM VANEGDOM, CURTIS DIXON, BENEDIKT MUELLER, VEGA GIDEY, THOMAS TRUMBLE, AND NUNO ELDER! AND TO MY EXECUTIVE PRODUCERS, MICHAL RUSIECKI, ROSEY, JAMES PRATT, MATTHEW LAVENDER, SERGIU CODREANU, AND BOGDAN KANIVETS!

Vi snakker med Alf Henden om historiske hendelser i uke 25.

Well, It's Construction Safety Week Garb fans! Today, the garb is going to keep this theme of safety by sitting down with our two Omaha Safety Coordinators, Mr. Steve Clasen and Mr. Mark Bruhnzel to finish off this week.  Steve Clasen is a Military Veteran with 28+ years of experience in the United States Army. Steve possesses a comprehensive background in personnel and operations management derived from conducting domestic and global operations in the United States, Germany, Somalia, Afghanistan, Saudi Arabia and Iraq.  He also possesses extensive knowledge in coaching, logistics and performance metrics. Steve also is the recipient of multiple awards for outstanding performance and professionalism. Mark Bruhnzel has a construction background with 32 years of Masonry experience in and around Minnesota running jobs and managing crews. Mark has exceptional communication skills with proven results in communicating with diverse types of people of all backgrounds and educations levels.  Before joining Stephens and Smith, Mark worked at the Mayo Clinic Campus as their Mason Foreman, overseeing maintenance, repair and remodeling of 28+ buildings. Ladies and Gentlemen allow me to introduce Mr. Steve Clasen aka Safety Steve and Mr. Mark Bruhnzel aka ModRate Mark.  Let's do this!

Episode Notes Why do some people love horror and other people hate it? Can horror help improve our mental health? And why are horror movies looked down upon by movie critics? Today's guest is Mathias Clasen, and he's here to answer all these questions and more. Mathias is a horror researcher, and he has a lot of insight into the benefits of watching horror as well as some of the myths. Follow Mathias on Twitter @MathiasClasen Get a copy of A Very Nervous Person's Guide to Watching Horror Visit the Recreational Fear Lab website Become a paid Substack subscriber at TheRewiredSoul.Substack.com and get early access to episodes! Get your free books by Chris here: https://bit.ly/3vkRsb6 Follow @TheRewiredSoul on Twitter and Instagram Subscribe to The Rewired Soul Substack Support The Rewired Soul: Get books by Chris Support on Patreon Try BetterHelp Online Therapy (affiliate) Donate

In this episode of the HP Lovecast Presents: Transmissions, Michele Brittany and Nicholas Diak interview Mathias Clasen, Angela Yuriko Smith, Aric Cushing, and Logan Thomas. Episode edited by: Michele BrittanyThumbnail by: Michele BrittanyIntro/Outro Music: "Ancient Krell Music 5" by Carlo Serafini (used under Creative Commons license) Mathias Clasen Links"Fear Not!" EssayTwitterTwitter (Recreational Fear Lab)WebsiteAngela Yuriko Smith LinksAmazonAmazon Link for Tortured WillowsTwitterWebsiteAric Cushing LinksAmazon Link for There's No Such Thing as VampiresImdb ProfileLogan Thomas LinksAmazon Link for There's No Such Thing as VampiresImdb ProfileBram Stoker Final Ballot Interview LinksThe following is a list of episodes were we interviewed writers and their works that appeared on the 2021 Bram Stoker Final Ballot. HPLCP Transmissions - Ep 05 - James Chambers, Carol Gyzander, Meghan ArcuriHPLCP Transmissions - Ep 06 - Farah Rose Smith, Rahel Sixta Schmitz, and Kevin WetmoreHPLCP Transmissions - Ep 08 - Jennifer Barnes, Lee Murray, and Rena MasonBumperThis episode's bumper is courtesy of J. H. Moncrieff. She can be found on Amazon, Facebook, and her Website.Support HP Lovecast PodcastIf you liked this episode and want to support HP Lovecast, consider purchasing one of our books:Horror Literature from Gothic to Post-Modern: Critical EssaysHorror in Space : Critical Essays on a Film SubgenreJames Bond and Popular Culture: Essays on the Influence of the Fictional SuperspyThe New Peplum: Essays on Sword and Sandal Films and Television Programs Since the 1990s

When Raili Clasen's interior designer left just a week into the job, Clasen was left looking at a massive project that seemed daunting. But when she listened to her gut and decided to take a swing at designing the space herself, it opened up a world of possibilities that launched an incredibly successful business.“So I bought some business cards,” Clasen said. “I didn't have a website. I obviously had nothing, but I put some business cards out on the table and at that point was like, ‘Well, if these things are gone at the end of the day, then maybe I'm doing something cool. Maybe someone will hire me.' That's how it started.” Clasen would be the first to tell you that she didn't expect to wind up as one of the most successful interior designers in California. She just knew two things: she loved design, and she needed to make a living. She followed that inclination and founded Raili CA Design. What happened next and how did Raili learn to go from being not just a designer but an entrepreneur, a business owner, and a leader? Find out on this episode.  Main Takeaways:Be your own advocate: Sometimes, growth will only happen when you speak up for your talent and put your work in front of others. Leave your business cards on the table. Make the calls to see if someone wants to collaborate. Connections don't just happen, and clients don't just drop into your inbox. Use the network you have to seek out any and all opportunities.Be ready to wear multiple hats: Launching and growing a business means that you'll be doing more before you can do less. Find ways to be comfortable learning about payroll and customer service – it might be a while before you can delegate those to others.Don't be afraid to go against the flow: Following your path might look different than the process everyone around you is going through. It's easy to compare other careers against your own journey, but resisting that urge will help you keep your eyes ahead at what's coming down the pike for you.---This season of the Journey is produced by Mission.org and brought to you by UPS. To learn how UPS can help your small business, go to UPS.com/pivot.

RailiCA design stems from former fashion executive Raili Clasen's love for eclectic California interior design. Following a lengthy career with Quiksilver and Paul Frank, Clasen co-founded hip housewares brand, Alice Supply Co. The move into the interior design business came naturally after several of her home projects were featured in magazines, design blogs and her own homes showcased on the popular Newport Harbor Home tour. See acast.com/privacy for privacy and opt-out information.

Mathias Clasen, nervous person and horror researcher, joins me to talk about scary movies, the virtues of horror literature, and why we're drawn to the dark side.Want to help Cassettes grow? Become a patron at patreon.com/cassettespodcast and get full-length episodes with double the content, 48 hours early.Follow Cassettes on...Instagram: @cassettespodcastTwitter: @cassettes_podSpecial thanks to Chris Maier, who did the music. Find him here.GUEST LINKSMathias book: 'A Very Nervous Person's Guide to Horror Movies'Mathias' Aeon articleMathias' Twitter: @mathiasclasenTHINGS WE MENTIONEDHistory of HalloweenHereditaryRope, Alfred HitchcockJames CuttingI Am Legend (novel)The Call of Cthulu, Supernatural Horror in Literature, H.P. Lovecraft'Morbid curiosity', Colton ScrivnerWilliam JamesHenry James, The Turn of the ScrewRobin WoodJonathan Gottschall, 'storytelling animals'★ Support this podcast on Patreon ★

How does a Presidential campaign target voters with ads online? In this episode, we talk to Megan Clasen of the Biden 2020 campaign about the role of digital political ads when campaigning in the US today. Listen to Megan discuss how the Biden 2020 campaign was able to target specific persuasion messages to the relevant voters and how digital political ads have evolved from her first campaign, Hillary Clinton's 2016 Presidential campaign, to working on JB Pritzker's campaign for the Governor of Illinois in 2018 to working for Kamala Harris and then Joe Biden's campaigns for President in 2020. Megan also discusses what it feels like to be on the frontlines of fighting misinformation on social media as well as her experience as a female entrepreneur by starting Gambit Strategies, a social media advertising consulting firm, this past year. Guest bio: Megan Clasen recently started her own firm, Gambit Strategies, after working in digital advertising for over 10 years, from the largest brand advertisers in the country to multiple presidential campaigns, and all the way up and down the ballot. Most recently, she was a senior paid media advisor to Joe Biden's campaign, leading their digital advertising work and executing the largest digital ads program ever run by a Democratic campaign. Prior to that, she led JB Pritzker's digital efforts in his successful campaign for governor in Illinois, which Politico called “The Best Campaign Money Can Buy” and recognized as the “Best Online Advertising Campaign” at the 2019 Reed Awards. Related links: Gambit Strategies. https://www.gambitstrategies.com/ About the podcast: How Tech Becomes Law is a weekly public interest tech podcast about technology, public policy, and career advice. We are your co-hosts, Jinyan Zang and Dhruv Gupta. Each episode uncovers insights from leaders in government, business, journalism, and academia to highlight how technology can be built in the public interest. Interviewees discuss how technology can move society forward, what role they play in shaping this, and how students and young professionals can impact the path forward. We are supported by the Public Interest Tech Lab. Listen to us on your podcast platform of choice. You can find us online at howtechbecomeslaw.org and on social media channels @techbecomeslaw.

Halloween is fast approaching, and for many people that means it's time for an annual dose of cinematic spookiness. Horror entertainment, says horror expert Professor Mathias Clasen, aims to evoke fear, anxiety, disgust, and dread in its audience. But there are also wholesome benefits -- for example, horror movie fans reported less psychological distress in response to Covid-19 lockdowns than those who are not fans of the genre. (Which is arguably the most disrespected genre.) Danish academic Clasen, who is the director of the Recreational Fear Lab at Aarhus University, joins the show to discuss horror movies, deriving pleasure from scary situations, and what watching horror can do for us.

This episode is brought to you by National Office Systems USA Today Network investigative reporter Fred Clasen-Kelly joins the Thursday Commute to talk about his series, Segregated by Section 8, which released last week and takes a deep look into the Section 8 housing voucher system and how it is affecting people in the South. Subscribe to the show on Apple Podcasts

Leadership- und Karriere-Tipps für zwischendurch: Hier sind die #ErfolgsHACKS von Christiane Kühne und Larissa Clasen! Die Organisationsentwicklerinnen verraten, warum man Erfolg im Heute und nicht im Morgen suchen sollte, welchen Einfluss das Umfeld sowie die ungeteilte Aufmerksamkeit fürs Gegenüber auf Erfolg hat und wie Theorien die Praxis beeinflussen. Zum ErfolgsgeDANKE-Interview mit den „Freischwimmerinnen“ in Episode 44: https://erfolgsgedanke.podigee.io/44-freischwimmer

Sollten wir Organisationen statt Menschen ändern? Wie schafft ein Team es, sich neu zu organisieren? Was sind „anschlussfähige Irritationen“? Und was hat der Soziologe Niklas Luhmann mit New Work zu tun? Antworten liefern in dieser #ErfolgsgeDANKE-Episode Christiane Kühne und Larissa Clasen. Die beiden bilden das Beraterinnen-Duo „Freischwimmer“ und arbeiten gemeinsam mit Unternehmen daran, sich aus alten organisatorischen Mustern zu befreien und so selbst zu Freischwimmern zu werden. Sie berichten zudem von ihrem Weg in die Selbständigkeit, bei dem sie „lange gefackelt haben“.

In celebration of Halloween I'm speaking with Mathias Clasen, a scholar of horror fiction and associate professor in literature and media at Aarhus University in Denmark. Clasen's research integrates horror study with the natural and social sciences, in particular human behavioral biology and evolutionary and cognitive psychology. In this episode we talk about classic horror tales, why we love feeling scared, and the evolution of classic horror icons. This is the great conversation for those who love horror and those who are nervous to face their fears. If you're the latter, check out Mathias' newest book 'A Very Nervous Person's Guide to Horror Movies'.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Specializing in the scientific study of frightening leisure activities, Mathias Clasen, director of the Recreational Fear Lab at Aarhus University, dials in from Denmark to share how fear can be quantified and data used creatively to understand our ability to adapt to real-world danger.Join in on our Cocktail Conversation on the Alteryx Community or on social media with #DataScienceMixer!Want more from Alteryx? Follow @Alteryx on Twitter, Facebook, and LinkedIn. You can also register for the Alteryx Community, and try out Alteryx  to break through your analytic and business challenges.

Join us for our chat with Dr. Mathias Clasen. We explore the psychological science behind the horror film genre.

L'hydre est l'un des monstres les plus connus de l'Antiquité grecque et appartient à l'un des cycles mythologiques les plus enseignés et représentés : les 12 travaux d'Héraclès. L'Hydre de Lerne jouit d'une notoriété populaire grâce au récit de ce mythe depuis l'Antiquité. Ce monstre à plusieurs têtes est à l'origine d'une grande variété de citations, de la politique à la littérature en passant par toutes sortes de productions artistiques. Voir: https://antiquipop.hypotheses.org/6967 Patreon: https://www.patreon.com/hndl Avec: Laurent Turcot, professeur en histoire à l'Université du Québec à Trois-Rivières, Canada Abonnez-vous à ma chaine: https://www.youtube.com/c/LHistoirenousledira Facebook: https://www.facebook.com/histoirenousledira Instagram: https://www.instagram.com/turcotlaurent Les vidéos sont utilisées à des fins éducatives selon l'article 107 du Copyright Act de 1976 sur le Fair-Use.   Pour aller plus loin: Fabien Bièvre-Perrin, « The different faces of the Lernaean Hydra in contemporary pop culture: from cinema to video games », Thersites, 8, 2019 [en ligne]. Amandry (1944). – Pierre Amandry, ‘Skyphos corinthien du Musée du Louvre', Monuments et mémoires de la Fondation Eugène Piot 40 (1944), p. 23–52. Benoit (2008). – Monique Benoit, ‘Ilana Löwy L'emprise du genre. Masculinité, féminité, égalité. Paris, Éditions La Dispute, 2006, 277 p. [book recension]', Recherches féministes 21, 1 (2008) , p. 189–193. Besnard (2017). – Tiphaine-Annabelle Besnard, ‘L'Athéna Parthénos américanisée : de la sculpture d'Alan LeQuire au décor du film Percy Jackson, le Voleur de foudre', in: Fabien Bièvre-Perrin (ed.), Antiquipop (Lyon 2017). En ligne : https://antiquipop.hypotheses.org/2559. Carlà-Uhink & Freitag (2015). – Filippo Carlà-Uhink & Florian Freitag, ‘Ancient Greek Culture and Myth in the Terra Mítica Theme Park', in: Classical Receptions Journal 7 (2015), p. 242–259 Carlà-Uhink & Freitag (2018). – Filippo Carlà-Uhink & Florian Freitag, ‘(Not so) Dangerous Journeys: The Ancient Mediterranean and Ancient Mythological Sea Travelers in European Theme Park Attractions', in: H. Kopp & C. Wendt (ed.), Thalassokratographie. Rezeption und Transformation antiker Seeherrschaft (Berlin 2018), p. 283–300. Carlà-Uhink (2017). – Filippo Carlà-Uhink et al., ‘ (Alte) Geschichte in der Werbung: Berichte aus einem Heidelberger Seminar [Joey Rauschenberger] ', in: Thersites 6 (2017), p. 367–457. Online: http://www.thersites.uni-mainz.de/index.php/thr/article/view/73 Cixous (1976). – Hélène Cixous, ‘The Laugh of the Medusa', Signs 1, 4 (1976, translation 1975), p. 875–893. Clasen (2012). – Mathias Clasen, ‘Monsters Evolve: A Biocultural Approach to Horror Stories', Review of General Psychology 16, 2 (2012), p. 222–229. Cuvelier (2018). – Pierre Cuvelier, ‘Le Choc des titans et ses répliques : diffusion et réappropriation ludique de nouveaux types figurés mythologiques dans les arts visuels', in: Fabien Bièvre-Perrin & Élise Pampanay, (ed.), Antiquipop : La référence à l'Antiquité dans la culture populaire contemporaine (Lyon 2018). En ligne : https://books.openedition.org/momeditions/3383 Delon (2014). – Gaspard Delon, ‘Avatars du péplum ? Présences de l'Antiquité gréco-latine dans les genres cinématographiques du fantastique, de la fantasy et de la science-fiction', in: Mélanie Bost‑Fievet & Sandra Provini (ed.), L'Antiquité dans l'imaginaire contemporain. Fantasy, science-fiction, fantastique (Paris 2014), p. 65–79. Dumont (2009). – Hervé Dumont, L'Antiquité au cinéma. Vérités, légendes et manipulations (Paris-Lausanne 2009). Jung (1966). – Marc-René Jung, Hercule dans la littérature française du XVIè siècle : De l'Hercule courtois à l'Hercule baroque (Genève 1966). El Kenz (1992). – David El Kenz, ‘Le roi de France et le monstre dans les gravures : genèse et déclin politique d'une image aux XVIe et XVIIe siècles', Matériaux pour l'histoire de notre temps 28 (1992), p. 3-7. Eppinger (2015). – Alexandra Eppinger, Herkules in der Spätantike (Wiesbaden 2015). Hougron (2005). – Alexandre Hougron, ‘La figure du monstre dans la littérature et au cinéma : monstre et intertextualité', La page des Lettres (2005). En ligne : https://lettres.ac-versailles.fr/spip.php?article28#s-References Kerenyi (1959). – Karl Kerenyi, Asklepios, archetypal image of the physician's existence (New York 1959). Kokkorou-Alevras (1990). – Georgia Kokkorou-Alevras, ‘C. Herakles and the Lernaean Hydra (Labour III) ', in: LIMC V, 1 (Bern 1990), p. 34–43. Zavadski (2014). – Katie Zavadski, ‘Putin's Birthday Present Is a Hercules-Themed Art Show About How Manly and Amazing He Is', Intelligencer (6/10/2014). En ligne : http://nymag.com/intelligencer/2014/10/putin-birthday-present-hercules-art-show.html #histoire #documentaire

Today we welcome Raili Clasen of Raili CA Design www.railicadesign.com A self proclaimed “newbie” to the interior design community, Raili shares how she went from surf brand to her newly established rock star interior design status with nothing more than a mail order furniture catalog and her passion to create hip stylish living spaces. Her […]

Portland firefighter, Neil Clasen, has been real estate investor selling off rentals for the last fifteen years. However, he wanted to look for cash flow rather than long-term deals so he sold off his business and got into notes. He said he likes helping people and the note business cash flow gives him the opportunity to make some money and also to help people who are willing to work with him. He talks about that that he closed in less than 90 days. He said your first note deal may not be a good deal, but it's priceless on the education side. You learn more from getting your hands dirty and doing things than from any type of book or coaching. He advises making sure you know what you're talking about because people are going to be willing to work with you no matter who you are. If you're willing to take to make the deal happen, so are they. Love the show? Subscribe, rate, review, and share!Here's How »Join the Note Closers Show community today:WeCloseNotes.comThe Note Closers Show FacebookThe Note Closers Show TwitterScott Carson LinkedInThe Note Closers Show YouTubeThe Note Closers Show VimeoThe Note Closers Show InstagramWe Close Notes Pinterest