Podcast appearances and mentions of anab jain

Our host, Hilary Knight, interviews Anab Jain, Co-Founder and Creative Director of Superflux, to explore the studio's innovative work of creating visceral experiences that encourage audiences to imagine theoretical futures, and the power of tapping into human emotion.References:Superflux: https://superflux.in/#Anab serves as Professor of Design Investigations at the dieAngewandte, University of Applied Arts in Vienna: https://www.dieangewandte.at/en/institutes/design/industrial_design_2Mitigation of Shock, Singapore: https://superflux.in/index.php/work/mitigation-of-shock-singapore/#The Vault of Life, Museum of the Future, Dubai: https://superflux.in/index.php/work/the-vault-of-life-in-museum-of-the-future/#The Quiet Enchanting, London: https://superflux.in/index.php/work/the-quiet-enchanting/#LinkedIn:Anab Jain: https://www.linkedin.com/in/anabjainSuperflux: https://www.linkedin.com/company/superflux/Guest Bio:Anab is a designer, futurist, filmmaker and educator. As Co-founder and Director of Superflux, she catalyses the Studio's mission to leave a meaningful legacy for our planet and its future custodians. https://superflux.in/index.php/team/anab/#

What if you could inhabit the future? In this episode, we dive into the work of Superflux, the visionary design studio turning imagination into tangible worlds. From multispecies banquets and rewilded ecological sanctuaries to mythic friezes that re-enchant cityscapes, co-founder Anab Jain shares how embodied experiences can transform how we see — and shape — the world. Join us as we explore speculative design, active hope, and the power of imagination to move us beyond ecological breakdown and into interspecies thriving. A celebration of wonder, possibility, and the art of asking: "What if?" Episode Website LinkShow Links:Superflux websiteThe Quiet EnchantingCalling for a more than human politicsDesignweek on speculative designAnab Jain's IXDA Keynote on More-Than-Human Centred DesignNoema Magazine: Radical Design for a World in Crisis9 Dimensions for evaluating how art and creative practice stimulate societal transformationsRecent Interviews: Financial Times, ICON, Wallpaper, Offscreen Magazine, STIRworld, Business Insider, NPR RadioTo send your Q&A to Alexa for the Lifeworlds special episode Look out for meditations, poems, readings, and other snippets of inspiration in between episodes.Music: Electric Ethnicity by Igor Dvorkin, Duncan Pittock & Ellie Kidd Hosted on Acast. See acast.com/privacy for more information.

How often do you use your imagination? Anab Jain is on a mission to help us all dream bigger. As the co-founder and director of Superflux (a design and experience-creation company), she creates spaces and events that help people see, touch, and feel potential futures they may not have ever considered. In this episode, she discusses why exploring ideas that challenge your current reality can help you envision–and create–a brighter future.For the full text transcript, visit go.ted.com/BHTranscripts  

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Anab Jain is a filmmaker, designer and futurist. She co-founded Superflux, a pioneering speculative design and experiential futures company in London, UK, working for clients and commissioners such as V&A, Google, Red Cross, UNDP, IKEA, Deepmind and many more. Anab has delivered prolific talks at TED, Skoll, NEXT, House of Lords and House of Commons UK, and shown work at MoMA New York, V&A London, National Museum of China and Museum of the Future Dubai. Profiles on Anab and Superflux can be found in Wall Street Journal, Business Insider and Financial Times.  Anab and Jon, co-founders of Superflux, have recently been awarded Royal Designers for Industry in speculative design, UK's highest accolade for design. Anab also received an honorary doctorate from the University of Arts London for her contributions to the field.  Anab serves as a Professor for Design Investigations at the University of Applied Arts, Vienna, for the last six years. She hopes to instil a culture of radical enquiry in her students so they can become active designers-translators-catalysts for a complex and uncertain world.  In this episode, Anab shared great insights on Design for futures; we started the episode by defining design for the futures and what is the design process when working on a project focused on the future. Then we discussed navigating that uncertainty in work and how designers can balance the need for innovation and creativity with practicality and functionality in their designs. Later, we discussed why ethical considerations are critical when designing for the future and how do designers ensure their work is inclusive and representative of different perspectives and experiences. Book Recommendation by Anab Jain RDI Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning - Karen Barad Correspondences - Tim Ingold Thank you for listening to this episode of Nodes of Design. We hope you enjoy the Nodes of Design Podcast on your favourite podcast platforms- Apple Podcast, Spotify, Google Podcasts, Amazon Music, and many more. If this episode helped you understand and learn something new, please share and join the knowledge-sharing community #Spreadknowledge. This podcast aims to make design education accessible to all. Nodes of Design is a non-profit and self-sponsored initiative by Tejj.

Welcome to another episode of Outrage + Optimism. As always, we examine issues at the forefront of the climate crisis, interview change-makers, and transform our anger into productive dialogue on building a sustainable future.    In this special episode, the Outrage + Optimism crew has teamed up with the Dartington Arts School to bring you the first episode of the school's intriguing new podcast, Arts and Ecology. The podcast explores the nexus between art, ecology, and culture and the role creatives can play in tackling the climate crisis.   In this inaugural episode, Arts and Ecology co-host Natasha Rivett-Carnac and O + O Executive Producer Sarah Thomas discuss “Our Time on Earth,” a major multimedia exhibition currently running at the Barbican in London with co-curator Caroline Till. Till is the co-founder of FRANKLINTILL, a research agency exploring design, colour, and material innovation for a sustainable future.    You'll also hear from two teams who collaborated on exhibition pieces. Jonathan Chippendale, CEO of the award-winning digital retail agency, Holition, and George Monbiot, writer, Guardian columnist and environmental activist bring us The World Beneath Our Feet. The piece was inspired by “The Wonders of Soil,” the first chapter in Monbiot's latest book, Regenesis: Feeding the World Without Devouring the Planet.   Next, we hear from Anab Jain and Jon Ardern, the co-founders of Superflux, an award-winning experimental design agency creating visceral experiences that bring future possibilities into the present. Their exhibition piece, a lavish multi-species banquet, is entitled, Refuge for Resurgence.   -   Notes and Resources    To explore more about the interconnection between art, ecology, and culture, subscribe to the  Dartington Arts School's podcast Arts and Ecology.   Natasha Rivett-Carnac, curator, Arts and Ecology, Dartington School of Arts    The exhibit Our Time on Earth, created by Caroline Till and Kate Franklin, will be at the Barbican in London from Thursday, 5 May to Monday, 29 Aug 2022.    Caroline Till is Co-Founder of FRANKLINTILL. Her book, co-written with business partner and co-curator, Kate Franklin, is Radical Matter: Rethinking Materials for a Sustainable Future and can be purchased here or in the US, here.   Jonathan Chippendale, is CEO of Holition.    You can get George Monbiot's latest book, Regenisis: Feeding the World Without Devouring the Planet, here. Or in the US, here.   Anab Jain and John Arden are co-founders of Superflux.   You can listen to Jain and Arden's full sound piece accompanying their exhibition piece, Refuge for Resurgence, here. To learn more about our planet's climate emergency and how you can transform outrage into optimistic action subscribe to the podcast here.   -   Thank you to our amazing guests this week!   Dartington Arts School Website | Twitter | Instagram   Caroline Till Designer | Co-Curator of Our Time on Earth Website | Instagram   Barbican - ‘Our Time on Earth' Website | Twitter | Instagram   Jonathan Chippindale (Holition) Website | Instagram | Twitter    George Monbiot Twitter   Anab Jain and Jon Arden (Superflux) Twitter | Instagram

Anab Jain is the co-founder of design studio Superflux. Superflux specialises in designing possible future scenarios – sometimes utopian, often distopian, based on the world we currently live in, with its trends and social, economic and political shifts. Their work is heavily involved with environmental issues, technological advancements, and the drawbacks of the Anthropocene era. In this episode, we dive into Superflux's work and some of its most prominent projects, discuss the importance of hope in difficult times and explore how to live in uncertain times.  To get new weekly On Design podcast episodes directly in your inbox, sign up to our newsletter at https://ondesignpodcast.com/newsletter. Podcast music: James Greenfield Production: Green Podcast Productions

In this conversation I connected with Anab Jain who is a designer, futurist, filmmaker and educator. As Co-founder and Director of Superflux - the multi-award winning design agency - they translate future uncertainty into present day choices Over the last 15 years, Anab has gained international recognition for her work and commentary on design, innovation, emerging technologies and complex futures. She is the recipient of many, many awards. She has delivered talks and keynotes at several conferences including TED, MIT Media Lab and MOMA's to name but three. In addition, Anab was appointed Professor at the University of Applied Arts in Vienna in 2016, where she leads the Design Investigations (ID2) Program. In this conversation we talked about how and why we think about the future is all wrong. In particular we talked about: 1. Who or what gives you hope for the future? 2. How do you translate future uncertainty into present day choices? 3. What is human exceptionalism, and why are you calling time on it? So I started out by asking her, why do you not like to make predictions about the future? Enjoy! https://superflux.in/ https://twitter.com/anabjain https://www.youtube.com/watch?v=PYjWLqE_cfE https://www.youtube.com/watch?v=4tf7T2TySG0 https://www.dezeen.com/awards/2021/winners/superflux/ https://designinvestigations.at/ https://www.weareliminal.co/

In our final episode we dive into the role art and culture play in cultivating long-termism at scale. Far from being window dressing, art and culture forms the operating systems of our world; it has the power to shift our collective identity.  Culture doesn't just reflect societal norms, it has the power to change, iterate and manifest new ones. We'll meet the artists, creators and curators who are using time as both their medium and their message, and explore the role of creativity in shifting us to a long-term society.Special thanks to the contributors to this episode, Brian Eno, Bridgit Antoinette Evans, Katie Paterson, Jeremy Lent, Anab Jain and Sherri Mitchell.Discover more about Brian Eno here.Find out more about the work of Bridgit Antoinette Evans and the Pop Culture Collaborative here.Discover Katie Paterson's work here and delve into the Future Library.Find out about Jeremy Lent's work including The Patterning Instinct here.Experience the work of Anab Jain and Superflux here.Find out about Sherri Mitchell's projects and writing here.If you want to delve deeper into Long Time ideas, here is a suggested reading list!NON-FICTION Deep Time Reckoning - Vincent IalentiFutureGen - Jane DavidsonTimefulness - Marcia BjornerudThe Precipice - Toby OrdPip Pip - Jay GriffithsThe Clock of the Long Now - Steward BrandThe Good Ancestor - Roman KrznaricDoughnut Economics - Kate RaworthSandtalk - Tyson YunkaportaThe Patterning Instinct - Jeremy LentThe War for Kindness - Jamil ZakiBraiding Sweetgrass - Robin Wall-KimmererUnderland - Robert MacfarlaneThe Oldest Living Things in the World - Rachel Sussman Sacred Instructions - Sherri MitchellFICTIONKindred- Octavia ButlerThe Parable Series  - Octavia ButlerThe Ministry for the Future - Kim Stanley RobinsonThe OverStory - Richard PowersMan V. Nature - Diane CookLove & Other Thought Experiments - Sophie WardBarkskins - Annie ProulxLight Perpetual - Francis SpuffordCREDITSThe Long Time Academy comes to you from Headspace Studios and The Long Time Project, and is produced by Scenery Studios. The series was created and produced by Lina Prestwood and Ella SaltmarsheProduced by Ivor Manley and Madeleine Finlay. This episode was also produced by Eli Block. Executive producers at Headspace Studios are Ash Jones, Leah Sutherland & Morgan SelzerOriginal artwork by Mavi MoraisDesign by Loz Ives & Lewis Kay-ThatcherOriginal music, sound design and mixing by Tristan Cassel-Delavois, Scott Sorenson & Chris Murguia with additional music this episode from Eli Block and Jamie Patterson. It's a Sin clips courtesy of Channel 4/ HBO Max/ Red Production CompanyGlee clip courtesy of  Fox/ 20th Century Fox Television/ Brad Falchuk Teley-Vision/ Ryan Murphy ProductionsClips from Mitigation of Shock courtesy of SuperfluxFuture Library archive courtesy of Katie Paterson StudiosAdditional archive clips from xinaesthete, Astounded/Christopher J Astbury, Switzerland

To kick off Season 3, we are excited to welcome Anab Jain - designer, futurist and filmmaker. As co-founder of Superflux, Anab leads a seminal design practice that is responsive to the challenges and opportunities of this era. Anab and her team imagine and build future worlds for the present moment. They confront issues such as climate change and inequality, the emergence of artificial intelligence, and the future of work. And they collaborate in surprising ways, they're currently working on new narratives in Artificial Intelligence with organisations like Deepmind and Omidyar. Anab is a dreamer, storyteller, and mythmaker, and her childhood in India has brought her on a remarkable journey. We hope you enjoy this conversation.

Aufruf zur Hoffnung. Wir sprechen mir Anab Jain und Katrin Vohland über die Verantwortung von Museen für Klimavorsorge. Mehr Informationen auf: https://tonspur-n.eu/.

If you had a Time Machine, which year would you set the dial to? This episode is about time travel. More specifically, it is about using imaginary time travel, or futurism, or deep dreaming, or whatever you want to call it, in our activism. Why is it so powerful to invite people to imagine the future? What does it do to us to step into an imaginary future? And what tips of the trade can help us to really bring it alive for people?   In this episode we are joined by Anab Jain of Superflux and by Johannes Stripple of Lund University, both fantastic exponents of the art of time travel. Essential listening for anyone who wants to bring a bit of the future into their lives and is wondering the most skilful way to do so. Enjoy the journey!   Please consider supporting the podcast by visiting www.patreon.com/fromwhatiftowhatnext and becoming a patron.

If you had a Time Machine, which year would you set the dial to? This episode is about time travel. More specifically, it is about using imaginary time travel, or futurism, or deep dreaming, or whatever you want to call it, in our activism. Why is it so powerful to invite people to imagine the future? What does it do to us to step into an imaginary future? And what tips of the trade can help us to really bring it alive for people? In this episode we are joined by Anab Jain of Superflux and by Johannes Stripple of Lund University, both fantastic exponents of the art of time travel. Essential listening for anyone who wants to bring a bit of the future into their lives and is wondering the most skilful way to do so. Enjoy the journey! And do let me know what you thought of this episode.

WGSN Creative Director Lisa White is joined by Anab Jain and Jon Ardern, co-founders of Superflux, a studio that creates speculative worlds and tells future stories that help explain where civilization might be going and what we can do to influence these potential outcomes. Their byline is brilliant at explaining their mission in just seven words: Translating future uncertainty into present-day choices.

Anab Jain is co-founder, along with Jon Arden, of Superflux which is a design studio based in London that create worlds, stories, and tools that provoke and inspire us to engage with the precarity of our rapidly changing world. Anab and I talk about their approach to their craft, which I would broadly categorize as 'speculative design.' We also touch on the topics of how we imagine and how imagination plays a role in the work of design. If you found this episode a worthy use of your time and attention consider become a patron. You can do that at patreon.com/nearfuturelaboratory — or you can offer a tip which is easy to do nowadays over at ko-fi.org/bleecker

Amid the rise of nationalism, social divide, populism, and political polarization, Anab Jain, co-founder and director of the design studio Superflux, and Alex Evans, founder of the Collective Psychology Project, discuss the role of storytelling and platform power in shaping perceived realities, opinions, and the sentiment of “us and them.”

In our grand finale of Season 1, we speak to futurist Anab Jain. In this episode we speak about the complex challenges in our hands as designer. We discuss with Anab around human and more than human. Anab is a designer, filmmaker, and co-founder of Superflux, a critically acclaimed foresight, design and technology company in London working for clients like V&A, Google, UNDP and BBC. Anab's work has won honours from Apple Computers Inc., UNESCO, Geneva Human Rights Festival, and TED. Her work has been featured on NPR Radio, BBC 4, CBC, New York Times, Evening Standard, and the Guardian, and exhibited MoMA New York, V&A Museum and National Museum of China amongst others. Anab is also Professor and Programme Leader for Design Investigations at the University of Applied Arts, Vienna. Her work can be found at www.superflux.in You can follow Anab on twitter @anabjain ------------ The show is an initiative of The Internet & Mobile Association of India aka IAMAI, hosted by Karthi Subbaraman. Connect with Karthi: Twitter: https://twitter.com/karthi2209 Linkedin: https://www.linkedin.com/in/skarthi/ ------------ --- Send in a voice message: https://anchor.fm/designpositive/message

Futurist, designer and filmmaker Anab Jain talks to Aleks Krotoski about the wild world of future-oriented thinking, our hyper-connected planet, and about an anthropologist and a mushroom that inspired much of her work. ---------- Anab Jain is a designer, futurist, filmmaker, and writer. She develops tools that help people ask the right kinds of questions for living today, and tomorrow. These are questions about wonderful and alarming things: Self-driving cars, dying bees, making blind people see. To find out more about Anab Jain and her studio Superflux go to http://superflux.in/ Find out more about Anna Tsing and her book ‘The Mushroom at the End of the World’ 

The designer, futurist, filmmaker and educator tells us about one of her favourite books: The Dispossessed by Ursula Le Guin (1974).

Are you saying that I have to stop practicing Human Centered Design? Well yeah that's basically the answer. According to Nik Parekh human centered design has brought a lot of positive change to the world but it's not sustainable. And to be honest Nik isn't the first one to make this argument. Former guests like Mauricio Manhaes and Anab Jain have also made a similar plea. We have to adopt a different design approach which is even more inclusive... Nik shares some inspiring examples how we can do that. The other topic you'll learn about in this episode is the one of #standardisation. Especially how far can you standardize the service experience without losing touch with the local context? This doesn't only apply to services offered by global brands... this applies to every service provider because local might be as small as your street! Finally talks about the next frontier for designers which is #law. I didn't see that one coming either. But it's interesting to think about what would happen when privacy policies, terms of use and yes even laws would be the outcome of a design process. In which way would the result be different than what it is today? ** Pass It Forward ** If enjoyed this episode and found it helpful please consider sharing it with just 1 other person you know. Every share counts. ----- [ GUIDE ] ----- 04:30 - The first encounter with Service Design. 06:10 - How far can we take standardisation within service design? 14:25 - Why human centered design? 25:30 - When will designers be law makers? 33:30 - Big question: In what areas can designers as lawmakers make an immediate effect? 34:30 - Book giveaway contest ----- [ LINKS ] -------- * https://www.nikparekh.com * https://www.linkedin.com/in/nikparekh/ * https://twitter.com/imNikParekh * https://medium.com/@nikparekh * https://www.beyondmeat.com/products/the-beyond-burger/ ----- [ MORE ] ----- Enjoyed the show? Take a look at some of the other episodes. https://go.servicedesignshow.com/spotify YOUTUBE Every episode of the Service Design Show is also available as via the official YouTube channel. https://go.servicedesignshow.com/youtube FACEBOOK Check the Facebook page where you'll find more content and can discuss the episodes. https://go.servicedesignshow.com/facebook INSTAGRAM Get an exclusive behind the scenes look of the Show. https://go.servicedesignshow.com/instagram ----- [ FREE COURSE ] ----- HOW TO EXPLAIN SERVICE DESIGN Learn what it takes to get your clients, colleagues, managers, CEOs and even grandmas as excited about service design as you are! https://servicedesignshow.com/free-course

Original broadcast date: September 15, 2017. From data collection to gene editing to AI, what we once considered science fiction is now becoming reality. This hour, TED speakers explore the future consequences of our present actions.Guests include designer Anab Jain, futurist Juan Enriquez, biologist Paul Knoepfler, and neuroscientist and philosopher Sam Harris.

Human Centered Design is getting a lot of attention these days. But what are we giving up if we put the human at the center? What are the limits of our current practice? In this episode Anab Jain shares her perspective on why we need to look beyond human centered design. Or at least augment it with more holistic view. Next we challenge the notion of the designer as problem solver. Are we really solving problems or are we creating more and maybe even more complex challenges? Anab advocates that we adopt a more humble and probably realistic attitude. This is definitely a though provoking episode that will most likely change your mindset about our current practice. If you know someone who might be interested the things we've discussed make sure to share the episode with them. ----- [ EPISODE GUIDE ] ----- 03:00 - How can we as designers not think about climate change? 09:30 - What if we give up the idea of human centered design? 19:00 - How far can we live with the hybris that we are problem solvers? 25:45 - Big question: What inspires you? ----- [ LINKS FROM THE EPISODE ] ----- * Anab on LinkedIn ➜ https://go.servicedesignshow.com/vmmje * Superflux ➜ https://go.servicedesignshow.com/wt290 * Yellow Chair Stories ➜ https://go.servicedesignshow.com/6eeht ----- [ MORE EPISODES ] ----- Enjoyed the show? Take a look at some of the other episodes. https://go.servicedesignshow.com/spotify YOUTUBE Every episode of the Service Design Show is also available as via the official YouTube channel. https://go.servicedesignshow.com/youtube FACEBOOK Check the Facebook page where you'll find more content and can discuss the episodes. https://go.servicedesignshow.com/facebook INSTAGRAM Get an exclusive behind the scenes look of the Show. https://go.servicedesignshow.com/instagram ----- [ FREE COURSE ] ----- HOW TO EXPLAIN SERVICE DESIGN Learn what it takes to get your clients, colleagues, managers, CEOs and even grandmas as excited about service design as you are! https://servicedesignshow.com/free-course

Anab Jain is a designer, futurist, filmmaker and educator. As Co-founder and Director of Superflux, she hopes to realize the vision of the Studio as a new kind of design practice, responsive to the challenges and opportunities of the twenty-first century. She also teaches at the University Applied Arts in Vienna and gave a TED Talk last year on design's role in imagining new futures. In this episode, Anab and I talk about Superflux's blend of client and speculative work, her background in filmmaking, and pushing up against disciplinary boundaries. Links from this episode can be found at scratchingthesurface.fm.

From data collection to gene editing to AI, what we once considered science fiction is now becoming reality. This hour, TED speakers explore the future consequences of our present actions. Guests include designer Anab Jain, futurist Juan Enriquez, biologist Paul Knoepfler, and neuroscientist and philosopher Sam Harris.

Anab Jain brings the future to life, creating experiences where people can touch, see and feel the potential of the world we're creating. Do we want a world where intelligent machines patrol our streets, for instance, or where our genetic heritage determines our health care? Jain's projects show why it's important to fight for the world we want. Catch a glimpse of possible futures in this eye-opening talk. Hosted on Acast. See acast.com/privacy for more information.

Anab Jain da vida al futuro creando experiencias en las que la gente puede tocar, ver y sentir el potencial del mundo que estamos creando. ¿Queremos un mundo donde las máquinas inteligentes patrullen nuestras calles, por ejemplo, o donde nuestro patrimonio genético determine nuestra atención médica? Los proyectos de Jain muestran por qué es importante luchar por un mundo que queremos. Echa un vistazo a los posibles futuros en esta charla reveladora.

아납 자인은 미래를 우리의 삶에 가져와, 우리가 만들어낸 세계를 사람들이 만지고 느낄 수 있도록 경험을 만들어 냅니다. 예를 들어, 지능적인 기계가 우리의 도로를 순찰하거나 유전정보가 우리의 건강을 결정하는 세계를 우리가 원하는 걸까요? 자인의 프로젝트는 왜 우리가 원하는 세계를 위해 싸우는 것이 중요하다는 것을 알려줍니다. 이 열린 강연을 통해 우리의 가능한 미래를 얼핏 볼 수 있는 기회가 될 것입니다.

Anab Jain erweckt die Zukunft zum Leben und findet Möglichkeiten, damit Menschen die Zukunft, die wir erschaffen, berühren, sehen und fühlen können. Wollen wir wirklich, dass intelligente Maschinen unsere Straßen überwachen? Wollen wir eine Welt, in der unsere Erbinformation die medizinische Versorgung bestimmt, die uns zusteht? Jains Projekte zeigen ganz klar, warum es wichtig ist, für eine Welt zu kämpfen, in der wir leben wollen. Werfen Sie mit diesem erhellenden Vortrag einen Blick auf mögliche Zukunftsvisionen.

Anab Jain traz o futuro à vida, criando experiências em que as pessoas podem tocar, ver e sentir as possibilidades do mundo que estamos criando. Será que queremos um mundo em que máquinas inteligentes vão patrulhar nossas ruas, por exemplo, ou em que nossa genética vai determinar nosso planejamento de saúde? Os projetos de Jain mostram por que é importante lutar pelo mundo que queremos. Quer ter uma ideia de alguns futuros possíveis? Assista a esta palestra esclarecedora.

Anab Jain rend le futur réel et bien vivant, en créant des expérimentations dans lesquelles les gens peuvent vraiment toucher, voir et ressentir le potentiel du monde que nous créons. Voulons-nous, par exemple, un monde dans lequel des machines intelligentes patrouillent dans nos rues, ou dans lequel notre héritage génétique détermine notre taux de cotisation d'assurance maladie ? Les projets de Jain et de son époux montrent pourquoi il est important de nous battre pour le monde que nous souhaitons. Venez jeter un coup d’œil sur des futurs possibles dans cet exposé éclairant.

Anab Jain brings the future to life, creating experiences where people can touch, see and feel the potential of the world we're creating. Do we want a world where intelligent machines patrol our streets, for instance, or where our genetic heritage determines our health care? Jain's projects show why it's important to fight for the world we want. Catch a glimpse of possible futures in this eye-opening talk.

Alex Fleetwood is the founder and director of Hide&Seek, a game design studio dedicated to inventing new kinds of play. Hide&Seek started life in 2007 as a festival of social games and playful experiences on London’s South Bank, and built into a studio occupied a unique position in the UK, creating innovative games, installations and events with organisations including Film4, the Cultural Olympiad, Tate Modern, Warner Bros, Gâité Lyrique, Nike, Sony, the Royal Opera House and Kensington Palace. Anab Jain was born and educated in India (NID), with an MA in Interaction Design from the Royal College of Art, and founded Superflux in 2009, leading the Consultancy’s client partnerships whilst balancing the Lab’s self-initiated conceptual projects. She has lead multidisciplinary design, strategy and foresight projects for businesses, think-tanks and research organisations such as Sony, BBC, Nokia, NHS, Design Council, Forum for the Future, Qatar Foundation and Govt. of UAE. Honoured as a TED Fellow, she is the... See acast.com/privacy for privacy and opt-out information.

Welcome to Visionaries, a podcast dedicated to futurological thinkers brought to you by Future Human and the V&A. We seek out people who are reimagining innovation in their field and ask them to apply their intelligence to emerging trends. Anab Jain and Jon Arden are the directors of Superflux, a design consultancy and research lab based in India and the UK. The work of Superflux focuses on how emerging technologies are changing our everyday life and environment, with the ambition of helping companies make these tools more accessible. They describe how breakthroughs in synthetic biology are informing their work, from gene sequencing projects that seek to identify the alleles that determine human intelligence to DARPA’s efforts to create ‘natural drones’ by hacking the brains of bees. How can designers shape the way advanced technologies are experienced and understood by the general public? And will their role grow increasingly redundant at a time when products can be designed anywhere in the world, and then manufactured locally and cheaply at great speed? Presented by Ben Beaumont Thomas.