Podcasts about Film4

Mapping empathy… In this audio essay, Hilary Knight shares the many benefits of empathy in improving an organization's workflow and enhancing visitor experience – and offers a framework to leverage it.External references: Frans de Waal, Evolutionary BiologistMario Mikulincer, PsychologistPhillip Shaver, PsychologistSeung Chan Lim (Slim) at TEDxWellesleyCollege: How Empathy Fuels the Creative ProcessBill Drayton, Social entrepreneur and CEOContributor bio:Hilary Knight  is a creative leader with over 20 years of experience driving strategy, innovation, and digital transformation for cultural organisations worldwide. Currently a Senior Associate with AEA Consulting, she has held senior roles at the BBC, Channel 4, Film4, and Tate, where she led pioneering initiatives that embedded digital thinking and expanded audiences. + 

This week, Josh and Drusilla discuss Ben Wheatley's influential 2013 film, A Field in England. From wiki: “A Field in England is a 2013 British historical psychological horror film directed by Ben Wheatley.[3] The film, shot in black-and-white, is set during the mid-17th-century English Civil War. The film was released on 5 July 2013 on multiple platforms simultaneously, including cinemas, home media and video on demand. It was also broadcast on Film4 on the day of its release.[4]Also discussed: Dead Boy Detectives reunion, Conclave, Triple Fisher, Sean Baker, Lolita narratives, the Poison Ivy cinematic universe, Mickey 17, Challengers, and more. Triple Fisher: https://youtu.be/7xM5wSD2Ixk?si=aZwRe0DhvG4_XpGH NEXT WEEK: A director spotlight on video artist, Cecilia Condit, with her two shorts, Beneath the Skin (1981) and Possibly in Michigan (1983)  Follow them across the internet: Bloodhaus: https://www.bloodhauspod.com/https://twitter.com/BloodhausPodhttps://www.instagram.com/bloodhauspod/ Drusilla Adeline: https://www.sisterhydedesign.com/https://letterboxd.com/sisterhyde/ Joshua Conkel https://www.joshuaconkel.com/https://bsky.app/profile/joshuaconkel.bsky.socialhttps://www.instagram.com/joshua_conkel/https://letterboxd.com/JoshuaConkel/ 

SISTER WIVES, directed and written by Louisa Connolly-Burnham, tells the poignant story of two women finding love in a restrictive polygamous society. Kaidence (Connolly-Burnham) and Galilee (Mia McKenna-Bruce) are sister wives who develop unexpected feelings for each other. The short film, acquired by Film4 and streaming on Channel 4, has won Best British Film and Best Actress at the Iris Prize and is Oscar® and BAFTA-qualified for 2025. A feature adaptation, set to film next summer, will see McKenna-Bruce reprise her role. Connolly-Burnham, founder of Thimble Films, is an award-winning filmmaker whose shorts, including THE CALL CENTRE (2M+ views on Omeleto), have earned BIFA and festival accolades. Producer Augusta Woods, of Track Films, has produced multiple award-winning shorts such as RAMBLER MAN and FLEETING. Mia McKenna-Bruce, known for HOW TO HAVE SEX (BIFA winner, BAFTA Rising Star), will also lead Netflix's THE SEVEN DIALS MYSTERY in 2025 alongside Helena Bonham-Carter and Martin Freeman.

We live in Time - We Live in Time ist ein Liebesdrama von John Crowley. In den Hauptrollen sind Florence Pugh und Andrew Garfield zu sehen. Der Film feierte im September 2024 beim Toronto International Film Festival seine Premiere und kam im Oktober 2024 in die US-Kinos. Kinostart in Deutschland ist der 09. Januar 2025. Dieses romantische Drama aus dem Jahr 2024, mit Andrew Garfield und Florence Pugh in den Hauptrollen, erzählt die Geschichte eines Paares, das sich über einen Zeitraum von zehn Jahren kennenlernt und liebt. Der Film verwendet nicht-lineares Erzählen und zeigt die Herausforderungen und Freuden, die das Paar erlebt, einschließlich einer schweren Krankheit. The Apprentice - The Trump Story: Dieser biografische Film aus dem Jahr 2024, mit Sebastian Stan als Donald Trump und Jeremy Strong als Roy Cohn, spielt in den 1970er und 1980er Jahren. Er zeigt den jungen Trump am Anfang seiner Karriere in der Immobilienbranche und seine Beziehung zu Cohn, der ihn in die Welt der Macht und des Reichtums einführt2. Blitz ist ein Drama von Sir Steve McQueen, das die Geschichte eines neunjährigen Jungen namens George erzählt, der während der Bombenangriffe der deutschen Luftwaffe im Zweiten Weltkrieg von seiner Mutter Rita aufs englische Land geschickt wird, um ihn dort in Sicherheit zu bringen. Trotzig und entschlossen, zu seiner Familie zurückzukehren, macht sich George auf eine gefährliche und abenteuerliche Reise1. Währenddessen sucht seine verzweifelte Mutter nach ihm Außerdem sprechen wir über die wichtigsten Serien Neustarts über die Feiertage und losen den/die Gewinner/in von unserem Gewinnspiel zum 3. Advent aus. WE LIVE IN TIME: Kinostart in Deutschland: 09.01.2025 Laufzeit: 1h 48m FSK 12 Originaltitel: We live in Time Produktion: StudioCanal, Film4, SunnyMarch, Shoebox Films, Canal+, Ciné+ Verleih: StudioCanal Regie: John Crowley Drehbuch: Nick Payne Besetzung: Andrew Garfield, Florence Pugh, Grace Delaney, Lee Braithwaite, Aoife Hinds, Adam James, Douglas Hodge, Amy Morgan We Live in Time ist ein Liebesdrama von John Crowley. In den Hauptrollen sind Florence Pugh und Andrew Garfield zu sehen. Der Film feierte im September 2024 beim Toronto International Film Festival seine Premiere und kam im Oktober 2024 in die US-Kinos. Der Kinostart im Vereinigten Königreich und in Deutschland ist Anfang Januar 2025 geplant. Inhalt: Almut (Florence Pugh) und Tobias (Andrew Garfield) begegnen sich in einem völlig unerwarteten Moment ihres Lebens, der den Auftakt ihrer gemeinsamen Geschichte bildet: der Zauber des Kennenlernens, wie sie eine Familie gründen und als Paar ihre Zukunft planen. Doch ihre Beziehung wird überschattet von einer Nachricht, die beide auf eine harte Probe stellt und sie schlussendlich erkennen lässt, jeden Moment ihrer besonderen Liebe im Hier und Jetzt zu genießen. WE LIVE IN TIME ist ein zutiefst bewegendes Romantik-Drama mit der Oscar-nominierten Florence Pugh ("Dune", "Don¿t Worry Darling") und dem zweimal Oscar-nominierten und BAFTA-preisgekrönten Schauspieler Andrew Garfield ("Tick Tick... Boom!", "The Amazing Spider-Man") in den Hauptrollen. Produktion: Regie führte der Ire John Crowley. Das Drehbuch schrieb Nick Payne. Zur Crowleys früheren Filmen gehören Boy A von 2007, Brooklyn – Eine Liebe zwischen zwei Welten von 2015 und Der Distelfink von 2019. Payne war mehrere Male bei den Laurence Olivier Awards nominiert und zuvor am Drehbuch für die Verfilmung des Romans Vom Ende einer Geschichte bete Timecodes: 00:00:00 Einleitung 00:03:32 We live in Time 00:07:58 Tipps für die nächste Sneak 00:11:31 The Apprentice - The Trump Story 00:19:19 Kinocharts und Neustarts 00:27:22 Beste Filme 2024 00:31:27 Blitz 00:38:57 Schwarz wie Schnee 3: Höhenrausch 00:41:41 Something in the Water 00:44:10 Carry-on 00:45:25 Shrinking 00:52:57 SW: Skeleton Crew Update 00:55:56 Serientipps für die Feiertage 00:58:16 Auslosung Gewinnspiel 01:03:07 Weihnachtswünsche zum Ende

Send us a textIn today's episode, I interview Louisa Connolly-Burnham the director of the short film "Sister Wives," an exploration of the dynamics between two women in a polygamous relationship as they explore their love for each other.Listen to hear about the real life cult the film is based on, the process of casting a film with the intention of playing one of the main characters, and the how she came across the perfect little log cabin for filming the story.Books mentioned in this episode include:The The Secret History: A Read with Jenna Pick by Donna TarttFilms mentioned in this episode include:"Sister Wives” directed by Louisa Connolly-BurnhamKeep Sweet: Pray and Obey directed by Rachel DretzinThe Village directed by M. Night ShyamalanVampire Academy (television series)How to Have Sex directed by Molly Manning WalkerDrive directed by Nicolas Winding RefnLove Lies Bleeding directed by Rose GlassLost in Translation directed by Sofia CoppolaPortrait of a Lady on Fire directed by Céline SciammaFishtank directed by Andrea ArnoldLord of the Rings directed by Peter JacksonThe Incredibles directed by Brad BirdThe film showed at Hollyshorts in Los Angeles this summer and will be showing at the London Breeze Film Festival from October 23-27 and the North East International Film Festival from November 18-24. The film will also be available in the US on Film4 later this year.Follow the film on Instagram @sisterwivesfilm for updates on screenings and festival selections and follow Louisa @louisaconnollyburnham.

Today on the show we have Emmanuel Oberg. Emmanuel is a screenwriter, author and script consultant with more than twenty years of experience in the Film and TV industry. After selling his first project to Warner Bros as a co-writer, he went on to be commissioned by StudioCanal and Gold Circle before writing solo for Working Title / Universal and Film4.He has also designed an internationally acclaimed 3-day Advanced Development Workshop - based on the Story-Type Method® - which he delivers with passion to filmmakers all over the world. Emmanuel lives in the UK with his wife and their two daughters. His film agent is Rachel Holroyd at Casarotto in London. He is also the writer of Screenwriting Unchained: Reclaim Your Creative Freedom and Master Story Structure (With The Story-Type Method).In Screenwriting Unchained, Emmanuel Oberg busts many myths and sets out an innovative methodThis practical, no-nonsense guide leaves behind one-size-fits-all story theories and offers a modern approach to story structure, making it a precious resource for anyone involved creatively in the Film and TV industry (or aspiring to be): writers, directors, producers, development execs, showrunners and, more generally, storytellers keen to reach a wide audience at home and abroad.Having identified three main story-types - plot-led, character-led, theme-led - Oberg reveals in a clear, conversational style how each of these impacts on the structure of any screenplay, and how we can use a single set of tools to develop any movie, from an independent crossover to a studio blockbuster.This leads to a powerful yet flexible way to handle the script development process: the Story-Type Method®. A new framework that doesn't tell you what to write and when, but focuses instead on why some tools and principles have stood the test of time and how to use them in the 21st century.According to readers (see reviews below), Oberg's new approach is a game-changer.Here are some of the easy-to-understand concepts explored in Screenwriting Unchained that will help you improve any screenplay:How to identify the story-type of your project to make its development faster, easier and solve most story structure problems.How to leave behind the prescriptive, logistical three-act structure based on page numbers or minutes and replace it with a flexible, dramatic three-act structure that will help you design a rock-solid screenplay.How focusing on emotion, character development and managing information will allow you to go beyond the "protagonist-goal-obstacles-conflict" basic chain of drama.How to use the fractal aspect of structure to design not only the whole story but also its parts in order to avoid the dreaded "sagging middle" syndrome and breathe new life into your script.How to clarify what's at stake and increase your chances of getting the project made with a new take on Maslow's Hierarchy of Needs.How to use subgoals to Sequence the Action and psychological/emotional steps to Sequence the Evolution of your characters.How to keep the audience engaged using tools like dramatic irony, surprise, mystery, and suspense, adding a third dimension to your story.How to master these tools and principles in scenes through practical exercises before using them in a short film, a feature film, a TV episode or a whole series following hands-on tips and advice.How to design an attention-grabbing opening and a satisfying ending.How to deal with hybrids and exceptions, as story structure isn't about forcing all narratives into a single formulaic paradigm.The Rewrite Stuff: 12 Ways to a Stronger Screenplay, how to approach a new draft creatively and efficiently.How to make the difference between selling documents - used to raise development or production finance - and story design tools.Once you've developed a killer script, how to best pitch your project according to its story-type and get enthusiastic partners on board....and much, much more!Using many case studies including films as diverse as Gravity, Silver Linings Playbook, Crash, Billy Elliot, The Intouchables, Birdman, Alien, Groundhog Day, Misery, Edge of Tomorrow, The Secret in Their Eyes, Cloud Atlas, L.A. Confidential and The Lives of Others, Screenwriting Unchainedwill transform the way you write, read, pitch, design, assess and develop screenplays.Enjoy my conversation with Emmanuel Oberg.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

Today Elaine chats with writer/performer Yolanda Mercy about her new show Failure Project. We chat the meta- ness of the show, being an independent artist, the importance of care and how we need to implement that more and how vital it is that we all evolve and understand when we have made a mistake and acknowledge that mistake and apologies. Failure Project - Summerhall Dates: 1st - 26th AUGUST (not 12, 19, August) @ 1.30 pm Tickets available here: https://tickets.edfringe.com/whats-on/failure-project Failure Project Written and performed by BAFTA nominee Yolanda Mercy. Failure Project is a “Comedy drama... Or “dramedy” about Ade. Ade is a successful writer, or so it seems. She has everything she has ever wanted; her career is flying, she's (kinda) moved out of her mums house, her situationship isn't as complicated as she expected. Life is perfect?! But things don't always go how you plan, and Ade is about to find that out? Yolanda Mercy BAFTA Nominee -Yolanda Mercy is a British Nigerian writer, performer, and director whose creative journey has taken her from the stages of London to the international screens of television and beyond. With a passion for storytelling that knows no bounds, Yolanda's work has garnered critical acclaim and numerous accolades. Her writing has been recognised with nominations for prestigious awards such as BAFTA, WGGB, and Broadcast Award, highlighting her craft narratives that captivate audiences. Additionally, Yolanda's talents have earned her the esteemed Edinburgh TV Festival “New Voices Award”, Underbelly Untapped Award and Another Route fellowship. Mentored by industry luminaries like Anne Mensah through the BAFTA Mentoring Scheme, Yolanda has honed her skills and gained guidance from within the creative sphere. As an alumni of prolific fellowships including JMK mentoring, Soho Theatre Six, and Film4, Yolanda continues to build bridges and foster collaboration within the artistic community. Currently, Yolanda is crafting original projects for both screen and theatre. With her unique voice and boundless creativity, she invites audiences to join her on a journey of self-discovery and artistic expression. HIPA GUIDES: HIPA GUIDES OUR WEBSITE - www.persistentandnasty.co.uk Persistent Pal & Nasty Hero - Pals and Hero Membership Email – persistentandnasty@gmail.com Instagram - @persistentandnasty Twitter - @PersistentNasty Coffee Morning Eventbrite - Coffee Morning Tickets LINKTREE - LINKTR.EE Resources Samaritans - Rape Crisis Scotland - Rape Crisis UK ArtsMinds - BAPAM Freelancers Make Theatre Work Stonewall UK - Trevor Project - Mermaids UK Switchboard LGBT+ - GATE PLANNED PARENTHOOD DONATE - DONATE ABORTION SUPPORT NETWORK UK - ASN.COM- DONATE

David and David get together again to chat about Aldi cupcakes! Oh, and the new Mad Max movie and there Film4 classic - The Crying Game If you would like to receive this podcast earlier, get longer episodes as well as exclusive episodes and get the chance to ask David Edwards movie questions LIVE every Saturday Morning - then head over to patreon.com/davidearl Thanks for listening! Learn more about your ad choices. Visit podcastchoices.com/adchoices

WE'RE BACK! This is the very first exciting episode of our brand new season of The Directors Take Podcast,  In this episode we'll be speaking to Weronika Tofilska who is the lead director (Eps1-4) of the Netflix global phenomenon BABY REINDEER. As ever we break down directing craft to gain a greater understanding of how this smash hit show was created. This conversation includes:   -Weronika's journey into filmmaking. -Her experience of film school in Poland and in the UK. -How she navigated the filmmaking wilderness. -How she got her first break as a TV Director. -Her process for interviewing. -How she evolved her process for working in television. -Creating a bespoke visual language for Baby Reindeer. -Working with the show's creator Richard Gadd. -Her directing process. -How she wrote Love Lies Bleeding with Rose Glass.   Our wonderful sponsor for this episode is The National Film and Television School.   Bio Weronika Tofilska is a London based Writer and Director, a graduate of Krzysztof Kieslowski's Film School  in Poland and National Film and Television School in the UK.    They've made several successful short films including LAST TRAIN, which won multiple awards at Polish and Internation film festivals, they've made Dark Comedies such as THE PATIENT, SUICIDE IS EASY and horror/comedy PINK and BLUE which won FrightFest Short Film Competition as well as the Channel 4 Horror Short DOORKEEPER. You can watch a lot of these on her website.    With the success of her short works, she has begun making her name in TV directing on the Netflix Show IRREGULARS, with Amazon on the show HANNAH, on HBOs His Dark Materials and most recently has directed the first four episodes of the smash hit Netflix Show, BABY REINDEER which is written and created by, as well as starring Richard Gadd.  She is in development on her feature project POLYPHONY with Film4 and also co-wrote LOVE LIES BLEEDING   Nuggets of the week Weronika: Jerry Seinfeld wisdom. Oz: Go to the lake district. Marcus: Take the time to celebrate your wins as they happen.   Credits Music by Oliver Wegmüller   Socials Weronika: Twitter (X) & Instagram The Directors' Take: Twitter (X) & Instagram Marcus: Twitter (X) & Instagram Oz: Twitter (X) & Instagram   If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at TheDirectorsTake@Outlook.com.  

Just a single installment of @EchoChamberFP https://www.instagram.com/echochamberfp/ this week, but not scrimping on the energy!!! Lionsgate starts us off with the latest part of their horror franchise. Then Amazon MGM Studios, Welle Entertainment & I'll Have Another adapt a well loved book, while Amazing People Pictures & Vision Films shine the light on dementia. We go to prom thanks to Hartbeat Productions, American High & LD Entertainment. THEN, A24, Film4 & Lionsgate UK bring us big muscles, big energy, and big emotions!!! Today we have: Saw X Watch Review: Here. https://youtu.be/zvXBSM_cq2w Fantastic Fest: 27th September 2023 Theatrical Release Date: 29th September 2023 US Digital Release Date: 20th October 2023 UK Digital Release Date: 26th April 2024 Director: Kevin Greutert Cast: Tobin Bell, Shawnee Smith, Synnøve Macody Lund, Steven Brand, Renata Vaca, Joshua Okamoto, Octavio Hinojosa, Paulette Hernández, Jorge Briseño, Costas Mandylor, Michael Beach, Isan Beomhyun Lee, David Alfano, Katie Barberi, Lucía Gómez Robledo, Donagh Gordon Running Time: 118 min Cert: 18 Trailer: Here. https://youtu.be/t3PzUo4P21c?si=QO132iMlX6mMnU91 Digital Platforms: Apple TV, Prime Video, YouTube, Google, Vudu, Vubiquity, Cox, and Comcast Website: Here. https://www.saw.movie/ ---------------- The Idea Of You Watch Review: Here. https://youtu.be/VwvtHebb-BA South by Southwest: 16th March 2024 Digital Release Date: 2nd May 2024 Director: Michael Showalter Cast: Anne Hathaway, Nicholas Galitzine, Ella Rubin, Annie Mumolo, Reid Scott, Perry Mattfeld, Jordan Aaron Hall, Mathilda Gianopoulos, Meg Millidge, Raymond Cham Jr, Jaiden Anthony, Viktor White, Dakota Adan Running Time: 116 min Cert: 15 Trailer: Here. https://youtu.be/V8i6PB0gGOA?si=4CZ-MYvIn91weTpu Website: Here. https://press.amazonmgmstudios.com/us/en/original-movies/the-idea-of-you ---------------- Ruby's Choice Watch Review: Here. https://youtu.be/857WmYwS4QM CinefestOZ: 29th August 2021 Oz Theatrical Release Date: 3rd March 2022 US Theatrical Release Date: 26th April 2024 Digital Release Date: 7th May 2024 Director: Michael Budd Cast: Jane Seymour, Jacqueline McKenzie, Coco Jack Gillies, Stephen Hunter, Nicole Pastor, Brendan Donoghue, Rory Potter, Sam Rechner, Tim Omaji, Michael Budd, Kate Ryerson, Akira Fujii, Jenna Kenney, Sean Foster, Adrian Glen, Craig Bourke Running Time: 117 min Cert: 12a Trailer: Here. https://youtu.be/omYDwdk5jdA Digital Platforms: Apple TV, Prime Video, YouTube, Google, Vudu, Vubiquity, Cox, and Comcast Website: Here. https://highfliersfilms.co.uk/movie/v4p3h3q4l3n4h483/rubys-choice ---------------- Prom Dates Watch Review: Here. https://youtu.be/lGOYoOsw8Gg Digital Release Date: 3rd May 2024 Director: Kim O Nguyen Cast: Julia Lester, Antonia Gentry, JT Neal, Jordan Buhat, Kenny Ridwan, Zión Moreno, Terry Hu, John Michael Higgins, Chelsea Handler, Arianna Rivas, Emery Kelly, Audrey Trullinger, Millie Thorpe, Hailey Philip, Adam Herschman, Shea Buckner Running Time: 90 min Cert: 15 Trailer: Here. https://youtu.be/JiUH6LiuMPk?si=-IRBgWqZL7DykJKj ---------------- Love Lies Bleeding Watch Review: Here. https://youtu.be/XD0KcJX2334 2024 Sundance Film Festival: 20th January 2024 US Theatrical Release Date: 8th March 2024 UK Theatrical Release Date: 3rd May 2024 Director: Rose Glass Cast: Kristen Stewart, Katy O'Brian, Jena Malone, Anna Baryshnikov, Dave Franco, Ed Harris, Eldon Jones, Orion Carrington, Matthew Blood-Smyth, Keith Jardine, Tait Fletcher, Jerry G. Angelo, David DeLao Running Time: 104 min Cert: 18 Trailer: Here. https://youtu.be/BF_J3-DmiS0?si=w1m8f-k4IpwyWy6l Website: Here. https://tickets.loveliesbleeding.movie/ ---------------- *(Music) 'Da Joint' (Instrumental) by EPMD - 2020 --- Send in a voice message: https://podcasters.spotify.com/pod/show/eftv/message

We're back and it's a special episode we have for you. It's our first live podcast panel event. Which was in collaboration with Short Circuit. We are over the moon with this collab as it's allowed us the bring you The Women In Film: Braking Barriers and Changing Narratives panel discussion with three incredible women. Nikki Parrott, Raisah Ahmed and Sarah Grant. Statement on the future of Short Circuit shortcircuit.scot/delivery-statement Nikki Parrott Tigerlily Productions is a multi-award-winning independent production company with a reputation for tackling powerful subject matter with sensitivity and artistry. Their output covers scripted and non- scripted documentaries, arts and music, history and current affairs across a range of media. In 2018, Tigerlily Two in Scotland was formed with the purpose of exploring new talent and stories outside London, and to be a prominent co-producer for international projects and teams. It is run out of Glasgow and headed by Nikki as Managing Director. In their first three years, they co-produced two feature documentaries POLY STYRENE I AM A CLICHÉ, which won two BIFAs including best documentary, IS THERE ANYBODY OUT THERE? which premiered at Sundance, and produced HONG KONG MIX TAPE, which premiered at Glasgow Film Festival this year and Hot Docs Toronto. WBSITE RAISAH AHMED Raisah Ahmed is a Screenwriter and Director who works across film and television. She has been working with Producer Zorana Piggott and Film4 on a feature project called Half-Moon Camp which looks at the journey of Indian Muslim Soldiers in WW1 as well as developing Safar a cross generational female road trip film with Zorana. Other credits include directing on CBBC's Sparks, Princess Mirror-Belle and Molly & Mack, BBC3's The Break and writing on BBC The Social's phone drama Control, CBBC's Molly & Mack and the recently announced WB Discovery animated series 'Toad and Friends'. She has been part of the writers room for Season 1 and 2 of Ch4 Series ‘We Are Lady Parts' and often consults on tv and film projects with a focus on Muslim and South Asian characters. She is currently developing the adaptation of Martin Sixsmith's ‘Ayesha's Gift' for television with Freedom Scripted, on which she's also an EP. She is also developing 'Nur' a 6 part original romcom for television with Channel X Hopscotch. As well as writing and directing, Raisah also sits on the BAFTA Scotland Committee, the board of the Scottish Youth Film Foundation and Bijli Productions, and chairs the Glasgow Film Festival Industry Advisory Group. WEBSITE:www.raisahahmed.com SARAH GRANT Sarah is a writer, director and performer based in Glasgow. She has a number of BAFTA qualifying shorts under her belt, and has created short-form work for BBC The Social and BBC Short Stuff, gaining tens of millions of views across digital and social media. She is moving towards writing and directing long form for film and television, shadowing Jack Clough as part of the BBC Comedy Bursary, and other programmes such as Young Films Residency, BAFTA Flare, the EIFF Talent Lab, and UKTV Comedy 50:50 pilot initiative. She also has work in development with BBC Studios, Candle and Bell, and Northbridge Media. Sarah is committed to creating body positive, sex positive and inclusive female-led stories that are honest, feminist and fearless. WEBSITE: www.sarahgrantcreative.com OUR WEBSITE - www.persistentandnasty.co.uk Persistent Pal & Nasty Hero - Pals and Hero Membership

You've heard of American Idiot and American Psycho…but buckle up for American Mary.  You may not have to say her name in the mirror 3 times to summon her, but if you cross her path, you'll end up bloody. ***CONTENT WARNING: sexual assault, discussion of r*pe Follow us on Instagram at @thewhorrorspodcast Email us at thewhorrorspodcast@gmail.com Artwork by Gabrielle Fatula (gabrielle@gabriellefatula.com) Music: Epic Industrial Music Trailer by SeverMusicProd Standard Music License  Works Referenced: American Mary IMDB: https://www.imdb.com/title/tt1959332/trivia/?ref_=tt_trv_trv American Mary Wiki: https://en.wikipedia.org/wiki/American_Mary The Soska Sisters on American Mary by Film4: https://medium.com/@Film4/the-soska-sisters-on-american-mary-c834e2d103ef The Unsexiness of “American Mary” by Rosey Howell: https://www.citizenjane.org/home/american-mary

Critique cinéma par François Bégaudeau du film "La Zone d'intérêt" de Jonathan Glazer. En Pologne, une famille nazie loge juste à l'entrée d'un camp d'extermination. A la tête de ce camp, le commandant Rudolf Höss jouit du confort de son pavillon de fonction avec femme et enfants sans que leur quotidien ne soit perturbé par l'entreprise de mort qui leur fait face. Date de sortie : 31 janvier 2024 © 2024 – Bac Films, A24, Film4, Access, Polish Film Institute Musiques : © The Zone of interest - Mica Levi

This week we discuss Yorgos Lanthimos' Best Picture nominated film "Poor Things." First, we discuss the book and the film's long path to production. Then, we dive into the film and gush over a film we both loved. Finally, we each pair the film with another for a set of double bills! Thank you so much for listening!Created by Spike Alkire & Jake KelleyTheme Song by Breck McGoughFollow us on Instagram: @DoubleBillChillLetterboxd: FartsDomino44

Dallas and Lee both rate 'Under the Skin' by director Jonathan Glazer as their favourite A24 film to date and after a decade he's returned with 'The Zone of Interest'. The Oscar nominated film follows Auschwitz commandant Rudolf Höss and his wife Hedwig strive to build a dream life for their family in a house and garden beside the camp.

In this episode of The Directors' Take podcast, your hosts Oz Arshad and Marcus Anthony Thomas are joined by Annetta Laufer, a Writer/Director who has directed episodes of Dr. Who and the upcoming HBO series Get Millie Black. Annetta, like many of us, was stuck in an endless loop of directing short films, but remained true to her taste and principles, whilst waiting for the TV and Film industry to reach the place where her voice is situated. We dig down into her journey and talk about the following:   -Why did you begin directing? -Do you think schemes are helpful? -How did you get your break in TV directing? -What is the biggest difference between shorts and TV? -How do you prep when working in TV? -What is a script supervisor? -What are the most difficult challenges a director faces when working in TV?   Biography Annetta is a Writer/Director and the founder of Roman Candle Productions, a film production company focused on black and female–led films. Her short films have screened at national and international film festivals including Encounters Film Festival, London Short Film Festival, Aesthetica Film Festival, Pan African Film Festival and Uppsala Film Festival.Her short films have earned her the Best Film award at the BFM International Film Festival/Screen Nation for WINNIE AND THE DUPPYBAT, which was also a finalist for the HBO Short Film Award at the American Black Film Festival. She won the Best Screenwriter award at the Indian Cine Film Festival in Mumbai for SCARLET, Best Short Film award at the Black International Film Festival for AFRO PUNK GIRL and was BAFTA long-listed for her last short film THE ARRIVAL. Annetta is currently developing her feature film COLONY ROOMS, a drama set within the Caribbean community in 1960s Soho London, with the BFI and producer Joy Gharoro Akpojotor (Blue Story, Boxing Day). She is also developing her 2nd feature film WILD SWIMMING (RIVER MISTRESS) with producer Yvonne Isimeme Ibazebo (Netflix/Top Boy, Fox Searchlight/Rye Lane) and Film4, and developing her first TV series LEMON FISH with Buccaneer Media. As a director, Annetta directed the 2022 New Years Special of the British TV Series DOCTOR WHO for BBC Studios. She is also attached to Morgan Lloyd Malcolm's upcoming film adaptation of her Laurence Olivier Award winning play EMILIA, based on the life and times of Renaissance poet and Shakespeare contemporary Emilia Bassano. Manon Ardisson (God's Own Country) and Chiara Ventura from Ardimages UK are producing. Annetta is represented by Josh Varney and Hannah Linnen at 42 Management.   Nuggets of the week Annetta: The Last of Us Oz: Hustle Harder, Hustle Smarter by Curtis "50 Cent" Jackson Marcus: How Michelle Yeoh Threatened 'Everything Everywhere' Directors Daniel Kwan and Daniel Scheinert.   Credits Music by Oliver Wegmüller   Socials Annetta: Instagram The Directors' Take: Twitter (X) & Instagram Marcus: Twitter (X) & Instagram Oz: Twitter (X) & Instagram   If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at TheDirectorsTake@Outlook.com.

This week's guest is Farhana Bhula, the Head of Creative at Film4, where she  has overseen production on a mix of projects from debut to established filmmakers.  Those projects include How to Have Sex by Molly Manning Walker, Layla by Amrou Al-Kadhi and All Of Us Strangers by Andrew Haigh starring Paul Mescal and Andrew Scott.   She joined Film4 in 2022 from the BFI where she was a Senior Development and Production Executive and worked on Scrapper by Charlotte Regan, Pretty Red Dress by Dionne Edwards, Reggie Yates' Pirates, Aml Ameen's Boxing Day, debbie tucker green's ear for eye, Ben Sharrock's Limbo and Aleem Khan's After Love.   Prior to the BFI, she was head of development at Wildgaze Films (Brooklyn, An Education) and a development executive at Endor Productions. She has also produced shorts and a micro-budget feature. We talk about how she discovered development was a thing and why she felt suited to it, her roles at Wildgaze Films and the BFI Film Fund, the differences between working for a public funding body and a public service broadcaster, what she thinks makes a good debut feature and how she creates a good working relationship with filmmakers, the impetus behind the recent Future Takes scheme and the book she thinks is a must-read if you work in development…   SHOW NOTES Buy Farhana's book recommendation ‘A Swim in a Pond in the Rain' Watch the trailer for ‘How To Have Sex' Discover the nine projects Film4 and BFI are funding through the Future Takes programme Read an interview with Farhana and the development team at Film4  Find out where to watch Scrapper Find out where to watch Pretty Red Dress  

It's here, the last day (Day 12) of this years BFI London Film Festival (4th to 15th October 2023)!!! Our @EchoChamberFP https://www.instagram.com/echochamberfp/ coverage comes to an end with a Short from the 'No Place Called Home' block, and the 'Closing Night Gala', a new film about being lost in a near future! Today we have: South Facing Watch Review: Here. https://youtu.be/_LFKCarA1-Y BFI London Film Festival Film Strand: Shorts (No Place Called Home) Friday, 6th 2023 at 18:00pm BFI Southbank Ticket Info: Here. https://whatson.bfi.org.uk/lff/Online/default.asp?BOparam::WScontent::loadArticle::permalink=no-place-called-home-lff23 Theatrical Release Date: 27th October 2023 Digital Release Date: 3rd November 2023 Director: Reneque Samuels Cast: Déja J. Bowens, Juliet Garricks, Anthony J. Abraham, Victoria Serra, Faith Edwards Credit: BFI Network, COOC Productions Genre: Drama, Short Running Time: 10 min Cert: PG Website: Here. https://www.coocproductions.com/film-tv-projects ------------ The Kitchen Watch Review: Here. https://youtu.be/uG3ft_gVcs0 BFI London Film Festival Film Strand: Galas Sunday, 15th 2023 at 19:15pm Royal Festival Hall Sunday, 15th 2023 at 21:00pm Curzon Soho Cinema Ticket Info: Here. https://whatson.bfi.org.uk/lff/Online/default.asp?BOparam::WScontent::loadArticle::permalink=kitchen-lff23 Director: Daniel Kaluuya, Kibwe Tavares Cast: Kane Robinson, Jedaiah Bannerman, Hope Ikpoku Jr, Teija Kabs, Demmy Ladipo, Cristale, BackRoad Gee, Dani Moseley, Ian Wright Credit: 59% Productions, DMC Film, Factory Fifteen, Film4, Netflix Genre: Adventure, Drama, Sci-Fi, Thriller Running Time: 98 min Cert: 18 ------------ *(Music) 'Wake Up' by Arcade Fire - 2004 --- Send in a voice message: https://podcasters.spotify.com/pod/show/eftv/message

We are now into 'Day 5' of the BFI London Film Festival (4th to 15th October 2023)! Today's @EchoChamberFP https://www.instagram.com/echochamberfp/ coverage check's out two films. One's a thriller, the other a romantic drama, and both subvert perception!!! Today we have: Eileen Watch Review: Here. https://youtu.be/xfZpEmYFLEs Sundance Film Festival: 21st January 2023 BFI London Film Festival Film Strand: Dare Sunday, 8th 2023 at 20:40pm Curzon Mayfair Monday, 9th 2023 at 15:00pm Royal Festival Hall Saturday, 14th 2023 at 17:45pm BFI Southbank Saturday, 14th 2023 at 18:00pm Curzon Soho Cinema Theatrical Release Date: 1st December 2023 Director: William Oldroyd Cast: Thomasin McKenzie, Shea Whigham, Anne Hathaway, Owen Teague, Marin Ireland, Jefferson White, Tonye Patano, Siobhan Fallon-Hogan Credit: Universal Pictures, Fifth Season, Film4, Likely Story, Scott Rudin Productions, Omniscient Productions, Lost Winds Entertainment Genre: Drama, Mystery, Thriller Running Time: 97 min Cert: 18 Trailer: Here. https://youtu.be/o1lBeXgwSKc?si=Vg-Tzk6PcgDF1E8H Website: Here. https://whatson.bfi.org.uk/lff/Online/default.asp?doWork::WScontent::loadArticle=Load&BOparam::WScontent::loadArticle::article_id=F09C0BF2-0488-4421-A000-1B2133EBC1B2&BOparam::WScontent::loadArticle::context_id=CAAAA091-A670-4F30-A668-76133FD06301 ------------ All of Us Strangers Watch Review: Here. https://youtu.be/IDcb30wGgYA 50th Telluride Film Festival: 31st August 2023 BFI London Film Festival Film Strand: Galas Sunday, 8th 2023 at 18:00pm Royal Festival Hall Monday, 9th 2023 at 15:00pm Royal Festival Hall Tuesday, 10th 2023 at 18:30pm BFI Southbank Tuesday, 10th 2023 at 21:15pm Curzon Soho Cinema US Theatrical Release Date: 22nd December 2023 UK US Theatrical Release Date: 26th January 2024 Director: Andrew Haigh Cast: Andrew Scott, Paul Mescal, Jamie Bell, Claire Foy, Carter John Grout Credit: Film4, TSG Entertainment, Blueprint Pictures, Searchlight Pictures Genre: Drama, Fantasy, Romance Running Time: 105 min Cert: 18 Trailer: Here. https://youtu.be/O97iSjvqBlY?si=llfJFGqhHthr3Jz7 Website: Here. https://whatson.bfi.org.uk/lff/Online/default.asp?BOparam::WScontent::loadArticle::permalink=all-of-us-strangers-lff23 X: @AOUStrangers https://twitter.com/AOUStrangers Facebook: Here. https://www.facebook.com/AOUStrangers Instagram: @aoustrangers https://www.instagram.com/AOUStrangers ------------ *(Music) 'Wake Up' by Arcade Fire - 2004 --- Send in a voice message: https://podcasters.spotify.com/pod/show/eftv/message

It's time for another @EchoChamberFP https://www.instagram.com/echochamberfp/ episode!!! And this week, we have a comedy from Fifth Season & Watch This Ready, we return to a slasher franchise with Paramount Pictures, Spyglass Media Group. Pixar latest gets a look, and Alternate Current bring us to re-releases. First a British classic from Warp Films & Film4, then a slick revenge yarn from Entertainment Film Distributors, Vertigo Releasing!!! Today we have: 80 for Brady Watch Review: Here. https://youtu.be/0_yHDqm-XLM Theatrical Release Date: 3rd February 2023 Digital Release Date: 8th September 2023 Director: Kyle Marvin Cast: Lily Tomlin, Jane Fonda, Rita Moreno, Sally Field, Tom Brady, Billy Porter, Harry Hamlin, Guy Fieri, Alex Moffat, Rob Corddry, Glynn Turman, Ron Funches, Bob Balaban, Jimmy O Yang, Matt Lauria, Sara Gilbert, Sally Kirkland, Andy Richter, Gus Kenworthy, Brian Jordan Alvarez, Marshawn Lynch, Patton Oswalt, Retta, Danny Amendola, Julian Edelman, Rob Gronkowski Running Time: 98 min Cert: 12a Trailer: Here. https://youtu.be/-UeGXB2NjR8?si=OnEQrZAEoU-SBHHC ------------ Scream VI Watch Review: Here. https://youtu.be/5YBglPdXqlQ AMC Lincoln Square Theater: 6th March 2023 Theatrical Release Date: 10th March 2023 Digital Release Date: 8th September 2023 Director: Matt Bettinelli-Olpin, Tyler Gillett Cast: Melissa Barrera, Jenna Ortega, Jasmin Savoy Brown, Jack Champion, Mason Gooding, Roger L. Jackson, Liana Liberato, Dermot Mulroney, Devyn Nekoda, Henry Czerny, Tony Revolori, Josh Segarra, Skeet Ulrich, Samara Weaving, Hayden Panettiere, Courteney Cox, Jack Quaid Running Time: 122 min Cert: 18 Trailer: Here. https://youtu.be/h74AXqw4Opc?si=zS6-XgOOEYDcuhtn ------------ Elemental Watch Review: Here. https://youtu.be/JkUC-SoF16k 76th Cannes Film Festival: 27th May 2023 Theatrical Release Date: 16th June 2023 Digital Release Date: 13th September 2023 Director: Peter Sohn Cast: Leah Lewis, Clara Lin Ding, Reagan To, Mamoudou Athie, Ronnie del Carmen, Shila Ommi, Wendi McLendon-Covey, Catherine O'Hara, Mason Wertheimer, Ronobir Lahiri, Wilma Bonet, Joe Pera, Matt Yang King, Jeff LaPensee, Ben Morris, Jonathan Adams, P.L. Brown Running Time: 109 min Cert: PG Trailer: Here. https://youtu.be/hXzcyx9V0xw?si=WEqnCWmuX2PBCmk7 ------------ Dead Man's Shoes Watch Review: Here. https://youtu.be/rQpuO57VU5I Dolby Theatre: 8th May 2023 Theatrical Re-release Date: 15th September 2023 Director: Shane Meadows Cast: Paddy Considine, Toby Kebbell, Gary Stretch, Stuart Wolfenden, Neil Bell, Paul Sadot, Seamus O'Neil, George Newton, Paul Hurstfield, Emily Aston, Jo Hartley, Craig Considine, Matt Considine, Andrew Shim, Kephas Leroc Running Time: 83 min Cert: 18 Trailer: Here. https://youtu.be/4k9mkQjEzuY ---------------- Lucky Number Slevin Watch Review: Here. https://youtu.be/NzOmlfghjwU Premiere Release Date: 24th February 2006 Theatrical Release Date: 7th April 2006 Digital Release Date: 18th September 2023 Director: Paul McGuigan Cast: Josh Hartnett, Bruce Willis, Lucy Liu, Morgan Freeman, Ben Kingsley, Stanley Tucci, Michael Rubenfeld, Peter Outerbridge, Kevin Chamberlin, Dorian Missick, Mykelti Williamson, Scott Gibson, Sam Jaeger, Danny Aiello, Corey Stoll, Rami Posner, Robert Forster, Jennifer Miller Running Time: 110 min Cert: 18 Trailer: Here. https://youtu.be/zYqHPP0Ffik?si=t1TnPG1cRSqmtL6U -------------- *(Music) 'Kansas City Shuffle' by J. Ralph - 2006 --- Send in a voice message: https://podcasters.spotify.com/pod/show/eftv/message

In this episode of The Directors' Take podcast, your hosts Oz Arshad and Marcus Anthony Thomas are joined by Amy O'Hara who is a Development & Production Exec at Film 4. We began this podcast as people who are actively working at making our own TV and Feature Film projects, but the pathway towards this goal is extremely rocky, murky, difficult etc... So we brought Amy on to help break this process down for us/you all. This conversation includes:   -What are Development and Production Execs? -How do they find, develop and nurture new and emerging talent? -What do they look for in filmmakers and projects? -How do you submit projects to Film4? -What does payment look like when developing a feature with Film4? -What does a good development process look like? -We also cover a bunch of listeners questions too!   Amy O'Hara is a seasoned Development and Production Executive who joined Film4 in October 2021. Her career in the film industry has been marked by a strong commitment to nurturing new and emerging talent. Prior to her current role at Film4, she held the position of BFI NETWORK Talent Executive at Film Hub North, where she closely collaborated with aspiring writers, directors, and producers, overseeing a diverse slate of films.  Amy previously worked at Film4 company from 2013 to 2016, serving as the assistant to the late Sue Bruce-Smith, who was the deputy director at the time. Between her two tenures at Film4, Amy gained experience at the International Distribution company STX, where she served as a Marketing Executive, focusing on UK Productions.  With a track record of championing innovative projects and diverse voices, Amy O'Hara continues to play a pivotal role in shaping the future of UK storytellers at Film4.   Nuggets of the week Oz: Guy Ritchie's Kingdom: Master Your Life and Own Your Game Marcus: The Deepest Breath - Netflix/A24 Documentary Amy: Sharon Van Etten - Quiet Eyes | Past Lives (song) Annie Dillard - The Writing Life  'How we spend our days is of course how we spend our lives.'   Credits Music by Oliver Wegmüller   Socials Instagram: @TheDirectorsTakePodcast Twitter: @DirectorsTake Amy: Twitter (X)   If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at TheDirectorsTake@Outlook.com.

This week's guest is producer Helen Gladders. I became aware of Helen's work through the 2016 short film RHONNA & DONNA, directed by Daina O. Pusic, and then I kept seeing her name popping up everywhere and knew she was a producer to watch.  More things you might want to know about Helen:   She is a graduate of the National Film and Television School having done their MA in Producing for Film & Television. She set up her own company Gingerbread Pictures in October 2016 and was nominated for the “Best Producer” award at Underwire for her short THE WYRD written and directed by Chloë Wicks, in 2017. She is an alumni of the BFI NETWORK'S Producer weekender, Edinburgh Film Festival talent lab, and NETWORK@LFF. Her recent short films include NIGHT BUS directed by former podcast guests Jessica & Henrietta Ashworth and the Film4 & BFI Network backed RUN written & directed by former podcast guest Ruth Greenberg and starring Niamh Algar.  At the time of recording, she was in post-production on her first feature TUESDAY, written and directed by Daina O. Pusic, starring Julia Louis-Dreyfus and Lola Petticrew and backed by A24, BBC Films, BFI, and Cinereach. And excitingly, the film has since had two festival appearances confirmed. It will premiere at this year's Telluride festival in the US, followed shortly after by the BFI London Film Festival, where it will screen in the First Feature Competition.  Elsewhere, Helen is busy working on several projects including debut features from filmmakers Jessica & Henrietta Ashworth, Astrid Thorvaldsen, Morayo Akande and Zoe Alker. We talk about how Helen discovered a knack for producing, her experience studying at NFTS, establishing a vision and a voice for her production company, the short film funding landscape, what it means to package a project, the differences between producing shorts and features, and how Titanic kickstarted both of our fascinations with the film industry…   SHOW NOTES: Watch Helen's shorts RHONNA & DONNA, RUN and NIGHT BUS. Listen to my episodes of Best Girl Grip with filmmakers Ruth Greenberg and Jessica & Henrietta Ashworth.   Read Deadline's review for the feature TUESDAY, starring Julia Louis-Dreyfus. Buy tickets for TUESDAY at the BFI London Film Festival.  Find out where you can watch Helen's film recommendation: JUMBO.  For more conversations with producers, listen to episodes of Best Girl Grip with Jeanie Igoe, Chi Thai, Sarah Brocklehurst, Emily Morgan and Elhum Shakerifar.     

In this episode, our host Adrian Ellis speaks with Hilary Knight, Senior Consultant at AEA Consulting. The two focus on all things digital within the cultural sector; from engaging online and in-person audiences to the importance of developing digital strategies, Hilary shares her extensive knowledge on this crucial and fast-evolving field.External references: Hilary Knight's LinkedIn: https://www.linkedin.com/in/hilarycpknight/ The Tate: https://www.tate.org.uk/ The Tank Museum: https://tankmuseum.org/ The Tank Museum's YouTube Channel: https://www.youtube.com/user/thetankmuseum 59 Productions: https://59productions.co.uk/ Kings Cross: https://www.kingscross.co.uk/ V+A Museum's Exhibit, Alice: Curiouser and Curiouser: https://www.vam.ac.uk/exhibitions/alice-curiouser-and-curiouser The Space Economy: https://en.wikipedia.org/wiki/Space-based_economy Hilary Knight Bio: Hilary is a senior executive with over 20 years of experience delivering strong growth and performance for creative and cultural organisations, including the Tate, Channel 4, Film4, and BBC. A highly commercial leader, she combines a wealth of experience in strategy and leadership with deep experience in digital and new technologies, audience-centric approaches, and agile methodologies, enabling organisations to remain competitive and significant in their space. Her career began with BBC Radio 1 where she led on content production for digital platforms and online channels at the advent of the transition into digital music and social media. This was followed by a long career with Channel 4, leading online and digital content for Channel 4's news and documentary output, Film4's channel and production house, and Channel 4 drama.As Director of Digital for Tate, she developed and delivered a strategy that generated double-digit, year-on-year growth to its digital audience, and worked with the organisation to embed digital within their core capabilities and practices.

In this episode of The Directors' Take podcast, your hosts Oz Arshad and Marcus Anthony Thomas are joined by Writer/Director Raisah Ahmed. Raisah talks us through her journey into filmmaking, discussing her work as a writer in Sundance Writers' Lab, gaining her first TV directing credits, navigating the tricky world of development and her work on the hit Channel 4 TV show We are Lady Parts. This chat covers:   -Why did she get into films and TV? -What made her begin writing? -The journey toward directing her first short. -Her work within childrens TV and directing children. -Her work in development and development hell! -Navigating the industry as a woman of colour. -What the future holds.   Raisah Ahmed is a Writer & Director based in Glasgow Scotland. Her first funded short ‘Meet me by the water' was commissioned by the Scottish Film Talent Network and premiered at Edinburgh International Film Festival, with a feature based on the same short further developed under the mentorship of Olivia Stewart and was also shortlisted for Sundance Writers Lab. Raisah has since gone on to gain several TV directing credits as a part of BBC's The Break, Sparks and also with childrens TV shows Princess Mirror-Belle and Molly and Mack. She hasn't stopped writing though… Oh no.  She wrote on the hit Channel 4 Show We Are Lady Parts created by Nida Manzoor and currently has several feature films in active development which have been done in partnership with the BFI and Film4 and her producer Zorana Piggott. And it has just been announced that you are adapting Martin Sixsmith's follow up to Philomena, a family drama, detective story and thriller titled Ayesha's Gift into a 6 part TV series.    Nuggets of the week Oz: Cadrage App Marcus: Ponysmasher - Communicating Your Vision as a Directo Raisah: Get out of the house and experience something outside of your own art form.   Credits Music by Oliver Wegmüller   Socials Instagram: @TheDirectorsTakePodcast Twitter: @DirectorsTake Raisah's socials: Twitter & Instagram   If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at TheDirectorsTake@Outlook.com.

Ali & Cev have a quick dip into the wild catalogue of Film 4, the British production company as it celebrates its 41st birthday. it would've been 40th, but they're very slow with these things...Edit & Music By Cevin Moore Contact: @FilmGuff www.filmguff.comGoodbye & thanks for all the fish.

Written and performed by Deborah Haywood.A 15-year-old girl discovers she is pregnant and must decide what to do, in this candid and timely story. Deborah was named as one of the Biggest Breakout Female Filmmakers by Harper's Bazaar in 2018, and a Screen International Star of Tomorrow in 2007. Her debut feature film, Pin Cushion (2018) opened Critic's Week at Venice International Film Festival in 2017, was nominated for three BIFAs, and long-listed for the Evening Standard Awards. Deborah is developing projects with the BFI, Film4, BBC Films and Brock Media. This is the fourth episode of our brand new anthology podcast. We'll be back every Monday with original, intimate stories from writers, performers and filmmakers.Subscribe, rate and review on Apple Podcasts and Spotify. SHOW NOTESFollow Deborah on Instagram.Follow Deborah on Twitter. Follow Brock Media on Instagram or Twitter.Watch Pin Cushion (2018) on BFI Player. Watch Eliza Hittman's Never Rarely Sometimes Always (2020) on several platforms. Read an interview with Deborah in Sight & Sound. Producer: Nicole Davis (she/her)Executive Producer: Sarah Brocklehurst (she/her)Production Assistant & Assistant Story Editor: Amy Yeo (she/her)Sound Design and Mixing: Tom Whalley (he/him)Artwork: Bett Norris (she/her). Hosted on Acast. See acast.com/privacy for more information.

Nick Scott is the Creative Director of Studio Hansa. The firm leverages his background as a filmmaker by specializing in creating truly moving content for brands like the BBC, Chivas, Google, and, recently, Ukraine's public broadcasting company. We discussed all of this and more this week on the On Brand podcast. About Nick Scott Founding the studio with over 20 years of experience at the highest levels of filmmaking, Nick Scott has directed numerous international TV series, multiple BAFTA, and Oscar-qualifying shorts as well as documentaries for world-leading brands. His storytelling lists award-winning and entertainment projects across household name brands such as BBC, Film4, Virgin, CBS, Tilda, Chivas, Novotel, and Google. Nick has just completed his first feature film: Me & The Sea Episode Highlights “Simple brands are the best brands,” Nick said. “Simple brands have simple stories just like the best novels and the best movies have simple loglines.” But the foundation is key. And what's at the foundation? “A good brand.” But sometimes building and rebuilding brands—even a simple brand—can be a complex process as Studio Hansa found when they were approached by Ukraine's public TV broadcaster. Rebranding by … de-branding? Yes, you read that correctly. “To rebrand the state TV in Ukraine we had to do a lot of de-branding to build trust.” What brand has made Nick smile recently? “Nike—I like so much of what they've done,” Nick noted. However, his recent smile was prompted by a moving image of LeBron James when he broke the NBA's scoring record. To learn more, check out the Studio Hansa website. As We Wrap … Listen and subscribe at Apple Podcasts, Spotify, Amazon/Audible, Google Play, Stitcher, TuneIn, iHeart, YouTube, and RSS. Rate and review the show—If you like what you're hearing, be sure to head over to Apple Podcasts and click the 5-star button to rate the show. And, if you have a few extra seconds, write a couple of sentences and submit a review to help others find the show. Did you hear something you liked on this episode or another? Do you have a question you'd like our guests to answer? Let me know on Twitter using the hashtag #OnBrandPodcast and you may just hear your thoughts here on the show. On Brand is a part of the Marketing Podcast Network. Until next week, I'll see you on the Internet! Learn more about your ad choices. Visit megaphone.fm/adchoices

Join Andrew, Bruce and Chris, coming to you live from the human arena for the first episode of Season 7 of the Ten Point Podcast. This week they're discussing The Human Race chosen by Andrew! Tune in to the only Podcast you'll find which covers deep and meaningful questions such as "Is this the worst movie chosen by Andrew?", "Is this the most grim movie we've featured?" And "Just because you can, does it mean you should?". Lend us your ear as we talk about hot topics including "Film4 shows some pish", the classic bait and switch, an underdog story, an unexpected contestant, how circumstances can make someone a knob... and more! www.tenpointpodcast.com #Movie, #Film, #TenPointPodcast, #MoviePodcast, #Podcast, #Action, #Horror, #Thriller, #SciFi, #TheHumanRace, #EddieMcGee, #PaulMccarthyBoyington, #TristaRobinson, #PaulHough,

Olive Nwosu is a Nigerian filmmaker, a BAFTA Pigott 2020 Scholar, an Alex Sichel Fellow at Columbia University School of the Arts, and one of four ‘African Promises' directors selected by the Institut Français. She has directed two award-winning short films: TROUBLEMAKER and EGÚNGÚN (MASQUERADE), both set in Nigeria and which have screened in numerous film festivals, including Sundance, the BFI London Film Festival, TIFF and the Aspen Shortsfest. The latter was also nominated for Best British Short Film at the BIFAs in 2021.  Earlier this year, Olive took part in an online edition of the Sundance Screenwriting Lab and she is currently developing her first feature film with Film4.  We talk about initially studying engineering and how she discovered, and decided to pursue, filmmaking, some of the difficulties Olive has experienced in sustaining a practice and what that practice looks like. We also talking quite in-depth about Olive's short film EGÚNGÚN (MASQUERADE) and how that film came to be, what she wanted to explore, how she crafted its visual language and finding the right collaborators.  I saw that film and Olive speak on a panel at Sundance London and was immediately beguiled both by her cinematic voice and by how she spoke about the film on stage and I knew straight away I would love to have her on the podcast and the conversation we had didn't disappoint. I think Olive is a really special filmmaker and I was incredibly privileged to share this space and this moment in time with her.

Ellen E Jones and Mark Kermode celebrate 40 years of Film4 with a quartet of famous film-makers who have been part of its rich history and legacy. Founded in 1982, Film4 soon became an iconic and vital voice in British film. It has fostered a reputation for producing gritty, diverse stories from unheard voices as well as championing the more leftfield and experimental side of British cinema. Ellen looks at Film4's origins in conversation with Stephen Frears who directed the very first Film4 film, Walter. Walter stars Sir Ian McKellen as a young man with learning difficulties and the film documents his struggles in Margaret Thatcher's Britain. Frears continued to explore life in 80's Britain in the now iconic and still ground-breaking My Beautiful Laundrette. Stephen and Ellen discuss what the film meant at the time and why it remains relevant. Mark talks to Gurinder Chadha. In 1993 her Film4 produced debut, Bhaji on the Beach, became the first full-length feature film made by a British Asian Woman. Gurinder and Mark discuss the importance of Film4 in championing minorities and what the British film industry was like before and after Film4's emergence. Ellen chats with Ben Wheatley about Film4's response to his irreverent 2011 folk horror film Kill List as well as the multi-platform release of 2013's A Field in England. They talk about how Film4 has always made space for the more uncommercial and experimental side of British cinema. Finally, Mark talks to Clio Barnard about her 2013 Film4 debut, The Selfish Giant. A social realist adaptation of an Oscar Wilde story, Clio discusses how Film4 supported her as an artist and allowed her to share her unique and touching tale. This week's Viewing Note is courtesy of former Film4 head and veteran producer, Paul Webster. Producer: Hester Cant A Prospect Street production for BBC Radio 4

1. Dead Or Alive - You Spin Me (Right) Round (Like A Record) (Extended Mix)2. Madonna - Material Girl3. Duran Duran - Girls on Film4. Starpoint - Object Of My Desire5. Falco - Rock Me Amadeus6. Toto - Africa7. Musical Youth - Pass The Dutchie8. Baltimora - Tarzan Boy9. Talking Heads - Psycho Killer10. Bangles - Hazy Shade Of Winter11. Corey Hart - Sunglasses At Night12. The Police - Every Breath You Take13. The Clash - Should I Stay Or Should I Go14. Wham - Wake Me up Before You Go-Go15. Psychedelic Furs - The Ghost In You16. Scorpions - Rock You Like a Hurricane17. Howard Jones - Things Can Only Get Better18. Kate Bush - Running Up19. Journey - Separate Ways (Worlds Apart)20. Devo - Whip It21. Foreigner - Cold as Ice22. James Taylor - Fire and Rain23. Jim Croce - Dont Mess Around With Jim24. Romantics - Talking In Your Sleep25. Creedence Clearwater Revival - Up Around The Bend26. Reo Speedwagon  - I Can't Fight This Feeling27. Siouxsie & The Banshees - Spellbound28. Metallica - Master Of Puppetswww.djroyski.comwww.patreon.com/royskiwww.mixcloud.com/djroyskiwww.facebook.com/djroyskiwww.twitter.com/djroyski

1. Dead Or Alive - You Spin Me (Right) Round (Like A Record) (Extended Mix)2. Madonna - Material Girl3. Duran Duran - Girls on Film4. Starpoint - Object Of My Desire5. Falco - Rock Me Amadeus6. Toto - Africa7. Musical Youth - Pass The Dutchie8. Baltimora - Tarzan Boy9. Talking Heads - Psycho Killer10. Bangles - Hazy Shade Of Winter11. Corey Hart - Sunglasses At Night12. The Police - Every Breath You Take13. The Clash - Should I Stay Or Should I Go14. Wham - Wake Me up Before You Go-Go15. Psychedelic Furs - The Ghost In You16. Scorpions - Rock You Like a Hurricane17. Howard Jones - Things Can Only Get Better18. Kate Bush - Running Up19. Journey - Separate Ways (Worlds Apart)20. Devo - Whip It21. Foreigner - Cold as Ice22. James Taylor - Fire and Rain23. Jim Croce - Dont Mess Around With Jim24. Romantics - Talking In Your Sleep25. Creedence Clearwater Revival - Up Around The Bend26. Reo Speedwagon  - I Can't Fight This Feeling27. Siouxsie & The Banshees - Spellbound28. Metallica - Master Of Puppetswww.djroyski.comwww.patreon.com/royskiwww.mixcloud.com/djroyskiwww.facebook.com/djroyskiwww.twitter.com/djroyski

1. Dead Or Alive - You Spin Me (Right) Round (Like A Record) (Extended Mix)2. Madonna - Material Girl3. Duran Duran - Girls on Film4. Starpoint - Object Of My Desire5. Falco - Rock Me Amadeus6. Toto - Africa7. Musical Youth - Pass The Dutchie8. Baltimora - Tarzan Boy9. Talking Heads - Psycho Killer10. Bangles - Hazy Shade Of Winter11. Corey Hart - Sunglasses At Night12. The Police - Every Breath You Take13. The Clash - Should I Stay Or Should I Go14. Wham - Wake Me up Before You Go-Go15. Psychedelic Furs - The Ghost In You16. Scorpions - Rock You Like a Hurricane17. Howard Jones - Things Can Only Get Better18. Kate Bush - Running Up19. Journey - Separate Ways (Worlds Apart)20. Devo - Whip It21. Foreigner - Cold as Ice22. James Taylor - Fire and Rain23. Jim Croce - Dont Mess Around With Jim24. Romantics - Talking In Your Sleep25. Creedence Clearwater Revival - Up Around The Bend26. Reo Speedwagon  - I Can't Fight This Feeling27. Siouxsie & The Banshees - Spellbound28. Metallica - Master Of Puppetswww.djroyski.comwww.patreon.com/royskiwww.mixcloud.com/djroyskiwww.facebook.com/djroyskiwww.twitter.com/djroyski

A Media1 podcast- és rádióműsorának vendége volt Borsány-Gyenes András, a Story4, a TV4, a Galaxy4, a Film4, az Arena4 és a most induló Match4 tévécsatornát működtető, luxemburgi székhelyű Network4, illetve a budapesti jegyzésű DMC / Digital Media and Communcations elnöke. A 11 rádióban sugárzott változathoz képest extra terjedelemben érhető el a podcaston alább az exkluzív ... Olvass tovább The post Új tévécsatornát indít és külföldön terjeszkedik a Network4 – exkluzív interjú Borsány-Gyenes Andrással, a tévétársaság elnökével és tulajdonosával – (Media1, 2022.07.18, EXTRA változat) first appeared on Vipcast.hu powered by Media1.

Film director/screenwriter Justin Trefgarne talks about Dylan, but also about fathers, sons, archetypes and coincidence. “Bob has been the guardian angel and surrogate father for my entire adult existence,” he tells us. From his first encounter with Like A Rolling Stone (which he played for five hours straight), “everything was up for grabs”. Hear how young Justin paid off a bouncer in Seattle to get seats to his first Dylan concert. How he won a Dylan soundalike contest in Las Vegas. And that time he and Bob had a close encounter in the doorway of the Grateful Dead Tattoo Parlour on Venice Beach.For the first time on this podcast, we tackle Robert Bly (author of Iron John), Joseph Campbell (author of The Hero's Journey) and Federico Garcia Lorca's concept of duende. Oh and - Justin's pilot father flew three of the Beatles to see Dylan perform at the Isle of Wight Festival (probably).Justin's debut feature film as writer-director was the 2015 sci-fi thriller NARCOPOLIS, starring Jonathan Pryce (with a cameo from Kerry Shale). The film spawned a successful graphic novel spin-off. He was head writer on the Nickelodeon reboot of children's classic PETER RABBIT, for which he was nominated for an Emmy. Justin devised and wrote all ten episodes of the YouTube Original series SHERWOOD, which has had over 70m views. Other writer/director credits include DESIRE, starring Damian Lewis, which opened the Sundance Film Festival. He has also written screenplays for Film4, The BFI and Ruby Films. Justin recently wrote and directed on THE RAZUMOV FILES, a six-part audio-series starring Jessica Brown Findlay.IMdBTwitterTrailerEpisode playlist on AppleEpisode playlist on SpotifyListeners: please subscribe and/or leave a review and a rating.Twitter @isitrollingpodRecorded 16th June 2022This show is part of Pantheon Podcasts  

Film director/screenwriter Justin Trefgarne talks about Dylan, but also about fathers, sons, archetypes and coincidence. “Bob has been the guardian angel and surrogate father for my entire adult existence,” he tells us. From his first encounter with Like A Rolling Stone (which he played for five hours straight), “everything was up for grabs”. Hear how young Justin paid off a bouncer in Seattle to get seats to his first Dylan concert. How he won a Dylan soundalike contest in Las Vegas. And that time he and Bob had a close encounter in the doorway of the Grateful Dead Tattoo Parlour on Venice Beach.For the first time on this podcast, we tackle Robert Bly (author of Iron John), Joseph Campbell (author of The Hero's Journey) and Federico Garcia Lorca's concept of duende. Oh and - Justin's pilot father flew three of the Beatles to see Dylan perform at the Isle of Wight Festival (probably).Justin's debut feature film as writer-director was the 2015 sci-fi thriller NARCOPOLIS, starring Jonathan Pryce (with a cameo from Kerry Shale). The film spawned a successful graphic novel spin-off. He was head writer on the Nickelodeon reboot of children's classic PETER RABBIT, for which he was nominated for an Emmy. Justin devised and wrote all ten episodes of the YouTube Original series SHERWOOD, which has had over 70m views. Other writer/director credits include DESIRE, starring Damian Lewis, which opened the Sundance Film Festival. He has also written screenplays for Film4, The BFI and Ruby Films. Justin recently wrote and directed on THE RAZUMOV FILES, a six-part audio-series starring Jessica Brown Findlay.IMdBTwitterTrailerEpisode playlist on AppleEpisode playlist on SpotifyListeners: please subscribe and/or leave a review and a rating.Twitter @isitrollingpodRecorded 16th June 2022This show is part of Pantheon Podcasts  

Brian and Charles is about an awkward and lonely inventor, Brian, who lives in rural Wales. He rarely makes contraptions that are useful or work right, but one day, he finally creates a robot. Charles Petrescu, built out of an old washing machine and a mannequin, becomes Brian's friend. But as Charles becomes more and more curious and self-aware, he decides he wants to explore the world on his own. Actor David Earl is a comedian and came up with the eccentric character of Brian as a bit on the stand up circuit in the UK. One day on an internet radio call in show, a friend called in to interact with David's character using computer voice simulation software. Fellow actor and comedian Chris Hayward heard it, came up with the idea of Charles as Brian's robot sidekick, and the two took it on the road as a live show. Chris built the Charles robot character as a costume, and another friend would type in what Charles would say into the voice simulator to interact with the audience. In 2017, the two teamed up with director Jim Archer to make a short film about the characters, and it did well at festivals. After that, the UK production company Film4 backed developing the script into a feature film. For the feature version of Brian and Charles, director Jim Archer decided to expand on the mockumentary style. He wanted it to look like a real documentary, with a serious dramatic and cinematic look rather than as a wink and a nod to other mockumentaries. The friends were inspired by the documentaries American Movie and Monster Road – true stories about lonely people desperate for their dream to come true. Brian and Charles premiered at the 2022 Sundance Film Festival and is currently playing in theaters. https://www.focusfeatures.com/brian-and-charles/watch/ Jim Archer: Instagram & Twitter: @alrightjim David Earl: Instagram @davidearlhello Chris Hayward: https://www.curtisbrown.co.uk/client/chris-hayward Charles Petrescu has his own twitter account: @CharlesPetrescu Find out even more about this episode, with extensive show notes and links: http://camnoir.com//ep173/ Sponsored by Hot Rod Cameras: www.hotrodcameras.com Sponsored by Arri: https://www.arri.com/en The Cinematography Podcast website: www.camnoir.com YouTube: https://www.youtube.com/c/TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz

This week's Empire Podcast sees a bright and optimistic young man who wears spectacles, lives under the stairs, and just might be the last hope for humanity... interview Daniel Radcliffe. Yes, in this episode Ben Travis, a humungous Harry Potter fan, finally comes face-to-face with The Boy Who Lived, and as well as talking about Radcliffe's new movie, adventure comedy The Lost City, his musical tastes and plans to launch a directing career, there's a little bit of Potter chat as well. Then, in the podbooth, Ben joins Chris Hewitt, Helen O'Hara and James Dyer for an episode in which they wax lyrical about Film4's greatest movies and general contribution to British cinema, discuss the week's movie news and find it to be wanting, throw in a boatload of obscure, unusual and arcane facts (that aren't movie-related, weirdly), and review the Harry Potter/Daniel Radcliffe-free Fantastic Beasts: The Secrets Of Dumbledore, Richard Linklater's Apollo 10 1/2: A Space Age Adventure, Chris Pine and Thandiwe Newton thriller All The Old Knives, and Mark Rylance in The Outfit, a film so good it almost makes Chris come to terms with the past. Almost. Enjoy. TIMESTAMPS! (timings may be approx.) Intro/Listener Question -- 0:00.00 - 22:20.00 Daniel Radcliffe -- 22:21.00 - 43:39.508 Movie News -- 43:40.00 - 1:04:49.00 Reviews -- 1:04:50.00 -- end

In the sixth episode of Short Hand, we're thinking about how to crew up your short film. Hear from producer Ameenah Ayub Allen (Rocks, Ali & Ava), Alice Whittemore, a Development & Production Executive at Film4 and Anna Ginsburg, an animator and director (What Is Beauty?) about finding, hiring and paying people.  Topics covered include: what roles you need on set and where you might be able to think outside the box, getting references for your crew, looking after them and keeping morale high on set, getting HoDs approved by execs, what to do if members of your crew drop-out at the last minute, crewing up an animation and how different types of animations might affect who you need.  *** SHOW NOTES & RESOURCES Tools for finding crew  The Mandy Network  Freelance Rate Cards  ScreenSkills Freelance Toolkit  ScreenSkills Job Profiles  BAFTA crew directory, 2020-21  Look Beyond The List  Pact Toolkit on Finding Diverse Talent  Short Film Festivals Glasgow Short Film Festival Aesthetica Leeds Encounters Norwich  London Short Film Festival Where to watch short films… Vimeo   Short of the Week  Omeleto  *** Short Hand is a BFI NETWORK & Film Hub South East production. Produced by Nicole Davis, with support from Independent Cinema Office. Edited by Graciela Mae Chico.  

My guest this week is Ruth Greenberg, an award-winning screenwriter and director whose directorial debut RUN, a short film starring Niamh Algar from CENSOR, is currently showing on Short of the Week. The film was backed by Film4 and BFI NETWORK and was long listed for a BIFA in 2021.  As a screenwriter, Ruth's prehistoric horror, THE ORIGIN, is in post-production with Escape Plan Productions - the company who made SAINT MAUD and she's also working on a medieval horror with director Nora Fingscheidt (SYSTEM CRASHER, THE UNFORGIVABLE) and producer Philippa Tsang at DCM. Ruth and I had a great chat about completing a PhD in screenwriting, getting an agent and what that relationship is like, how she prepared to direct RUN and collaborated with director of photography and former podcast guest Molly Manning Walker to achieve the subjectivity and kineticism required of the story, what a writing day might look like for her, how she likes to situates herself in the setting or place of a story and how she deals with rejection.  I think there are some really vital thoughts that Ruth expresses on writing genre and writing in general, and not being hemmed in by how you ought to write.  **TW: discussions of assault** There are few housekeeping notes before we get to the interview. The first of those is that there is mild discussion of violence against women in the context of Ruth's short film Run and we mention the death of Sarah Everard, so if for whatever reason you don't feel comfortable listening to that, feel free to skip the episode or rejoin us around the 20-min mark. The other thing to say in relation to that film is that it's on Short of the Week and to coincide with that launch, Ruth its raising money via JustGiving for Woman's Trust who provide mental health and support services to women affected by domestic abuse. I've linked to that page in the show notes, so if you'd like to donate, you can do so there. And I would obviously also recommend watching Ruth's very powerful short film. This was recorded via zoom and there are occasional background noises, but otherwise I hope you enjoy this conversation. This episode 104 of Best Girl Grip.

My guest this week is Rose Garnett, the Director of BBC Film. Since joining the BBC in 2017, Rose has commissioned and Executive Produced a wide range of titles including… Joanna Hogg's THE SOUVENIR and THE SOUVENIR: PART II Eliza Hittman's NEVER RARELY SOMETIMES ALWAYS Sean Durkin's THE NEST Steve McQueen's SMALL AXE Jane Campion's THE POWER OF THE DOG Debbie Tucker Green's EAR FOR EYE ...among many others and is passionate about backing new and emerging filmmakers. Rose was also an EP on BBC Three's smash hit adaptation of Sally Rooney's NORMAL PEOPLE, produced by Element Pictures. After graduating from Cambridge University, Rose worked in theatre before freelancing as a script editor and producer. Then she joined Film4 where she would become Head of Creative. Whilst there, Rose developed and executive produced an array of recent successful UK films, including Yorgos Lanthimos's THE FAVOURITE, Martin McDonagh's THREE BILLBOARDS OUTSIDE EBBING MISSOURI, Steve McQueen's WIDOWS, Lenny Abrahamson's ROOM, Lynne Ramsay's YOU WERE NEVER REALLY HERE and Andrea Arnold's AMERICAN HONEY. It was an immense pleasure to talk to Rose about a surfeit of topics, from how theatre prepared her for a career in film, what she learned working at Film4, what it means to be a director of a public funder and the considerations that come into play in making that organisation accountable, accessible, inclusive and supportive to what success look like and how she and the BBC Film team back filmmakers. Unsurprisingly, Rose had a lot of wisdom that she was generous enough to share and I know that this is an interview I will be returning to time and time again.  Please note that this was recorded remotely over Zoom and there are some occasional audio glitches.  This is episode 100 of Best Girl Grip. 

Screenwriter Stuart Wright talks to 2021's Palme D'or winner writer/director JULIA DUCOURNAU about TITANE, her follow up to her critiically acclaimed debut feature RAW,TITANE will be released by Altitude and Film4 across the UK & Ireland on 26th December 2021. Please check http://www.altitudefilment.com for more information.You can buy me a cup of coffee & support this independent podcast that I host and produce at https://app.redcircle.com/shows/ae030598-6b83-4001-8a29-5e5dd592ed26/sponsort Rate, review and subscribe wherever you listen to your podcastsCreditsIntro/Outro music is Rocking The Stew by Tokyo Dragons (www.instagram.com/slomaxster/)Podcast for www.britflicks.com. Written, produced and hosted by Stuart WrightPodcast features five-second snippets of the following songs featured in TITANE for illustrative purposes:« WAYFARING STRANGER »(DAVID EUGENE EDWARDS, JEAN YVES TOLA)PERFORMED BY 16 HORSEPOWER« DOING IT TO DEATH »PERFORMED BY THE KILLSWRITTEN BY MOSSHART / HINCE« SHE'S NOT THERE »COMPOSED BY ROD ARGENTPERFORMED BY THE ZOMBIES« LIGHT HOUSE »PERFORMED BY FUTURE ISLANDSWRITTEN BY WILLIAM CASHION, SAMUEL HERRING AND JOHN WELMERS« CRAP ON MY MIND »COMPOSED BY R.PASCAL ET G.BAUREZPERFORMED BY ROMANGER« WAYFARING STRANGER »ARRANGED BY JIM WILLIAMSPERFORMED BY LISA ABBOTTPlus« LOVE IS A DOG FROM HELL »PERFORMED BY GODFLESHWRITTEN BY JUSTIN BRODERICKSupport this podcast at — https://redcircle.com/britflicks-com-podcast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Ben Coren joined Film4's development team in 2013 and has worked across films including Armando Iannucci's The Personal History of David Copperfield, Steve McQueen's Widows, Justin Kurzel's True History of the Kelly Gang, Michael Winterbottom's Greed, Nick Rowland's Calm With Horses and Rungano Nyoni's BAFTA and BIFA-winning I Am Not a Witch.

"From Up On Poppy Hill" analysis & discussion podcast. Welcome to our 21st podcast on the films by Studio Ghibli. An interesting and messy ride into the politics and cultural transformation of 60s Japan: From Up On Poppy Hill, directed by Goro Miyazaki. Join us as we explore the ongoing career of Hayao Miyazaki's son. Your hosts today are: Nyard, PlatonSkull and TheThunderer Discord: https://discord.gg/n8puKa4 Patreon: https://www.patreon.com/nausicaast MP3 Download: https://nausicaast.libsyn.com/ Spotify: https://open.spotify.com/show/34MmVkEL5041HH4iaXZ2Ts Youtube: https://youtu.be/cCieUbEUmW0 Sources: Articles: - Ghibli Fandom Wiki Entry: https://ghibli.fandom.com/wiki/From_Up_on_Poppy_Hill - JP language interview with the original manga author: https://flying-fantasy-garden.blogspot.com/2016/08/blog-post_12.html - Reuters - Miyazaki father and son team up for "From Up on Poppy Hill" film: https://cn.reuters.com/article/entertainment-us-poppyhill-miyazaki-idINBRE92D11V20130315 - Film4 - Goro Miyazaki on From Up On Poppy Hill: https://medium.com/@Film4/goro-miyazaki-on-from-up-on-poppy-hill-e94acd1f88f1 - NYTimes - Grounding a Romance in Memories: https://www.nytimes.com/2013/03/10/movies/studio-ghiblis-from-up-on-poppy-hill.html - GIZMODO - Pessimistic Optimism: Goro Miyazaki on His Post-Nuclear Romance, From Up On Poppy Hill: https://gizmodo.com/pessimistic-optimism-goro-miyazaki-on-his-post-nuclear-453752467 Video: - Materials featured on the German Bluray version of the film, including a press conference and an interview with Goro Miyazaki - NHK Documentary, Part3: https://www3.nhk.or.jp/nhkworld/en/ondemand/video/3004593/ - STEVEM - Son of Miyazaki (A Gorō Miyazaki Retrospective): https://www.youtube.com/watch?v=Srx3aBcodok Paper: - Abel, Jessamyn R. - "Japan's Sporting Diplomacy: The 1964 Tokyo Olympiad" - https://www.jstor.org/stable/23240822 - Gluck, Carol - "The Past in the Present" appears in: Gordon, Andrew (Ed.) - "Postwar Japan as History" - Yang, Danqing - "Living Soldiers, Re-lived Memories? Japanese Veterans and Postwar Testimony of War Atrocities" appears in: Jaeger, S.M. and Mitter, Rana (Eds.) - "Reputured Histories - War, Memory, and the post-cold war in Asia" - Seraphim, Franziska - "War Memory and Social Politics in Japan, 1945-2005" - Igarashi, Yoshikuni - "Bodies of Memory: Narratives of War in Postwar Japanese Culture, 1945-1970"

Welcome to Strickland on Strickland: A four-part podcast mini-series from Curzon, about the work of acclaimed British director Peter Strickland ('Katalin Varga', 'Berberian Sound Studio'), made ahead of the release of his new film 'In Fabric', and featuring conversations with the director himself.Discussing the film are Strickland superfans (Berberians?), Catherine Bray - Variety, Film4, 'Beyond Clueless' - and the podcast's very own Steven Ryder, as well as regular host Jake Cunningham.The latest from the unique imagination of Peter Strickland, 'In Fabric' is a typically distinctive and haunting tale that blends Giallo-infused horror with absurdist dark humour, to ghostly effect. Set against the backdrop of a busy winter sales period at a mysterious Thames Valley department store, the film follows the journey of a cursed but strikingly beautiful blood-red dress as it passes from person to person, with devastating consequences. Follow the team on Twitter:@irma_pep - Steven@jakehcunningham - Jake@catherinebray - CatherineProduced by Jake CunninghamEdited by Mark Towers Hosted on Acast. See acast.com/privacy for more information.

Welcome to Strickland on Strickland: A four-part podcast mini-series from Curzon, about the work of acclaimed British director Peter Strickland ('Katalin Varga', 'Berberian Sound Studio'), made ahead of the release of his new film 'In Fabric', and featuring conversations with the director himself.Discussing the film are Strickland superfans (Berberians?), Catherine Bray - Variety, Film4, 'Beyond Clueless' - and the podcast's very own Steven Ryder, as well as regular host Jake Cunningham.From the critically acclaimed writer-director of 'Berberian Sound Studio' comes a tale of passion and sadomasochism that penetrates the deepest depths of what it means to be human, in love and in control. Cynthia is an orthopterist who is seemingly firmly in control of her partner Evelyn through a strict, dictatorial fetish life behind closed doors. But as Evelyn's requests to be dominated become increasingly extreme, the true nature of their relationship begins to surface. 'The Duke of Burgundy' is a story about power and the exploration of discomfort that people will stretch to for the ones they love, told in mesmerisingly coruscating style by one of Britain's finest contemporary auteurs, Peter Strickland.Follow the team on Twitter:@irma_pep - Steven@jakehcunningham - Jake@catherinebray - CatherineProduced by Jake CunninghamEdited by Mark Towers Hosted on Acast. See acast.com/privacy for more information.

Welcome to Strickland on Strickland: A four-part podcast mini-series from Curzon, about the work of acclaimed British director Peter Strickland ('Berberian Sound Studio', 'The Duke of Burgundy'), made ahead of the release of his new film 'In Fabric', and featuring conversations with the director himself.Discussing the film are Strickland superfans (Berberians?) Catherine Bray - Variety, Film4, 'Beyond Clueless' - and the podcast's very own Steven Ryder, as well as regular host Jake Cunningham.Banished by her husband and her village, Katalin Varga is left with no other choice than to set out on a quest to find the real father of her son, Orbán. Taking Orbán with her under another pretence, Katalin travels through the Carpathians where she decides to reopen a sinister chapter from her past and take revenge. The hunt leads her to a place, she prayed eleven years prior, she would never set foot in again. Praised for its sound design as well as its ominous atmosphere, the award-winning revenge fable marks British director Peter Strickland's directorial debut.Follow the team on Twitter:@irma_pep - Steven@jakehcunningham - Jake@catherinebray - CatherineProduced by Jake CunninghamEdited by Mark Towers Hosted on Acast. See acast.com/privacy for more information.

Welcome to Strickland on Strickland: A four-part podcast mini-series from Curzon, about the work of acclaimed British director Peter Strickland ('Katalin Varga', 'The Duke of Burgundy'), made ahead of the release of his new film 'In Fabric', and featuring conversations with the director himself.Discussing the film are Strickland superfans (Berberians?) Catherine Bray - Variety, Film4, 'Beyond Clueless' - and the podcast's very own Steven Ryder, as well as regular host Jake Cunningham.In 1976, a timid sound engineer (Toby Jones) arrives in Italy to work on a mysterious horror film, mixing bloodcurdling screams with the grotesque sounds of hacked vegetables. But as the on-screen violence seeps into his consciousness, reality and fantasy become blurred in nightmarish ways. Daringly original and masterfully constructed, this inspired homage to 70s Giallo horror is a devastating assault on the eyes, ears and brain - drawing comparisons with the films of David Lynch and being hailed as a modern cult masterpiece from Peter Strickland, the hugely acclaimed director of 'Katalin Varga'Follow the team on Twitter:@irma_pep - Steven@jakehcunningham - Jake@catherinebray - CatherineProduced by Jake CunninghamEdited by Mark Towers Hosted on Acast. See acast.com/privacy for more information.

Your viewers will engage more with videos where the on-camera person looks them straight in the eye. That's why our special guest Steve McWilliams invented the EyeDirect, a camera accessory that turns C-Suite video rookies into on-camera professionals in about a minute. Just take a look at how these Hollywood film stars reacted when they used the EyeDirect for the first time on Film4.GUEST: Steve McWilliams, inventor of the EyeDirect. Follow EyeDirect on Instagram, Facebook, Twitter. Also read “Philip Bloom Introduces The EyeDirect“, how EyeDirect helps with more authentic content, and “EyeDirect: Solving The Problem of Getting People to Look Straight Into The Camera.” See our previous posts that talk about the EyeDirect, including: “Why Your Videos Hate Your Customers” and “Look Your Customers Right In The Eye With EyeDirect“.SUBSCRIBE: Apple Podcasts | Spotify | Google Podcasts | Stitcher | RSSHOST: The Video Marketing Value Podcast is hosted by Dane Golden of VidiUp.tv and VidTarget.io | LinkedIn | Twitter | YouTubeSPONSORS: This episode is brought to you by our affiliate partners, including: TubeBuddy, VidIQ, MorningFame, Rev.com, and other products and services we recommend.PRODUCER: Jason Perrier of Phizzy StudiosREAD THE TRANSCRIPT

Sgt Fury's Lonely Hearts Club Band Hello, and welcome to our special 75th episode* spectacular. To celebrate 75 episodes* of The Fantasticast, Steve Lacey and Andrew Leyland decided to invite a special guest onto the show. In no way at all was the special guest invited, and at a later date Steve discovered that this was going to be the 75th episode. Oh no. Joining us this week is writer and critic Seb Patrick. A regular contibuter to Den of Geek and Film4.com, Seb is one half of the writing team behind the time-travel SF radio sitcom A Brief History Of Time Travel. He's also a seasoned Marvel-ite and podcaster, and he joins us to look at Fantastic Four #66, featuring the first almost-but-not-quite appearance of cosmic Marvel hero Adam Warlock. Along the way, we ask the burning question of just what would happen if KITT were a suspect in CSI, and we hit one of the all-time great number one singles. Why not check out some of Seb's writing at http://www.sebpatrick.co.uk, or follow @sebpatrick on twitter? (https://twitter.com/sebpatrick). A Brief History Of Time Travel is available from http://www.abhott.com, where the entire series is availble on a pay-what-you-want basis. Send in your feedback to fantastic4podcast@gmail.com, leave your comments at the libsyn site, or at fantasticflameon.wordpress.com. Follow us on twitter, where we are @fantasticast *Using our best Marvel-style numbering, we're casually ignoring at least three episodes to arrive at this figure!