American musician
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2 episodes with Cameron Carpenter
4 episodes with Cameron Carpenter
2 episodes with Cameron Carpenter
2 episodes with Cameron Carpenter
2 episodes with Cameron Carpenter
3 episodes with Cameron Carpenter
3 episodes with Cameron Carpenter
durée : 00:13:20 - Passacaille et fugue en ut mineur BWV 582 - Pour jouer dans tous les types de salles et pour investir des lieux inhabituels, en dehors des églises, Cameron Carpenter a fait construire un orgue numérique très spécial qu'il nomme ITO, International Touring Organ (Orgue de Tournée Internationale).
In this 1543rd episode of Toronto Mike'd, Cameron Gordon Carpenter returns to kick out the jams. Toronto Mike'd is proudly brought to you by Great Lakes Brewery, Palma Pasta, Ridley Funeral Home, The Advantaged Investor podcast from Raymond James Canada, The Toronto Maple Leafs Baseball Team and RecycleMyElectronics.ca. If you would like to support the show, we do have partner opportunities available. Please email Toronto Mike at mike@torontomike.com
Voor deze aflevering van ‘Alle registers open' gaat Elsbeth Gruteke naar de Hersteld Hervormde Kerk in Sommelsdijk. Daar ontmoet ze Rik Melissant, een jonge, talentvolle organist. In eerste instantie lag het helemaal niet in zijn bedoeling om binnen de orgelwereld zijn brood te gaan verdienen. Hij wilde de gezondheidszorg in. Maar hij was helemaal in de ban van de Amerikaanse organist Cameron Carpenter. Hij zat uren achter zijn keyboard om hem maar een beetje na te bootsen. Op den duur besloot hij toch orgellessen te gaan nemen. Met geen onverdienstelijk resultaat. Hij won concours na concours. ‘Ik moet iets met dat talent', dacht hij. Zo besloot hij het roer in zijn leven om te gooien en ging hij naar het conservatorium in Rottrdam. Dat bleek een groot succes want hij studeerde summa cum laude af.
Iconoclastic organist Cameron Carpenter, “one of the rare musicians who changes the game of his instrument” (Los Angeles Times), takes on Poulenc's sparkling, Baroque-infused concerto, followed by the elegance and floor-shaking grandeur of Saint-Saëns' Organ Symphony. Ticket holders are invited to a free preconcert conversation featuring Carl Grapentine in Orchestra Hall 75 minutes before the performance. The conversation will last approximately 30 minutes. No additional tickets required. Classic Encounter December 15: Preconcert lecture hosted by Chicago's favorite radio DJ, WXRT's Terri Hemmert, with co-host Miles Maner, CSO bassoon and contrabassoon. You will have the opportunity to add Classic Encounter to your order after selecting your seats for the concert. Learn more: cso.org/performances/22-23/cso-classical/the-sorcerers-apprentice-and-saint-saens-organ-symphony
Der Amerikaner Cameron Carpenter ist einer der besten Organisten der Welt, auf jeden Fall der ungewöhnlichste und der mit dem größten Bizeps, den er mit Vorliebe im Tanktop zur Schau stellt. Carpenter ist mit einer Experimentierlust auf diesem Instrument ausgestattet, die an Bach erinnert.
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Screenwriter Cameron Carpenter talks to Robert about his latest project, "American Hostage."
In this episode, we welcome Davitt Sigerson, all the way from his native New York City, to talk about his stellar career from Black Music magazine in 1975 to being made chairman of Island Records in America in 1998. Along the way we hear about his passionate love of disco, his two albums for ZE Records, and plenty more besides.Davitt also weighs in with thoughts on Chic, Prince, David Bowie's Young Americans, the late Mick Rock and a newly-added audio interview with Bootsy Collins, conducted in June 1978 by Davitt's sometime Black Music colleague Cliff White. Davitt proves to be a witty and erudite guest, as comfortable holding forth on Robert Musil as on Cloud One's 'Atmosphere Strut' — and with fascinating recall, to boot.Among the new library articles added by the RBP team, Mark & Jasper focus on pieces about the Clash, Vivian Stanshall, Cecil Taylor, Randy Newman, Amy Winehouse and — bringing the episode neatly full circle — disco "mix master" Tom Moulton.Many thanks to special guest Davitt Sigerson, whose remastered demos are coming soon to a streaming service near you.Pieces discussed: Davitt on Disco, Tom Moulton, Chic, Prince, Barney meets Davitt, Bootsy Collins audio, Young Americans, David Bowie, Mick Rock, Elton John, Cecil Taylor, The Clash + Johnny Thunders, Rough Trade and Factory, Randy Newman, Sister Rosetta Tharpe, Otis Redding, Noel Redding, Viv Stanshall, Terry Southern, Amy Winehouse, Cameron Carpenter and Tom Moulton.
In this episode, we welcome Davitt Sigerson, all the way from his native New York City, to talk about his stellar career from Black Music magazine in 1975 to being made chairman of Island Records in America in 1998. Along the way we hear about his passionate love of disco, his two albums for ZE Records, and plenty more besides. Davitt also weighs in with thoughts on Chic, Prince, David Bowie's Young Americans, the late Mick Rock and a newly-added audio interview with Bootsy Collins, conducted in June 1978 by Davitt's sometime Black Music colleague Cliff White. Davitt proves to be a witty and erudite guest, as comfortable holding forth on Robert Musil as on Cloud One's 'Atmosphere Strut' — and with fascinating recall, to boot. Among the new library articles added by the RBP team, Mark & Jasper focus on pieces about the Clash, Vivian Stanshall, Cecil Taylor, Randy Newman, Amy Winehouse and — bringing the episode neatly full circle — disco "mix master" Tom Moulton. Many thanks to special guest Davitt Sigerson, whose remastered demos are coming soon to a streaming service near you. Pieces discussed: Davitt on Disco, Tom Moulton, Chic, Prince, Barney meets Davitt, Bootsy Collins audio, Young Americans, David Bowie, Mick Rock, Elton John, Cecil Taylor, The Clash + Johnny Thunders, Rough Trade and Factory, Randy Newman, Sister Rosetta Tharpe, Otis Redding, Noel Redding, Viv Stanshall, Terry Southern, Amy Winehouse, Cameron Carpenter and Tom Moulton. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode, we welcome Davitt Sigerson, all the way from his native New York City, to talk about his stellar career from Black Music magazine in 1975 to being made chairman of Island Records in America in 1998. Along the way we hear about his passionate love of disco, his two albums for ZE Records, and plenty more besides.Davitt also weighs in with thoughts on Chic, Prince, David Bowie's Young Americans, the late Mick Rock and a newly-added audio interview with Bootsy Collins, conducted in June 1978 by Davitt's sometime Black Music colleague Cliff White. Davitt proves to be a witty and erudite guest, as comfortable holding forth on Robert Musil as on Cloud One's 'Atmosphere Strut' — and with fascinating recall, to boot.Among the new library articles added by the RBP team, Mark & Jasper focus on pieces about the Clash, Vivian Stanshall, Cecil Taylor, Randy Newman, Amy Winehouse and — bringing the episode neatly full circle — disco "mix master" Tom Moulton.Many thanks to special guest Davitt Sigerson, whose remastered demos are coming soon to a streaming service near you.Pieces discussed: Davitt on Disco, Tom Moulton, Chic, Prince, Barney meets Davitt, Bootsy Collins audio, Young Americans, David Bowie, Mick Rock, Elton John, Cecil Taylor, The Clash + Johnny Thunders, Rough Trade and Factory, Randy Newman, Sister Rosetta Tharpe, Otis Redding, Noel Redding, Viv Stanshall, Terry Southern, Amy Winehouse, Cameron Carpenter and Tom Moulton.
In this episode, we welcome Davitt Sigerson, all the way from his native New York City, to talk about his stellar career from Black Music magazine in 1975 to being made chairman of Island Records in America in 1998. Along the way we hear about his passionate love of disco, his two albums for ZE Records, and plenty more besides. Davitt also weighs in with thoughts on Chic, Prince, David Bowie's Young Americans, the late Mick Rock and a newly-added audio interview with Bootsy Collins, conducted in June 1978 by Davitt's sometime Black Music colleague Cliff White. Davitt proves to be a witty and erudite guest, as comfortable holding forth on Robert Musil as on Cloud One's 'Atmosphere Strut' — and with fascinating recall, to boot. Among the new library articles added by the RBP team, Mark & Jasper focus on pieces about the Clash, Vivian Stanshall, Cecil Taylor, Randy Newman, Amy Winehouse and — bringing the episode neatly full circle — disco "mix master" Tom Moulton. Many thanks to special guest Davitt Sigerson, whose remastered demos are coming soon to a streaming service near you. Pieces discussed: Davitt on Disco, Tom Moulton, Chic, Prince, Barney meets Davitt, Bootsy Collins audio, Young Americans, David Bowie, Mick Rock, Elton John, Cecil Taylor, The Clash + Johnny Thunders, Rough Trade and Factory, Randy Newman, Sister Rosetta Tharpe, Otis Redding, Noel Redding, Viv Stanshall, Terry Southern, Amy Winehouse, Cameron Carpenter and Tom Moulton.
17th-20th CenturiesThis week we hear works by Johann Sebastian Bach, Luigi Boccherini, Franz Schubert, Auguste Franchomme, Frédéric Chopin, Franz Liszt, Cameron Carpenter, Igor Stravinsky, Mario Castelnuovo-Tedesco, and Jerry Goldsmith.135 Minutes – Weeks of October 25 and November 01, 2021
Musician and conductor, Rachel Iba discusses organ pieces by Bach. This talk was given at the first performance of Cameron Carpenter at Walt Disney Concert Hall. Pieces discussed: BACH Fantasia and Fugue in C minor, BWV 537 BACH Prelude and Fugue I in C Major from Well-Tempered Clavier, Book II, BWV 870 BACH Prelude and Fugue XII in F Major from Well-Tempered Clavier, Book II, BWV 880 BACH Fantasia on “Komm, Heiliger Geist,” BWV 651 BACH Chorale Prelude “O Mensch, bewein' dein' Sünde groß,” BWV 622 BACH Prelude and Fugue in E-flat major, “St. Anne,” BWV 552 BACH Goldberg Variations, BWV 988 See this year's Upbeat Live schedule at: laphil.com/ubl. Join us in person for our 2021/22 season! Get tickets: laphil.com/calendar.
The “extravagantly talented” (The New York Times) American organist Cameron Carpenter today digitally releases his first album on Decca Gold, a recording of J.S. Bach's The Goldberg Variations, BWV 988 juxtaposed with his own transcription of Howard Hanson's Symphony No. 2 in D-flat Major, Opus 30, W45, "Romantic." Both works are performed on the International Touring Organ, the American digital concert organ designed by Cameron Carpenter. The album is available today digitally and will be released on CD at a date to be announced.Pre-Order and Stream Carpenter's Bach & Hanson
Am Samstag, den 27. März 2021, entfacht ARTE Concert um 19 Uhr gemeinsam mit dem Holzmarkt Berlin ein Leuchtfeuer für die Kultur und bittet Cameron Carpenter, Anna Prohaska, Sophie Hunger, Bonaparte, RAZZ, Oliver Koletzki, Esther Silex und ArtistInnen des Birdmilk Collective auf die Bühne. Durch das Tagesfestival ohne Publikum vor Ort führen Violinist Daniel Hope und Holzmarkt Co-Gründerin Ania Pilipenko. Christiane Falk sprach mit Tobias von Bonaparte darüber.
On this episode of Beyond the Sig, Brooke Kulusich, third-year student pharmacist at the University of Pittsburgh School of Pharmacy, talks with Cameron Carpenter, fourth-year student pharmacist at Wilkes Nesbitt School of Pharmacy. In this student-to-student conversation, they discuss ways to engage student pharmacists in practice transformation efforts and Cameron shares his experience from completing an elective community APPE rotation at leading PPCN pharmacies across the state. Beyond the Sig https://www.papharmacists.com/page/podcast See omnystudio.com/listener for privacy information. Learn more about your ad choices. Visit megaphone.fm/adchoices
On this episode of Beyond the Sig, Brooke Kulusich, third-year student pharmacist at the University of Pittsburgh School of Pharmacy, talks with Cameron Carpenter, fourth-year student pharmacist at Wilkes Nesbitt School of Pharmacy. In this student-to-student conversation, they discuss ways to engage student pharmacists in practice transformation efforts and Cameron shares his experience from completing an elective community APPE rotation at leading PPCN pharmacies across the state. Beyond the Sig https://www.papharmacists.com/page/podcast See omnystudio.com/listener for privacy information.
Beyond the Sig: Prescription for Transformative Pharmacy Care
On this episode of Beyond the Sig, Brooke Kulusich, third-year student pharmacist at the University of Pittsburgh School of Pharmacy, talks with Cameron Carpenter, fourth-year student pharmacist at Wilkes Nesbitt School of Pharmacy. In this student-to-student conversation, they discuss ways to engage student pharmacists in practice transformation efforts and Cameron shares his experience from completing an elective community APPE rotation at leading PPCN pharmacies across the state. Beyond the Sig https://www.papharmacists.com/page/podcast See omnystudio.com/listener for privacy information.
Okay, folks, it's time for blocking! The pre-planned arrangement, movement, and posturing of characters in a frame is one of a director's most artistically demanding on-set tasks, and nobody blocked a scene better than Sidney Lumet (whom we've already talked about once this season). Screenwriter and Lumet mega-fan Cameron Carpenter joined us to talk about the blocking in Lumet's swan song, Before the Devil Knows You're Dead starring Phillip Seymour Hoffman and Ethan Hawke. We also found time to talk about the film as an early example of digital cinematography, and chatted about how critics responded to the presence of a naked woman in the film (not well) and directorial batting averages.
The Modern Period – Part II This week we hear works by Ralph Vaughan Williams, Heinrich Kaminski, Miklós Rózsa, Benjamin Britten, Karlheinz Stockhausen, Philip Glass, Wolfgang Rihm, Jennifer Higdon, Paweł Łukaszewski, Peter Boyer, and Cameron Carpenter. 180 Minutes – Week of November 09, 2020
For this episode, Blake sat down with the inimitable Cameron Carpenter in his Berlin studio to talk about one of his latest projects — performing organ concerts from the back of a flatbed truck.
In this episode, we discuss Cameron Carpenter and how he's considered an Organ Maverick in History with the legacy he's currently building up.Sources:https://www.npr.org/artists/96095190/cameron-carpenterhttps://www.cameroncarpenter.com/https://en.wikipedia.org/wiki/Cameron_Carpenterhttps://www.theverge.com/2014/5/22/5741570/cameron-carpenter-international-touring-organhttps://www.viscountinstruments.com/cameron-carpenter-tour/Follow us on Twitter for new episode releases and status updates about podcast episode production: @OrganPodcastSend us your topic suggestions for future episodes with the following email address (and don't forget to put in the subject line "Suggestions" when doing so): organmavericks@gmail.comAnd most importantly, please don't forget to share this podcast with others who may also enjoy this podcast as much as you do.Rob Hlebinsky's Social Media:YouTube: https://www.youtube.com/YensidOrganistFacebook/Twitter/Instagram: @YensidOrganistJonny Selimovic's Social Media:YouTube: http://www.youtube.com/user/JonnyMusicChannelFacebook/Instagram: @jonnyselproductionsTwitter: @Jonny_SelPatreon: https://www.patreon.com/jonnymusic
Cameron Carpenter worked with TLC, Foo Fighters, Sugarhill Gang, Sinéad O'Connor, Sonic Youth, and many more artists in the music industry. He talks about some of his best experiences in this episode.
Mike chats with Cameron Carpenter about his years working with bands and musical artists at MCA, BMG, Sony and elsewhere. There's great stories about The Tragically Hip, Alanis, Sloan, The Headstones, The Watchmen and more.
Henry Brant: Ice FieldMichael Tilson Thomas and the San Francisco Symphony team up with iconoclastic organist Cameron Carpenter to release a one-of-a-kind recording of Henry Brant’s Pulitzer Prize-winning spatial composition, Ice Field. Put on your headphones for a unique Dolby Atmos immersive experience that allows us to hear Brant’s work as it was intended: as a vast acoustical soundscape for 100 players scattered throughout Davies Symphony Hall.
About the Performance: “Carpenter is one of the rare musicians who changes the game of his instrument… He is a smasher of cultural and classical music taboos. He is technically the most accomplished organist I have ever witnessed… And, most important of all, the most musical.” (Los Angeles Times) Program: BACH : Prelude and Fugue in D major, BWV 532 BACH / Cameron CARPENTER : French Suite No. 5 in G major, BWV 816 BACH : Prelude and Fugue in B minor, BWV 544 BACH : In dulci jubilo, BWV 608 BACH : Prelude and Fugue in A minor, BWV 543 Intermission BACH / Cameron CARPENTER : Toccata and Fugue in D minor, BWV 565 Cameron CARPENTER : Serenade and Fugue on B.A.C.H. Thomas MELLAN : Ballade de l'Impossible Cameron CARPENTER : Improvisation BACH : Passacaglia and Fugue in C minor, BWV 582 Artists: Cameron Carpenter organ SUN / APR 7, 2019 -7:30PM Upcoming concerts: www.laphil.com/calendar Upbeat Live schedule, details, and speaker bios: www.laphil.com/ubl
About the Performance: The colorful, iconoclastic Cameron Carpenter shows off Walt Disney Concert Hall's awe-inspiring pipe organ with the crushing power chords of Poulenc's idiosyncratic Concerto and Saint-Saëns' beloved, melody-rich Third Symphony. Program: Christopher CERRONE : The Insects Became Magnetic (World premiere, LA Phil commission with generous support from Elizabeth and Justus Schlichting) POULENC : Organ Concerto Intermission SAINT-SAËNS : Symphony No. 3, “Organ” Artists: Los Angeles Philharmonic Roderick Cox conductor Cameron Carpenter organ SUN / NOV 18, 2018 - 2:00PM Upcoming concerts: www.laphil.com/calendar Upbeat Live schedule, details, and speaker bios: www.laphil.com/ubl
This week, Omaya Jones and Stephanie Smittle break down the movies "Veronica," "Les Affamés," alternate depictions of the O.J. Simpson Trial, the art of Joshua Brinlee and The Move for the week: a concert from the Juilliard-certified digital pipe organ rockstar Cameron Carpenter.
Cambiamos la cafetería por una basílica y el café por los tubos de un Órgano Gerhard Grenzing, en concreto su opus 1, que se encuentra en la Basílica de San Miguel de Madrid. Allí, nos reunimos media hora antes del concierto de Juan de la Rubia, el organista español actual más reconocido, para charlar con él sobre música, órganos y organistas. Durante la entrevista hablamos del órgano como instrumento, su repertorio y sus curiosidades, de educación musical y de un organista muy popular en la actualidad: Cameron Carpenter.
Cambiamos la cafetería por una basílica y el café por los tubos de un Órgano Gerhard Grenzing, en concreto su opus 1, que se encuentra en la Basílica de San Miguel de Madrid. Allí, nos reunimos media hora antes del concierto de Juan de la Rubia, el organista español actual más reconocido, para charlar con él sobre música, órganos y organistas. Durante la entrevista hablamos del órgano como instrumento, su repertorio y sus curiosidades, de educación musical y de un organista muy popular en la actualidad: Cameron Carpenter.
Bei ihm wird die Orgel zum elektronischen Musikkraftwerk. Das Publikum liebt seine Exzentrik und Leidenschaft. Seine Werkinterpretationen polarisieren. Cameron Carpenter interessiert das wenig, er kennt seinen Weg. Im Interview mit BR-KLASSIK spricht er über die besondere Beziehung zu seiner Orgel und über ihre Problematik.
El magazine de Clásica FM abre sus puertas en sesión de viernes para hablar de ciertos cambios que se asoman a nuestros escenarios. Charlamos en Clásica Café con Lucía Marín, que debuta esta semana con la OSRTVE y también comentamos los aplausos y crícicas que recibió el polémico organista Cameron Carpenter en el Auditorio Nacional de Madrid la semana pasada. Además, estrenamos la Lista Negra de #Los50 y repasamos los mejores conciertos del fin de semana. Con Mario Mora y Ana Laura Iglesias
El magazine de Clásica FM abre sus puertas en sesión de viernes para hablar de ciertos cambios que se asoman a nuestros escenarios. Charlamos en Clásica Café con Lucía Marín, que debuta esta semana con la OSRTVE y también comentamos los aplausos y crícicas que recibió el polémico organista Cameron Carpenter en el Auditorio Nacional de Madrid la semana pasada. Además, estrenamos la Lista Negra de #Los50 y repasamos los mejores conciertos del fin de semana. Con Mario Mora y Ana Laura Iglesias
Mit seiner eigenen digitalen Tournee-Orgel ist Cameron Carpenter zum diesjährigen Nürnberger Klassik Open Air angereist. Ein seltenes Klangerlebnis unter freiem Himmel - nicht nur für das Publikum. Und auch die Nürnberger Symphoniker unter ihrem Chefdirigenten Alexander Shelley begeisterten.
Cameron Carpenter has been involved in the record industry his whole life. He started off as a journalist for the sole reason of receiving free music to review. Cam has a love of music and a cunning ear for greatness. He picked out an early Steve Earle album that was heading to country radio and managed to get it played on many other types of formats. Because of Cam's insightfulness, Steve Earle became a crossover hit in both the United States, Canada and the world. Cam discovered a young band by the name of Sloan, one of Canada's prized possessions ranked up there with Neil Young and Rush. Cam spent most of his years in the record business as an A+R representative. A+R stands for "Artist and Repertoire," but Cam's definition of the title is "Artist Relations." We talked in his board room on College St. in Toronto about his life, his work, and music. Help the podcast out by pledging on Patreon, www.patreon.com/apologue Brought to you by fetchclass.com Shop with amazon.ca, amazon.com and amazon.co.uk Bookmark the link and support the show!!
Our flamboyant guest in this edition is the first organist ever to be nominated for a Grammy and famous for taking the organ out of the church and into the concert hall.
This week, “Portlandia’s” Fred Armisen cops to working blue… legendary satirist/musician/Governor-to-be Kinky Friedman serves up Texas-sized etiquette tips… rockstar classical organist Cameron Carpenter thinks outside the Bach box… We toast an infamous Alabama pest… Fish fraud!… And “Kumare” documentarian Vikram Gandhi teaches you how to become a guru. Plus, a ‘Fun.’ joke, Da Vinci Code: Rhode Island, and your letters… all the way from Kyrgyzstan.
With John Wilson, including an interview with singer Alfie Boe, as he publishes an autobiography My Story, about his rise from car mechanic in Blackpool to international opera, music and recording star. ITV1's new murder mystery drama, The Bletchley Circle, stars Anna Maxwell Martin and Rachael Stirling. Set in 1951, the series follows four highly intelligent women who were code-breakers at Bletchley Park during WWII. Having returned to civilian life, the four women reunite to use the skills they acquired during the war to crack a murder case. Natalie Haynes reviews. As Cameron Carpenter prepares for two afternoon Proms taking place this weekend, John met the flamboyant and unconventional organist while he rehearsed late into the night on the Royal Albert Hall's Grand Organ. Subjects up for discussion included Cameron's special organ shoes, why size doesn't matter, and how the launch of his digital organ looks set to rock the organ world. And film critic Jason Solomons reports from the Venice Film Festival, which got underway this week. Producer Jerome Weatherald.
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