Podcasts about lumet

Con un tono frío y distante Tavernier adapta la novela de David Compton, realizando el guion junto a David Rayfield. Paisajes urbanos y rurales de desolación, de un futuro poco apacible. Un film premonitorio sobre la miseria de los medios de comunicación, de un reality show capaz de transmitir la muerte en directo. Los últimos días de una mujer enferma terminal en unos tiempos en que la muerte es indolora. Un espectáculo obsceno, sin privacidad. Tavernier vaticina el mundo actual de streamers e influencers que mueren en pantalla ante la mirada de sus seguidores. Ella, escritora, pregunta a un monitor posibles desenlaces para el libro que escribe, en 1980 se adivina la inteligencia artificial y los chats con una máquina. Espectadores voyeurs observan a través de los ojos de Roddy -Harvey Keitel- la huida de una mujer avasallada, engañada por todos- - excepcional Romy Schneider -- Siempre huyendo. Huye de la cadena de televisión, del productor sinvergüenza – Harry Dean Stanton- de un marido displicente. El reportero duerme con los ojos abiertos, asistirá un proceso de cambio, un progreso, de la persecución de su presa a un arrepentimiento desesperado, que culmina en la escena climática de la playa. El productor es un canalla y, sin embargo, todo lo que dice es real. La gente se siente atraída por lo obsceno, por el morbo, he ahí la gallina de los huevos de oro. En Network, un mundo implacable, de Lumet, también hay una muerte en directo, la de un iluminado que batía récords de audiencia. La sociedad del espectáculo, de la telebasura. Al fin, ella buscará controlar su vida, aunque sea pagando el precio más alto. Esta noche vemos nuestro rostro en un cartel de publicidad… Zacarías Cotán, Salvador Limón y Raúl Gallego.

Episode 222 de Super Ciné Battle, le podcast où nous établissons le classement ultime du cinéma. Nous prenons vos listes que vous nous adressez pour les classer, du meilleur au pire afin d'obtenir LA liste ultime. Le cycle des 80s continue. Après avoir écumé les pires films lors de l'épisode précédent, on passe un peu à de la qualité signé Lumet pour ensuite explorer un des nanars les plus emblématiques qui soient. En fait, une véritable saga. On s'amuse vraiment bien, surtout que pour une fois, « Le passage » n'est pas impliqué. Evidemment, faut-il le préciser, pas de politique française dans ce podcast, jamais. Sauf dans nos recos. Pour nous envoyer des listes, c'est évidemment à envoyer à supercinebattle (at) gmail (point) com. N'hésitez pas à nous renvoyer vos anciennes listes remises à jour ou d'autres encore. Soyez originaux, soyez bons, et surtout bonne année ! Les recommandations (vers 1h23) Stéphane : Dynasty Warriors Origins Daniel : reco commune pour l'extraordinaire documentaire Vincent Lindon, coeur sanglant, disponible sur Arte. Montage : DA Plus que jamais, un immense merci à tous ceux qui nous soutiennent sur Patreon !

Tänään epäsuosituissa mielipiteissä : Työviikoista neljä päiväisiä! Yleisten vessojen wc-paperit on huonoja. Lumet, roskat jne. saa kipata naapurin puolelle, jos on hämärää . S'il vous plaît saatana.

Jason Teasley, Chae Tate and Mark Radulich review movies currently on streaming services: The Wiz/Purple Rain/DreamGirls Movie Review! First up is The Wiz (1978). Then we move on to Purple Rain (1984). Finally we review Dreamgirls (2006).The Wiz is a 1978 American musical fantasy adventure film directed by Sidney Lumet. Adapted from the 1974 Broadway musical, the film reimagines the classic children's novel The Wonderful Wizard of Oz by L. Frank Baum with an African American cast. Dorothy, a 24-year-old teacher from Harlem, is magically transported to the urban-fantasy Land of Oz. On her travels seeking help from the mysterious Wiz, Dorothy befriends a Scarecrow, a robot called Tin Man, and a Cowardly Lion.The Wiz was theatrically released the following year on October 24, 1978, to critical and commercial failure. The film received generally negative reviews from critics, with many unfavorably comparing the film to its source material. Some critics criticized the casting of Ross as Dorothy, while others criticized the direction of Lumet, who was considered a poor choice for directing a musical. Despite its initial failure, critics have become more favorable in recent years, and it has become a cult classic among audiences, Ross's fanbase, Jackson's fanbase and Oz enthusiasts.Purple Rain is a 1984 American romantic rock musical drama film scored by and starring Prince in his acting debut. Developed to showcase his talents, it contains several concert sequences, featuring Prince and his band The Revolution. The film is directed by Albert Magnoli, who later became Prince's manager, from a screenplay by Magnoli and William Blinn. The cast also features Apollonia Kotero, Morris Day, Olga Karlatos and Clarence Williams III.It grossed $70.3 million worldwide, against its $7.2 million budget. The film won an Academy Award for Best Original Song Score. Publications and critics have regarded Purple Rain as one of the greatest musical films. In 2019, the film was selected by the Library of Congress for preservation in the United States National Film Registry for being "culturally, historically, or aesthetically significant".Dreamgirls is a 2006 American musical drama film written and directed by Bill Condon and jointly produced and released by DreamWorks Pictures and Paramount Pictures. Adapted from the 1981 Broadway musical of the same name, Dreamgirls is a film à clef, a work of fiction taking strong inspiration from the history of the Motown record label and its superstar act the Supremes. The story follows the history and evolution of American R&B music during the 1960s and 1970s through the eyes of a Detroit girl group known as "The Dreams" and their manipulative record executive.The film adaptation features an ensemble cast, starring Jamie Foxx, Beyoncé Knowles and Eddie Murphy with Jennifer Hudson, Danny Glover, Anika Noni Rose and Keith Robinson in supporting roles. In addition to the original compositions by composer Henry Krieger and lyricist Tom Eyen, four new songs, composed by Krieger with various lyricists, were added for the film. The film marks the acting debut of Hudson, a former American Idol contestant.Dreamgirls debuted in four special road show engagements starting on December 4, 2006, before its nationwide release on December 15, 2006. With a production budget of $80 million, Dreamgirls is one of the most expensive films to feature a predominant African-American starring cast in American film history. The film received positive reviews from critics, who particularly praised Condon's direction, the soundtrack, costume and production design, and performances of the cast, in particular Hudson and Murphy, and was also a commercial success, grossing $155.4 million worldwide.[4] At the 79th Academy Awards, the film received a leading eight nominations, winning Best Supporting Actress (for Hudson), and Best Sound Mixing. At the 64th Golden Globe Awards, it won three awards, including for the Best Motion Picture – Musical or Comedy.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

Se trata de una película dirigida por Sidney Lumet en 1982 en el que Newman interpreta a un abogado maduro decadente y alcohólico. Aprovechamos para ponderar las habilidades como director de Lumet y repasamos parte de su filmografía.

EPISODE 71 - “STEVE & NAN's FAVORITE CLASSIC FILMS OF THE 1970s” - 1/20/2024 The 1970s was a decade that saw the rise of the auteur. Filmmakers like Scorsese, Coppola, Cassavetes, Altman, Lumet, and DePalma hit their stride and brought to the screen their specific vision and stylized films. It was a very experimental era where boundaries were pushed and once-taboo topics were explored. It became a creative high point and gave us some iconic movies. This week, Steve And Nan take look at some of their favorite films of the 1970s.  SHOW NOTES:  Sources: Terrance Malick and the Examined Life (2024), by Martin Woessner;  Films of the 1970s (2017), by Jurgen Muller; Hollywood's Last Golden Age: Politics, Society, and the Seventies Film in America (2012), by Jonathan Kirshner; How the Sex, Drugs, and Rock-n-Roll Generation Saved Hollywood (1998), by Peter Biskind; Picture Shows: The Life and Films of Peter Bogdonavich (1992), by Andrew Yule; “Jane Fonda on Klute,” July 18, 2019, The Criterion Collection;  TCM.com; IMDBPro.com; IBDB.com; Wikipedia.com; Movies Mentioned:  Smile (1975), starring Bruce Dern, Barbara Feldon, Michael Kidd, Nicholas Pryor, Annette O'Toole, Joan Prather, Melanie Griffith, Geoffrey Lewis, Maria O'Brien, Colleen Camp, Eric Shea, Denise Nickerson, and Titos Vandsis; Klute (1971), starring Jane Fonda, Donald Sutherland, Roy Scheider, Dorothy Tristan, Charles Cioffi, Jean Stapleton, Rita Gam, and Vivian Nathan; Badlands (1973), starring Martin Sheen, Sissy Spacek, Warren Oates, Garry Littlejohn, Alan Vint, and John Womack; The Sting (1973), starring Paul Newman, Robert Redford, Robert Saw, Robert Earl Jones, Charles Durning, Ray Walston, Charles Dierkop, Harold Gould, Sally Kellerman, and Eileen Brennan; The Last Picture Show (1971), starring Timothy Bottoms, Cybill Shepherd, Jeff Bridges, Ellen Burstyn, Ben Johnson, Cloris Leachman, Eileen Brennan, Clu Gulager, Sam Bottoms, Sharon Taggart, Randy Quad, and Bill Thurman; A Little Romance (1979), staring Laurence Olivier, Diane Lane, Thelonious Bernard, Arthur Hill, Sally Kellerman, Broderick Crawford, David Dukes, Andrew Duncan, and Claudette Sutherland; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Al and Jonnie talk about Luma Island Timings 00:00:00: Theme Tune 00:00:30: Intro 00:03:55: What Have We Been Up To 00:13:53: Game News 00:37:20: Luma Island 01:32:07: Outro Links Wholesome Snack Wholesome Snack Humble Bundle Wanderstop Release Date Overthrown Early Access Snacko Roadmap Haunted Chocolatier Development Update Farm Folks Gameplay trailer Contact Al on Mastodon: https://mastodon.scot/@TheScotBot Email Us: https://harvestseason.club/contact/ Transcript (0:00:30) Al: Hello, farmers and welcome to another episode of the harvest season. (0:00:34) Al: My name is Al and we’re here today to talk about cut to story games. (0:00:35) Jonnie: And my name is Jonny. (0:00:40) Al: Ah, welcome Johnny. (0:00:44) Jonnie: I am good for reasons that are entirely my fault. (0:00:48) Jonnie: We were recording at a really convenient time for me today, (0:00:50) Al: “Yes, I’m the one that’s that’s gone up early, so… (0:00:50) Jonnie: so I am way more awake than I usually am. (0:00:53) Jonnie: How are you, Al? (0:00:54) Jonnie: Thank you. (0:00:56) Al: Look, I mean, we used to do this occasionally, record early my time, and it just, it feels (0:01:05) Al: like it’s less, it’s less convenient for me because of your later time zone now, like… (0:01:12) Jonnie: Yeah, the time zone now works really well actually for me to record early because it’s a good time zone for that. (0:01:14) Al: Yeah, because if we want to record at 5pm, you’re in. (0:01:20) Al: time, which on a weekend is fine, probably, but on a weekday is probably the earliest you could do. (0:01:29) Al: That’s 7am my time, so it kind of basically gets rid of that for weekdays, (0:01:34) Al: which we used to do a couple of times is record an evening your weekday and morning my weekday, (0:01:40) Al: because we were exactly 12 hours apart, I think, when you were in New Zealand, (0:01:44) Jonnie: Yep. Hey, Al. (0:01:45) Al: which made it perfect. So it could like, we could start at 5am my time and 5pm your time, (0:01:49) Al: Whereas now it’s like… (0:01:50) Al: I start work at 8am, so it’s like starting recording at 7am. It’s not ideal, but it’s Sunday, so it doesn’t matter. (0:01:57) Jonnie: And we are now just going to rebrand to a logistics podcast. (0:02:01) Jonnie: I’m sure our listeners are very excited to be hearing of that. (0:02:05) Al: I have this great app from my Mac now where I have everybody’s time zones for the podcast typed into it. (0:02:12) Al: And I have a slider where I can just choose my time, and it tells me what everybody else’s time is at that point. (0:02:16) Al: It’s great for organizing stuff. (0:02:18) Jonnie: Okay, one, I’m gonna need you to send that to me (0:02:20) Jonnie: after the show, that sounds very convenient. (0:02:22) Jonnie: I work across like five different time zones, (0:02:24) Jonnie: so that sounds amazing. (0:02:26) Jonnie: And two, I’m curious how many time zones we have as folks, (0:02:29) Jonnie: ‘cause there’s quite a few, I’m guessing. (0:02:30) Al: So if we just talk about the base team, so we’re not talking about the people that are on a couple times a year, that is four time zones. (0:02:42) Al: So I’m in one, you’re in one, Kevin is in one, and then Cody, are we counting Bev still? They’ve not been on in a while, but Cody and Bev are in the same time zone. (0:02:52) Al: So that’s four time zones. (0:02:54) Al: Obviously, other people then have different ones, but I think Kelly is in a different one, and who else? (0:03:00) Al: Is that it? Have we covered all the American time zones now? (0:03:02) Jonnie: What about Micah, where’s Micah? (0:03:04) Al: Oh, Micah Central, is that the same? (0:03:09) Jonnie: I think it’s got to be the same as like one of Kiv and/or Cody. (0:03:12) Al: it’s not the same as Cody. What time is Kevin? Yeah, I think Kevin’s in Central as well. So, (0:03:20) Al: it’s the same as Kevin. Anyway, moving on. This episode, we’re going to talk about Luma Island. (0:03:20) Jonnie: We needed like a west coast American to you know really round it out (0:03:35) Al: Yeah, that was a full stop. We’re going to talk about Luma Island. (0:03:41) Al: Um… (0:03:43) Al: Before that we have some news, surprisingly still busy with news considering the time of year, (0:03:50) Al: and I don’t think it’s about to stop now, and we’ll explain why in our first game news, but (0:03:56) Al: before that, Jonny, what have you been up to? (0:03:58) Jonnie: What have I been up to? (0:04:00) Jonnie: I’ve been up to pocket of all varieties, many varieties, (0:04:05) Jonnie: all the pockets. (0:04:06) Jonnie: Pocket TCG, still plugging along with that. (0:04:06) Al: I haven’t done today’s battles yet. I’ll maybe set them up on auto during this podcast. (0:04:09) Jonnie: But Al, I really want to know, have you got any Venus yet? (0:04:19) Al: And maybe I’ll get the Venusaur today. I don’t know. We’ll see. (0:04:24) Jonnie: I’m not going to lie, I would be very stoked if you got the Venus (0:04:26) Jonnie: or while we were recording. (0:04:28) Al: Live on a podcast. Yeah. Let’s do it. I’m setting up. (0:04:29) Jonnie: Yeah, yeah. (0:04:32) Jonnie: Just for the listeners, how dry are you at this point? (0:04:36) Al: I think I’m at 28 promo packs and no Venusaur. So, interestingly, I only have two of the (0:04:42) Jonnie: Life has not been gone to you at all. (0:04:45) Al: Greninja. I mean, two’s what I want, right? I don’t want any more than two. But it’s not (0:04:50) Al: the Greninja that I’m getting lots of. I’ve got two and then it stopped. It’s the Jigglypuff (0:04:56) Al: and Haunter and Onyx that I’ve got nearly double digits of each of them. (0:05:01) Jonnie: Although, annoyingly, you kind of do want more of the more rare ones, because you get more Shine Dust for the duplicates, and while Shine Dust is not currently useful for anything worthwhile, number big means good. (0:05:06) Al: That’s, yeah, true. (0:05:14) Al: Yeah. Yeah. Anyway, right. I said those, I said those battles off. So we’ll see what happens. (0:05:20) Jonnie: But outside of Pokémon Pocket, I’ve also been playing Animal Crossing Pocket Camp Complete, whatever it’s called, which… (0:05:31) Jonnie: …is now fully come out in its complete edition, and there is a lot in this game now. There is so much. It is very overwhelming. (0:05:39) Al: Well, it is like eight years old at this point, and they’ve just shoved everything into it, so. (0:05:44) Jonnie: Yep. I feel like it will get to a good place, but at the moment it’s very overwhelming, and I’m just trying to work out what is the limited time stuff that I need to get done, particularly being December with all of the various Christmas events. (0:05:57) Jonnie: events. So just trying to work. (0:06:01) Jonnie: That out. But other than both of those Marvel Rivals is this new hero shooter game that came (0:06:09) Jonnie: out and look, I don’t like shooting games. I played a little bit of Overwatch. I’m terrible (0:06:15) Jonnie: at them. But there was something fun about being part of a thing that is having a moment. And I (0:06:20) Jonnie: feel like Marvel Rifles is that. And so while I’m terrible at it, I am having fun playing it in (0:06:26) Jonnie: these first few days. Well, that’s all it seems everyone is talking about. (0:06:29) Al: I have not played it, but I don’t want to say too much about it, but on the on the last (0:06:37) Al: podcast that I recorded, which is coming out in three weeks time, you will hear Kevin convince (0:06:43) Al: me to try it. So we’ll see, I guess, at some point. I wonder if by the time I next record (0:06:53) Al: an episode in a week, whether I will have played it or not, whether we have some. (0:06:59) Al: True out of time podcasting where I talk about the fact that I was convinced to play about (0:07:05) Al: it, and then I talk about the fact that I’ve played about it, and then you actually hear (0:07:09) Al: the being convinced to play it. We’ll see. We’ll see. We’ll see. I was totally not going (0:07:13) Jonnie: I really hope that that is the case and my prediction for your take on the game, Al, (0:07:18) Jonnie: is you will play it and you will be like, “I see why people like it and it is not for me.” (0:07:23) Jonnie: That will be your take. But… (0:07:26) Al: to play it until one thing in the episode, which I’m not going to spoil… (0:07:29) Al: There’s one specific thing that Kevin tells me about that I did not realize was the case (0:07:34) Al: for it, because I hadn’t seen any gameplay. And I had just been assuming based on everything (0:07:39) Al: that people had been saying, because people are like, “Oh, it’s just Overwatch, but Marvel.” (0:07:43) Al: And yeah, you’ll hear about that in three weeks’ time, listeners. (0:07:48) Jonnie: Amazing. (0:07:52) Jonnie: Yeah, but those are the things… (0:07:53) Jonnie: I guess just because I feel like it’s something you have to talk about (0:07:55) Jonnie: if you’re talking about a hero shooter. (0:07:57) Jonnie: So far, the character that I am liking the most is Hela, (0:08:02) Jonnie: which is probably not what I would have predicted (0:08:04) Jonnie: going into playing this game. (0:08:06) Jonnie: But that’s part of the fun of these sorts of games (0:08:08) Jonnie: is you find and connect with characters (0:08:11) Jonnie: that maybe you wouldn’t have otherwise. (0:08:15) Jonnie: Hela’s gimmick is a movement ability. (0:08:19) Jonnie: She’s kind of just a standard damage dealer. (0:08:21) Jonnie: She hits hard and has a relatively slow fire rate. (0:08:26) Jonnie: She has a stun ability and she throws some knives (0:08:30) Jonnie: that deal some delayed damage. (0:08:33) Jonnie: I don’t know how much of it really has anything to do (0:08:35) Jonnie: with her abilities from the comics and/or movies. (0:08:40) Jonnie: I know some feel particularly Hela-ry, (0:08:43) Jonnie: but I’m also not super familiar with her as a character (0:08:46) Jonnie: outside of that one Thor movie. (0:08:49) Jonnie: So yeah, she’s a pretty good stand-in sort of DTS-style character. (0:08:53) Al: I have talked about most of what I’ve been up to in the episode that will be coming in (0:08:54) Jonnie: And that’s what I’ve been up to. What have you been up to, Al? (0:09:02) Al: three weeks, but I specifically saved one thing to talk about in this episode, because (0:09:06) Al: I know that you’re on the same page as me with this game, and that is I have been trying (0:09:11) Al: to finish Legends of Zelda, Echoes of Wisdom, because I started it when it came out, and (0:09:18) Al: I enjoyed it to start with, and it’s not like I’m not enjoying it anymore. (0:09:24) Al: But I just feel like I’m doing the same thing over and over again. (0:09:29) Al: And I know you’re going to say you don’t need to finish it. (0:09:31) Al: I know, I know, but I’m like two dungeons away from finishing. (0:09:35) Al: I feel like I just I want to finish it before I before I stop. (0:09:40) Al: But the I think the thing that I realised last night (0:09:46) Al: specifically was that I do not enjoy the boss fights in this game specifically. (0:09:53) Al: Because they are very passive, right? (0:10:00) Al: So you’ve got two ways of dealing with enemies in this game. (0:10:03) Al: You can either you can either turn into, you know, shadow link and attack them (0:10:11) Al: like you are link, which is kind of, you know, the traditional Zelda way of doing (0:10:15) Al: things, or you can use the echoes of enemies and they will attack instead. (0:10:21) Al: and for most… (0:10:23) Al: For most enemies, I’ve just been using this big floating plant with spikes, which works (0:10:28) Al: really well. It’s such a good… It’s so good that you… And you get it so early that basically (0:10:28) Jonnie: Yep, that’s what I used. (0:10:35) Al: nothing else replaces it. And I’m so close to the end of the game. But the problem is (0:10:43) Al: that I don’t find that fun for the boss battles, right? Because the whole point of boss battles, (0:10:48) Al: especially in like a Zelda game and stuff like that are for you’re figuring out what they (0:10:53) Al: do and you’re trying to figure out their weaknesses and you’re trying to take them (0:10:56) Al: down when they get to their weak point, right? But that is not possible to do with the echoes, (0:11:04) Al: right? Because you’re just throwing echoes up and hoping they don’t die, (0:11:07) Al: right? Because you can’t control them once you set them up. And the problem is you then, (0:11:12) Al: so then you default to going, “Well, maybe I do need to just be the link and attack them.” But (0:11:20) Al: Quite often, you just don’t have enough energy because you use (0:11:23) Al: up the energy while you’re linked. So you can’t be linked all the time, (0:11:28) Al: deliberately so, which is fair, but you just end up in this situation where (0:11:33) Al: you run out very quickly because the energy moves really quickly, and if you’re not immediately (0:11:42) Al: hitting the boss, you’re just dying. Finding it just such a frustrating situation, (0:11:53) Al: I really like the bosses because you’re having to figure out how to defeat this boss. Here, (0:11:59) Al: you’re just essentially throwing echoes at it and hoping they don’t die. (0:12:04) Jonnie: Yeah, I kind of agree and I feel like I feel like it would be better if there was more of a puzzle mechanic to the bosses where you weren’t just using the enemy echoes, but you were using other echoes that you had picked up in the dungeon to, you know, solve a puzzle that would expose a weak plane tour. (0:12:22) Jonnie: Like I feel like there was there was more space and it’s kind of my frustration with the whole game where I feel like there was more space to do more interesting things than ultimately what they ended up doing with them. (0:12:34) Al: Yeah. Yeah. So that’s, that’s about what I am just now with that game. Um, uh, I, as (0:12:41) Al: I say, I have two, I think two left to go. Um, presumably there’s a final boss after (0:12:46) Al: those last two dungeons. Um, but I will, I will see how that goes. I’m determined to (0:12:52) Al: finish it. Um, and I’m, you know, as I say, it’s not that I’m not enjoying it. I just (0:12:57) Al: kind of wish that it could have been more, um, than it is. (0:13:00) Jonnie: Yeah, I mean, it’s, you know, my take on the game was, you know, it was good. (0:13:06) Jonnie: It was really fun at the start and then it fell off. (0:13:08) Jonnie: And I think the fall off rate is probably going to be different for everyone. (0:13:13) Jonnie: And, you know, as close as you are, I think I would probably also finish the game if I was that close. (0:13:18) Al: Yeah. I think the thing is that I did fall off. I was just determined to come back and (0:13:22) Al: finish because of, well, just because that’s who I am. Right. I don’t, I don’t feel the (0:13:29) Al: need to complete every game, including a game we might talk about this episode, but I do (0:13:37) Al: with Zelda ones in particular, except the older 3D ones, I do tend to feel like I want (0:13:43) Al: to complete it just for having completed it, you know? (0:13:46) Jonnie: Absolutely. (0:13:48) Al: Anyway, so yeah, that’s, that’s about it. I’ve not been playing a huge amount else. (0:13:54) Al: Shall we talk about some news? So I think I probably should have talked about this first (0:13:59) Al: piece of news in the last episode, but I forgot. I’ve been really bad at that recently, apparently. (0:14:03) Al: This is the second piece of news in three weeks that I’ve forgotten to talk about in (0:14:07) Al: its, in its first episode. But here we go. Wholesome Games have announced their Wholesome (0:14:13) Al: knock the game of the wards edition the game of the game awards edition (0:14:19) Al: and that is happening on the 10th of December which is in the past if you’re listening to this (0:14:24) Al: episode. So we will cover whatever has happened in that in the next episode, whatever the next (0:14:31) Al: episode is. I’m so confused. For listeners, I’m recording four episodes of this podcast in two (0:14:38) Al: weekends, so I’m really confused about what’s happening, but there is an episode being recorded (0:14:43) Al: next week that will be listened to the week after, and that’s the one that we’ll be talking about (0:14:46) Al: about this in. So I. (0:14:48) Al: What makes sense for you when it happens? Yes, it may not make sense until January, (0:14:50) Jonnie: Let’s just listen to all of the episodes and everything will make sense at some point, except for the stuff that doesn’t. (0:14:59) Al: but yeah, they’ve also launched a wholesome snack bundle. If you are of the bundle persuasion (0:15:10) Al: and you like playing games, it includes Fe Farm, Little Kitty Big City. (0:15:18) Al: The Ranch of Riverside, Minami Lane and Rusty’s Retirement and also Spirit City LoFi Sessions, (0:15:27) Al: which I guess is a game. It’s calling itself a gamified focus tool, so it’s not really (0:15:34) Al: game game. But yeah, that is a pretty good bundle for what it is. I already have multiple (0:15:42) Al: of these games, so I don’t think I’ll be buying the bundle. But if you are interested. (0:15:48) Al: And these is a very good deal. (0:15:50) Jonnie: Yeah, I think this is a really cool bundle if you don’t if you don’t have many of these games (0:15:55) Jonnie: This is a bundle that is definitely worth getting (0:15:58) Al: - Absolutely. (0:15:59) Al: - Is there anything you’re hoping for (0:16:02) Jonnie: I (0:16:04) Jonnie: would like more information on (0:16:07) Jonnie: Tales of the Shire like (0:16:09) Jonnie: Everybody else other than that. I feel like we are in this era of there being so many games (0:16:17) Jonnie: I want announcements of when things are going. (0:16:20) Jonnie: They’re coming out and not as early access, but like, yeah, just give us release dates for stuff. (0:16:24) Al: you want some release dates of 1.0 releases. I know what Kevin’s looking forward to. That (0:16:25) Jonnie: Make hours scheduling life next year really easy. That’s what I want out of this wholesome stack. (0:16:33) Jonnie: Correct. (0:16:36) Al: is whatever the developers of Wildflowers are going to announce, because they have basically (0:16:42) Al: said they’re going to announce their new game in the Wholesome Snack. And what it could (0:16:47) Al: be, we don’t know, but that is happening. (0:16:49) Jonnie: Well, the listeners will have the ability to find out by the time that they are listening to this. (0:16:54) Jonnie: So, go watch the Wholesome Snack and see if you can find out what Kevin is really excited about. (0:17:00) Al: Yes, I won’t tell you the developer of the game. (0:17:03) Al: So you have to guess the other. (0:17:07) Al: I mean, this is part of the game awards. (0:17:11) Al: I don’t understand why it’s part of the game awards because it’s announcing new (0:17:14) Al: stuff and I’m confused about the game awards. (0:17:17) Al: They seem a bit confused themselves. (0:17:19) Al: I also here’s my thing, right? (0:17:22) Al: I don’t particularly care about the I don’t (0:17:25) Al: particularly have an issue with the game awards. (0:17:27) Al: It’s fine. (0:17:27) Al: I think it’s a bit weird that it’s become the one that people like. (0:17:31) Al: You know what people like their like, they like their Oscars. (0:17:35) Al: They like all their award ceremonies. (0:17:37) Al: I don’t particularly feel amazed about one particular awards. (0:17:42) Al: But hey, what he put in the effort into making a big event and people seem to like (0:17:47) Al: it, although I do feel like people just complain about it more than anything else. (0:17:52) Al: But I don’t have an issue with it. (0:17:54) Al: What I do have an issue is why is it in December? (0:17:58) Al: I’ve never understood why people do (0:18:00) Al: their game of the year, so early in December, it’s like the 10th of December, they’re doing (0:18:07) Al: this. And I’m like, that feels like, do it at the end of December, or do it in January, like all the (0:18:14) Al: awards seasons for film and TV, they happen in March and April, and they have like a specific (0:18:19) Jonnie: Yeah but people in games are dumb. So you know we get what we get and I don’t like game awards, (0:18:19) Al: cutoff date. (0:18:27) Jonnie: they suck and don’t pay attention to them. What you should pay attention to is the harvest season (0:18:34) Jonnie: game of the year awards because that is much better and I was gonna say much less controversial (0:18:40) Jonnie: but that’s definitely not true because last year was very controversial. So yes I don’t know don’t (0:18:47) Jonnie: Don’t pay attention to them. (0:18:50) Al: I do aim to be controversial. (0:18:54) Al: Yes, our Game of the Year episode will be coming out on the last Wednesday of the year, (0:18:59) Al: as usual. (0:19:00) Al: This year, the earliest it can possibly happen, because of how the year worked out, the 25th (0:19:05) Al: of December. (0:19:06) Al: It cannot happen any earlier than that, because if it were to try and happen a day earlier, (0:19:11) Al: it would actually happen a week later. (0:19:13) Al: Fun times. (0:19:15) Al: Next, we have a release date for Wonderstop. (0:19:20) Al: It is releasing on the 11th of March 2025 for PS5 and Steam. (0:19:28) Al: And this is the game, the tea-making game by the creator of the Stanley Paradox. (0:19:34) Al: So, I’m very intrigued. (0:19:34) Jonnie: I was I was trying to place why I knew the like why I knew this game and it was the I (0:19:42) Jonnie: had forgotten about the (0:19:45) Jonnie: That connection. Yeah this I (0:19:49) Jonnie: Don’t know. This is gonna be weird, right? Is there any other options? (0:19:53) Al: Yeah, I think it’s going to be something. I don’t know what it is. I’m not expecting it to be (0:19:58) Al: necessarily a meta-commentary on games like the Stanley Parable was. I think that would be boring (0:20:04) Al: if it was just the exact same thing, and I don’t know why they would do a cosy game for that. But (0:20:08) Al: I could see it addressing some sort of tropes on cosy games in some sort of way, because it talks (0:20:16) Al: about it being a narrative-driven game, and I think that that is probably very deliberate. (0:20:23) Al: The way they’re wording that, and I wouldn’t be surprised if they upended some of our expectations. (0:20:32) Jonnie: Yeah, and I think the other thing that’s interesting is like in the about this game (0:20:36) Jonnie: they say it’s about change and tea like and putting a game about change as sort of your a (0:20:43) Jonnie: Number one thing that your game is about like if anything my expectation or not my expectations my hopes for this game (0:20:51) Jonnie: That it’s sort of on a par with (0:20:54) Jonnie: spirit fear (0:20:55) Al: - Mm, so you wanted to make it cry. (0:20:58) Jonnie: Uh, so I thought about a second like spirit fear but like on a par with (0:21:03) Jonnie: it could be a more pleasant version of a heavily narrative given game like spirit fear. Like I want (0:21:09) Al: is that possible? Is it possible to make you feel something without it being crying? (0:21:09) Jonnie: I want this game to make me feel something. Just because it hasn’t happened doesn’t mean it’s not possible. (0:21:18) Al: Fair, fair, fair, fair. They’ve also released a new trailer for the game as well. Overthrown, (0:21:25) Al: I have announced their early access and it’s out now. Yep, so if you’ve been looking forward (0:21:31) Al: to this game, it’s out now. I’m undecided, I think I might wait for 1.0 for this game (0:21:37) Al: because I played the d- (0:21:39) Al: and I enjoyed it, but it definitely felt like I wanted much more than what it was initially (0:21:45) Al: um (0:21:46) Jonnie: Did you watch the video that went with the announcement of Early Access? (0:21:54) Jonnie: The one thing I was curious about was if there was anything in this video that looked like stuff (0:22:00) Jonnie: that wasn’t in the demo that you played. They did focus quite heavily in the video on multiplayer, (0:22:08) Jonnie: which seems very smart for this game, the chaos that I think that could bring sounds. (0:22:15) Al: Yeah, I don’t think the early access starts with multiplayer though, does it? (0:22:16) Jonnie: Pretty amazing. (0:22:20) Jonnie: That would be surprising because that felt very prominent in the… (0:22:22) Al: Well, maybe it does. The demo definitely didn’t have multiplayer, (0:22:27) Al: but that might have been because it was the demo. (0:22:27) Jonnie: Yeah, it felt like that was the whole focus of the trailer. (0:22:32) Al: Yeah, no, you’re right. It does feel like that, and I’m not seeing it in their roadmap anywhere, (0:22:39) Al: so I guess maybe it does have multiplayer already. (0:22:43) Al: Anyway, yeah, I’m obviously going to buy. (0:22:45) Al: this game and play it again at some point. (0:22:47) Al: I’m just undecided as to when that is. (0:22:49) Al: It’s not going to be this year because this year is already spoken for. (0:22:53) Al: I’ve got to finish Zelda and I’ve got to play Sonic. (0:22:56) Al: So we’ll see when that happens. (0:22:59) Al: It’s on Steam in early access. (0:23:01) Al: It’s also on Xbox game preview, apparently they call it, (0:23:05) Al: because it can’t be called the same thing. (0:23:09) Al: Next, we have a roadmap for Snacko has been announced (0:23:15) Al: the remaining updates before 1.0. (0:23:19) Al: They have four updates left to go down in the mines. (0:23:23) Al: Slice of life sprites evolution and dress to impress. (0:23:27) Al: So you can guess on what those might bring to the game. (0:23:30) Jonnie: Now I’m just going to jump on, you know, your little bandwagon, but on this roadmap, (0:23:35) Jonnie: why do they list the version numbers? They don’t need to. They could just have town and guild update (0:23:40) Jonnie: down in the mines, sprites evolution. Putting the numbers next to it doesn’t add anything, (0:23:46) Jonnie: and if they need to do a 0.9, 0.8, point something else because they’ve got some bug, like I just… (0:23:53) Jonnie: Anyway, I understand where you’re coming from, or even fit to my brain. I don’t know which, but (0:24:00) Al: Yeah, Snacko in particular have, um, look, I really like the developers of Snacko, so (0:24:07) Al: this is not personal. They really picked a weird version number thing in general to do (0:24:14) Al: for their early access. I feel like they started at zero point, nine point, zero point something. (0:24:21) Al: I don’t know what the problem is. Like I don’t know why they’ve done that, but it is what (0:24:27) Al: it is. Yeah, I think that I think (0:24:30) Al: the game developers should just not focus on version numbers in front of consumers (0:24:39) Al: at all, right? Consumers don’t care about a version number, they care about are they (0:24:44) Al: on the most recent update or not. That’s it. And Steam tells you that. Steam tells you (0:24:47) Jonnie: Sorry. (0:24:48) Al: if there’s an update. That’s it. Right, like you don’t need more than (0:24:53) Jonnie: I totally agree. (0:24:54) Jonnie: There’s just a silly thing to do. (0:24:56) Jonnie: And you can market your game better if you just say, (0:24:59) Jonnie: hey, look at all this exciting stuff (0:25:01) Jonnie: that we’ve got coming on our roadmap. (0:25:03) Jonnie: And it’s not 0.9.7 followed by 0– (0:25:06) Jonnie: because that 0.9.8, because that doesn’t (0:25:09) Jonnie: make it sound exciting. (0:25:10) Jonnie: It’s a very small number that it is going up by in the way (0:25:13) Jonnie: that humans interpret numbers. (0:25:15) Jonnie: So let’s not be silly. (0:25:17) Jonnie: I guess. (0:25:18) Al: Yes. Anyway, this confirms to me that it’s not releasing this year, so we’re safe. A few. (0:25:29) Al: They can’t get four updates done in December. (0:25:29) Jonnie: Well, particularly given that all four of the updates have names and then a bunch of (0:25:35) Jonnie: question marks underneath them, so there’s literally no detail on, well, there is some (0:25:38) Al: Yeah, I suspect that’s deliberate, that’s not because they don’t know what’s in it, (0:25:39) Jonnie: detail in the post about what’s coming. (0:25:44) Al: I think that’s definitely because they just want to keep the suspense and tell you it (0:25:50) Al: when it comes. (0:25:51) Al: All right, we now have our development update from Concern Date about Haunted Chocolatier. (0:25:59) Al: It’s a lot of words and it’s mostly, sorry I haven’t done much, but here’s some screenshots (0:26:05) Al: to keep you happy. (0:26:06) Al: Is that fair way to describe it? (0:26:08) Jonnie: I think it’s, sorry, I haven’t done much, I’ve been busy doing stuff on Stardew Valley. (0:26:12) Al: Yeah, oh yes, yes, I’m sorry, I thought that bit was obvious. (0:26:14) Jonnie: Also, in brackets, look, sometimes it might not be, also in brackets, I’ll probably keep (0:26:22) Jonnie: doing stuff on Stardew Valley. (0:26:24) Al: Yeah, are we ever getting this game, Johnny? (0:26:29) Jonnie: So I don’t know, like I found the framing around, the consent I put in the blog post (0:26:35) Jonnie: around Stardooth very concerning. (0:26:38) Jonnie: In that they discussed a strong feeling of obligation, I guess towards continuing to add to Stardooth because of, broadly speaking, how successful the game has been. (0:26:52) Jonnie: Which, to me, feels like someone chasing some idealized version of perfection that will never be achievable. (0:27:04) Jonnie: And I think we’ve already talked about this on the show. (0:27:08) Jonnie: But I feel with the most recent update, 1.6, was it good? (0:27:12) Jonnie: Yeah, it was good. But Staju was finished. (0:27:16) Jonnie: It is time to move on. (0:27:20) Jonnie: And I just don’t see what value there is to be achieved by adding more to Staju at this point. (0:27:28) Jonnie: And I would love to see a focus on anything else. (0:27:30) Jonnie: It doesn’t even have to be haunted chocolate here. (0:27:32) Jonnie: that’s not the thing that is, you know, making (0:27:38) Jonnie: bringing joy or whatever it is like find something else but yeah, I don’t know this blog post did not fill in (0:27:46) Al: Yeah, it’s interesting. I’m hoping that he can find it in his brain to focus on Hunter (0:27:55) Al: Jugletier until he’s happy with it. But yeah, I think you’re right. I don’t expect that (0:28:03) Al: most of his expectations on the obligations on him for Stardew are external. I suspect (0:28:11) Al: they’re internal in that he is, as you said in (0:28:16) Al: different words, a perfectionist, right? Like he wants it to be something, but (0:28:21) Al: that, as we all know, is impossible, and therefore he wants to completely keep it (0:28:27) Al: going. And I do worry a little bit that he might end up with like that with (0:28:30) Al: Haunted Chocolate here as well, but before it gets released, and so we may (0:28:34) Al: never get a version of it because he’s never fully happy with it. Well, I guess (0:28:38) Jonnie: - I agree, and I think you’re right, sure. (0:28:42) Al: we’ll see. You know, we could get into a situation where in two (0:28:46) Al: or three years, Hunter Chocolatier is out, and we then just get like one year we get a stardew (0:28:51) Al: update, the next year we get a Hunter Chocolatier update, and he’s infinitely updating both games (0:28:56) Al: until he dies. Who knows? Any comments on the screenshots we got? Because obviously there’s (0:28:58) Jonnie: - Look, it’s certainly possible. (0:29:04) Al: no context behind them, it’s just here are four screenshots. (0:29:10) Jonnie: Yeah, and it’s very hard to take anything significant (0:29:15) Jonnie: from these screenshots because there’s clearly (0:29:17) Jonnie: a heavy reuse of Stagio assets in them, right? (0:29:22) Jonnie: So like, and given where the game is at (0:29:25) Jonnie: and it’s developed in the life cycle, (0:29:27) Jonnie: largely a lot of that work. (0:29:28) Jonnie: It would be placeholder, I assume. (0:29:33) Jonnie: However, there were some things that (0:29:35) Jonnie: seemed obvious from the screenshots (0:29:36) Jonnie: that there was farming in the game. (0:29:40) Jonnie: I guess for me, I didn’t see anything in these screenshots. (0:29:43) Jonnie: I was like, oh, that’s interesting. (0:29:45) Jonnie: I wonder what that is. (0:29:46) Jonnie: It was mostly like, OK, this looks like a game (0:29:51) Jonnie: from the person who made Stardew. (0:29:53) Jonnie: And it kind of just looks, feels, has the vibe of– (0:29:59) Jonnie: Stardew, there is literally a line (0:30:01) Jonnie: of crops growing in some grass. (0:30:06) Al: Yeah, I so I looked at that. That’s obviously not your house. (0:30:11) Al: So I’m wondering if that’s not actually you growing stuff. (0:30:14) Al: And that is just someone else in the village who’s doing that. (0:30:19) Al: Right. Because I I don’t know if we know for certain that it has farming and this (0:30:24) Al: would obviously hint at that, but it wouldn’t be weird if there wasn’t farming. (0:30:29) Al: But a house in the village had crops because, of course, someone’s going to have crops. (0:30:35) Jonnie: interesting. How do you know? Do you know for certain that it’s not to get the players house? (0:30:40) Al: Well, you live in a castle in haunted juggler (0:30:45) Jonnie: I clearly have forgotten way too much about this game that we (0:30:50) Al: So if you go into the screenshots link on the web page, the top one is a picture of (0:30:59) Al: your shop that is attached to the house that you stay in. (0:31:04) Al: Like you live in a big mansion type house, hence haunted. (0:31:08) Al: Like it’s an old haunted house type thing. (0:31:11) Al: So yeah, I’m pretty confident that the picture with those crops is now. (0:31:16) Jonnie: There we go. The other thing that I’ll say about the screenshots is the second one is the player (0:31:22) Jonnie: being attacked by a bunch of slimes, and the thing that I’m like, “Oh, I don’t like Stardew (0:31:27) Jonnie: Combat. It’s very bad.” This looks like more Stardew Valley-style combat, not less, (0:31:33) Jonnie: so that’s definitely heading in the wrong direction. (0:31:34) Al: he has he has commented that he’s done a lot of different things with the combat (0:31:39) Al: whether it addresses your complaints about it I’m not sure but he yeah that (0:31:45) Al: he’s said that in previous blog posts that it’s he’s done a lot of things to (0:31:50) Al: the combat that he didn’t do in Stardew so I guess we’ll see what what that (0:31:54) Jonnie: - Yeah, do you have any takeaways from any of the screenshots? (0:32:02) Al: I don’t think anything that you’ve not brought up, I guess maybe, maybe I think (0:32:08) Al: it’s interesting that he’s posted two portraits of characters and I don’t know (0:32:13) Al: whether this is just a brain pattern match type thing, but my brain looks at (0:32:17) Al: them and goes, they look very similar to existing stardew characters. (0:32:22) Al: Like the guy on the right looks a lot like Sam’s dad. (0:32:27) Al: I can’t remember his name. (0:32:28) Jonnie: - I can’t, you’re the king. (0:32:29) Al: Kent, looks a lot like Kent. (0:32:32) Al: You’re right. (0:32:33) Al: Um, and the one on the left almost looks like a young, long haired Abigail, but (0:32:39) Jonnie: Yes. It is not your brain. The Abigail one in particular is very close, I think. (0:32:39) Al: maybe this is just my brain trying to see things that aren’t there. (0:32:50) Jonnie: I definitely see both of those characters in those portraits. (0:32:55) Al: So yeah, I don’t know. I think the thing about Stardew is one of its best things is its characters, (0:33:00) Al: and that doesn’t mean the characters in this need to look completely different to the characters (0:33:05) Al: in Stardew. Like if they are characterised well, then it will still be good. Yeah, we’ll see, (0:33:12) Al: I guess. We’ve got a long time to wait. Maybe we won’t. The last blog post before (0:33:14) Jonnie: Maybe we won’t see L, maybe we won’t. (0:33:18) Al: this one was posted three years ago. Christmas Day 2021. (0:33:23) Jonnie: That cannot be accurate, but I guess I’ll have to believe you. (0:33:25) Al: I mean, you can check yourself. Go onto the blog link and scroll down. You see this update (0:33:32) Al: December 4th, 2024, and the next one December 25th, 2021. It’s been over three years since (0:33:37) Jonnie: I refuse to believe that. (0:33:41) Al: this game was announced, that’s all. It’s been over three years, and that was over (0:33:44) Jonnie: It cannot be more than two years, that’s all I’m saying. (0:33:55) Al: half into Covid. Time means nothing, Johnny. (0:34:01) Jonnie: I know we’re on a podcast now, but I would really love for you to stop talking. (0:34:07) Al: OK, the last piece of news is that farm folks have released a new trailer. They’re calling (0:34:12) Al: it their Reveal Trailer, which is funny because I’m pretty sure they revealed this game a couple (0:34:17) Al: years ago, so I’m not sure why this is the reveal trailer. But anyway, yeah, here’s a game called (0:34:25) Al: Farm Folks that we definitely haven’t talked about before. Yes, we have. Scrolling back on Steam, (0:34:35) Al: their first announcement of the game was in February 2021. So yes, it is not. I don’t know (0:34:41) Al: why they call it a reveal trailer. This is a thing that lots of people do, is they announce (0:34:45) Al: these things like they’ve never announced them before. We’ve seen so much gameplay of this game. (0:34:48) Jonnie: I think it’s because they’re revealing their gameplay, like actual gameplay footage. (0:34:55) Jonnie: They say they are claiming it is their first gameplay trailer. (0:34:55) Al: Or maybe a professionally produced full trailer, but I’ve seen almost all of this gameplay before, (0:35:06) Al: and they keep posting it on Twitter and TikTok. Oh, so it’s Gameplay Reveal Trailer. Interesting. (0:35:13) Al: Anyway, I’m cautiously optimistic about this. I think what I like about this game is the (0:35:18) Al: very heavy lean into automation. (0:35:21) Jonnie: I don’t have a strong feel for this game, (0:35:24) Jonnie: and that is because it gives me strong Minecraft vibes, (0:35:30) Jonnie: which is not really my thing, (0:35:34) Jonnie: but I am with you on the automation side of things, (0:35:38) Jonnie: seeming like that is, of all of the things in this game, (0:35:42) Jonnie: that is the one thing that stands out. (0:35:44) Jonnie: And if it is good, I feel like this is the sort of game (0:35:47) Jonnie: where I would like to watch YouTube videos (0:35:50) Jonnie: of all of the. (0:35:51) Jonnie: Cool and weird automation things that people do in this game. (0:35:54) Al: Yeah, yeah, I do suspect that that will be a fun way to experience it, but yeah, I get (0:36:04) Al: that. Personally, I loved Minecraft as well, so I can’t really combat your point about (0:36:12) Al: it being Minecraft-y. I do think I felt more Sims-y about it than anything else, especially (0:36:20) Al: with the building, the building of buildings. (0:36:22) Jonnie: Yeah, I guess for me the building looks more like the modern version of what I would expect (0:36:26) Jonnie: Minecraft building to be. You know, where they’ve got the roof parts and wall sections (0:36:31) Jonnie: and things like that. It’s sort of like the level up that has happened in the survival (0:36:36) Jonnie: game genre in the last five years. (0:36:40) Al: Yeah, maybe. (0:36:41) Jonnie: I also really don’t like the word folks. I think it’s such a dumb, lame word. Yeah, (0:36:45) Al: Hey, folks. (0:36:50) Jonnie: Just to say, like, I mean, obviously– (0:36:52) Jonnie: I’d say the name “farm people” would be darn, but if you ever are going to use the word “folks,” just don’t. Just say “people.” (0:36:57) Al: I like it. (0:36:58) Al: I like folks. (0:36:59) Al: It’s generic guys. (0:37:00) Jonnie: No. (0:37:00) Al: It’s gender neutral guys, folks. (0:37:04) Jonnie: Folks is better than guys, but it’s still like a detail way of addressing a group of people. (0:37:08) Al: It’s folksy. (0:37:11) Al: No. (0:37:13) Al: Okay. (0:37:14) Al: Well, good. (0:37:15) Al: Now I know another thing to annoy you with. (0:37:16) Al: Just what I like. (0:37:18) Al: Okay. (0:37:19) Al: That’s all the news. (0:37:21) Al: We are now going to talk about Luma Island. (0:37:24) Al: And I’m going to try and not make Johnny too disappointed with my opinions on this game. (0:37:31) Al: So Luma Island. (0:37:34) Al: Let’s introduce it, I guess. (0:37:37) Al: It is, uh, I think it’s fair. (0:37:40) Al: Fair to say that this is a farming game, but I think it’s, it’s less focused on farming (0:37:45) Al: than most farming games, but I would say it’s, it feels like an evolution of a Stardew-like (0:37:52) Al: in that it’s, it doesn’t feel like Stardew, but it feels like it takes a lot of the ideas (0:37:58) Al: and moves them in a different direction. Would that be fair to say? (0:38:00) Jonnie: Yeah, I can. I completely agree. And like for me, the thing that Luma Island is is it’s kind of like a puzzle exploration game that has strong roots in a Stardew Valley or a core sort of (0:38:16) Al: Yeah. Yeah. I mean, there’s, there’s definitely everything that you would expect in, in, in (0:38:21) Al: a stardew, like, except maybe characters that you care about. Um, you know, there’s farming, (0:38:26) Al: there’s mining, there’s fishing, there’s actually, I don’t know. Can you, can you get animals? (0:38:30) Al: I haven’t actually experienced that you can write. Okay. Um, I’m going to lean on you (0:38:31) Jonnie: - Yes, you can, you can get animals, yep. (0:38:35) Al: a lot for this. Cause I think I looked at last episode, I said, I’d played 10 hours (0:38:40) Al: of this game. I, and then I checked after the episode, I had not played 10 hours of (0:38:44) Al: this game. (0:38:46) Al: The big thing about this game that’s different is the job system. (0:38:58) Jonnie: Yeah, so I guess the the job systems are also questlines, (0:39:04) Jonnie: there’s seven job systems, you know, there’s cooking, which (0:39:07) Jonnie: is and brewing, which are very closely tied to farming. There (0:39:11) Jonnie: is fishing, which is what it says. There’s also, I think (0:39:17) Jonnie: they call it crafting. But it’s like, or treasure hunters, I (0:39:21) Jonnie: think it’s treasure hunting, where you’re making pirate (0:39:24) Jonnie: outfits. That’s also sort of loosely tied. (0:39:28) Jonnie: To fishing, there is archaeology, which is tied to sort of exploring and going down into the mines. (0:39:39) Jonnie: There is smithing and jewellery, which are more tied to the sort of mining as gathering mechanics. (0:39:48) Jonnie: So in some way, all of the job systems are tied to one of the core mechanics that you require (0:39:55) Jonnie: to gather resources for the game. (0:39:59) Jonnie: And I think this is probably the thing that most people that are listening to a show like ours (0:40:08) Jonnie: will… it might be the thing that puts them off the most, right? Because the way (0:40:13) Jonnie: the job system works is they will say go and craft, you know, a thing, the first version of the thing, (0:40:20) Jonnie: you make that thing and you sell it for a lot of money. And that is its only purpose. And the job (0:40:25) Jonnie: system really exists as sort of the, the hems to work. (0:40:28) Jonnie: Yeah, I mean, I think it’s really important to keep the wheel, that drives you needing to get to new areas and acquire new stuff, but there isn’t anything that you can actually do with the things that you’re making beyond selling them for more money to kind of keep the wheel turning. (0:40:42) Al: Yeah, yeah, that’s fair. It’s also the the profession as you say, like very much dictates (0:40:48) Al: what you do in this game. And that can both be a good and a bad thing. I think it doesn’t (0:40:55) Al: stop you doing other things, but it very much like takes you on a journey through that profession. (0:41:02) Al: The quest system, I think, has I like a quest system that tells you here are things to do. (0:41:12) Al: Those need to stop at some point. And I don’t know whether it’s just that I didn’t go on (0:41:18) Al: far enough, but I felt like I was always dictated. Everything I do in the game was dictated very (0:41:26) Al: much by a quest that is like a very much immediate quest. It’s not like, oh, now just do more (0:41:34) Al: of that and explore other things. Right. It’s always like, oh, make a horseshoe. And I went (0:41:39) Al: with a blacksmithing profession, right? Because I thought that… (0:41:42) Al: sounded like the most interesting one to me at the start, and you don’t get a huge amount of (0:41:46) Al: information about what they’re going to do before you pick one. So I picked the blacksmithing one (0:41:50) Al: because I was like, I like mining. Mining is generally a fun thing in games. Let’s try this, (0:41:56) Jonnie: Just on your thought about the the direction, I think that continues through the game, but potentially the important thing is you can get multiple professions, so you can purchase additional licenses for additional professions and so I think once I got to the second area, (0:42:16) Jonnie: I purchased three different professions, so I always felt like I was kind of bouncing from thing to thing based on what I had the reason. (0:42:26) Jonnie: So I started with the archaeologist profession, then I added the brewing profession, which is the one that I did in the demo, and then I added the treasure hunter profession to that as well, and I think having three made it slightly more varied. (0:42:46) Jonnie: Equally, there are some quests in the town and I don’t know if you discovered any of those that also had some variety. (0:42:55) Al: I did not. Yeah, I think it’s a good idea. I like the professions in general as an idea. (0:43:07) Al: I just felt very pigeonholed after picking one and considering you don’t know truly what the game (0:43:14) Al: is like when you pick one first, right? Like it’s very early on in the game that you pick a job, (0:43:19) Al: a profession. Like it’s almost like 15 minutes into the game. You’ve done almost (0:43:25) Al: nothing and you’re deciding what your next 10 to 20 hours of your game is going to be based on (0:43:33) Al: not knowing what those are, which I think is part of the problem. I feel like it could have done a (0:43:37) Al: better job of like giving you examples of each of them in the first hour of the game and then you (0:43:42) Al: pick a profession, but that may work better for other people. I don’t know. (0:43:49) Jonnie: Yeah, I don’t necessarily disagree with any of that. And I think the thing that stands out to me (0:43:55) Jonnie: most about this game, and it’s probably the reason that I like the game is I feel I always felt like (0:44:01) Jonnie: there was kind of like something to be doing. You know, so in addition to the job system, (0:44:06) Jonnie: which requires you going around a different area and sort of exploring that area and to get the (0:44:12) Jonnie: resources that you need, there are so many little puzzles in integrated sort of in the world that (0:44:20) Jonnie: doing and I really like those sorts of exploration games. And so I what I enjoyed is the fact that (0:44:26) Jonnie: you’re like, you’re just wandering around, doing lots of little puzzles, you know, getting the (0:44:31) Jonnie: collecting the resources that you need, and sort of finding stuff that way. I really liked that sort (0:44:36) Jonnie: of sense of progression that this game gave that is very distinct from pretty much every other (0:44:43) Jonnie: college core farming. (0:44:44) Al: Yeah, yeah, that’s fair. I did think… I think my profession led to me not (0:44:52) Al: exploring as much because the blacksmithing is very much gather as (0:44:58) Al: much as you can from the mines and craft as much as you can to sell. I didn’t (0:45:05) Al: really explore the area around the island a huge amount. I did a couple of (0:45:11) Al: times, and I saw the sort of puzzles that you’re (0:45:15) Al: talking about, but I didn’t manage to unlock very many of them because of that, if that makes sense. (0:45:26) Jonnie: It does. And did you make it to the forest area? (0:45:30) Al: I don’t… Is there a specific area that’s… Because it all feels very foresty. (0:45:36) Jonnie: Yes, so when you start, you start on the farm and the farm is the first area. (0:45:36) Al: Like, is there a specific area that’s called forest? (0:45:49) Jonnie: There is the town that is the second area, but once you have progressed your progression (0:45:54) Jonnie: far enough in the farm area, you get a short quest to unlock the second area that is the (0:46:02) Jonnie: forest and there are multiple different areas. (0:46:08) Al: No, I didn’t. I felt… I think part of the thing why I thought maybe you were talking about just (0:46:15) Al: an area on the farm is because it feels like a very large area the farm does and I got… (0:46:21) Jonnie: So the farm feels like a large area. It is the smallest of the areas. (0:46:27) Al: This game confuses me. I get lost any time I explore away from just the initial area, (0:46:35) Al: the initial, you know, your, your camper van. (0:46:38) Al: And the mine and the entrance to the town. (0:46:41) Al: Anytime I go much further away from that, I cannot figure out where I am. (0:46:48) Al: I just get completely lost because it’s so massive. (0:46:51) Jonnie: Yeah, it’s a big end. For me, this is one of the things that I loved about because I definitely (0:46:58) Jonnie: had that same experience on the farm where I was getting lost. And over time, I explored so much (0:47:04) Jonnie: off the farm that like now I know my way around that area really well. Then I went onto the forest (0:47:09) Jonnie: area, got exceptionally lost. Part of the archaeologist profession that I had was you have to go (0:47:16) Jonnie: through these dungeons without dying, and I was trying to find… (0:47:21) Jonnie: all of the dungeons because they were sort of spread out, like there was three of them in the (0:47:25) Jonnie: second area, and they were very spread out. And I got lost a lot in the forest, but I enjoyed… (0:47:32) Jonnie: I guess I enjoyed the feeling of being lost because like there were so many little puzzles, (0:47:35) Jonnie: and so I would just stumble across a little puzzle and try and complete it, and then sort of make my (0:47:40) Jonnie: way around. And then eventually I would come out on a space that I knew and sort of find my way (0:47:45) Jonnie: back. And so I really enjoyed that side of things. This is the thing. (0:47:52) Jonnie: That makes me like this game, right? And this is the thing that’s like, would I recommend this game to (0:47:57) Jonnie: everybody listening to the show? The answer to that is probably no, because I think this game (0:48:02) Jonnie: does a lot of things that I specifically really, really enjoy, but are not core to the Cottage (0:48:09) Al: Yeah, I think that’s fair. I think before we get into the specific mechanics, (0:48:18) Al: I want to talk a bit about the controls and stuff like that, which I didn’t write down on the list, (0:48:23) Al: but I’m now remembering. But before we get into that, let’s talk about the character creator, (0:48:28) Al: because I feel like whenever we’re going to talk about it, now that we’ve already started talking (0:48:32) Al: about things, we’re going to end up feeling like it’s a weird jump in time anyway. But we need to (0:48:38) Al: to talk about the character creators. (0:48:39) Al: Let’s do that now. (0:48:41) Al: The character creator, I think, works really well in that it has a lovely (0:48:45) Al: little random button that will randomly generate something. (0:48:48) Al: So if you don’t care about what you (0:48:49) Al: look like, you can just press that a few times and go like, oh, that one looks fine. (0:48:53) Al: And then continue on. (0:48:55) Al: I like when things (0:48:57) Al: customize, things have that it’s like names in Stardew Valley for your animals, (0:49:01) Al: stuff like that, giving you a way to go, I don’t really care what this is. (0:49:04) Al: Just give me something. (0:49:07) Al: But what I really liked is the fact… (0:49:09) Al: that I pressed it three times, and on the third time, it came up with a guy in a (0:49:13) Al: kilt with ginger hair, and I was like, “Oh, it’s me!” (0:49:16) Jonnie: Yeah, it’s it’s a nice little character creator. (0:49:21) Al: So that was a good start. (0:49:24) Al: How much time did you spend creating your character? (0:49:28) Jonnie: Two minutes. (0:49:29) Al: Yeah, fair enough. (0:49:30) Jonnie: Look, I. (0:49:30) Al: I pressed the random man three times and went, “Yeah, that’s me. Let me maybe add a hat.” (0:49:35) Al: And then I found that there was a stereotypical “Hey Jimmy, Scottish hat” as well. (0:49:36) Jonnie: Yeah. (0:49:39) Al: I put that on him and I was done. (0:49:40) Jonnie: - Yeah, yeah. (0:49:43) Al: Okay, cool. Well, if we’re do

durée : 00:24:56 - "The Wiz" de Quincy Jones, le film musical de Sidney Lumet sorti en 1978 - The Wiz, bande originale produite sous la supervision de Quincy Jones pour le film de Sidney Lumet en 1978.

THE TEXAS CHAINSAW MASSACRE still has it. 50 years later, Tobe Hooper's seminal horror film continues to mess us up. Plus, the best of the Sidney Lumet Marathon, and Josh recommends the new stop-motion feature MEMOIR OF A SNAIL. This episode is presented by Regal Unlimited, the all-you-can-watch movie subscription pass that pays for itself in just two visits. (Timecodes will not be precise with ads; chapters may start early.) Opening (00:00:00-00:01:29) Sacred Cow: “The Texas Chain Saw Massacre” (00:01:29-00:47:26) Review (JL): “Memoir of a Snail” (00:47:26-00:51:11) AK at Chicago/Refocus Film Fest (00:51:12-01:01:02) Next Week, Notes (01:01:03-01:07:32) Massacre Theatre (01:07:33-01:14:59) Lumet Marathon Awards (01:15:00-01:47:37) Notes/Links: Josh hosts Cinema Interruptus at Siskel Film Center https://www.siskelfilmcenter.org/interruptus Feedback: Email us at feedback@filmspotting.net. Ask Us Anything and we might answer your question in bonus content. Support us: -Join the Filmspotting Family for bonus episodes and complete archive access. http://filmspottingfamily.com -T-shirts (and more) on sale at the Filmspotting Shop. https://filmspotting.net/shop Follow: https://www.instagram.com/filmspotting https://letterboxd.com/filmspotting https://twitter.com/filmspotting https://facebook.com/filmspotting https://letterboxd.com/larsenonfilm https://twitter.com/larsenonfilm https://facebook.com/larsenonfilm Learn more about your ad choices. Visit megaphone.fm/adchoices

It's no joke: JOKER FOLIE À DEUX is a musical. Adam and Josh discuss whether it pays off and how the film handles its predecessor's troubling legacy. Plus, Josh recommends THE OUTRUN, and the sixth and final film in the Sidney Lumet Marathon, 1981's PRINCE OF THE CITY. This episode is presented by Regal Unlimited, the all-you-can-watch movie subscription pass that pays for itself in just two visits. (Timecodes will not be precise with ads; chapters may start early.) Opening (00:00:00-00:02:44) Review: “Joker: Folie à Deux” (00:02:45-00:47:19) Review (JL): “The Outrun” (00:47:20-00:50:30) Next Week, Notes (00:50:31-00:57:50) Massacre Theatre (00:57:51-01:03:53) Lumet #6: “Prince of the City” (01:04:01-01:34:07) Notes/Links: Filmspotting Guide to the Archives https://letterboxd.com/wjmclaughlin/list/the-filmspotting-guide-to-the-archives/ Feedback: Email us at feedback@filmspotting.net. Ask Us Anything and we might answer your question in bonus content. Support us: -Join the Filmspotting Family for bonus episodes and complete archive access. http://filmspottingfamily.com -T-shirts (and more) on sale at the Filmspotting Shop. https://filmspotting.net/shop Follow: https://www.instagram.com/filmspotting https://letterboxd.com/filmspotting https://twitter.com/filmspotting https://facebook.com/filmspotting https://letterboxd.com/larsenonfilm https://twitter.com/larsenonfilm https://facebook.com/larsenonfilm Learn more about your ad choices. Visit megaphone.fm/adchoices

Join us on this hot, sweaty afternoon for a thorough discussion of Al Pacino's gripping performance in Sidney Lumet's classic hostage thriller Dog Day Afternoon (1975). 

Who's guilty of leaving 1974's MURDER ON THE ORIENT EXPRESS off their Top 5 Whodunits list? Adam and Josh discuss the film as part of their Sidney Lumet Marathon. And reviews of THE SUBSTANCE and WILL & HARPER.    This episode is presented by Regal Unlimited, the all-you-can-watch movie subscription pass that pays for itself in just two visits. (Timecodes will not be precise with ads; chapters may start early.) Opening (00:00:00-00:01:46) Top 5: Whodunits (00:01:47-00:38:09) Reviews: “Will & Harper,” “The Substance” (00:38:10-00:52:26) Next Week, Notes (00:52:27-00:57:33) Massacre Theatre (00:57:34-01:04:44) Lumet #5: “Murder on the Orient Express” (01:04:45-01:26:47) Top 5 Whodunits, cont. (01:26:48-01:49:42) Notes/Links: Vulture Movies Fantasy League https://moviegame.vulture.com/ Feedback: Email us at feedback@filmspotting.net. Ask Us Anything and we might answer your question in bonus content. Support us: -Join the Filmspotting Family for bonus episodes and complete archive access. http://filmspottingfamily.com -T-shirts (and more) on sale at the Filmspotting Shop. https://filmspotting.net/shop Follow: https://www.instagram.com/filmspotting https://letterboxd.com/filmspotting https://twitter.com/filmspotting https://facebook.com/filmspotting https://letterboxd.com/larsenonfilm https://twitter.com/larsenonfilm https://facebook.com/larsenonfilm Learn more about your ad choices. Visit megaphone.fm/adchoices

A bank robbery gone wrong turns into a panicked and sweaty hostage situation in this Lumet classic, Dog Day Afternoon (1975). Al Pacino puts in an all-time great performance as the high-strung, charasmatic, and a little unhinged bank robber, Sonny Wortzik, as he fumbles the robbery but attempts to make a clean escape by negotiating with the NYPD. Based on a true story, this one location spectacle is a directing masterclass with incredible performances by Pacino and John Cazale. Join, Cameron, Isaac, and Juzo as they delve into this true classic.    Cinema Spectator is a movie podcast hosted by Isaac Ransom and Cameron Tuttle, with frequent appearances from film expert Juzo Greenwood. The show is executive produced by Darrin O'Neill and recorded & produced in the San Francisco Bay Area, CA. You can support the show at patreon.com/ecfsproductions. Follow us on YouTube, Facebook, Instagram, and Twitter under ECFS Productions (@ecfsproductions). Isaac and Cameron started recording podcasts with their first project, Everything Comes from Something (2018), and are now focusing on new weekly content for Cinema Spectator. Cameron Tuttle is a full-time professional cinematographer who majored at SFSU Film School to collaborate with corporate, private, and creative productions. Cameron is the expert. Isaac Ransom is a professional creative, digital marketer, and product manager working full-time. Isaac is the student. The podcast is a passion project between two longtime friends; we hope you can enjoy our project with the limited time we have! Thank you for your time, your generosity, and support.

All Pink Smoke Podcast episodes are made available one week before their general release to Patreon subscribers. Subscribe to get early access & so much more: www.patreon.com/thepinksmoke A dead body! A trainful of suspicious movie stars! Real authentic exotic locations! Sidney Lumet's all-star adaptation of Murder on the Orient Express is the ultimate comfort movie for mystery aficionados and fans of ritzy, old-fashioned Hollywood productions alike. Melanie Daniels of the Cinema Parlor Podcast is both, which makes her the ideal guest to discuss the performances of the movie's top-notch cast, the eclecticism of Lumet's filmography and how solidly Hercule Poirot's cases would hold up in court. 1974 was a landmark year for film, a convergence of exciting international cinema and the original voices of New Hollywood that still resonates 50 years later. In our new series we invite a different guest for each episode to choose a 1974 movie to talk about, ranging from giant blockbusters to minor cult curios and everything else in between. Melanie Daniels on Twitter: twittter.com/plasticwerewolf Cinema Parlor Podcast: twitter.com/cinemaparlor The Pink Smoke site: www.thepinksmoke.com John Cribbs on Twitter: twitter.com/TheLastMachine Movie Kessler on Twitter: twitter.com/MovieKessler The Pink Smoke on Twitter: twitter.com/thepinksmoke Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

For its 30th anniversary, Adam and Josh give the Sacred Cow treatment to THE SHAWSHANK REDEMPTION, a Best Picture nominee turned cable TV staple. And the Sidney Lumet Marathon continues with 1964's Cold War thriller FAIL SAFE. This episode is presented by Regal Unlimited, the all-you-can-watch movie subscription pass that pays for itself in just two visits. (Timecodes will not be precise with ads; chapters may start early.) Opening (00:00:00-00:01:59) Sacred Cow: “The Shawshank Redemption” (00:02:00-01:02:04) Next Week, Notes (01:02:05-01:10:55) Polls (01:10:56-01:24:49) Lumet #4: “Fail Safe” (01:24:50-01:55:09) Notes/Links: Lorrie Moore on Titanic: https://www.telegraph.co.uk/culture/film/3591572/Titanic-force-of-a-young-woman-in-love.html Dana Stevens on Titanic https://slate.com/culture/2012/04/james-cameron-s-titanic-starring-leonardo-dicaprio-and-kate-winslet-now-in-3d-reviewed.html Umberto Eco on Casablanca https://www.theparisreview.org/blog/2019/10/28/the-cult-of-the-imperfect/ Vulture Movies Fantasy League https://moviegame.vulture.com/ Filmspotting Subreddit https://www.reddit.com/r/filmspottingpod/ Feedback: Email us at feedback@filmspotting.net. Ask Us Anything and we might answer your question in bonus content. Support us: -Join the Filmspotting Family for bonus episodes and complete archive access. http://filmspottingfamily.com -T-shirts (and more) on sale at the Filmspotting Shop. https://filmspotting.net/shop Follow: https://www.instagram.com/filmspotting https://letterboxd.com/filmspotting https://twitter.com/filmspotting https://facebook.com/filmspotting https://letterboxd.com/larsenonfilm https://twitter.com/larsenonfilm https://facebook.com/larsenonfilm Learn more about your ad choices. Visit megaphone.fm/adchoices

Adam and Josh lift the veil of nostalgia for a Pantheon Project review of “The Wizard of Oz,” which turns 85 this year. Also, Massacre Theatre, and a conversation about one of the most celebrated performances of the ‘60s, Rod Steiger in “The Pawnbroker.” This episode is presented by Regal Unlimited, the all-you-can-watch movie subscription pass that pays for itself in just two visits. (Timecodes will not be precise with ads; chapters may start early.) Opening (00:00:00-00:01:39) Pantheon Review: “The Wizard of Oz” (00:01:40-00:42:43) Next Week, Notes (00:42:44-00:45:10) Massacre Theatre (00:45:11-00:53:01) Lumet Marathon #3: “The Pawnbroker” (00:53:02-01:17:54) Notes/Links: Sidney Lumet Marathon https://www.filmspotting.net/marathons Feedback: Email us at feedback@filmspotting.net. Ask Us Anything and we might answer your question in bonus content. Support us: -Join the Filmspotting Family for bonus episodes and complete archive access. http://filmspottingfamily.com -T-shirts (and more) on sale at the Filmspotting Shop. https://filmspotting.net/shop Follow: https://www.instagram.com/filmspotting https://letterboxd.com/filmspotting https://twitter.com/filmspotting https://facebook.com/filmspotting https://letterboxd.com/larsenonfilm https://twitter.com/larsenonfilm https://facebook.com/larsenonfilm Learn more about your ad choices. Visit megaphone.fm/adchoices

M. Night Shyamalan's "doozy" of a new movie inspires Adam and Josh to share their Top 5 Bad Movie Dads, featuring a rogue's gallery of cinema's lousiest fathers. Plus, a Golden Brick nod for “National Anthem,” the Sidney Lumet Marathon continues with “Long Day's Journey into Night," and more.  This episode is presented by Regal Unlimited, the all-you-can-watch movie subscription pass that pays for itself in just two visits. (Timecodes will not be precise with ads; chapters may start early.) Opening (00:00:00-00:01:49) Top 5: Bad Movie Dads (00:01:50-00:56:55) Review: “Trap” (00:56:56-01:10:47) Brickspotting (AK): “National Anthem” (01:10:48-01:17:08) Review (JL): “The Instigators” (01:17:09-01:21:12) Next Week, Notes (01:21:13-01:25:35) Massacre Theatre (01:25:36-01:33:51) Lumet #2: “Long Day's Journey into Night” (01:33:52-02:08:57 Notes/Links: -'Sins of the Father' in "Magnolia" https://talkfilmsociety.com/articles/sins-of-the-father-paul-thomas-andersons-magnolia -Sidney Lumet Marathon https://www.filmspotting.net/marathons -“Unspooled” with Amy Nicholson and Paul Scheer https://www.unspooledpodcast.com/ Feedback: Email us at feedback@filmspotting.net. Ask Us Anything and we might answer your question in bonus content. Support us: -Join the Filmspotting Family for bonus episodes and complete archive access. http://filmspottingfamily.com -T-shirts (and more) on sale at the Filmspotting Shop. https://filmspotting.net/shop Follow: https://www.instagram.com/filmspotting https://letterboxd.com/filmspotting https://twitter.com/filmspotting https://facebook.com/filmspotting https://letterboxd.com/larsenonfilm https://twitter.com/larsenonfilm https://facebook.com/larsenonfilm Learn more about your ad choices. Visit megaphone.fm/adchoices

The new prison drama “Sing Sing” is another potent showcase for Colman Domingo and an impressive debut for director Greg Kwedar. Plus, Adam on “Deadpool and Wolverine,” and the first film in the Sidney Lumet Marathon, “The Fugitive Kind,” with Marlon Brando, Joanne Woodward, and Italian acting great Anna Magnani. (Timecodes will not be precise with ads; chapters may start early.) Opening (00:00:00-00:02:23) Review: “Sing Sing” (00:02:24-00:36:04) Review (AK): “Deadpool and Wolverine” (00:36:05-00:45:21) Next Week, Polls (00:45:22-00:55:53) Lumet #1: “The Fugitive Kind” (00:55:54-01:35:37) Notes/Links: Sidney Lumet Marathon https://www.filmspotting.net/marathons Sidney Lumet's “Making Movies”  https://www.penguinrandomhouse.com/books/104488/making-movies-by-sidney-lumet/ “Unspooled” with Amy Nicholson and Paul Scheer https://www.unspooledpodcast.com/ Feedback: Email us at feedback@filmspotting.net. Ask Us Anything and we might answer your question in bonus content. Support us: -Join the Filmspotting Family for bonus episodes and complete archive access. http://filmspottingfamily.com -T-shirts (and more) on sale at the Filmspotting Shop. https://filmspotting.net/shop Follow: https://www.instagram.com/filmspotting https://letterboxd.com/filmspotting https://twitter.com/filmspotting https://facebook.com/filmspotting https://letterboxd.com/larsenonfilm https://twitter.com/larsenonfilm https://facebook.com/larsenonfilm Learn more about your ad choices. Visit megaphone.fm/adchoices

Shout "Attica! Attica!" as the latest episode of NostalgiaCast '70s Palooza is taken captive by DOG DAY AFTERNOON, directed by Sidney Lumet and starring Al Pacino and John Cazale. Film critic Tom O'Keefe of the Reel Spoilers podcast joins Jonny and Darin to discuss the claustrophobic direction, progressive(?) storytelling, and magical eye acting of this classic crime drama. 

 It's finally time for the summer and with it, the summer series at The Deucecast Movie Show! For the fourth... or fifth, who's counting... your fave movie podcast that you, but probably not any of your friends and definitely not most girls you know, are listening to is giving you a theme for the summer, a series of episodes intertwined with a common theme... this time, it's "My Favorite Summer".    And for the summer, Dave, Mikey, and #XLessDrEarl will be giving you the top tens of their favorites across movie genres, like comedies, dramas, animation, and more, and tonight, the Classics.  And of course, to rank the classics is our fellow cinephile and film snob, the pride of Toccoa Falls, Garrison Ryfun!   First, a little round of Movie Trivia from The Book, and then, diving right in... all of our all time fave films from all the years, from the early days of film up until the cut-off of 1969.  Legendary directors like Wilder, Hitchcock, Fleming, and Lumet... incredible performances from the likes of Cary, Stewart, Bogie, Audrey... and sweeping plantation epics to tiny jury rooms to creepy hotels to pool halls.  

The great Al Pacino and his luscious head of hair star in this gritty biopic about one honest cop who stood up against the corrupt structures of the NYPD. Join us as we discuss Sidney Lumet's impressive film and Frank Serpico's real world impact on modern policing.

"ATTICA! ATTICA! REMEMBER ATTICA?" For Episode 313, Brandon and Thomas jump into their True Crime series with DOG DAY AFTERNOON. Listen to find out why Pacino kept dropping out of the movie, how Lumet prepared the actors during their rehearsal process, and how the movie portrayed the true story in the most realistic way possible.  Also, don't forget to join our Patreon for more exclusive content: Opening Banter (00:00:10) Intro to True Crime Month (00:06:43) Intro to Dog Day Afternoon (00:15:02) How Dog Day Afternoon Got to Production (00:22:50) Favorite Scenes (00:35:01) On Set Life - (00:55:27) Aftermath: Release and Legacy (01:10:40) What Worked and What Didn't (01:19:47) Film Facts (01:25:28) Awards (01:26:51) Final Questions (01:32:34) Preview for Next Episode (01:40:15) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast E-mail: cinenationpodcast@gmail.com

Today on the show we have legendary actor Lance Henriksen. I had the pleasure of work with Lance on my film Red Princess Blues: Genesis and if was a surreal experience.Lance has been in over 300 films through-out his remarkable career.He's mentored Tarzan, Evel Knievel and the Antichrist, and fought Terminators, Aliens, Predators, Pumpkinhead, Pinhead, Bigfoot, Superman, the Autobots, Mr. T, Jean-Claude Van Damme and Steven Seagal.He's worked with directors James Cameron, Steven Spielberg, Kathryn Bigelow, Sidney Lumet, Francois Truffaut, John Huston, Walter Hill, David Fincher, John Woo, Jim Jarmusch and Sam Raimi, but this is just skimming the surface.An intense, versatile actor as adept at playing clean-cut FBI agents as he is psychotic motorcycle-gang leaders, who can go from portraying soulless, murderous vampires to burned-out, world-weary homicide detectives, Lance Henriksen has starred in a variety of films that have allowed him to stretch his talents just about as far as an actor could possibly hope.He played Awful Knoffel in the TNT original movie EVIL KNIEVEL, directed by John Badham and executive produced by Mel Gibson. Henriksen portrayed Awful Knoffel in this project based on the life of the famed daredevil, played by George Eads. Henriksen starred for three seasons (1996-1999) on Millennium, Fox-TV's critically acclaimed series created by Chris Carter (The X-Files).His performance as Frank Black, a retired FBI agent who has the ability to get inside the minds of killers, landed him three consecutive Golden Globe nominations for "Best Performance by a Lead Actor in a Drama Series" and a People's Choice Award nomination for "Favorite New TV Male Star."Henriksen was born in New York City.His mother, Margueritte, was a waitress, dance instructor, and model. His father, James Marin Henriksen, who was from Tønsberg, Norway, was a boxer and merchant sailor.Henriksen studied at the Actors Studio and began his career off-Broadway in Eugene O'Neill's Three Plays of the Sea. One of his first film appearances was as an FBI agent in Sidney Lumet's DOG DAY AFTERNOON, followed by parts in Lumet's NETWORK and PRINCE OF THE CITY.He then appeared in Steven Spielberg's CLOSE ENCOUNTERS OF THE THIRD KIND with Richard Dreyfuss and François Truffaut, DAMIEN: OMEN II and in Philip Kaufman's THE RIGHT STUFF, in which he played Mercury astronaut Capt. Wally Schirra.James Cameron cast Henriksen in his first directorial effort, PIRANHA II: THE SPAWNING, then used him again in THE TERMINATOR and as the android Bishop in the sci-fi classic ALIENS. Sam Raimi cast Henriksen as an outrageously garbed gunfighter in his quirky western THE QUICK AND THE DEAD. Henriksen has also appeared in what has developed into a cult classic: Kathryn Bigelow's NEAR DARK, in which he plays the head of a clan of murderous redneck vampires. He was nominated for a Golden Satellite Award for his portrayal of Abraham Lincoln in the TNT original film THE DAY LINCOLN WAS SHOT.In addition to his abilities as an actor, Henriksen is an accomplished painter and potter. His talent as a ceramist has enabled him to create some of the most unusual ceramic artworks available on the art market today.His new film is called Alpha Rift.Nolan Parthmore was just a regular guy, hanging with friends, working his game store, flirting with his co-worker, then one day, destiny came calling. A courier delivers a mysterious antique helmet with no note or description. When Nolan puts it on, his whole world changes. The helmet comes to life and calls out to an evil demon, Lord Dragsmere, who was imprisoned by Nolan's deceased father. Nolan soon discovers he is next in the bloodline, heir to The Nobleman, destined to become a hero whether he wants to be or not. Since the Dark Ages, the Noblemen have been guardians against the 13 Devil's Apostles: dark forces escaped from hell and let loose upon on earth. Generations later, it's the heirs of these original knights that possess the power to open the Alpha Rift:the only defense against these supernatural foes.Enjoy my conversation with Lance Henriksen.

Chris and Ben are joined by regular guest Nick Langdon to discuss Sidney Lumet's PRINCE OF THE CITY from 1981. Not our first Lumet outing, and not our first time talking Treat Williams. This episode was a long time coming, and we're happy to have Nick back as always. PRINCE OF THE CITY TRAILER Stay tuned for the next episode, which will feature a special guest whose never been on the show but whose name has been mentioned before! Submit your mailbags to us at thesearcherspodcast@gmail.com. Thank you. Please rate us a 5/5, and review us on Apple, Spotify, or wherever you listen to us. Follow us on Letterboxd.com if you'd like to see what we've recently watched and/or reviewed. Ben, Chris, & Kevin Our episode catalogue: https://searchersfilmpodcast.podbean.com/    

Sidney Lumet is one of the all time greats. He made masterpieces in every decade, going back to the early 1800s. But he also just made regular movies sometimes. We take a look at the ageing master in the final several decades of his career. THE MORNING AFTER (1986) Q & A (1990) NIGHT FALLS ON MANHATTAN (1996)

Ransom: Akira Kurosawa's High & Low There are no shortage of names that define our undersrtanding and foster our enjoyment of Cinema. Scorsese, Fellini, Bergman, Leone, Eisenstein, Spielberg, Chaplin, Keaton, Lumet, Ford, Hawks . . . the list could run for pages (and fortunately for us it does). There is a name that cannot be left off . . . Best known for his Jidaigeki - Historical (Action) Dramas - including Seven Samurai, Yojimbo, Rashomon, Throne of Blood, and The Hidden Fortress (to name a few), Kurosawa was a master at the modern drama, as well. Ikiru, The Bad Sleep Well, Drunken Angel, Stray Dog are a few of his modern explorations of Japanese life after the war. A masterpiece (rarely discussed and criminally underseen) is 1963's High & Low. Adapted from Ed McBain's 87th Precinct series of crime novels, High & Low is a beautiflly nuanced and brilliantly tension-guided police procedural. Re-teaming in their fifteenth (of sixteen) collaborations, Kurosawa and Toshiro Mifune come together to tell one of the greatest films in both mens' filmographies. This is an incredible film that Mr. Chavez and I are thrilled to bring to you. Take a listen and let us introduce you (or remind you if you are already familiar with) this wonderul film.  Let us know what you think - gondoramos@yahoo.com As always, we continue to look to you good and loyal listeners for support. If you have listened and enjoyed our bantering over these nearly eight years please feel free to support us with a monetary contribution. We're not asking for a whole lot. Whatever you can give is appreciated. The holidays are coming an we could use the help. Stop being cheap bastards and give what you can. Follow the link below to contribute.  Our Continued Thanks. https://www.buymeacoffee.com/watchrickramos  

Returning to Watch With Jen this week, we have my very talented friend and an official (and very popular) friend of the show. William Boyle is the acclaimed novelist behind such titles as Gravesend, The Lonely Witness, A Friend is a Gift You Give Yourself, City of Margins, and Shoot the Moonlight Out. In addition to crafting these wonderfully humanistic Lumet-like character-driven ensemble crime epics, Bill is quite the pop culture buff and one hell of a good movie trivia game player.In this entertaining follow-up to the first installment of a new pod series focused on French Crime Movies that we launched in Season 4, Bill is back to chat about another trio of terrific works released across three decades: director Alain Corenau's CHOICE OF ARMS, Claude Chabrol's TORMENT (aka HELL), and Guillaume Canet's TELL NO ONE.Originally Posted on Patreon (11/7/23) here: https://www.patreon.com/posts/92467704Theme Music: Solo Acoustic Guitar by Jason Shaw, Free Music ArchiveShop Watch With Jen logo merchandise in Logo Designer Kate Gabrielle's Threadless Shop

This week we have a change of pace for the show. Instead of an episode on a single movie, Alana and Sam turn their focus onto the career of a filmmaker - namely the legendary Sidney Lumet. This is the first of many special episodes we have planned focusing on the figures (writers, actors, directors, even studio execs) who made New Hollywood what it was. There will no doubt be individual episodes on Lumet's most famous films of the 70s in the future, but this week your hosts highlight four entries in his oeuvre that they probably wouldn't have a reason to discuss otherwise: 12 Angry Men (1957), Serpico (1973), Murder on the Orient Express (1974) and Equus (1977). Topics include: Al Pacino's 70s star persona, adapting plays for the screen, and social realism.

Happy Halloween!Here lies the 2023 Death By DVD Halloween Special : MOVIE MARATHON MADNESS!We have compiled not one, not two, but THREE insane lists for you to curate your own horror movie marathon, but the twist is, one of us doesn't know what's on the list! I.Alexander Nash & Harry-Scott combine their horror knowledge to create the greatest, monstrous movie list of all time. It's a real Halloween treat. Listen now! Need more Halloween horror in your life? tap here, or the link below to view our archives of every Death By DVD Halloween episode from 2019 - present https://listentodeathbydvd.transistor.fm/search?query=Halloween ★ Support this podcast on Patreon ★

Movie of the Year: 1973SerpicoThis week we discuss Serpico! Can it take the cash and become our Movie of the Year?Serpico asks the question, what if it turned out that cops weren't always the good guys? Now, try to stay with me because this is probably going to blow your mind a little bit, but the cops in Serpico aren't concerned with making the world a better place or with protecting the little guy (pause here to allow the reader to go, "Say what?" and scratch their noggin). Instead, they focus on draining money from everything and everyone they come in contact, relocating said money safely into their own pockets. Hard to believe, but it's right in the film, folks. I assume this movie is a fiction film? I am being told the movie is not a fiction film.In this one, we discuss how Serpico handles its depiction of corrupt cops before we dive into Al Pacino and his performance (and wardrobe). Is it more hoo-hah or pee-you-hah, does that scan? That doesn't scan. Does he act good or not good, I mean. And you know the three of us are not going to miss an opportunity to shed some light on Lumet.All that, and we breath into the mic a lot!Visit our websiteUse our Amazon page!Like us!Follow us!Abortion is healthcareWhile Americans overwhelmingly support the right of an individual to make their own decisions about abortion, unfortunately, that right is no longer protected everywhere in the U.S.The Supreme Court overturned Roe versus Wade on June 24th.Abortion is a basic healthcare need for the millions of people who can become pregnant. Everyone should have the freedom to decide what's best for themselves and their families, including when it comes to ending a pregnancy. This decision has dire consequences for individual health and safety, and could have harsh repercussions for other landmark decisions.Restricting access to comprehensive reproductive care, including abortion, threatens the health and independence of all Americans. Even if you live in a state where abortion rights are upheld, access to safe medical procedures shouldn't be determined by location, and it shouldn't be the privilege of a small few.You can help by donating to local abortion funds. To find out where to donate for each state, visit donations4abortion.com.If you or someone you know needs help, or if you want to get more involved, here are 5 resources:1. Shout Your Abortion is a campaign to normalize abortion.2. Don't Ban Equality is a campaign for companies to take a stand against abortion restrictions.3. Abortion.cafe has information about where to find clinics.4. PlanCPills.org provides early at-home abortion...

Arnaud Lumet plays a pivotal role as a Founding Board Member of the Luxembourg Ukraine Chamber of Commerce and the Tech & Innovation Lead. Arnaud's journey into the tech ecosystem began with a strong belief that Europe holds vast opportunities for Ukrainian startups. Luxembourg, despite its small size, boasts a thriving tech ecosystem with over 500 startups, 15 incubation and acceleration programs, and initiatives like Fit4Start, which provides up to 150,000 EUR in equity-free support. Arnaud underscores Luxembourg's unique strengths, including its focus on Space Resources, a robust Fintech ecosystem, High-Performance Computing, a Cybersecurity Center of Excellence, and the innovative Digital Embassy Program. In a remarkable achievement, Luxinnovation, the national innovation agency of Luxembourg, is part of a consortium that secured 20 million Euros in funding from the European Innovation Council to support over 200 Ukrainian DeepTech startups in Europe. Contact Arnaud Lumet: https://www.linkedin.com/in/arnaud-lumet/The podcast was recorded in September 2023 and sound engineered by The Podcast Bar: https://thepodcast.bar/

EPISODE #395-- We delve into the classic film noir fairy tale THE NIGHT OF THE HUNTER (1955). It's got everything: Metaphor, murder, and Mitchum. What else could a body want from a movie? We also talk about Huston's THE MISFITS (1961), Lumet's DOG DAY AFTERNOON (1975), BOTTOMS (2023), and Friedkin's SORCERER (1977). Lots of good movies, old and new this week. You should go check em out! Support your local unions! SAG-AFTRA and WGA strong! Donate to the cause at Patreon.com/Quality. Follow the show on Twitter @AQualityInterruption, and James on Twitter @kislingtwits, on Bluesky at kislingconnection.bsky, on Instagram @kislingwhatsit, and on Tiktok @kislingkino. You can watch Cruz and show favorite Alexis Simpson on You Tube in "They Live Together." Thanks to our artists Julius Tanag (http://www.juliustanag.com) and Sef Joosten (http://spexdoodles.tumblr.com). The theme music is "Eine Kleine Sheissemusik" by Drew Alexander. Listen to DRACULA: A RADIO PLAY on Apple Podcasts, at dracularadio.podbean.com, and at the Long Beach Playhouse at https://lbplayhouse.org/show/dracula And, as always, please leave us a review on iTunes or whatever podcatcher you listened to us on!

In April of 2021 Death By DVD released a series of episodes about Christine Chubbuck and 3 films based upon her life. Or rather, the end of her life. On this episode, for the first time, all 3 parts are available as one full episode. EXPLOITING CHRISTINE : The TV Casualty is the complete exploration into the life and exploitation of Christine Chubbuck, America's first TV casualty, diving into the what if's and massive mist of questions that surround WHO Christine Chubbuck was and is. Listen now  ★ Support this podcast on Patreon ★

Nuclear Annihilation is the theme this weak.  First, "On the beach provide a yawning stare into oblivion. We suggest some ways it could be spiced up (hint/: Ava Gardner is involved). Next up, Sidney Lumet's "Fail Safe" manages to do a lot with just old guys talking in rooms (26:34). Probably not in Lumet's top 5, but it entertains to the last scene.  And we learn never to cross Walter Matthau. Next week: In and Out of Jail w/ The Friends of Eddie Coyle (1973) and Straight Time (1978).Have your own recommendations? Contact the show:24theroadshow@gmail.com

Rob and David discuss legal epistemology, post-truth, Justice, and the unbearable whining of whistleblowers, all while surviving internet outages, failures to record, etc. --- Send in a voice message: https://podcasters.spotify.com/pod/show/david-koepsell/message Support this podcast: https://podcasters.spotify.com/pod/show/david-koepsell/support

Returning to Watch With Jen this week, we have my very talented friend and an official (and very popular) friend of the show. William Boyle is the acclaimed novelist behind such titles as Gravesend, The Lonely Witness, A Friend is a Gift You Give Yourself, City of Margins, and Shoot the Moonlight Out. In addition to crafting these wonderfully humanistic Lumet-like character-driven ensemble crime epics, Bill is quite the pop culture buff and one hell of a good movie trivia game player too. Although he's a distinctly American writer-, given that he sets his sometimes interconnected tales in Brooklyn neighborhoods, Bill has quite a following for his work in France where he routinely visits for appearances and book events. Knowledgeable in his love of film, and continuing to foster his keen interest in the country, its people, as well as its cinema, this episode seemed like the perfect starting point for a new series that Bill & I will be revisiting in the future that's devoted to our love of French Crime Movies. To kick us off, Bill bypassed some of the most obvious iconic titles like ELEVATOR TO THE GALLOWS, RIFIFI, PURPLE NOON, and LE CERCLE ROUGE, and selected slightly deeper cuts from the '50s, '60s, and '70s respectively. In this fascinating 86-minute installment that we're calling Part 1, we explore the films TOUCHEZ PAS AU GRISBI, SHOOT THE PIANO PLAYER, and MAX & THE JUNKMEN, while also championing other titles you'll want to be sure to jot down. Vive La France!Vive La France!Originally Posted on Patreon (7/5/23) here: https://www.patreon.com/posts/85589343 Logo: KateGabrielle.com Theme Music: Solo Acoustic Guitar by Jason Shaw, Free Music Archive

Today I talked to L. R. Lam about Dragonfall (DAW, 2023). Long ago, humans betrayed dragons, stealing their magic and banishing them to a dying world. Centuries later, their descendants worship dragons as gods. But the “gods” remember, and they do not forgive. Thief Arcady scrapes a living on the streets of Vatra. Desperate, Arcady steals a powerful artifact from the bones of the Plaguebringer, the most hated person in Lumet history. Only Arcady knows the artifact's magic holds the key to a new life among the nobles at court and a chance for revenge. The spell connects to Everen, the last male dragon foretold to save his kind, dragging him through the Veil. Disguised as a human, Everen soon learns that to regain his true power and form and fulfill his destiny, he only needs to convince one little thief to trust him enough to bond completely–body, mind, and soul—and then kill them. L. R. Lam discusses influences to their latest novel—from 90s fantasy to the bubonic plague—issues of consent and point of view, and the ways writing near future science fiction has shaped their work in epic fantasy. A. E. Lanier is a short fiction writer and educator living in Central Texas. More about her work can be found at aelanier.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Today I talked to L. R. Lam about Dragonfall (DAW, 2023). Long ago, humans betrayed dragons, stealing their magic and banishing them to a dying world. Centuries later, their descendants worship dragons as gods. But the “gods” remember, and they do not forgive. Thief Arcady scrapes a living on the streets of Vatra. Desperate, Arcady steals a powerful artifact from the bones of the Plaguebringer, the most hated person in Lumet history. Only Arcady knows the artifact's magic holds the key to a new life among the nobles at court and a chance for revenge. The spell connects to Everen, the last male dragon foretold to save his kind, dragging him through the Veil. Disguised as a human, Everen soon learns that to regain his true power and form and fulfill his destiny, he only needs to convince one little thief to trust him enough to bond completely–body, mind, and soul—and then kill them. L. R. Lam discusses influences to their latest novel—from 90s fantasy to the bubonic plague—issues of consent and point of view, and the ways writing near future science fiction has shaped their work in epic fantasy. A. E. Lanier is a short fiction writer and educator living in Central Texas. More about her work can be found at aelanier.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Today I talked to L. R. Lam about Dragonfall (DAW, 2023). Long ago, humans betrayed dragons, stealing their magic and banishing them to a dying world. Centuries later, their descendants worship dragons as gods. But the “gods” remember, and they do not forgive. Thief Arcady scrapes a living on the streets of Vatra. Desperate, Arcady steals a powerful artifact from the bones of the Plaguebringer, the most hated person in Lumet history. Only Arcady knows the artifact's magic holds the key to a new life among the nobles at court and a chance for revenge. The spell connects to Everen, the last male dragon foretold to save his kind, dragging him through the Veil. Disguised as a human, Everen soon learns that to regain his true power and form and fulfill his destiny, he only needs to convince one little thief to trust him enough to bond completely–body, mind, and soul—and then kill them. L. R. Lam discusses influences to their latest novel—from 90s fantasy to the bubonic plague—issues of consent and point of view, and the ways writing near future science fiction has shaped their work in epic fantasy. A. E. Lanier is a short fiction writer and educator living in Central Texas. More about her work can be found at aelanier.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/fantasy

This week on The Pod Charles Cinecast, presented by The Prince Charles Cinema, our hosts Jonathan Foster and Fil Freitas head to New York in the 70s to witness a stand-off between armed robbers and police, as a bank robbery has escalated into a hostage situation. It's a brand-new arc to see us through the summer – BREAKING THE LAW, BREAKING THE LAW – where we will be going through three stages of crime films, consisting of 1) Films about The Crime, 2) Films about The Trial, and 3)Films about The Prison Sentence. First up, we're exploring Sidney Lumet's 1975 crime drama, DOG DAY AFTERNOON, starring Al Pacino, John Cazale, and Chris Sarandon. Based on the true story of a bank heist gone wrong, that turns into a media spectacle, the film won an Academy Award for Best Original Screenplay, and is a classic for Pacino fans. Even more surprising is how well it handles one of the more interesting facts about the real crime, that the lead criminal was intending to rob the bank to pay for the sexual reassignment surgery of his transgender wife. Join us, as we talk this subtle queer crime story during Pride Month, and lay out the fact and fiction of the real story vs the movie. Plus, we talk the many moods of Pacino, remember John Cazale, breakdown Lumet's first foray into letting his actors improvise and a lot more of our crime movie favourites..."ATTICA ATTICA! ATTICA!"If you enjoy the podcast, leave a Rating and Review! It really helps us out!As always, you can follow the Podcast on http://twitter.com/ThePCCPodcast and http://instagram.com/ThePCCPodcastIf you'd like to Support the Podcast and get Bonus Content, visit: http://patreon.com/ThePCCPodcastThis Podcast is produced by The Prince Charles Cinema and The Breadcrumbs Collective

David takes Sidney Lumet's 1988 hidden gem out of his back pocket to discuss Lumet's process, River Pheonix, Christine Lahti, Judd Hirsh, and an incredibly affecting screenplay for this emotional drama. Enjoy!!!

Returning to Watch With Jen this week, we have my very talented friend and an official (and very popular) friend of the show. William Boyle is the acclaimed novelist behind such titles as Gravesend, The Lonely Witness, A Friend is a Gift You Give Yourself, City of Margins, and Shoot the Moonlight Out. In addition to crafting these wonderfully humanistic Lumet-like character-driven ensemble crime epics, Bill is quite the pop culture buff and one hell of a good movie trivia game player as well. Someone with whom I frequently discuss great character actors - such as Jennifer Jason Leigh and Nicolas Cage - in this thoughtful feature-length conversation, we take a look at the films, themes, actors, and style of the work of writer-director John Sayles. A humanistic sociologist of sorts with a passion for exploring human relationships among largely hardworking, blue-collar characters, while Sayles has a career that's spanned several decades, we opted to zero in primarily on his prolific, acclaimed '80s and '90s output via the films Matewan, Eight Men Out, City of Hope, Lone Star, and Limbo. Theme Music: Solo Acoustic Guitar by Jason Shaw, Free Music Archive Logo: Kate Gabrielle (KateGabrielle.com) Originally Posted on Patreon (10/31/22) here: https://www.patreon.com/posts/74025916

Drastic times call for drastic measures. In Dog Day Afternoon (1975) and Breaking (2022), a man exhausts all of his options and resorts to taking a bank hostage. We discuss the similarities and differences between these movies and how modern film making has grown in retelling these "last resort" stories.Subscribe, rate and review:Apple Podcasts: Our Film FathersSpotify: Our Film FathersGoogle Podcasts: Our Film FathersStitcher: Our Film FathersAmazon Music: Our Film Fathers-----------------------Follow us:Instagram: @ourfilmfathersTwitter: @ourfilmfathersEmail: ourfilmfathers@gmail.com

Sidney Lumet has another film on the club. This time 1973's "Serpico". Comic ALex Elkin is here to discuss it all with Host and Corporate Comedian Steve Mazan.  Is this dated? Did Frank Serpico change the world? Was the problem in the editing? Would you have acted in the same manner as Frank? Are things better today? All these questions and more get answered ont this week's Mazan Movie Club.  "Serpico" on IMDb Home of the Mazan Movie Club Steve Mazan on Instagram Home of Corporate Comedian Steve Mazan      

"No jury can declare a man guilty unless it's sure." For Episode 229, Brandon and Thomas start their Courtroom Drama series by talking about 12 Angry Men. Listen as they discuss the lasting legacy the film has had on the genre and cinema as a hold.  Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast E-mail: cinenationpodcast@gmail.com

It was supposed to take 30 minutes but ended up taking 14 hours. . . the heist that is not this episode of the podcast. This week Lolo shows Patrick the highly acclaimed film based on a true story - Dog Day Afternoon. They discus the prolific director behind this film Sidney Lumet, the amazing cinematography of this film, the many impactful themes of this film and so much more including “whether or not Dustin Hoffman or Al Pacino are good looking?” New episodes of First Timers Movie Club come out every other Friday so click SUBSCRIBE and rate us five stars to make sure you don't miss our next episode!Have a favorite (or least favorite) famous movie that you think we should've seen? Reach out to IX Film Productions on Twitter, Instagram or email and we'll add it to our list!Follow IX Film Productions for podcast updates, stand up comedy, original web shorts and comedy feature films at:Facebook: www.facebook.com/ixfilmproductionsTwitter: www.twitter.com/ixproductionsInstagram: @IXProductionsYouTube: www.youtube.com/ixfp"First Timers Movie Club" is brought to you by IX Film Productions."Making the World a Funnier Place one Film at a Time"MusicThe Curtain Rises by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/5007-the-curtain-risesLicense: http://creativecommons.org/licenses/by/4.0/

Breaking Down the Gates: Defining the 70s (Part II)  The Second Half of an earlier episode where Mr. Chavez & I discuss ten films (and a short list of Honorable Menitons) that defined the 1970s as a decade. All the usual names: Scorsese, Coppola, Spielberg, Friedkin, DePalma, Lumet, etc. are found throughout the episode. Take a listen and see if these (remaining Top 5 and The Honorable Mentions) are on your list. Thanks for the continued support. Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com. 

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July weather inspires Doctor Zom to record a NEW SHOW! What has been goin' on? How much do we love Sidney Lumet? How many hot dogs can you eat in 20 minutes?  The post Episode 263: Lumet Amour! appeared first on Silva and Gold.

This week on The Treatment, Elvis welcomes back Alex Kurtzman, co-creator, along with Jenny Lumet, of the adaptation of “The Man Who Fell to Earth” on Showtime. Kurtzman directed the film “People Like Us” and is the co-writer of several films, including “Transformers” and “The Amazing Spider-Man 2.” “The Man Who Fell to Earth” is an adaptation of the 1976 film starring David Bowie, which was an adaptation of the Walter Tevis novel by the same name. Kurtzman tells the Treatment that while he had reservations about adapting the cult favorite, he believed he and Lumet could bring something new to the story. He says star Chiwetel Ejiofor was an ideal actor to collaborate with because of their similarly cerebral approaches to the text. And he says the pandemic afforded him the time to deepen the music choices in the series.