Podcast appearances and mentions of david hajdu

We remember the night Joe Dobbs wandered into The Flood band room a couple of decades ago and said, “Hey, do you know the song ‘Satin Doll'?”Boy, was he asking the right guy. Charlie Bowen grew up in a home full of his dad's jazz records by Ella Fitzgerald and Duke Ellington and Count Basie and his mom's Harry James and The Mills Brothers.In BowenWorld, “Satin Doll” was as much a part of the household soundtrack as anything on the radio right then.Joe didn't really know any of the tune's honored status in the jazz world. However, he was tickled by a folksy jazz rendition of it that was recorded live by fiddler Stephane Grappelli and David Grisman in 1981 and he was ready to tackle it himself.With that, the tune trotted into The Flood repertoire. Click the button below to transport back to 2011 and hear Joe with Flood Lite (Doug Chaffin on bass, Charlie on guitar) sampling the song at the start of a jam session at the Bowen House.About the SongIn 1953, Duke Ellington interrupted his long-time association with Columbia Records to sign with Capitol, thinking the upstart recording company might more effectively promote his music.Among the tunes waxed in the first Capitol session that spring was “Satin Doll,” a song Ellington had just written with his favorite collaborator, Billy Strayhorn. Duke wrote the riff sketch and Strayhorn fleshed it out with harmony and lyrics.Billy's lyrics, though, were not were not considered commercially viable, so Duke's 1953 recording was an instrumental. It was five years later when lyricist Johnny Mercer — a Capitol Records cofounder — wrote sassy new words that resulted in the song we know today.But Who WAS the Satin Doll?Strayhorn biographer David Hajdu famously advanced the notion that Billy named the song after his mother, Lillian, saying that the composer's pet name for his mom was “Satin Doll.”That's a charming story, but the Ellington family has a different take on the tale. Duke's son Mercer wrote in his 1978 memoir that he suspected the mystery woman was his dad's long-time companion, Beatrice “Evie” Ellis.Writing in Duke Ellington In Person: An Intimate Memoir, Mercer said Evie continued to believe the song was written for her. “Pop would always be leaving notes in the house addressing her affectionately as ‘Dearest Doll,' ‘Darling Doll' and so on.”Today's Flood Take on the Tune“Satin Doll” lately has started visiting the Flood band room again. It was the first tune of the evening at last week's rehearsal. Listen as Randy, Jack and Charlie start outlining the tune, laying down the rhythm and those cool chords while Danny is still setting up.You'll hear Charlie sing the first verse. By the second verse in comes Dan's beautiful guitar. In a minute, he's in full gear, and then he's soloing on two idea-filled choruses that define the entire outing.Got That SwingFinally, if you'd like to put a little more swing in your Friday thing, remember that the free Radio Floodango music streaming feature's gotcha cover. Click here to tune in the Swingin' Channel for a randomized playlist of some of The Flood's jazzier moments over the years. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

Eva Tanguay har beskrivits som USA:s första rockstjärna, men så hade ingen varit lika utlevande på scen som hon i början av 1900-talet. Lyssna på alla avsnitt i Sveriges Radio Play. I Don't Care hette Eva Tanguays stora hit som bidrog till att hon i början av 1900-talet var en av de allra mest populära artisterna i USA. Kritiker kallade hennes sångstil för ”olyssningsbar”, ”hemsk” och ”som att skriva med krita på svarta tavlan”, ett gnisslande läte. Och hur betedde hon sig egentligen på scen? Var hon nästan naken?Men vad svarade Eva Tanguay på det om inte ”I don't care!”. Och det gjorde inte publiken heller. Hon blev en av de bäst betalda artisterna i USA. Och en av de första ”personligheterna”, en kvinna man gillade att följa och titta på, oavsett vad hon hittade på.I veckans program berättar journalisten och författaren vad David Hajdu vad det var som gjorde Eva Tanguay så radikal för sin tid. Tillsammans med John Carey har han skapat serieboken A Revolution in Three Acts: The Radical Vaudeville of Bert Williams, Eva Tanguay, and Julian Eltinge.Vi tittar också närmare på en modern arvtagare till Tanguay – Sabrina Carpenter. Journalisten Helle Schunnesson berättar hur hon lyckas balansera sexighet med humor och glimten i ögat, precis som Eva Tanguay. Och så berättar Karina Ericsson Wärn, rektor på Beckmans designhögskola, hur den spanska modeskaparen Pacco Rabanne 1966 chockade modevärlden genom att skapa klänningar av metall, något han hade gemensamt med Eva Tanguay.

Over the course of her nearly forty-year career, singer-songwriter Jill Sobule has earned a singular spot in the American songbook. Best known for her breakout 1995 singles “Supermodel” (from the “Clueless” soundtrack) and “I Kissed a Girl” (which came out more than 10 years before the Katy Perry hit of the same name), her quirky, heartfelt, cheer-filled songs are difficult to categorize: she sings about the death penalty, anorexia, shoplifting, the French Resistance, LGBTQ issues and Mexican wrestling.  In another decade, Jon Pareles, the chief pop music critic of The New York Times, wrote that she stands “among the stellar New York singer-songwriters of the last decade”—high praise that has surely applied in all subsequent decades.      Jill's songs are enchanting, disarmingly funny and achingly poignant, and many of them are featured in her Drama Desk-nominated autobiographical musical "F*ck 7th Grade," which premiered at the Wild Project in NYC in 2022 and returns for a limited engagement in November 2024.  “We didn't have to create a story around these songs,” she says of the show, which she really, really hopes isn't dismissed as just another jukebox musical featuring songs from an artist's back catalogue. “These songs are my story. I just wrote a few more to fill out the narrative.” Jill joins us on the podcast to discuss her rich and varied career as one of the music industry's most uniquely collaborative artists. She's performed with musicians such as Neil Young, Billy Bragg, Steve Earle, Cyndi Lauper, and Warren Zevon, and once released a concept album of original music with lyrics written by some of her favorite writers, including Jonathan Lethem, Rick Moody, Mary Jo Salter, Vendela Vida, and David Hajdu. She regularly tours with comedian/actress/author Julia Sweeney in their two-woman “Jill & Julia” show. Two highlights from the very many cool, pinch me-type moments that have stamped Jill Sobule's remarkable career: she inducted Neil Diamond into the Songwriter's Hall of Fame, and she appeared as herself on an episode of “The Simpsons.”  So, you know, there's that.  Learn more about Jill Sobule: Website Patreon Instagram Threads Facebook Twitter Please support the sponsors who support our show: Ritani Jewelers Chelsea Devantez's I Shouldn't Be Telling You This Daniel Paisner's Balloon Dog  Daniel Paisner's SHOW: The Making and Unmaking of a Network Television Pilot Unforgiving: Lessons from the Fall by Lindsey Jacobellis Film Movement Plus (PODCAST) | 30% discount Libro.fm (ASTOLDTO) | 2 audiobooks for the price of 1 when you start your membership Film Freaks Forever! podcast, hosted by Mark Jordan Legan and Phoef Sutton Everyday Shakespeare podcast A Mighty Blaze podcast The Writer's Bone Podcast Network Misfits Market (WRITERSBONE) | $15 off your first order  Film Movement Plus (PODCAST) | 30% discount Wizard Pins (WRITERSBONE) | 20% discount

Today, The Murder Sheet interviews Kelly Sue DeConnick, an award-winning comic book writer. Her latest book FML deals with plenty of themes around true crime, centering a cartoonist out of Portland, Oregon with an obsession for gory podcasts. We'll talk with Kelly Sue about true crime, art, and why we all seek out disturbing stories.Preorder FML at your local comic shop, which you can find at Comic Shop Locator: https://www.comicshoplocator.com/Learn more about FML here: https://www.fmlcomix.com/Check out the details on FML Issue #1 (along with pre-order links): https://www.darkhorse.com/Comics/3013-235/FML-1Here's the announcement about FML and pre-order links: https://www.darkhorse.com/Blog/4147/kelly-sue-deconnick-and-david-lopez-return-to-creaLearn more about FML here: https://www.darkhorse.com/Search/fmlFind your local comic book shop by going to the Comic Shop Locator here: https://www.comicshoplocator.com/Check out Dark Horse Comics here: https://www.darkhorse.com/Buy Wonder Woman: Historia: The Amazons here: https://bookshop.org/p/books/wonder-woman-historia-the-amazons-kelly-sue-deconnick/19695715?ean=9781779521354Here are some books that came up during our conversation:Buy Mia Zapata and the Gits: A Story of Art, Rock, and Revolution by Steve Moriarty here: https://bookshop.org/p/books/art-rock-and-revolution-the-story-of-the-gits/19663701?ean=9781627311502Buy the The Ten-Cent Plague: The Great Comic-Book Scare and How It Changed America by David Hajdu here: https://bookshop.org/p/books/the-ten-cent-plague-the-great-comic-book-scare-and-how-it-changed-america-david-hajdu/10092241?ean=9780312428235Buy Helter Skelter: The True Story of the Manson Murders by Vincent Bugliosi and Curt Gentry here: https://bookshop.org/p/books/helter-skelter-the-true-story-of-the-manson-murders-curt-gentry/7327756?ean=9780393322231Check out Maggie Estep's work here: https://bookshop.org/contributors/maggie-estepCheck out Kimberle Crenshaw's work here: https://bookshop.org/contributors/kimberle-crenshawBuy Ice Haven by Daniel Clowes here or wherever you get your comics: https://www.abebooks.com/servlet/BookDetailsPL?bi=31921083673&dest=usa&ref_=ps_ggl_18382194370&cm_mmc=ggl-_-US_Shopp_Trade0to10-_-product_id=COM9780375423321USED-_-keyword=&gclid=CjwKCAjwlbu2BhA3EiwA3yXyu5tDVNTTThQU5QdohYkZ89Ef-qKEMyHoT-2UdWkWhi6E3YjQ1rAn7hoClnwQAvD_BwEListen to The Murder Sheet's recent episode with Jayson Blair of the Silver Linings Handbook Podcast here: https://art19.com/shows/murder-sheet/episodes/d7a42e66-7f75-4a20-bf62-2dfcf7cbff84Check out works by and about the photographer Arthur Fellig, known as Weegee, here: https://bookshop.org/search?keywords=weegeeThe Los Angeles Kirby Vision exhibition is no longer running out but definitely check out Jack Kirby's work here: https://bookshop.org/search?keywords=jack+kirbyCheck out Matt Fraction's Superman's Pal Jimmy Olsen: Who Killed Jimmy Olsen? here: https://www.dc.com/graphic-novels/supermans-pal-jimmy-olsen-2019/supermans-pal-jimmy-olsen-who-killed-jimmy-olsenCheck out Ed Brubaker's Criminal series here: https://bookshop.org/contributors/ed-brubakerSupport The Murder Sheet by buying a t-shirt here: https://www.murdersheetshop.com/Come see us do our first live show in Kendallville, Indiana https://clcevents.eventcalendarapp.com/u/43485/315102Send tips to murdersheet@gmail.com.The Murder Sheet is a production of Mystery Sheet LLC.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Did Duke Ellington really used to say: “He does all the work and I take all the bows?” One thing's for sure—neither man would have had the career he did without the other.Starring Fat Tony as Billy Strayhorn and Open Mike Eagle as Duke EllingtonAlso featuring: Sasheer Zamata, Sam Sanders, JaRon Ferguson, Miles Gross, Chris Hayes, and Tavis Doucette Source List:Lush Life by David Hajdu, ©1996, North Point Press, 18 West 18 Street, NY NY 10011Something to Live For: The Music of Billy Strayhorn, by Walter van de Leur, ©2002, Oxford University PressBeyond Category; The Life and Genius of Duke Ellington by John Edward Hasse, ©1993, Da Capo PressMusic is my Mistress by Duke Ellington, ©1973, Da Capo PressJUST JAZZ No. 3, Ed. Sinclair Traill and The Hon. Gerald Lascelles, ©1959, Four Square Books, Landsborough Publications Ltd, 173 New Bond Street, London, W.1JUST JAZZ No. 4, Ed. Sinclair Traill and The Hon. Gerald Lascelles, ©1960, Pub. Souvenir Press Ltd, London, WC1 and Canada, The Ryerson Press, Toronto, Printed GB by Clarke, Doble & Brendon, Ltd, Oakfield PressJazzProfiles, Billy Strayhorn - The Bill Coss InterviewNational Jazz Archive, Duke EllingtonCBC News, Billy Strayhorn, Duke Ellington's ‘right arm', to be paid tribute to at Capilano University concert The New Yorker, The Hot Bach - IThe New Yorker, The Hot Bach IIYouTube, Duke Ellington Interview by Jack Cullen 1962Colburn, Billy Strayhorn and Duke Ellington's Collaboration

Rob welcomes author David Hajdu to discuss "I Believe In You" from 1979's SLOW TRAIN COMING. Have a question or comment? E-MAIL: robkellycreative@gmail.com Follow us on Twitter: @Pod_Dylan POD DYLAN "Jukebox" T-Shirt now available: https://www.etsy.com/shop/RobKellyCreative Complete list of all songs covered so far: http://fireandwaterpodcast.com/podcast/pod-dylan-the-songs Buy this song on Apple Music: https://music.apple.com/us/album/slow-train-coming/181457864 This podcast is part of the FM Podcast Network. Thanks for listening!

ABOUT THE EPISODECultural historian and professor David Hajdu joins Sean in discussing the history of the Comics Code Authority. They discuss how the organization was formed, what were some of the first rules that were included from the Comics Code Authority, why it was decided to self-regulate rather than an outside body, and what lasting effects the formation of the Comics Code Authority has today. They also talk about the upcoming film in development that's based on David's book The Ten-Cent Plague, David's own comic book origin story, and what comics Sean and the listeners are reading. ABOUT THE GUESTDavid Hajdu is an award-winning cultural historian, critic, and novelist. His books include The Ten-Cent Plague: The Great Comic-Book Scare and How It Changed America and A Revolution in Three Acts, a work of graphic nonfiction with art by John Carey. He is a professor at Columbia University and a member of the National Council on the Humanities. His first published work was an original comic strip, The Endless Odyssey of Skip Toomaloo, published in his high-school newspaper.RESOURCES & LINKSEpisode Page - “#89 Comics Code Authority With David Hajdu”David Hajdu's websiteDavid Hajdu's Twitter - @davidhajdu_David Hajdu's Instagram - @davidhajdu_Join The Illuminicasters' DiscordOur Blog of Comics, Movies, & Series Reviews, Top 5 Lists, and AnnouncementsComic WatchThe Captioned Life Show website Hosted on Acast. See acast.com/privacy for more information.

It's Spooky Season, y'all! This month the Always YA panel classifies themselves as Spooky, Scary, or Slasher. We all share some YA book picks to read during October, and Susan shares some interesting info about the history horror comics. Listen if you dare! Instagram: @alwaysyapod Email: alwaysyapod@gmail.com Media mentioned in this episode: The Sandman streaming on Netflix, based on the graphic novels by Neil Gaiman. Prey (2022) streaming on Hulu. Kingdom streaming on Netflix. All of Us Are Dead streaming on Netflix. Cobra Kai streaming on Netflix. Hocus Pocus 2 streaming on Disney+. Into the Sublime by Kate A. Boorman Grady Hendrix's My Best Friend's Exorcism streaming on Amazon Prime on September 30th. Sonia Saraiya. The Karate Kid, Cobra Kai, and the Odd Legacy of Mr. Miyagi. Vanity Fair, July 3, 2019. Dade Hayes. ‘Cobra Kai' KOs ‘Bridgerton' On Nielsen Streaming List; ‘Soul' Enters Limbo State. Deadline, February 8, 2021. Problematic Fave podcast on Spotify. Darren Mooney. The Karate Kid Movies Explore Hollywood's Complicated Martial Arts History. The Escapist, January 1, 2021. Haiyang Yang and Kuangjie Zhang, The Psychology Behind Why We Love (or Hate) Horror. Harvard Business Review, October 26, 2021. Merphy Napier's Youtube video How Reading Fiction Affects Your Brain explains the benefit of reading Stephen King's Pet Sematary in helping her process grief. Mike Duran, ordained minister and author of Christian Horror: On the Compatibility of a Biblical Worldview and the Horror Genre, blog post “Is Beowulf the First “Religious Horror” Story Ever Written?” published July 28, 2015. “The Top 10 Most Watched Shows During Quarantine.” Daily Infographic, September 5, 2021. My Heart Is a Chainsaw by Stephen Graham Jones. Beowulf, translated by Maria Dahvana Headley. Something Is Killing the Children by James Tynion IV, Deluxe hardcover edition book one (collects comic #1-15). The Ten-Cent Plague by David Hajdu. Fredric Wertham. What Parents Don't Know About Comic Books. Ladies Home Journal, November 1953. Joe Sergi. 1948: The Year Comics Met Their Match. Comic Book Legal Defense Fund. June 8, 2012. “How America Almost Destroyed The Comic Book Industry”. CNBC, YouTube, July 17, 2021. Provides a brief overview of the censorship of horror comics. The documentary Comic Book Confidential includes footage from the testimony of Bill Gaines, founder of EC Comics and later Mad Magazine, at the 1954 Senate Subcommittee on Juvenile Delinquency. You can watch some clips from the hearings on YouTube. Kelly McEvers, These 'Paperbacks From Hell' Reflect The Real-Life Angst Of The 1970s. NPR, October 26, 2017. Home to Stay!: The Complete Ray Bradbury EC Stories by Ray Bradbury, Fantagraphics Books, 2022.

It had to happen! Superheroes have shaped our shared culture – both popular and political – but where did the idea of the “good superman” come from? How did idealism, power fantasy and radicalism merge so that an outsider generation of young (often Jewish) Americans could transform America?  Join Dorian and Ian on a senses-shattering odyssey that takes in socialist Superman, juvenile delinquents, the polyamorist roots of Wonder Woman, the Nazis (again), the great lost horror comics of the 50s, Stan Lee, how Churchill and FDR inspired Spider-Man… and which one of the X-Men was based on Menachem Begin.  –––––––– Superheroes: A Reading List From Ian: American Comics by Jeremy Dauber. Really comprehensive and full of love for the genre. But maybe a bit too comprehensive. Dauber covers absolute everything, so it can feel a bit too thinly spread. The Ten Cent Plague: The great comic book scare and how it changed America, by David Hajdu. Absolutely masterful retelling of the 50s moral outrage against comics. Impeccably researched, brilliantly written, and full of striking insights. Watchmen by Alan Moore, Dark Knight Returns by Frank Miller and All-Star Superman by Grant Morrison. If you were to read these three together, even as a non-comics fan, you would get a really good crash course in the different approaches taken to the genre since the 80s. From Dorian: Supergods by Grant Morrison. One of the all-time great comic-book writers has also the written the most entertaining and provocative history of the superhero. Marvel Comics: The Untold Story by Sean Howe. Essential reading for anyone interested in the people who built the Marvel universe. Howe has all the stories. I've given this book as a gift more than once. All Of The Marvels by Douglas Wolk. The Marvel Universe as explained by somebody who has read all 27,000 comic books. While Howe covers the creators, Wolk digs into the evolution of the characters and ideas. True Believer: The Rise and Fall of Stan Lee by Abraham Riesman. Juicy and unflinching biography of Mr Marvel. The Comic Book Heroes by Will Jacobs and Gerard Jones. Dated but interesting 1985 encyclopaedia of superheroes. The Secret History of Wonder Woman by Jill Lepore. New Yorker writer's eye-opening history of the love triangle that gave us Wonder Woman. –––––––– “Even by thinking about superheroes, you're thinking about politics. What is politics about but power and how you use it?” — Dorian –––––––– Written and presented by Dorian Lynskey and Ian Dunt. Audio production by Jade Bailey. Music by Jade Bailey. Logo art by Mischa Welsh. Group Editor: Andrew Harrison. Origin Story is a Podmasters production Learn more about your ad choices. Visit megaphone.fm/adchoices

David Hajdu discusses his new novel and lots more!

Featuring a rare interview with PEGGY LEE herself, we learn how she got her start UPFRONT with the King of Swing, BENNY GOODMAN at the age of 19. And in this POT-CAST, she tells why their big hit “Why Don't You Do Right” was actually about Marijuana! Also interviewed in my 2002 documentary, her daughter, Nicky LEE Foster, friend Phoebe Jacobs, authors Stephanie Stien Crease, David Hajdu, Will Friedwald and Gene Lees. APOLOGY: The sound of this documentary has some minor distortion, but we felt the CONTENT overrides the TECHNICAL considerations. Thanks for your understanding and don't let that stop you subscribing! “Upfront Theme” ©2022Niles Smiles Music (BMI) by Richard Niles PEGGY LEE & Benny GOODMAN! How Pot gave them a HIT! A SPECIAL POT-CAST! Watch this episode in video HERE #RadioRichard #PeggyLee #BennyGoodman #KingofSwing #NickyLEEFoster #PhoebeJacobs #StephanieSteinCrease #DavidHajdu #WillFriedwald #GeneLees #DaveBarbour #jazz #classicjazz #swingmusic #marijuana #pot #jazzsinging #jazzvocalists #bigband #jazzarranging #BBCRadio2 Please Like, Share, and Subscribe to our YouTube channel:

Too often, vaudeville is seen from the perspective of its decline: it is the corny, messy art form that predated the book musical, or that gave us Chaplin, Keaton, and the Marx Brothers. Rarely is it seen as the populist avant-garde form it was at its height. David Hajdu and John Carey's graphic history, A Revolution in Three Acts: The Radical Vaudeville of Bert Williams, Eva Tanguay, and Julian Eltinge (Columbia University Press, 2021), corrects this misconception, giving us illustrated biographies of three of the genre's most outré and successful stars. Eva Tanguay challenged contemporary gender roles through her outrageous behavior and sexually suggestive songs. Julian Eltinge also subverted gendered expectations of femininity by performing them to the hilt -- but as a man. And Bert Williams, a black man who performed in black face, tried to use his fame to soften the hard edges of Jim Crow bigotry but eventually became exhausted by the racism he encountered within the entertainment industry. These three performers truly were revolutionary, and their stories should be known to any theatre fan or historian. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Too often, vaudeville is seen from the perspective of its decline: it is the corny, messy art form that predated the book musical, or that gave us Chaplin, Keaton, and the Marx Brothers. Rarely is it seen as the populist avant-garde form it was at its height. David Hajdu and John Carey's graphic history, A Revolution in Three Acts: The Radical Vaudeville of Bert Williams, Eva Tanguay, and Julian Eltinge (Columbia University Press, 2021), corrects this misconception, giving us illustrated biographies of three of the genre's most outré and successful stars. Eva Tanguay challenged contemporary gender roles through her outrageous behavior and sexually suggestive songs. Julian Eltinge also subverted gendered expectations of femininity by performing them to the hilt -- but as a man. And Bert Williams, a black man who performed in black face, tried to use his fame to soften the hard edges of Jim Crow bigotry but eventually became exhausted by the racism he encountered within the entertainment industry. These three performers truly were revolutionary, and their stories should be known to any theatre fan or historian. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Too often, vaudeville is seen from the perspective of its decline: it is the corny, messy art form that predated the book musical, or that gave us Chaplin, Keaton, and the Marx Brothers. Rarely is it seen as the populist avant-garde form it was at its height. David Hajdu and John Carey's graphic history, A Revolution in Three Acts: The Radical Vaudeville of Bert Williams, Eva Tanguay, and Julian Eltinge (Columbia University Press, 2021), corrects this misconception, giving us illustrated biographies of three of the genre's most outré and successful stars. Eva Tanguay challenged contemporary gender roles through her outrageous behavior and sexually suggestive songs. Julian Eltinge also subverted gendered expectations of femininity by performing them to the hilt -- but as a man. And Bert Williams, a black man who performed in black face, tried to use his fame to soften the hard edges of Jim Crow bigotry but eventually became exhausted by the racism he encountered within the entertainment industry. These three performers truly were revolutionary, and their stories should be known to any theatre fan or historian. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Too often, vaudeville is seen from the perspective of its decline: it is the corny, messy art form that predated the book musical, or that gave us Chaplin, Keaton, and the Marx Brothers. Rarely is it seen as the populist avant-garde form it was at its height. David Hajdu and John Carey's graphic history, A Revolution in Three Acts: The Radical Vaudeville of Bert Williams, Eva Tanguay, and Julian Eltinge (Columbia University Press, 2021), corrects this misconception, giving us illustrated biographies of three of the genre's most outré and successful stars. Eva Tanguay challenged contemporary gender roles through her outrageous behavior and sexually suggestive songs. Julian Eltinge also subverted gendered expectations of femininity by performing them to the hilt -- but as a man. And Bert Williams, a black man who performed in black face, tried to use his fame to soften the hard edges of Jim Crow bigotry but eventually became exhausted by the racism he encountered within the entertainment industry. These three performers truly were revolutionary, and their stories should be known to any theatre fan or historian. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Too often, vaudeville is seen from the perspective of its decline: it is the corny, messy art form that predated the book musical, or that gave us Chaplin, Keaton, and the Marx Brothers. Rarely is it seen as the populist avant-garde form it was at its height. David Hajdu and John Carey's graphic history, A Revolution in Three Acts: The Radical Vaudeville of Bert Williams, Eva Tanguay, and Julian Eltinge (Columbia University Press, 2021), corrects this misconception, giving us illustrated biographies of three of the genre's most outré and successful stars. Eva Tanguay challenged contemporary gender roles through her outrageous behavior and sexually suggestive songs. Julian Eltinge also subverted gendered expectations of femininity by performing them to the hilt -- but as a man. And Bert Williams, a black man who performed in black face, tried to use his fame to soften the hard edges of Jim Crow bigotry but eventually became exhausted by the racism he encountered within the entertainment industry. These three performers truly were revolutionary, and their stories should be known to any theatre fan or historian. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Too often, vaudeville is seen from the perspective of its decline: it is the corny, messy art form that predated the book musical, or that gave us Chaplin, Keaton, and the Marx Brothers. Rarely is it seen as the populist avant-garde form it was at its height. David Hajdu and John Carey's graphic history, A Revolution in Three Acts: The Radical Vaudeville of Bert Williams, Eva Tanguay, and Julian Eltinge (Columbia University Press, 2021), corrects this misconception, giving us illustrated biographies of three of the genre's most outré and successful stars. Eva Tanguay challenged contemporary gender roles through her outrageous behavior and sexually suggestive songs. Julian Eltinge also subverted gendered expectations of femininity by performing them to the hilt -- but as a man. And Bert Williams, a black man who performed in black face, tried to use his fame to soften the hard edges of Jim Crow bigotry but eventually became exhausted by the racism he encountered within the entertainment industry. These three performers truly were revolutionary, and their stories should be known to any theatre fan or historian. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Too often, vaudeville is seen from the perspective of its decline: it is the corny, messy art form that predated the book musical, or that gave us Chaplin, Keaton, and the Marx Brothers. Rarely is it seen as the populist avant-garde form it was at its height. David Hajdu and John Carey's graphic history, A Revolution in Three Acts: The Radical Vaudeville of Bert Williams, Eva Tanguay, and Julian Eltinge (Columbia University Press, 2021), corrects this misconception, giving us illustrated biographies of three of the genre's most outré and successful stars. Eva Tanguay challenged contemporary gender roles through her outrageous behavior and sexually suggestive songs. Julian Eltinge also subverted gendered expectations of femininity by performing them to the hilt -- but as a man. And Bert Williams, a black man who performed in black face, tried to use his fame to soften the hard edges of Jim Crow bigotry but eventually became exhausted by the racism he encountered within the entertainment industry. These three performers truly were revolutionary, and their stories should be known to any theatre fan or historian. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Too often, vaudeville is seen from the perspective of its decline: it is the corny, messy art form that predated the book musical, or that gave us Chaplin, Keaton, and the Marx Brothers. Rarely is it seen as the populist avant-garde form it was at its height. David Hajdu and John Carey's graphic history, A Revolution in Three Acts: The Radical Vaudeville of Bert Williams, Eva Tanguay, and Julian Eltinge (Columbia University Press, 2021), corrects this misconception, giving us illustrated biographies of three of the genre's most outré and successful stars. Eva Tanguay challenged contemporary gender roles through her outrageous behavior and sexually suggestive songs. Julian Eltinge also subverted gendered expectations of femininity by performing them to the hilt -- but as a man. And Bert Williams, a black man who performed in black face, tried to use his fame to soften the hard edges of Jim Crow bigotry but eventually became exhausted by the racism he encountered within the entertainment industry. These three performers truly were revolutionary, and their stories should be known to any theatre fan or historian. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Too often, vaudeville is seen from the perspective of its decline: it is the corny, messy art form that predated the book musical, or that gave us Chaplin, Keaton, and the Marx Brothers. Rarely is it seen as the populist avant-garde form it was at its height. David Hajdu and John Carey's graphic history, A Revolution in Three Acts: The Radical Vaudeville of Bert Williams, Eva Tanguay, and Julian Eltinge (Columbia University Press, 2021), corrects this misconception, giving us illustrated biographies of three of the genre's most outré and successful stars. Eva Tanguay challenged contemporary gender roles through her outrageous behavior and sexually suggestive songs. Julian Eltinge also subverted gendered expectations of femininity by performing them to the hilt -- but as a man. And Bert Williams, a black man who performed in black face, tried to use his fame to soften the hard edges of Jim Crow bigotry but eventually became exhausted by the racism he encountered within the entertainment industry. These three performers truly were revolutionary, and their stories should be known to any theatre fan or historian. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts.

Too often, vaudeville is seen from the perspective of its decline: it is the corny, messy art form that predated the book musical, or that gave us Chaplin, Keaton, and the Marx Brothers. Rarely is it seen as the populist avant-garde form it was at its height. David Hajdu and John Carey's graphic history, A Revolution in Three Acts: The Radical Vaudeville of Bert Williams, Eva Tanguay, and Julian Eltinge (Columbia University Press, 2021), corrects this misconception, giving us illustrated biographies of three of the genre's most outré and successful stars. Eva Tanguay challenged contemporary gender roles through her outrageous behavior and sexually suggestive songs. Julian Eltinge also subverted gendered expectations of femininity by performing them to the hilt -- but as a man. And Bert Williams, a black man who performed in black face, tried to use his fame to soften the hard edges of Jim Crow bigotry but eventually became exhausted by the racism he encountered within the entertainment industry. These three performers truly were revolutionary, and their stories should be known to any theatre fan or historian. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

February 4, 1955. In a New York courtroom, the Comics Czar takes the stand. He's in charge of enforcing a new code, meant to keep comic books from corrupting America's youth, and he's here to prove that his work has cleaned up the industry. But that afternoon, a noted psychologist named Fredric Wertham argues that his work has not nearly gone far enough. When the hearing comes to a close, the committee is left to decide: what is the future of the comic book? Why did one of the country's leading psychologists see them as a major threat to American children? And what can the Great Comic Book Scare teach us about moral panics?Special thanks to our guests, David Hajdu, author of The Ten-Cent Plague, and Jeremy Dauber, author of American Comics. See acast.com/privacy for privacy and opt-out information.

In this week's episode, we interview David Hajdu and John Carey, collaborators on a biography in graphic form about three vaudeville stars. A Revolution in Three Acts: The Radical Vaudeville […]

Episode 17 The 10-Cent Plague by David Hajdu In this episode I wecome Tony Farina of Indie Comics Spotlight as we discuss The 10-Cent Plague: The Great Comic Book Scare and How It Changed America. Tony and I cover the big ideas from this book as we share what we've learned about the development of the comic book in 20th Century Americaand prognosticate on where it's going. You can follow the show @ComicsLloyd on Twitter or send an email to ClassicComicsMBL@gmail.com. You can find me on Twitter @MattB_Lloyd and at www.dccomicsnews.com where I write reviews and edit news stories. You find Tony on Twitter @tricycleboombox and on his website https://www.arfarina.com/ You can also check out my chapter in “Politics in Gotham: The Batman Universe and Political Thought.” https://www.amazon.com/Politics-Gotham-Universe-Political-Thought/dp/3030057755 The 10-Cent Plague at Amazon https://www.amazon.com/Ten-Cent-Plague-Comic-Book-Changed-America/dp/0312428235 The 10-Cent Plague at Barnes and Noble https://www.barnesandnoble.com/w/ten-cent-plague-david-hajdu/1100355671 And on Hoopla https://www.hoopladigital.com/ --- Send in a voice message: https://anchor.fm/comics-in-motion-podcast/message Support this podcast: https://anchor.fm/comics-in-motion-podcast/support

Here is the Executive Director of the Kelly Strayhorn Theater Joseph Hall describing their Suite Life Celebration of the Billy Strayhorn namesakes Gene Kelly and Billy Strayhorn. The event is November 28th at 7pm at the Theater in East Liberty. David Hajdu, Strayhorn's biographer, Patricia Ward Kelly, wife of Gene Kelly, Lynn Hayes Freeland, Poogie Bell and many others are taking place in the event which benefits the theater.

Bill welcomes journalist, music critic, and debut fiction author David Hajdu to the show. David  is the music critic for The Nation and a professor at the Columbia University Graduate School of Journalism. Before joining The Nation in January 2015, he served for more than ten years as the music critic for The New Republic. His most recent book, Adrianne Geffel, is "fictional work of nonfiction," a biography of a nonexistent songwriter. He is currently working on a nonfiction book about artificial creativity, in addition to collaborating with the artist John Carey on a book of graphic nonfiction for Columbia University Press. David also published four books of nonfiction and one collection of essays: Lush Life: A Biography of Billy Strayhorn (1996), Positively 4th Street: The Lives and Times of Joan Baez, Bob Dylan, Mimi Baez Fariña and Richard Fariña (2001), The Ten-Cent Plague: The Great Comic Book Scare and How It Changed America (2008), Heroes and Villains: Essays on Music, Movies, Comics, and Culture (2009), and Love for Sale: Pop Music in America (fall 2016). Don't miss it!

Are you truly passionate about how you spend the majority of your time? Join in on this week’s episode as Phil tells us a story about the famous and influential jazz musician, Wynton Marsalis. Wynton is an example of how a passion can turn into a craft. As we start a new week, let’s work to spend more time doing what we are passionate about; in turn, we’ll elevate our craftsmanship. Resources: Wynton Marsalis: http://bit.ly/2VrRjCW “Wynton’s Blues” by David Hajdu: http://bit.ly/2TmeJXG “I Don’t Stand a Ghost of a Chance,” Victor Young: http://bit.ly/3adzQCC “I Don’t Stand a Ghost of a Chance,” Bing Crosby: http://bit.ly/2waoWP4 Please send comments, questions, and feedback to: mojo@cannonfinancial.com Please send First Friday Feedback submissions to: mojo@cannonfinancial.com

From 2008: Run for your lives! Hide the women and children! There’s a Ten-Cent Plague loose upon this fine land! My guest today, David Hajdu, is the author of a new book that – at the very least – probably has the best title of the year, "The Ten-Cent Plague: The Great Comic-Book Scare and How It Changed America." Hajdu looks back at a hysterical period in American history – one of many, to be sure – when comic books were considered such a threat to our way of life that the industry nearly vanishe

This month on Impolite Conversation, we talk with Leah Rediger-Schulte, Doane's new Director of Religious and Spiritual Life, about why religious literacy is important for ourselves, our schools, and our society. And in One Last Thing, Leah studies a nontraditional sacred text, Dan reads about the comic book purges of the 1950s, and Tim goes to see a romantic comedy that's about more than just romance and comedy. Some of the things we talked about this month: Stephen Prothero's book Religious Literacy: What Every American Needs to Know--And Doesn't was the inspiration for this episode. Prothero's quiz is in the back of the book, or you can find it online here. Dan mentioned Diana Eck's book Encountering God. Leah mentioned From Bubble to Bridge, by Marion Larson and Sarah Shady. Watch the social capital video produced by the Interfaith Youth Core. Or go to their website for lots of other resources. In One Last Thing, Leah talked about Vanessa Zoltan's podcast Harry Potter and the Sacred Text. Dan's OLT was on The Ten-Cent Plague, by David Hajdu. Finally, Tim's OLT was about The Big Sick. 0:00-1:34 Opening 1:34-36:48 Rediger-Schulte interview 36:53-38:41 Rediger-Schulte OLT 38:42-43:36 Clanton OLT 43:37-47:59 Hill OLT 48:00-49:50 Closing 42-54-50:01 Outtakes

In our first episode of Haunted Love Radio, we head to the southern-fried backwoods of Texas for a discussion of Texas Chainsaw Massacre before browsing the meat case at Zach Gristle's Butchery in a throwback E.C. Tales from the Crypt comic strip from the 1950s. Eat up, kiddos! Primary texts: Texas Chainsaw Massacre, dir. Tobe Hooper (1974) "T'aint the Meat...It's the Humanity," Tales from the Crypt #16, Al Feldstein and Jack Davis (1952) Further Reading: Chainsaw Confidential, Gunnar Hansen (2013) Men, Women and Chain Saws, Carol Clover (1993, reissue 2015) Demon Theory, Stephen Graham Jones (2006) Seduction of the Innocent, Dr. Frederic Wertham (1954) The Ten-Cent Plague: The Great Comic Book Scare and How It Changed America, David Hajdu (2008) You can follow us on Twitter @HauntedLovePod or email us at hauntedloveradio@gmail.com. Our icon is by the lovely Sophie McMahan. You can buy her work here: https://www.etsy.com/shop/DreamingOfJohnny And learn more about her art here: http://sophiemcmahan.com/home.html Intro music: "At the Devil's Ball," performed by Maurice Burkhart (1913) Transition music: "That Syncopated Boogie-Boo," performed by The Premier Quartet (1913)

Danny Goldberg, Faith Salie and David Hajdu are panelists. The record executive, the comedian/journalist and the music critic face the music, including industrial instruments, female composers and the all-important bridge. Our real-time fact-checker is Dan Zanes, accompanied by his live band.

Danny Goldberg, Faith Salie and David Hajdu are panelists. The record executive, the comedian/journalist and the music critic face the music, including industrial instruments, female composers and the all-important bridge. Our real-time fact-checker is Dan Zanes, accompanied by his live band.

Episode 3: Our Titlepage reads: The Horror! The Horror! and features David Hajdu, Mary Roach, Louis Masur and David Gilmour.

In the 1930's and 40's, comic books were as popular as movies -- and more influential. So much so that serious steps were taken to stop them. Writer David Hajdu (Lush Life, A Biography of Billy Strayhorn, Positively 4th Street) examines this controversy in his new book, The Ten-Cent Plague, and illustrates it.  

David Hajdu is an award-winning cultural historian. His book The Ten Cent Plague: The Great Comic Book Scare and How It Changed America, about the censorship of comics in the mid-1950s.

Episode 3: Our Titlepage reads: The Horror! The Horror! and features David Hajdu, Mary Roach, Louis Masur and David Gilmour.