Podcasts about Tobe Hooper

On this week's episode, Stephen and Tim are celebrating 40 years of 'The Texas Chainsaw Massacre Part II'!Listen as they discuss Tobe Hooper's decision to ramp up the humor, the introduction of the iconic 'Chop top', the set design by Cary White, 'All-American Massacre', and much more on this week's episode!

Send us a text or a voicemailAfter the loss of her husband, a woman seeks solace with her favorite podcast. One by one the hosts transform into deadites, she comes to discover that she never even liked their show to begin with and starts listening to a more mainstream, less raunchy one. On Episode 730 of Trick or Treat Radio our feature film discussion is Evil Dead Burn from director Sebastien Vanicek! We also talk about what every Evil Dead movie should have, the intersection of horror and trauma, and we react to trailers for; Ken Russell's The Devil's 4K re-release, and Parasomnia. So grab your favorite deadite maiming power tool, hail to the king, and strap on for the world's most dangerous podcast!Stuff we talk about: The legends of horror, 80s horror, Texas Chainsaw Massacre, Halloween, Nightmare on Elm St. Leprechaun, Friday the 13th, Saw, The Collector, Warwick Davis, Infested, Spider-Man, The End of Oak St., RIP Reggie Bannister, Don Coscarelli, Angus Scrimm, Phantasm, Kevin Smith, A New Hope, Star Wars vs Marvel crossover, The Archies, Police Academy Part II, Summer School, Weird Science, X-Men vs. Star Trek, The Short Man, Man of 1000 Faces, Lord of the Flies, Land That Time Forgot, Future World, Friday the 13th Part 3, Braindead, Dead Alive, Jason Goes to Hell, Terror Toons, Alien vs. Predator, Gozu, Takashi Miike, Sebastian Stan, Sebastian Shaw, Robert Shaw, Ghost Storm, Debi Mazar, Paul Reubens, Eaten Alive, Tobe Hooper, John Beal, Amityville 3D, Dark Shadows, Alfred Hitchcock, Love Connection, Punky Brewster, Ken Russell's The Devils, The Sinful Nuns, Nunsploitation, Gothic, Parasomnia, Shudder, Salo, Sam Raimi, Evil Dead Burn, Evil Dead Wrath, Francis Galluppi, Sebastien Vanicek, Ash Williams, Duke Nukem, The Crow, Edward Furlong, Dippin' Dots, Kevin Bacon, Fred Ward, Fred Willard, Hot Stuff, Ossie Davis, Sundown: The Vampire in Retreat, shaky cam, Raimi Vision, abusive partners and those that defend them, Within the Woods, French Extremity, David Dastmalchian, David Harbour, Nick Offerman, Tom Holland, Hundreds of Beavers, Borderline, The Furious, From the Canopy Film Podcast, Michael Rosenbaum, Bruce Campbell, Archive of Idiocy, Evil Dead Giraffe, the devils lettuce infected me, and Cherry Mortal Cobbler.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

Ana Mateu Cifre comenta con Arconada los estrenos de cine de la semana, además de toda la actualidad cultural con Encarna Jiménez y Ayanta Barilli. En esta entrega de recomendaciones de series para el fin de semana, los colaboradores de esRadio Juanma González y Dani Palacios nos proponen una selección de producciones de terror ideales para disfrutar durante las jornadas veraniegas. Comienzan con un clásico indiscutible de la televisión en España, Historias para no Dormir, la mítica obra de Chicho Ibáñez Serrador. La versión original, estrenada en TVE en el año 1966, es una obra maestra de ingenio donde el realizador logró aterrorizar a todo un país con escasos recursos materiales y la inestimable ayuda de su padre, Narciso Ibáñez Menta. Con el paso de los años, el formato ha vivido varias etapas, incluyendo una serie de películas a principios del siglo XXI en Telecinco bajo el título Películas para no Dormir, en la que participaron directores de renombre como Paco Plaza, Jaume Balagueró o Álex de la Iglesia. Recientemente, la plataforma de streaming Prime Video recuperó el espíritu de la franquicia con nuevas versiones dirigidas por cineastas contemporáneos de la talla de Rodrigo Sorogoyen o Rodrigo Cortés. La segunda recomendación es otra joya clásica de finales de los setenta, El Misterio de Salem's Lot, estrenada en 1979. Esta miniserie adapta una de las primeras y más aclamadas novelas del célebre escritor estadounidense Stephen King. Bajo la dirección de Tobe Hooper –conocido por dirigir la mítica película de culto La Matanza de Texas–, la producción se convirtió en un referente absoluto del género de vampiros. Con un reparto liderado por David Soul, James Mason y Bonnie Bedelia, la serie dejó grabadas en la retina de toda una generación escenas verdaderamente espeluznantes, como la del niño flotando y llamando a la ventana. Como curiosidad de la época, en España esta miniserie se llegó a distribuir en los videoclubes bajo el engañoso título de Fantasma II, en un burdo intento de los distribuidores de hacerla pasar por la secuela de otra película de éxito, a pesar de no guardar ninguna relación argumental. A continuación, los críticos de esRadio destacan The Terror, una serie de antología que cuenta con tres temporadas disponibles en Prime Video y Netflix. Sin embargo, ponen especial énfasis en la soberbia primera temporada, basada en la novela homónima de Dan Simmons. La trama reconstruye de forma ficcionada la fatídica expedición real de la Royal Navy británica, en la que los navíos HMS Erebus y HMS Terror quedaron atrapados en el hielo del Ártico mientras buscaban el Paso del Noroeste. La serie logra transmitir una atmósfera asfixiante, gélida y claustrofóbica en la que la tripulación debe enfrentarse no solo al hambre, al frío extremo y al motín, sino también a una misteriosa y letal criatura sobrenatural que los acecha en la inmensidad blanca. Dan Simmons, el autor de la obra original, destaca por su habilidad para entrelazar con maestría el rigor histórico con elementos de ciencia ficción y terror. El espacio televisivo también dedica atención a producciones asiáticas de gran presupuesto disponibles en Netflix que a menudo pasan desapercibidas para el gran público. Una de ellas es El Hombre Vapor, una serie japonesa que adapta un clásico cinematográfico de la productora Toho, conocida mundialmente por las películas de Godzilla. La historia arranca con un planteamiento tan sorprendente como perturbador: una persona explota de forma espontánea durante una emisión en directo en televisión. A partir de ahí, se desata una intriga policial para capturar a un misterioso individuo capaz de transformar su cuerpo en estado gaseoso para cometer asesinatos selectivos. Los colaboradores elogian la factura técnica de la serie, sus logrados efectos especiales y la sólida dirección de un único realizador para mantener una coherencia estética excelente en todos los episodios. Para cerrar la lista, se presentan dos propuestas muy singulares. Por un lado, El Palacio del Este, otra suntuosa serie de época oriental disponible en Netflix, ambientada en el Japón feudal de los samuráis. Su trama gira en torno a la corte real, espíritus y demonios tradicionales japoneses, destacando por su imponente diseño de producción. Por otro lado, para los amantes del anime, se recomienda El Verano en que Hikaru Murió, basada en un popular manga japonés. La historia se centra en dos amigos inseparables de un entorno rural; tras perderse en las montañas, uno de ellos regresa poseído por una extraña entidad. Lo original de la propuesta es que su compañero decide mantener la amistad a pesar de saber que ya no es un ser humano. Con una atmósfera muy sensorial cargada de silencios, el cantar de las cigarras y un toque de romance juvenil, esta serie ofrece una experiencia de terror psicológico sumamente inquietante y conmovedora.

THE THING (1982) spent years stuck in development as John Carpenter transitioned from low-budget indie successes to his first major studio feature. This episode covers the project's long development history, discarded script drafts from Tobe Hooper and others, Bill Lancaster's script construction, and the tense ensemble rehearsals that left the entire cast deeply paranoid before cameras even rolled. Want the full story without the wait? CinemaShock+ members get extended, ad-free episodes that combine every part into one seamless listen — plus bonus content you won't hear anywhere else. Join at cinemashock.net/plus. CINEMA SHOCK ASSOCIATE PRODUCERS: Andy Lancaster | asotirov | Benjamin Turpin | Benjamin Yates | Capiapoa | courtland ashley | curtcake5k | Dick Jones | Elton Novara | Interzone78 | Jackson_Baker | JoeyP | John sweet bussy Greaney | KDurden | Lucy Lawson | MagicBloat | mcdudely | Nate Izod | Princess Krishna Kali | RockGokd | shadowcut | Tim G | triplr1478 Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy. This episode was written, produced and edited by Gary Horne & Justin Bishop. Image: "Portrait of John Carpenter.jpg" by Kyle Cassidy, licensed under CC BY-SA 4.0. Modified from original. This derivative work is also licensed under CC BY-SA 4.0. For episode archives, merch, show notes, and more, visit cinemashock.net

It's all drinks from around the world on this quiz from Crowdpurr.com/budds! This episode's topic: INTERNATIONAL BEERS Love trivia battles? Try Learn Clash! http://learnclash.com/budds Fact of the Day: In the mid-1980s, Cannon Films hired The Texas Chain Saw Massacre director Tobe Hooper to helm a bizarre, body-horror Spider-Man movie inspired by David Cronenberg's The Fly. Triple Connections: Chump, Climate, Loose THE FIRST TRIVIA QUESTION STARTS AT 02:52 SUPPORT THE SHOW MONTHLY, LISTEN AD-FREE FOR JUST $3 A MONTH: www.Patreon.com/TriviaWithBudds INSTANT DOWNLOAD DIGITAL TRIVIA GAMES ON ETSY, GRAB ONE NOW! GET A CUSTOM EPISODE FOR YOUR LOVED ONES: Email ryanbudds@gmail.com Theme song by www.soundcloud.com/Frawsty Bed Music: "Laser Groove" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ http://TriviaWithBudds.comhttp://Facebook.com/TriviaWithBudds http://Instagram.com/ryanbudds Book a party, corporate event, or fundraiser anytime by emailing ryanbudds@gmail.com or use the contact form here: https://www.triviawithbudds.com/contact SPECIAL THANKS TO ALL MY AMAZING PATREON SUBSCRIBERS, INCLUDING: Samantha Wheeler Boomer Cates Mark Kloppenburg Cadi Snow-Brine Amber Shiels Alan Kreisel Rich Sommer Joe Heiman Waqas Ali Logan Booker Bringeka Sam Nathan Stenstrom Brooks Martin Robyn Price Gee Brian Clough Charles Glanville IV Lauren Schuette Evan Lemons AnneMarie Mattacchione Yves Bouyssounouse Kenny Zail York yates Gay Geek Fabulous Mollie Dominic Nathalie Avelar Natasha raina leslie gerhardt Diane White Youngblood Trophy Husband Trivia Lynnette Keel Lillian Campbell Jerry Loven Jamie Greig Gail Lancman Jeremy Yoder Adam Jacoby rondell Adam Suzan Tiffany Poplin Bill Bavar Sarah Daniel Hoisington Keith Martin Sue First Steve Hoeker Jessica Allen Lauren Glassman Brian Williams Brett Livaudais Linda Elswick Carter A. Fourqurean Justly Maya Brandon Lavin Kathy McHale Chuck Nealen Courtney French Nikki Long Mark Zarate Laura Palmer  JT Dean Bratton Kristy Erin Burgess Trenton Sullivan Jen and Nic Michael Redman Timothy Heavner Jeff Foust Richard Lefdal Myles Bagby Jenna Leatherman Vernon Heagy Albert Thomas Kimberly Brown Tracy Oldaker Sara Zimmerman Madeleine Garvey Jenni Yetter Patrick Leahy Dillon Enderby James Brown Christy Shipley Clayton Polizzi Alexander Calder Ricky Carney Paul McLaughlin Willy Powell Robert Casey Matthew Frost Brian Salyer Greg Bristow Megan Donnelly Jim Fields Mo Martinez Luke Mckay Simon Time Feana Nevel Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Steven Spielberg doesn't want you to know his aliens aren't real. That's the standard Matthew Butler had to hit on Disclosure Day: total photographic believability, zero tolerance for anything that reads as fantasy, even when the story is about a supposed decades-long government cover-up of extraterrestrial contact. Butler has been Spielberg's go-to VFX supervisor for grounded, "make it real" work since Ready Player One, and before that, he was Chris's first VFX supervisor ever, on The Day After Tomorrow. Back in Episode 557, Chris and Daniel broke down Disclosure Day as fans, tracing its DNA back through Close Encounters and Sugarland Express. This time they bring on the person who actually built it, for a conversation about matching digitally-replaced train sequences to real-world reference plates, a shot count that came in smaller than planned going in, and why the biggest emotional gut-punch in the movie has almost nothing to do with visual effects at all. Butler walks through how Spielberg directs VFX without ever really discussing VFX, and the two of them dig into what makes his process so different: a shot list that shrank instead of ballooning, something Butler says has never happened on any other project in his career, a director who wants to solve problems himself rather than have them solved for him, and a 30-year veteran realizing mid-conversation that the AI moment VFX is living through right now feels exactly like the unsolved chaos of the 1990s. A conversation about restraint, trust, and knowing when the effects work is actually done when nobody notices it. Mentioned in this episode: Digital Domain, James Cameron, Titanic, Poltergeist, Tobe Hooper, Eric Barba, Doug Roble, Janusz Kamiński, Chris Columbus, Gremlins reboot, The Odyssey, Dune Guest links: Mattew Butler on IMDB > Matthew Butler on LinkedIn > Special thanks to our sponsor: Center Grid Virtual Studio: https://cgvirtualstudio.com/

The Hussies review another Tobe Hooper classic. Don't @Dana because this was her 1st time watching this quintessential horror film, just be glad that she finally did and hear out her rant about Sally.

Hey kid, there’s a spider in your bed! From Kingdom of the Spiders (1977) We’re going back to horror history class with Episode 212: Slashers Come of Age and Horror Finds Religion 1975-1979. Seven years ago, in the early days of the Scariest Things, we did some horror history, diving into some of the more obscure titles that you may not be aware of. We stopped at the early seventies, and then went on a very long hiatus. But now we are back with some (maybe) forgotten gems from 1975 to 1979. Friend of the podcast Ian Parker joins Eric and Mike in this deep dive. It took a while, but we are back to our chronology of horror movies. We have picked up the baton and are moving our movie history lessons forward. The seventies were a turbulent period in history. The Hayes Code, now dead and defeated, is no longer. The early seventies started playing around in the margins with movies that pushed the boundaries of what was possible. The advent of the massive summer blockbuster began to separate movies into big-budget and indie-budget films, and horror was part of that trend. Jaws (1975) and The Exorcist (1972) proved that with the right director, scary movies could bring in big money and be legitimate critical darlings as well. The doors opened for studios to pour big money into movies that would become The Omen, Alien, Invasion of the Body Snatchers, and Carrie, landmark movies all. Big-name actors with great pedigrees were coaxed into performing in big studio horror projects. Gregory Peck did The Omen. Faye Dunaway at the height of her career did The Eyes of Laura Mars. It wouldn’t be long before Jack Nicholson got cast in The Shining (1980), but we’ll get to that one later. Having said all that, the studios weren’t quite all-in yet. There were a few pet projects out there. But the domain of the horror movie was still in the dilapidated old downtown movie houses and drive-in theaters. You couldn’t yet rent movies for home viewing. If you wanted to go see independent horror movies, you had to be willing to get down and dirty. The Cineplex wasn’t yet ready for showing off the gory delicacies that were being cooked up in the era when the boundaries between R and X hadn’t been settled yet. Slasher Movies Come of Age Horror never forgot its roots. You could still make a low-budget movie, with no-name actors, scare some teenagers, and turn a profit. But a guy in a rubber suit wasn’t going to cut it anymore. Real explicit violence and raw visceral horror are now how to make a memorable mark. Following in the footsteps of Black Christmas (1972), Last House on the Left (1972), and The Texas Chainsaw Massacre (1974), the slasher film was going to find the sweet spot of low budget and mass appeal. Enter Halloween (1978). Stabbing and spooking were now moving into the suburbs. On a budget of $325,000, Halloween would go on to earn $47,160,000. On a budget of $325,000, Halloween would go on to earn $47,160,000. Hollywood noticed. The impact of Halloween would be felt primarily in the early eighties, but a few filmmakers picked up on the trend early. The slasher films influenced directly in the wake of Halloween include: Don’t Go Into the House (1979), Silent Scream (1979), Tourist Trap (1979), Driller Killer (1979), Prom Night (1980), Maniac (1980), Friday the 13th (1980), Don’t Go into the Woods (1981), Madman (1981), Happy Birthday to Me (1981), My Bloody Valentine (1981), The Burning (1981), The House on Sorority Row (1982), and The Slumber Party Massacre (1982). All of these films featured a masked killer (usually) and some sort of stabbing weapon (usually), and oblivious teen victims (usually), with sexual activity usually as part of the equation (usually)… and a final girl (usually). That’s the modern slasher template. It didn’t take long for filmmakers to figure out the formula. Our great directors who would lead horror for the next twenty years were in place. John Carpenter, Tobe Hooper, and Wes Craven had their knives out and were ready to dominate the field. This genre still felt fresh. The sequels had yet to take control of the industry, and the concept felt raw and scary. This trend would find its killer’s stride in the 80’s, but this is when the slasher movie came out of the shadows. Horror Gets Really Weird, and Discovers God While the sixties still had a safety belt on, and the eighties went for the reliable thrills, the seventies was a period that allowed directors to stretch out their ideas. The early seventies also contributed a number of strange films, but it is hard to match the back half of the seventies with the likes of The Manitou (1976), Phantasm (1979), Hausu (1977), and Eraserhead (1977), which brought wildly original concepts to the table. Religion was a big thing too. Conventionally, there were movies like The Omen and The Exorcist that were, while very scary, using traditional good-and-evil concepts. This era also had a more counter-cultural and artistic interpretation of holy horror. God Told Me To (1976) and The Visitor (1979) were gonzo strange concepts that never found an audience, but were challenging with their takes of what celestial beings might be. What is Jesus, really? For that matter, what is God? An alien? Perhaps. Truly strange, blasphemous stuff. Perhaps it was all the hallucinogens that were popular of the era. Cosmic horror found truth in a far-out metaphysical moment. It wouldn’t take long for the politicians and the morality police to put an end to such wild concepts. But in truth, the conservative backlash was waiting in the next decade. In the seventies, the liberal notions of acceptable content had plenty of room. That would be coming to an end soon, especially when movies could come home on cable TV and VHS. The Scariest Things History of Horror Episodes Episode 22: The Silent Era 1920s Episode 25: The Rise and Fall of the Golden Age 1930’s and 1940s Episode 29: Horror Comes Back – The Matinee Era Part 1 1950-1954 Episode 31: The Height of the Atomic Age – The Matinee Era Part 2 1955-1959 Episode 51: The International Gothic Trend – Horror From 1960-1964 Episode 53: The Diversification of Horror – Horror From 1965-1969 Episode 57: Horror Gets Trippy – Horror From 1970-1974 Episode 213: Slashers Come of Age and Horror Finds Religion 1975-1979 Friend of the Podcast Ian Parker joins Eric and Mike to talk about some deep cut movies from the late seventies. We have tried to avoid the obvious stuff and to notify our audience about some curious gems that you might have missed when shuffling through your streaming options: Burnt Offerings (1976) Don’t Go Into the House (1979) God Told Me To (1976) Kingdom of the Spiders (1977) Rabid (1977) Shock Waves (1977) The Witch Who Came From the Sea (1976) The Eyes of Laura Mars (1978) The Manitou (1978)

Ahead of Flashback Weekend, film critic and moderator Patrick Bromley joins The Catered Quiz to answer questions about Tobe Hooper and Joe Dante. We also talk about Blockbuster Video, Grindhouse and Bill & Ted's Bogus Journey. Check out the schedule for this year's Flashback Weekend. Read Patrick's latest 24 Hours of Movies article at F This Movie. And purchase a copy of In Search Of Darkness while it is still in stock.

A bit of a super-sized week of physical media (box sets will do that to you) but one worthy of appreciation and curiosity. Thankfully there are a number of very economical (in length) classics from the film noir era to appreciate. If you don't already know one of the big plot twists of the '70s sci-fi era you get your chance. You get one of the best films from the respective careers of Mario Bava and Elvis Presley. There is some early Wes Craven and late Tobe Hooper. Rock Hudson and Doris Day's classic rom-com gets an upgrade. A brat packer become a serial killer (no, not Andrew McCarthy). WE GOT ONE of our Why-Is-This-Not-On-Blu-Ray titles, a classic farce from the 1980s. Plus, Quentin Tarantino's Kill Bill is edited into one singular complete vision. Arrow (Soylent Green (4K), The Outfit (1973)) Warner Archive (The Keyhole, Bonnie Scotland, Crime Wave) Kino (Brit Noir Collection III, King Creole (4K), The Cop in Blue Jeans, Deadly Blessing (4K)) Vinegar Syndrome (The Mangler 4K) Severin (A Bay of Blood (4K), Disco Italiano, Music Machine) Universal (Pillow Talk (4K)) Alliance (Micki & Maude, Relentless ) Lionsgate (Kill Bill: The Whole Bloody Affair (4K)) TV (Stranger Things (The Complete Series) (4K), The Paper: Season 1) NEW (The Devil Wears Prada 2, Pressure (4K), HappyEnd, In the Grey, Is God Is, Mortal Kombat II (4K), A Poet, Suspended Time) CLICK ON THE FILMS TO RENT OR PURCHASE AND HELP OUT THE MOVIE MADNESS PODCAST OR BUY FROM MOVIEZYNG Be sure to check out Erik's Weekly Box Office Column – At Rotten Tomatoes Critics' Classics Series – At Elk Grove Cinema in Elk Grove Village, IL Chicago Screening Schedule - All the films coming to theaters and streaming Physical Media Schedule - Click & Buy upcoming titles for your library. (Direct purchases help the Movie Madness podcast with a few pennies.) Erik's Linktree - Where you can follow Erik and his work anywhere and everywhere. The Movie Madness Podcast has been recognized by Million Podcasts as one of the Top 100 Best Movie Review Podcasts as well as in the Top 60 Film Festival Podcasts and Top 100 Cinephile Podcasts. MillionPodcasts is an intelligently curated, all-in-one podcast database for discovering and contacting podcast hosts and producers in your niche perfect for PR pitches and collaborations. USE COUPON “MOVIEMADNESS” TO GET 10% OFF ALL DUBBY PRODUCTS SIGN UP FOR AUDIBLE This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit erikthemovieman.substack.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

¡Bienvenidos a un nuevo episodio de El Calabozo del Reverendo Wilson! Abrimos de nuevo el Dossier Slasher para continuar con el repaso de la franquicia de La Matanza de Texas. En el año 2013 se estrenó una secuela que, más allá de su exitoso paso por cines en Estados Unidos y su formato en tres dimensiones, quedaría rápidamente por el aficionado a pesar de tener unas formas nada desdeñables a la hora de su búsqueda de conectar con la primera película. Con el protagonismo de Alexandra Daddario, y el apoyo de Tobe Hooper y Kim Henkel en producción, sus irregularidades no fueron perdonadas, pero en ella reside un encomiable intento de contentar al aficionado. Enjoy! Prevente "Dosieres desde El Calabozo #2: John Carpenter": https://panoartbookstienda.com/inicio/158-dosieres-desde-el-calabozo-n2-john-carpenter-maestro-de-maestros-ed-fisica.html Si te ha gustado el programa, recuerda que tienes la posibilidad de ayudar a El Calabozo del Reverendo Wilson dándole a "Me gusta". ¡Gracias y feed the cvlt!

Jessica and Mickey talk Widow's Bay, Backrooms, the newest Jackass, and other new releases. Then they dive into the absolute insanity that is Tobe Hooper's 1985 sci-fi horror Lifeforce!

It's 1985 and no one is ready for the majesty...Nick and Justin deliver a very balanced and mature treatise on Tobe Hooper's Space Vampire epic and barely talk about naked people. #horror #mathildamay #1985Post show song: SOMEONE LOW, a brand new song from the upcoming album THE CONTINUING FLOAT by The Wizard's Keys. (Nunziata, Murphy).  By the way, you can donate to this show in the link if you have more money than sense. You can follow on Insta and on Twit. You can also write a 5 star review on Apple Podcasts!Theme music by Nick Nunziata and Steve Murphy and their many bands can be heard on Soundcloud.

Hello and welcome back to another episode of B Bin Horror! On this week's episode we talk about the 1974 (NOT 1978) horror film, The Texas Chain Saw Massacre! Texas Chain Saw Massacre was produced, co-composed, co-wrote and directed by Tobe Hooper and stars Marilyn Burns, Paul A. Partain, Edwin Neal, Jim Siedow and Gunnar Hansen. On this week's episode we discuss the film and the impact it had on horror movies, we mess the date up the entire episode and we compare Leatherface's skull collection to Doug's skull collection. If you like what you hear please follow us on Instagram and Facebook @bbinhorror. You can also send us emails at bbinhorror@gmail.com and please don't forget to subscribe to B Bin Horror on whatever podcast platform you listen on!*B Bin Horror theme music - "Uprising" by Karl Casey @ White Bat Audio*

A radio station booth rattles with feedback and The Blind Rage Podcast cranks up THE TEXAS CHAINSAW MASSACRE, PART 2 (1986), where the '70s grit mutates into '80s carnival insanity. Fluorescent lights buzz, chili steam curls into the air, and suddenly Leatherface is revving a chainsaw like it's a love language. The grime is louder, the colors hotter, and Tobe Hooper turns the volume knob until it snaps clean off. Dennis Hopper storms through the chaos with wild eyed determination and a pair of chainsaws that look like they were purchased during a hardware store exorcism. Bill Moseley's Chop Top chatters and scrapes at his metal plate with that coat hanger, a sound so specific it practically scratches your own scalp. Meanwhile, Caroline Williams plants herself in the madness and refuses to blink. THE TEXAS CHAINSAW MASSACRE, PART 2 doesn't creep under the skin. It cannonballs straight into the bloodstream wearing neon and motor oil.

Summer continues as the ghouls visit the local carnival. Treats, rides, games, shows, and a whole lot of MURDER! Jacki and Marissa head to Coney Island for the 1970's schlock-fest Carnival of Blood . Then they tackle the Tobe Hooper 1981 Slasher-fest The Funhouse. Marissa dives into a little bit of the history of carnivals and amusement resorts, while Jacki easily solves the whodunit of the films and enjoys a funnel cake with the flatulator. Will Marissa eat too many fried treats for her own good? Will Jacki win that stuffed teddy bear? Will the Ghouls survive their night? Listen to find out... Learn more about your ad choices. Visit megaphone.fm/adchoices

A conversation many years in the making, John King and Shawn McKee reckon with the genre-bending oddity that is Tobe Hooper's Lifeforce (1985).

Holy head cheese! This week we're going back to 1974 and watching the original slasher classic THE TEXAS CHAINSAW MASSACRE. Next time we'll be watching SAVAGELAND (2005).Stay spoopy ya'll!Timestamps:00:00:26 Intro00:03:16 Start of Episode00:06:51 Tobe Hooper and the Texas Heat00:10:23 Everybody Hates Franklin00:12:48 Onset Mishaps and Money Mismanagement00:22:05 The Sequels00:28:18 Remakes and Re-don'ts (Small SPOILERS)00:38:21 Extended Cut Version00:42:29 Establishing the Slasher Genre and Its Legacy00:55:06 Run-Down00:56:19 SPOILERS01:27:58 Ratings01:35:20 Next Time: SAVAGELAND (Screambox and Tubi)01:43:37 GoodbyesThe Grindhouse Girls Podcast is created by Katie Dale and Brit Ray. This week's episode is edited by Katie Dale.Part of the Redacted Entertainment Network.Royalty free music used: Ready Set Go and Outro White SmokeCopyright 2020 Grindhouse Girls PodcastThis podcast uses the following third-party services for analysis: Podcorn - https://podcorn.com/privacy

Send us Fan MailEpisode 272 of the Hey You Guys Podcast is here, and this week, Liam and Rob look back at Tobe Hooper's B-movie love letter to the 1953 original, 1986's, Invaders from Mars. One of many 50s inspired B-movies from the 80s, does Tobe Hooper's, Invaders belong in the same conversation as 1988's, The Blob, or does it fail to recapture the magic of the 1950s original? Oh, and how bad can on-screen running get? Well, listen in via your podcast platform of choice to find out. 

Lee got busy with work this month so here's another easy playlist for your listening pleasure. This month's playlist features selections from the soundtracks of five films Lee has recently watched. Little talking, a bunch of cool music. What's not to love? Lee also talk a bit about the upcoming 100th episode of the show! --Ninna Nanna In Blu & 1970 from "The Cat O'Nine Tails" (1971) --Ennio Morricone & Edda Dell'Orso --Main/End Titles from "Eaten Alive" (1976) --Tobe Hooper & Wayne Bell --Cowboy from "Eaten Alive" (1976) --Al Bolt --Houston from "Eaten Alive" (1976) --Eddy Bailes --Down the Shore; I Just Wanna Have Some Fun, Baseball Rock; & Speed it Up from "Beach House" (1982) --Adam Roth and His Band of Men --Teenbeat from "The Loveless" (1981) --Sandy Nelson --Goodbye Baby & Wasting My Time from "The Loveless" (1981) --Robert Gordon --Perdita from "Wild at Heart" (1990) --Rubber City --Up in Flames from "Wild at Heart" (1990) --Koko Taylor Opening and closing music: Notre côté B from "Gina" by Michel Pagliaro, and Bubble Gum Girl from "Gas-s-s-s" by Johnny & The Tornados.

This month's movie was Masters of the Universe (no, not that one). Directed by Gary Goddard and released in 1987, this starred Dolph Lundgren, Frank Langella, and Courteney Cox, of all people. This episode features contributions from: (in order of appearance) Jason Connerley of Nerd's RPG Variety Cast (podcast) Joe Richter of Hindsightless (podcast) Goblin's henchman (podcast, blog) and the UmberBulk of the Southwest Sofa Crew Mirke the Meek (podcast) Karl Rodriguez of The GMologist Presents… (podcast, YouTube) Lex Mandrake of Dank Dungeons (YouTube, itch) Honourable mentions: Lifeforce dir. Tobe Hooper (1985), John Blanche (1948 - June 2026) Check of the Cerebravore review of Masters of the Universe (2026) If there's still time, you can back James Spahn's Blades of Power here https://www.kickstarter.com/projects/barrelridergames/retroquest?utm_source=substack&utm_medium=email Find the Movie Monday Letterboxd list here https://letterboxd.com/the39thman/list/movie-monday-1/ With Christopher Nolan's The Odyssey looming over the horizon, I felt this was the perfect opportunity to visit the ancient Greece of 1963 and the Ray Harryhausen classic Jason and the Argonauts, directed by Don Chaffey. That episode will air on July 25th, so please send in your submissions by the 27th if you'd like to be included in the show. Send submissions to ⁠spencer.freethrall@gmail.com⁠ or look me up on Discord as FreeThrall “Warning” by Lieren of Updates From the Middle of Nowhere Leave me an audio message via ⁠https://www.speakpipe.com/KeepOffTheBorderlands You can find me in a bunch of other places here ⁠https://freethrall.carrd.co⁠ This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit freethrall.substack.com

Something wicked cool this way comes.  Eric and Serling dare to enter Tobe Hooper's under-known 1981 fright fest.  Find out more about the movie that got him the gig directing "Poltergeist" a year later.  Enjoy DDSH's last movie of the Fs!Send us Fan Mail

Undead GORE - Recorded Live at Nerdtacular 2026!Wicked, Travis, and Dread talk about Tobe Hooper's 1982 classic, Poltergeist. We make some mistakes, the sound of silence, and everyone hears them live! Full Video on Patreon feed. Audio only everywhere else.Bonus feature content with Fae is audio only and will play directly after the live episode. Except on Patreon where it will be a separate post!For more content, become a Patron by going to Patreon.com/GORE13⁠ Check out our website created by Baumbie GOREpodcast.com or the new GORE Quick Sack!Follow the show on Bluesky @GOREpodcast.bsky.social Email the show at GOREpodcast13@gmail.com

This week, Tom and Dave take a trip through three movies that range from "pretty good" to "what the hell were they thinking?" First up is Tobe Hooper's least proud moment since Crocodile, The Toolbox Murders, a remake of the sick 70s slasher. Where a guy turns a trip to Home Depot into a murder spree. Then it's The Hearse, a movie that makes Dave and Tom switch opinions on the slow paced art house horror. Finally, they revisit Rage: Carrie 2, proving that the solution to teen bullying is apparently never therapy and always telekinesis. Enjoy!

Horror history gets iconic, aquatic, gothic, apocalyptic, and completely unhinged this week as This Week in Horror History travels through June 15–21 with motel terror, shark sequels, dark superhero nightmares, zombie blockbuster chaos, and one wild space-vampire cult classic that brings cosmic horror crashing down on Earth.This episode digs into a packed week of classic horror movies, cult horror, summer blockbusters, gothic comic-book horror, zombie disaster cinema, and 1980s Cannon Films madness, including the New York premiere of Psycho, the U.S. release of Jaws 2, the theatrical arrival of Batman Returns, the blockbuster zombie outbreak of World War Z, and the Deep-Cut Spotlight on Tobe Hooper's bizarre 1985 space vampire epic Lifeforce.Inside this episode:• Psycho rewrites the rules of horror moviegoing, turns the Bates Motel into a nightmare landmark, and makes one ordinary shower one of the most famous crime scenes in cinema.• Jaws 2 drags audiences back to Amity Island for more shark terror, seaside panic, and one of horror's most frustrating “nobody believes the guy who is right” sequel setups.• Batman Returns transforms Gotham into a twisted Christmas horror fairy tale full of sewer lairs, circus gangs, stitched leather, abandoned children, corporate monsters, Catwoman, and the Penguin.• World War Z reimagines the zombie apocalypse as global disaster cinema, with the undead moving less like slow corpses and more like a rushing human flood.• The Deep-Cut Spotlight goes to Lifeforce, Tobe Hooper's strange, ambitious, and deeply excessive Cannon Films cult classic about Halley's Comet, alien vampires, life-draining seduction, plague victims, and London falling apart under cosmic horror.Plus: a horror birthday roll featuring Courteney Cox, Laurie Metcalf, John Carl Buechler, and Nicole Kidman, a creepy look at how horror became a massive summer marketing event, and a weekly recommendation for Hammer's Dracula, also known as Horror of Dracula, starring Christopher Lee and Peter Cushing.From Norman Bates and shark-infested beaches to Gotham monsters, zombie swarms, Halley's Comet, space vampires, Hammer horror, and Cannon Films insanity, this week proves horror history can be classic, blockbuster-sized, cult, strange, seductive, and absolutely impossible to ignore.

The thing about filmmaker John Sayles is that he has done everything. Do you love Steven Spielberg's E.T. the Extra-Terrestrial or Tobe Hooper's Poltergeist? Sayles' unmade screenplay Night Skies is a piece of the source code for both classics. How about The Big Chill? Sayles' lovely Return of the Secaucus 7 (which he wrote and directed) investigated the curdling of the baby boomers' American dream long before Lawrence Kasdan took a crack at it. The man has been essential to the evolution of nearly every genre of American film, in one way or another. Ahead of TIFF Cinematheque's retrospective Declarations of Independence: The Cinema of John Sayles (curated by Adam Nayman and beginning this Thursday), we spoke with Sayles about this series and how they selected which films to screen. We also touch on his (hopefully) next film I Passed This Way, working with James Cameron, and which noir classics he's caught up with recently. Read more: https://thefilmstage.com/the-hard-work-is-in-the-screenwriting-john-sayles-on-resourceful-filmmaking-james-cameron-and-his-tiff-retrospective/

Imagine…travelling back to a time before the Internet…before Mountain Dew Livewire…and before the neo-post apocalypse…This Summer, Apocalypse Video asks the question: Where Were You In ‘82?The date is June 4th, 1982. Paul McCartney and Stevie Wonder are still on top of the charts with "Ebony and Ivory". And a film from Tobe Hooper and Steven Spielberg is about to shake up suburbia with some pesky ghosts and good old fashioned TV static.The film...is Poltergeist. And they're hereeee...Now!I'm your host, Dave, and joining me as we get ready to move into Phase IV of Cuesta Verde are fellow cinephiles and poltergeist hauntees Mike, Ryan, and Jackie.Topics of discussion in this episode include the charming nostalgia of 1982 suburbia, including a kids room completely decked out in Star Wars merch; Craig T. Nelson shows us the horrors of old school “clicker” remotes; and finally, we get into the Curse of Poltergeist and the film's enduring legacy…and how this curse may have just affected this very podcast…Be sure to rate, review and subscribe wherever you get your podcasts. You can also Like Us on Facebook, Follow Us on Instagram, or shoot us an email at apocalypsevideopod@gmail.com And as the Freeling family escapes Cuesta Verde (only to be haunted again four years later by a scary Quaker man) we too must leave the scary world of 80s Suburbia behind and go down south - waaaay south - to the frozen landscape of Antarctica. When Where Were You In ‘82 returns, we'll be amping up the paranoia and practical fx with John Carpenter's The Thing.

Garrett Chaffin-Quiray and Ed Rosa wonder if bears prefer eating old or young white dudes. Bon appétit, Bart!***Referenced media:“The Silence of the Lambs” (Jonathan Demme, 1991)“First Blood” (Ted Kotcheff, 1982)“Glengarry Glen Ross” (James Foley, 1992)“Once Were Warriors” (Lee Tamahori, 1994)“The Texas Chainsaw Massacre 2” (Tobe Hooper, 1986)“Road House” (Rowdy Herrington, 1989)“The Game” (David Fincher, 1997)“LA Confidential” (Curtis Hanson, 1997)“The Ice Storm” (Ang Lee, 1997)“U Turn” (Oliver Stone, 1997)“Boogie Nights” (Paul Thomas Anderson, 1997)“The Sweet Hereafter” (Atom Egoyan, 1997)“The Devil's Advocate” (Taylor Hackford, 1997)“Prometheus Rising” (Robert Anton Wilson, 1983) Audio quotation:“The Edge” (Lee Tamahori, 1997), including “End Title”, “The Edge”, “Rich Man”, and “Deadfall/Bear Fight” by Jerry Goldsmith, https://www.youtube.com/playlist?list=PLoTgadYyOMmYIku-y2NBhrY1nJE4WdBt_“Campfire by the Lake Ambience with Crickets, Owls, Water, & Night Sounds for Relaxation & Sleep” (2021), posted by Calmed by Nature, https://www.youtube.com/watch?v=9nBFKH3qhGE“First Blood” (Ted Kotcheff, 1982), including “Escape Route” by Jerry Goldsmith, https://www.youtube.com/playlist?list=PLA_6nw_SiTT23YKnzHA24tICcBsYJH-b1“Glengarry Glen Ross” (James Foley, 1992)“bolt action rifle sound effects” (2011), posted by MasterHand125, https://www.youtube.com/watch?v=STbDaAgcvsU“Glasses clinking sound #glass #cheers” (2025), posted by @sound_magic73, https://www.youtube.com/shorts/4VuUSk3xGos“Dersu Uzala” (Akira Kurosawa, 1975), including “Journal” by Isaak Shvarts, https://www.youtube.com/watch?v=6zNtQVYyC4M&list=RD6zNtQVYyC4M&start_radio=1

Leatherface is back, Chop Top won't shut up, Dennis Hopper has two chainsaws, and somehow The Texas Chainsaw Massacre 2 is celebrating 40 years of pure horror-comedy chaos.In this episode of Straitjacket Talk, we dive into Tobe Hooper's wild 1986 sequel and ask the big questions: Is this a misunderstood cult classic? Is Chop Top hilarious or unbearable? Did Leatherface get neutered by love? And why is Lefty just chainsawing random wood for half the movie?Join us for a long-form horror movie review full of gore, laughs, arguments, killer quotes, and one very deep hatred of Chop Top.

Jay and Mark are joined by Joey Lewandowski (@soulpopped on Instagram) to discuss the 1976 exploitation slasher horror film Eaten Alive. Directed by Tobe Hooper, and starring Neville Brand, Mel Ferrer, Carolyn Jones and oppressive red lighting, the movie focuses on a murderous hotel proprietor who feeds guests to his pet crocodile. In this episode, they also talk about Tobe Hooper's filmography, surrealistic twilight dream worlds, and animals in the Fast & Furious franchise. Enjoy!Make sure to listen to the 2 Fast 2 Forever: The Fast and Furious Podcast! It's a great time.

The Summer of 86 at 40 is a weekly retrospective journey through United States pop culture surrounding the films released in May, June, July and August of 1986. Brandon Peters, Scott Mendelson and Aaron Neuwirth take a weekend by weekend look at the films released as well as the news stories, commercials, television and music that rounded out the general public’s lives as they lined the pockets of the box office to see these movies. June 6-8, 1986: We aren’t quite to Arnold as king of the blockbuster yet, he has his hits and misses such as Raw Deal. Tobe Hooper joins us for the first of two films this summer in his Invaders From Mars remake. Suffering through My Little Pony is also worth it to get to spend time with Lea Thompson in Spacecamp! We’ll also be discussing the box office report, notable news stories, a 1986 commercial, the top 10 Nielsen rated tv programs for the week and the top 10 of Casey Kasem’s American top 40 from the week these films were released. Brandon Peters and the show are on Facebook and social media @brandon4kuhd. Subscribe to the YouTube channel for visual versions as well as 4k, Blu-ray, DVD reviews & additional material. Scott Mendelson is on social media @scottmendelson. Find his work on The Outside Scoop, The Box Office Podcast and Puck News Aaron Neuwirth is on social media @aaronsps4. Find his written work on weliveentertainment.com and podcasting at 2 Black Guys Talk Godzilla (@2blakckguystalkgodzilla) and on Out Now with Aaron & Abe (@outnowpod) Pres Maxson can be followed on social media @presmaxson and his novels are available on Amazon. More information and content available at thebrandonpetersshow.com. Please contact naptownnerd@gmail.com for any inquiries or opportunities.

A Multiple Returning Champion remakes a classic from his childhood in our final installment of Maylien Invasion 2: Resurgence. Uninvited neighbors try to take our and are thwarted by a 12 year old in Tobe Hooper's Invaders From Mars.Email: WeeklyPodcastMassacreInstagram: @WeeklyMassacreThreads: @WeeklyMassacreBluesky: @WeeklyMassacreMusic by Dora the Destroyer

It finally happened! After many years of doing this podcast, we both sat down and watched Tobe Hooper's The Texas Chain Saw Massacre... much to Sam's shock and disgust. And after enduring the scorching Texan Sun and the rank stench of questionable gas station BBQ, we thought we had the stomach to also watch the very divisive 1986 sequel. Let's just say it was a wild ride through the Lone Star State. Prize winning chilli, anyone...?Rate and review us, it's always appreciated. And of course... stay safe out there tonight.follow us:@scaringsam

Imagine…travelling back to a time before the Internet…before Mountain Dew Livewire…and before the neo-post apocalypse…This Summer, Apocalypse Video asks the question: Where Were You In ‘82?The date is May 21st, 1982. The theme for Chariots of Fire is climbing the charts as it inspires a generation of parody videos...and a little drama about 50s nostalgia is about to open wide and let the boomers relive their glory days.The film...is Diner. And it's open for business...Now!I'm your host, Dave, and joining me as we order another batch of gravy fries are fellow cinephiles and Diner regulars Mike and Ryan.Topics of discussion in this episode include Mickey Rourke paving the way in the 50's for 80's style hairdos; we debate the proper way to organize a record collection; and finally, we discover the origin of the “Dick in a Popcorn Bucket” gag, and whether or not Diner can claim it did it first.Be sure to rate, review and subscribe wherever you get your podcasts. You can also Like Us on Facebook, Follow Us on Instagram, or shoot us an email at apocalypsevideopod@gmail.com And as the boys of Diner realize their best years were spent watching some guy eat a whole restaurant's menu, we too must leave the 50's behind and return to the 80's to rid a house in the suburbs of some pesky ghosts with Tobe Hooper's, Poltergeist. See you then.

The squad drags special guest Steven from EHMON (RIP) to the carnival for Mike's chaotic pick, THE FUNHOUSE (1981)! Is this one of Tobe Hooper's most underrated gems? Can the movie make up its mind on whether it's a creature feature, slasher, or a surprisingly grim slice-of-life following carnival workers? And, most importantly…will Steven allow ANY criticism whatsoever to escape the big top tent? Tune in to find out if we gave this film a NAY, OKAY, YAY, or SLAY! CHAPTERS:Theme/Intro (00:00:00)What We Been Consuming?/Why We Picked It (00:02:22)Trailer (00:53:25)Synopsis/First Experiences (00:53:55)Review (01:02:02)Rating/What Did You Think? (01:55:30)Horrific Hotline (02:06:00)Promotions (Horrific Hotline/Social Media/Patreon/It Slays Podcast's Horrific Playlist/Events) (02:11:21)Upcoming Episode/Outro (02:14:52)Follow us on all social media:FacebookTwitterInstagramTumblrYoutubeTikTokSlasherThreadsBlueskyWant some official Merch?!SHOP HERE!*Intro & Outro Music by Dylan Bailey (IG: @thedylanbailey)*Support the show

Wicked, Travis, Fae, and Dread head off to Tobe Hooper's The Funhouse!I'm Funnel Caking Out! Cinnamon Toast Crunch on a Stick. There is No Cthulhu in This Motherflippin' Mansion. Duh Underscore. MST3k memories. Slow Speed Car Crash. Was the Ladybug Fine? Kevin Conway not Kevin Conroy. Everyone, Mr. Conway Twitty. I Cleaned Up Your Son Real Good. Only One Dance Sequence. Music Suspenders. A Little Less Useless. Do not dial that number. Suspenseful but infuriating. The Funhouse Slaughter. Waiting for the Monster to Show Up. I'll Take Creepy Rag Guy. For more content support us on Patreon at patreon.com/GORE13Check out our website created by Baumbie GOREpodcast.comFollow the show on Bluesky @GOREpodcast.bsky.social Email the show at GOREpodcast13@gmail.com

#WillDodson #Comebacks #Gloria Monti #MitchHamptonInside this episode with your host, Mitch Hampton:I enjoyed the discussion with Will Dodson so much that I had to have him back for a second episode. I think this might be one of the few podcast episodes wherein we mention figures as varied as Jimmy Stewart, Woody Strode, John Ford, Chuck Vincent, Gloria Swanson, Fred Olen Ray, Wes Craven and Pam Grier, but that is the kind of thing that can happen when Will and I come into contact. Not only was I happy that Gloria Monti brought the wonderful book that is Comebacks: The Return of the Aging Film Star (Wayne State UP, 2025) into our world that she co-edited with Martin Shinglerand. They bring the story of artists like Woody Strode to future generations but I can't help but feel that, speaking philosophically, the subject or concept of the comeback itself might be one that is most integral to all of the arts in any age. I hope you share in our enthusiasm on this one.Will's Bio and Links:Will Dodson is a writer and editor; film, rhetoric, and literature professor; audio commentary and visual essay producer .He is a Lecturer of Media Studies and co-editor of The Anthem Series on Exploitation and Industry in World Cinema, Foundations of Horror Studies (Manchester UP), and American Twilight: The Cinema of Tobe Hooper (University of Texas Press). His most recent essays are “One Thing About Time:' Woody Strode's Late Films,” included in Comebacks: The Return of the Aging Film Star (Wayne State UP, 2025)Links to Will's Social Media and works:LinkTree: @linktr.ee/willdodsonInstagram: https://www.instagram.com/wdodson52/Amazon Author Page ( link embedded)Additional links:Series Co-editor, The Anthem Series on Exploitation and Industry in World CinemaSeries Co-editor, Foundations of Horror StudiesCo-editor, American Twilight: The Cinema of Tobe Hooper#cinema #television #johnford #western #spaghettiwestern #expolitationmovie #blackploitation #pamgreir #jimmystewart #willaimholden #gloriaswanson #sunsetboulevard #billywider #silentmovie #1920s #1930s #1940s #1950s #1960s #1970s #1980s #1990s #directtovideo  #vhs #compactdisc #computer #bodymodification #lifeextension #genetics #race #civilrights #nativeamerican #indigenous #italy #horror #gothic #erotica #screamqueen #jimwynorski #jewelshepard #juliestrain #shannontweed #genesimmons #howardberger #bluray #restoration #jade #williamfriedkin #davidcaruso #lindafiorentino #eroticthriller #blackpanther #blackpanthers #fredwilliamson #jimbrown #jimkelly #larrycohen #joedante #jonathandemme #jonathankaplan #rogercorman #theater #thirdplace #jackiebrown #quentintarantino #robertforster #johntravolta #jackhill #claudiajennings #gatorbait #francisfordcoppola #stanleykubrick #spartacus #gorevidal #howardfast #plutarch #daltontrumbo #kirkdouglas #laurenceolivier #tonycurtis #jeansimmons #lisakudrow #hbomax #stream #sports #football #integration

Timecop (1994) Director: Peter HyamsCast: Jean-Claude Van Damme, Mia Sara, Ron Silver, Bruce McGillTime travel has been invented — and naturally, someone's already trying to weaponize it to steal an election. Welcome to Timecop, the 1994 JCVD action sci-fi spectacle where the mullets are questionable, the CGI is deeply committed to being bad, and the concept is actually way more interesting than it has any right to be.In this week's episode of Dewey Pod Monster, Sean and John strap in, hit 88 mph (or whatever the hell they use in this movie), and dive into one of Jean-Claude Van Damme's most enduring and most gloriously flawed films.In this episode, we discuss:Same Matter, Different Problems — The movie beats you over the head with its one rule of time travel — "the same matter can't occupy the same space at the same time" — exactly five zillion times, and somehow still makes a mess of it. We break down every paradox, plot hole, and moment where the logic completely waved goodbye and walked off a cliff.1994 Predicted Everything (Badly) — Ron Silver's corrupt senator wants to buy the presidency using time-stolen money and the power of television. In 2004. It's played as a sinister, far-fetched scheme. We... had some feelings about how eerily close to home that lands in 2025.The CGI Crimes of Our Time — From the rubber-faced time-warp tunnel sequences to the absolute train wreck of Ron Silver touching Ron Silver, this movie's visual effects are a special kind of ambitious failure. We discuss what a modern reboot could do with 30 extra years of technology — and why we'd actually show up for that.We Also Talked About:Body Count (1986) (Tubi)— Sean caught this Ruggero Deodato (of Cannibal Holocaust fame) Italian slasher set in an autumnal forest. Incoherent plot, Friday the 13th vibes that go completely off the rails, and a banger theme song by Claudio Simonetti that rivals Friday the 13th Part III. Charles Napier and David Hess show up. Available on Tubi if you're feeling adventurous.I'm Going to Be Famous (1983) (Ok.Ru) — A direct-to-video melodrama about aspiring actors gunning for their big break, featuring Dick Sargent (I Dream of Jeannie) as a theatrical director. It goes places. Specifically, it ends with a live on-air shooting and a farmer dad beaming with pride that his son is finally on TV. Sean does not heartily recommend it but cannot stop talking about it.Widow's Bay (Apple Tv)— A new Apple TV+ horror-comedy series starring Matthew Rhys (Perry Mason, The Americans) as the skeptical mayor of a cursed New England island. Sean is fully sold — it leans hard into the comedy and actually sticks the landing, which John argues is the only way a horror-comedy works. Eight episodes, dropping weekly.Electric Boogaloo: The Wild, Untold Story of Cannon Films (2014) (Youtube) — John calls this a high recommend for anyone who grew up watching late '70s and '80s action trash. A relentlessly entertaining documentary full of insane production stories, Golan and Globus being magnificently delusional, Tobe Hooper being surprisingly articulate, and more T&A than any non-pornographic documentary has any business containing. Pair with The Go-Go Boys but watch that one first.The Bride (2025) (Amazon) — Maggie Gyllenhaal directs this very loose Bride of Frankenstein retelling with Christian Bale and Jessie Buckley. Looks gorgeous. Both leads are great. Opens five storylines and closes exactly zero of them satisfyingly. Goth Moulin Rouge meets Bonnie and Clyde vibes. John is somewhere in the middle, but would absolutely watch a sequel.New episodes of the Dewey Pod Monster podcast drop every week. We're proud members of the YouRun Podcast Network.

A true scream queen, Janus Blythe has appeared in numerous horror films, but none more celebrated than Wes Craven's “The Hills Have Eyes.” Tune in to hear all about playing Ruby (the only compassionate member of Papa Jupe's cannibal clan), what it was like working with three iconic horror directors — Craven, Brian De Palma on “Phantom of the Paradise,” and Tobe Hooper on “Eaten Alive” — and what she really thought of Ruby's ending in “The Hills Have Eyes Part II.” Check out Janus Blythe's online store at https://janusblythe.bigcartel.com/ And join her fan page on Facebook at https://www.facebook.com/Blythdiva

Y'all know the drill... Happy BIG 4-0 to Schwarzenegger in one of his (deserved?) lesser-known vehicles RAW DEAL, and Tobe Hooper's equally (deserved?) memory-holed INVADERS FROM MARS.

On this episode of They Live By Film, Zach and Chris continue their deep dive into the career of the enigmatic Tobe Hooper. Youtube: https://www.youtube.com/@theylivebyfilmPunk Vacation: An Unofficial Vinegar Syndrome Podcast: https://podfollow.com/1760290937Adam's Letterboxd: https://letterboxd.com/TheOwls23/Adam's Bluesky: https://bsky.app/profile/adamlundy.bsky.socialZach's Letterboxd: https://letterboxd.com/dharmabombs/Chris' subreddit: https://www.reddit.com/r/personalhistoryoffilm

En compañía del actor Javier Botet dedicamos el programa a la mítica La matanza de Texas de Tobe Hooper. En esta nueva entrega de Par Impar, el programa sobre cine de esRadio, Juanma González y Dani Palacios reciben al actor Javier Botet para desgranar una de las obras más perturbadoras de la historia del séptimo arte: La Matanza de Texas (1974). Botet, cuya carrera se ha forjado dando vida a las criaturas más aterradoras del cine actual, aporta una visión privilegiada sobre la película de Tobe Hooper, calificándola como un ejercicio de puro sadismo cinematográfico. Una película rodada con presupuesto ínfimo, lo que paradójicamente potenció su impacto visual y emocional. Rodada en condiciones extremas durante un verano asfixiante en el estado de Texas, los actores tuvieron que lidiar con temperaturas superiores a los cuarenta grados, olores nauseabundos provenientes de esqueletos de animales reales y un agotamiento físico que traspasa la pantalla. Esta precariedad, lejos de ser un defecto, dotó a la producción de un realismo documental que incomoda al espectador moderno. Uno de los puntos centrales del debate es la figura de Leatherface, interpretado originalmente por Gunnar Hansen. Se analiza cómo este personaje rompió los moldes de los asesinos del cine de terror previo, presentándose no como un monstruo sobrenatural, sino como un matarife rudo y desequilibrado que opera bajo una lógica familiar perversa. La escena de su primera aparición, marcada por el golpe seco de un mazo y el posterior cierre violento de una puerta metálica, es descrita como una obra maestra del montaje y el diseño de sonido, donde el ruido industrial sustituye a las partituras convencionales para generar una angustia inmediata. La conversación también profundiza en el trasfondo social de la obra, conectándola con el trauma nacional provocado por la guerra de Vietnam. La Matanza de Texas funciona como una crítica mordaz a la sociedad estadounidense de los años setenta, mostrando la descomposición del sueño americano en las zonas rurales más olvidadas. El análisis se extiende a la influencia de Ed Gein en el guion y cómo esta historia de canibalismo familiar refleja un espíritu transgresor y sucio que también se puede rastrear en ciertos exponentes del cine español de la época, como La Semana del Asesino de Eloy de la Iglesia.

We're popping into your feed with a special episode this week; if you haven't heard horror movie podcast Spooko you're in for a treat. Each week Peach and Shag discuss a new horror film, and we're bringing you the episode that Alexei and Emmeline guested on to discuss the bonkers 1995 Tobe Hooper film The Mangler. Check out Spooko here: https://www.instagram.com/_spooko_/ Pick up tickets to Alexei's comedy festival tour of his new show VHS in 2026 (https://comedy.com.au/tour/alexei-toliopoulos/) Join Alexei & Cameron James presenting David Byrne's TRUE STORIES at the Sydney Opera House Saturday Film Club (https://www.sydneyoperahouse.com/vivid-live/saturday-film-club-true-stories) Follow ALEXEI TOLIOPOULOS on Letterboxd (https://letterboxd.com/thisisalexei/) for all the rental combo lists. Hit up the Last Video Store on instagram (https://www.instagram.com/lastvideostorebetoota/) for all of our guests picks

They're here… In this in-depth review of Tobe Hooper's Poltergeist, Casey and I break down one of the greatest horror films of all time. From the groundbreaking practical effects and that unforgettable “they're here” moment to the intense finale!https://youtu.be/RHTYFJjgSQIhttps://rumble.com/v793n6k-why-poltergeist-is-the-perfect-family-horror-movie-hack-the-movies.html

Send us a text or a voicemailIn 1930s Chicago, Frankenstein asks Dr. Euphronius to help create companions. They give life to a murdered group of former radio hosts, sparking arguments, occasional offensive remarks, and minor self growth. On Episode 717 of Trick or Treat Radio our feature film discussion is The Bride! from director Maggie Gyllenhaal! We also talk about the immense responsibility of remaking a horror classic, which shot on video horror is coming to streaming apps, and we react to trailers for Evil Dead Burn and Clayface. So grab your favorite Ronnie Reed film, get ready to hit the road for a monstrous adventure, and strap on for the world's most dangerous podcast!Stuff we talk about: Curry Barker, Texas Chainsaw Massacre, Obsession, insulting lifelong fans, Milk and Serial, wearing cheaters, The Legend of Sleepy Hollow, She, The Vanishing Shadow, Rattlers, A Touch of Evil, animal horror, Carnage, The Dark Half, Through the Woods, Jamie King, Mother's Day, Black Summer, Sin City, John Hannah, Blood Sweat and Terrors, The Mummy Returns, Circle of Fear, Twilight Zone, Poltergeist the Legacy, Ray Bradbury, Ian Wilson, Immortal or Immoral, William Shakespeare, Theater of Blood, Unmasked Part 25, Milo and Otis, Benicio del Toro, Sensei Sergio, Brian Paulin, Cryptic Plasm, Fawesome App, The Greasy Strangler, shot on video horror, New England Patreons, Tobe Hooper, Chris Rock, Saw: Spiral, David Gordon Green, Todd Sheets, Zombie Bloodbath, smuggling scratch tickets, Darren Lyn Bousman, Cannibal, Werner Herzog, The Mummy, Lee Cronin, Evil Dead Burn, The Last Stop in Yuma County, The Ventriloquist, Adams Family, The Glorious Dead, The Bride!, Mary Shelley, Maggie Gyllenhaal, Jessie Buckley, Christian Bale, Peter Sarsgaard, Penelope Cruz, Jake Gyllenhaal, Annette Bening, Natural Born Killers, Oliver Stone, Creature Commandos, Bonnie and Clyde, time traveling trains, “Timeless” Toni Storm, AEW, Hollywood starlets, Signal to Noise, Fever Ray, Vikings, True Detective, LongerLegs, Julia Ducournau, Alpha, Sorcerer, William Friedkin, To Live and Die in LA, Mark Kermode, Transformers: The Movie in 4K, you got a great ascot, Fawesome County Blues, The TikTok Chainsaw Massacre, Immoral Kombat, and Werner Herzog's Rock and Wrestling Connection.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

On this episode of They Live By Film, Zach and Chris continue their deep dive into the career of the enigmatic Tobe Hooper. Youtube: https://www.youtube.com/@theylivebyfilmPunk Vacation: An Unofficial Vinegar Syndrome Podcast: https://podfollow.com/1760290937Adam's Letterboxd: https://letterboxd.com/TheOwls23/Adam's Bluesky: https://bsky.app/profile/adamlundy.bsky.socialZach's Letterboxd: https://letterboxd.com/dharmabombs/Chris' subreddit: https://www.reddit.com/r/personalhistoryoffilm

Jeff and Brian continue their Horror Joy exploration of haunted houses by discussing the 1982 classic Poltergeist.They ask whether the film functions as a conservative celebration of the nuclear family's resilience or a quasi-Marxist critique of capitalism, unbridled consumerism, and television's pernicious influence on youth.They discuss the housing development's erasure of history by building over a cemetery without moving the bodies, highlight the implications of downward mobility during the Reagan era, and explore Douglas Keller's scholarship on the film deflecting attention from real-world suffering onto occult figures.They emphasize the isolating nature of suburban homogeneity and consider the film's messy narrative and contested authorship between Steven Spielberg and Tobe Hooper.

In DOLLY, a couple's romantic hike turns into a nightmare when they stumble across a mysterious hulking figure, dressed as a doll: dress, corn-yellow wig, and cracked porcelain mask.You've seen horror movies. Weirdos in the woods rarely bring good news.The woman, Macy (Fabianne Therese), is kidnapped by the gargantuan doll and brought to their house to live as the newest plaything. How will Macy escape? That's the flick.And it's at this point that I find myself wanting to stretch DOLLY into one of a few directions, kinda like how FRIDAY THE 13TH improved on its initial concept of "masked campground killer." Do we go into Dolly's psychology? Unlike Jason, there is internal conflict, gesticulated passionately in Max the Impaler's performance. Tender, though clumsy, maternal instincts clash with bratty, violent tantrums. Dolly seems to want to compensate for a love or stability they've clearly lacked in their own lives. I don't need a CHAINSAW MASSACRE kind of prequel, but I find myself drawn to this back-and-forth, wish to put Dolly in more situations to understand where they'd like to be as opposed to where they mentally are.We could also go for grimy gonzo. Director Rod Blackhurst wastes no time in treating body parts as a child would their macabre plastic graveyard of toys (My mind reverts to my son's decapitated board of Hungry Hungry hippos.) It's not just the gore, either. Blackhurst relishes in the disgust inherent within the dirtiest dollhouse on Earth. Just saying, there's a pacifier lying around that has to have the entire Hepatitis alphabet crawling all over it.The last direction we could borrow from Jason Voorhees? Unabashed silliness. DOLLY could uppercut a dude's head clean off and I wouldn't bat an eye. Some of this humor seems self-aware, poking a cheeky finger into the face of horror tropes. I wouldn't mind if DOLLY 2 further followed Tobe Hooper's example and eschewed its attempt at existential terror in favor of goofball parody.However, as it stands, the mixture leaves me unsatisfied. The movie's too bare-bones to flesh out its best character or relish in the nastiness. Macy simply makes the kind of decisions serving only to stretch out the runtime instead of providing an audience facsimile to root for. And by the sixth time Macy gains an upper hand only to allow Dolly the chance to get up and chase her again, I've rolled my eyes to the extent of twisting off their stalks.I don't endorse this movie. I endorse its potential. What's the saying? "Go write your first novel. When it's done, bury it in the backyard. Then, walk back inside and start work on your first novel."---DOLLY is now available to watch, buy or rent via video on demand.Follow The Movies on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Throw a couple dollars in the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠tip jar!⁠

The Dads revisit the legendary haunted house classic Poltergeist, exploring why it remains one of the most iconic horror movies of all time. Directed by Tobe Hooper and produced by Steven Spielberg, Poltergeist blends family drama, groundbreaking practical effects, and unforgettable scares that still resonate—especially for parents.In this review, we break down the film's legacy, the Spielberg vs. Hooper authorship debate, standout moments, and how Poltergeist helped redefine suburban horror in the 1980s.Follow Dads From the Crypt! Threads: @dadsfromthecryptTikTok: Dads From The Crypt-TokInstagram: @dadsfromthecrypt Patreon: https://www.patreon.com/DadsFromTheCrypt

1979's Salem's Lot (dir. Tobe Hooper) made quite an impact on Ricardo Delgado, and we're going to talk about it this week on Bride of Monster Kid Radio. Plus Listener Feedback, Mark Matzke's Beta Capsule Review (Ultraman Taro), and Kenny's Look at Famous Monsters of Filmland! Voicemail: (360) 524-2484 Email: monsterkidradio@gmail.com Monster Kid Radio on Patreon - https://www.patreon.com/c/monsterkidradio Monster Kid Radio on Twitch! - https://www.twitch.tv/monsterkidradio Monster Kid Radio on YouTube - http://youtube.com/monsterkidradio Follow Mark MatzkeMonster Study Group - https://podcasts.apple.com/us/podcast/monster-study-group/id1526013554 Small Town Monsters - https://www.smalltownmonsters.com Follow Ricardo DelgadoRicardo Delgado's Vampyre - A Horror Folktale - https://www.kickstarter.com/projects/cloverpress/vampyre-a-horror-folktale/ Ricardo Delgado on Instagram - https://www.instagram.com/ricardodelgadoart/ Classic Horror Film Board - https://classichorrorfilmboard.com/ Executive Producer - https://www.podcascadia.com/ Deth Designs - https://dethdesigns.bigcartel.com/ "Transylvania Dreamin'" (Transylvania Dreamin') provided courtesy of Jay Poisön and the Bat People https://jaypoisonandthebatpeople.bandcamp.com/ https://linktr.ee/jaypoisonandthebatpeople Bride of Monster Kid Radio is a Team Deth Production. All original content of Bride of Monster Kid Radio is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 4.0 International License. You can learn more about Team Deth, our other projects like Deth Merchant, Mail Order Zombie, Deth Writer, and more at www.teamdeth.com. Please rate and review Monster Kid Radio wherever you download your favorite podcasts. Next time on Bride of Monster Kid Radio: Follow us on Patreon to find out!