Podcasts about Son Lux

Oscar and Grammy-winning songwriter and composer Finneas O'Connell breaks down his journey into film composing and working with Oscar winning director Alfonso Cuarón on the hit miniseries DISCLAIMER. Finneas dives into his work with Billie Eilish and how it led to meeting Cuarón, the frightening first steps and self doubt of getting started (VENGEANCE and THE FALLOUT), and how his album FOR CRYIN' OUT LOUD came together so fast with a “jam session” model of musical collaborators. Plus, the backstory of submitting a 007 James Bond theme song for NO TIME TO DIE, and how he eventually found out that he and Billie Eilish got the gig and began working with Hans Zimmer. And why he is eager to collaborate with Rihanna and the band Cake.Plus, Finneas' most memorable experience performing on tour with Billie Eilish (post-hurricane in Mexico City without any access to power), and how Trent Reznor and Atticus Ross' THE SOCIAL NETWORK opened his eyes to what scoring could be.Interview by Kenny Holmes and Matt Schrader. Production coordination by Kyle Bales.Oscar-nominated experimental band/composing trio Son Lux joins Score after their breakout success on EVERYTHING EVERYWHERE ALL AT ONCE, and as their latest film, Marvel's THUNDERBOLTS*, releases in theaters.How the solo project from Ryan Lott led to working as a trio with Rafiq Bhatia, Ian Chang — incorporating unique electronic instrumentation with crafty sound design (including unique percussion approaches). What it's like living in three different cities as a band, working on albums, and coming off an indie project with The Daniels to help launch a new phase for Marvel — hence the asterisk in Thunderbolts*.Plus, getting the London Contemporary Orchestra to play “drunker” at Abbey Road, and finding the ideal balance of inner creative spark and broader collaboration on a major film. Interview by Kenny Holmes and Matt Schrader.For exclusive and 4K footage inside studios of your favorite composers, follow Score on YouTube Instagram, TikTok, Facebook and X.Score: The Podcast is presented by Vienna Symphonic Library. Check out Vienna Symphonic Library's collection of innovating libraries and samples — including their flagship Synchron Series, recorded at Vienna Synchron Stage, where hit films and shows for HBO, Disney, Star Wars, Marvel, Bear McCreary's score to Rings of Power on Amazon Prime Video, and many more are recorded. Check out Synchron Duality Strings libraries, or check out the free sample player, freebie libraries and demos at http://vsl.co.atTo learn more about recording at Vienna Synchron Stage, visit http://synchronstage.comScore: The Podcast is a presentation of Epicleff Media and is produced by Holmes Productions.

A group of disposable delinquents band together to push back the void and save New York City.Are You Just Watching?Episode 161: Thunderbolts*Music by Son Lux.For the full show notes please visit areyoujustwatching.com/161Consider helping out our fellow CPC member recover from Hurricane Helene.Share your feedback!We would like to know, even if just your reactions to the trailer or the topics we shared in this episode. Or what general critical-thinking and entertainment thoughts or questions do you have? Would you like to suggest a movie or TV show for us to give a Christian movie review with critical thinking?Comment on the show notesCall (513) 818-2959 to leave a voicemailEmail feedback@AreYouJustWatching.com (audio files welcome)Join our Facebook discussion group.Join our Discord server.Marvel's Thunderbolts* presents a captivating exploration of flawed characters who, despite their dubious pasts, unite to confront the void threatening New York City. This cinematic offering prompts a profound examination through a Christian lens, particularly regarding themes of redemption and identity. Our discussion delves into the intricate dynamics between reputation and self-perception, particularly as it pertains to the characters' struggles with their moral complexities. We will critically assess the film's portrayal of mental health, notably its candid examination of depression and the characters' journeys towards seeking support from one another. Ultimately, we offer insights on the implications of these themes for the Christian worldview, emphasizing the necessity of relying on divine strength amid our human frailties.Takeaways:The film Thunderbolts* presents a nuanced exploration of mental health and depression, highlighting the struggles of its characters in a manner that reflects the complexities of real life.The characters in Thunderbolts* serve as a microcosm for contemporary societal issues, particularly the theme of redemption and how it is often fraught with complications and moral ambiguity.Through the lens of a Christian worldview, we can discern that the film's portrayal of flawed heroes mirrors the biblical narrative of human imperfection and the need for divine grace.The movie's exploration of identity versus reputation resonates deeply, suggesting that true identity is found in Christ rather than in societal labels or past actions, and true Christians do not identify themselves by their sins but by who they are in Christ.

A group of disposable delinquents band together to push back the void and save New York City.Are You Just Watching?Episode 161: Thunderbolts*Music by Son Lux.For the full show notes please visit areyoujustwatching.com/161Consider helping out our fellow CPC member recover from Hurricane Helene.Share your feedback!We would like to know, even if just your reactions to the trailer or the topics we shared in this episode. Or what general critical-thinking and entertainment thoughts or questions do you have? Would you like to suggest a movie or TV show for us to give a Christian movie review with critical thinking?Comment on the show notesCall (513) 818-2959 to leave a voicemailEmail feedback@AreYouJustWatching.com (audio files welcome)Join our Facebook discussion group.Join our Discord server.Marvel's Thunderbolts* presents a captivating exploration of flawed characters who, despite their dubious pasts, unite to confront the void threatening New York City. This cinematic offering prompts a profound examination through a Christian lens, particularly regarding themes of redemption and identity. Our discussion delves into the intricate dynamics between reputation and self-perception, particularly as it pertains to the characters' struggles with their moral complexities. We will critically assess the film's portrayal of mental health, notably its candid examination of depression and the characters' journeys towards seeking support from one another. Ultimately, we offer insights on the implications of these themes for the Christian worldview, emphasizing the necessity of relying on divine strength amid our human frailties.Takeaways:The film Thunderbolts* presents a nuanced exploration of mental health and depression, highlighting the struggles of its characters in a manner that reflects the complexities of real life.The characters in Thunderbolts* serve as a microcosm for contemporary societal issues, particularly the theme of redemption and how it is often fraught with complications and moral ambiguity.Through the lens of a Christian worldview, we can discern that the film's portrayal of flawed heroes mirrors the biblical narrative of human imperfection and the need for divine grace.The movie's exploration of identity versus reputation resonates deeply, suggesting that true identity is found in Christ rather than in societal labels or past actions, and true Christians do not identify themselves by their sins but by who they are in Christ.

Min 4. TIERRAS PERDIDAS Tierras perdidas es una ambiciosa pero fallida incursión en la fantasía oscura dirigida por Paul W.S. Anderson, basada en un relato de George R.R. Martin. La historia gira en torno a Gray Alys (Milla Jovovich), una hechicera solitaria y temida, contratada por una reina para adentrarse en un mundo hostil y conseguir un poder antiguo capaz de transformar a las personas en hombres lobo. Acompañada por Boyce (Dave Bautista), un mercenario de pasado incierto, Alys recorre un paisaje post apocalíptico poblado por monstruos, guerreros salvajes y dilemas morales sobre el precio del deseo. Una mezcla desigual que ha destapado la ira de Alberto LÑuchini que, después de mucho tiempo, desempolva la nota más baja de nuestro filtro. NOTA EDC: 0 (BOLA NEGRA) Min 13: UNA QUINTA PORTUGUESA Una quinta portuguesa, dirigida por Avelina Prat, se adentra en los recovecos de la identidad y la búsqueda de redención. Tras su aclamada ópera prima "Vasil", Prat presenta una historia que combina drama y misterio, explorando las complejidades del alma humana. Fernando (Manolo Solo), un profesor de geografía devastado por la desaparición de su esposa, decide abandonar su vida anterior y asumir la identidad de otro hombre para trabajar como jardinero en una quinta en el norte de Portugal. Allí, entabla una relación con Amalia (Maria de Medeiros), la enigmática propietaria de la finca, y con Rita (Rita Cabaço), la encargada de las tareas domésticas. NOTA EDC: 3,5 estrellas MIn 19: ENEMIGOS Dirigida por David Valero, Enemigos es un drama urbano que aborda la violencia juvenil y las complejidades de las relaciones marcadas por el acoso y la venganza. La historia se centra en Chimo (Christian Checa) y El Rubio (Hugo Welzel), dos adolescentes de un barrio obrero que han crecido siendo víctima y acosador, respectivamente. Su relación, marcada por el odio y el resentimiento, da un giro cuando Chimo ve la oportunidad de vengarse. Sin embargo, las consecuencias de sus acciones los llevarán a ambos por un camino inesperado de reflexión y transformación. NOTA EDC: 3 estrellas Min 24: PRESUNCIÓN DE INOCENCIA Drama judicial francés dirigido y protagonizado por Daniel Auteuil, que adapta relatos del abogado penalista Jean-Yves Moyart, conocido como Maître Mô, y se adentra en las complejidades del sistema judicial francés. Jean Monier (Daniel Auteuil), un abogado veterano, ha decidido no aceptar más casos criminales tras la absolución de un asesino reincidente que luego volvió a matar. Sin embargo, su vida da un giro cuando conoce a Nicolas Milik (Grégory Gadebois), un padre de familia acusado de asesinar a su esposa. NOTA EDC: 2,5 estrellas Min 27: TODO ESTO PASARÁ Película española que supone un cambio de registro de la directora María Ripoll, que adapta la compleja novela homónima de Milena Busquets, que explora el duelo desde una perspectiva luminosa y personal. Blanca, una mujer de cuarenta años, enfrenta la reciente pérdida de su madre, una figura influyente en su vida. Para sobrellevar el dolor, decide refugiarse en la casa familiar de Cadaqués durante el verano. Allí, entre encuentros con amigos, amantes y recuerdos, Blanca busca sentido a su nueva realidad. NOTA EDC: 2,5 estrellas. Min 31: LA LLEGADA DEL HIJO Interesante drama hispano-argentino dirigido por Cecilia Atán y Valeria Pivato, que explora los límites del amor materno y la posibilidad del perdón en circunstancias extremas. Sofía (Maricel Álvarez) ha vivido durante años sumida en un duelo silencioso, marcado por un profundo secreto. La inesperada llegada de su hijo Alan (Angelo Mutti Spinetta), tras cumplir una condena en prisión por un trágico accidente, la obliga a enfrentarse a heridas no cicatrizadas. NOTA EDC. 3 estrellas Min 33: LA PELÍCULA DE TU VIDA, CON AGUSTÍN DURÁN Compensamos la cartelera irregular de esta semana llamando a la puerta de un gran cinéfilo y uno de los mejores cómicos de nuestro país. Cómplice necesario de la parrilla de Radio CLM, Agustín Durán, nos va a desvelar no sólo cuál es la película que ha marcado su vida sino la que determinó su apuesta vital y exitosa por el humor. Min 36: BSO THE THUNDERBOLTS (LOS NUEVOS VENGADORES) Y en el diván de la música de cine, para celebrar el éxito de la necesaria reformulación del universo superhéroes, le hemos propuesto a Ángel Luque comprobar si en la banda sonora de los irregulares y trastabillados Thunderbolts se aprecia también ese viraje, ese cambio de tercio que le ha sentado también al universo Marvel, que pasa de la firma reconocible y exitosa de Alan Silvestri en los primeros Vengadores, a una apuesta más innovadora como la del grupo americano Son Lux. NOTA EDC: 3 estrellas

Corner Booth at Rex'sOur newest Corner Booth at Rex's is on the newest MCU entry, Thunderbolts! Get ready for a ton of comparisons to Guardians of the Galaxy because they are warranted. Troy meanders his way through a painful example of how the Thunderbolts are like the Celtics as if he were Bill Simmons. We also spend some time on the incredible score by Son Lux, even though we forgot to mention them by name.  Intro/Outro music by friend of the podcast Seth Gilbertson.Find more music at iTunes (⁠https://music.apple.com/us/artist/seth-gilbertson/1155231950⁠)and YouTube (⁠https://www.youtube.com/user/sethgilbertson/videos⁠)

Nueva entrega cinematográfica del MCU, y le toca a uno de los equipos con más cambios de concepto a lo largo de las décadas en Marvel, los Thunderbolts. ¿Cómo? ¿Que ahora son los New Avengers? Bueno, eso quedará para más adelante. Mucha gente dice que los Thunderbolts son el Suicide Squad de Marvel, mientras que otros se quejan con los cambios al concepto original; o sea, villanos haciéndose pasar por héroes en un principio, con la mayoría del equipo agarrándole el gustito al heroísmo y pasándose de bando. En un Orígenes Secretos repasamos todas las encarnaciones de los Thunderbolts, desde ese primer grupo, pasando por versiones netamente escuadronsuicidistícas, hasta equipos paramilitares de antihéroes o héroes con algún tono de gris. Spoiler: son más parecidos al Suicide Squad desde casi al principio de lo que la gente piensa. Además, un poquito sobre la historia de Sentry. Después si, hacemos la RE: seña de la película que pone a Yelena Belova como protagonista, con un elenco de secundarios, quizá salvo por Bucky, quien igual toma un rol menor que el de ella aquí. ¿Funciona sin más grandes estrellas previas al MCU? ¿Entretiene? ¿Hay alguna sorpresa? Veremos. Terminamos el programa leyendo los primeros cuatro números del comic original de Thunderbolts (1997), por Kurt Busiek y Mark Bagley, para ver si el concepto original era tan efectivo como dicen. Con música de The Snake Charmer (interpretando a AC/DC), Son Lux, Joey Scarbury (interpretando a Mike Post & Stephen Geyer), y Green Day. Próximo programa: El Eternauta (T1) / Entrevista a Hernán Carreras (Diseño 3D en El Eternauta).

Oscar-nominated experimental band/composing trio Son Lux joins Score after their breakout success on EVERYTHING EVERYWHERE ALL AT ONCE, and as their latest film, Marvel's THUNDERBOLTS*, releases in theaters.How the solo project from Ryan Lott led to working as a trio with Rafiq Bhatia, Ian Chang — incorporating unique electronic instrumentation with crafty sound design (including unique percussion approaches). What it's like living in three different cities as a band, working on albums, and coming off an indie project with The Daniels to help launch a new phase for Marvel — hence the asterisk in Thunderbolts*.Plus, getting the London Contemporary Orchestra to play “drunker” at Abbey Road, and finding the ideal balance of inner creative spark and broader collaboration on a major film.Interview by Kenny Holmes and Matt Schrader.For exclusive and 4K footage inside studios of your favorite composers, follow Score on YouTube Instagram, TikTok, Facebook and X.Score: The Podcast is presented by Vienna Symphonic Library. Check out Vienna Symphonic Library's collection of innovating libraries and samples — including their flagship Synchron Series, recorded at Vienna Synchron Stage, where hit films and shows for HBO, Disney, Star Wars, Marvel, Bear McCreary's score to Rings of Power on Amazon Prime Video, and many more are recorded. Check out Synchron Duality Strings libraries, or check out the free sample player, freebie libraries and demos at http://vsl.co.atTo learn more about recording at Vienna Synchron Stage, visit http://synchronstage.comScore: The Podcast is a presentation of Epicleff Media and is produced by Holmes Productions.

It's a Thunderbolts* special on our latest episode of Soundtracking, as first director Jake Schreier and then composers Son Lux join us to discuss the music of the latest installment of the MCU franchise. Thunderbolts* tells the story of an unconventional team of Marvel antiheroes - Yelena Belova, Bucky Barnes, Red Guardian, Ghost, Taskmaster and John Walker - who embark on a dangerous mission that forces them to confront the darkest corners of their pasts - while, of course, attempting to save the world in the process.

THUNDERBOLTS OUT OF THEATER REVIEW!! Play War Thunder now with my links, and get a massive, free bonus pack including vehicles, boosters and more on PC/console and mobile: PC/Console: https://playwt.link/reelrejects | Mobile: https://wtm.game/reelrejects Marvel Studios Thunderbolts Out of Theater Reaction! John Humphrey & Roxy Striar share their out-of-theater review after attending the IMAX screening of Marvel Studios' Thunderbolts! We dive into the emotional character journeys, fresh team dynamics, Florence Pugh's standout performance as Yelena Belova (Black Widow, Midsommar), Wyatt Russell as U.S. Agent (Falcon and the Winter Soldier, Overlord), Sebastian Stan as Bucky Barnes/Winter Soldier (Captain America: The Winter Soldier, Pam & Tommy), David Harbour as Red Guardian (Stranger Things, Black Widow), Hannah John-Kamen as Ghost (Ant-Man and the Wasp), Lewis Pullman as Sentry (Top Gun: Maverick, Bad Times at the El Royale), and Julia Louis-Dreyfus as Valentina Allegra de Fontaine (Veep, Seinfeld). We talk about the refreshing ensemble chemistry, the Winter Soldier tone, character arcs, standout hand-to-hand action, the surprising emotional depth, Son Lux's incredible score (Everything Everywhere All at Once), and how Thunderbolts successfully balances humor, sadness, and thrilling combat. We also cover how the movie breaks away from Suicide Squad comparisons and carves out its own space in the MCU, discussing the thoughtful story beats and how it fits into the larger Marvel narrative. We had Deadpool & Wolverine, Agatha All Along, Daredevil Born Again, & Captain America Brave New World --upcomng is Eyes of Wakanda, Spider-Man 4, Ironheart, Blade, Fantastic Four, Avengers: Doomsday, Avengers Secret Wars, Wonder Man, Vision, & MORE! PATREON: https://www.patreon.com/thereelrejects Follow Roxy Striar YouTube:https://www.youtube.com/@TheWhirlGirls Instagram: https://www.instagram.com/roxystriar/?hl=en Twitter:  https://twitter.com/roxystriar Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

"Thunderbolts*" marks a potentially major turning point within the MCU as it brings a group of anti-heroes together to face a new threat and forces them to confront the darkest corners of their pasts. The marketing has been called out for its A24 style, with particular early positive reactions directed towards the cast and director Jake Schreier's more grounded approach to the filmmaking. Schreier and the film's Oscar-nominated composers, Ryan Lott, Rafiq Bhatia, and Ian Chang (otherwise known as "Son Lux"), were all kind enough to spend some time speaking with us about their work and experience making the film, which you can listen to below. Please be sure to check out the film, which is opening in theaters on May 2nd from Marvel Studios and Walt Disney Studios Motion Pictures. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

New York composer and guitarist Rafiq Bhatia is part of the art rock band Son Lux, the experimental trio best-known for scoring the film Everything Everywhere All At Once. His new EP – his first new solo project in 5 years - features pianist and improviser Chris Pattishall and is called Each Dream, A Melting Door. In their electro-acoustic songs, Rafiq alters the audio output from his guitar in real time with effects software, while Chris responds at the keyboard - although sometimes Chris will lead the exploration. ("It's basically a set of works for a piano that sounds like a piano and a guitar that sounds like anything and everything else", -John Schaefer.) The longtime friends and collaborators play some of their filmic, sculpted, and evolving soundscapes, in-studio.  Set list: 1. Occlusion 2. Ijen 3. Supplicant

We update our list of the year's best songs with a Tamino-Mitski collaboration, Son Lux's first new music since scoring Everything Everywhere All At Once, new Circuit des Yeux and more.Featured artists and songs:1. Shura: "Recognise," from I Got Too Sad For My Friends2. Tamino, Mitski: "Sanctuary," from Every Dawn's a Mountain3. Julien Baker & Torres: "Sugar in the Tank" (single)4. Flora From Kansas: "The Ghost is Me," from Homesick5. Circuit des Yeux: "Megaloner," from Halo On The Inside6. Son Lux: "Cocoon," from Risk of Make BelieveEnjoy the show? Share it with a friend and leave us a review on Apple or wherever you listen to podcasts. Questions, comments, suggestions or feedback of any kind always welcome: allsongs@npr.org Hear the songs in the All Songs Considered playlists in Apple Music and Spotify.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Great drummer and composer Ian Chang solo artist and member of indie rock trio Son Lux, … The post ANFTD #118: Ian Chang first appeared on Greenleaf Music by Dave Douglas.

Repasamos el nuevo disco en solitario del músico británio (ex líder del grupo Wild Beasts) comentado por él mismo.En el programa de hoy también sonaron nuevas canciones de The Smile, Son Lux, Tarwater, Ben Böhmer, Justice, Future Ark, Carlangas (con Russian Red) y Baiuca.Escuchar audio

Gems, flops, and a new relationship with your moviegoer. This week, we're talking about A24 and the future of filmmaking. SOURCES: ⁠https://www.economist.com/culture/2022/09/01/the-rise-and-rise-of-a24-a-champion-of-storytelling-on-screen⁠ ⁠https://podcasts.apple.com/us/podcast/into-it-a-vulture-podcast-with-sam-sanders/id1634687152?i=1000574986502⁠ ⁠https://www.vulture.com/article/a24-movies-ranked.html⁠ ⁠https://en.wikipedia.org/wiki/A24#Notes⁠ ⁠Cinema Is Not Dead: The Rise Of A24 – COMICON⁠ ⁠From Moonlight to Zola — the rise and rise of indie film studio A24 | Financial Times⁠ ⁠https://www.rollingstone.com/culture/culture-news/a24-halloween-costumes-inspiration-tiktok-1234619854/⁠ ⁠https://www.theverge.com/2022/10/31/23433548/friday-the-13th-a24-bryan-fuller-crystal-lake-peacock-prequel⁠ This Is A Life" (Son Lux, Mitski, David Byrne).

A lot of what has transpired in Ryan Lott's life as a musician has been unexpected, mainly in as much as his unfearing forays into the potentiality of his medium has expanded his zone of interest, and that of his band Son Lux. The gumption of Son Lux has landed them in some unusual places, not least of which was at the helm of scoring one of the most unusual films ever made – Everything Everywhere All at Once. Listen along as Lott gets open about being a part of the first ever Oscar nominated band for best score, and the choices he made to get there, and beyond. 

Today we discuss media production with founder of Four/Ten Media, Evan Chapman.   Based in Philadelphia, Evan Chapman is a percussionist, composer, and filmmaker who has built a prolific and unique career by seamlessly blending multimedia and contemporary music. Chapman is a founding member of contemporary-classical percussion trio/rock band Square Peg Round Hole, whose original compositions have been dubbed a “creative adventure” by Bob Boilen (NPR) and have received further acclaim from Modern Drummer Magazine, Paste Magazine, and Mental Floss, among others.   FOUR/TEN MEDIA is a production company born from the partnership between filmmakers/percussionists Kevin Eikenberg and Evan Chapman. Kevin and Evan's unique background as classically trained percussionists has allowed the duo to create fresh and musically authentic visual representations of works in the contemporary classical and pop worlds. Four/Ten's client list includes internationally-acclaimed artists such as the New York Philharmonic, Steve Reich, Caroline Shaw, the Bang on a Can All-Stars, Sō Percussion, David Lang, Son Lux, Alarm Will Sound, The Crossing Choir, Third Coast Percussion, and many more. Their work has been featured by major press outlets including The New York Times, Alternative Press, NPR, Mental Floss, Paste Magazine, Q2 Music, and I Care if You Listen, among others.   Evan is sponsored by Zildjian Cymbals, Vic Firth Drumsticks, Evans Drumheads, and SJC Custom Drums.   https://fourtenmedia.net/ https://www.evanmchapman.com/ https://www.instagram.com/evanmchapman/?hl=en https://youtube.com/evanmchapman Four/Ten Media (2024 Reel) Music for Wood and Strings  

Listen to us as we discuss the 2022 film Everything Everywhere All at Once. If you like what you hear, and/or would like to give us feedback on how we're doing, follow us at:⁠ https://beacons.ai/senornerdpodcast ⁠⁠   / senornerdpodcast   ⁠@senornerdpod on Twitter Everything Everywhere All at Once is a 2022 American absurdist science-fiction comedy-drama film written and directed by Daniel Kwan and Daniel Scheinert, who produced it with Anthony and Joe Russo and Jonathan Wang; the film incorporates elements from a number of genres and film mediums, including surreal comedy, science fiction, fantasy, martial arts films, immigrant narrative, and animation. Michelle Yeoh stars as Evelyn Quan Wang, a Chinese-American immigrant who, while audited by the IRS, discovers that she must connect with parallel universe versions of herself to prevent a powerful being from destroying the multiverse. The film also stars Stephanie Hsu, Ke Huy Quan, Jamie Lee Curtis, Jenny Slate, Harry Shum Jr., and James Hong in supporting roles. Kwan and Scheinert began work on the project in 2010. Production was announced in 2018, and principal photography ran from January to March 2020. The filmmakers initially sought Jackie Chan for the lead role before the script was revised to feature a female protagonist as part of a wife-husband duo. The works of Hong Kong film director Wong Kar-wai, as well as the children's book Sylvester and the Magic Pebble and the video game Everything, served as inspiration for several scenes. The soundtrack features compositions by Son Lux, including collaborations with Mitski, David Byrne, André 3000, John Hampson, and Randy Newman. The film explores philosophical themes such as existentialism, nihilism, surrealism, and absurdism, as well as themes such as neurodivergence, depr2ession, generational trauma, and Asian American identity. Everything Everywhere All at Once premiered at South by Southwest on March 11, 2022, and began a limited theatrical release in the United States on March 25, 2022, before a wide release by A24 on April 8. The film grossed over $141 million worldwide, becoming A24's highest-grossing film. It garnered widespread critical acclaim, gained a large cult following, and was a success at the 95th Academy Awards, winning a leading seven awards out of eleven nominations: Best Picture, Best Actress for Yeoh, Best Supporting Actor for Quan, Best Supporting Actress for Curtis, Best Director and Best Original Screenplay for Kwan and Scheinert, and Best Film Editing. It also won two Golden Globe Awards, five Critics' Choice Awards (including Best Picture), a BAFTA Award, a record four SAG Awards (including Best Ensemble), a record seven Independent Spirit Awards (including Best Feature), and swept the four major guild awards (DGA, PGA, SAG, and WGA). With 266 awards out of 405 nominations, Everything Everywhere All at Once is currently estimated to be the most awarded film of all time.

Brooklyn-based Pathos Trio consists of two percussionists - Marcelina Suchocka and Felix Reyes and keyboardist/composer Will Healy- all of whom are equally capable of playing acoustic chamber music or darker-hued electronically-altered sounds. The trio's new album is called Polarity, and it's a collection of works specifically written for the Pathos Trio by several composers - drummer/composer Ian Chang of Son Lux; percussionist and member of the International Contemporary Ensemble Clara Warnaar; and digital and electronic composer Phong Tran among them - with nods to alternative rock, progressive/black metal, minimalism, and electronic synthwave. The trio performs some of these newly-commissioned works, in-studio. Set list: "Mega Cicada" by Ian Chang; "Home/Gone" by Clara Warnaar; "Split" by Phong Tran

This week, Son Lux returns with Alternate Forms, the band's first new album since releasing its beloved score to the film Everything Everywhere All At Once. To mark the occasion, we're sharing an encore presentation of our interview with Son Lux frontman Ryan Lott about how the band managed to score one of the most awarded — and bonkers — films of all time.This interview originally ran on Feb. 20, 2023.

Join Rain on LaunchLeft today as they welcome Oscar-nominated Son Lux to kick off Qasim Naqvi's launch. Tune in for an engaging conversation with Ryan, Ian, Rafiq, and Qasim Naqvi as they discuss their unique experiences and creative processes in music-making. This versatile group excels as a live band, studio recording artists, and composers, embracing various aspects of the art they cherish. As a special treat, you'll have the privilege of hearing Qasim Naqvi's captivating performance of "The Curve" at the end of the episode. -----------------  LAUNCHLEFT OFFICIAL WEBSITEhttps://www.launchleft.com  LAUNCHLEFT PATREON https://www.patreon.com/LaunchLeft  TWITTER https://twitter.com/LaunchLeft  INSTAGRAM https://www.instagram.com/launchleft/  FACEBOOK https://www.facebook.com/LaunchLeft  --------------------- LaunchLeft Podcast hosted by Rain Phoenix is an intentional space for Art and Activism where famed creatives launch new artists. LaunchLeft is an alliance of left-of-center artists, a curated ecosystem that includes a podcast, label and NFT gallery. --------------------- IN THIS EPISODE: [02:23] Ryan tells how he and Rafiq came to collaborate.  [08:25] Ian explains how they became composers for Everything, Everywhere, All At Once.  [10:26] Rafiq shares what they have been working on recently.  [12:39] Ryan comments on the reward versus the work and how the work won out.  [17:42] Qasim Naqvi reveals how he met the members of Son Lux, and they all reflect on their times together.  [25:02] Ryan talks about how their music is visual, and Qasim Naquiv discusses the modular synthesis while they land on making music with what they have.  [40:03] Listen to “The Curve” by Qasim Naqvi.    KEY TAKEAWAYS:  The difference between performing on stage and recording in a studio is night-and-day. When you find like-minded artists who appreciate each other's talents, you have a winning combination. Sometimes it’s the accident that makes the music. It’s called working with what you have.   BIOGRAPHIES::  SON LUX BIO: From the start, Son Lux has operated as something akin to a sonic test kitchen. The Academy Award® and BAFTA-nominated band strives to question deeply held assumptions about how music is made and reconstruct it from a molecular level. What began as a solo project for founder Ryan Lott expanded in 2014, thanks to a kinship with Ian Chang and Rafiq Bhatia too strong to ignore. The trio strengthened their chemistry and honed their collective intuition while creating, releasing, and touring six recordings, including Brighter Wounds (2018) and the triple album Tomorrows (2021). The result is a carefully cultivated musical language rooted in curiosity and balancing opposites that largely eschews genre and structural conventions. And yet, the band remains audibly indebted to iconoclastic artists in soul, hip-hop, and experimental improvisation who themselves carved new paths forward. Distilling these varied influences, Son Lux searches for an equilibrium of raw emotional intimacy and meticulous electronic constructions. Son Lux has most recently scored the new Daniels film for A24, Everything Everywhere All at Once (March 2022). The full score album features new collaborations with Mitski, David Byrne, Randy Newman, and Moses Sumney, among others. Based in New York, Rafiq Bhatia is the first-generation American son of Muslim immigrant parents who trace their ancestry to India through East Africa. Early influences such as Jimi Hendrix, John Coltrane, and Madlib—as well as mentors and collaborators including Vijay Iyer and Billy Hart—prompted him to see music as a way to actively shape and represent his own identity, not limited by anyone else’s prescribed perspective. When Ian Chang describes his creative process, the phrase "third culture” keeps coming up. Born in the colony of Hong Kong in 1988, Chang has lived a nomadic life. Stationed out of New York for ten years and since relocated to Dallas, Texas, he built an impressive roster of progressive pop collaborators such as Moses Sumney, Joan As Policewoman, and Matthew Dear, among others, all while performing internationally and recording as a member of Son Lux and Landlady. Ryan Lott makes his home in Los Angeles but grew up all over the United States. Music was the one constant in his formative years spent at the piano. In addition to an extensive career writing music for dance, he has become a sought-after composer for advertising, television, and film. Lott’s feature film credits include The Disappearance of Eleanor Rigby (2014), Paper Towns (2015), and Mean Dreams (2017). He has co-produced and co-written music for and with Woodkid, Sufjan Stevens, and Lorde.   BIOGRAPHY: QASIM NAQVI  Qasim Naqvi is a drummer and founding member of Dawn of Midi. Outside of his role in D.O.M., Qasim works on various projects, from electronic music to composing for orchestras, chamber groups, dance and film.  His concert music has been performed/commissioned by The BBC Concert Orchestra, Jennifer Koh, The London Contemporary Orchestra, Stargaze, Bang on a Can All-Stars, Crash Ensemble, The Now Ensemble, The Erebus Ensemble, yMusic, The Helsinki Chamber Choir, Alexander Whitley, Cikada, The Chicago Symphony Orchestra(MusicNOW Season) and others. He has been a featured composer at the Musica Nova Festival in Helsinki, the Spitalfields Festival in London, Ultima Festival, Southbank Centre and the Rest is Noise Festival in Holland.   Qasim's soundtracks for the film have appeared on HBO, NBC, PBS, Showtime, New York Times Op-Docs, VICE Media, at The Tribeca, Sundance, Toronto, Rotterdam and London Film Festivals, at dOCUMENTA 13 and 14, The Guggenheim Museum, The Tate Britain (Turner Prize 2018), MOMA P.S. 1, IDFA, Berlinale and others. He has worked with such notable filmmakers as Laura Poitras, Mariam Ghani, Marc Levin, Naeem Mohaiemen, Smriti Keshari, Prashant Bhargava and Erin Heidenreich. Acoustic trio Dawn of Midi has released two albums. Their most recent Dysnomia was acclaimed by Pitchfork, Rolling Stone, Spin, The Guardian and the New Yorker. Radiohead personally picked Dawn of Midi as their support band for two sold-out concerts at New York's Madison Square Garden for their Moon Shaped Pool tour.    Qasim earned his B.F.A in performance from the New School Jazz and Contemporary Music program and his M.F.A in composition and performance from California Institute of the Arts. He studied drums and performance with Andrew Cyrille, Joe Chambers, Reggie Workman, Buster Williams, Ralph Peterson Jr., Charlie Haden and Rashied Ali and composition with Wolfgang von Schweinitz, James Tenney, Morton Subotnick, Marc Sabat, Wadada Leo Smith, Michael Jon Fink and Anne LeBaron. He is a 2016 N.Y.F.A Fellow in Music and Sound and has received other fellowships and awards from Chamber Music America, The Foundation for Contemporary Arts, Mid-Atlantic Arts Council, Harvest Works, The Lower Manhattan Cultural Council, S.T.E.I.M. and Art OMI. Presently, Qasim lives in Brooklyn, New York and works on various projects as a freelance composer and drummer. He is represented by Erased Tapes Publishing.   RESOURCE LINKS Podcast - LaunchLeft   SON LUX LINKS: Son Lux Music - Website Son Lux - Instagram Son Lux - Twitter Son Lux - Facebook Son Lux - YouTube Son Lux - Soundcloud   QASIM NAQVI LINKS: Qasim Naqvi - Website Qasim Naqvi - Instagram Qasim Naqvi - Twitter Qasim Naqvi - Bandcamp  

Gems, flops, and a new relationship with your moviegoer. This week, we're talking about A24 and the future of filmmaking. SOURCES: https://www.economist.com/culture/2022/09/01/the-rise-and-rise-of-a24-a-champion-of-storytelling-on-screen https://podcasts.apple.com/us/podcast/into-it-a-vulture-podcast-with-sam-sanders/id1634687152?i=1000574986502 https://www.vulture.com/article/a24-movies-ranked.html https://en.wikipedia.org/wiki/A24#Notes Cinema Is Not Dead: The Rise Of A24 – COMICON From Moonlight to Zola — the rise and rise of indie film studio A24 | Financial Times https://www.rollingstone.com/culture/culture-news/a24-halloween-costumes-inspiration-tiktok-1234619854/ https://www.theverge.com/2022/10/31/23433548/friday-the-13th-a24-bryan-fuller-crystal-lake-peacock-prequel This Is A Life" (Son Lux, Mitski, David Byrne).

What makes Son Lux's music so revolutionary? Among many things, the connection between sound design and record production. I dig in and share how they've influenced pop music, the creators that came before them, and where we might be headed next. Son Lux was the first band ever to be nominated for best original score at the Oscars with Everything Everywhere All at Once. So cool. Want to hear my very serious musical art ? Visit ⁠https://scoobertdoobert.pizza⁠ ... Podcast Produced by Beformer --- Send in a voice message: https://podcasters.spotify.com/pod/show/scoobertdoobert/message

Puja Patel and Jeremy Larson talk to Pitchfork Features Editor Jill Mapes about the Oscar-nominated music movies Elvis and Tár. Then, David Byrne and Ryan Lott of Son Lux talk about some favorite scores and their work on Everything Everywhere All at Once. Read Jill's article here. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Join Stargate's Chief Master Sergeant Walter Harriman to learn the ins and outs of the hotseat of the control room in this immersive roleplay and cosplay experience!Tickets and info are available now at www.thecompanion.app/events. Sign up as a member (paid or free) for a discount code!It sounds like a Zen koan: what does Everything Everywhere All at Once sound like? Son Lux's composer Rafiq Bhatia explores the glorious anarchy.Find the original article on The Companion here.With the Oscars coming up this weekend, we wanted to share this interview that Clint Worthington had with Rafiq Bhatia on the scoring of Oscar-nominated Everything Everywhere All at Once. The film has received the most nominations at the 95th Academy Awards with 11 Oscar nominations including Best Picture, Best Original Score, and Best Original Song, which Bhatia played a big part in. Clint Worthington adapted his interview into an article found on our website. The full interview originally aired via his own podcast, Right on Cue, back in April of 2022 and we thought it was so good, we're sharing it with you here. Check out Right on Cue for more interesting interviews and perspectives about film, tv, and video game music: https://thespool.net/podcasts/right-on-cue/

Ryan Lott and Ian Chang from the experimental trio Son Lux talk about their Academy Award-nominated work on the score and soundtrack for the beautiful, epic film Everything Everywhere All At Once, which is as brilliantly unclassifiable as the movie itself. Their score is nominated for Best Original Score and the end credits tune (a duet between Mitski and David Byrne, who cowrote the tune with Son Lux) is up for Best Music (Original Song) at the upcoming 95th Annual Academy Awards. They also delve into their personal histories with music, from their childhood music lessons and impactful discoveries of artists including Radiohead, Jimi Hendrix, Ray Charles, Prince, Miles Davis, Jeff Buckley, Seal and more. And Lott narrates Son Lux's development from a solo project that he began in 2008 as a creative outlet while he was working as a composer for a dance company, to the full-fledged touring band and collaborative unit thanks to the addition in 2014 of Chang and their bandmate Rafiq Bhatia.

Happy Oscar Season! Dan and Lyra discuss Everything Everywhere All at Once,The Banshees of Inisherin, maximalism, depression, whether mean people make for better drama, dead donkeys, and Raccacoonie.   Intro music: Son Lux's score from Everything Everywhere All at Once. Outro music: Carter Burwell's score from The Banshees of Inisherin.

Our latest guests on Soundtracking are Ryan Lott, Rafiq Bhatia and Ian Chang, who come together under the banner of Son Lux. And under that banner, they provided the music for Daniels Kwan and Scheinert's mind-bending multiverse romp, Everything Everywhere All At Once. The score had to mirror the complexity of the narrative without confusing matters further. No mean feat, but one they manage to pull off with some considerable panache. 

Son Lux frontman Ryan Lott reveals how the band was able to keep pace with the frenetic, shape-shifting storytelling of Everything Everywhere All At Once, without missing its ultimate beat: love.

In our first dispatch from The Santa Barbara International Film Festival Christina talks to Oscar nominated artisans and filmmakers ahead of their panels and tributes at the festival! Composer Ryan Lott of the band Son Lux ' 'Everything Everywhere All At Once'  Prosthetics Makeup designer Adrien Morot 'The Whale' Writer, Director, Producer Todd Field 'TÁR' Sound designer Markus Stemler 'All Quiet on the Western Front' Production Designer Florencia Martin 'Babylon' Learn more about your ad choices. Visit megaphone.fm/adchoices

Quelle thématique explore le titre «Ghosts Again », qui vient d'être dévoilé ? Comment le cinéaste japonais Kore-Eda fait-il ses débuts dans l'univers des séries avec « Makanai » ? Le groupe Son Lux va-t-il remporter deux Oscars ? Peut-on marier folklore viking et loup-garou dans un même film ? Comment la minisérie « The line of beauty » sur Auvio aborde-t-elle les années SIDA en Angleterre ? Pourquoi faut-il découvrir Caroline Polachek, bientôt en concert à Anvers ? Quelle est la nouvelle découverte du label Mute ? Toutes les réponses sont dans « La semaine des 5 heures » de ce jeudi 9 février.

Son Lux joins us to chat about their Oscar nominated score to Everything Everywhere All At Once! Ryan Lott, Rafiq Bhatia, and Ian Chang are the members of Son Lux. Get to know the history of their friendship and collaboration and how Son Lux grew from a solo project that Ryan created to a band that explores anywhere music takes them. We dive into Everything Everywhere All At Once to discuss what it was like working with the Daniels, how they developed the sound palette of the score, crafting the emotional structure, creating the sounds of the multiverse, building that immense staircase fight sequence climax in the third act, working without music editors for periods of time, utilizing Claire de Lune as a central motif, and so much more! Ryan, Rafiq and Ian are incredible musical storytellers, and getting to hear them discuss their process and approach is so insightful! A Film.Music.Media Interview | Produced & Presented by Kaya Savas

You ever think about whether this is all just, a simulation? This week the boys give up RV life to get back to...something closer to normal, and we're talking AI! What does it mean? Is it going to steal my job? And what are the toolsets out there today that could actually make you more productive.Music Licensing Information:Get Easy by Son Lux and over 1M + mainstream tracks here https://go.lickd.co/MusicLicense ID: OaKN4bn8X9g https://lickd.lnk.to/idrtimID!Jason_CPASHOW NOTES:—------------------------------------------chatGPT: https://chat.openai.com/chatMake.com Filters: https://www.make.com/en/help/scenarios/filteringAI vs. Machine Learning: https://ai.engineering.columbia.edu/ai-vs-machine-learning/AI Capability Overhang: https://lepaya.com/en/ai-overhang-means-our-soft-skills-will-be-groundbreaking/Midjourney Showcase: https://www.midjourney.com/showcase/recent/Deepmind: https://www.deepmind.com/Jasper.ai: https://www.jasper.ai/Google App Scripts written by AI: https://www.youtube.com/watch?v=lQo86-qgLgo DALL-E Outpainting: https://openai.com/blog/dall-e-introducing-outpainting/ChatSonic: https://writesonic.com/chatAUTOMATIONTOWN SOCIALS:—------------------------------------------Twitter: https://t.jo.my/twitterWeb: https://t.jo.my/automationtownRSS Feed: https://t.jo.my/rssABOUT HOSTS:—------------------------------------------Jason StaatsTwitter: https://t.jo.my/jstaats-twitterYoutube: https://t.jo.my/jason-youtubeChad DavisTwitter: https://t.jo.my/chad-twitterLinkedIn: https://t.jo.my/chad-linkedinAUDIO PRODUCTION:—------------------------------------------Paul O'Mara - https://t.jo.my/paulomaraSPONSORS:—------------------------------------------LiveFlow: https://jo.my/liveflowWant to sponsor an event, character, local sports team? Contact us at https://t.jo.my/sponsorcontact 

I'm at The Groundlings Theatre for an Improv class. We're doing two-person scenes when our instructor says it's time for a drill. “This next exercise is a way to go deeper into your characters, fast.” For each pair, he instructs one person to start with a mundane statement about the other. The second person repeats the statement and adds something about what it means. Then it goes back to the first person to repeat the added-on part of the statement and add something else about what that means. Kymberlee: Carl, you look lonely standing here by the punchbowl all by yourself. Carl: I look lonely standing here by the punchbowl all by myself, and what that means is I'm not very good at social events. K: You're not very good at social events, and what that means is you prefer to have fun where you don't have to talk to people. C: I prefer to have fun where I don't have to talk to people, and what that means is I'm really into gaming. And so on it goes, until the instructor says, “Scene!” to end the exercise. That simple made-up scene gives us lots of information about our characters in only a couple of sentences. In our world, we as communicators have so much we want to share. But sometimes we get stuck in expressing the meat of it in a way that resonates with our audience. When you tap into your feelings, you get to the heart of your story faster! My guest today, Jane Lui, knows all about storytelling in a variety of ways. She does it through singing, composing, acting, producing, and so much more. In this episode, she talks about how she brings stories to life through her work with emotion leading the way and answers questions like: In what ways can you start to build your story if you're stuck? And how can you make your story more interesting for your audience? What you will learn in this episode: What really lies behind the magic of storytelling How you can structure your story to get people's attention How you can bring out the layers and multiple facets of your story Who is Jane? Jane Lui is a singer, songwriter, composer, and actress who goes by the stage name Surrija (sur-rye-ya). Originally from Hong Kong, she grew up playing piano. She immigrated to the Bay area and started listening to everything from 1930s oldies to 1990s Bjork. After obtaining her Bachelor of Music in Choral Conducting, Jane released three albums on Youtube that gained a strong following. Then she evolved into her self-titled concept album SURRIJA based on Picasso's lovers and demonstrated her own growth as both a woman and musician, from classical training to electro-pop artistry. The album, which received a 2021 Best Pop Album nomination at the San Diego Music Awards, features drummer Matt Chamberlain who has also worked with artists such as David Bowie and Fiona Apple. In addition to Chamberlain, Jane also collaborated with Kate Earl, Melissa Polinar, Son Lux, Tom Brousseau, Vienna Teng, and more. Currently, she's a cast member and co-music director of Lauren Yee's Cambodian Rock Band. She also composed for the theater productions All's Well That Ends Well and Secret in the Wings. Links and Resources: SURRIJA @janelui on Twitter @surrija on Instagram @surrija on Facebook Storytelling School Website @storytellingschool on Instagram @storytellingSchool on Facebook

Join Kyle Long as he listens back to some of his favorite interviews of 2022. Enjoy words and music from a wide variety of local and national artists, including Son Lux, Falu, Karate, Guns and Tanning, Medicine Singers, and Colin Blunstone of The Zombies.

Join Kyle Long as he listens back to some of his favorite interviews of 2022. Enjoy words and music from a wide variety of local and national artists, including Son Lux, Falu, Karate, Guns and Tanning, Medicine Singers, and Colin Blunstone of The Zombies.

Everything Everywhere All at Once is a sci-fi comedy independent film that came out in the spring of 2022. It's a huge hit that made over $100 million at the box office. It's already been named the best movie of the year by several publications and awards organizations. The movie stars the legendary actress Michelle Yeoh, and was directed by the Daniels, the directing duo of Daniel Kwan and Daniel Scheinert. The score for the film is by the band Son Lux. In addition to the score, Son Lux also made the original song for the film's end credits: "This is a Life," featuring two prestigious guest vocalists: Mitski and David Byrne of the Talking Heads. For this episode, I spoke to Ryan Lott from Son Lux, as well as the Daniels. Ryan tells the story of how the song was created, with his bandmates and Mitski and David Byrne and Daniels all adding to it and shaping it. For more, visit songexploder.net/son-lux.

Ryan Lott is a musician, composer, and founding member of music collective Son Lux. Ryan and his Son Lux collaborators developed the score for the 2022 film “Everything Everywhere All At Once,” much of which was written in a home Ryan rented out in Indianapolis. He talked about reconciling his classical training with a musical rebellious streak, the relationship between music and movement, and why he chose his bandmates to intentionally not just be a bunch of white men.

A unique movie deserves a unique score, and that's exactly what composers Ryan Lott, Ian Chang, and Rafiq Bhatia had to come up with for the Daniels' (now Gotham Award-winning) film, "Everything Everywhere All At Once." The three composers were kind enough to spend some time talking with us about their distinct work on the film, which is up for your consideration for Best Original Score and Best Original Song for the song "What A Life." Please take a listen and enjoy. Thank you!   Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast iTunes Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture

A tale as old as time… This week, our month-long spotlight series continues as host Aeric Azana dives into Gene Luen Yang's American Born Chinese! A personal and introspective story about growing up as an Asian-American, this story tells three parallel narratives of identity, growth, and acceptance - from Jin Wang's struggle to fit in, to the classic tale of the Monkey King! Time Stamps: 00:00:45 Intro 00:02:15 Spotlight on American Born Chinese 00:40:55 Comics Countdown 00:53:49 Wrap-Up Follow us! Twitter: twitter.com/geeksplainedpod?lang=en Instagram: www.instagram.com/geeksplainedpod/?hl=en Send us your questions for the Geeksplained Mailbag! Email: Geeksplained@gmail.com Music Sampled: "Sayonara" by SAKEROCK “In Another Life” by Son Lux

As the inter-season hiatus winds down, The Film Scorer covers some of the best, most notable, and favorite film scores from April through June, 2022. These run the gamut, from "multiverse" scores like Everything Everywhere All at Once by Son Lux and Doctor Strange in the Multiverse of Madness, to grimy, experimental works like We're All Going to the World's Fair by Alex G or Phil Tippett's Mad God by Dan Wool and more, this period is loaded with impressive pieces.  Keep your eye on The Film Scorer website for reviews and articles covering some of these scores and see below for articles covering some of my favorite scores for the following months, including detailed writeups and lists: April: https://thefilmscorer.com/the-best-film-scores-of-april-2022/ May: https://thefilmscorer.com/the-best-film-scores-of-may-2022/

Kids in the Hall's Dave Foley and Kevin McDonald talk about the troupe's long-awaited return to television, experimental band Son Lux share how they wrote the score for Everything Everywhere All at Once, Raven Chacon speaks about his Pulitzer Prize-winning piece Voiceless Mass and comedian Charlie Demers debuts his new album I Hope I Don't Remember This My Whole Life.

Rafiq Bhatia, Ian Chang, and Ryan Lott of Son Lux join Kyle Long to discuss their score for the critically acclaimed new film "Everything Everywhere All At Once", which was partly composed in Indianapolis. Son Lux recruited an impressive list of collaborators for the soundtrack, including Randy Newman, Mitski, David Byrne, Hanna Benn, Moses Sumney, Andre Benjamin of Outkast, and many others.

Son Lux discusses their score for the new film "Everything Everywhere All At Once."

Son LuxEverything, Everywhere, All At OnceBrightbell Creative: Creating Meaningful Marketing For the Creative Artist.

今日選曲：Son Lux, Mitski, David Byrne／〈This Is A Life〉

【#寶島少年兄】遠端錄音第365集 疫情攀升，繼續在宅錄音，請聽友見諒。WFH的我們，在家吃什麼、對柯文哲說的「軟性封城」實在有夠煩躁，還有近日炎上的《媽的多重宇宙》，實在沒看過七號對人有客氣過，七號觀影後對字幕有什麼心得呢？請不要錯過本周節目。 今日選曲：Son Lux, Mitski, David Byrne／〈This Is A Life〉

Together, co-directors/co-writers Dan Kwan and Daniel Scheinart have graced us with what is likely the most original and uniquely entertaining film of 2022 so far.  It stars Michelle Yeoh as the beleaguered owner of a laundromat who along with her husband (played by Ke Huy Quan) finds herself sucked into an elaborate adventure through the “multi-verse” where we watch several different incarnations of her try to navigate through a conflict which threatens to undo everything!  As she traverses though these various universes, we see her as a martial artist and movie star, among much MORE unique incarnations….to attempt to describe it any further just doesn't do it justice. Host: Geoff GershonProducer: Marlene Gershonhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

In their new feature film, "Everything Everywhere All At Once," former music video directors the Daniels recruited the experimental band Son Lux to compose the score. Their soundtrack also features David Byrne, Mitski, Andre 3000, Randy Newman, and more. Son Lux frontman Ryan Lott joins for a Listening Party.

All Songs Considered's Bob Boilen shares his favorite new tracks of the week, including a collaboration between Mitski, David Byrne and Son Lux, the return of Regina Spektor and more.Featured Tracks And Artists:1. Son Lux, Mitski, David Byrne: "This Is A Life," from Everything Everywhere All At Once2. Regina Spektor: "Becoming All Alone," from Home, before and after3. Suz Slezak: "Loneliness Is Measured," from Our Wings May Be Featherless4. Kevin Morby: "This Is A Photograph," from This Is A Photograph5. Sharon Van Etten: "Used To It" (Single)6. Superorganism: "Teenager (feat. CHAI & Pi Ja Ma)," from World Wide Pop