Podcasts about musique concrete

Yellow Swans "Untitled"John Davis "Untitled"No UFO's "Anthropomorphic Clouds of Smoke"Zelienople "More Mess"Gregg Kowalsky "VI-VII"Ilyas Ahmed "As Another"Common Eider, King Eider "Earth Liver"Jon Porras "Grey Dunes"Grouper "Cover The Windows And The Walls"

Experimental Hip-Hop, Contemporary Jazz, Musique Concrete - all this and more on NOISE!Playlist: Portishead - HunterMartha Skye Murphy - NeedChristine Jensen Jazz Orchestra - WinkDun-Dun Band - No. 20 (Once Raw: The Aging G)Kamasi Washington - Lines in the SandJPEGMAFIA - don't rely on other menDeath Grips - On GPNightjaR, featuring Pan Amsterdam - Space-BarDeem Spencer - see me as myselfEarl Sweatshirt, The Alchemist - Heat CheckWho Cares, featuring Vivian Fung - Glimpses: KotekanJohn Kameel Farah and Nick Fraser - DirgeKim Cass - Fog Faceclaire rousay, featuring Lala Lala - please 5 more minutesDamsels - No Trick Pony

Saccharine Trust "YHWH On Acid"Amon Düül II "Soap Shop Rock"Raincoats "Only Loved At Night"Sun City Girls "Kal El Lazi Kad Ham"Ananda Shankar "Sagar (The Ocean)"Grupo De Experimentacion Sonora Del ICAIC "Grifo"Art Bears "In Two Minds"This Heat "Health and Efficiency" 

A la fin des années 1950, Pierre Schaeffer et Iannis Xenakis se sont échangé de multiples lettres. Le premier avait fondé une dizaine d'années plus tôt la 'musique concrète'. Le second venait de réaliser Concret PH pour le pavillon Philips de l'exposition universelle de Bruxelles. Deux compositeurs qui partageaient le point commun d'avoir été formé à Polytechnique, qui avaient certainement une grande conscience de l'importance de l'autre, mais qui n'avaient pas la même conception des rapports entre musique et science. Metaclassique accueille deux témoins : Jacqueline Schaeffer qui a été la compagne de Pierre Schaeffer de 1959 jusqu'à sa mort, en 1995, et Mâkhi Xenakis, la fille de Iannis Xenakis, mais aussi deux musicologues qui se sont intéressés à l'un et l'autre des compositeurs : côté Xenakis, Pierre Carré et côté Schaeffer, Nicolas Debade. Une émission produite et réalisée par David Christoffel. Photo Iannis Xenakis par Laszlo Ruszka/INA via Getty Images Photo Pierre Schaeffer par Ulf Andersen/Getty Images Merci pour votre écoute Par Ouïe-Dire c'est également en direct tous les jours de la semaine de 22h à 23h sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de Par Ouïe-Dire sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/272 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Julia Holter "Talking to the Whisper"Bill Orcutt Guitar Quartet "Out of the Corner of the Eye"Ariel Kalma, Jeremiah Chiu, & Marta Sofia Honer "A Treasure Chest"cEvin Key "Inside Jam World"Ryuichi Sakamoto "Ubi"Oneohtrix Point Never "Memories of Music"Air "Lost in Passion"Robert Cahen "Persona"Micheal O'Shea "Voices"Nico "All That is My Own" 

Lords: * Jonah * AC Topics: * When was the last time you listened to a song backwards? * Decentralized manufacturing * Are there other terms like "foodies," to describe those who are super into universal bodily functions? * The Bathroom Line, by Jesse Thurston * Playtesting legos Microtopics: * Pet Rock Dot Site * Whether rhythm is a kind of sound. * A rhythm synthesizer that produces control voltages. * All the things you could hypothetically like about New York City. * Crowded speculative real estate. * Canada's role as a fire hazard. * The power company in charge of all the wildfires. * What happened to Smokey the Bear. * Stopping for lobsters crossing the highway. * Whether Smokey the Bear died in his sleep. * Putting the oven on self clean and it cleans your whole house. * Bringing back Satanic Panic to make backmasking cool again. * Constructing a cliff that echoes backwards. * Musique Concrete. * The kind of people who would make an album in Csound. * Admitting that your music is hilarious. * Conlon Nancarrow's works for player piano. * Black MIDI. * Knowing that you should be adding a constraint to your assertion but not knowing what it should be. * If Conlon Nancarrow had only entered cryosleep. * Loading up a song in Sound Forge. * Squid Salmple. * Bluetooth: it works every time! * Virtual modular synthesizers with cool cable physics. * The etymology of backmasking. * If Wiktionary is so good, why isn't there a Wiktionary 2? * Franchising your rhythm box. * Doing each other's administrative work. * Doing a labor swap to get fresh eyes on your project. * Ubering to the trail head. * Imagine: paying rent for an office. * Poopsocking it on this family show. * The Armory. * Going back in time and having $14 million. * Selling your forehead as advertising space. * Joseph Circuit City Smith. * This man needs your help to remove his porn logo forehead tattoos. * Aspirational snake eye contacts. * Your contacts contact. * Antique sword knife bookmark charm sword knife pendants knife charms for bookmarks. * Going to the breathing club and breathing really hard. * The Hearty-Starty. * Trying to joke about a thing that turns out to just be a real thing. * A Facebook group for people who love shitting. * Blinkos and all the nuances of the ways they love to blink. * A whole world just for smelling. * How your heart doesn't stop every time you sneeze. * Green text vs. other colors of text. * The r/bluetext subreddit that's all about links to other web sites. * Nutty Gum and Fruit Spleggings. * Finding the one while in line to poop. * Going to college for like a year and one of the best things about it was the bathroom graffiti. * A chalkboard in the physics department's bathroom stall. * Help I'm trapped in the bathroom grout. * Peeing while trying to think of a poem. * Peeing your pants in the bathroom. * Don't Backmask Me, Bro. * Finding someone in a bar who wants to playtest your experimental game for three hours. * The movie Yesterday except for inventing Legos. * Following instructions as a way to fidget. * Trying to solve a difficult programming puzzle when someone comes up and starts biting you in the ass. * All the ways someone can be onboarded onto an experience. * Free HTML5 Games Tagged Idle. * Top Three Clickers. * Roguathia. * Waiting until you have more SP to select upgrades.

William S. Fischer "Green Forever"William S. Fischer "Capsule"Cat Power "Bathysphere"Gyorgy Ligeti "Etude No. 1 'Harmonies' "Ton De Leeuw "Interlude"Broken Water "Heal"Bulent Arel "Stereo Electronic Music No. 2"Flaming Tunes "Raindrops From Heaven"Coil "Strange Birds"

Dark Ambient Atmospheres Ep159 - Experimental - Avant-garde - Musique Concrete - Ethereal Atmospheric Noise mixhttps://www.youtube.com/c/DarkAmbientRadioLull - Lost SanctumElia Cmiral - Lost Soul in LibraryElizabeth Fawn - Fairy RingsPeter Wright - Low GroundDeaf Center - LobbyOfftheSky - Listless is MoreSattyananda - Liquid RisingVir Unis - Leaving the SkinMarco Beltrami - LekFrom the Mouth of the Sun - Like Shadows in an Empty Cathedral

Steampunk Music Ep151 - Ethereal Ambient Classical - Neoclassical Darkwave - Electroacoustic - Musique Concrete mixhttps://www.youtube.com/c/SteampunkRadioField Rotation - LichtbrechungWojciech Kilar - Love EternalAbandoned Toys - Birthing of the UnicornTrio Zephyr - LunasToa - LuvahBen Woods - Lights of a Tired CitySymfony - Lulling LullabyFederico Albanese - LichtungHans Zimmer - Let Me HomeNils frahm - LessAbel Korzeniowski - Let me Die

Bristol-based musician and songwriter Hazel Mills talks us through her impressive career, from working as a touring session musician, being a member of the Will Gregory Moog Ensemble, working with UDO Audio and releasing her debut solo E.P.Chapters00:00 - Introduction01:30 - Working As A Keyboardist 03:12 - MIDI Controller Of Choice04:04 - Live Arrangements And Sounds 09:36 - Working With A Musical Director10:56 - Collection Of Synths12:04 - Getting Onto This Path16:22 - Synth Secrets Series18:23 - Will Gregory Moog Ensemble24:28 - Releasing A Solo E.P.31:55 - Working With UDO Audio34:42 - Future ProjectsHazel Mills BiogHazel Mills is a Bristol-based musician/songwriter who has toured the globe across multiple genres, with artists including Florence + The Machine, Dave Rowntree (Blur), Goldfrapp, Birdy, Hannah Peel and The Will Gregory Moog Ensemble. Her Classical background, pop sensibilities and passion for 1960s American minimalism and analog synths feed into both her performance and her writing. Alongside her touring commitments, Hazel has been writing material for her own forthcoming project, Violaine, with long-term collaborator and producer/musician TJ Allen (Bat For Lashes, Portishead, Anna Calvi). The music of Violaine evolved from her former post-punk band, Adding Machine and also draws influence from Musique Concrete, 80s pop and the music of Japanese pianist Ryuichi Sakamoto.https://www.hazelmills.com/https://www.willgregorymoogensemble.co.uk/Instagram: @hazelmillsX: @hazelmillsTikTok: @hazelmillsmusicYouTube: @hazelmillsmusicFB: @hazelmillsmusicCaro C BiogCaro C is an artist, engineer and teacher specialising in electronic music. Her self-produced fourth album 'Electric Mountain' is out now. Described as a "one-woman electronic avalanche" (BBC), Caro started making music thanks to being laid up whilst living in a double decker bus and listening to the likes of Warp Records in the late 1990's. This 'sonic enchantress' (BBC Radio 3) has now played in most of the cultural hotspots of her current hometown of Manchester, UK. Caro is also the instigator and project manager of electronic music charity Delia Derbyshire Day.URL: http://carocsound.com/Twitter: @carocsoundInst: @carocsoundFB: https://www.facebook.com/carocsound/

Dark Ambient Atmospheres Ep150 - Experimental - Avantgarde - Ethereal Noise - Musique Concrete mixhttps://www.youtube.com/c/DarkAmbientRadioSteve Roach & Byron Metcalf - Egg Chamber DreamingApo Cry Phos - ElgengrauAbandoned Toys - Silver Rivers WreathedDead Melodies - Electrical SensoryIshq - En SophEdward Shearmur - Early HarvestNorthaunt - Endless IceOophoi - Endless Waiting at the Gates of Forever

TUXEDOMOON "FIFTH COLUMN"TUXEDOMOON "TRITONE (MUSICA DIABLO)"THROBBING GRISTLE "EXOTICA"JOHN CAGE "VARIATIONS IV VOLUME II PART I"NURSE WITH WOUND "SHE ALONE HOLE AND OPEN"SONIC YOUTH "SECRET GIRLS"ART ENSEMBLE OF CHICAGO "A BRAIN FOR THE SEINE"MOONDOG "UNTITLED PERCUSSION SOLO #2"MOONDOG "UNTITLED PERCUSSION SOLO #3"

JPEGMAFIA & DANNY BROWN "JACK HARLOW COMBO MEAL"CS + KREME "PINK MIST"DOMO GENESIS & EVIDENCE "VICTORIES & LOSSES"THE GASLAMP KILLER MEETS THE HELIOCENTRICS "WITCHES WHISPER"MARTA SALOGNI & TOM RELLEEN "INTERNAL LOGIC II"NAPOLEON DA LEGEND & D-STYLES "GAMES WE PLAY"BEAU WANZER "A DEAD PERSON'S MONOLOGUE" SIGHTLESS PIT FEAT YOSHIMIO & GANGSTA BOO "CALCIFIED GLASS"XIU XIU "PAHRUMP"CIVILISTJAVEL! "VALMSTA"FIESTA EN EL VACIO "DREAM PARTNER"µ -ZIG "4AM"BLAWAN FEAT MONSTERA BLACK "YOU CAN BUILD ME UP"DREW DANIEL & JOHN WIESE  "REGARDING THE CONTINUA"ELUCID "BRB GOTTA GO CHARGE MY TOOTHBRUSH (PROGRAM 01)" 

THE SPOILS OF WAR "WALK IN WALK OUT"ROYAL TRUX "ICE CREAM"JPEGMAFIA "ROCK N ROLL IS DEAD"NURSE WITH WOUND "FINSBURY PARK MAY 8TH 1:35 PM (I'LL SEE YOU IN ANOTHER WORLD)"THE LEGENDARY PINK DOTS "THE DEATH OF JACK THE RIPPER"V-3 "ANOTHER EXTERMINATOR (EATEN BY BUGS)"THIS HEAT "HORIZONTAL HOLD"CLIPPING. "ENDS"COSEY FANNI TUTTI "DELIA TONES"BRAINTICKET "LIKE A PLACE IN THE SUN"

Dark Ambient Atmospheres Ep131 - Ethereal Avant-garde - Electroacoustic - Musique Concrete Mixhttps://www.youtube.com/c/DarkAmbientRadioPeter Bjargo - InsomniaJames Dooley - Inside the HouseAbandoned Toys - Where Red Shadows SlumberAh Cama-Sotz - IshtarCharlie Clouser - It Can't BeA Produce - It Comes in WavesYen Pox - Infinite DomainChristopher Young - I'm at a PartyVir Unis - Illumination

JOHN FAHEY & CUL DE SAC "GAMELAN COLLAGE"THE MICROPHONES "THE SUN"PETE SWANSON "A&Ox0"DEMDIKE STARE "EURYDICE"LEE GAMBLE "YEHUDI LIGHTS OVER TOTTENHAM"ZNR "LA POINTE DE TES SEINS EST COMME UN PETALE DE PAVOT"GRIM "HEAVEN KNOWS"

New-Old Recordings Making it into the Archive.   Playlist Symphonic Electronic Rock Symphonic electronic is always a favorite of listeners of the podcast. I note these additions, including a scarce soundtrack recording of interest. Jeff Bruner, “Try To Escape,” “Night Saucer,” “Larry And Diane Go To Hell,” “On The Beach,” “The Investigator,” “Vic's Flashback,” “End” from (side 2) from Foes (Original Motion Picture Soundtrack) (1977 Not on Label). This interesting soundtrack combined electronic music with orchestral sounds for this little seen motion picture. Recorded and mixed at Santa Barbara Sound. Music composed and conducted by Jeff Bruner; electronic music production, Doug Scott; electronic music realized by Jeff Bruner and Doug Scott. I picked this up on a trip to Boston According to Jeff Bruner himself, this record was pressed for the movie staff only and there are less than 20 copies. “The music on this record is a perfect balance of rational sounds that you've heard before and even more rational sounds which because you've never heard them before seem quite irrational. 19:36 Claude Denjean, “Memories Of Moody Blues” from Moods (1976 London Records). A few years after the initial wave of albums produced using the Moog Modular synthesizer, Denjean returned to the instrument to make this collection of classic pop tunes in an electronic symphonic vein. This song seems to touch on every other note of the classic “Nights in White Satin” without actually causing any copyright issues, I imagine. This album is a new copy added to the archive. How could I resist? 4:09 Hugo Montenegro, “MacArthur Park (Allegro Part III)” from Moog Power (1969 RCA Victor). A rockin' album of symphonic pop tunes from the heyday of Moog Modular recordings. Montenegro had the magic touch for arranging such pop songs. He was aided by Moog programming by none other than Paul Beaver and playing by Mike Melvoin. This is an old copy from my collection that I unsealed just for this podcast. Only this one track has been played on this album. 3:21 Raymond Lefèvre Et Son Grand Orchestre, “Mille Colombes” from Love In Stereo Nº 1 (1978 Barclay). This German release of French album is one of many by keyboard player and arranger Lefèvre. This one features a variety of electronic music instruments used in conjunction with an orchestra. Bass, Dave Markee; Drums, Barry Morgan; Keyboards, Alan Hawkshaw; Percussion, Ray Cooper; Synthesizer players, Guy Boyer, Maurice Vander, Raymond Lefèvre. Synthesizers used: RMI Computer, Moog 3 P, Arp DGX, Omni Polyphonic, Korg 1000, Korg 2000, Ems/Arp Sequencer. Rhythm section recorded at Lansdowne Recording Studios, London. Strings recorded at Barclay Hoche, Paris. Synthesizers recorded at Studio Damiens. 3:10 Early Electronic Music Several recordings featuring vintage tape compositions and performances using the Moog Modular synthesizer were among our newest arrivals to the archive. Ralph Lundsten. “Snowstorm” (1967/68) from Shangri-La (1975 His Master's Voice). Swedish release of composer Lundsten music for Shangri-La, a commissioned work for Swedish Radio. However, the album also presents several early tape works, including Winter Music, a suite of works for the season of this which this one is a part. “Suddenly, a sleigh with lit-up torches emerges out of the whirling snowstorm. … Was it for real or just a dream?” 2:30 Jean Jacques Perrey, “The Alien Planet” from Musique Electronique Du Cosmos (Electronic Music From Outer Space) (1962 MusiCues). An earlier disc of Perrey, later known as the wizard of electronic pop sounds. He was using the Ondioline for this track, an early monophonic organ, and tape manipulation to provide effects. This was a recording of broadcast library sounds. 1:02 Jean Jacques Perrey, “Space Light” from Musique Electronique Du Cosmos (Electronic Music From Outer Space) (1962 MusiCues). Another early track from Perrey. 1:03 Jean Jacques Perrey, “Intercestial Tabulator” from Musique Electronique Du Cosmos (Electronic Music From Outer Space) (1962 MusiCues). Another early tape compositionfrom Perrey that might be his imagining what a future computer would sound like. 1:03 Jean Jacques Perrey, “Barnyard in Orbit” from Musique Electronique Du Cosmos (Electronic Music From Outer Space) (1962 MusiCues). Another early track from Perrey that shows his innate sense of humor that we would hear much more of in his music yet to come. 2:17 Jean Jacques Perrey, “Micro Cosmic PL 1” from Musique Electronique A Caractere Special Pour Illustrations Sonores Et Effets Speciaux (2017 Wah Wah Records). Spanish release of an original acetate disc of Perrey demonstration tracks and original compositions. I think these were made around 1967 after Perrey had begun using the Moog Modular synthesizer. 5:19 Doug McKechnie, “The First Exploration @ SF Radical Laboratories, 1968” (2020 VG+ Records). Recently released recordings of an original tapes made in 1968 from an early Moog composer and performer. McKechnie famously played a live Moog Modular set at the Altamont performance in 1969 by the Rolling Stones. He is ever-so briefly heard and seen the film Gimme Shelter (1970). In any event, McKechnie was a pioneer who used an instrument owned by one Bruce Hatch (not Bruce Haack). He worked with the instrument for about four years before Hatch sold it to Tangerine Dream around 1972. With that came the end of one musician's dreams and the beginning of someone else's. I am so happy that Doug was able to release this recording of his early work because so many of us have been curious to hear it. This track represents some clever droning with the sequencer and one can imagine this being performed in real-time. 8:30 Hydroelectric Streetcar, “I Realize” from The Cool-Aid Benefit Album Vol. 1 (1970 Arthfor Special Products). I was searching for this Canadian benefit disc for a long time so that I could add it to my collection of Moog Modular Synthesizer recordings. The Moog in this case was owned by my acquaintance Johns Mills Cockell who played in several rock bands and avant garde performance groups during this time. Remember Intersystems? In this case, he was playing as a sideman for Hydro Electric Streetcar, a folk-rock band to which he added synthesis. Bass, Vocals, Lee Stephens; Drums, Stan Tait; Guitar, Al Wiebe; Lead Vocals, Danny McInnes; Moog Modular Synthesizer, John Mills-Cockell. 3:48 Robots A few tracks in this batch of new arrivals worked around the theme of robots, machines, and synthesized voices. Skanfrom, “Mr. Robot Is Dead” from Split 12" (2000 A.D.S.R.). Now defunct electro synthpop label from Germany run by Skanfrom. Limited to 800 hand numbered copies. Mine is number 676. Skanfrom is Roger Semsroth. 3:25 I., “Gro Stadtleben” from Split 12" (2000 A.D.S.R.). Now defunct electro synthpop label from Germany run by Skanfrom. Limited to 800 hand numbered copies. Mine is number 676. B.I. (Bakterielle Infektion) was founded in Berlin in 1995, disbanded 2011. 2:34 Dee D. Jackson, “Automatic Lover” from Automatic Lover (1978 Jupiter Records). German release, 7” 45 RPM. Dee D. Jackson (Deirdre Elaine Cozier) is an English singer-songwriter, She was primarily a space disco/Italo disco concept artist, moving to Italy in the mid-1980s. The computer voice in this tune sounds like a person speaking monotone with some filtering. No artificial intelligence involved here. 3:54 Ralph Lundsten. “Robbie is Dancing the Waltz” (1975) from Shangri-La (1975 His Master's Voice). Swedish release of composer Lundsten music for Shangri-La, a commissioned work for Swedish Radio. It also includes his Heaven by Night suite from which this song comes. The robotic voice appears to be one that is amplitude modulated to provide a wavering tremolo effect. No vocoder here. 4:06 Odds and Ends Recordings that are becoming part of the archive as representative examples of the odd and curious in electronic sounds. The Marvelletes, “I Want a Guy” (1961 Tamla). Single featuring a Musitron played by Raynoma Liles Gordy (producer, arranger, musician and ex-wife of Motown executive Barry Gordy); Lead vocals by Wanda Young Rogers; background vocals by Gladys Horton, Georgeanna Tillman, Wyanetta "Juanita" Cowart, and Katherine Anderson; Other instrumentation by the Funk Brothers included Bass by James Jamerson, Drums by Benny Benjamin, Guitar by Eddie Willis, Piano by Marvin Gaye,Tenor saxophone by Hank Cosby, Baritone saxophone by Andrew "Mike" Terry. The Musitron was a modified, monophonic electric organ invented by Max Crook and featured on such well-known songs as Del Shannon's “Hats Off to Larry” and “Runaway.” Crook was the keyboard player in Del Shannon's band and they made that sound a key novelty in Shannon's songs beginning in 1961, the same year as “I Want a Guy.” 2:38 Living Shakespeare, “King Lear” excerpt from King Lear (1962 Living Shakespeare Inc.). US compilation release of various excerpts from the Living Shakespeare series. This was a series of recordings of the plays of William Shakespeare, adapted for recording and made in England. This series was available in various combinations of discs and usually featured some sort of incidental electronic music produced by a BBC Radiophonic-associated composer. I have a complete set of discs as packaged for the US market. But I came across this sampler disc and thought to include an example of the scene from King Lear where the King (as acted by Donald Wolfit) “calls down the rage of heaven in a violent thunderstorm,” with the storm sounds all being electronic. Text adapted by Fiona Bentley, Morys Aberdare; Directed by Sir Donald Wolfit; Musique Concrete and sound patterns composed by Desmond Leslie. 2:24 K-Tel, “Hit, Flop, Break Even” from K-Tel Super Star Chance-a-Tune (1973 K-Tel). 7” 45-rpm single. A triple-grooved record. (also known as 'Parallel', 'Mystery', or 'Trick-Track' record). Originally packaged as part of the board game "K-Tel Superstar Game.” The same tracks are pressed on both sides. “Players are rock stars” and collected gold records to win. Rolled the dice to move through the board. Squares had events for players to collect or lose money or release an album, which were subject to being a Hit, Flop, or Break-even by playing the disc. The game came with this Chance-A-Tune 45 RPM record which was played when a player landed on an album release square. The player drops the needle to see which of the tracks, and verdicts, comes up. The single only includes the three phrases I've edited here for the podcast. In reality, you could never tell which track would play with each drop of the needle. 0:29 Adams & Fleisner, “Surrounded In Mystery And Magic (Sounds Of The Inside)” from Space Effects Vol. 2 (1988 BCM). German recording of sound effects. I chose this one primarily because at 1:25 it was by far the longest track on this broadcast library record. 1:54 Yuri Rasovsky, “Interplanetary Adventurer” from The Chicago Language Tape And Other Aberations of El Fiendo In Glorious Mono (1979 Not on Label). A curious comedy record led by Yuri Rasovsky that consists primarily of sketches that are acted out and produced as would be a radio program. There is one piece of electronic music that might interest you: Hans Wurman, venerable Moog synthesist, contributed the opening music to this story that features the Moog Modular. I suspect that this was the last recorded Moog piece that Hans produced before laying down his golden patch cords. Musician, music by Hans Wurman; Voice Actor, Dick Simpson, Don Vogel, Gary Gears, Joan Lazzerini, John Hultman, Keneth Northcott, Mell Zellman, Michelle M. Faith, Yuri Rasovsky. I chose to reproduced only this musical segment, surrounded by some of the spoken parts for context. 1:46. Originals A few recordings are just unnecessarily difficult to categorize. Joakim, “Teenage Kiss (Dub)” from Transe / Teenage Kiss (2005 Kitsune). French, 12” maxi-single. Danceable, yet strange. Written by, Performed, and produced by Joakim Bouaziz. 4:58 Landscape, “From The Tea-Rooms Of Mars .... To The Hell-Holes Of Uranus” from From The Tea-Rooms Of Mars .... To The Hell-Holes Of Uranus (1981 RCA). English electro/pop/jazz band from London. This is the title track and features some electronic tunes in the dance styles of the beguine, mambo, and tango. Which seemed to go with the other dance related tracks I found in this batch of new-old records. Electronic trombone, Trombone, Vocals, Peter Thoms; Vocals, Keyboards, Grand Piano, Fender Rhodes, Christopher Heaton; Vocals, Programmed By, Electronic Drums, Electronic Percussion, Synthesizer, Drums, Richard James Burgess; Bass Guitar, Synthesizer Bass, Vocals, Andy Pask. 7:53 Ralph Lundsten. “Cosma Nova” (1975) from Shangri-La (1975 His Master's Voice). Another track from Mr. Lundsten, commissioned for Swedish Radio. From the Heaven by Night suite, this is a dreamy dance tune. 3:18 Allen Ravenstine, “Going Upriver,” “110 In The Underpass,” and “5@28” from Electron Music / Shore Leave (2020 Waveshaper). This recent Canadian release is a collection of Ravenstine”s work for electronic and instrumental media. Ravenstine was the electronics and synthesizer player in the original lineup of Pere Ubu. He has continued to make eclectic, highly original and thoughtful music over the years. 16:11 Don Voegeli, “A Piece Of Bubble Gum” from Instant Production Music/Volume 18: Fine (1980 University Of Wisconsin-Extension). This was the final disc Voegeli made in the Electrosonic Studio for NPR, saying, “Fine . . . used as the title for this record to signal another termination, the end of the CPB and NPR funded project which over the years has brought you a total of twenty-six records of special production music.” Intended for private use by and for public (non-commercial) radio and TV facilities, this was one of the many broadcast library records that Voegeli created in a well-equipped electronic music studio that included a Moog Modular III. 1:07 Don Voegeli, “Follow the Leader” from Instant Production Music/Volume 18: Fine (1980 University Of Wisconsin-Extension). Produced by the Electrosonic Studio. 1:52 Opening background music: Barton McLean, “Dimensions I For Single Instrument And Tape” (excerpt) from American Society Of University Composers (1979 Advance Recordings). Tape composition and recording engineer, Barton McLean; Violin, Stephen Clapp. Compositions From Volume VII Of The ASUC Journal Of Music Scores. Composed while McLean was director the Electronic Music Center at the University of Texas at Austin. 13:38 Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation: For additional notes, please see my blog, Noise and Notations.

GROUPER "DISORDERED MINDS"SUNN O))) & ULVER "LET THERE BE LIGHT"LINGUA IGNOTA "I AM THE BEAST"MYSTIC CHARM "WINDOW OF REALITY"CARCINOGEN "PETRI DISH"WOLF EYES "UNTITLED"GEORGE BRAITH "BRAITH-A-WAY"CATALYST "MAIL ORDER"FLYING LOTUS "ANDROMEDA"FLYING LOTUS "REMIND U"

Steampunk Music Podcast Ep118 - Ethereal Ambient Instrumental - Electroacoustic - Musique Concrete Mixhttps://www.youtube.com/c/SteampunkRadioAbandoned Toys - Within a Lilac ClutchClint Mansell - XibalbaArtesia - Y Ladi WenAnton Batagov - Your KindnessOpus Nigrum - XibalbaAll my Faith Lost - Your Silent TearsEsmerine - Yavri YavriEleyaman - Yergana nCaprice - Yesterday you Danced

TELEVISION "TORN CURTAIN"CHROME "SUN CONTROL (LIVE)"YELLOW MAGIC ORCHESTRA "GRADATED GREY"LAURIE ANDERSON "BIG SCIENCE"JOHN McCOWEN "FOGGD"NURSE WITH WOUND "LUMBS SISTER PART 9"FLYING LOTUS "SATELLLLIIIIIIITEEE"FLYING LOTUS "GERMAN HAIRCUT"ARCA "DM TRUE"SOL INVICTUS "ABATTOIRS OF LOVE"DAVID CROSBY "WHAT ARE THEIR NAMES"

SONIC YOUTH "THE WONDER/HYPERSTATION"CANNIBAL OX "RASPBERRY FIELDS"JOHN McCOWEN "HOSKIN"FAUST "C'EST...COM...COM...COMPLIQUE"ANGELO BADALAMENTI "NIGHT LIFE IN TWINS PEAKS"CONWAY THE MACHINE FEAT 7xvethegenius & JAE SKEESE "DRUMWORK"MOOR MOTHER FEAT NICOLE MITCHELL "ARMS SAVE"FLOATING POINTS, PHAROAH SANDERS, & THE LONDON SYMPHONY ORCHESTRA "MOVEMENT 7" DJ SPANISH FLY "WHAT COULD BE BETTER"THE SPECIALS  "DOESN'T MAKE IT ALRIGHT"

THE PLUGZ "WORDLESS"SACCHARINE TRUST "THE CAT CRACKER"BUTTHOLE SURFERS "MARK SAYS ALRIGHT"MINUTEMEN "EAST WIND/FAITH"THE FALL "HOTEL BLOEDEL"OCS "UNTITLED"AMPS FOR CHRIST "CANYON OF PALMER"PSYCHIC TV "OPIUM"BROWNIE McGHEE & SONNY TERRY "CONFUSION"CAPTAIN BEEFHEART "BIG EYED BEANS FROM VENUS"CHRIS CORSANO & BILL ORCUTT "MAN CARRYING THING"FRIGATE "PLEASURE LAGOON"ETRON FOU LELOUBLAN "LE DESASTREUX VOYAGE DU PITEUX PYTHON"THE CAMBERWELL NOW "CUTTY SARK/TRADE WINDS"

Dark Ambient Atmospheres Ep114 - Experimental - Avantgarde - Musique Concrete Mixhttps://www.youtube.com/c/DarkAmbientRadioDeaf Center - Stone BeaconVir Unis - Stochastic EntropiesElizabeth Fawn - Fairy RingsNew Risen Throne - A Vison of the HiddenHarald Kloser - Southern LightsDahlia's Tear - A Pale Shroud of TimeHecq - Spires AwakeSamantha Bouquin - Contemplation #1Brian Reitzel - Soon there will be just 5Architrav - Ewiges Eis

Dark Ambient Atmospheres Ep112 - Ethereal Noise, Experimental Drone, Musique Concrete Mixhttps://www.youtube.com/c/DarkAmbientRadioPeter Wright - Pariahs Sing OmAethere - Part IVElizabeth Fawn - Under Strange SkiesRobert Rich - Passing TerrainASC - Parallels to WanderNew Risen Throne - A Vision of the HiddenDahlia's Tear - A Pale Shroud of TimeArchitrav - Ewiges Eis

Dark Ambient Atmospheres Ep95 - Experimental - Avantgarde - Musique Concrete Mixhttps://www.youtube.com/c/DarkAmbientRadioJeff Toyne - A Morning JogGrouper - A LieVir Unis - A Mysterious Subastomic FragmentPeter Wright and Uton - A Hermetic NotionGraeme Revell - A Natural WitchEphemeral Mists - A Pale SlumberFrom the Mouth of the Sun - A Season in WatersOophoi - A single, Perfect Sphere Beyond the Curved Horizon

Dark Ambient Atmospheres Ep92 - Ethereal Electronic - Avantgarde - Musique Concrete Mixhttps://www.youtube.com/c/DarkAmbientRadioJames Newton Howard - VoicesMachinefabriek - VijfAbandoned Toys - Vermillion ReflectionsBen Frost & Daniel Bjarnason - VeniaSteve Roach - Void Memory OnePatrick Doyle - VoldemortArchitrav - Volle FahrtPhanatos - VoyageBosse - V

"Dich, du traditionalistischer Leser möchte ich dazu bewegen, die Geräusche zu verstehen und zu bewundern, so wie sie uns von der Natur und vom Leben gegeben sind." Was hat den futuristischen Maler Luigi Russolo 1913 getrieben, ein Manifest über Geräuschkunst zu schreiben? Seither gilt der italienische Klangtotalisator als Prophet zeitgenössischer Musik und DJ-Vorläufer. Seine Ermutigung zum Krach ist immer wieder dankbar aufgegriffen worden: von der Musique Concrete über Free Jazz, Jimi Hendrix, John Cage, Karl-Heinz Stockhausen, Einstürzende Neubauten bis zum Wiener Gemüseorchester. Die Erfindung des Rumoramonios macht ihn zum Ahnherrn der Loop- und Sampler-Technik.

Der französische Komponist und Toningenieur Pierre Schaeffer schuf Mitte des 20. Jahrhunderts eine neuartige Form der Musik aus vorgefundenen Objekten und Klängen. Nicht zuletzt der technische Fortschritt seiner Zeit, vor allem im Bereich des Radios, ermöglichte seine Experimente mit Plattenspielern und Tonbandgeräten. Musik & Regie: Gregor Glogowski. // Produktion: hr 2018. (Audio verfügbar bis 24.04.2023) Noch mehr Hörspiele und Hörbücher finden Sie im Podcast-Pool des Hessischen Rundfunks: https://www.hr2.de/podcasts/hoerspiel/index.html

Dark Ambient Atmospheres Ep83 - Experimental Electronic - Avant-garde - Musique Concrete Mixhttps://www.youtube.com/c/DarkAmbientRadioDahlia's Tear - The wreck of the forgottenBrian Tyler - Laying of HandsNatasha Nightingale - Lights in the FogFrom the Mouth of the Sun - Like shadows in an empty cathedralCurt Sobel - LightningSutcliffe Jugend - Tormented by shadows goneBeyond the Ghost - Red CurtainsDead Melodies - Cerebral OverrideArktau Eos - Language of embersDanny Lux - Laurie Fakes Disorder

If you are a fan of Hip Hop, you are likely a fan of sampling. Listen to this episode to understand why sampling is so prevalent in Hip Hop... and most pop music for that matter! We had a good time talking about some of the earliest methods of sampling, including the concept of sound art within Musique Concrete - which dates back to the 1940s by the way! We also cover some of the controversies and infringement that may have occurred as a result of early samples. We had fun with this one, so please enjoy! 

Dark Ambient Atmospheres Ep67 - Musique Concrete - Electro-acoustic - Experimentalhttps://www.youtube.com/c/DarkAmbientRadioVladimir Hirsch - Illuminated TemplesLes Sentiers Conflictuels & Andrew King - The NightAnnina Melissa - CrimsonArktau Eos - Quickening the Crystal BodyAntonio Testa - RahienTelomere - RadianceCities Last Broadcast - RailroomThe Synthetic Dream Foundation - Regeneration of the Damned

Dark Ambient Atmospheres Ep66 - Electronic - Avantgarde- Musique Concrete Mixhttps://www.youtube.com/c/DarkAmbientRadioFalse Mirror - The VentTomografia Assiale Computerizzata - 30 giorni nel desertoAbandoned Toys - The Great Dreaming SwanPeter Wright - PorousBrian Tyler - Portcullis pt 1Harald Kloser - Predator space shipHilmar Orn Hilmarsson - PremonitionOpium - PrideRasplyn - Priestess of the GoddessVir Unis - Primary Space

If there's an over-riding theme across the last several episodes, it is that music can be whatever we say it is.  In this third and last episode on this theme, we're talking about Musique Concrete. It's the name applied to a one of the most radical descriptions of music ever imagined.  Think of this music like you do when you think of abstract, visual art.  For instance, Picasso's Guernica.  There aren't too many people that think of that painting as traditionally beautiful, but there is a shocking, provocative, stirring power to it. The same holds true with this challenging music.With musique concrète, (French: “concrete music”), natural and mechanical sounds were captured or created using new inventions, the tape recorder, and later the computer and the synthesizer.   Sounds can either be used in their natural forms, or they could be processed and changed and then combined with other sounds to create a montage.   Other traits that define musique concrete include randomness, and the discard of the traditional composer-performer roles.  Sounds can be looped, played backward, sped up, slowed down, cut short or extended.  Their natural pitches could be varied, echoes could be added and so on.  As I did with episodes 14 and 15, I'm also going to show you how these really bizarre ideas eventually made their way into our current popular music scene.  Musique Concrete has made an impact in jazz and rock, too.   This is fun stuff!In This Episode:Pierre SchaefferPierre HenryJohn CageHarry PartchKarlheinz StockhausenThe BeatlesPink FloydIndustrial bandsPlunderphonics

The Repository is an oubliette of musique concrete, nocturnal emanations and audio oddities. An hour of strange music, spoken word musical mash ups of questionable taste. All material is royalty-free, public domain or Creative Commons. This show makes perfect late-night faire. Please let us know if you are broadcasting this show - contact us at kzzh@accesshumboldt.net.

In dieser Episode findet sich ein weiterer Teil der Reihe über die Musik. Werbung Bücher auf Amazon finden sich unter https://amzn.to/3gjEMvY --- Send in a voice message: https://anchor.fm/selbstorientiert/message

Mit dem Werk über einen alttestamentarischen Text wagt sich der junge Karlheinz Stockhausen 1956 auf kompositorisches Neuland: zum ersten Mal verbindet er die menschliche Stimme mit elektronischen Klängen. Eine technische Pionierleistung, aber auch Ausdruck tief empfundener Spiritualität. (Autor: Martin Zingsheim)

An exploration of “outside” music featuring a brief history of early Electronic Music, Musique Concrete, and the influence on contemporary music in the ’70s. Cage,...

POOLcast 064 - ANN The March edition of our POOLcast series is provided by ANN. One of the founders and integral part of The POOL Berlin, as well as curator of POOLcast. ANN has been exploring the different layers of electronic music for about 20 years now. A period of time in which you constantly search, find and comprehend yourself anew between different genres, styles, media and times. POOLcast 064 could be titled "Between". Not only did his connection with electronic music originate between two formative decades in Berlin. ANN also witnessed many electronic music styles, media and developments that shaped the zeitgeist of the time. Never simply doing what was in the manual or what the past demanded, he always tried to look between the shell and the core. In the space between experiencing music and making music, an area is created which makes room for something new. ANN creates and experiences his music simultaneously. This is not limited to the temporal moment, but also to the use of media and instruments used for listening and making music. When the boundaries between generating and reproducing sounds become blurred, a cycle between experiencing music and generating music is formed. The space between action and reaction leads to the fact that it is not clear where the beginning and end of this creative cycle. It is often impossible to tell whether ANN is listening to music or making music. A disadvantage for outsiders, because if they are not there live, they do not often get to enjoy his work. Therefore, we are of course even more pleased that ANN again provides us with one of his works. This time a mixtape that was created from his constantly growing vinyl collection. Somewhere between Jazz, Ambient and Musique Concrete. https://soundcloud.com/thepoolberlin/poolcast-064-ann/s-cfPJMS7OUol https://www.mixcloud.com/ThePoolcasts/poolcast-064-ann https://poolcast.bandcamp.com/track/poolcast-064-ann // ANN https://soundcloud.com/ann-other https://annother.bandcamp.com/ https://www.facebook.com/ANN.mistakes // The POOL Berlin https://facebook.com/thepoolberlin/ https://soundcloud.com/thepoolberlin/ https://poolcast.bandcamp.com/ https://mixcloud.com/ThePoolcasts/ https://pooltracks.bandcamp.com/ https://open.spotify.com/show/5YxJHKoPPflbj9NKleINUz https://podcasts.apple.com/de/podcast/poolcast/id1462173000 https://overcast.fm/itunes1462173000/poolcast https://pca.st/tC92 https://www.stitcher.com/podcast/the-pool-berlin/poolcast https://bit.ly/2LwuUBE https://amzn.to/2K3elN4

Der Maler Luigi Russolo gilt bis heute als Prophet zeitgenössischer Musik und DJ-Vorläufer. Seine Ermutigung zum Krach ist immer wieder aufgegriffen worden: von der Musique Concrete über Free Jazz, Jimi Hendrix, John Cage, Einstürzende Neubauten bis zum Wiener Gemüseorchester. Die Erfindung des Rumoramonios macht ihn zum Ahnherrn der Loop- und Sampler-Technik.

POOLcast 063 - Syntax Erika Our second POOLcast of the year comes from Syntax Erika, who lives between Mexico and Barcelona. For over 7 years she has been studying and working on projects in the contemporary electronic music and media landscape. Syntax Erika belongs to the latest generation of artists who do not limit their creative work to the boundaries of one medium. Those who understand art as a hybridization of all senses and demands just that from the audience. Programming is done here, moving images are generated, synthesizers are recorded and music is played as well as created live. Everything that is technically allowed and possible nowadays is explored, studied, exploited and presented for creative expression. Musically that means Dark Ambient, industrial drones, Art-Techno, noise and synthesizer experiments. For her POOLcast she has arranged an interesting mixture of contemporary experimental music to an always emotional mixtape. Natural sounds are mixed with synthetic noises, ambient is permeated by ethereal vocals and Musique Concrete experiments come in all colors and temperatures. POOLcast 063, for those who didn't have Erika on their list yet, gives a very good picture of her musical world, which you can discover either on her own label Ambient Flux or with the released Syntax Network EP on the Japanese female label GARDIANNN. Enjoy. https://soundcloud.com/thepoolberlin/poolcast-063-syntax-erika https://www.mixcloud.com/upload/ThePoolcasts/poolcast-063-syntax-erika/ // Syntax Erika https://soundcloud.com/syntaxerika https://www.facebook.com/syntaxerika1 https://syntaxerika.bandcamp.com/releases Ambient Flux https://soundcloud.com/ambientflux https://ambientflux.bandcamp.com/ https://www.facebook.com/ambientflux GARDIANNN https://guardiannn.bandcamp.com/ https://guardiannn.bandcamp.com/album/syntax-network-ep // The POOL Berlin https://facebook.com/thepoolberlin/ https://soundcloud.com/thepoolberlin/ https://poolcast.bandcamp.com/ https://mixcloud.com/ThePoolcasts/ https://pooltracks.bandcamp.com/ https://open.spotify.com/show/5YxJHKoPPflbj9NKleINUz https://podcasts.apple.com/de/podcast/poolcast/id1462173000 https://overcast.fm/itunes1462173000/poolcast https://pca.st/tC92 https://www.stitcher.com/podcast/the-pool-berlin/poolcast https://bit.ly/2LwuUBE https://amzn.to/2K3elN4

Hello and welcome back to Porous Borders. This is episode 5, the first episode of 2020, and today on the show is an interview with Will Guthrie.If you're not familiar with Will Guthrie's work, he's an Australian percussionist who started out in Melbourne and is based in Nantes in France and he has a lot going on. He's released a huge number of solo percussion and musique concrete recordings and many more collaborations with people like Richard Dawson, Oren Ambarchi, Keith Rowe, Ava Mendoza, and Mark Fell. In 2019 Will released a bunch of great records, a solo tape called Some Nasty on the Indonesian label Hasana Editions, as well as a collaboration with Sam Shalabi, Mark Fell, and Oren Ambarchi called "Oglon Day", and a duo record with Oren Ambarchi called 'Knotting'. In 2018 he also released a split tape with my friend and future podcast guest Gendes on the Noise Bombing label. You'll hear more about that label on next week's episode, which will be out on Tuesday the 7th.Recently, Will has been travelling to Southeast Asia, which is where we met and recorded this interview. Just a quick technical note, you'll hear a bit of popping on Will's mic, which is 100% my bad microphone placement, and not Will's fault at all. I've tried to EQ out the worst of it, but you'll definitely notice it. I really enjoyed this conversation; Will is an incredible musician and a really nice person. Tracks played: "Olgas", "Nist-Nah"Will Guthrie solo performance @ IFI, Yogyakarta: https://www.youtube.com/watch?v=zuIsuob-bgI&t=1249s Will Guthrie & TSAATAN split: https://noisebombing.bandcamp.com/album/nb12-will-guthrie-x-tsaatan Some Nasty cassette: https://hasanaeditions.bandcamp.com/album/some-nasty Oglon Day: https://33-33.bandcamp.com/album/oglon-day-2 Knotting excerpt: https://soundcloud.com/will-guthrie/oren-ambarchi-will-guthrie-knotting-excerpt

Cold air hangs thick in the early days of December, winter is here and we have a soundtrack to accompany the tone. Calibre is regarded as one of the most innovative and prolific producers within electronic music, over the years he has become a definitive figure in Drum & Bass, having elevated the genre in a way in which is celebrated and adored. Originating from Belfast he has recorded music which has tugged at the heartstrings, encouraging a new chain of thought associated with the sound. Albums like "Musique Concrete" and "Second Sun" remain some of the most crucial and important pieces of work to emerge from the Northern Irish producer and he is widely considered to be one of the most significant electronic artists of the past twenty years. At the tail end of last week Dominick Martin released a new album through his own imprint, Signature Records. It showcases a change of pace for the producer as he focusses on ambient textures and the poignancy of life. It was recorded across a four year period following the passing of a close friend and as such a sombre, humble sense of honest self expression runs throughout. Titled "Planet Hearth" the album was written in Valentia on Ireland's west coast. It's a beautiful record which highlights his own approach to music and offers an insight into the soul of a musician who has contributed so much. We are hugely honoured to be able to present a mix from Calibre which showcases ambient music, past and present.

Today's BLASST features our final Space-themed episode, Space IV: Strange Sounds From The Past, For The Future. Within you will find a collection of music from across the past 50 years that has pushed boundaries forward (both within music as well as ourselves). Some of today's selections might be considered mature or NSFW, so I would like to state that listener discretion is advised.http://blsst.blogspot.com

“Nothing essential happens in the absence of noise.” - Jacques Attali

Ok, I decided I'm not going to continue spelling out the episode numbers because that's some cornball-ass shit. I don't care what Apple decides to do to my episodes, it's just not worth it. Anyway, we go back into space on this broadcast, and I get to play all the stuff I wanted to play last week, but couldn't. Everyone from Alice Coltrane to Suzanne Ciani is in this supernova. Dig in!E-mail: uupunk@gmail.comBlog: http://blsst.blogspot.comInsta: @u_punkTwitter: @universal_punk

This is not podcastary in the normal sense of podcasting but then this was no normal musical album...

Sonitus Eco it the project of Maltese producer and live performer Justin Meli Influenced by early electronic musicians like the BBC Radiophonic workshop artists , Musique Concrete and early industrial music his sound could be defined as Deep, Dark, Dub and Experimental .He has already released numerous Eps and remixed several artists on various labels including , Pinkpube ,Rohs! , Eclipse Music , Sonntag Morgen , & Batti Batti.. His debut album 'It is loneliness that makes the loudest noise' is released on Silent Season. His live performances are fully hardware , energetic and raw . https://www.facebook.com/Sonitus.Eco

In film, sound is the partner to the image. The ultimate compliment to sound designers, mixers, and editors is when no one actually notices the work. Sound designer Ren Klyce brings a professional's view to cinematic sound as a subtle, supporting character to the image, and the reasons why it is so often misunderstood and underappreciated. Our work is not just about the aesthetics of understanding how sound and dialogue enhance a film creatively, but it requires an understanding of human audiology, the behavior of sound waves, and the use of a great deal of technology. In this talk, I will play some excerpts from some well-known films, such as The Social Network or The Girl with the Dragon Tattoo, and deconstruct how film sound tracks are made in collaboration with the director. Born in Kyoto Japan, Ren Klyce grew up in Mill Valley, California. He studied Electronic Music at UC Santa Cruz with Gordon Mumma, David Cope, and Peter Elsea and was trained in the traditional tape-based techniques of Musique Concrete. After meeting John Chowning at a lecture series in 1983, Klyce enrolled in the summer workshop at the Center for Computer Research in Music and Acoustics (CCRMA) and composed three pieces on the original SAM Box. Because of his experiences in the Electronic Music course at UCSC, Klyce became increasingly interested in computer music and the use of multiple speakers for playback. He went on to design sound for films such as Se7en, Fight Club, Being John Malkovich, and Where The Wild Things Are. He has been nominated for five Academy Awards — most recently for the films The Social Network and The Girl with the Dragon Tattoo. He is currently working on the hit web series House of Cards and on the upcoming film Oblivion.

MB Plays: Bowed metal instruments, springs, chimes, drums, electronics.

MB Plays: Bowed metal instruments, springs, chimes, drums, electronics.

MB Plays: Tapes, Electronics, EMS, Metal Instruments.

MB Plays: EMS, theremin, noise fx, tapes, filters, metals.

MB Plays: Tape Machines, Noise Electronics, Synthi, Metal Junk, Etc

MB Plays: EMS Synth, Homemade Metal Instruments, Noise Electronics, Various Filters.

MB Plays: EMS Synth, Homemade Metal Instruments, Noise Electronics, Various Filters.

MB Plays: junk Metals, noise electronics, tapes, EMS, filters.

MB Plays: Tube Filter, Tube Oscillator, Beam Deflection Tube as Balanced Modulator, Thyratron Noise Generator, Tape Echo. Dedicated to Moushu.

MB Plays: Records, Turntable, Slide guitar, Spring Reverb, Bontempi Organ

MB Plays: Tube Filter, Tube Oscillator, Beam Deflection Tube as Balanced Modulator, Thyratron Noise Generator, Tape Echo. Dedicated to Moushu.

MB Plays: Gameboy DMG-1, nanoloop, gameboy camera, various filters, tape echo. Dedicated to Moushu.

MB Plays: Gameboy DMG-1, nanoloop, gameboy camera, various filters, tape echo. Dedicated to Moushu.

MB Plays: raw materials, recorded May 19, 2008. voice, junk metals, electronics, tapes. no synthesizer.

Impression of Koji Tsuruta Part 2. videos, noise electronics, tapes, junk.

MB Plays: EMS, tape machines, tape echo, electronics, tapes.

MB Plays: EMS, tape machines, tape echo, electronics, tapes.

MB Plays: EMS, tape machines, tape echo, electronics, tapes.

Hong Kong field recording, Kowloon district.

MB Plays: Vocoder, SN74677 Synth, Moog MG-1, Voice, Tape Echo

Parts 1 and 3. Metal Instruments, EMS, Tapes, Electronics.

MB Plays: Waterphone, Ukelele, Handheld Amplifier, Spring Reverb, Tapes.

Recorded June 8th, 2007. Turntable, Tapes, Metal Instruments, Noise Electronics.

MB Plays: Waterphone, Homemade Instruments, Ukelele, Battery Powered Amplifier, Spring Reverb.

MB Plays: Bontempi Fuzz Organ, Harmonica, Guitar, EMS, Turntable.

MB Plays: Tape Machine, Audio Mixer, Thyratron Oscillator, Homemade Devices.

MB Plays: Guitar, Bontempi Fuzz Organ, EMS, Tape Echo, Turntable, Tapes.

MB Plays: EMS, Tapes, Metal Junk, Noise Electronics.

200v Gentlemen. Broken Tape Machine, Broken Audio Mixer, Homemade Devices.

MB Plays: records, turntable, tapes, noise electronics

MB Plays: junk metal, voice, feedback, tapes, devices

MB Plays: metals, tapes, electronics

MB Plays: 50EH5 amplifier, junk metals, tapes, electronics

MB Plays: EMS, Moog, Tape Echo, Spring Reverb, Tapes

MB Plays: Tape Machines, Homemade Copper Instruments, Devices

MB Plays: Tape Machines, Turntable, Found Records & Tapes, Filter

MB Plays: EMS, Tapes, Junk Metal, Homemade Devices.

MB Plays: tape loops, tape echo, springs, PA speaker, microphone, found materials, junk.

MB Plays: cracklebox, theremin, naisatron, walkman, transistor radio, am transmitter.

MB Plays: Thyratron Oscillator, Tube Filterbank, Tapes, Devices.

Musique Concrete

Musique Concrete

Musique Concrete

Musique Concrete

Musique Concrete