Podcasts about My Music

August 20th, 2016. The Rogers K-Rock Centre, Kingston, Ontario. Thirty songs. Three encores, which was not a thing they did. And a country that put down whatever it was holding.Ten years later, jD asked fifteen people one question. Not what they made of it. Not where it ranks. Just this: where were you.The answers do not go where you would expect. An airplane hangar outside Olympia, Washington. A garage door in the country north of Superior with fifty people camped in the yard. A smoker in Calgary that had been running since sunrise. A lakeside deck in upstate New York with a bottle of Macallan 12 on it and a great blue heron that keeps turning up in the shape of an album cover. An arena in Chicago where a man from Detroit stood in a Gord Downie shirt underneath a Tigers jersey, missing the whole thing on purpose, waiting to find out whether two sentences he had typed five days earlier had reached anybody.They had. That is all yer getting.Who's HereAdam from Tampa had never seen The Hip play a note and owned five of the records. At 7:55 he told his houseguests he would be back in either five minutes or two and a half hours, went upstairs, and typed the words CBC and The Tragically Hip into a search bar. What he did the following morning cost him the next four years.Andy from London was three weeks deep into Scotland with a speaking gig in Pennsylvania waiting on the Monday. He flew home without his family for exactly one day. Where he watched it, and who was running the sound there, is the part that still gets him.Brian from Canastota got hooked by a Saturday Night Live performance in 1995 and never came unhooked. Bose rig on the deck, the lake in front of him, and a heron that has been showing up in a very particular silhouette for years. His wife found him out there at two in the morning.Brock from Kitchener was in the lower bowl. A ticket scanner went down and he ended up sitting inside a nearly empty K-Rock Centre while eight thousand people waited outside. Ten years on he has still never watched the broadcast. Not once, not one song.Colin from Winnipeg lost his mother and had his first child inside the same fortnight, and had to move a funeral to do it. He watched with a newborn who is ten years old now. He has a plan for the rewatch, and it involves all three kids.Dan from Buffalo and Colleen from Buffalo drove in from the Hamilton show with no tickets, no expectations, and their phones switched off at the border. Dan wandered down to look at a boat show at half past nine in the morning and got into a line without asking what the line was for. He was number twenty-eight.Duxoop from Toledo watched at home, alone, so that nobody could see him cry, pulling CBC down through a Windsor channel on Ohio cable. He knew twelve of the thirty songs that night. He is up to nineteen now, and the way he counts them is not the way you would count them.Greg from Tacoma spent the evening at his mother Rosalie's 79th birthday party in an airplane hangar, slipping off to a corner every ten minutes with a phone and no headphones. What he heard inside 'Grace, Too' that night he has never stopped hearing, and the people standing beside him in that hangar are a large part of why.Janice from Kitchener stopped for a photo at the Welcome to Kingston sign, signed the banners downtown, and walked into the arena at the exact moment it stopped letting anybody else in. She has a theory about how many people are eventually going to claim they were in that room.Jimmy from Detroit had tickets for the London and Toronto shows, and a promise to his wife that put him in Chicago on the 20th instead. Five days out he sat down and wrote two sentences on a message board. He will go to his grave believing somebody read them.Joanne from Thunder Bay had seen the August 12th show in Toronto and could not get to Kingston. A friend rigged a projector onto a garage door out in the country and fifty people camped in the yard to watch it. One song landed harder than everything around it, and it was not the closer.Spencer from Calgary made three racks of ribs, a couple dozen perogies by hand, and a house rule about side conversations. Gold glitter letters stuck to the fridge spelling out the songs he was hoping for. Then he walks the setlist album block by album block, and a decade later the surprises still surprise him.Steve from Toronto got a single ticket half an hour after they went on sale and watched from ten rows back. He has the sharpest disagreement in the whole episode, and it is not about the band. It is about whether the people watching it and the people inside it were even at the same event.Todd from Fort Mac says the words Fort Mac and 2016 and everybody already knows he means the fire. He watched at his grandfather's house in Louisdale, Cape Breton, with the family in from out west. It was the last time all of them were in that room together.What They Said"I'll start with the punchline, which was I was in an airplane hangar weeping."  - Greg from Tacoma"I went by myself, but I was not alone."  - Andy from London"When you're watching it on TV and Gord's breaking down at the end of the song, you feel completely helpless. But when you're at the show and that happens, you just start making as much noise as you know how to make to help your guy pull through."  - Steve from Toronto"To me, it's a celebration of Canadian culture. And I know that was never the intention, but it's just always what it turned out to be."  - Todd from Fort MacAbout That NightThirty songs at the Rogers K-Rock Centre. 'Fifty-Mission Cap' into 'Courage', 'Wheat Kings', and 'At the Hundredth Meridian' - four songs in and the whole country was already accounted for. Then 'Tired as Fuck', uncensored, on the national broadcaster. Then a thunderstorm nobody had been warned about. Then 'My Music at Work', 'Lake Fever', 'Toronto #4', and 'The Last of the Unplucked Gems', which is not a setlist, it is a dare. Three encores, closing on 'Ahead by a Century'. Setlist confirmed via setlist.fm.Fifteen people, one date, and not one of them tells it the same way. That is the whole point of this show, and Kingston is where it lands.GEDfest Toronto 2026Saturday, October 17th, 2026. The Horseshoe Tavern, Toronto, with Grace, 2 on the stage. GEDfest raises money for Campfire Circle and the Murphy Family Fund in Precision Medicine in Pancreatic Cancer, and this community has put nearly $40,000 toward causes like these since 2018. Tickets and details: facebook.com/GEDfestYYZThe CommunityYer Letter lands once a month with everything happening across the network. Subscribe at subscribe.tthpods.com. The Facebook group is roughly 7,500 fans deep and still climbing at community.tthpods.com. Leave yer own Hipstory any time - jD reads every one.Home: home.tthpods.comEmail: jd@tthpods.comInstagram: @tthpodsYouTube: youtube.com/@tthpodsTip JarEditing is hard and the battery needs charging. Buy jD a coffee at buymeacoffee.com/tthtop40More From The Final TourYer Hipstories: Reflections From The Final Tour - Ottawa: redcircle.com/shows/a01e8de3-1a04-4a44-ab9c-8fc6e3cb7474/ep/7fb753ff-654b-4be4-ab44-3cbae3b7a68bYer Hipstories: Reflections From The Final Tour - Hamilton: redcircle.com/shows/a01e8de3-1a04-4a44-ab9c-8fc6e3cb7474/ep/fae76ee3-738f-4007-80c8-7140729bb295ClosingThank you to Adam, Andy, Brian, Brock, Colin, Dan, Colleen, Duxoop, Greg, Janice, Jimmy, Joanne, Spencer, Steve, and Todd. Fifteen people handed over the most specific night of their lives and asked for nothing back. So there's that.#TheTragicallyHip #GordDownie #TTHPods #HipFans #CanadianMusic #InGordWeTrustSupport this podcast at — https://redcircle.com/tthtop40/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

What happens when you know exactly how you want your music to sound… while still insisting you don't really know what you're doing?In this episode of MyMusic, Graham Coath talks to Jorge Wilson about creativity, perfectionism, independence and finding a sound that actually feels like your own.Jorge describes himself as a self-taught musician who often plays by ear, layering instruments according to what sounds right rather than what the rulebook says he should be doing. Yet behind that apparently instinctive approach is someone with a remarkably clear idea of the tones, textures and atmosphere he wants to create. They talk about the influences behind both Jorge's music and his distinctive visual identity from David Bowie, Steve Lacy and Michael Jackson to Richard Ashcroft, Johnny Marr, Tame Impala and Mac DeMarco and why imperfection can sometimes be precisely what makes music interesting. There's also the story behind Life Goes On, a song Jorge describes almost as a message to himself. As a perfectionist and an over-thinker, he wanted to remind himself to let things go rather than allowing everything to keep playing on his mind. His songwriting often works that way: the emotion comes first, and sometimes he doesn't fully understand what he's written about until the song is finished. The conversation gets into the strange trade-off that comes with becoming a solo artist too: complete creative freedom also means being on your own. Jorge talks about needing people around him who will give him an unfiltered opinion, including producer Steven Griffiths, and why he'd rather hear that something isn't good enough than receive comfortable praise. And perhaps most importantly, they discuss learning to accept that not everybody has to like what you make. Jorge's approach is wonderfully straightforward: if somebody doesn't like his song, that's fine. If he still loves what he's created, that's what matters. Plus: the borrowed Höfner bass that made Graham jealous, why having too many instruments can actually make creativity harder, Jorge's first song after seeing Richard Ashcroft, the forthcoming debut of the black suit on stage, and why Paul McCartney and Johnny Marr represent musicianship at its best.Jorge's debut EP JPW is available on streaming platforms. MyMusic conversations about the lives, stories and creative processes behind the music.My Music is sponsored by 13th Floor Sound

Graham Coath talks to Australian singer-songwriter Caddy Callaghan about the music we carry with us, sometimes for years, before finding the courage and space to bring it fully to life.Caddy remembers sitting at her grandmother's old wooden piano at just four years old and feeling something she describes beautifully: “It gave me resonance.” That connection has remained with her ever since, through teaching, motherhood, periods of doubt and the constant bells of everyday life competing for her attention.She shares the remarkable story behind her single Sweet Fool, written many years ago in a school piano room when she was supposed to be planning a lesson, and its eventual journey to Nashville, where she recorded with acclaimed musician and producer Rick Price.They also talk about repetition, creative bubbles, romantic hope, the fear of failure and why producing three minutes of music can represent ten years of dreaming. There is even time to hatch a plan involving Caddy's vineyard and a future bottle of Sweet Fool Pinot Noir.This is a warm, honest conversation about remaining hopeful without remaining naïve, allowing yourself to be carried when life becomes difficult, and making room for the thing that gives you resonance.MyMusic is hosted by Graham Coath and proudly sponsored by 13th Floor Sound.

Steve Hackett | The Roaring Waves | My Music with Graham CoathSteve Hackett has spent more than five decades creating some of the most influential guitar music ever recorded, from his groundbreaking work with Genesis to an extraordinary solo career that continues to evolve.In this episode of My Music, Graham Coath sits down with Steve to explore The Roaring Waves, his long-awaited collaborative album with fellow guitar legend Steve Rothery of Marillion.Together they discuss the eight-year journey behind the record, the friendship that made it possible, and why this is far more than a "guitar album". Inspired by the sea, the Yorkshire coastline around Whitby, and the power of nature, The Roaring Waves is an atmospheric, cinematic collection that allows two distinctive guitar voices to have a conversation without ever competing for attention.Steve shares stories from recording the album across multiple studios and home setups, explains how different guitars and unusual tunings shaped the sound, and reflects on what he's learned from working alongside Steve Rothery. The conversation also looks back at Genesis, GTR, Marillion, the enduring appeal of instrumental music, and why sometimes the most powerful notes are the ones you choose not to play.As always, this isn't just an interview about an album. It's a conversation about creativity, patience, collaboration, and a lifetime devoted to making music.In this episode, you'll discover:Why The Roaring Waves took almost a decade to complete.How Steve Hackett and Steve Rothery built a genuine musical partnership.The stories and locations that inspired the album.Steve's approach to guitar tone, recording and songwriting.Memories of Genesis, GTR and working alongside some of progressive rock's greatest musicians.Why creating space in music can be just as important as playing more notes.If you enjoy thoughtful conversations about music, creativity and the people behind the records, don't forget to follow My Music, leave a rating, and share the episode with another music lover.My Music is hosted by Graham Coath, bringing you conversations that go beyond the songs to explore the stories, inspiration and personalities behind the music.My Music is sponsored by 13th Floor Sound

For nearly four decades, DEARDARKHEAD have quietly built a reputation as one of New Jersey's most distinctive underground alternative rock bands. Now, after a 25-year gap between full-length albums, they're back with The Pendulum Swings – a record that proves creativity doesn't have an expiry date.On this episode of MyMusic, Graham Coath sits down with drummer Robert Weiss to explore the band's remarkable journey from their beginnings in Atlantic City in 1988 to creating an album that blends shoegaze, post-punk, psychedelia and cinematic instrumental storytelling.The conversation goes far beyond the new record. Robert explains why the band embraced becoming an instrumental act, how they create songs without relying on lyrics, and why emotion has become the band's true lead vocalist. They discuss the challenges of making music over nearly four decades, the influence of producers Brian McTear and Amy Morrissey, experimenting with drum loops and unusual time signatures, and why The Pendulum Swings feels like the perfect statement of everything DEARDARKHEAD have experienced together.There's also a fascinating discussion about the lost art of listening to albums from start to finish, the changing music scene, working in record stores, favourite drummers, Stewart Copeland, shoegaze influences, and why sometimes the greatest success is simply making the next record.If you enjoy thoughtful conversations about creativity, longevity and music made with purpose, this is an episode you'll want to spend time with.Listen to The Pendulum Swings and discover why critics are calling it a stunning return for one of New Jersey's most enduring underground bands.

What happens when an artist stops trying to impress people and starts telling the truth?In this episode of MyMusic, Graham Coath welcomes New York-based singer-songwriter ROREY for a thoughtful conversation about vulnerability, creativity and the emotional honesty that sits at the heart of her music.Ahead of the release of her latest single, "Binary Thinking" (out 31 July), ROREY explains how the song explores the conflicting emotions that follow heartbreak. As she puts it:"I think we all want to stand on the belief that the other person will regret losing us, but I also wondered if I even mattered enough to be felt as a loss... Silence is open to interpretation, and the intention behind it doesn't change the impact."The indie-pop track blends lush acoustic guitars, expressive bass and memorable melodies to create the immersive sonic landscapes that have become ROREY's signature.During the conversation, Graham and ROREY explore:The inspiration behind Binary Thinking.Why she describes herself as someone who was "making sound" long before making music.Turning heartbreak into art.The fear of visibility in the age of TikTok and social media.AI, authenticity and why human creativity still matters.Why musicians need more than likes—they need genuine support.How music helps us understand ourselves and the world around us.It's an honest conversation about creativity, mental health, relationships and finding your voice—exactly the kind of discussion that reminds us why music remains one of the most powerful forms of human connection.ROREY has earned acclaim from OnesToWatch, Zane Lowe, LADYGUNN and Atwood Magazine, while her music has featured on major Spotify editorial playlists including Fresh Finds, Fresh Finds Indie, New Music Daily and New in Pop.If you enjoy conversations that go beyond the music and uncover the person behind it, subscribe to MyMusic, leave a rating, and share this episode with someone who believes great songs begin with real stories.My Music is sponsored by 13th Floor Sounds

MyMusic with Graham Coath – Jonny CouchWhat does it take to step out from behind the drum kit and become the artist at the front of the stage?In this episode of MyMusic, Graham Coath is joined by Jonny Couch, the New Jersey singer-songwriter whose journey has taken him from pounding the drums in touring punk bands to becoming an acclaimed solo artist with a love of classic songwriting, unforgettable melodies and timeless rock 'n' roll.Their conversation travels from Jonny's early days touring the UK with legendary acts such as Theatre of Hate and sharing stages with bands including Buzzcocks, through to finding his own voice as a frontman after spending years in the background.Along the way they discuss:Why becoming a singer meant learning a completely different set of skills.The art of connecting with an audience through eye contact, storytelling and performance.Whether social media has changed the relationship between musicians and live audiences.Why Jonny still believes rock stars should look like rock stars.Songwriting, vocal development and the artists who have inspired him, from David Bowie and Bryan Ferry to Joe Jackson, Smokey Robinson and Cheap Trick.Why small clubs still create the strongest connection between artists and fans.The importance of tension, release and dynamics in great songwriting.Why podcasting can help people discover music in a far more meaningful way than a 10-second social media clip.There's plenty of humour too, from stories about touring Britain and navigating UK trains, to ideas for a future podcast called "On the Couch with Jonny Couch" and even a starring role for Jonny's Westie, Alfie.As always, MyMusic goes beyond the songs to explore the people behind them. If you enjoy conversations about creativity, performance, songwriting and what drives musicians to keep creating, this is an episode you won't want to miss.

Mixed Signals: Ben Gardiner on Building a Band, Breaking Out of Scotland & Why Great Music Deserves to Be HeardHow do you build a band in a world where social media can matter as much as the songs themselves?In this episode of MyMusic, Graham Coath talks to Ben Gardiner from Scottish alt-rock band Mixed Signals about the realities of being an independent artist today.From the thriving local music scene around Ayr to the band's ambitions of playing London's venues and one day supporting Biffy Clyro at Glasgow's legendary Barrowland Ballroom, Ben shares an honest insight into life as a musician trying to take the next step.The conversation explores where the band's name came from, why relationships and "mixed signals" inspire so much of their songwriting, how they balance melody with huge cinematic soundscapes, and why they believe writing better songs will always matter more than chasing algorithms.Graham and Ben also discuss the challenges facing emerging artists, the importance of musicians supporting one another across the UK, why discovering new music has never been easier—or harder—and whether the industry could do more to help talented bands find their audience.If you enjoy discovering new artists and hearing the stories behind the music, this is a conversation well worth your time.If you enjoy the episode, don't forget to follow Mixed Signals on social media, stream their music, and subscribe to MyMusic for more conversations with the artists creating the soundtrack to our lives.

What happens when an award-winning filmmaker, healthcare activist, songwriter and storyteller all exist in the same person?In this episode of MyMusic, Graham Coath is joined from New Jersey by the remarkable Julia Greenberg for a conversation that moves effortlessly between music, creativity, protest, poetry and the stories that shape the songs we write.Julia talks about her beautifully intimate new EP, recorded live in just a single day, why leaving the imperfections in a performance can sometimes reveal the greatest truth, and how producer Bob Perry captured not just the sound, but the atmosphere of the room itself.Along the way, the conversation explores everything from the American healthcare system and the role of protest music, to Dory Previn, songwriting, humour in melancholy, lifelong creativity, and the daily habits that keep artists inspired.This isn't just a conversation about making records. It's about making sense of the world through music.If you've ever wondered where songs really come from, how life outside music influences what we create, or why the stories behind an album can make you hear it differently, this is an episode you won't want to miss.Listen now, then discover Julia Greenberg's music for yourself.MyMusic is hosted by Graham Coath and proudly sponsored by 13th Floor Sound, supporting independent artists and keeping real music alive.

Dream Delay are proving that modern rock doesn't have to choose between big guitars and meaningful lyrics.In this episode of MyMusic, Graham Coath is joined by Sam (known as SCR), guitarist and songwriter for Dream Delay, for a wide-ranging conversation about how the London-based band came together, why they deliberately write songs that lean towards hope rather than division, and how a chance meeting through a musicians' networking app sparked the beginning of the project. The conversation also shines a light on Anna, the band's French vocalist who performs under the stage name Lonvy, whose distinctive voice and spiritual outlook help shape Dream Delay's unique identity and lyrical direction. Although Anna couldn't make this interview, her influence runs throughout the discussion and the music. Sam (SCR) shares the inspiration behind Dream Delay's latest music, including the powerful message of perseverance in their single Worth It, the band's love of theatrical live performance, and the influence of artists such as David Bowie, Red Hot Chili Peppers, Fleetwood Mac and Nirvana. The conversation explores why Dream Delay are determined to keep guitar-driven rock alive, how they found an exceptional Brazilian drummer through a London musicians' community, and why melody, atmosphere and emotion remain at the heart of great songwriting. Beyond the music, Graham and Sam (SCR) discuss the realities of building an independent band in today's industry, the importance of community, grassroots venues, social media, entrepreneurship in music, and why musicians should never be afraid to carve out their own path. If you enjoy honest conversations with passionate musicians who are creating music with purpose, this is an episode you won't want to miss.In this episode, you'll discover:How Dream Delay was formed during the pandemic.The story behind Sam (SCR) and Lonvy coming together to create the band.The philosophy behind writing positive, uplifting rock music.The inspiration behind Worth It.Why theatrics still have a place in modern rock.Guitar-driven songwriting, melody and creating space in a band.Building an audience as an independent artist.The future plans for Dream Delay.Listen now, follow Dream Delay on social media, add their music to your playlists, and if you can help connect the band with promoters, venues or booking opportunities, they'd love to hear from you.

Music has a way of bringing people together, and this episode of MyMusic is a wonderful example of that.Host Graham Coath is joined by Mandi Seekings, speaking from Las Vegas, for a warm and engaging conversation about songwriting, vinyl, musical influences and the journey that has taken her from growing up in Hawaii to recording and performing in Nevada.Mandi talks about her lifelong love of music, the artists who shaped her sound, overcoming writer's block, and how meeting her life partner, producer and 13th Floor Sound founder Cody, reignited her creativity. Together they discuss the collaborative process behind her music and why some of the best songs begin with nothing more than an acoustic guitar and an idea.The conversation explores Mandi's new debut 45rpm vinyl release, featuring Need You Now and the heartfelt B-side Next To Me, a song written in memory of both her and Cody's fathers while celebrating the enduring presence of those we've lost.Along the way, you'll hear stories about:Growing up in Hawaii and taking those island influences into her music.Performing three nights a week in a Las Vegas lounge.Why vinyl is enjoying such a remarkable revival.The artists who continue to inspire her, from Mariah Carey and Fleetwood Mac to Harry Styles, Tracy Chapman and Jimi Hendrix.Why love remains the driving force behind the songs she writes.As always, Graham steers the conversation beyond the music itself, exploring the stories, relationships and experiences that shape an artist's work. It's a relaxed, thoughtful discussion full of humour, honesty and a shared passion for keeping real music alive.If you enjoy discovering emerging artists, hearing the stories behind the songs, and celebrating the continuing resurgence of vinyl, this is an episode you won't want to miss.MyMusic is proudly sponsored by 13th Floor Sound, the Las Vegas independent record label committed to keeping authentic music alive through analogue recording, modern production and beautifully crafted vinyl releases.

MyMusic Podcast DescriptionWhat happens when two of progressive music's most distinctive guitar voices finally make the album they've been talking about for almost a decade?In this episode of MyMusic, Graham Coath welcomes Steve Rothery (Marillion) back to the show to discuss The Roaring Waves, his long-awaited collaborative album with Steve Hackett (Genesis), released on 28 August 2026.Steve shares the story behind a project that began in 2016 and slowly evolved into a collection of cinematic instrumental pieces inspired by the sea, memory, atmosphere and the landscapes that shaped his childhood. From Whitby's dramatic coastline to the creative chemistry he shares with Steve Hackett, this is a fascinating conversation about patience, collaboration and allowing music to breathe.The discussion explores why The Roaring Waves is far more than a "guitar album", how the pair avoided turning it into a showcase of technical playing, and why creating emotion will always matter more than playing the most notes. Steve also talks about the album's collaborators, the challenge of finishing a project nearly nine years in the making, and hints at plans for a second album together.Along the way, Graham and Steve reflect on Marillion's early comparisons with Genesis, life on the road, the changing way people listen to music, and why albums that encourage listeners to slow down are perhaps more important now than ever.If you love progressive rock, atmospheric instrumental music, or simply hearing world-class musicians discuss the creative process with honesty and humour, this is an episode not to miss.Featuring discussion on:The making of The Roaring WavesWorking with Steve HackettThe inspiration behind The Black SeaGrowing up by the sea and its influence on songwritingWhy emotion always beats technical perfectionMarillion, Genesis and nearly 50 years of musical historyWhether there could be a second Hackett/Rothery albumSponsored by 13th Floor Sound, an independent record label dedicated to keeping real music alive.

Music doesn't have to fit neatly into a genre, and neither does Melody Zenith.In this episode of MyMusic, host Graham Coath sits down with the independent artist to explore the influences, ideas and experiences behind her music. From growing up on the sounds of Kate Bush, Depeche Mode and The Cure to finding inspiration in disco, trip-hop, R&B and beyond, Melody explains why she's more interested in emotion than labels.The conversation dives into songwriting as therapy, the vulnerability of finding a melody with nothing but your own voice, and why imperfections are often where the magic happens. Melody also shares her thoughts on AI, creativity, artistic ownership, burnout, editing her own videos, building an independent career, and why sometimes the most powerful thing a musician can play is... nothing at all.Along the way, there are conversations about vinyl records, Twitch DJ sets, cats interrupting recording sessions, Bandcamp, touring, and the importance of creating music that genuinely makes people feel something.If you enjoy thoughtful conversations about creativity, songwriting and the realities of being an independent artist, this is an episode you won't want to miss.Listen now and discover Melody Zenith's music after the interview. If it resonates with you, consider supporting independent music by buying merch, following her work and sharing her songs.Check out the new show sponsor https://13thfloorsound.bandcamp.com/merch

On this episode of MyMusic, Graham Coath is joined by Canadian singer-songwriter Mandi Leigh, fresh from a life-changing move across Canada to begin the next chapter of her musical journey in Toronto.From growing up on a soundtrack of Fleetwood Mac, Pink Floyd, and '90s country to fronting an alternative rock band before finding her own voice as a solo artist, Mandi shares the story of her evolution into an Americana-inspired songwriter whose music is rooted in honesty, healing, and human connection.The conversation explores the realities of being an independent artist in 2026, why original music matters more than ever, the challenges of streaming, the enduring value of CDs, and what it really takes to build a career from your art. Along the way, there's plenty of laughter, a discussion about Stevie Nicks, dream venues, favourite guitar chords, country music's unexpected rise in the UK, and Graham's passionate plea for people to support independent musicians.If you enjoy discovering authentic artists before everyone else does, this is a conversation you'll want to hear.Listen now and discover the music of Mandi Leigh.

In this episode of My Music, Graham Coath is joined by Mani and Rob from Professional 101 for a conversation that starts with their powerful new single "Liar" and quickly expands into something much bigger.Together they explore why we lie to ourselves, how narratives become accepted as truth, and what happens when music becomes a way of making sense of a complicated world. The discussion moves effortlessly between philosophy, politics, creativity, AI, social media, human nature and the role of artists in an increasingly technological society.Along the way, they discuss why being in a rock band is "the greatest lie you can tell yourself," why imperfections make music truly human, the future of live performance, and why Professional 101 are determined to keep creating on their own terms.The episode also looks ahead to the band's ambitious Rock 'n' Roll Freakshow events, their upcoming cover of Madonna's "Vogue", and the release of their debut album, available on vinyl, CD, cassette and digital formats.Thought-provoking, funny and completely unpredictable, this is far more than a music interview. It's a conversation about truth, creativity and why art still matters.If you enjoy discovering independent artists and hearing the stories behind the music, don't forget to subscribe to My Music and listen to Professional 101's latest releases.#MyMusic #Professional101 #IndependentMusic #RockMusic #MusicPodcast #NewMusic #Liar #LiveMusic #Creativity #AI #HumanNature

In this episode of MyMusic, Graham Coath welcomes Los Angeles singer-songwriter Stella Prince for a warm and wide-ranging conversation about music, identity, ambition, and why the industry sometimes struggles more with labels than with artists.Stella discusses her upcoming UK performances, including a residency at London's Green Note and an appearance at The Long Road Festival alongside artists such as Emmylou Harris and Steve Earle. The pair explore her self-described "Gen Z Folk" sound, growing up surrounded by the music of Joni Mitchell, Bob Dylan and Broadway classics, and why she has resisted pressure to fit neatly into a single genre.The conversation also dives into the realities of being an independent artist. From booking tours and radio interviews as a teenager to managing the business side of a music career, Stella shares an honest perspective on what it really takes to build a life in music today.They also talk about her recent cover of Buffalo Springfield's For What It's Worth, recording in Laurel Canyon, favourite Beatles songs, dream collaborations with Noah Kahan, and why Ed Sheeran may be one of the greatest modern examples of a storyteller with a guitar.Along the way, there are discussions about folk music, England, cake, Abbey Road Studios, Stevie Wonder's version of Happy Birthday, and the song Stella still hopes to write about the journey from childhood to adulthood.A thoughtful, funny and inspiring conversation with an artist who combines old-soul storytelling with a distinctly modern voice.

On this episode of My Music, Graham Coath welcomes back singer-songwriter Mara Liddle ahead of the release of her new EP, Extreme Confidence, arriving on 24th June.The conversation explores the challenge of staying authentic in a music industry obsessed with trends, why some songs take years to find their place, and how social media has changed the way people experience relationships, romance and connection.Mara talks about writing over 100 songs for the project, the personal insecurities that inspired tracks such as "Too Shy" and "Rivers," and why "Lock Screen" has become one of the most relatable songs she's written. Together, Graham and Mara examine everything from digital-age romance and "soft launching" relationships to the future of music ownership, streaming culture, physical media and the importance of supporting local music scenes.Along the way, there are recommendations, nostalgia, discussions about online life, creative confidence, and the realities of being a young artist trying to make your voice heard in an increasingly crowded world.If you've ever wondered how personal experiences become songs, how artists balance vulnerability with creativity, or why great music is still being made every day, this is a conversation worth hearing.Mara Liddle's new EP, Extreme Confidence, is released on 24th June 2026.Listen, follow, and discover your next favourite artist.

On this episode of My Music, Graham Coath welcomes singer-songwriter Alan Dreezer to discuss his new album, Nothing Changes If Nothing Changes.What begins as a conversation about a new release soon develops into a thoughtful exploration of change, creativity, self-belief and personal growth.Alan shares the story behind the album's title, reflecting on a significant period in his life when he found himself living alone for the first time and questioning how he had arrived at that point. Those experiences became the foundation for a collection of songs exploring relationships, identity, resilience and the courage required to embrace change.The conversation delves into Alan's songwriting process, the five-year journey behind the album, and the influences that shaped its sound, from classic pop and soul to more contemporary and atmospheric artists. Graham and Alan also discuss the realities of promoting music in the modern world, the role of social media, the importance of creative consistency, and why genuine connection still matters in an age of endless scrolling.Along the way, they explore friendship, ambition, perspective, Sylvia Plath, Gary Barlow, vinyl records, live music, and the balance between believing in yourself and becoming consumed by your goals.Honest, reflective and packed with musical insight, this is a conversation about much more than an album. It's about what happens when life forces you to take a closer look at yourself and decide what needs to change next.Listen now and discover the stories behind Nothing Changes If Nothing Changes.

My Music with Graham Coath talks to Luke from The Radio AddictsWhat happens when a 15-year-old musician starts questioning the very technology his generation is supposed to be addicted to?In this episode of My Music, Graham Coath sits down with Luke from The Radio Addicts for a fascinating conversation about music, creativity, radio, social media, and why young people may be craving something more real than endless scrolling.Luke shares the story behind The Radio Addicts, how a love of Oasis, live music and songwriting led to a rapidly growing band, and why vinyl records, local radio and genuine human connection still matter in a digital world.The conversation explores everything from TikTok and attention spans to the return of physical music, the challenges facing young artists, and why Luke believes his generation wants more than life through a screen.Along the way, you'll hear about the band's journey from school friends to thousands of streams, sold-out vinyl releases, headline shows, and their ambitious new single, "Let's Party Like It's The '90s'."A thoughtful, funny and surprisingly deep conversation about music, identity, creativity and what comes next for a band determined to do things their own way.The Radio Addicts are proving that great music, passion and authenticity still cut through the noise.Listen now and discover why this is a band worth watching.

My Music Podcast – Kat Eaton: What Happens NowOn this episode of My Music, Graham Coath sits down with soulful singer-songwriter Kat Eaton to explore the stories behind her powerful new album, What Happens Now. The conversation arrives at a remarkable moment in Kat's life, as she reflects on releasing a deeply personal record just weeks after welcoming her daughter Ada June into the world. Together, Graham and Kat discuss the emotional journey behind the album, from years of IVF treatment and the challenges of motherhood to vulnerability, resilience, relationships and the pressures placed on women in both life and music. They delve into the creative partnership between Kat and her husband, producer Nick Atkinson, and how openness and honesty shaped some of the album's most moving songs. The conversation also explores recording at the legendary Konk Studios, the influence of Northern Soul culture, the enduring impact of The Commitments, and the magic of creating music that helps listeners feel seen and understood. Kat shares touching stories about songs such as Humming Low, By Now and Not Pretending, revealing the personal experiences and emotions that inspired them. As always, Graham brings curiosity, humour and insight to a conversation that goes far beyond music, touching on creativity, parenthood, authenticity, AI's growing influence on the arts, and why human connection remains at the heart of great music. A warm, thoughtful and uplifting conversation with one of the UK's most compelling soul voices. Tune in and discover what happens now.

My Music with Graham Coath featuring @raychealwinters In this episode of My Music, Graham Coath is joined by independent artist Raycheal Winters for a conversation that wanders through creativity, songwriting, social media, independent music, family life, and the joy of saying yes to new ideas.Raycheal shares how she balances dark pop, funk, soul, R&B and alternative influences without feeling the need to fit into a single genre, why social media can be a powerful creative tool for independent musicians, and how building a sustainable artistic career has never been more achievable than it is today.The conversation explores everything from the changing role of record labels and the freedom of being an independent artist to the importance of consistency, creativity and staying true to your artistic instincts.Along the way, Graham and Raycheal discuss singing around the house, musical families, obscure musical discoveries, Jacob Collier's genius, songwriting habits, social media routines, and even invent a business model for a coffee shop where customers have to sing their orders.Raycheal also talks about her upcoming releases, including Lucky, her love of exploring different musical styles, and why some of the best creative opportunities come from simply saying, "Why not?"Expect laughter, thoughtful insights, unexpected tangents, and a genuine celebration of creativity in all its forms.Topics include:Independent music in the streaming eraBuilding an audience through social mediaGenre-hopping without limitsSongwriting and creative disciplineThe future of record labelsFamily, music and everyday creativityJacob Collier and musical curiosityHer upcoming new release!Why artists should never stop experimentingA warm, funny and inspiring conversation with one of independent music's most refreshingly authentic voices.#Music #Podcast #NewMusic #IndependentArtist

There are some conversations that feel less like an interview and more like stepping back into a particular moment in time. This episode of MyMusic is very much one of those.Graham Coath sits down once again with Dave Derby to talk about the return of cult 90s alternative band The Dambuilders, the reworking of classic tracks like “Shrine”, and what it means to revisit music that once shaped an entire phase of your life.What follows is a thoughtful, funny and deeply nostalgic conversation about growing up in bands, discovering music before the internet changed everything, touring through the college radio era, and the strange beauty of reconnecting with people and songs decades later. Dave reflects on Honolulu, Boston, fanzines, cassettes, fax machines, krautrock, improvisation, Thin Lizzy, jazz influences, and the powerful friendships that lie beneath great bands.Along the way, Graham and Dave explore whether modern technology and AI are helping creativity or slowly flattening it, why younger musicians are craving something more human again, and why the spirit of the early 90s still matters in 2026.At its heart, this episode is about connection. The kind built in rehearsal rooms, tiny clubs, long conversations and shared obsession with music. It's about rediscovering what made those moments special in the first place and realising that perhaps the most important things never really disappear.If you remember the energy of alternative music in the 90s, or simply love hearing musicians talk honestly about creativity, friendship and the evolution of music culture, this is one to settle into.

On this episode of My Music, host Graham Coath sits down with Scottish indie rock outfit The Azurescens for a conversation that moves from psychedelic mushrooms and Morrisons supermarket meetings to songwriting, Covid-era creativity and the future of live music in an AI world.What unfolds is a funny, honest and deeply human discussion about why bands still matter. The Azurescens talk about forming just before lockdown, building songs together over time, the importance of improvisation and why emotional connection with an audience means more than algorithms, streams or industry hype.There are nods to Oasis, Pink Floyd, Hendrix, Bowie, Prince and The Police, alongside reflections on legacy, musicianship and the difference between making music and truly playing it. Graham and the band also explore how technology is changing creativity, why authenticity still cuts through and what it feels like when a crowd finally starts singing your songs back at you.If you love guitar music with heart, stories from the road and conversations about what creativity really means in a changing world, this is one worth turning up loud.

MyMusic Podcast – Graham Coath Talks To Kelli BlanchettIn this deeply honest and thoughtful episode of MyMusic, Graham Coath sits down with singer-songwriter Kelli Blanchett for a conversation that moves far beyond music itself.From singing karaoke in her grandparents' pub as a child to becoming part of Self Esteem's live and recording world, Kelli shares the winding, emotional and often unpredictable journey that shaped her as both a musician and a person.The conversation explores creativity, neurodiversity, emotional processing, chronic illness, touring, songwriting and the changing realities of trying to build a music career in 2026.Kelli talks candidly about:Growing up in a musical familyLearning guitar and discovering her own voiceWhy singing and playing guitar came naturally to herThe emotional intensity of her twentiesHow ADHD and emotional processing influence the way she experiences life and writes songsBecoming part of Self Esteem's musical worldLiving with chronic illness and how it changed her relationship with musicCreating her melancholic, folk-tinged new EPThe realities of algorithms, streaming and modern music promotionWhy building genuine community matters more than shouting into the void onlineThe difference between London audiences and audiences in smaller towns and coastal venuesHer love of artists like Laura Marling, Waxahatchee, Gillian Welch and Crosby, Stills, Nash & YoungThere are also brilliant side conversations about:Tiny Desk sessionsWhy harmony singing creates goosebumpsWhy emotional people often cope calmly in crisesFolk venues by the seaThe death of grassroots venuesWhy music discovery feels so strange in the streaming eraAt the heart of the episode is a bigger discussion about connection.Not just how artists find audiences, but how people find meaning, belonging and spaces where their work actually lands with people who genuinely care.Kelli's warmth, humour and openness make this one of the most emotionally rich MyMusic conversations to date.Listeners can also hear tracks from Kelli's latest EP directly through Spotify alongside the episode.A conversation about music, vulnerability, community and finding your place creatively in a noisy world.

On this episode of My Music, Graham Coath heads to New Jersey for a thoughtful and entertaining conversation with Mike Potenza and Scott Selig of indie outfit The Melancholy Kings.From law firms and Battle of the Bands competitions to pedal steel experiments, vinyl culture and the strange beauty of mistakes left on records, this is a conversation that drifts far beyond the usual “how did the band form?” interview. Mike and Scott talk openly about songwriting, collaboration, the push and pull between city life and creativity, and why some of the best musical moments happen when things don't go quite to plan.There's discussion of influences ranging from Warren Zevon, Hüsker Dü and Sugar to Devo, The Replacements and early psychedelic Steve Miller, alongside reflections on modern music culture, AI-generated art, live performance, and the growing return to physical music formats.The Melancholy Kings also share stories behind tracks from their latest album, including accidental studio moments, bowed bass harmonics, strange true crime inspiration, and why the human element still matters more than perfection.A warm, funny and refreshingly honest conversation about music, creativity and keeping things real in an increasingly polished world.

On this episode of MyMusic, Graham Coath sits down with Ian Pickering to talk about his latest project, The Noise Who Runs.Many listeners will recognise Ian from his work with Sneaker Pimps, but this conversation focuses firmly on the present and on an album that blends electronic textures, guitars, gothic undertones and sharp observations about modern life.What follows is far more than a standard music interview. Graham and Ian dive into Generation X, optimism and disillusionment, the internet age, social media culture, protest movements, technology in music, and whether art still has the power to change the world. Along the way they revisit old synths, cassette multitracks, Jean Michel Jarre laser harps, Saint Etienne, Bowie, Live Aid and the strange journey from analogue freedom to digital overload.Ian also opens up about the creative process behind tracks like We Are Breach, Commercial Road and Trust Me I'm A Psychopath, discussing how the album evolved sonically and politically while still holding onto a sense of hope.This is a thoughtful, funny and at times deeply reflective conversation about music, culture, technology and why meaningful conversation still matters.Listen now and discover why The Noise Who Runs feels less like nostalgia and more like a soundtrack for trying to make sense of the modern world.

In this episode of My Music, Graham Coath sits down with Billy Sherwood of Yes to explore the band's forthcoming album Aurora—a record that blends legacy, experimentation, and a continued commitment to pushing musical boundaries.From the strange silence of the pandemic years to the return of global touring, Billy reflects on the journey back to live music and the emotional connection between band and audience. The conversation moves deep into the creative process behind Aurora, revealing how ideas evolve—from loose sketches and spontaneous jams to fully realised compositions shaped through collaboration and instinct.Graham and Billy also explore what it really means to make “Yes music” in 2026—balancing the band's rich history with a desire to stay curious and relevant. There's insight into the album's production, including immersive formats like Dolby Atmos, and how technology enhances rather than dictates the creative process.Along the way, Billy shares personal reflections on his lifelong relationship with Yes—from being a fan inspired by albums like Close to the Edge to carrying forward Chris Squire's legacy. It's an honest, thoughtful look at creativity, influence, and what keeps a band moving forward after more than five decades.This is a conversation about music as craft, as feeling, and as something that continues to reveal itself over time—if you're willing to listen closely enough.

In this episode of MyMusic, Graham Coath sits down with Leyla Diamondi—an artist whose journey into music wasn't planned, but felt inevitable.From growing up unable to express emotions to finding her voice through music, Leyla shares how creativity became her way of making sense of the world. This is an open and honest conversation about what it really takes to build a music career:Walking away from a traditional path to follow something uncertainStarting again after momentum was lost during COVIDFinding the right sound—and the right peopleLearning to take risks, hear “no”, and keep going anywayLeyla also talks about the shift into dance pop, the power of community in music, and why the industry is less about instant success and more about persistence, resilience, and direction.There's a strong thread throughout:Say yes.Figure it out after.And keep moving.Why music isn't just created—it's discovered over timeThe importance of backing yourself before others doHow rejection shapes direction, not failureWhat it really looks like behind the scenes of a growing artistLeyla's latest release is “Passenger Princess”, this episode blends story, honesty, and a clear sense of where she's heading next.A grounded conversation about creativity, confidence, and doing the work.

In this episode of My Music, Graham Coath talks to East London artist Liya Shapiro about songwriting, sadness, performance, and why some songs arrive before you have had time to understand them.The conversation begins with Liya's latest single, Another Woman, a powerful track about the strange emotional sting of seeing someone from the past move on, even when you thought you had already let go.From there, Graham and Liya explore unrequited love, resentment, forgiveness, mental health, performance, and the uncomfortable parts of being human that often become the raw material for songs.Liya speaks openly about living with bipolar disorder and how darker emotional states often feed her lyric writing, while music itself gives those feelings shape and beauty. They also discuss the influence of artists such as Lana Del Rey, Cigarettes After Sex, The Cure, Björk, and Liya's move towards more experimental, layered, chamber-rock sounds.There is also a fascinating thread about performance. Liya explains how stepping on stage allows her to inhabit a more powerful version of herself, almost like a character, while still carrying the vulnerability and self-criticism that come with being an artist.This is a conversation about music that does not try to be easy background noise. It is about songs that ask you to listen properly, sit with discomfort, and find the beauty in the darker corners.

My Music Podcast — Graham Coath with Jordon AnthonyIn this episode of My Music, Graham Coath sits down with Australian singer-songwriter Jordon Anthony for a lively, honest and often very funny conversation about what it really takes to build a music career.Originally from Australia and now spending time writing in Nashville after a period in LA, Jordon talks about the reality of building the right creative team, finding his people in songwriting rooms, and why the best sessions can feel almost effortless when the chemistry is there. He also opens up about the less glamorous side of the industry, including the pressure of followers, viral moments and trying to stay grounded when music and social media are constantly pulling in different directions.There is plenty of warmth in this one too, from stories about growing up in a loud musical household, to the role his parents still play in shaping his confidence and judgement, to the artists who continue to inspire him, including Ed Sheeran, Lewis Capaldi, Michael Jackson and Stevie Wonder.Jordon also shares what is next for him, including work on his debut EP, the search for the right tour to join, and the excitement of releasing music that feels true to who he is as an artist. The episode also spotlights his latest single, Wrong Impression, which he describes as a big, emotional, cry-in-the-car-in-the-dark kind of song.This is a conversation about music, ambition, vulnerability, voice, family, finding your people, and staying true to yourself while the industry keeps asking for more.A thoughtful and entertaining episode with an artist who is clearly growing into his sound.

In this episode of My Music, Graham Coath sits down with London-born singer-songwriter Col Gerrard for a conversation that moves well beyond the usual music interview.Col's approach to music is grounded in something increasingly rare—classic songwriting, emotional honesty, and a deep respect for real musicianship. Influenced by soul, classic pop and timeless artists, his work reflects a life shaped by movement, experience, and reflection. The discussion weaves through the making of his self-titled debut album—an introspective twelve-track record that explores the complexity of relationships, miscommunication, longing, and the quiet weight that love can leave behind. As Col shares, these songs were written in hindsight—an attempt to make sense of moments that didn't fully land at the time.Recorded across iconic London studios including Abbey Road Studios, Metropolis Studios and Kore, the album was produced by Grammy-nominated Chris Potter (known for work with The Rolling Stones, U2 and The Verve). Together, they've created a piano-led, emotionally charged sound—blending soulful vocals, organic instrumentation, driving guitars and a subtle sense of nostalgia that feels both cinematic and accessible.Alongside the album, Graham and Col explore:Why true musicianship still matters in a world of AI and samplingThe irreplaceable energy of live performance and imperfectionThe tension between technology and human expressionHow songwriting often reveals meaning long after the moment has passedThere's also a strong thread throughout the episode about creative identity—why artists shouldn't feel boxed in, and how the best music often comes from allowing space for instinct, experimentation and even the unexpected.Having recently toured with Boyzlife and building momentum following radio support and a sold-out Camden headline show, Col Gerrard is carving out a space that feels both grounded and quietly confident.At its core, this episode is about rediscovering the human side of music—where feeling, craft and lived experience still lead the way.

There's something quite fitting about a band forming just as the world was coming back to life.In this episode of My Music, Graham Coath sits down with Rodrey and James from The Rogues — a band shaped by lockdown reflection, long-standing friendships, and that familiar pull back to music when everything else stops.Starting life in the aftermath of COVID, The Rogues found their sound not through strategy, but through instinct. Years of playing, stopping, starting again… and then finally coming together at the right time.What comes through in this conversation is honesty.About the reality of being a band now.About balancing creativity with the pressure to be “strategic.”About chasing that 20-second hook without losing the soul of the song.Their sound sits somewhere between indie roots and pop sensibility — melodic, simple in the best way, and full of those little earworms that stay with you longer than you expect.But beyond the music, this is a conversation about building something properly:A loyal audience.A real community.Not just followers… people who actually care.From newsletters and Instagram groups to upcoming tours across the UK and Ireland, The Rogues are doing the work — quietly building momentum, one connection at a time.There's also talk of:– The strange shift from albums to singles and strategy– Why simplicity in songwriting is often the hardest thing to achieve– Misspelling their own band name more times than seems possible– And the ambition to step onto bigger stages… without losing what makes them workWith a new EP landing on 24th April and more music already waiting in the wings, this feels like a band on the edge of something.Not forced.Not manufactured.Just… ready.If you're interested in how modern bands are navigating music, audience, and identity — this one's worth your time.

My Music Podcast – Graham Coath with Rick McMurray (Ash / Burned As Witches)In this episode of My Music, Graham Coath sits down with Rick McMurray to explore the raw, personal journey behind his solo project Burned As Witches.Best known as the driving force behind Ash, Rick steps out from behind the drum kit and into a completely different creative space—writing, performing, and producing every note of a record that leans heavily into darker tones, big riffs, and uncompromising honesty.What begins as a conversation about the album quickly opens into something deeper. Graham and Rick reflect on:The meaning behind Burned As Witches—less about history, more about judgment, metaphor, and modern-day “crucifixion”The influence of classic rock and metal—from Led Zeppelin to Black Sabbath—and why that sound still mattersRecording instinctively and resisting overproduction in an age of AI and digital perfectionThe emotional thread running through the album, shaped in part by loss, memory, and creative independenceThere's also a candid look at what it feels like to front a band for the first time—juggling vocals, guitar, and presence—and the strange, almost out-of-body experience of stepping into that role after decades as a drummer Beyond the music, the conversation moves into something Graham often returns to—communication. Together, they explore truth, perspective, and why real human conversations still matter in a world increasingly shaped by algorithms, noise, and one-way thinking This is a conversation about music, yes—but also about identity, creativity, and staying connected to something real.Burned As Witches is available digitally, with a limited vinyl run handled personally by Rick himself—keeping the DIY spirit firmly intact.

My Music Podcast – Graham Coath with Bea Elmy MartinIn this episode of My Music, Graham Coath sits down with one of the UK alternative scene's most quietly compelling voices, Bea Elmy Martin.London-born and carving her own lane, Bea's music doesn't shout for attention. It draws you in. Ethereal vocals, brooding electronics and a kind of emotional precision that feels less like performance and more like presence. As Graham puts it early on, it's the kind of music you find yourself returning to when you need to feel grounded… or just a little more at peace What unfolds is less an interview and more a conversation about feeling.They talk about:– Growing up on soul greats like Stevie Wonder and Aretha Franklin, and how that shaped Bea's ear for emotion– Writing as a form of journaling… turning overwhelming moments into something tangible– Festival memories, community, and why music still feels almost spiritual when it's shared live– The reality of finding your voice as an artist… including the very honest truth that the first songs are usually terrible– The balance between creating for yourself and not getting pulled off course by outside noiseThere's a warmth to this conversation that mirrors Bea's music. Moments of humour, stories about early gigs and Glastonbury, and reflections on what it actually takes to keep creating when everything around you is pushing for speed, visibility and instant results.Bea also opens up about her recent work, which includes  Anouk — a deeply personal track that captures friendship, distance, and emotional growth in a way that feels both intimate and expansive.This is an episode about patience. About trusting your own process. And about the kind of artistry that doesn't rush… but stays with you.A thoughtful, human conversation with an artist who is building something real, one song at a time.

My Music Podcast – Graham Coath with Joan As Police WomanIn this episode of My Music, Graham Coath sits down with Joan Wasser — a quietly influential force in modern music whose work has always lived somewhere between intimacy and experimentation.Twenty years on from her debut Real Life, Joan returns with Real Life Evolution — not a nostalgic revisit, but a living document of how songs grow, shift and deepen over time. As she explains in the conversation, this new record captures “how the music has changed over the last 20 years… a continuation of the same dialogue.” What unfolds is less an interview and more a shared exploration of music as a form of communication.Graham and Joan talk about:Music is an ongoing conversation with yourself and the worldThe tension between autonomy and community in modern lifeWhy live performance still feels like one of the last true shared human experiencesThe discomfort (and necessity) of looking back at your own workHow stepping away from noise and platforms can protect creativityThere's a noticeable thread throughout — that everything Joan creates, whether solo work or collaborations with artists like Iggy Pop or Damon Albarn, is part of one continuous expression rather than separate projects.The conversation also touches on the making of Real Life Evolution, including the stripped-back, intimate recordings of Flushed Chest and The Ride, where Joan's vocals — often recorded at home — bring listeners closer than ever to the source of the songs.At its core, this episode reflects something Joan puts simply:Music is connection.Not performance.Not content.Connection.

MyMusic Podcast – Graham Coath in conversation with Dean Connelly (Directed By Dean)What happens when you turn the tables on a podcast host?In this episode of MyMusic, Graham Coath sits down with Dean Connelly, the voice behind the Directed By Dean podcast, to explore the stories behind the storyteller.Dean is used to asking the questions. This time, he's answering them.From his early love of film (sparked by watching Alien far too young) to building a podcast that has quietly become one of the highest-rated in its category, this conversation moves through creativity, curiosity, and what it really means to stay consistent in a noisy world.Along the way, they explore:Why Dean started podcasting—and why he almost didn'tThe evolution from scripted interviews to natural, unscripted conversationThe role of film history in shaping modern storytellingSoundtracks, composers, and the emotional weight of music in filmThe balance between professionalism and personality when interviewing guestsWhy the best conversations often happen when the plan disappearsThere's also a deeper thread running through this episode…A shared understanding that great conversations—whether about music, film, or anything else—aren't about ticking boxes. They're about creating space.Space for stories.Space for craft.Space for people to be heard properly.If you're interested in film, podcasting, or simply how good conversations are built, this one is worth your time.

What happens when an album refuses to stay in the past?In this episode of MyMusic, Graham Coath sits down with Jonny Collins of Modesty Blaise to explore the 25-year anniversary reissue of Melancholia — a record that never quite had its moment in the UK… until now.This isn't just a re-release. It's a restoration.Jonny shares the story behind bringing Melancholia back properly — returning to the original analogue tapes, remastering with modern clarity, and finally presenting the album as it was always intended. What emerges is something unusual: a record that feels both of its time and strangely current.The conversation moves through:The idea of albums as complete journeys, not just collections of songsWhy some records get lost… and why they deserve another lifeThe tension between perfection and humanity in music productionThe role of imperfection — broken strings, analogue limitations, and “happy accidents”Whether AI can ever replicate the meaning behind music, not just the soundThere's also a deeper thread running through it all — legacy.This is about unfinished business. About giving a body of work the space it never had. And about what it means when music reconnects with people decades later, in a completely different landscape.If you care about albums, storytelling in music, or the difference between something made… and something meant — this one's worth your time.Melancholia (25th Anniversary Reissue) is released April 24th on streaming platforms, with additional releases to follow.

This episode of MyMusic introduces an artist whose journey into music feels both familiar… and refreshingly grounded.Skylar Herter joins Graham to talk about growing up surrounded by performance, creativity, and music — with a childhood shaped inside her mother's theatre and dance school, and a natural pull towards singing from an early age. What unfolds is a conversation that moves beyond the usual “becoming a pop star” narrative.Skylar shares how her relationship with music has evolved — from early inspirations like Somewhere Over the Rainbow to writing her own songs, often drawn from personal experiences and everyday emotions. But what stands out is her perspective.Rather than chasing a single outcome, she talks openly about building a portfolio life — where music sits alongside teaching, photography, design, and creativity in its widest sense.In this episode, you'll hear:How growing up in a creative environment shaped her approach to musicThe shift from “big pop star dreams” to a more balanced creative lifeWhy songwriting is more about understanding yourself than impressing othersThe difference between writing on guitar vs piano — and how it changes the feel of a songThe reality of creating in a world driven by social media (and how she navigates it)The story behind her latest release, inspired by changing friendshipsThere's also a thread running through the conversation around creativity without pressure.Not everything needs to become a career.Not everything needs to scale.Sometimes it's about building something that fits your life — not the other way around.A thoughtful, honest conversation with an artist who is still early in her journey, but already clear on what matters.

MyMusic with Graham Coath | The Fini Tribe Anthology (with Dave Familler and Chris Connelly)This episode takes a different turn.Graham is joined by Dave Familler and Chris Connelly, two musicians whose story doesn't follow the usual script. This isn't about chasing charts, building audiences, or “making it.” It's about what happens when music comes first… and everything else is secondary.At the centre of the conversation is the release of the Fini Tribe anthology—a body of work that captures a time when music was created without templates, expectations, or much in the way of resources.What unfolds is a reflection on a very different kind of creative environment.A time where bands rehearsed relentlessly, built instruments from whatever they could find, and treated music less like a product and more like an occupation. Where ideas were explored for hours, not optimised for algorithms. Where community existed in shared rehearsal spaces, not online platforms.There's humour throughout—stories of ponies in gardens, chaotic recording setups, and pushing boundaries (sometimes too far). But underneath it is something more considered.A question about what has changed.When did music become more structured, more commercial, more defined by outcomes?And what might have been lost along the way?This conversation explores:The difference between creating music and building a music “career”Why limitations often lead to more originalityThe role of community in shaping sound and identityHow spontaneity and experimentation created something lastingWhether modern music culture leaves enough space for discoveryIt's not nostalgic for the sake of it.It's reflective.And for anyone making music—or creating anything—it offers a reminder that sometimes the most important work happens when no one is watching, no one is measuring, and no one is telling you how it should be done.

This week on MyMusic, Graham Coath is joined by Las Vegas–born artist and producer Sylvaner for a conversation that moves as freely as his music.What starts with a chat about German white wine quickly opens into something deeper — how music becomes a first language, a way of understanding the world, and a way of connecting with people long before words fully land.Raised around record stores and vinyl, Sylvaner grew up surrounded by sound. From Miles Davis playing before he was even born, to early hip hop shaping how he listened, his relationship with music has always been immersive rather than passive.That comes through in this conversation.They explore:The difference between hearing music and actually listeningWhy mistakes and “human feel” still matter in a world leaning towards perfectionThe tension between control and letting go in the creative processAnd how modern audiences engage with music in fragments rather than full experiencesAt the centre of it all is “Plastic Love” — a track that began as something atmospheric and introspective, before evolving into a darker, dance-driven piece built for movement as much as reflection.But underneath the groove sits something more uncomfortable.A conversation about desire without commitment.Connection without depth.And the quiet emptiness that can sit behind both.Sylvaner talks openly about where that idea came from, how it shaped the sound, and why he wants people to feel his music first… and only fully understand it later.This is not a conversation about chasing perfection.It's about process.Instinct.And building something that lives both on the dancefloor and long after the night ends. Listen now and discover “Plastic Love” — the track that might hit you at 2 am… and make more sense the morning after.

In this episode of My Music, Graham Coath is joined by Will Preston, who connects from Atlanta, Georgia, for a rich and thoughtful conversation about soul, songwriting, faith, voice, and why music still deserves more than a few seconds of attention.Will reflects on a career that began with his debut release in 2005 and has continued to grow through constant change in the music industry. From the days of Tower Records, cassette tapes, and CD collections to streaming, singles culture, and short attention spans, this is a conversation about what has been gained, what has been lost, and why the full-album experience still matters.Graham and Will talk about how music discovery used to feel in record shops. They discuss why voice and tone matter so much in great music. They explore the influence of church, gospel, and faith on singers and songwriters. They also reflect on the value of staying true to yourself rather than chasing trends. The conversation touches on why independent artists need to understand both the business and the art. It also looks at the changing way audiences consume music and the dream projects still to come, from orchestral collaborations to R&B and country crossovers.There is plenty of warmth and humour too. From talk of Luther Vandross's stage outfits and giant shoulder pads to the confusion caused by a name that keeps bringing up Billy Preston in search results, the episode is full of personality.Above all, this episode is a reminder to slow down and really listen.Will also shares details of his upcoming project Erratic Heartbeats, his new single Don't Like Falling in Love, and picks Never Knew Love as the song for listeners to start with.This is a soulful, honest, and wide-ranging conversation with an artist who believes in craft, patience, passion, and making music that lasts.Listen now, then go beyond the single and take the full journey.

This episode of My Music brings the energy of Liverpool's live scene straight into the room as host Graham Coath sits down with rising band SevenStreets — Owen, Sean, Ant and Niall — for a conversation that moves as quickly as their sound.From the first moment, it's clear this is a band built on chemistry. What starts with a light-hearted debate about guitar picks (hard vs soft… make of that what you will) quickly opens into a deeper discussion about how the band formed, the challenge of finding the right musicians, and what happens when everything just clicks.SevenStreets describe their sound as throwback but different — a nod to the past with something firmly rooted in the present. Across the conversation, you'll hear influences ranging from Squeeze and Paul Weller to Motown, Pink Floyd and beyond, all shaping a band that's trying to balance storytelling, melody and raw energy.Graham and the band also get into the realities of modern music:Why original music is harder than ever to get heardThe shift from albums to streaming — and whether anything has been lostThe quiet return of vinyl, merch and fans actually supporting artists againThe decline of grassroots venues… and why that mattersThere's humour throughout — from misheard lyrics to ABBA mishaps — but underneath it is a serious point about music, community, and what's missing in a world where everything has become more individual and disposable.You also get a glimpse into how SevenStreets write their music — with a strong focus on storytelling and meaning — and where they want to go next, from local gigs to much bigger stages.It's honest, it's relaxed, and it captures exactly what My Music does best: real conversations with artists figuring it out as they go.If you're interested in new music, band dynamics, or just how musicians actually think… this one's worth your time.Keep on. Don't stop.

On this episode of My Music, host Graham Coath sits down with rising Welsh pop artist MACY for a lively conversation full of energy, ambition, and plenty of laughter.MACY shares the surreal moment she discovered her music would be played on BBC Radio 1 — an email that led to tears, celebrations with her parents, and a moment she says she'll never forget. The conversation explores how her journey began long before that milestone. From performing “Price Tag” by Jessie J at a school talent show at just 10 years old, to performing at The O2 Arena at 11 through a national singing competition, MACY talks about the early moments that convinced her music was the path she wanted to follow. Along the way, Graham and MACY discuss:Growing up in a small Welsh town and chasing big musical dreamsThe importance of supportive parents when pursuing a creative careerThe realities of building a music career as an independent artistThe challenges of booking gigs and building momentum without a large teamWhy a TV or film sync — perhaps even on Love Island — would be a dream moment for her music.They also dive into musical influences, pop culture, and some entertaining “what if” scenarios — including the possibility of MACY performing “Price Tag” with Jessie J one day, and why a Christmas duet with Harry Styles might be the perfect future collaboration.The episode wraps up with MACY talking about her latest single, “Please Keep Talking,” and the new EP she's currently working on.If you enjoy discovering emerging artists and hearing the stories behind the music, this conversation captures the excitement, humour, and determination of a young artist carving her own path in the pop world.

On this episode of My Music, host Graham Coath sits down with Houston-based singer-songwriter Mark Winters for a conversation that blends science, songwriting, and the pure joy of making music.Mark's path into music is anything but conventional. Before stepping onto stages and writing songs, he worked as an aerospace engineer — a background that still quietly shapes his music today. From tracks inspired by physics concepts like “Fake Gravity” to a philosophy of spreading positive energy through his performances, Mark's approach to songwriting mixes curiosity, creativity, and optimism. During the conversation, Graham and Mark explore:How a single anniversary song for his wife sparked a musical journey that began later in lifeThe surprising crossover between science and creativity in songwritingMusical influences ranging from John Mayer and Vance Joy to Tom PettyThe magic moment when musicians stop thinking about the mechanics and start playing purely from feelingWhy the shared energy between performer and audience — that unspoken “nod” — is one of the most powerful experiences in live music.Mark also reveals details about new material he's working on, including an unreleased song called “Shine With Me,” designed to capture the uplifting connection between artist and audience during a live performance. This episode is a thoughtful look at how music can emerge from unexpected places — and how creativity often sits right alongside science, curiosity, and the human desire to connect.If you enjoy conversations about songwriting, creative process, and the stories behind the music, this is one not to miss.

In this episode of My Music, host Graham Coath sits down with rising actor Enzo Dearing to discuss the relationship between music, film, and performance.Although Enzo is best known for his work on screen rather than as a musician, music plays a central role in his experience of storytelling. From his admiration for film composer Hans Zimmer to the influence of the Pirates of the Caribbean soundtrack on his early love of cinema, Enzo explains how powerful scores shape emotion, tension, and character on screen. The discussion moves through several themes, including:How film soundtracks help actors connect with the emotional rhythm of a sceneThe role of music in Bollywood productions and why those films feel so distinctiveEnzo's disciplined approach to acting, including detailed script preparation and performance notesHis experience playing a darker character in the vertical series Alpha Stepbrothers Bite MeWhy breaking into acting often depends as much on business skills and persistence as talentEnzo also reflects on the moment he realised acting was the path he wanted to pursue, inspired by a childhood fascination with pirates and the cinematic world of Pirates of the Caribbean. The conversation even touches on dream roles, from portraying Jack Sparrow's son to potentially playing a young Elvis.Along the way, Graham and Enzo explore the realities of building a career in film, the importance of audience reaction for performers, and how music quietly underpins some of cinema's most powerful moments.If you enjoy conversations about film, performance, and the creative forces behind storytelling, this episode offers a thoughtful look at how music and acting intersect.Follow Enzo's journey on Instagram and keep an eye on his growing film career, with his latest project already surpassing 2.6 million views.

In this episode of MyMusic, host Graham Coath is joined by London-based artist JudeS, whose music blends cultures, languages and personal storytelling.Originally from Naples, JudeS talks about moving to London and how the city shaped her as both a person and an artist. What began as an attempt to distance herself from her roots eventually became a powerful part of her sound, with JudeS now combining English and Neapolitan to create music filled with emotion and authenticity. During the conversation Graham and JudeS explore:• The story behind her artist name and how JudeS came to be• How living between Naples and London influences her songwriting• The role of culture, language and identity in music• Her creative process using tools like GarageBand, Logic and Ableton• Writing songs that turn personal experiences into artJudeS also talks about her track "Game Over, Ovèr", a song inspired by a breakup that ultimately became a story about personal growth and becoming a stronger version of yourself. Along the way, the conversation moves from songwriting and Neapolitan culture to tambourines, festival memories and the unexpected influence of Neapolitan ice cream.It's a warm, humorous and thoughtful conversation about music, identity and finding your voice as an artist.Listen now and discover the story and sound of JudeS on MyMusic.

Podcast DescriptionOn this episode of MyMusic, host Graham Coath sits down with singer-songwriter Amy Fox for a thoughtful and personal conversation about music, vulnerability and the long road to finding confidence as an artist.Based near Southampton, Amy talks about the supportive grassroots music scenes in places like Southampton, Andover and Salisbury, and how open mic nights and local venues have played an important role in helping musicians develop their craft.The conversation then moves into the heart of Amy's songwriting. Her upcoming EP of four deeply personal songs explores themes of healing, leaving a toxic relationship and learning how to rebuild self-worth and self-love. Writing these songs became an important part of her own healing process, turning difficult experiences into something creative and meaningful.Amy also reflects on the challenges many musicians face: stage fright, self-doubt and the long journey towards believing in your own voice. From writing songs in private as a teenager to finally performing at open mic nights after becoming a parent, her path into music has been one of gradual courage and growth.Graham and Amy discuss why imperfect voices often connect more deeply with audiences, the psychology of singing, and the communal power of live music.The episode also looks ahead to Amy's next steps as an artist, including the release of her EP and a live EP launch show at The Dusty Barrel in Hythe, where she hopes to continue building her confidence and sharing her music with a wider audience.This is an honest conversation about music as a tool for expression, healing and connection — and a reminder that sometimes the most powerful songs come from the most difficult places.If you enjoy discovering emerging artists and the real stories behind their music, this is an episode you won't want to miss.

On this episode of MyMusic, host Graham Coath sits down with Dave Balfe and Dave Hughes, part of the creative partnership behind Late Transmissions.The conversation traces their long musical journeys from their early days in bands and the wider music industry to their reunion decades later to create something entirely new together. Drawing inspiration from the grand orchestral pop of the 1960s, the cinematic power of classic film soundtracks, and the storytelling tradition of timeless songs, Late Transmissions set out to build music that feels both dramatic and emotionally rich. Dave Balfe explains how their shared love of artists like Scott Walker and the sweeping arrangements associated with composers such as John Barry helped shape the project, while Dave Hughes discusses the production side—blending orchestral textures, modern studio tools, and his experience in film composition to create a wide sonic palette. They also talk about discovering vocalist Eve, whose powerful voice brought the songs to life and influenced the music's direction, giving the project its distinctive emotional centre. Along the way, the conversation moves through stories from the music business, reflections on how the industry has changed, the realities of making orchestral-scale music today, and the possibilities of where these songs could travel next—from film and television syncs to perhaps even a stage musical.It's a thoughtful, often humorous discussion about songwriting, collaboration, and the enduring power of songs that aim to tell a story and leave a lasting impression.

In this episode of MyMusic, Graham Coath sits down with Sam Kellner, best known for his recurring appearances in major productions including Percy Jackson and the Olympians, Everybody Still Hates Chris, Young Royals, The Woman in the Wall, and Bunk'd, to talk about his love for and his career so far in music.Born and raised near Hamburg, Germany, Sam taught himself guitar at eleven, began producing at fifteen, and has since released more than twenty self-produced singles on Spotify. Several of those tracks have gone on to become theme songs for feature films, reflecting an artist who understands both storytelling and sonic atmosphere.As described in his IMDb mini biography by Craig Rogalski, Sam's creative journey spans acting, music and modelling, including walking at New York Fashion Week in February 2024 and appearing in a promotional campaign for Yves Saint Laurent.But this conversation goes deeper than credits.Graham and Sam explore:Growing up inspired by Michael Jackson, and why he would still choose him as his ultimate studio collaboratorEarly pop influences like Justin Bieber and how that shaped his songwriting instinctsWhy he values personal honesty over technical perfectionThe reality of being a young artist navigating TikTok, streaming culture and creative pressureHow messages from listeners studying, revising, or finding comfort in his songs keep him motivatedThere is humour too, including a confession about being spectacularly bad at archery and reflections on identity, insecurity, experimentation, and the desire to write something even more personal in the next phase of his career.From indie-leaning folk ambitions to Latin and early 2000s R&B influences, Sam is still exploring, still refining, and still open.This is a conversation about momentum, maturity, and what it means to stay curious while the spotlight grows.Listen in. Add a track to your playlist. And discover where Sam Kellner's music might take him next.

On this episode of The Adam Carolla Show, actor Tom Pelphrey stops by the studio! Adam and Tom dive into Tom's early career, starting with soap operas, which Tom describes as a kind of boot camp for actors. The conversation shifts to his relationship with Kaley Cuoco and the massive success of The Big Bang Theory, with Adam pointing out the lack of hit three-camera sitcoms since. They also discuss the importance of turning off your phone, staying present, and finding purpose in productive work. Tom asks Adam about his tough upbringing and whether it contributed to his success, leading to a candid exchange about Adam's transition from radio to podcasting and the financial struggles of building his show in the early days.Later, singer, songwriter, and actress Debbie Gibson joins the studio to talk about her new book Eternally Electric: The Message in My Music. She reflects on the challenges of writing an autobiography at this stage in her career and the whirlwind of finding fame at such a young age. Debbie explains how she hustled her way into the music industry by performing in small clubs, the sacrifices she made to protect her artistic integrity, and the pressure she faced from record producers to change her style. She also opens up about how touring has evolved over the years, how fame affected her when she was young, and what it was like to meet her musical heroes, including Elton John, George Michael, Michael Jackson, and Whitney Houston.Get it on.FOR MORE TOM PELPHREY:TV SHOW: Task - September 7, 2025 on HBOINSTAGRAM: @tommypelphreyTWITTER: @tompelphreyFOR MORE WITH DEBBIE GIBSON: BOOK: Eternally Electric - Available Sept 9, 2025NEW SONG: Legendary TOUR: "Newstalgia Live Greatest Hits & Beyond"INSTAGRAM: @debbiegibson Thank you for supporting our sponsors:Get $10 Off at BRUNT with code ADAM at https://www.bruntworkwear.com/ADAM #BruntpodHomes.comMASAChips.com/CAROLLAoreillyauto.com/ADAMSIMPLISAFE.COM/ADAMPluto.tvLIVE SHOWS: September 6 - Charlotte, NCSeptember 12-13 - El Paso, TX (4 Shows) See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.