Podcasts about Masaan

Before you dismiss gray, think about all it can represent: ambiguity, aging sadness, life-giving rain, sublime and enduring stone, mysterious or cooling shadows, or even the beautiful and essential mid-tones of anything sketched in black and white. We went with two very different films from the 2010s: Masaan (2015) and Raees (2017). Subscribe to Filmi Ladies on Spotify https://open.spotify.com/show/7Ib9C1X5ObvN18u9WR0TK9 or Apple Podcasts https://podcasts.apple.com/us/podcast/filmi-ladies/id1642425062 @filmiladies on Instagram Pitu is @pitusultan on Instagram Beth is @bethlovesbollywood on Bluesky Email us at filmiladies at gmail See our letterboxd for everything discussed on this podcast. https://boxd.it/qSpfy Our logo was designed by London-based artist Paula Ganoo @velcrothoughts on Instagram https://www.art2arts.co.uk/paula-vaughan

Varun Grover is a filmmaker, writer, lyricist, and stand-up comedian known for his sharp wit, socially relevant themes, and unique storytelling style. He co-wrote the critically acclaimed film Masaan (2015) and gained further recognition for his contribution as a writer to the popular Netflix series Sacred Games (2018). In 2023, he made his directorial debut with the film All India Rank. Grover has penned lyrics for several popular Bollywood films, including Gangs of Wasseypur (2012), Dum Laga Ke Haisha (2015), Udta Punjab (2016), Sui Dhaaga (2018), and Atrangi Re (2021). He has received several awards for his work, including a National Film Award for Best Lyrics. We entirely depend on the support of our listeners. Support us on :    Patreon and RazorPay: https://www.anuragminusverma.com/ Buymeacoffee: https://buymeacoffee.com/anuragminus Camera by: Dev Baraya  Edit by : Kartik Chauhan Sound Mastering by Postpond Media 

Prepare for a heart-wrenching and terrifying journey in episode 5 of the Hindi horror story web series, Banaras. Shaurya reveals the devastating truth behind Amrit's death, plunging the trio into deeper despair. With their protector, the paranormal entity Masaan, by their side, Shaurya, Sanjay, and Hemant embark on a perilous quest to Mukti Bhavan. Their mission: to find the enigmatic old man who warned them of the Vetaal's existence. But the path is fraught with danger. The haunted streets of Varanasi are overrun by thousands of bloodthirsty Vetaal, and our heroes must fight for survival every step of the way. Will they make it to Mukti Bhavan in time? Can they unravel the old man's connection to the Vetaal's reign of terror? The answers lie hidden in the heart of darkness. #HindiHorrorStory #Banaras #BhayOriginals #WebSeries #Horror #IndianHorror #GhostStories #ScaryStories #Paranormal #HauntedIndia #Vetaal #MuktiBhavan #AmritsTragicPast Ghost laugh - Lara's horror sounds https://www.youtube.com/watch?v=nj9S90By3Uc https://www.youtube.com/watch?v=Nx6kGJeSLGo

Prepare for a terrifying descent into chaos in episode 4 of the Hindi horror story web series, Banaras. Shaurya and Sanjay venture into the eerie Manikarnika Ghats, determined to document Hemant's life and the paranormal entity, Masaan, that haunts him. But their mission takes a horrifying turn as Banaras falls victim to a nightmarish siege by the Vetaal, a mythical and deadly creature that leaves a trail of destruction in its wake. Trapped amidst the mayhem, Shaurya and Sanjay must fight for survival as one of these bloodthirsty creatures sets its sights on them. Can they escape the clutches of the Vetaal and the crumbling city? Brace yourself for a heart-stopping episode filled with terrifying chases, gruesome encounters, and a desperate struggle for survival. Will our heroes make it out alive? CONSIDER A DONATION - bhayoriginals@sbi #HindiHorrorStory #Banaras #BhayOriginals #WebSeries #Horror #IndianHorror #GhostStories #ScaryStories #Paranormal #HauntedIndia #ManikarnikaGhat #Vetaal CONSIDER A DONATION - bhayoriginals@sbi Join this channel to get access to exclusive perks: https://www.youtube.com/channel/UCn9JS93zsaUDaUDq7aofhNQ/join Instagram- https://www.instagram.com/bose.ankan Credits: Music: Cursed Land by Soundridemusic Link to Video: https://www.youtube.com/watch?v=nQdpka10224 Credits: Music: Tensions Run High by Soundridemusic Link to Video:https://www.youtube.com/watch?v=Ly9H63SLJJo Music used : "VOODOO " composed and produced by "Vivek Abhishek" Music link : https://www.youtube.com/watch?v=khHGZP0oN1c SUBSCRIBE us on YOUTUBE: https://bit.ly/3qumnPH Follow on Facebook : https://bit.ly/33RWRtP Follow on Instagram : https://bit.ly/2ImU2JV Music provided by "Vivek Abhishek" / vivekhsihba Music used : "https://www.youtube.com/watch?v=2kECpZycm7Y Follow on Facebook: / vivekekhsihba Follow on Instagram: / vivek.abhishek.music

Prepare for a chilling descent into darkness in episode 3 of the Hindi horror web series, Banaras. Shaurya and Sanjay finally arrive in the ancient city, only to confront the chilling reality of death's inescapable embrace. At the sacred Manikarnika Ghat, Shaurya encounters the enigmatic Hemant, a man who has made the small temple located on the ghats his eternal home. Hemant reveals a spine-tingling tale about Masaan that intertwines with the city's deepest secrets. As Shaurya delves into Hemant's life, documenting his macabre existence, Banaras itself begins to crumble. Is this the city's final demise, or is an even greater horror about to be unleashed? Brace yourself for a heart-pounding episode filled with chilling revelations, eerie encounters, and the unraveling of Banaras' most terrifying mystery. #HindiHorrorStory #Banaras #BhayOriginals #WebSeries #Horror #IndianHorror #GhostStories #ScaryStories #Paranormal #HauntedIndia #ManikarnikaGhat #masaan Consider a Donation on UPI ID bhayoriginals@sbi Facebook- https://www.facebook.com/ankan12 Instagram- https://www.instagram.com/bose.ankan Music used : "HYENA MAN" composed and produced by "Vivek Abhishek" Music link : https://www.youtube.com/watch?v=GTaXA8AgP5g SUBSCRIBE us on YOUTUBE: https://bit.ly/3qumnPH Follow on Facebook : https://bit.ly/33RWRtP Follow on Instagram : https://bit.ly/2ImU2JV Music used : "The search " composed and produced by "Vivek Abhishek" Music link : https://www.youtube.com/watch?v=b1OyOl_CHE4 SUBSCRIBE us on YOUTUBE: https://bit.ly/3qumnPH Follow on Facebook : https://bit.ly/33RWRtP Follow on Instagram : https://bit.ly/2ImU2JV

Watch Bad Newz Trailer: https://www.youtube.com/watch?v=uV50UfcIT68 Order 'Build, Don't Talk' (in English) here: ⁠⁠https://amzn.eu/d/eCfijRu⁠⁠ Order 'Build Don't Talk' (in Hindi) here: ⁠⁠https://amzn.eu/d/4wZISO0⁠⁠

In this insightful episode, join Varun Duggirala as he dives deep into the journey and mind of history creating Indian producer Guneet Monga!  From her groundbreaking win to her journey into the heart of mainstream distribution, Guneet shares the ins and outs of her role as a producer and the secret behind making impactful films. Find out the driving force that led Guneet to become a producer and the challenges she faced along the way. Gain insights into the world of film production as she unravels the intricacies of her job – from ideation to execution, imparts invaluable advice for those looking to follow in her footsteps, and explore the fascinating world of film production - all in this latest episode of Take aPause. Guneet is an Indian film producer, a BAFTA nominee and amongst the first producers from India to be inducted in the Academy of Motion Picture Arts and Sciences. She is the founder of Sikhya Entertainment that has been at the helm of pushing content-driven cinema with films like The Lunchbox, Masaan, Gangs of Wasseypur, Pagglait, and Oscar Winning Short Documentary - Period. End Of Sentence to name a few.  She is the producer of the 2023 Academy Award-winning documentary short film The Elephant Whisperers. You can Order Varun's book “Everything is out of syllabus: An instruction manual for life & work “ at ⁠⁠https://amzn.to/335QKow  ⁠⁠ Follow Varun across social media platforms @VarunDuggi ⁠⁠https://www.instagram.com/varunduggi/ ⁠⁠ ⁠⁠https://www.youtube.com/c/VarunDuggi⁠⁠ ⁠⁠https://twitter.com/varunduggi  ⁠⁠ And for a weekly download of mind musings and recommendations subscribe to his newsletter “Unschooled with Varun Duggirlala” at ⁠⁠https://varunduggi.substack.com⁠ About the show “Take apause with Varun Duggirala” ( previously “The Varun Duggi show”) is a twice a week podcast that's meant to enable its listeners to take a pause amidst the chaos of their daily lives to learn tools, embrace ideas and soak in concepts that willhelp them find motivation, build the right mindset and perform  at their best. Varun also occasionally taps into the minds truly interesting people to give listeners a learn from and use in their work, life and everything in-between. DISLCAIMER: The views, information or opinions expressed in this YouTube Channel and Podcast are solely the views of the individuals/guests involved and by no means represent absolute facts. Opinions expressed by the guests can change at any time and the Company does not accept legal responsibility for them. Such views are the views of guests, and not the Company/ channel/podcast. The Company and The Director do not verify the accuracy of the information contained in the YouTube Channel and Podcast, and the Company is not responsible for this information. The Company and The Director assume no responsibility or liability for any errors or omissions in the content of the YouTube Channel and Podcast. The information contained on the YouTube Channel and Podcast is provided on an “as is” basis with no guarantees of completeness, accuracy, usefulness or timeliness. --- Send in a voice message: https://podcasters.spotify.com/pod/show/take-a-pause-varun-duggi/message

Masa saa yllättävältä tyypiltä loistavan idean. Miksi tehdä kotitöitä ilmaiseksi, kun niistä voi pyytää rahaakin. Idea lähtee lapasesta ja kohta on rahat ja vellit sekaisin. Keneltä loppuu rahat ja kuka tulee jääkaapista? Tätä satua suosittelee Suomen Pankki ja yksi Jore Vantaalta.

Manish Mundra is an Investor, a film producer, and a man whose story is an inspiration for all the small-town people with big dreams.Manish was born in a Marwadi family based in Deoghar, Jharkhand. He along with his family experienced a difficult time when his father's business suffered a setback. From selling sarees to cold drinks, he had done it all to support his family. Manish later on focused on his education and did his MBA from a college in Jodhpur. He, later on, moved to Nigeria to join a multinational Petrochemicals firm and rose up to become its CEO.In 2013, Manish responded to a tweet by actor-director Rajat Kapoor, offering to produce a movie based on his script—Ankhon Dekhi (2014).After that, Manish founded Drishyam Films to back socially relevant films like Masaan, Newton, Ankhon Dekhi and more becoming one of the most promising filmmakers of Indian cinema. Recently, he also released his first movie Siya as a director.In our conversation with Manish, he shares his journey from his early days in Deoghar to moving to Nigeria and then finding a way to produce and direct movies.  He also opens up about his passion for promoting diversity and inclusivity in cinema and why it's so important to give a voice to underrepresented communities.Manish's infectious energy and inspiring story that he has will definitely make you think that when it comes to dreams, the sky's the limit for him.Notes - 02:08 - Intro to Manish Mundra05:48 - Moving out of India10:33 - Initial life in Middle-class families 20:34 - Working hard early in career to scale faster23:50 - His experience with his first film - “Ankhon Dekhi” with Rajat Kapoor35:33 - Slow compounding throughout his journey39:18 - Being a filmmaker who has no background of movies42:47 - More screens for independent film-makers52:02 - Dealing with your inferiority complex? 56:35 - More evolved and More Spiritual 57:14 - What's the purpose that's driving Manish at the age of 49? Also, try out a 30-day free trial of Zoho Payroll, and simplify your Payroll journey as an entrepreneur! https://zoho.to/zoho-payroll

February is the month of love. And love in Indian cinema comes in various shades. Sometimes, it is a story of two destined lovers and their struggle against the realities of the world. Sometimes, it's a simple boy meets girl romantic comedy. And sometimes, it's a tragedy of two people whose love could never find fulfillment.  Whatever form these films take, they help us understand love through different lenses and appreciate all the ways it manifests in our lives. So, in this episode of Do I Like It, I talk about some of my favorite rom-com, tragedies, political, feel-good, and bitter-sweet love stories.

Welcome to Cyrus Says!This week on Cyrus Says, Cyrus is joined by Actress Shweta Tripathi Sharma. She talks to Cyrus about her filmography and the type of roles she has been taking up in many of her recent projects. They also talk about her life from Andaman Nicobar Islands to Delhi to Mumbai. We also get to know the right way of addressing Actor Nawazuddin Siddique, and maybe a few spoilers are also shared from season 3 of Mirzapur.. Tune in for this and much more!Follow Shweta on Instagram at @battatawadaSubscribe to the Cyrus Says YouTube Channel for full video episodes!Check out the Cyrus Says Official MerchListen to Cyrus Says across Audio PlatformsIVM Podcasts | Apple Podcasts | Spotify | Google Podcasts | Gaana | Amazon Music | Jio SaavnEmail your AMA questions to us at whatcyrussays@gmail.comDon't forget to follow Cyrus Says' official Instagram handle at @whatcyrussaysConnect with Cyrus on socials:Instagram | TwitterAnd don't forget to rate us!See omnystudio.com/listener for privacy information.

Two actors, Two Friends in a candid conversation about Films and Life. Vineet Kumar fondly Daddu, is an extremely talented theatre, television, and film actor, my senior from NSD (National School Of Drama), and a very dear friend. I met Vineet in 1987 and this incredible bond of friendship continues to flourish.Vineet is someone who has a completely different, simplistic yet deep view of life and in this conversation, you'll know exactly why I say that! In this heart-to-heart chat, you'll hear about:01:21 : How has Vineet managed to Stay Authentic & Be himself over so many years? 01:41 : Why does he think this city of dreams - Mumbai should be saved? &       What does he love most about this city?02:05 : What has changed in Vineet since he moved to Mumbai?02:44 : Ashish on how he was criticized on this 1 quality of his & what happened after that? 04:00  : How does it feel when people around him change?04:52  : According to Vineet what has changed in Ashish? 05:17  : Funny Story when Vineet met Arth 05:50  : The biggest revelation about life &         What can you learn from it? 06:41 : The importance of taking Rest &         Why does Vineet believe it is of utmost importance?07:53 : What is Vineet's take on competitiveness in life? 09:01 : Why Vineet loves cooking &         What are the similarities between the process of cooking and the process of an actor? 10:35  : "Vineet Ke Chutkule" will shock you! 11:07  : What is Peace? &         The truth about Peace! 12:13  : We would love to hear your thoughts on _?? These and many more kisse about our lives in this episode.I promise you, this episode will make you stop in your tracks, laugh your heart out, and reflect on life.Alshukran Bandhu,Alshukran Zindagi.Listen to Part 1 of this interview here: https://hubhopper.com/episode/ep11-kyu-vineet-kumar-ko-filme-nahi-karni-thi-aur-phir-aisa-kya-ho-gaya-joh-filmo-mein-ana-pada-an-actor-interviews-1671010075Subscribe to the podcast. Stay connected and keep yourself inspired with new thoughts.Be a part of the dialogue. Click here: https://linktr.ee/Ashishvidyarthi----------------------------------------------------Follow this amazing human on:Facebook: https://www.facebook.com/vineetskumarsInstagram: https://www.instagram.com/vineetskumars----------------------About:Vineet Kumar is a veteran actor from the National School of Drama who has worked across a broad spectrum of projects including Bollywood films & Web Series like Makdee, Manjunath, Ramprasad Ki Tehrvi, Maharani, The Great Indian Murder;Hollywood projects like Return to Rajapur with Lynn Collins; Bhopal: A Prayer for Rain with Martin Sheen and Mischa Barton; Bhojpuri films, Nagpuri films, South Indian movies like Rama Rama Krishna Krishna, Naayak, Aagadu, Shivam, Supreme; OTT platforms, television, and theatre plays in multiple languages from Hindi, English, Tamil, Telugu to Kannada.He has been applauded for his brilliant work in films such as Masaan, Drohkaal, Kachche Dhaage, Shool, and more. He received critical acclaim for his work in the Telugu film Vikramarkudu.He has won hearts through television shows like Lapataganj, Chidiya Ghar, Shikast, and many more.#AshishVidyarthi #VineetKumar #Life #Motivation #Actor #Inspiringstories #Lifestory #reallife #inspiring#life #podcasts #spotifypodcast #spotify #ashishvidyarthi #lifetalks #livelife #thoughtsforlife #inspirationdaily #inspirationalpodcast #motivationdaily #hindimotivation #podcasters #podcasting #DeepThoughts

Two actors, Two Friends in a candid conversation about Films and Life. Vineet Kumar fondly Daddu, is an extremely talented theatre, television, and film actor, my senior from NSD (National School Of Drama), and a very dear friend. I met Vineet in 1987 and this incredible bond of friendship continues to flourish.Vineet is someone who has a completely different, simplistic yet deep view of life and in this conversation, you'll know exactly why I say that! In this heart-to-heart chat, you'll hear about: 00:53 : When did I first meet Vineet?01:21 : What is the true meaning of Friendship & What happens when your thoughts don't match with your friends? 02:44 : Vineet Kumar being the Bhakt of Mahadev (Lord Shiva) & Explaining the real meaning of Neelkanth and what it means in real life? 03:28 : Is life bitter & How have life and times been different from when he was young to how society is now? 05:12 : Vineet on how he started his journey in theatre? 06:08 : Being Part of the Student's Movement in 197306:47 : Why do we fear losing things we own? 07:24 : What made him come to Mumbai & How did life change for Vineet after moving from Delhi to Mumbai?These and many more kisse about our lives in this episode.Stay tuned for part 2 for more banter, jokes, and candid stories of our lives.Alshukran Bandhu,Alshukran Zindagi.Subscribe to the podcast. Stay connected and keep yourself inspired with new thoughts. Be a part of the dialogue. Click here: https://linktr.ee/Ashishvidyarthi----------------------------------------------------Follow this amazing human on:Facebook: https://www.facebook.com/vineetskumarsInstagram: https://www.instagram.com/vineetskumars----------------------About:Vineet Kumar is a veteran actor from the National School of Drama who has worked across a broad spectrum of projects including Bollywood films & Web Series like Makdee, Manjunath, Ramprasad Ki Tehrvi, Maharani, The Great Indian Murder; Hollywood projects like Return to Rajapur with Lynn Collins; Bhopal: A Prayer for Rain with Martin Sheen and Mischa Barton; Bhojpuri films, Nagpuri films, South Indian movies like Rama Rama Krishna Krishna, Naayak, Aagadu, Shivam, Supreme; OTT platforms, television, and theatre plays in multiple languages from Hindi, English, Tamil, Telugu to Kannada.He has been applauded for his brilliant work in films such as Masaan, Drohkaal, Kachche Dhaage, Shool, and more. He received critical acclaim for his work in the Telugu film Vikramarkudu. He has won hearts through television shows like Lapataganj, Chidiya Ghar, Shikast, and many more.#Life #Motivation #Actor #Inspiringstories #Lifestory #reallife #inspiring#life #podcasts #spotifypodcast #spotify #ashishvidyarthi #lifetalks #livelife #thoughtsforlife #inspirationdaily #inspirationalpodcast #motivationdaily #hindimotivation #podcasters #podcasting

Siya starring Vineet Kumar Singh and Pooja Pandey is the directorial debut of Manish Mundra – a name you might know from terrific, left-of-mainstream films such as Ankhon Dekhi, Masaan, Newton, and Ram Prasad ki Tehrvi. To know more about the film, listen to the full review by Anupama Chopra. 

Siya starring Vineet Kumar Singh and Pooja Pandey is the directorial debut of Manish Mundra – a name you might know from terrific, left-of-mainstream films such as Ankhon Dekhi, Masaan, Newton, and Ram Prasad ki Tehrvi. To know more about the film, listen to the full review by Anupama Chopra. 

Jean-Luc Godard once said, "Every Edit Is A Lie". Well in today's episode, let's explore the different dimensions and layers of editing. Nitin Baid joins us on Audiogyan. He is a film editor and a director in making. Nitin has worked for films like Masaan, Trapped, Gully Boy, 83, Raazi, Gangs of Wasseypur, Gunjan Saxena and many more.

Season 2 of AMV podcast with Neeraj Ghaywan. Neeraj is an Indian film director and writer who works in Hindi films. He is the winner of several accolades including a National Film Award and two Filmfare Awards. Neeraj made his directorial debut in 2015 with Masaan which received wide acclaim and won two prizes at the Cannes Film festival including the FIPRESCI Prize. His acclaimed 2017 short film Juice won him the Filmfare Award for Best Short Film-Fiction. Ghaywan then co-directed the second season of Netflix's series Sacred Games with Kashyap in 2019 and Geeli Pucchi from the anthology film Ajeeb Daastaans in 2021. Neeraj also assisted filmmaker Anurag Kashyap on Gangs of Wasseypur (2012) and Ugly (2013). This podcast doesn't have any corporate funding or support so the contribution by listeners is very important for its survival. Please support it here: 1. Patreon (Most preferred medium): https://www.patreon.com/anuragminusverma 2. BuyMeACoffee: https://www.buymeacoffee.com/Anuragminus 3. InstaMojo:(UPI/Gpay/PayTm) : https://www.instamojo.com/@anuragminusverma/ 4. PayPal ( Subscribers living outside India can pay through it): https://www.paypal.com/paypalme/AnuragMinusVerma?locale.x=en_GB Some of the topics discussed during the podcast About Passion for Cinema, a blog run by dedicated cinephiles, that was active once upon a time. How Neeraj quit his well-paying corporate job and started his filmmaking journey. 10 years of Gangs of Wasseypur and Neeraj's experience of assisting on this film. Process of writing Masaan's screenplay and shooting experience in Banares. Experience of Gurrella shooting style during the time of Ugly (2013) where he worked as Second Unit Director. Difference between passion, inspiration, and training. Can many kinds of limitations sometimes push one to make better films? In 2022, which approach might be good if one wants to make a feature film. Meaning of filmmaker's eye and gaze in cinema. Does socially relevant sometimes limit the artists in exploring various themes, especially in the case of the artists who come from marginalized backgrounds. Issues around representation in Bollywood and comparisons with Hollywood. Advice to upcoming screenwriters. Please rate the podcast on Spotify. Neeraj Ghaywan's Twitter: https://twitter.com/ghaywan Anurag Minus Verma's Twitter: https://twitter.com/confusedvichar Follow the podcast on Instagram: https://www.instagram.com/minusverma/?hl=en The Mixing & Mastering of sound in this episode is done by PostPond Media, a production house based in Mumbai. Credit for the Music: Way Home by Tokyo Music Walker Stream & Download : https://fanlink.to/tmw_way_home Creative Commons — Attribution 3.0 Unported — CC BY 3.0

In this episode, we're going to discuss a Bollywood movie that would help you understand some aspects of Indian culture and Indian sensibilities. And you will learn how to use the verb ‘to burn , to be burned' and ‘to catch fire'. You'll also learn how to say ‘Yesterday in my city, an old house got burned.' and ‘Yesterday a bus caught fire.' in Hindi. And if you stay till the end of the episode you can hear a role-play and participate in it, as well. This series will help you to understand fully enjoy #Bollywoodmovie, learn about Indianculture and #learnHindi at the same time. If you want the transcript of the episode, please consider becoming a patron on patreon.com/learnhindionthego by making a small monthly donation. You could also join our Hindi Leaners' community on Facebook, in which Hindi learners help each other in learning Hindi, give their feedbacks & suggest songs /topics for podcasts - link: www.facebook.com/groups/learnhindionthegocommunity/ To take a free trial for online Hindi lessons visit: https://learnhindischool.com The links to the movie are as follows : https://www.netflix.com/in/title/80059331?source=35 https://www.hotstar.com/in/movies/masaan/1000087441/watch?utm_source=gwa https://www.zee5.com/movies/details/masaan/0-0-1z571417 Find out more at https://learn-hindi-on-the-go.pinecast.co This podcast is powered by Pinecast.

Neeraj Ghaywan's 2015 directorial debut Masaan also launched Vicky Kaushal in a compelling turn. The film, which also stars Richa Chaddha and Shweta Tripathi, is a deeply moving depiction of how some are profiled on account of their caste and also packs a heart-wrenching love story. The movie premiered at the Cannes Film Festival where it bagged two awards and Kaushal's performance also earned him an IIFA and a Screen Award for Best Male Debut, among other accolades. The movie sways between parallel stories that unfold in Varanasi before converging in the climax. The first narrative revolves around Devi, a computer teacher who's apprehended by the police in a supposedly compromising position in a hotel room and how it alters her life and that of those close to her. The second delves into the budding love story of a polytechnic student belonging to a marginalised community who falls for someone from a different caste. Both these stories are equally heart-breaking and yet, there's something that keeps you hopeful and engaged throughout the proceedings.If you haven't watched this gem, you can stream it right away on Netflix, Jio and Disney + Hotstar.That's the Lost and Found film for today. I shall be back with another hidden gem pretty soon on OTTplay, until then it's your host Nikhil signing off.

On this episode, Cyrus is joined by the amazing Guneet Monga, renowned film producer (Pagglait, The Lunchbox, Masaan) to talk about her illustrious career making some of the most critically acclaimed original movies in recent years. Cyrus and Guneet talk about Guneet's organisation Indian Women Rising (IWR) - a cinema collective that aims to discover, promote, amplify, and distribute women directed movies. Cyrus and Guneet also get into the sexism that subconsciously exists in society, receiving the 2nd highest civilian French honour - Chevalier dans I’Ordre des Arts et des Lettres (Knight of the Order of Arts and Letters), and lots more. They also get into Guneet's journey, how she got into filmmaking and film production, how she got financing for her first movie from her neighbour, coming to Mumbai and asking anyone she could if they had a story for a script, her first film 'Say Salaam India' with Milind Soman, how the 2007 Cricket World Cup affected the movie, screening the movie in schopls to make the money back, and tons tons more. Tune in for an amazing episode.Follow Guneet on Twitter & Instagram: https://twitter.com/guneetm and https://instagram.com/guneetmongaAlso, subscribe to Cyrus' YouTube channel: https://youtube.com/channel/UCHAb9jLYk0TwkWsCxom4q8AYou can follow Antariksh on Instagram @antariksht: https://instagram.com/antarikshtDo send in AMA questions for Cyrus by tweeting them to @cyrussaysin or e-mailing them at whatcyrussays@gmail.comDon't forget to follow Cyrus Broacha on Instagram @BoredBroacha (https://www.instagram.com/boredbroacha)In case you're late to the party and want to catch up on previous episodes of Cyrus Says you can do so at: www.ivmpodcasts.com/cyrussaysYou can listen to this show and other awesome shows on the new and improved IVM Podcasts App on Android: https://ivm.today/androidor iOS: https://ivm.today/ios

Bollywood, and the Indian film industry in general, is dominated by men and tends to have an innately masculine bias. However, recent trends have shown films centered around women are slowly and surely making their mark. The spirited, multiple-awardee and popular actor Richa Chadha speaks of searching for the feminine sensibility and the important perspectives it represents. Chadha’s major films include ‘ Masaan,’ ‘Gangs of Wasseypur,’ and ‘Sarabjit;’ she has consistently spoken up against patriarchy, misogyny, and injustice. In conversation with Supriya Dravid, she speaks of her career, films, and beliefs. This episode is the audio version of a live online session from #JLFHouston2020.

Off beat films and Art cinema: Golmaal, Chameli ki Shaadi, Masaan, Barfi, Andhadhun, Gulabi Sitabo, Lunchbox, Udaan, Karwaan, Rang de Basanti, Piku, Gully Boy, Gangs of Wasseypur, Tumbbad, Kahaani, Haider, La la land, Aankho dekhi, Jaane bhi do yaaro, Omkaara, Ship of Theseus, Dhobi Ghat, Beyond the Clouds, Jagga Jasoos, Chhoti si baat, Rang Birangi and Chashme Baddoor

Pankaj Tripathi is an Indian actor who appears predominantly in Hindi films. He debuted in 2004 with a minor role in Run and Omkara and has since worked in more than 40 films and 60 television shows. Tripathi's breakthrough came in 2012 for his antagonistic role in the Gangs of Wasseypur film series. He has since received critical appraisal for multiple films, including Fukrey (2013), Masaan (2015), Nil Battey Sannata (2016), Bareilly Ki Barfi (2017), Newton (2017), Fukrey Returns (2017), and Stree (2018). For Newton, Tripathi earned several awards including a National Film Award. Video Credit: Film Companion: https://youtu.be/TusLe-AFTFE Amazon Prime Video: https://youtu.be/yotCyfbVmRs Scoopwhoop: https://youtu.be/J-bdUWzdXXQ #pankaj #tripathi #motivation #dialogue #yuvajosh #SuccessStoryOfPankajTripathi #NaxtraMeuva #Mirzapur #drnaxatrameuva #pankajtripathi #ExcelMovies #MirzapurSeason2 #PuneetKrishna #GurmmeetSingh #MihirDesai #VineetKrishna #farhanakhtar #amazonprime #mirzapur2 #mirzapuronprime

What if the actors who only played supporting roles would get a chance to act as a lead role? Masaan is an underrated movie having actors in lead roles who've had supporting roles in their past movies. This movie has a very intriguing plot with two parallel stories having no connection between characters but have a similarity in stories itself. Listen to this episode which talks about why Masaan stands out from other drama films including its underrated songs. Please note, the soundtracks and clips used here is directly taken from the movie itself and credits goes to them.

zindagī kyā hai anāsir meñ zuhūr-e-tartīb maut kyā hai inhīñ ajzā kā pareshāñ honā ~ Brij Narayan 'Chakbast' In this episode, we dive into one of our favourite Hindi films - Masaan. Directed by Neeraj Ghaywan and written by Varun Grover, Masaan won the FIPRESCI Prize and the Prix de l'Avenir at the 2015 Cannes Film Festival. We discuss how this film deals with the themes of escape, how not everything written in the script makes it into the final edit of a film, and much more! This film is currently streaming on Netflix India. SPOILER ALERT - This podcast contains a lot of nitty-gritty details from the film. Intro Track and Outro Track Credits : 'Tu Kisi Rail Si' scored by Indian Ocean with lyrics by Varun Grover (Based on a ghazal by Dushyant Kumar) and sung by Swanand Kirkire. We are now available on Google Podcasts, Spotify, Apple Podcasts, Stitcher and all other podcasting apps, as also on YouTube! All links to Podcasting apps available on anchor.fm/cuttoscene. Link to our YouTube channel - tiny.cc/cuttoscene We would greatly appreciate any comments and feedback! Find our social media links below - Cut to Scene! - cuttoscene on Twitter and Instagram Aditya - alsogoesbyV on Twitter and adivijaykumar on Instagram Devansh - devnaash on Twitter and Instagram

Make up is one of the basic necessities when it comes to films that we watch. In my conversation with Shashank Desai,we talk about various aspects of make-up, the process of pre-production and what it's like, other than these he shares some of his experiences and scenarios to help us once again get an insight on how collaboration is an important part of filmmaking. Shashank has worked as a make-up artist/designer in various bollywood films few of them being; Chaapak, Gangs of Wasseypur, Tumbbad, Masaan, and few of the current popular web-series being; Typewriter and Out of Love

Award-winning producer Guneet Monga is a hustler—in every sense of the word. In this episode of Women in Labour, the founder of Sikhya films talks to Aditi and Christina about her relationship with the hustle, the side jobs she’s worked (including selling Laughing Cow cheese and DJ-ing), first moving to Bombay, and how she made and distributed her first film at the age of 22 (spoiler alert: it's genius). With special guest Guneet Monga: Guneet Monga has been redefining Indian films and their journeys with diverse new-age projects, including the Oscar-winning Period. End of Sentence (2019), The Lunchbox (2013), Masaan (2015), and Gangs of Wasseypur (2011). One of the first Indian producers to be inducted into the Producer's Branch of the Academy of Motion Pictures Arts And Sciences and featured in Variety's International Women's Impact Report 2018, Guneet Monga is a force to reckon with and a game-changing producer in Indian cinema. She is the youngest person to be conferred with the ‘Most Powerful Women in Indian Business Award’ by Business Today in 2014 and was voted as one of the top 12 women achievers in the Global Entertainment Industry by The Hollywood Reporter. In 2019, Guneet won Producer of the year at the GQ awards. MORE TO READ. This 2019 LiveMint piece about Guneet: https://www.livemint.com/mint-lounge/features/guneet-monga-world-citizen-1553841314069.html This 2018 Bloomberg piece about Guneet (excerpt from ‘Changemakers’): https://www.bloomberg.com/news/features/2018-10-20/excerpt-how-guneet-amarpreet-kaur-monga-transformed-bollywood MORE TO WATCH. Check out Sikhya’s projects: http://sikhyaentertainment.com/projects/feature-films/ Guneet’s 2019 TEDx talk, titled ‘Show Up’: https://www.youtube.com/watch?v=_JUhARVz8MU Guneet’s 2015 TEDx talk, titled ‘Passions- Evolving with Life’: https://www.youtube.com/watch?v=H9-M0IjNvh4 Guneet on Son of Abish: https://www.youtube.com/watch?v=9KSlJe_oADE This Quint feature on the stars of Period. End of Sentence: https://www.youtube.com/watch?v=akbIwXA-6es A BIG THANKS Women In Labour is generously supported by a grant from the American Center, New Delhi. All opinions, findings, and conclusions are those of Women In Labour and its hosts only — and do not necessarily reflect those of the United States Department of State.

"My break was very easy, 3 of my films will be in the top 10 film of the decade but now i wonder how i never bothered reading a script back then," Richa Chadda on the Cannes experience with Masaan and the key difference between the east and the west.

As Masaan completes four years since its release, let's know some lesser known facts about Vicky Kaushal. To know more watch the video. 

País India Dirección Neeraj Ghaywan Guion Neeraj Ghaywan, Varun Grover Música Bruno Coulais, Indian Ocean Fotografía Avinash Arun Dhaware Reparto Richa Chadda, Sanjay Mishra, Vicky Kaushal, Shweta Tripathi, Bhupesh Singh, Bhagwan Tiwari, Nikhil Sahni, Pankaj Tripathy Sinopsis Drama sobre dos familias atrapadas en las restricciones hinduistas. Benarés, la ciudad santa a orillas del Ganges, no tiene compasión con aquellos que no respetan las tradiciones. Deepak, un estudiante de un barrio pobre, se enamora perdidamente de una chica de una casta superior. Devi, una universitaria cuyo comportamiento se sale de lo establecido, intenta superar la desaparición de su primer amante, mientras su padre, Pathak, es víctima de la corrupción policial y pierde el sentido de la moral. Y el niño Jhonta busca una familia. Cuatro personajes en busca de un futuro mejor, atrapados entre la época moderna y las tradiciones, y cuyos caminos están a punto de cruzarse.

1. Baloch does not  know which movie we are doing 2. This review was suppose to be before Venom 3. Blah blah blah something something etc... 4. What did the fox say 5. Ring ding ding ding 6. We review movie, we like movie, yes movie good     Please like us on www.facebook.com/bollycast Follow us on www.twitter.com/bollycast And can be visited www.bollycast.com     If you would like to advertise with us, provide feedback or contact us, please email at bollycastmovies@gmail.com

Every week, Neha RT sits down to talk to some of India’s best creators and filmmakers about art, cinema, inspiration and pretty much anything but Bollywood!

Just a couple of years ago, Vicky Kaushal made a splash on the Indian film industry with his portrayal of a small town boy from Banaras in the award-waining Masaan and then shocked us as a cop with a drug problem in Raman Raghav 2.0. This week, he talks to Indu Mirani about his choices, his decision to give up on engineering to pursue acting, his struggles and what’s lies in the future for him. his is an IVM Production; for more such awesome podcasts, come find us: Website: Indusvox.com Facebook: https://www.facebook.com/ivmpodcasts Twitter: https://twitter.com/IVMPodcasts Instagram: https://www.instagram.com/ivmpodcasts/

On this week's episode of IVM Likes we have Sharanya, Josh and Abbas in the studio. In our round of recommendations Josh, recommends a riveting book about the Maoist movement in Bastar, Abbas recommends a horror comedy film with an erotic title, and Sharanya recommends a TV mini-series with a stellar star cast and intriguing backstories. In our second session we discuss what would be an ideal film to introduce a foreigner to Bollywood, and things get heated when the three of them go head to head about one particular Hindi film. (psst! the hint is in the episode title) You can follow IVM Likes on: iTunes: https://goo.gl/xFH3fX Stitcher: https://goo.gl/ijbCmX Audioboom: https://goo.gl/jjZPr6 Soundcloud: https://goo.gl/38ve6B or download the IVM podcast app on Android: https://goo.gl/tGYdU1 or iOS: https://goo.gl/sZSTU5 This is an IVM Production; for more such awesome podcasts, come find us: Website: Indusvox.com Facebook: facebook.com/ivmpodcasts Twitter: twitter.com/ivmpodcasts Instagram: instagram.com/ivmpodcasts

In this episode we discuss three films that played at the Cannes Film Festival in the Un Certain Regard program.  Show Notes: We’re on audioBoom and now reaching an audience in Pakistan and India Matt’s adventures in the Toronto airport The Cannes Film Festival Teaser for Anurag Kashyap’s Raman Raghav 2.0 Parallel Cinema is For Lovers! Cinéma vérité Miss Lovely Pornography in India Bollywood Bloodbath INTERVAL (“Mann Kasturi” from Masaan) Cannes films are depressing Titli Yash Raj produced Grace Of Monaco, so is it also Bollywood? The difference between liking a film and respecting it Erin cares little for the daddy and brother issues Masaan Cremation ghats Oh hey, this film has a fully realized female character This film is about the big things: life, sex, and death NEXT TIME: We’re joined by Allan Mott to discuss Canadian porn-star turned Bollywood heroine Sunny Leone Find us on iTunes! and Stitcher! and audioBoom! Follow us on Twitter! Like us on Facebook! #Masaan, #Titli, #MissLovely, #CannesFilmFestival, #UnCertainRegard, #AshimAhluwalia, #NawazuddinSiddiqui, #NeerajGhaywan, #RichaChadda, #KanuBehl, #BollywoodIsForLovers, #BiFL

On this week's episode, we discuss the rise of Independent cinema in Bollywood and whether audiences in India are willing to accept off-beat, alternative content. We look more closely at Anurag Kashyap's impact on the indie film movement, and also give our review on his latest production Masaan.

This episode is brought to you by MUBI. Get the best of Indian and International cinema free for 30 days! Watch now. (https://mubi.com/audiogyan) A curated streaming service showing exceptional films from around the globe. Every day, MUBI premieres a new film., from timeless classics to cult favorites to acclaimed masterpieces. Every film is handpicked just like, how our today’s guest handpicks great posters. But before we jump to our today’s conversation, Audiogyan has got something for our listeners. Normally, MUBI has a 7-day free trial but for you, listeners, you get a 30-day free trial. All you need to do is, go to http://mubi.com/audiogyan, and sign up for a whole month of great cinema for free. Today I have Jahan Singh Bakshi with us on Audiogyan. Jahan has worked on digital and creative marketing strategies for films including Masaan, Lipstick Under My Burkha, and Newton. He currently divides his time between script development, film subtitling, collecting, curating, and writing about movie posters. Did I say Movie posters? Yes! Today we are here to discuss Posterphilia as an Audiogyan case study with Jahan.  Questions What is Posterphilia? Why did you start it? Can you share in detail the process of curation? What are your criteria? I found few articles like, Kishore Kumar in posters, raining posters - What are your plans w.r.t categorizing these? Any thoughts there? Have you spotted any micro and macro trend in these Indian film posters? Illustrations versus photos? Be it digital or hand-painted. Have you formed any opinions and judgments based on the posters you found - For eg: Movies before the 1970s had better-looking posters than today's - aesthetically or any such parameters? Anything like that? Speaking about posters, one can never go without talking about Ray. The posters which I see on your Instagram, a lot of them are well-designed posters that can compete with Ray's graphical sensibilities. What do you think? You have written a nice article about what makes a great poster. You have also collected a lot of Holywood posters. What can we learn from them and what can they learn from Bollywood art? Can you give names of really great poster designers across the globe? I would like to also ask you about your more recent exploration of Bollywood posters in Japan and other parts of the world. Can you share that bit? Any idea how did they travel that far? Any insights on what made those people redo the entire graphic than just translation of titles in their scripts and contexts. I understand that the next question itself is an Audiogyan, but if you can briefly tell about plagiarism in posters - How evident is this trend. Today and maybe in the 1960s to 80s where we also copied a lot of music. I don't have the latest data but, in 2018, India made about 1813 films, China 1082, Japan 613, US 576, France a few hundred, and the least was the UK. 202. Overall we are talking about around 6K films. This is just one year. Cinema has been going for 120 years now. What is the overall plan with this Posterphilia? Further reading https://www.instagram.com/posterphilia/ https://mubi.com/notebook/posts/movie-poster-of-the-week-jahan-singh-bakshi-s-top-ten-favorite-bollywood-posters https://www.filmcompanion.in/posterphilia/ http://www.tasveergharindia.net/essay/amitabh-bachchan-posters.html https://www.filmonpaper.com (https://www.filmonpaper.com/) https://www.statista.com/statistics/252727/leading-film-markets-worldwide-by-number-of-films-produced/ https://theposterboys.tumblr.com (https://theposterboys.tumblr.com/)