Podcasts about Wasseypur

Subscribe to Dostcast Clips:https://www.youtube.com/@dostcastclips?sub_confirmation=1Listen to Dostcast on Spotify: https://open.spotify.com/show/70vrbHeSvrcXyOeISTyBSy?si=be05dbdd564245d9Join the Dostcast Janta Party on WhatsApp for regular updates: https://whatsapp.com/channel/0029VbAZwo5D8SDs5kf94N3TWant to suggest a guest?Fill this form: https://docs.google.com/forms/d/1ft_-1QDs7XpsSWnaPOeF21yUlhk9bzKvwHSyh4hHfBU/edit?usp=drivesdk====================================================================Actor Vineet Kumar Singh joins Dostcast for a powerful conversation about craft, struggle, discipline, and life beyond the screen.Known for his intense performances in films like Mukkabaaz, Gangs of Wasseypur and Ugly, Vineet opens up about why his biggest success came later in life, the patience required to survive in the film industry, and how anger became one of the most powerful tools in his acting craft.In this episode, he also reflects on how fatherhood changes a man, the role astrology has played in shaping his outlook, and whether younger generations today struggle with long-term commitment to their work. Vineet shares his thoughts on principles, discipline, education, and why government jobs still transform lives for millions of Indians.This episode is a deep look into the mindset of an actor who built his career through resilience, honesty, and relentless hard work.Timestamps:00:00 - Intro01:00 - How He Performs Anger so Well?08:49 - Why Success Arrived Late for Him13:00 - Does The Game of Life Affect Vineet14:50 - How Becoming a Father Changes a Person17:49 - Effect of Astrology on His Life20:00 - Is Vineet Gifted at Doing Scenes with Anger?22:25 - Are Younger People Unable to Put in The Work?26:10 - Can You Thrive with Strong Principles?30:30 - What Has Vineet Learnt About the EdTech Universe34:55 - Is Vineet Good at Math?38:15 - How Government Jobs Change Lives43:30 - Conclusion====================================================================Vinamre Kasanaa is a writer at heart, podcaster and entrepreneur by craft.He spends a significant part of his time reading and researching.With over 500 podcasts under his belt, he's interviewed everyone—from HNIs and industry leaders to everyday superheroes.Follow Vinamre:LinkedIn: https://www.linkedin.com/in/vinamre-kasanaa-b8524496/Instagram: https://www.instagram.com/vinamrekasanaa/Twitter: https://twitter.com/VinamreKasanaaDostcast: Instagram: https://www.instagram.com/dostcast/Twitter: https://twitter.com/dostcast====================================================================Contact Us:For business inquiries: dostcast@egiplay.com

Welcome to PGX: Raw & RealPGX: Raw & Real is simple. I sit with people who've lived through something and/or made it big.This isn't meant to be inspiration or a template for life (for that, you can check out PGX Ideas).This space is different. It's their story, as they experienced it.In this episode, I spoke to Piyush Mishra — Indian actor, singer, lyricist, playwright, musician, and screenwriter.Timestamps:0:00 - Intro1:12 - Growing up in Delhi4:20 - The craft behind Gangs of Wasseypur 9:58 - From Theatre to Cinema13:38 - His Driving Force17:21 - Planning vs Spontaneity 19:52 - About his Band and Tour - Aarambh24:36 - Looking back at Theatre31:00 - BIggest Career Regret ever39:17- His Biggest Achievement44:18 - Relationship with wife50:38- Importance of being mature 55:12- Family's Role in Upbringing58:51- Youth v/s Present1:06:43- Loneliness vs Being Alone1:08:14 - Is there an afterlife?1:13:00 - Healing from Stroke1:20:26 - "I was an alcoholic"1:30:39- Theatre and Acting in India1:35:31- Role of Meditation 1:39:50- Yaad Aayi ki Cigarette Aayi1:41:41- Closing ThoughtsEnjoy.— Prakhar

In this episode, Bertha Chin— Senior lecturer and the Director of the National University of Singapore's Communications And New Media program— and Swapnil Rai—Associate Professor Film, Television and Media Associate Professor Communication and Media at the University of Michigan—join us to speak about the global streaming media landscape. From Bollywood to Hollywood, Rai and Chin dissect the complexity of media movements as both parts of cultural imperialism and the widening of fandoms. Both scholars lead us through discussions of the transnational circulations and development of series on streaming platforms, relating them to the wider topic of power relations within globalization. By the end, we are left to examine how we engage with transnational shows, who produces them, and how other countries have interpreted the same show. Is streaming the best way to be exposed to other cultures, or is it trying to mobilize the audiences and resources of other countries? Here are some of the references from this episode, for those who want to dig a little deeper:Academic/Educational readings and resources:Transnational Streaming Television Reshaping Global Flows and PowerNetworked Bollywood How Star Power Globalized Hindi CinemaCrowdfunding the Future Media Industries, Ethics, and Digital SocietyEating Fandom Intersections Between Fans and Food CulturesBollywoodizing Netfix or globalizing Hotstar? The cultural-industrial logics of global streaming platforms in IndiaModi vs. Wild: Celebritized Politics and the Mediations of a Spiritual StrongmanWhat Is Arthouse Cinema? A Guide to Movies Off the Mainstream Path [Article Link]Netflix Subscribers Statistics 2026 [Link]South Korean Panda discourse [News Link]People & Places:Venice International Film FestivalBerlin International Film FestivalCannes Film FestivalTrader Joe'sTed SarandosReed HastingsLori MorimotoJulia SonnevendMoo DengNarendra ModiBear GryllsVictor OrbanPriyanka ChopraLee Jung-jaeQuentin TarantinoSergio LeoneBong Joon HoDave ChappelleTakashi MiikeMedia:NetflixAmazon VideoDisney+ HotstarK-pop (music genre)The X-FilesDoctor WhoBBCSalaam NamasteParanormalNarcosSacred Games [book, Netflix]Gangs of WasseypurGangs of Wasseypur 23%Game of ThronesSquid GamesKPop Demon HuntersShin Ramyun Kpop Demon HuntersBon Appétit, Your MajestyBuffy the Vampire SlayerScooby DooFrankenstein (2025)Winter SonataMan vs.WildStar WarsStar TrekMortal KombatThe Acolyte The MechanismGrillo Vs. GrilloPatriot Act with Hasan MinhajRecord of Ragnarok [manga, TV show]Macy's Thanksgiving Day Parade 2025 Universal LanguageSukiyaki Western Django ––––––––––––––––––––––––––––––Share your thoughts via Twitter with Henry, Colin and the How Do You Like It So Far? account! You can also email us at howdoyoulikeitsofarpodcast@gmail.com.Music:“In Time” by Dylan Emmett and “Spaceship” by Lesion X.In Time (Instrumental) by Dylan Emmet https://soundcloud.com/dylanemmetSpaceship by Lesion X https://soundcloud.com/lesionxbeatsCreative Commons — Attribution 3.0 Unported — CC BY 3.0Free Download / Stream: https://bit.ly/in-time-instrumentalFree Download / Stream: https://bit.ly/lesion-x-spaceshipMusic promoted by Audio Library https://youtu.be/AzYoVrMLa1Q––––––––––––––––––––––––––––––

Welcome to PGX: Raw & RealPGX: Raw & Real is simple. I sit with people who've lived through something and/or made it big, and I try to understand what it did to them.Sometimes it gets deep, sometimes it gets weird, sometimes we end up laughing at stories that should've gone very differently — just like how real conversations go.This isn't meant to be inspiration or a template for life (for that, you can check out PGX Ideas).This space is different. It's their story, as they experienced it.In this episode, I spoke to Aakash Gupta - Indian Standup ComedianTimestamps:00:00 - Me again00:51 - Skip straight to the podcast01:34 - PGX studio's premium location in NCR04:04 - Prakhar and Aakash tried CA (and failed)14:15 - 2016 trend on instagram and Delhi metro phone-chori stories18:20 - Immigration people in embassies are the worst19:24 - Average Teenage experience while playing in parks 20:59 - Gaurav Gupta and Baniya Jokes21:56 - Pahadi Accent and language24:34 - Trekking in Himachal before it was mainstream and Famous Places27:55 - Delhi-NCR people have ruined Kasol29:43 - Most Chill Pahadi Uncle ever31:42 - Almost di*d in the Himachal with a friend35:20 - Prakhar getting in trouble (jail) while trekking 39:22 - Random Bear Grylls (Man vs Wild) appearance in the podcast41:59 - How to survive wild animals in mountains 45:43 - Everyone wants this friend47:32 - Spanish Tutorial58:00 - Momos break1:01:42 - Production Cost of Standups is HUGE1:12:50 - Aakash's acting career1:17:24 - MBA Coaching and CAT1:27:20 - Gangs of Wasseypur 1:13:46 - Post-Podcast scenes/plans1:37:50 - Akash Gupta income revealed (60 Lakh plus/day) 1:48:14 - Bear Grylls last timeEnjoy.— Prakhar

Anurag Kashyap's Nishaanchi: Part 1 is a welcome return to form, and the long-awaited spiritual successor to Gangs of Wasseypur that his fans have been waiting for.We discuss the film's complex approach to classic themes of revenge, betrayal, and jealousy, while also praising the central performances. Along the way, we commend Kashyap's inimitable writing and inherent sympathy for the devil.—Hosted by Akhil Arora and Rohan Naahar, The Long Take is fully bootstrapped. Please consider donating if you enjoy our work.The Long Take is available on Spotify, Apple Podcasts, Amazon Music, Gaana, JioSaavn, Overcast, Pandora, RadioPublic, iHeart Radio, YouTube Music, and wherever you get your podcasts.Follow The Long Take on Instagram, Facebook, Threads, and YouTube. Write to us at thelongtakepod@gmail.com.

Send us a textIn today's episode, I interview Elham Ehsas, director of the short film "There Will Come Soft Rains," a story of a young woman confronting the personal implications of rising sea levels resulting from global warming.Listen to hear about the importance of understanding the personal stories of people impacted by climate change, the importance of layered identities in creating a complex character, and the poem that inspired the film's title.Books mentioned in this episode include:"There Will Come Soft Rains" (poem) by Sara TeasdaleCaste: The Origins of Our Discontents by Isabel WilkersonA Short History of Nearly Everything by Bill BrysonSapiens: A Brief History of Humankind by Yuval Noah HarariFilms and TV shows mentioned in this episode include:"There Will Come Soft Rains" directed by Elham EhsasThe Crown (series)"Yellow" directed by Elham EhsasThe Band's Visit directed by Eran KolirinDil Se.. directed by Mani RatnamHook directed by Steven SpielbergGangs of Wasseypur directed by Anurag KashyapCold War directed by Paweł PawlikowskiIt Was Just an Accident directed by Jafar PanahiFollow Elham on Instagram @zoradzo and the film @softrainsfilm. You can also find Elham on his website at https://elhame.co/.Find out more about Climate Spring and the work they do on their website.Support the show

धनबाद, झारखंड—देश का कोल कैपिटल. कोयले ने जहाँ इंडस्ट्री को ताक़त दी, वहीं जन्म दिया माफ़िया, गैंगवार और करप्शन की अंधेरी दुनिया को. फ़िल्म गैंग्स ऑफ़ वासेपुर ने इसकी झलक दिखाई लेकिन असली कहानी उससे कहीं ज़्यादा डरावनी है. इन्हीं सचाईयों पर लिखी है किताब “Dhanbad – The Economics of Coal – The Mafia”, जिसके लेखक हैं प्रमोद कुमार गुप्ता पूर्व प्रिंसिपल चीफ़ कमिश्नर ऑफ़ इनकम टैक्स. उन्होंने कोल माफ़िया को अपनी आँखों से देखा, उनसे टक्कर ली और अपने अनुभवों को किताब में दर्ज किया, सुनिए 'पढ़ाकू नितिन' में.

Vipin Sharma — NSD alumnus, editor-turned-actor, and the man behind memorable scenes in Taare Zameen Par, Gangs of Wasseypur and Raman Raghav — sits down with Cyrus to tell the true story of leaving acting, retraining abroad, and the audition that changed everything. In this episode Vipin talks about: Growing up in Delhi and the moment he realised he wanted to be on screen. NSD, his “golden” batch and the early struggles after graduation. A 10-year break, studying Meisner in Toronto and how he found acting again. The Taare Zameen Par audition — how he got the father role. Working with Anurag Kashyap and why directors sometimes create moments that become you. His thoughts on cinema’s power (and its limits) — plus what’s next: acting, directing and more.See omnystudio.com/listener for privacy information.

Welcome to Cyrus Says!Before Monica O My Darling hit Netflix, before Mard Ko Dard Nahi Hota became a TIFF cult film, and before Vicky Kaushal became VICKY KAUSHAL — there was Vasan Bala, shooting indie films on the streets of Mumbai with zero budget and maximum madness. In this episode of Cyrus Says, filmmaker Vasan Bala dives deep into his chaotic journey — from assisting Anurag Kashyap on Dev.D and Gangs of Wasseypur, to directing Peddlers (which made it to Cannes!), discovering Vicky Kaushal in a short film, and sneaking easter eggs into every single project. Highlights:Vicky Kaushal’s early gigsThe vodka incident that almost ruined his careerThe chaos of Peddlers and casting strangersHis undying love for pulp and genre cinemaActing cameos, CBFC cuts, and future dreamsSee omnystudio.com/listener for privacy information.

Gangs of Wasseypur is a certified Indian classic that no one saw coming. On its 13th anniversary, The Two Please boys along with  @aniket.d  jump back into the crazy world of the Wasseypur underworld, as they discuss the film's success, its most iconic moments, and the legacy it has since left behind.Follow us on Instagram:https://www.instagram.com/twopleasepod/CHAPTERS00:00 - Chaos, Crime & Kashyap02:10 - Why this cult film flopped at the box office05:48 - How Wasseypur flipped Bollywood on its head09:24 - Part 1 vs Part 2 – Which one's better?13:41 - Endless revenge17:17 - Our favorite gangsters, quotes & WTF moments24:41 - More quotable than Sholay?27:47 - How this cast took over streaming platforms31:15 - Stars are Born 39:24 - Did Wasseypur *ruin* Anurag Kashyap?43:35 - Why Bollywood doesn't make films like this anymore47:49 - Ramadhir, caste, and quiet commentary53:45 - This soundtrack has *zero skips*01:02:23 - A film that changed everything01:10:52 - Watch it. Rewatch it. Share it.Don't forget to LIKE, SHARE & SUBSCRIBE to the channel.Leave a Like if you enjoyed the episode!Check out Aniket's Channel here:https://www.youtube.com/@aniket.dCheck out Aniket's Instagram here:https://www.instagram.com/aniketd/?hl=enhttps://www.instagram.com/hypercurious.club/?hl=en

Gangs of Wasseypur is a certified Indian classic that no one saw coming. On its 13th anniversary, The Two Please boys along with  @aniket.d  jump back into the crazy world of the Wasseypur underworld, as they discuss the film's success, its most iconic moments, and the legacy it has since left behind.Follow us on Instagram:https://www.instagram.com/twopleasepod/CHAPTERS00:00 - Chaos, Crime & Kashyap02:10 - Why this cult film flopped at the box office05:48 - How Wasseypur flipped Bollywood on its head09:24 - Part 1 vs Part 2 – Which one's better?13:41 - Endless revenge17:17 - Our favorite gangsters, quotes & WTF moments24:41 - More quotable than Sholay?27:47 - How this cast took over streaming platforms31:15 - Stars are Born 39:24 - Did Wasseypur *ruin* Anurag Kashyap?43:35 - Why Bollywood doesn't make films like this anymore47:49 - Ramadhir, caste, and quiet commentary53:45 - This soundtrack has *zero skips*01:02:23 - A film that changed everything01:10:52 - Watch it. Rewatch it. Share it.Don't forget to LIKE, SHARE & SUBSCRIBE to the channel.Leave a Like if you enjoyed the episode!Check out Aniket's Channel here:https://www.youtube.com/@aniket.dCheck out Aniket's Instagram here:https://www.instagram.com/aniketd/?hl=enhttps://www.instagram.com/hypercurious.club/?hl=en

The Manufacturing Marwadi: Priyansha Bagaria's Transition from Family Business to Cutting-Edge AI | Diasporaa Podcast Episode 16 Welcome to Diasporaa, the show where we share remarkable stories of immigrants from the Indian subcontinent. In this episode, host Aditya Mehta interviews Priyansha Bagaria, an entrepreneur from Giridih, Jharkhand, now running an AI startup in Seattle. Priyansha shares her journey from her family's business in India to studying in the Netherlands and Cornell University. She discusses the unique experiences and challenges she faced while adapting to new cultures, her career in data science, and the founding of her startup Loopr, which provides AI solutions for manufacturing and aerospace companies. Tune in for an inspiring conversation about resilience, innovation, and the importance of staying connected to one's roots. Remember to like, comment, and subscribe for more inspiring stories from the South Asian Diaspora! List of Resources: Dal Bati: https://youtu.be/2YIM5-4XIHQ?feature=shared Diwali: https://en.wikipedia.org/wiki/Diwali Dussehra: https://en.wikipedia.org/wiki/Vijayadashami Gangs of Wasseypur: https://en.wikipedia.org/wiki/Gangs_of_Wasseypur Giridih: https://en.wikipedia.org/wiki/Giridih Litti: https://youtu.be/NWmrlWITQL0?feature=shared Loopr: https://www.loopr.ai/ Navaratri: https://en.wikipedia.org/wiki/Navaratri Erasmus University Rotterdam: https://en.wikipedia.org/wiki/Erasmus_University_Rotterdam FrieslandCampina: https://www.frieslandcampina.com/ Tu Delft: https://www.tudelft.nl/en/ About the Podcast: Diasporaa was Aditya's third startup based in Vancouver, BC. It focused on helping new immigrants in Canada find their feet, get off to a running start and ease their assimilation into Canadian life. A big part of the platform were conversations, community and support. Though the startup stopped growing once Aditya moved to Seattle, WA - it remained alive in the form of several discussion groups and online communities. Now, Diasporaa has been resurrected in the form of a podcast focused on uncovering and sharing interesting immigrant stories from the South Asian diaspora. It is available on YouTube, all major podcast platforms such as Spotify, Apple Podcasts, Google Podcasts, etc. and is also broadcast as a radio show on Alternative Talk 1150 AM and 98.9 FM HD Channel 3 on Wednesdays from 2-3pm PST. About Aditya Mehta: Aditya is a Bombay boy who has lived in Austin, Los Angeles, Washington DC, and Vancouver before making it to his current home in Seattle. He has degrees in marketing, urban planning, real estate and strategy but has spent his career in financial services, social media and now real estate - mostly as an entrepreneur and partly as an employee at Amazon. He balances Indian, Canadian and American culture, loves helping those who are new to North America and looks forward to the interesting stories that his interview guests bring each week. When not podcasting, he is helping his wife Prachi build her pharmaceutical business or hanging out with his son Arjun. Connect with Diasporaa: -Instagram: @diasporaapodcast -YouTube: https://linke.to/dspyoutube -Bio Link: linke.to/diasporaa -Listen on Spotify: https://linke.to/dspspotify -Listen on Apple Podcasts: https://linke.to/dspapple -Diasporaa Podcast on KKNW Alternative Talk Radio: https://linke.to/kknw1150

Discover the inspiring journey of Jaideep Ahlawat, the versatile Indian actor known for Paatal Lok and Gangs of Wasseypur, as we unveil lesser-known facets of his life! From his early dream of joining the Indian Army (he attempted SSB interviews multiple times!) to pivoting toward acting through theatre in Punjab and formal training at FTII, Ahlawat’s discipline shines through. Did you know he postponed his wedding for his debut film Khatta Meetha? Or that his FTII batchmates like Rajkummar Rao and Vijay Varma remain close friends in their Mazboot Actors Association WhatsApp group? Despite intense roles, he craves romantic characters inspired by legends like Shah Rukh Khan and recently stunned fans with viral Haryanvi dance moves in Jewel Thief’s “Jaadu”!

Dive into Bollywood actor Saqib Saleem’s riveting journey on Cyrus Says! From his Delhi roots as a state-level cricketer (Delhi U-14) to conquering Bollywood, Saqib opens up about his early life, quitting cricket post-injury, and training in Kathak for 8 years. Discover how he transitioned from modeling (Kingfisher Fresh Face 2008) to acting with breakout hits like Mere Dad Ki Maruti (2013) and the Salman Khan-led blockbuster Race 3 (₹303 crore gross). Uncover lesser-known gems: his fear of horses after a Dil Juunglee accident, co-owning cloud kitchen Qube with sister Huma Qureshi (Gangs of Wasseypur), and battling typecasting with gritty web series Rangbaaz (2018). Critics and fans rave about his versatility—from Mujhse Fraaandship Karoge’s youthful charm to Race 3’s box-office dominance. Don’t miss this candid chat with career highs, Punjabi family tales, and behind-the-scenes trivia! Perfect for fans of Bollywood, cricket, and inspiring success stories. #CyrusSays #SaqibSaleem #BollywoodSee omnystudio.com/listener for privacy information.

Dibyendu Bhattacharya, a versatile Indian actor with deep Bengali roots, has carved a niche in theatre, film, and digital media through iconic roles and artistic integrity. Born in Kolkata, his journey began with a shift from cricket to storytelling, followed by formal training at the National School of Drama (NSD), where he honed his craft alongside peers like Irrfan Khan. His theatrical genesis includes 55+ plays and socially charged performances with Jana Natya Manch, establishing his unique stage presence. In cinema, Dibyendu gained recognition with Satya (1998), delivered breakthrough roles like Chunni in Dev.D (2009), and ad-libbed the iconic line “Keh ke loonga!” in Gangs of Wasseypur. His digital acclaim includes Criminal Justice (2019) and The Railway Men, earning awards for portraying Kamruddin, a heroic railway worker during the Bhopal Gas Tragedy. Noteworthy roles span morally complex characters like Sub-Inspector Imtiaz (Ab Tak Chhappan) and Yeda Yakub (Black Friday), alongside supporting figures like sports journalist Debashish Banerjee (Goal). Beyond acting, Dibyendu practices Vipassana meditation, draws inspiration from Buddhist philosophy, and mentors talents like Parineeti Chopra. A connoisseur of Bengali literature and Satyajit Ray’s films, he quietly supports NGOs for child education and rural theatre. His disciplined lifestyle, shaped by overcoming childhood asthma, and versatility across media—including voicing Gollum in Hindi—cement his legacy as a multifaceted artist bridging cultural heritage and contemporary narratives.See omnystudio.com/listener for privacy information.

What put iPhone city on the map is that it produces more than half of the world's iPhone's every single year. The global demand for the Apple iPhone has only increased over the years. To keep up with that demand Foxconn hires up to 200,000 workers – a mix of migrants and college students – to make sure that the assembly lines keep running. Especially during the peak season which happens to begin right around now, from September to February. Iphone city is the perfect example of the China manufacturing playbook. It is what propelled China to emerge as the world's manufacturing hub. It's pretty simple – Foxconn and companies like it build these large facilities, pack millions of migrant laborers into dorms near their facilities, and get them to work long hours, in often tough conditions. But now things are changing. More and more global companies are adopting a China-plus-one strategy. And India is becoming a favoured alternative. And  as the focus shifts our way, manufacturers in India are pretty much replicating the same China labour model. But this model has an indigenous problem.Tune inDAYBREAK UNWIND RECOMMENDATIONS for "best opening lines in a book or a film."Nicholas: 100 Years of Solitude by Gabriel Garcia MarquezStory he refers to: The Most Memorable Annual Pig Parade of KharagpurRahel: The Book Thief by Markus Zusak  Prithu: The Hitchhiker's Guide to The Galaxy by Douglas AdamsAvinash: Pride and Prejudice by Jane Austen Ruhi: Harry Potter and the Philosopher's Stone by J.K RowlingBrady: Rounders (film, 1998)Sayan: The Fellowship of the Ring, J. R. R Tolkien Sameer: Gangs of Wasseypur (film, 2012)Sumit: Slaughterhouse-Five by Kurt VonnegutRohin: The Body by Stephen KingSnigdha: The Haunting of Hill House by Shirley JacksonDaybreak is now on WhatsApp at +918971108379. For next Thursday's Unwind, send us your recommendations to us as texts or voice notes. The theme is "favourite murder mystery."

Nawazuddin Siddiqui, a versatile Indian actor, rose to stardom through sheer perseverance. Known for his raw, intense performances in Gangs of Wasseypur, The Lunchbox, and Sacred Games, he's earned acclaim both in India and internationally. With over two decades in cinema, he's celebrated for taking on complex, unconventional roles that redefine storytelling.

Varun Grover is a filmmaker, writer, lyricist, and stand-up comedian known for his sharp wit, socially relevant themes, and unique storytelling style. He co-wrote the critically acclaimed film Masaan (2015) and gained further recognition for his contribution as a writer to the popular Netflix series Sacred Games (2018). In 2023, he made his directorial debut with the film All India Rank. Grover has penned lyrics for several popular Bollywood films, including Gangs of Wasseypur (2012), Dum Laga Ke Haisha (2015), Udta Punjab (2016), Sui Dhaaga (2018), and Atrangi Re (2021). He has received several awards for his work, including a National Film Award for Best Lyrics. We entirely depend on the support of our listeners. Support us on :    Patreon and RazorPay: https://www.anuragminusverma.com/ Buymeacoffee: https://buymeacoffee.com/anuragminus Camera by: Dev Baraya  Edit by : Kartik Chauhan Sound Mastering by Postpond Media 

Tamkenat Mansoor is a Content Creator, Actor and Comedian. Tamkenat comes back on The Pakistan Experience for a fun filled episode of The Pakistan Experience where we celebrate Arshad Nadeem, Exchange Bachpan kee stories, discuss WWE, our Favourite National Songs, Woke Culture and more. The Pakistan Experience is an independently produced podcast looking to tell stories about Pakistan through conversations. Please consider supporting us on Patreon: https://www.patreon.com/thepakistanexperience To support the channel: Jazzcash/Easypaisa - 0325 -2982912 Patreon.com/thepakistanexperience And Please stay in touch: https://twitter.com/ThePakistanExp1 https://www.facebook.com/thepakistanexperience https://instagram.com/thepakistanexpeperience The podcast is hosted by comedian and writer, Shehzad Ghias Shaikh. Shehzad is a Fulbright scholar with a Masters in Theatre from Brooklyn College. He is also one of the foremost Stand-up comedians in Pakistan and frequently writes for numerous publications. Instagram.com/shehzadghiasshaikh Facebook.com/Shehzadghias/ Twitter.com/shehzad89 Join this channel to get access to perks: https://www.youtube.com/channel/UC44l9XMwecN5nSgIF2Dvivg/join Chapters: 0:00 Bheegay Yaadain, Introduction and Tiktoker 6:00 Labels and Insults 8:45 Arshad Nadeem and Sir Aap ka Vision Hay 11:04 Not nurturing Talent in Pakistan and Trolling Stars 18:56 Patriotism and making a movie on Arshad Nadeem 20:44 Bachpan kee stories and Injuries and Bachodiyan 35:00 Sneaking out, LUMS kee stories and Visiting India 43:00 Causing Offence and Woke Culture 47:00 Shallowness of Liberalism and American Politics 54:00 Responding to everyone and making videos on every topic 1:05:23 What we go through as Content Creators and TLP 1:14:00 Pakistani Milli Naghmay 1:25:03 Indian National Songs 1:28:43 Rang De Basanti, Wasseypur and Indian Movies and Songs

Watch Bad Newz Trailer: https://www.youtube.com/watch?v=uV50UfcIT68 Order 'Build, Don't Talk' (in English) here: ⁠⁠https://amzn.eu/d/eCfijRu⁠⁠ Order 'Build Don't Talk' (in Hindi) here: ⁠⁠https://amzn.eu/d/4wZISO0⁠⁠

La sorprendente mezza vittoria alle elezioni indiane di Narendra Modi, che ora dovrà imparare a condividere il potere. Con Matteo Miavaldi, giornalista esperto di India e coautore del podcast Altri Orienti, di Chora Media. Questo e gli altri podcast gratuiti del Post sono possibili grazie a chi si abbona al Post e ne sostiene il lavoro. Se vuoi fare la tua parte, abbonati al Post. I consigli di Matteo Miavaldi – Il film "Gangs of Wasseypur"  – "L'età del male" di Deepti Kapoor  – L'album "Jaago" di Lifafa  L'India sul Post - In India è iniziato il terzo governo consecutivo di Narendra Modi  – Cos'è andato storto per Narendra Modi in India? – La retorica sempre più aggressiva di Narendra Modi contro i musulmani indiani  Learn more about your ad choices. Visit megaphone.fm/adchoices

L'exégèse se poursuit avec un remake tout pété d'Annie, un film indé simili toxique & le grand retour de Evil Shah Rukh. Avec Amandine, Anouck, Clem et Matthieu. 1'55 : nos derniers visionnages indiens : Heeramandi, Bramayugam, Manjummel Boys, Aavesham, Agra une famille indienne, Malaikottai Vaaliban, Gangs of Wasseypur, Teri Batoon Mein Aisa Uljha Jiya 15'45 : King Uncle de Rakesh Roshan 29'29 : Kabhi Haan Kabhi Na de Kundan Shah 48'53 : Darr de Yash Chopra

Mat, Alex, and Thrasher discuss Gangs of Wasseypur Part 2

Mat, Alex, and Thrasher discuss Gangs of Wasseypur Part 1

Watch Silence 2 Promo Here: https://www.youtube.com/watch?v=FoTeNH97538---------Order 'Build, Don't Talk' (in English) here: https://amzn.eu/d/eCfijRuOrder 'Build Don't Talk' (in Hindi) here: https://amzn.eu/d/4wZISO0----------Smell good, feel confident. Use my code Raj10 to get additional 10% off all Blanko perfumes: https://hi.switchy.io/BlankoxRaj----------Subscribe To Our Other YouTube Channels:-https://www.youtube.com/@rajshamaniclips?sub_confirmation=1https://www.youtube.com/@RajShamani.Shorts?sub_confirmation=1

Welcome to Top of the Morning by Mint, your weekday newscast that brings you five major stories from the world of business. It's Wednesday, April 3, 2024. My name is Nelson John. Let's get started:Indian equity markets remained largely flat on Wednesday. Both Sensex and Nifty fell marginally around 0.1 percent each. Director Anurag Kashyap's Gangs of Wasseypur became a cult classic because of its realistic depiction of 1980s gang wars in eastern India's coal belt. However, reality is stranger than fiction – an adage that journalists strive to prove. We invited Romita Datta, a West Bengal-based journalist, to write about Sheikh Shahjahan, a revolver-toting goon who came to rule over the village of Sandeshkhali. As his power and popularity grew, Shahjahan aligned himself with the various political forces in West Bengal, including the Left, CPI (M), and the Trinamool Congress. But before becoming an elected official, Shahjahan got caught up in allegations of extortion, land grabbing, sexual abuse and money laundering. He was finally arrested in February. Romita's exhilarating story of this powerful shrimp-farming thug captures his rise to prominence and how he then ended up behind bars. The pandemic, social distancing, inflation and unseasonal rains all got in the way of the alco-bev industry's success over the last few years. But an unusual Indian Summer seems to be just what it needs for a revival of its spirits. In this weather, a cold beer can turn around a hot, sweaty day. Beer makers hope so too: they are gearing up for increased sales in 2024. Last year, sales dropped 10 percent as unseasonal rains dented demand. However, officials from these companies expect some uncertainty stemming from election dates. A long election cycle will result in sporadic dry days, lowering sales, writes Mint's lifestyle and hospitality correspondent Varuni Khosla, in this seasonal industry forecast. The devil works hard, but political parties in India work harder. After the Supreme Court struck down Electoral Bonds as "unconstitutional", the Ministry of Finance is now working towards a new scheme for campaign financing or the funding of political parties. Mint's economy reporter Gireesh Chandra Prasad reports that the new scheme will directly address the apex court's concerns around transparency and extent of financing. This scheme, however, is only likely to come into place once the general elections are over, Gireesh adds.  For years now, electric two-wheelers have enjoyed generous subsidies by the central government. The government recently introduced another subsidy, but this is capped at 10,000 rupees per vehicle. Mint's national editor and auto expert Sumant Banerji writes that this move will hike prices by anywhere between 5 to 10,000 rupees per scooter — an increase of about 7 to 10% for automakers. The industry, for its part, hasn't passed on this hike to the consumer yet. With electric scooters already more expensive than their petrol counterparts, any further increase in prices might put potential customers off, writes Sumant. Last week, some Axis Bank customers got a huge shock when they received messages of money being randomly deducted from their account. To make matters worse, the money was deducted in a foreign currency. A series of international fraudulent transactions hit dozens of Axis Bank customers across India. Some others received OTPs to carry out the same transaction. Axis reversed these transactions in a few days, but the damage was done. Mint Money's Shipra Singh spoke to some victims of this scam. Some of these customers had already blocked their cards and requested a new one — only to find these fraudulent transactions taking place in the new card as well. Axis hasn't provided an explanation to its customers as to why this happened. Shipra also provides a helpful list of actions one should take if they are affected by this scam or know someone who is.    We'd love to hear your feedback on this podcast. Let us know by writing to us at feedback@livemint.com. You may send us feedback, tips or anything that you feel we should be covering from your vantage point in the world of business and finance.  Guns n' prawns: The strongman who ruled Sandeshkhali's blue economy As India braces for a hot summer, beer makers have much to cheerFrom the ashes of electoral bonds, a new scheme is risingElectric two-wheelers weigh the cost of subsidy cuts How some Axis Bank credit cards became fraud targets 

Ostern ist vorbei, wir haben versteckte Filme gesucht und Marne gefunden. Marnes Liste: Gangs of Wasseypur (überall zu kaufen/leihen) The Innocents (bei Prime) Brightburn (bei Netflix) Argentina, 1985 (bei Prime) RRR (bei Netflix) Frank (bei Yorck) Chronicle (bei Netflix/Desney+) Die Jagd (bei Magenta) Orphan (überall zu kaufen/leihen) The Host (bei Prime) Nausicaä (bei Netflix) King of Comedy (überall zu kaufen/leihen) My Dinner with André (überall zu kaufen/leihen) The Cabinet of Dr. Caligari (hier) Boyhood (überall zu kaufen/leihen) Der Schatzplanet (bei Disney+) Titan A.E. (bei Disney+) Pig (bei Netflix) Peanut Butter Falcon (bei Netflix) Johnnys Liste: Gentlemen Broncos (überall zu kaufen/leihen) Dante 01 (überall zu kaufen/leihen) Animatrix (überall zu kaufen/leihen) Fresh (bei Disney+) Strange Days (nur auf Blu Ray/DVD) Mary and Max (kostenlos bei Filmfriends) Bronson (überall zu kaufen/leihen) Onkel Boonmee (bei Mubi) The Void (überall zu kaufen/leihen) Alles von Quentin Depeux The Emptyman (bei Disney+) Saint Maud (überall zu kaufen/leihen) Grave Encounters (bei Joyn) UFO Abduction/The McPherson Tape (hier) Dark City (bei Prime) Blutmond 1986 (Roter Drache original) (überall zu kaufen/leihen) The hole in the ground (bei Prime) Bone Tomahawk (kostenlos bei Freevee) The Doors (überall zu kaufen/leihen) Guava Island (bei Prime) Warrior (überall zu kaufen/leihen) Lost City of Z (überall zu kaufen/leihen) Rango (bei Magenta) Megamind (bei Sky/Wow) Grizzly Man (bei Prime) I'm thinking of ending Things (bei Netflix) Polar (bei Netflix) Scoddis Liste: Pusher 1 (kostenlos bei Filmfriend) Pusher 2 (kostenlos bei Filmfriend) Pusher 3 (nur auf Blu Ray/DVD) Napoleon Dynamite (überall zu kaufen/leihen) Walk Hard (überall zu kaufen/leihen) The Ring Thing (hier) IMDB Liste: https://www.imdb.com/list/ls092117268/ Kontakt | Links | Johnnys Letterboxd | Scoddis Letterboxd

So what if he is an academic? He is also an an original thinker with deep insights about education, elections, colonisation, politics, history, society. Yugank Goyal joins Amit Varma in episode 370 of The Seen and the Unseen to throw thought-bomb after thought-bomb at all of us. (FOR FULL LINKED SHOW NOTES, GO TO SEENUNSEEN.IN.) Also check out: 1. Yugank Goyal on Twitter, LinkedIn, EPW, Flame University and Google Scholar. 2. Who Moved My Vote? -- Yugank Goyal and Arun Kumar Kaushik. 3. Documenting India: The Centre for Knowledge Alternatives. 4. Fixing Indian Education — Episode 185 of The Seen and the Unseen (w Karthik Muralidharan). 5. Robert Sapolsky's biology lectures on YouTube. 6. Harvard's CS50 course. 7. Superforecasting — Philip Tetlock and Dan Gardner. 8. Fixing the Knowledge Society -- Episode 24 of Everything is Everything. 9. The Superiority of Economists -- Marion Fourcade, Etienne Ollion and Yann Algan. 10. Publish and Perish — Agnes Callard. 11. The Long Divergence — Timur Kuran. 12. The Incredible Insights of Timur Kuran — Episode 349 of The Seen and the Unseen. 13. Suyash Rai Embraces India's Complexity — Episode 307 of The Seen and the Unseen. 14. Premchand on Amazon and Wikipedia. 15. Dead Poet's Society -- Peter Weir. 16. Maithili Sharan Gupt and Jaishankar Prasad. 17. Kafan -- Premchand. 18. Elite Imitation in Public Policy — Episode 180 of The Seen and the Unseen (w Shruti Rajagopalan and Alex Tabarrok). 19. Is There an Indian Way of Thinking? — AK Ramanujan. 20. The Intimate Enemy -- Ashis Nandy. 21. The Colonial Constitution — Arghya Sengupta. 22. Arghya Sengupta and the Engine Room of Law -- Episode 366 of The Seen and the Unseen. 23. The History of British India -- James Mill. 24. SN Balagangadhara (aka Balu) on Amazon and Wikipedia. 25. Episodes of The Seen and the Unseen with Ramachandra Guha: 1, 2, 3, 4, 5. 26. Episodes of The Seen and the Unseen with Manu Pillai: 1, 2, 3, 4. 27. Pride and Prejudice -- Jane Austen. 28. Ranjit Hoskote is Dancing in Chains -- Episode 363 of The Seen and the Unseen. 29. The UNIX Episode -- Episode 32 of Everything is Everything. 30. The Evolution of Everything -- Matt Ridley. 31. The Evolution of Everything -- Episode 96 of The Seen and the Unseen (w Matt Ridley). 32. The Evolution of Cooperation -- Robert Axelrod. 33. Kantara -- Rishab Shetty. 34. Early Indians — Episode 112 of The Seen and the Unseen (w Tony Joseph). 35. Early Indians — Tony Joseph. 36. Who We Are and How We Got Here — David Reich. 37. Alice Evans Studies the Great Gender Divergence — Episode 297 of The Seen and the Unseen. 38. The People of India -- Herbert Risley. 39. Rahul Matthan Seeks the Protocol — Episode 360 of The Seen and the Unseen. 40. Gangs of Wasseypur -- Anurag Kashyap. 41. Why Children Labour (2007) -- Amit Varma. 42. Laws Against Victimless Crimes Should Be Scrapped — Amit Varma. 43. Intimate City — Manjima Bhattacharjya. 44. Manjima Bhattacharjya: The Making of a Feminist — Episode 280 of The Seen and the Unseen. 45. A Life in Indian Politics — Episode 149 of The Seen and the Unseen (w Jayaprakash Narayan). 46. Politics — A limerick by Amit Varma. 47. India's Far From Free Markets (2005) — Amit Varma in the Wall Street Journal. 48. The Four Quadrants of Conformism — Paul Graham. 49. Public Choice Theory Explains SO MUCH -- Episode 33 of Everything is Everything. 50. Ramayana, the 1987 serial, on Wikipedia and YouTube. 51. 300 Ramayanas — AK Ramanujan. 52. The Life and Times of Vir Sanghvi — Episode 236 of The Seen and the Unseen. 53. The BJP Before Modi — Episode 202 of The Seen and the Unseen (w Vinay Sitapati). 54. The Intellectual Foundations of Hindutva — Episode 115 of The Seen and the Unseen (w Aakar Patel). 55. Cycle -- Prakash Kumte. 56. Mulshi Pattern -- Pravin Tarde. 57. The Heathen in His Blindness -- SN Balagangadhara. Amit's newsletter is explosively active again. Subscribe right away to The India Uncut Newsletter! It's free! Amit Varma and Ajay Shah have launched a new video podcast. Check out Everything is Everything on YouTube. Check out Amit's online course, The Art of Clear Writing. Episode art: ‘Look Inside the Box' by Simahina.

Réunion exceptionnelle des Avengers Masala pour débattre de ce qui est déjà, sans doute, le pire meilleur pire film de 2024. Avec Asmae et Elodie de Bolly&Co, Clem de CineSkope, Amandine et Anouck Illustration : Cha (@chabdpointcom sur les réseaux, http://blog.chabd.com) 6'32 : premier tour de table autour du film 13'16 : Sandeep Reddy Vanga, qui est-il, quel est son projet 35'41 : Kabir Singh, l'origine du mâle 49'01 : résumé du film, enfin (spoilers, obviously) 55'10 : le spectre d'Ayn Rand 1'02'36 : symboles, références, agendas chafouins 1'14'26 : le héros violent 1'23'43 : le problème Ranbir Kapoor 1'34'22 : conclusion, sort of Films indiens cités : Jawan de Atlee 12th fail de Vidhu Vinod Chopra Arjun Reddy de Sandeep Reddy Vanga Kabir Singh de Sandeep Reddy Vanga Shiva / Siva de Ram Gopal Varma Gangs of Wasseypur de Anurag Kashyap Ishq de Anuraj Manohar KGF 1 & 2 de Prashanth Neel Pushpa: The Rise - Part 1 de Sukumar RRR de SS Rajamouli Salaar: Cease Fire - Part 1 de Prashanth Neel Pathaan de Siddharth Anand Kaithi de Lokesh Kanagaraj Baahubali 1 & 2, Magadheera de SS Rajamouli Satya de Ram Gopal Varma Captain Miller de Arun Matheswaran Saawariya de Sanjay Leela Bhansali Shamsheera de Karan Malhotra Brahmastra Part One: Shiva de Ayan Mukerji Rockstar de Imtiaz Ali Tamasha de Imtiaz Ali Barfi! de Anurag Basu Sanju de Rajkumar Hirani Yeh Jawaani Hai Deewani de Ayan Mukerji Tu Jhooti Main Makkaar de Luv Ranjan Besharam de Abhinav Kashyap

Order 'Build, Don't Talk' (in English) here: https://amzn.eu/d/eCfijRuOrder 'Build Don't Talk' (in Hindi) here: https://amzn.eu/d/4wZISO0--------------Smell good, feel confident. Use my code Raj10 to get additional 10% off all Blanko perfumes: https://hi.switchy.io/BlankoxRaj--------------Subscribe To Our Other YouTube Channels:-https://www.youtube.com/@rajshamaniclipshttps://www.youtube.com/@RajShamani.Shorts---------------In today's episode of Figuring Out, I had one of the most loved actors, who was seen in movies like Mirzapur, Gangs of Wasseypur, Sacred Games, OMG 2, Kadak Singh. My guest today is none other than Pankaj Tripathi sir. In this episode, I got to know Pankaj sir as a person and some beautiful observations and learnings from his life. We talked about his viral neck movement in Mirzapur, I asked him his definition of love and how love has changed in today's generation. We also talked about his relationship with his daughter and how he handles difficult conversations. He also shared why every young Indian should travel the corners of India and how that experience will change them. Apart from this, he also shared the different experiences that a kid from a village and a kid from city experiences and how those experiences shape them differently. Later, we talked about how an actor's journey transforms from knowing his characters and art to being bigger than his art. We talked about his latest movie ‘Main Atal Hoon', the efforts he put in playing the character of Atal Bihari Vajpayee and how he fell in love with the character. I also asked him why Gangs of Wasseypur became such a big hit and why most of the actors in the movie are so popular now. Towards the end, he also shared what success means to him, his memory of getting paid during his initial years and his interest in joining politics. This episode will make you feel the warmth and wisdom of Pankaj sir, so watch it till the end. Till our next episode, subscribe to our channel because we release new episodes like these every Wednesday and Saturday.Follow Pankaj Tripathi Here:Instagram: https://www.instagram.com/pankajtripathi/-----------

In this insightful episode, join Varun Duggirala as he dives deep into the journey and mind of history creating Indian producer Guneet Monga!  From her groundbreaking win to her journey into the heart of mainstream distribution, Guneet shares the ins and outs of her role as a producer and the secret behind making impactful films. Find out the driving force that led Guneet to become a producer and the challenges she faced along the way. Gain insights into the world of film production as she unravels the intricacies of her job – from ideation to execution, imparts invaluable advice for those looking to follow in her footsteps, and explore the fascinating world of film production - all in this latest episode of Take aPause. Guneet is an Indian film producer, a BAFTA nominee and amongst the first producers from India to be inducted in the Academy of Motion Picture Arts and Sciences. She is the founder of Sikhya Entertainment that has been at the helm of pushing content-driven cinema with films like The Lunchbox, Masaan, Gangs of Wasseypur, Pagglait, and Oscar Winning Short Documentary - Period. End Of Sentence to name a few.  She is the producer of the 2023 Academy Award-winning documentary short film The Elephant Whisperers. You can Order Varun's book “Everything is out of syllabus: An instruction manual for life & work “ at ⁠⁠https://amzn.to/335QKow  ⁠⁠ Follow Varun across social media platforms @VarunDuggi ⁠⁠https://www.instagram.com/varunduggi/ ⁠⁠ ⁠⁠https://www.youtube.com/c/VarunDuggi⁠⁠ ⁠⁠https://twitter.com/varunduggi  ⁠⁠ And for a weekly download of mind musings and recommendations subscribe to his newsletter “Unschooled with Varun Duggirlala” at ⁠⁠https://varunduggi.substack.com⁠ About the show “Take apause with Varun Duggirala” ( previously “The Varun Duggi show”) is a twice a week podcast that's meant to enable its listeners to take a pause amidst the chaos of their daily lives to learn tools, embrace ideas and soak in concepts that willhelp them find motivation, build the right mindset and perform  at their best. Varun also occasionally taps into the minds truly interesting people to give listeners a learn from and use in their work, life and everything in-between. DISLCAIMER: The views, information or opinions expressed in this YouTube Channel and Podcast are solely the views of the individuals/guests involved and by no means represent absolute facts. Opinions expressed by the guests can change at any time and the Company does not accept legal responsibility for them. Such views are the views of guests, and not the Company/ channel/podcast. The Company and The Director do not verify the accuracy of the information contained in the YouTube Channel and Podcast, and the Company is not responsible for this information. The Company and The Director assume no responsibility or liability for any errors or omissions in the content of the YouTube Channel and Podcast. The information contained on the YouTube Channel and Podcast is provided on an “as is” basis with no guarantees of completeness, accuracy, usefulness or timeliness. --- Send in a voice message: https://podcasters.spotify.com/pod/show/take-a-pause-varun-duggi/message

Cult classic

After the success of Haddi, Nawazuddin Siddiqui speaks with Rohini Ramnathan about the challenges of playing a transgender character, how the film changed his perspective on life, his relationship with Anurag Kashyap, and the intriguing casting story of Gangs of Wasseypur. Watch the full interview here Have you subscribed to Film Companion Local yet? Join us here: https://www.youtube.com/@FilmCompanionLocal Follow Us On: https://www.facebook.com/filmcompanionlocal https://www.facebook.com/filmcompanion https://www.twitter.com/filmcompanion http://instagram.com/filmcompanion

When I stepped into the theatre to watch Mani Ratnam's adaptation of Kalki's Ponniyin Selvan, I was scared that I'd get disappointed. Cuz I'm like a 'Gangs of Wasseypur 1 over 2', and 'Baahubali 1 over 2' kind of a person. I'm usually disappointed with the second part. But this one pleasantly surprised me. Be it the score by AR Rahman, Aishwarya's enchanting performance, or some of the most inventive cinematography by Ravi Varman, everything worked in tandem to make this epic world of The Cholas alive. Even with lackluster action sequences, the film holds up because of its humane conflicts and the strong interpersonal dynamic between characters. Tune in for my full review.

We sit with award-winning actor Manoj Bajpayee, known for his roles in films like Satya, Gangs of Wasseypur, Aligarh, and the most recent, Gulmohar, as well as leading the running hit series, The Family Man. Support, shop and subscribe to our newsletter  

Shweta Venkat Mathew is a highly talented and accomplished Indian editor, known for her exceptional work in the Hindi film industry. She has worked on several critically acclaimed and commercially successful films, including the iconic Gangs of Wasseypur, the thought-provoking Newton, the emotionally stirring Uunchai, the powerful Bhonsle, and the enigmatic The Girl in Yellow Boots, to name just a few. Shweta has collaborated with some of the most legendary directors in the industry, and her contributions to the art of film editing have been widely recognized and admired. Her work has earned her a reputation for being one of the best editors in the industry, and she continues to inspire and influence new generations of filmmakers. Shweta Link's: IMDB Instagram Our Links: Follow us on Instagram: https://www.instagram.com/hit.refresh.podcast/ Spotify: https://open.spotify.com/show/4OVe22YZcC86rJNctD8JGC Apple Podcasts: https://podcasts.apple.com/us/podcast/hit-refresh/id1587591069 Google Podcasts: https://podcasts.google.com/feed/aHR0cHM6Ly9hbmNob3IuZm0vcy8yOTYzMzFlYy9wb2RjYXN0L3Jzcw== --- Send in a voice message: https://podcasters.spotify.com/pod/show/hit-refresh/message

We wrap up our conversation about Anurag Kashyap's 2012 epic mafia saga with a look at ‘Gangs of Wasseypur - Part 2'. It's about fathers and sons, vengeance, brotherhood, the family business, and so much more. It's a violent but engaging ride and allows for a great conversation. Tune in!

We wrap up our conversation about Anurag Kashyap's 2012 epic mafia saga with a look at ‘Gangs of Wasseypur - Part 2'. It's about fathers and sons, vengeance, brotherhood, the family business, and so much more. It's a violent but engaging ride and allows for a great conversation. Tune in!

We head to the coal mines in India as we tackle the epic gangster saga Gangs of Wasseypur - Part 1. It's over two-and-a-half hours and is quite a ride. Visceral filmmaking and a tale based on real events as we follow several families and groups vying to rule the area in this wild tale. We have a great time with it so check it out then tune in!“A dog always stays a dog.”Tackling the Epic Indian Gangster SagaWhen director Anurag Kashyap finished his film Gangs of Wasseypur, it was five hours and twenty minutes long. No one would distribute it, so he was forced to split it into two. The story details the coal mafia that ran India's coal industry from the 40s through the 2000s, with many characters and three prominent groups vying to rule. It's a wild ride and dark look at India's history. Join us – Pete Wright and Andy Nelson – as we kick off our Gangs of Wasseypur series with Kashyap's 2012 film Gangs of Wasseypur - Part 1. Here's a hint at what we talk about.There's a lot going on in this film with many characters. How well did we track it all? We both rewatched the opening to make sure we knew who was who, and Wikipedia helped as well, but even with many characters over many decades, we both found the story engrossing and loved these characters. We chat about the story and make sure we have a good understanding of the key points to it. We also dig into some of the cast and what they're bringing to the table. Plus, we look at Kashyap and some of his influences with this film, as well as some discussion about a Stephen King adaptation of his.All in all, it's a wild and entertaining ride that doesn't feel as long as it is. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Film SundriesLearn more about supporting The Next Reel Film Podcast through your own membership.Watch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerPoster artworkFlickchartLetterboxd(00:00) - Welcome to The Next Reel • Gangs of Wasseypur – Part 1(00:50) - Initial Thoughts(03:51) - Rating(04:23) - Based on Real Events(07:14) - Story Setup(08:49) - Character Setup(09:58) - Songs(11:23) - Directing Connections(13:13) - Titles and Families(15:40) - Sardar(22:10) - Sardar's Family(25:48) - Brother Relations(27:49) - Friends vs. Business(28:52) - Setting Up Assassination(32:04) - Connecting Families(33:53) - Changing Hands(35:22) - Prologue(37:31) - Director(41:03) - Look and Tone(41:40) - Credits(42:25) - Awards(44:11) - The Box Office(45:45) - Last Thoughts(45:53) - Coming Next Week • Gangs of Wasseypur – Part 2(48:22) - Letterboxd(50:38) - Wrap Up

We head to the coal mines in India as we tackle the epic gangster saga Gangs of Wasseypur - Part 1. It's over two-and-a-half hours and is quite a ride. Visceral filmmaking and a tale based on real events as we follow several families and groups vying to rule the area in this wild tale. We have a great time with it so check it out then tune in!“A dog always stays a dog.”Tackling the Epic Indian Gangster SagaWhen director Anurag Kashyap finished his film Gangs of Wasseypur, it was five hours and twenty minutes long. No one would distribute it, so he was forced to split it into two. The story details the coal mafia that ran India's coal industry from the 40s through the 2000s, with many characters and three prominent groups vying to rule. It's a wild ride and dark look at India's history. Join us – Pete Wright and Andy Nelson – as we kick off our Gangs of Wasseypur series with Kashyap's 2012 film Gangs of Wasseypur - Part 1. Here's a hint at what we talk about.There's a lot going on in this film with many characters. How well did we track it all? We both rewatched the opening to make sure we knew who was who, and Wikipedia helped as well, but even with many characters over many decades, we both found the story engrossing and loved these characters. We chat about the story and make sure we have a good understanding of the key points to it. We also dig into some of the cast and what they're bringing to the table. Plus, we look at Kashyap and some of his influences with this film, as well as some discussion about a Stephen King adaptation of his.All in all, it's a wild and entertaining ride that doesn't feel as long as it is. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Film SundriesLearn more about supporting The Next Reel Film Podcast through your own membership.Watch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerPoster artworkFlickchartLetterboxd(00:00) - Welcome to The Next Reel • Gangs of Wasseypur – Part 1(00:50) - Initial Thoughts(03:51) - Rating(04:23) - Based on Real Events(07:14) - Story Setup(08:49) - Character Setup(09:58) - Songs(11:23) - Directing Connections(13:13) - Titles and Families(15:40) - Sardar(22:10) - Sardar's Family(25:48) - Brother Relations(27:49) - Friends vs. Business(28:52) - Setting Up Assassination(32:04) - Connecting Families(33:53) - Changing Hands(35:22) - Prologue(37:31) - Director(41:03) - Look and Tone(41:40) - Credits(42:25) - Awards(44:11) - The Box Office(45:45) - Last Thoughts(45:53) - Coming Next Week • Gangs of Wasseypur – Part 2(48:22) - Letterboxd(50:38) - Wrap Up

Order my first book here: https://amzn.eu/d/eCfijRuIn this latest episode of Figuring Out Podcast we are in conversation with Sandeep Nailwal who is the Co-Founder of Polygon Technology where we talk about the power of entrepreneurship and how Web3 and Blockchain systems are going to change the world. Sandeep's story is one literal rags to riches one since he comes from a really humble background. But today, he is a founder of a multi-billion dollar company and is setting his sights on making it one of the biggest companies in Web3. How was he able to do so? Watch the episode to find out!•   •   •

You can lose yourself in cinema -- and you can find yourself in it. Jai Arjun Singh and Subrat Mohanty join Amit Varma in episode 294 of The Seen and the Unseen to talk about the films in their lives, why we should watch old films, why we should watch new films, why Bollywood and Hollywood and other woods are all great, and why we live in a wonderful technicolor world. This episode is a celebration of cinema! (For full linked show notes, go to SeenUnseen.in.) Also check out: 1. Jai Arjun Singh on Twitter and Instagram. 2. Haal-Chaal Theek Thaak Hai -- Subrat Mohanty and Pavan Jha's podcast. 3. Jai Arjun Singh Lost It at the Movies -- Episode 230 of The Seen and the Unseen. 4. Jabberwock — Jai Arjun Singh's blog. 5. Jaane Bhi Do Yaaron: Seriously Funny Since 1983 — Jai Arjun Singh. 6. The World of Hrishikesh Mukherjee -- Jai Arjun Singh. 7. Popcorn Essayists: What Movies do to Writers -- Edited by Jai Arjun Singh. 8. The Golden Era -- Subrat Mohanty's YouTube playlist of 100 lesser-known songs from the golden era of Hindi film music (mostly 1935-65). 9. The Unseen Lata -- Subrat Mohanty's YouTube playlist of 54 lesser-heard songs from Lata Mangeshkar, from 1948 to 1976. 10. Old posts by Subrat Mohanty from the Passion For Cinema web archives. 11. Some Spotify playlists, courtesy Nishant Shah, from Haal-Chaal Theek Thaak Hai episodes: 1, 2, 3, 4. 12. Pavan Jha's YouTube channel. 13. The only 1980s Maltova Mum commercial I could locate from the 1980s. (Couldn't find Singer.) 14. Kashmir Ki Kali -- Shakti Samanta. 15. Mughal-E-Azam -- K Asif. 16. Khuda Nigehbaan Ho -- Song from Mughal-E-Azam, sung by Lata Mangeshkar, music by Naushad, lyrics by Shakeel Badayuni. 17. Cinema Paradiso -- Giuseppe Tornatore. 18. Phool Khile Hain Gulshan Gulshan -- talk show by Tabassum.  19. Old episodes of Phool Khile Hain Gulshan Gulshan with RD Burman, Deepti Naval, Anand Bakshi and Bhupinder. 20. The Indiana Jones and Superman franchises. 21. The Evil Dead -- Sam Raimi. 22. Sam Raimi, Wes Craven and John Carpenter. 23. The Fugitive and The Bodyguard. 24. The Unbearable Lightness of Being -- Milan Kundera. 25. The Antichrist -- Friedrich Nietzsche. 26. The 400 Blows -- Francois Truffaut. 27. Salò, or The 120 Days of Sodom -- Pier Paolo Pasolini. 28. Łódź Film School and Andrzej Wajda. 29. Do the Right Thing -- Spike Lee. 30. On Exactitude in Science (Wikipedia) -- Jorge Luis Borges. 31. Titus Andronicus -- William Shakespeare. 32. A Chess Story (previously published as The Royal Game) -- Stefan Zweig. 33. The World of Yesterday -- Stefan Zweig. 34. The Friday the 13th franchise. 35. Tracy and Hepburn -- Garson Kanin. 36. Bhimsen Joshi, Mallikarjun Mansur, Kumar Gandharva and Lata Mangeshkar on Spotify. 37. Vijay Anand, Guru Dutt, Raj Kapoor, Bimal Roy and Hrishikesh Mukherjee. 38. Guide -- Vijay Anand. 39. Kaagaz Ke Phool -- Guru Dutt. 40. Jean-Luc Godard and Federico Fellini. 41. Shankar–Jaikishan, Hasrat Jaipuri, Shailendra, Mukesh, KA Abbas, Ramanand Sagar and Kidar Sharma. 42. Aag, Satyam Shivam Sundaram, Awaara, Barsaat and Shree 420.43. Nargis and Nadira. 44. Mud Mud Ke Na Dekh -- Song from Shree 420, sung by Asha Bhosle and Manna Dey, music by Shankar-Jaikishan, lyrics by Shailendra. 45. Orson Welles. 46. Squid Game on Netflix. 47. The Immediate Experience -- Robert Warshow. 48. Dil Dhadakne Do, Luck by Chance and Gully Boy -- Zoya Akhtar. 49. Casablanca -- Michael Curtiz. 50. Yudh and Tridev -- Rajiv Rai. 51. Amit Varma's Twitter threads on the MAMI festival from 2018 and 2019. 52. The Art of Translation -- Episode 168 of The Seen and the Unseen (w Arunava Sinha). 53. Dead Poet's Society -- Peter Weir. 54. The desire to help, and the desire not to be helped — Roger Ebert's review of Goodbye Solo. 55. Pauline Kael on Amazon. 56. Dekalog — Krzysztof Kieślowski. (And Roger Ebert's essay on it.) 57. The Dead — John Huston. 58. In the Bedroom -- Todd Field. 59. Devdas (Sanjay Leela Bhansali) and Parineeta (Pradeep Sarkar). 60. Salman Rushdie, Arundhati Roy and Vikram Seth. 61. Raag Darbari (Hindi) (English) — Shrilal Shukla. 62. PG Wodehouse on Amazon and Wikipedia. 63. Films, Feminism, Paromita — Episode 155 of The Seen and the Unseen (w Paromita Vohra). 64. Dharmyug and Dharamvir Bharati. 65. Andha Yug (Hindi) (English) -- Dharamvir Bharati. 66. Suraj ka Satvaan Ghoda -- Dharamvir Bharati. 67. Gunahon Ka Devta — Dharamvir Bharati. 68. Sara Rai Inhales Literature — Episode 255 of The Seen and the Unseen. 69. The Life and Times of Mrinal Pande — Episode 263 of The Seen and the Unseen. 70. Anil Biswas, SD Burman, Chitragupt, Roshan, C Ramchandra and Madan Mohan. 71. Naushad and Aan. 72. Maan Mera Ehsan -- Song from Aan, sung by Mohammad Rafi, music by Naushad, lyrics by Shakeel Badayuni. 73. Sebastian D'Souza, Anthony Gonsalves, Ghulam Mohammed and Mohammed Shafi. 74. Khayyam and RD Burman. 75. The Long Tail -- Chris Anderson. 76. The Sound of Music -- Robert Wise. 77. Do-Re-Mi -- Song from The Sound of Music. 78. Giacomo Puccini and Giuseppe Verdi on Spotify. 79. Tosca -- Giacomo Puccini -- performed at Arena di Verona. 80. Dua Lipa, Olivia Rodrigo, Lizzo and Billie Eilish on Spotify. 81. About That Time -- Lizzo. 82. Renaissance -- Beyoncé. 83. Ae Dil Hai Mushkil -- Karan Johar. 84. Aar Paar, Geeta Dutt and Eminem. 85. Pet Shop Boys, Guns N' Roses, U2, REM and Stone Temple Pilots on Spotify. 86. Bob Dylan and Leonard Cohen. 87. How This Nobel Has Redefined Literature -- Amit Varma. 88. Mera Joota Hai Japani -- Song from Shree 420, sung by Mukesh, music by Shankar-Jaikishen, lyrics by Shailendra. 89. Sahir Ludhianvi and Majrooh Sultanpuri. 90. Do Bigha Zamin -- Bimal Roy. 91. Dharti Kahe Pukaar Ke -- Song from Do Bigha Zamin, sung by Manna Dey and Lata Mangeshkar, music by Salil Chowdhury, lyrics by Shailendra. 92. Varun Grover Is in the House -- Episode 292 of The Seen and the Unseen. 93. Mondegreen. 94. Tragedy -- Bee Gees. 95. Aap Jaisa Koi -- Song from Qurbani, sung by Nazia Hassan, music by Biddu Appaiah, lyrics by Masth Ali & Shashi Pritam. 96. Ek Akela Is Shaher Mein -- Song from Gharaonda, sung by Bhupinder Singh, music by Jaidev, lyrics by Gulzar. 97. Jonathan Haidt on Amazon. 98. Amar Akbar Anthony and Andrei Tarkovsky. 99. 2001: A Space Odyssey -- Stanley Kubrick. 100. Mirza Ghalib (and the show on him by Gulzar). 101. Roy Lichtenstein, Drowning Girl, Jackson Pollock, René Magritte, Pablo Picasso and the Pre-Raphaelites. 102. The Wire, Breaking Bad and Better Call Saul. 103. Christopher Nolan, Martin Scorcese, Quentin Tarantino, Coen Brothers and Preston Sturges. 104. Ball of Fire -- Howard Hawks. 105. The Lady Eve -- Preston Sturges. 106. Barbara Stanwyck and Lawrence Olivier. 107. Francis Ford Coppola, Brian De Palma and Alfred Hitchcock. 108. How to Read and Why -- Harold Bloom. 109. Malayankunju -- Sajimon Prabhakar. 110. Muqaddar Ka Sikandar -- Prakash Mehra. 111. Agatha Christie on Amazon and Wikipedia. 112. Nayak -- Satyajit Ray. 113. Prakash Mehra and Kader Khan. 114. Laawaris -- Prakash Mehra. 115. Don and Majboor. 116. Sample SSR conspiracy theory: He's alive! 117. David Cronenberg. 118. Masaan — Directed by Neeraj Ghaywan and written by Varun Grover. 119. Moonlight — Barry Jenkins. 120. Chacha Bhatija, Parvarish, Amar Akbar Anthony and Dharam Veer -- Manmohan Desai. 121. Man, Woman and Child -- Erich Segal. 122. Man, Woman and Child (1983 film) -- Dick Richards. 123. Masoom -- Shekhar Kapoor. 124. Shyam Benegal, Govind Nihalani, Mani Kaul, Kumar Shahani, Mrinal Sen and Robert Bresson. 125. Au Hasard Balthazar -- Robert Bresson. 126. Uski Roti -- Mani Kaul. 127. Narendra Shenoy and Mr Narendra Shenoy — Episode 250 of The Seen and the Unseen. 128. Calcutta 71 -- Mrinal Sen. 129. Ivan's Childhood, Solaris and Andrei Rublev -- Andrei Tarkovsky. 130. Stanislaw Lem on Amazon and Wikipedia. 131. Cahiers du Cinéma and Mayapuri. 132. Black Friday and Paanch -- Anurag Kashyap. 133. Navdeep Singh, Sudhir Mishra, Neeraj Ghaywan, Raj Kumar Gupta and Rajkumar Kohli. 134. Nagin and Nagina. 135. Jaani Dushman -- Rajkumar Kohli. 136. Three Colors: Blue -- Krzysztof Kieślowski. 137. Three Colors: Red -- Krzysztof Kieślowski. 138. Three Colors: White -- Krzysztof Kieślowski. 139. The Double Life of Veronique -- Krzysztof Kieślowski. 140. The legendary Babbar Subhash. 141. Dance Dance -- Babbar Subhash. 142. Aagaya Aagaya Halwa Wala -- Song from Dance Dance. 143. Jaane Bhi Do Yaaro -- Kundan Shah. 144. Leke Pehla Pehla Pyar -- Song from CID, sung by Shamshad Begum, Asha Bhosle and Mohammad Rafi., music by OP Nayyar, lyrics by Majrooh Sultanpuri. 145. Rote Hue Aate Hain Sab -- Song from Muqaddar Ka Sikandar, sung by Kishore Kumar, music by Kalyani-Anandji, lyrics by Anjaan. 146. Kai Baar Yun Bhi Dekha Hai -- Song from Rajnigandha, sung by Mukesh, music by Salil Chowdhury, lyrics by Yogesh. 147. Rim Jhim Gire Saawan -- Song from Manzil, sung by Lata Mangeshkar, music by RD Burman, lyrics by Yogesh. 148. Andrew Sarris and André Bazin. 149. Sergei Eisenstein and the Odessa Steps sequence. 150. Court — Chaitanya Tamhane. 151. Khosla Ka Ghosla, Oye Lucky! Lucky Oye!, Love Sex Aur Dhokha, Shanghai and Detective Byomkesh Bakshy! -- Dibakar Banerjee. 152. Jean Renoir. 153. Akira Kurosawa and Yasujirō Ozu. 154. Tokyo Story -- Yasujirō Ozu. 155. Rashomon -- Akira Kurosawa. 156. The 2012 Sight and Sound poll of the 100 Greatest Films of All Time. 157. Early Summer -- Yasujirō Ozu. 158. Make Way for Tomorrow -- Leo McCarey. 159. Citizen Kane -- Orson Welles. 160. Vertigo -- Alfred Hitchcock. 161. Setsuko Hara. 162. Sara Akash -- Basu Chatterjee. 163. Bhuvan Shome -- Mrinal Sen. 164. KK Mahajan. 165. One Cut of the Dead -- Shin'ichirō Ueda. 166. Unsane -- Steven Soderbergh. 167. Promising Young Woman -- Emerald Fennell. 168. Psycho -- Alfred Hitchcock. 169. Hitchcock's Films Revisited -- Robin Wood. 170. Picnic at Hanging Rock, Gallipoli, Witness, Dead Poet's Society and The Truman Show -- Peter Weir. 171. Buster Keaton and Charlie Chaplin. 172. John Ford and Girish Shahane. 173. Everything is Cinema -- Don Palathara. 174. Hi Mom! -- Brian De Palma. 175. Taxi Driver -- Martin Scorcese. 176. Joyful Mystery -- Don Palathara. 177. The Postman Always Rings Twice -- Tay Garnett. 178. Treasure of the Sierra Madre -- John Huston. 179. Noir's arc - notes on an excellent anthology -- Jai Arjun Singh. 180. Key Largo -- John Huston. 181. Gun Crazy -- Joseph H Lewis. 182. Sullivan's Travels -- Preston Sturges. 183. O Brother, Where Art Thou? -- Coen Brothers. 184. Winchester '73 and Bend of the River -- Anthony Mann. 185. Shaheed (1948) -- Ramesh Saigal, starring Dilip Kumar. 186. Andaz -- Mehboob Khan. 187. Duniya Na Mane -- V Shantaram. 188. Some Like it Hot and Ace in the Hole -- Billy Wilder. 189. Ernst Lubitsch and James Wong Howe. 190. Sweet Smell of Success -- Alexander Mackendrick. 191. Mere Apne -- Gulzar. 192. Haal Chaal Thik Thak Hai -- Song from Mere Apne, sung by Kishore Kumar and Mukesh, music by Salil Chowdhury, lyrics by Gulzar. 193. Mr Sampat -- SS Vasan. 194. Miss Malini -- Kothamangalam Subbu. 195. Mr. Sampath: The Printer Of Malgudi -- RK Narayan. 196. Achhe Din Aa Rahe Hain -- Song from Mr Sampat, sung by Shamshad Begum and ML Vasantakumari, music by Balkrishna Kalla, lyrics by Pandit Indra Chander. 197. Parakh -- Bimal Roy. 198. O Sajna Barkha Bahaar Aayee -- Song from Parakh, sung by Lata Mangeshkar, music by Salil Chowdhury, lyrics by Shailendra. 199. Oonche Log -- Phani Majumdar. 200. Major Chandrakanth -- K Balachander. 201. Jaag Dil-E-Deewana -- Song from Oonche Log, sung by Mohammad Rafi, music by Chitragupt, lyrics by Majrooh Sultanpuri. 202. Birendranath Sircar, RC Boral and Timir Baran. 203. PC Barua, Bimal Roy and KL Saigal. 204. Devdas (1936) -- PC Barua. 205. President -- Nitin Bose. 206. Ek Bangla Bane Nyara -- Song from President, sung by KL Saigal, music by RC Boral, lyrcs by Kidar Sharma. 207. Street Singer -- Phani Majumdar. 208. Babul Mora Naihar Chhooto Hi Jaye -- Song from Street Singer, sung by KL Saigal, music by RC Boral, lyrics by Nawab Wajid Ali Shah. 209. Wajid Ali Shah. 210. Shatranj Ke Khilari -- Satyajit Ray. 211. Duniya, Yeh Duniya, Toofan Mail-- Song from Jawab, sung by Kanan Devi, music by Kamal Dasgupta, lyrics by Pandit Madhur. 212. Rajnigandha -- Basu Chatterjee. 213. Rajnigandha/राजनीगंधा -- Mannu Bhandari. 214. The Conversation -- Francis Ford Coppola. 215. Deer Hunter -- Michael Cimino. 216. The Godfather -- Francis Ford Coppola. 217. The Godfather: Part 2 -- Francis Ford Coppola. 218. Sisters -- Brian De Palma. 219. Blow Out -- Brian De Palma. 220. Blowup -- Michelangelo Antonioni. 221. The Long Goodbye and Nashville -- Robert Altman. 222. The Missouri Breaks -- Arthur Penn. 223. The Last Picture Show, Paper Moon, What's Up, Doc? and Targets -- Peter Bogdanovich. 224. This is Orson Welles -- Orson Welles and Peter Bogdanovich. 225. Hitchcock -- Francois Truffaut. 226. Bringing Up Baby, His Girl Friday, The Big Sleep and To Have and Have Not  -- Howard Hawks. 227. The Big Sleep -- Raymond Chandler. 228. William Faulkner and Ernest Hemingway on Amazon. 229. Johny Mera Naam and Jewel Thief -- Vijay Anand. 230. Sholay -- Ramesh Sippy. 231. Back to the Future -- Robert Zemeckis. 232. Mr India -- Shekhar Kapoor. 233. Rahul Rawail, JP Dutta, Mukul Anand and Rajiv Rai. 234. Hathyar and Ghulami -- JP Dutta. 235. Raat Bhat Jaam Se Jaam Takrayega -- Song from Tridev with galaxy of villains. 236. Naseeb -- Manmohan Desai. 237. Dan Dhanoa, Mahesh Anand, Dalip Tahil and Tej Sapru. 238. The Ramsay Brothers! 239. Don't Disturb the Dead: The Story of the Ramsay Brothers -- Shamya Dasgupta. 240. Do Gaz Zameen Ke Neeche -- Tulsi and Shyam Ramsay. 241. Veerana -- Ramsay Brothers. 242. Purana Mandir -- Ramsay Brothers. 243. Govinda! 244. Ilzaam -- Shibu Mitra. 245. I am a Street Dancer and Main Aaya Tere Liye from Ilzaam. 246. Jackie Brown and Pulp Fiction -- Quentin Tarantino. 247. Halloween -- John Carpenter. 248. A Nightmare on Elm Street -- Wes Craven. 249. Scream -- Wes Craven. 250. Terminator 2: Judgment Day -- James Cameron. 251. Mad Max: Fury Road -- George Miller. 252. Nicholas Cage and Keanu Reeves. 253. Wild at Heart -- David Lynch. 254. Red Rock West -- John Dahl. 255. The Last Seduction -- John Dahl. 256. Edward Norton in American History X and Rounders. 257. New Delhi Times -- Ramesh Sharma. 258. Drohkaal -- Govind Niahalani. 259. Gupt and Mohra by Rajiv Rai. 260. Sonam! 261. Wild -- Nicolette Krebitz. 262. Waves -- Trey Edward Shults. 263. Climax -- Gaspar Noé. 264. Mother! -- Darren Aronofsky. 265 Eho — Dren Zherka. 266. The Magic Mountain -- Thomas Mann. 267. Invisible Cities -- Italo Calvino. 268. Cosmicomics -- Itali Calvino. 269. If on a Winter's Night a Traveller -- Italo Calvino. 270. A House For Mr Biswas -- VS Naipaul. 271. A Bend in the River -- VS Naipaul. 272. Middlemarch -- George Eliot. 273. Mrs Dalloway -- Virginia Woolf. 274. To the Lighthouse -- Virginia Woolf. 275. Decline and Fall -- Evelyn Waugh. 276. Scoop -- Evelyn Waugh. 277. Brighton Rock -- Graham Greene. 278. Brighton Rock (1948 film) -- John Boulting. 279. Kingsley Amis and Martin Amis. 280. Lucky Jim -- Kingsley Amis. 281. The Siege Of Krishnapur -- JG Farrell. 282. Alfie -- Lewis Gilbert. 283. Get Carter -- Mike Hodges. 284. Blame it on Rio -- Stanley Donen. 285. Gangs of Wasseypur -- Anurag Kashyap. 286. Tamas -- Govind Nihalani. This episode is sponsored by Capital Mind. Check out their offerings here. Check out Amit's online course, The Art of Clear Writing. And subscribe to The India Uncut Newsletter. It's free! Episode art by Simahina, in a homage to Jackson Pollock.

Ahead of the release of season 2 of the SonyLIV show Maharani, Rohini Ramnathan speaks to Huma Qureshi about playing the titular character for the second time, completing 10 years in the industry, roles for women, and more.

Yashoda Parthasarthy and Vijesh Rajan both are directors, animators, and motion designers. They are team Plexus. Plexus has worked on projects like making title sequences, music videos, trailers, and animated movies. A few names to their credit are…Gangs of Wasseypur, Angry India Goddesses, Double Barrel, Raman Raghav 2.0, Made in Heaven, Sacred Games, and more…

Jean-Luc Godard once said, "Every Edit Is A Lie". Well in today's episode, let's explore the different dimensions and layers of editing. Nitin Baid joins us on Audiogyan. He is a film editor and a director in making. Nitin has worked for films like Masaan, Trapped, Gully Boy, 83, Raazi, Gangs of Wasseypur, Gunjan Saxena and many more.

Season 2 of AMV podcast with Neeraj Ghaywan. Neeraj is an Indian film director and writer who works in Hindi films. He is the winner of several accolades including a National Film Award and two Filmfare Awards. Neeraj made his directorial debut in 2015 with Masaan which received wide acclaim and won two prizes at the Cannes Film festival including the FIPRESCI Prize. His acclaimed 2017 short film Juice won him the Filmfare Award for Best Short Film-Fiction. Ghaywan then co-directed the second season of Netflix's series Sacred Games with Kashyap in 2019 and Geeli Pucchi from the anthology film Ajeeb Daastaans in 2021. Neeraj also assisted filmmaker Anurag Kashyap on Gangs of Wasseypur (2012) and Ugly (2013). This podcast doesn't have any corporate funding or support so the contribution by listeners is very important for its survival. Please support it here: 1. Patreon (Most preferred medium): https://www.patreon.com/anuragminusverma 2. BuyMeACoffee: https://www.buymeacoffee.com/Anuragminus 3. InstaMojo:(UPI/Gpay/PayTm) : https://www.instamojo.com/@anuragminusverma/ 4. PayPal ( Subscribers living outside India can pay through it): https://www.paypal.com/paypalme/AnuragMinusVerma?locale.x=en_GB Some of the topics discussed during the podcast About Passion for Cinema, a blog run by dedicated cinephiles, that was active once upon a time. How Neeraj quit his well-paying corporate job and started his filmmaking journey. 10 years of Gangs of Wasseypur and Neeraj's experience of assisting on this film. Process of writing Masaan's screenplay and shooting experience in Banares. Experience of Gurrella shooting style during the time of Ugly (2013) where he worked as Second Unit Director. Difference between passion, inspiration, and training. Can many kinds of limitations sometimes push one to make better films? In 2022, which approach might be good if one wants to make a feature film. Meaning of filmmaker's eye and gaze in cinema. Does socially relevant sometimes limit the artists in exploring various themes, especially in the case of the artists who come from marginalized backgrounds. Issues around representation in Bollywood and comparisons with Hollywood. Advice to upcoming screenwriters. Please rate the podcast on Spotify. Neeraj Ghaywan's Twitter: https://twitter.com/ghaywan Anurag Minus Verma's Twitter: https://twitter.com/confusedvichar Follow the podcast on Instagram: https://www.instagram.com/minusverma/?hl=en The Mixing & Mastering of sound in this episode is done by PostPond Media, a production house based in Mumbai. Credit for the Music: Way Home by Tokyo Music Walker Stream & Download : https://fanlink.to/tmw_way_home Creative Commons — Attribution 3.0 Unported — CC BY 3.0

51 Nawazuddin Siddiqui Quotes That Will Lead You To Success : Nawazuddin Siddiqui is a name that starts from a struggle and leads to success. This story is a journey started from Budhana, Uttar Pradesh to become a Bollywood star, which inspires everyone. He is a role model for individuals who want to do something different in their life. He has struggled for many years to gain success in the film world. Siddiqui is best known for his roles in The Lunchbox (2013), Manto (2018), and Raman Raghav 2.0. He is the only actor in the world to have 8 films officially selected and screened at the Cannes Film Festival. He gained international recognition for his work in Black Friday (2007), the Gangs of Wasseypur (2012), and Raman Raghav 2.0. Here are some inspiring Nawazuddin Siddiqui Quotes which we have collected from various sources. I believe that his quotes will definitely motivate you and will help you to achieve your goal. Nawazuddin Siddiqui Motivational Quotes Read inspiring lines, quotes of Nawazuddin Siddiqui on various topics to find some motivation #videopodcast #podcast #audiorainfm #arfm #audiobook #motivational #selfdevelopment YOUTUBE : https://www.youtube.com/channel/UCW9exYFT06TAb5mrSO-MKDA SPOTIFY : https://open.spotify.com/show/3kphiiMKUkiWTyRCLeViIV?si=6c540b4cd84c48cb APPLE PODCAST : https://podcasts.apple.com/us/podcast/audio-rain-fm/id1624633962

नमस्ते दोस्तों! The Ranveer Show हिंदी के 80th Episode में आप सभी का स्वागत हैं। आज के Podcast में हमारे साथ जुड़ चुके हैं Jaideep Ahlawat जी जो एक बेहेतरीन Actor है और Indian Cinema को इन्होंने नायाब फिल्में दी हैं । Gangs Of Wassseypur के Shahid Khan हो या Paatal Lok के Delhi Police Inspector Hathiram Chaudhary हो, इन्होंने अपने बेहतरीन Acting से हम सबको खुश किया है। इस Podcast में हम बात करेंगे ढ़ेर सारी बातें Film And Television Institute Of India, Christopher Nolan, Martin Scorsese, Irrfan Khan और Zakir Khan के बारे में। साथ ही साथ हम Discuss करेंगे Why Crime Happens, Commercial Cinemas, BR Chopra Mahabharat, Marvel Movies, Japanese Dramas और Korean Dramas के बारे में और भी ढ़ेर सारी बातें। मैं आशा करता हूँ कि ये Video आप सभी Viewers को पसंद आएगा। खास तौर पर उन सभी को जिन्हें Indian FIlm Industry के बारे में जानने में Interest है। Jaideep Ahalwat के Early Life, Pain, Contenment, Evil Characters, Fictional Movies और Fantasies जैसी चीज़ों के बारे में हम Discuss करेंगे इस Hindi Podcast में सिर्फ और सिर्फ आपके Favourite BeerBiceps Hindi Channel Ranveer Allahbadia पर।

#NowStreeming with The Filter Koffee Podcast x Netflix IndiaOn this special Live episode, Karthik speaks with three women who are shaping cinema, not just as creators but as producers and enablers of projects - Guneet Monga the poster girl of independent cinema in India who facilitated generation-defining cinema-like Lunch box, Gangs of Wasseypur, and more recently Pagglait; Ashwini Iyer Tiwari – the creator and producer behind films like Bareilly ki Barfi & Nil Battey Sannata and Sophiya Paul - the rockstar producer of Minnal Murali & Bangalore Days. Karthik speaks to them about women telling women's stories, how platforms like Netflix are enabling progressive storytelling and how conviction on a script works for each of them differently. In this special episode facilitated by Netflix, Karthik also speaks to them about the changing economics of cinema and the personal stories behind some of their iconic creations and characters. Listen in to this episode to dive into a conversation that is full of anecdotes, different visions, and films!Don't forget to rate us on Spotify and Apple Podcasts!You can follow Guneet Monga on:Instagram: https://www.instagram.com/guneetmonga/Twitter: https://twitter.com/guneetmYou can follow Ashwiny Iyer Tiwari on: Instagram: https://www.instagram.com/ashwinyiyertiwarTwitter: https://twitter.com/ashwinyiyerYou can follow Sophia Paul on:Instagram: https://www.instagram.com/sophiapauljames/Twitter: https://twitter.com/SophiaPaul66You can follow Netflix (India) for more such content:Instagram: https://www.instagram.com/netflix_inTwitter: https://twitter.com/NetflixIndiaTweet to Karthik Nagarajan (@The_Karthik): https://twitter.com/The_Karthik and follow his WordPress handle here (filterkoffee.com).You can listen to this show and other awesome shows on the IVM Podcasts app on Android: https://ivm.today/android or iOS: https://ivm.today/ios, or any other podcast app.You can check out our website at http://www.ivmpodcasts.com

This week is a special episode focusing on 2014 in the cinema of India, with your host Joe McCulloch (along with Sean "Shitty Excuse For Carl Reiner" Witzke). 01:46: Specifically, Part XVII of the Constitution of India provides that “Hindi in Devanagari script” is “the official language of the Union,” although English can still be used for Parliamentary purposes, among other governmental functions. Technically, there are 22 (rather than 23) languages listed in the Eighth Schedule of the Constitution, but I've taken the liberty of adding English as an effective 23rd, given its official status in several Indian states, as well as its continued governmental function. Also, *I* speak English, and it is therefore the most important language.   03:15: GREAT NEWS - Here I have confused the cinema of Pakistani Punjab -- which is based in Lahore, the capital city of Punjab province and the effective center of Pakistan's domestic film industry -- with the cinema of Indian Punjab, which is based in Mumbai (i.e. not the Indian state of Punjab). I've also erred in tethering the use of Urdu to historical period; there are geographical considerations as well, particularly in relation to Muslim communities, although Hindi and Urdu are (in the words of linguistic scholar Wikipedia) mutually intelligible registers of basically the same tongue. 04:15: A hit film from one major regional cinema, it should be clarified, is not in any way guaranteed popularity across India, even in regional dubbed versions. Sometimes, stars from one region's cinema will do special appearances or supporting roles in another region's films, as a means of shoring up trans-Indian box office. Additionally, larger regional cinemas have a tendency to tap actors or technicians from smaller regional cinemas, who might then return to their home region with enhanced prestige – I'm thinking specifically of the Karnataka native Prakash Raj, who did a lot of Kannada-language film and theater work before becoming a delightfully odd character actor (mostly villains and dads) in the Tamil, then Telugu, then Hindi cinemas, eventually returning to write and direct films in Karnataka.  06:05: This is not to suggest that there haven't been South films created with outside money and an eye on the international market; Disney, for example, co-produced a Telugu film in 2011, Anaganaga O Dheerudu, which was subsequently released on home video in North America as Once Upon a Warrior. I don't recall it playing in theaters around here, though.  06:55: TERRIFIC - Here I'm conflating the designations “NRI” (non-resident Indian) and “PIO” (person of Indian origin); there's legal implications in terms of taxation and international travel.  10:05: The issue of skin whitening is hardly unaddressed in Indian popular cinema itself, in case you were wondering: off the top of my head I can recall no less a venerable presence than the Tamil movie superstar Rajinikanth -- at one time among the highest-paid actors in Asia -- devoting a skit to the issue in his 2007 vehicle Sivaji. Granted, there's also some prominent 'dark skin = nasty' jokes in that one, perhaps as a means of sugaring the pill... 11:45: One hopes the message taken from this entire unfortunate soliloquy is that Orientalism (the term I am grasping for) is not assuaged by the white observer amassing specialized knowledge; in fact, that is just as easily a bulwark, insofar as 'expertise' is often used as a means of Outsider A pulling rank on Outsider B in terms of disseminating novel tidbits and otherwise exercising the soft colonialism of dull concern.  12:36: American exploitation movie icon David F. Friedman did indeed work on the 1955 U.S. release of Bergman's Summer With Monika, although I probably should have cited to his boss, the infamous Kroger Babb, who's actually the one that ordered severe edits re: the artsy bits and a fortuitous re-titling to Monika, the Story of a Bad Girl, which I think is how Woody Allen saw it.  13:00: Per my close friend Wikipedia (again), there were 201 Hindi films released in 2014, and 195 Telugu films. Both of these were less than the 215 Tamil films premiered. By way of comparison, there were about 230 new domestic films released in 2014 throughout all of China.  13:20: For example.  As always, the streams of cinema aren't ever entirely separate, as one of B-grade impresario Suresh Jain's earlier productions was excerpted in a 2011 mainstream smash, Rockstar. Of course, if you want to talk extreme badness in Bollywood, the first place you'll need to go is the 1998 Mithun Chakraborty-starrer Gunda, which enjoys Troll 2-level prestige amongst Hindi movie fans of a certain persuasion. 13:50: Specifically, the production or distribution of pornographic materials is illegal in India, although possession is not a crime – as a result, hardcore sex films are not necessarily unfamiliar (the initial mainstream visibility of Sunny Leone, former Vivid contract player-turned-Indian reality tv phenom-turned-established movie star, was premised on the titilation inherant to such familiarity clashing with the wider society), they're just not domestically made. Public exhibition of films not cleared by the Central Board of Film Certification is likewise illegal. There are three general 'ratings' – U, UA, and A, with an A restricting viewing or purchase to those 18 or older. An odd side-effect of the comparitive modesty of Hindi films is that my local theater tends to run children's movie advertisements before all of them, apparently resting on the 'family' reputation of the scene; this makes for a very amusing juxtaposition with A-rated mainstream fare like 2011's Delhi Belly, which contains approximately 12,000,000 spoken variations on the English term 'fuck'. 14:40: In case it's not clear, Hindi movie performers very rarely *sing* the songs featured in their films; they lip-synch to whatever the vocals of the actual track might be, leading to one actor or actress adopting multiple singing 'voices' throughout the course of one film. 16:46: We finally arrive at the films of 2014 by talking about Queen, directed by Vikas Bahl, and starring Kangana Ranaut, Rajkummar Rao & Lisa Haydon. It is Bahl's first solo directorial feature, although he had done production work on numerous prior works by his Phantom Films cohorts Vikramaditya Motwane & Anurag Kashyap. I first saw Ranaut in Kites (2010), an eccentric Rakesh Roshan production seemingly aimed at 'selling' his son Hrithik Roshan (already an established Hindi star) as an international player – Brett Ratner(!!) even supervised an alternate cut of the film, which (I'm told) drastically downplayed all the Bollywood elements, e.g. songs. The non-Ratner cut became the first Hindi picture ever to place in the North American box office top ten, although Hrithik did not go on to light the states ablaze to even the limited extent of Anil Kapoor post-Slumdog Millionaire.    18:12: Asking after a fixed definiton of a masala movie is like chasing the concept of mise-en-scène: it means different things to different people. Indeed, the culinary etymology of the term encompasses the notion of certain ingredients being switched in and out, so that some films might be heavier on romance while others might favor action or comedy... still, it's a mix. I'm talking about a certain type of chest-thumping '80s-style masala here, reintroduced in tremendous popular form by way of Telugu remake via a 2009 Salman Khan vehice, Wanted, directed by the famous dancer Prabhudheva, who was briefly a tee-hee-look-at-this viral video fun figure on the international scene via this.  19:08: The other actress-driven films from 2014 I mention are: Mary Kom, starring Priyanka Chopra; Mardaani, starring Rani Mukerji; and Bobby Jasoos, starring Vidya Balan, whose 2012 film Kahaani I mispronounce to fearsome effect.  21:50: Zainab Akhtar sent me a link to this comedy video the other day, which off-handedly speaks to the cult reputation of Gangs of Wasseypur (2012, not 2013) – appreciable as the least 'Bollywood' of all Bollywood films. It also played the Directors' Fortnight at Cannes 2012, which would probably have been a more appropriate reference to make!  23:50: All of these qualities, I remind you, are in relation to the recent mainstream of Hindi popular cinema; obviously, films about women dealing with their own lives have existed before in Indian films. I mean, really.  25:00: Here I'm referring to the phenomenon of writer/director Sooraj R. Barjatya's Hum Aapke Hain Koun..! which, to allude to another cinema game-changer of 1994, acted like a shot of adrenaline directly to the heart of Indian filmgoing, albeit in an exceedingly wholesome manner. The phrase I'm using, btw, is “paisa vasool,” which is not limited to movie usage. 27:35: Now I'm talking about Kick, directed by Sajid Nadiadwala, and starring Salman Khan, Jacqueline Fernandez, Randeep Hooda & Nawazuddin Siddiqui.  Nadiadwala has seen much of his recent success as a producer on dubious comedy contraptions such as the Housefull series, although he branched significantly this year as co-producer on the well-received 'serious' drama Highway and the splashy relationship comedy 2 States (which I mention a bit later). Nonetheless, this -- his directorial debut -- plays it good and safe, to splendid financial returns. I cannot stress enough that anything with Nawazuddin Siddiqui (one of the stars of the aforementioned Gangs of Wasseypur) is good for at least the presence of Nawazuddin Siddiqui. The bleak crime/sleaze movie history-themed Ashim Ahluwalia picture Miss Lovely may be of particular interest to listeners of this podcast, and can still be bought or rented digitally via Amazon. 28:47: I'm alluding here to Katrina Kaif and Sonakshi Sinha, two well-known actresses who've mentioned Khan functioning as a mentor to them.  31:50: You may remember Om Puri quite recently from Lasse Hallström's The Hundred-Foot Journey, in which he stars opposite Helen Mirren as... a concerned father! I am told Juhi Chawla (of numerous '90s favorites such as Yash Chopra's Darr, which is also notable for one of the early, weird Shah Rukh Khan performances) also shows up, only to die quickly. I keep expecting one of these world-class folks to roll into a Best Exotic Marigold Hotel movie, preferably Manoj Bajpai with a crew of goons. #jokes 32:27: Next on the agenda is PK, directed by Rajkumar Hirani, and starring Aamir Khan, Anushka Sharma, Saurabh Shukla, Sanjay Dutt & Sushant Singh Rajput. And Boman Irani, who's one of those reliable character actor types who seem to pop up in every third movie. (The king of these is a Telugu comedian, Brahmanandam Kanneganti, who averages over one dozen film appearances per year, usually in designated comedy relief segments.) I'll be writing more about PK in the next installment of The Most Popular Movie Column in the Entire World, which should be a real treat, since in a column I can do the lecture and the errata at the same time. 35:47: I didn't pick these topics at random. See: Taare Zameen Par (2007), aka Like Stars on Earth, which Khan also directed; and Rang De Basanti (2006), perhaps *the* canonical 'serious' popular smash of the past ten years, and the foundation upon which Khan has built his latter-day persona as a superstar-cum-crusader for social betterment. 40:24: As it happened, I didn't get around to saying anything more about Sanjay Dutt -- have I mentioned that there's no script here? -- so let me clarify that not only has Dutt appeared in three out of four Rajkumar Hirani films, but he is expected to be the subject of the fifth: a full-blown biopic. He's definitely led a colorful life, including a supremely infamous arrest on terrorism and conspiracy charges in the wake of the 1993 Mumbai blasts; he was ultimately convicted for possession of illegal weapons, and is currently in prison.   48:22: Fandom in action. 51:21: The name I can't recall here is Chetan Bhagat, whom I forgot to identify earlier as one of several screenwriters to work on the aforementioned Kick (to reprise my earlier statements about masala implicating some shifts in emphasis/spices). The male star of 2 States was Arjun Kapoor.  56:05: You may not have heard of Singham, but maybe you've seen this.  To continue the superhero theme, Singham Returns is the “Winter Soldier” of the Singham franchise. Maybe I just find Ajay Devgan more convincing in these macho authoritarian roles than most. Certainly his scripts don't go deepest into insanity – I'm reminded of a 2012 Telugu picture, Businessman, which finds Martin Freemanesque tic-laden cutey boy star Mahesh Babu essaying an underworld hotshot whose disgust at the corruption of establishment interests moves him to revolutionize Indian politics through heroic intimidation and hot-blooded violence, including a great moment where he and his crew bring a wise and necessary end to press freedoms. It's honest-to-god borderline fascism, with a big speech delivered right to the camera at the end. RECOMMENDED.  58:42: Finally, we have Haider, directed by Vishal Bhardwaj, and starring Shahid Kapoor, Tabu, Kay Kay Menon, Shraddha Kapoor & Irrfan Khan, who was on In Treatment, not Bored to Death – look for him in Jurassic World this summer! Since there's always time for one last flub with me, know that  Bhardwaj began his career in Hindi film as a music composer, not a lyricist. Also recommended outside of his Shakespeare trilogy (also including Maqbool, 2003, and Omkara, 2006) are the very popular 2009 thriller Kaminey, and 2013's Matru Ki Bijlee Ka Mandola, a political comedy about a landowner who becomes an ardent leftist when drunk and his communist chauffeur/enabler that simultaneously adopts the form of a super-mainstream Bollywood programmer, with a big wedding and everything. Next Week: MANN.