Podcasts about anatevka

Come with me if you will, for just a moment, to the small shtetl of Anatevka, in Tsarist Russia, the year is 1905, and we are in the barn of Tevye, a dairyman.In his reality, he is poor. But in his imagination, ah in his imagination, he is a rich man.I thought of that famous musical number when I read this lesson in a recent podcast guest application – “Never forget the independence of your imagination.”A perfect explanation of Tevye. And hopefully, of you and I as well, after we listen to my latest guest…Jeffery Keilholtz, SVP of Marketing, Broadway Licensing Global [https://broadwaylicensing.com/].Tune in to the full episode using this embedded player or by clicking through to your preferred audio streaming service using the links below it.Stories (with lessons) about what he made in marketingWin the day – how daily focus leads to campaign successStay nimbleStay cool under pressure“Never forget the independence of your imagination"Execution sets people apartEndurance is essentialDiscussed in this episodeGet Productive With AI [https://meclabsai.com/GetProductive] – January 8th at Noon EST. There is no cost.Enterprise Solutions Marketing: You can make a big career, and still stay human (podcast episode #99) [https://www.marketingsherpa.com/article/interview/enterprise]Product Management & Marketing: Surround yourself with the right people (podcast episode #38) [https://marketingsherpa.com/article/interview/product]Get more episodesSubscribe to the MarketingSherpa email newsletter [https://www.marketingsherpa.com/newsletters] to get more insights from your fellow marketers. Sign up for free if you'd like to get more episodes like this one.For more insights, check out...This podcast is not about marketing – it is about the marketer. It draws its inspiration from the Flint McGlaughlin quote, “The key to transformative marketing is a transformed marketer” from the Become a Marketer-Philosopher: Create and optimize high-converting webpages [https://meclabs.com/course/] free digital marketing course. Apply to be a guestIf you would like to apply to be a guest on How I Made It In Marketing, here is the podcast guest application – https://www.marketingsherpa.com/page/podcast-guest-application

In this podcast, we dive into Fiddler on the Roof to examine how its portrayal of "tradition" and Jewish identity mirrors a broader historical struggle within Judaism. Set in the fictional shtetl of Anatevka around 1905, Fiddler on the Roof follows Tevye, a poor milkman grappling with changing times as his daughters challenge age-old customs. More than a story of family and culture, Fiddler highlights a common misconception about Judaism—that it values tradition merely for tradition's sake. This misunderstanding, we argue, has shaped Jewish challenges and setbacks over the past 200 years.Join the Shema Podcast for the Perplexed WhatsApp Group Community by clicking the following link.Sign up Link for Shema Podcast for Perplexed WhatsApp Group Community ★ Support this podcast ★

All November we RAISE THE CURTAIN & BELT THE CHORUS for a musicals themed month and we're heading to a fictional Russian town called Anatevka for a folksy tale of a pious and poor Jewish family. This beloved stage show ran very long so perhaps it's no wonder that Norman Jewison's adaptation of “FIDDLER ON THE ROOF” was a box office smash for 1971. In it we meet Tevye' and his family. He's got 3 daughters at marrying age and the good book dictates that their marriages be arranged to benefit their family and status. Such is tradition! But times are changing in Eastern Europe in the early 20th Century and these kids got their own crazy ideas. With the weight of tradition and the dangers of society upon them can Tevye bend without breaking his faith? Starring Chaim Topol, Norma Crane, Leonard Frey and more. Music by Jerry Bock and adapted by John Williams. Angela has booked this month and much of it is Bob's introduction to many musical styles. The only one he's seen for this coming month is “Bye Bye Birdie” of all things. He's only seen three more beyond that. Hear us set fresh eyes and opinions on a beloved classic. If we were a rich man, we would still do a movie podcast. We love movies that much. Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

After previously playing Lazar Wolf in Bartlett Sher's acclaimed 2015 Broadway production of Fiddler on the Roof, Adam Dannheisser has returned to the world of Anatevka in Regent's Park Open Air Theatre's production to great acclaim, whilst also making his London theatre debut as Tevye. As a seasoned performer on Broadway, he tells us how Tevye was always a dream role and that Fiddler on the Roof has remained a favourite show of his over the years. Having previously also worked in New York's Delacorte Theatre in Central Park, he also tells us about the joy of getting to put on a show outdoors where you're one with nature with the audience. He praises the direction that Jordan Fein also takes with his reimagining of the classic show, finding new clarity in a show that everybody knows and loves. Indeed, the show has won over critics and audiences for it's stunning presentation of a story of family, tradition and persecution at a time where these themes couldn't feel more relevant.In this brand new interview, Adam Dannheisser tells us about the joy and challenge of playing Tevye, and how he feels really connected to this part today. During the course of our conversation, he also tells us about his love for London and the wonderful change it is from working in the United States. We hear him fondly recall memories of being from a Jewish family and how he is channelling his grandfathers in his portrayal of Tevye. He also has a lot of praise for his fellow cast members, remarking upon their incredible talent as a company whilst also noting their generosity of spirit as a cast. The community feel translates impeccably in this production as audiences watch this uplifting and heartbreaking story unfold in the beautiful Regent's Park Open Air Theatre.Fiddler on the Roof runs until 27th September with tickets available NOW.

Ausschnitte aus der Werkeinführung zu den Domstufenfestspielen

Traditioooon! On the one hand, listen to this episode for piously popping-off bangers. On the other hand, listen to this episode for daughters dating increasingly problematic bad-boys. The person most confused by the film this week was: Tevye, our king and eternal mood. See omnystudio.com/listener for privacy information.

Welcome to the Instant Trivia podcast episode 1126, where we ask the best trivia on the Internet. Round 1. Category: Going For Ward. With Ward in quotation marks 1: Former name for what we today call a flight attendant. a stewardess. 2: All the clothes belonging to you, or a tall piece of furniture to put them all in. a wardrobe. 3: Michael S. Evans holds this top administrative position at Folsom Prison. warden. 4: It precedes "Christian Soldiers" in a 19th century hymn. "Onward". 5: "Cavalcade" and "Conversation Piece" are 2 of his most popular plays. Noël Coward. Round 2. Category: Old Testament Heroes 1: When presented with this son's bloodstained coat, Jacob assumed that "an evil beast hath devoured him". Joseph. 2: This man said, "This is now bone of my bones, and flesh of my flesh; she shall be called woman". Adam. 3: This prophet "prayed unto the Lord his god out of the fish's belly". Jonah. 4: When he came to present the Israelites with the tablets of the law, they were dancing around a golden calf. Moses. 5: Because of the many psalms he wrote, this king was called "The Sweet Psalmist of Israel". David. Round 3. Category: Sounds Serious 1: Alcohol and spicy foods can cause pyrosis, better known as this painful sensation. heartburn. 2: Cutis anserina is nothing to worry about; it's just this "fowl" reaction to cold or fear. goose bumps. 3: If you have pollinosis, you have this seasonal allergy and not necessarily to the crop in its name. hay fever. 4: Diplopia is what doctors call this, also the title of a Foreigner hit. double vision. 5: Runners know medial tibial stress syndrome better by this 2-word name; ice may help. shin splints. Round 4. Category: Legendary Creatures 1: It's a multiheaded sea serpent in Psalms and the title of a masterwork of political philosophy by Thomas Hobbes. Leviathan. 2: In heraldry a dragon is often depicted sticking this barbed feature out of its mouth; how rude. its tongue. 3: The hideous basilisk can be killed by showing it this, something a vampire can't see. its reflection in the mirror. 4: In ancient China they came in different colors, and yellow ones were superior. dragons. 5: After going to a lot of trouble building a nest of fragrant boughs and spices, the Phoenix does this to it. burns it. Round 5. Category: Broadway Musicals By Setting 1: In and around the royal palace in Bangkok in the 1860s. The King and I. 2: The land of Oz, before and after Dorothy dropped in. Wicked. 3: A junkyard on the night of the Jellicle Ball. Cats. 4: The small village of Anatevka in Russia. Fiddler on the Roof. 5: Mushnik's skid row florists. Little Shop of Horrors. Thanks for listening! Come back tomorrow for more exciting trivia!Special thanks to https://blog.feedspot.com/trivia_podcasts/ AI Voices used

On today's episode of VMLS via Podcast we're sharing a lecture titled From Anatevka to St. Catharines: the Early Years of the Spiritual Home of the Jewish Community, presented by special guest Howard Slepkov. This lecture was originally recorded on March 1, 2022.

In "Fiddler On The Roof" Tevye considers traditions and new ways proposed by his daughters, as they are supported by his wife, he consults with one constant in his life: God. These conversations are the basis of his decision making, the outlet for his angry tantrums, and a balm for his suffering. Through these conversations, Tevye the milkman shares thoughts of love, wealth, justice, friendship, suffering, and, of course, tradition. Come with us, as we travel back to 1905, to Anatevka, and as we listen to Tevye's prayers and wait for God's response.

This interview first aired on Tuesday the 22nd of August, 2022 on ONE FM 98.5 Shepparton. One FM breakfast announcer Terri Cowley interviews Nicky Pummeroy from Shepparton Theatre Arts Group (STAG)'s new production of Fiddler on the Roof. Fiddler on the Roof will be on from Friday 15th– Saturday, 23 September 2023 at Westside - Echuca Road, Mooroopna COST - Full $45.00 Concession $40.00 Entertainment Package Full $45.00 Entertainment Package Concession $40.00 Group (10+) $40.00 Student (part-time) $35.00 Under 12 $35.00 CONTACT Riverlinks Box Office: 03 5832 9511 to buy tickets or go to https://riverlinksvenues.com.au/whats-on/event-details/!/calendar/event/stag-fiddler-on-the-roof Friday 15th September, 7:30 pm Saturday 16th September, 2:00 pm Saturday 16th September, 7:30 pm Friday 22nd September, 7:30 pm Saturday 23rd September, 2:00 pm Saturday 23rd September, 7.30 pm Fiddler on the Roof is a truly unforgettable show. No other musical has so successfully interwoven music, dance, poignancy and laughter. It features the talents of the region's top performers, including Marc McIntyre as Tevye, Nicky Pummeroy as Golde, Stevie Renee as Tzeitel, Megan Scott as Hodel, Kirsty Jones as Chava, Robbie Maher as Perchik, James Noller as Motel, Sean O'Brien as Lazar Wolf and Wendy Platt as Yente. It also features an ensemble of over 50, including two youth ensembles (“Sunrise” and “Sunset”). Tevye, a poor dairyman, tries to hold onto his religion, his Russian-Jewish traditions and his five daughters while a difficult future looms ever nearer. In the process, he learns that life is as shaky as a Fiddler on the Roof. Audiences are invited to dream with Matchmaker, Matchmaker, laugh out loud with If I Were a Rich Man and tear up with Sunrise, Sunset and Anatevka. This is a theatrical experience that will last forever in your heart. Let's celebrate life together. L'Chaim! Recommended for ages 8+ Listen to Terri Cowley for Breakfast Monday - Friday, 6am - 9am. Contact the station on admin@fm985.com.au or (+613) 58313131 The ONE FM 98.5 Community Radio podcast page operates under the license of Goulburn Valley Community Radio Inc. (ONE FM) Number 1385226/1. PRA AMCOS (Australasian Performing Right Association Limited and Australasian Mechanical Copyright Owners Society) that covers Simulcasting and Online content including podcasts with musical content, that we pay every year. This licence number is 1385226/1

When marketers from different companies get together and talk shop, it quickly becomes noticeable that each tackles their marketing problem differently. One by one, they throw into the conversation their own homebrew of channels, output tracking and the distinct expectations their stakeholders place on them. The more this study in contrast goes on, the more you hear them ask each other: "Why do you do it that way?"  The responses to this question all fall under one unsatisfactory theme. It's like Fiddler on the Roof, a broadway musical & movie set a century ago in part of the soviet union. A community of displaced Jews move into the slavic town of Anatevka. When townspeople ask them about their quirky customs, they give their famous one-word answer - Tradition. The main character defends his ancestors for starting the Tradition, even if nobody can remember why they made them in the first place.  Some of the marketing tasks we do are grounded in logic, which can be found by probing our  institutional memory banks. But most of the time we don't probe, Instead relying on circular reasoning about the fact that we have them as justification for why we have them. Nothing changes; we cling to pointless traditions, which just ends up wasting time that could be better spent elsewhere.  Our guest knows how to give marketing functions a checkup, teasing apart the traditional practices that boost productivity from those that have run their course. She's great at scrutinizing; at asking "Why do you do it that way?" She grew up in the republic of Georgia, shortly after the Communist system of the Soviets had collapsed.  Would they transition to the new ways? Many were reluctant to, craving the familiarity of communism. This wavering delayed Georgia's emergence as a full-fledged  western economy. Perhaps Khatia came by her bold way of questioning things from seeing the damage that's caused by clinging to the past.  Khatia Odzelashvili is the founder of a company called, not surprisingly, Bold Move Marketing. She is a public relations specialist with an entrepreneurial mindset who enjoys developing and implementing creative strategies. Since finishing her education at Algonquin College as well as the University of Göttingen, she has worked with and sometimes led a client's team as they build marketing programs.

Tenenberg, Mironwww.deutschlandfunkkultur.de, Aus der jüdischen WeltDirekter Link zur Audiodatei

Eines der schönsten Musicals hat kein Happy End: Wenn die Geschichte von "Anatevka" vorüber ist, gibt es das jüdische Schtetl nicht mehr. Nur der berühmte Ohrwurm "Wenn ich einmal reich wär‘...", gesungen vom armen Milchmann Tevje, lässt einen nicht los. Autorin: Heide Soltau Von Heide Soltau.

In case you missed our live stream, enjoy part 2 of this edited audio only version of our Live Movie Musical Commentary of 'Fiddler on the Roof '. Enjoy the conclusion to Mackenzie and special guest co-host Ryan Borochovitz's deep dive into the world of Anatevka. They enter the age old debate about Tevye's choice to exile his daughter Chava. Plus hear them converse about if they believe Tevye and Golde do truly love one another. All this and a tragic edict from the Constable! If you want to watch the full video of the Live Commentary here's the link...https://youtu.be/W490NmEZcVc Leave us a review and share your thoughts on this episode on our social media pages. Follow the links below to reach our pages. Facebook Instagram Twitter

ANATEVKA, 4min., USA, Family Directed by Danielle Durchslag A group of school children perform a darkly comedic version of the song Anatevka, from Fiddler on the Roof, for their parents, with new lyrics exploring the modern tribulations of Jewish communal anxiety. https://www.danielledurchslag.com/ https://www.instagram.com/ddurch/ Get to know the filmmaker: Years ago, I attended a Fiddler on the Roof themed birthday party for a girlfriend's daughter. Alongside the other adults, I watched a group of young Jewish ladies in pink ballet outfits, singing and dancing all the big hits from the show. One song they did not perform, I noticed, was my personal favorite from the musical, a sorrowful, sarcastic number sung by the ensemble about being forced to flee their beloved, poor, small village, Anatevka, due to the violent antisemitism perpetrated on them by their Christian neighbors. It's a heavy, sardonic, shrug of a song. Not the tone we typically associate with children's birthday parties. Yet Anatevka's exclusion haunted me, as did the party in general. Why, I kept wondering, with so many powerful examples of Jewish art, does this one story stubbornly persevere, especially in America? My people have not lived in shtetls for a very long time, thankfully, and though hatred of our community certainly and terrifyingly continues, the story of American Jewish life is largely one of safety and success. Yet this tale, of our poverty and victimhood, of being fundamentally unsafe, remains at the center of how we see ourselves and invite others to see us. You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it's only $3.99 per month. Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

In case you missed our live stream, enjoy part 1 of this edited audio only version of our Live Movie Musical Commentary of 'Fiddler on the Roof '. Enjoy as Mackenzie and special guest co-host Ryan Borochovitz return for a third time to Anatevka after their reviews of the documentaries 'Fiddler: A Miracle of Miracles' and 'Fiddler's Journey to the Big Screen' over on their other venture 'The Cup'. Mackenzie and Ryan deep dive into the brilliant direction, express their enthusiasm over the performances and converse about why this film remains timeless and if the announced remake should happen. All this and posing problems that would cross a rabbi's eyes! Don't forget to tune in next week for Part 2. But if you cannot wait you can always watch the full video of the Live Commentary! Here's the link...https://youtu.be/W490NmEZcVc Leave us a review and share your thoughts on this episode on our social media pages. Follow the links below to reach our pages. Facebook Instagram Twitter

Galíciáról és a galíciánerekről.

Galíciáról és a galíciánerekről.

This is a special Encore episode of Broadway Nation. I am reprising it not only because I think this is one the best episodes ever of this podcast, but also because it could not be more timely since it relates to a number of things happening on Broadway and in the world this week. First and foremost, April 14th, the day this episode is being released marks the 62nd Anniversary of the Broadway opening of Bye Bye Birdie. This is a show that I don't think gets nearly the respect it deserves, both in regard to its writing, and for the several important roles it played in Broadway history. As you will hear, this “Best Musical” Tony Award winner was not only the first show to bring rock music to Broadway, It also marked the debuts of a remarkable young creative team that would revitalize Broadway in the 1960s and beyond.  Also, this episode's in-depth look at the final decade of the Golden Age, at least as I define it, includes some discussion of Funny Girl. And, of course, the much talked about, and highly anticipated new revival of that show will open on Broadway on April 24th. In the final section I focus on Fiddler On The Roof – which unfortunately also has a direct connection to current events.   As most regular listeners will know, this podcast is spinoff of in the history of the Broadway musical course that I teach at the University of Washington School of Drama. A few weeks ago, as Russia began its invasion of Ukraine, my students had just completed an assignment to watch the film version of Fiddler On The Roof. The next day I showed them a map of “The Pale of Settlement”. From 1791 to 1917 was the only section of Imperial Russia in which Jews were allowed to live, and it included all of modern day Belarus, Lithuania, and Moldova, parts of Poland, and much of Ukraine. In fact, Sholem Aleichem, (the creator of the Tevye stories on which the musical is based) was born in a town about 8 miles south of Kiev, and the fictional town of Anatevka was based, in part, on a town called Boyarka that is about 14 miles south of Kiev. And, as you will remember, “Perchik”, the young revolutionary student who marries “Hodel” is from Kiev, and after the wedding he returns there to join what is called “the first Russian revolution”, during which he is arrested and sent to a work camp in Siberia. The final images in the film of Tevye and his family being forced to leave Anatevka closely paralleled the photos and video that my students had been seeing of Ukrainian refuges being forced to flee their homes. Of equal impact was the moment in which Tevye tells the Russian constable, "I have some advice for you. Get off my land! This is still my home, my land. Get off my land!" It never ceases to amaze me how much ongoing resonance these silly Broadway musicals continue to have. Learn more about your ad choices. Visit megaphone.fm/adchoices

Cuenta Ramón Gutiérrez que desde el año 2011, cuando participó en el montaje de una zarzuela, vio cómo este género musical de la tradición española “coqueteaba con el verso”. Pero fue el montaje de Los Miserables, en el año 2014, lo que le cambió el eje y lo llevó a tradición anglosajona, derribando sus prejuicios sobre los musicales. A partir de entonces, los montó con la participación de vecinos y artistas amateurs, y en el proceso formó la Compañía Darshan Teatro, con la que presenta una de las obras más importantes de la historia de este género en el mundo: El violinista en el tejado. Una obra que ha cosechado todos los aplausos desde su estreno en 1964 y ha ganado 10 premios Tony, incluyendo Mejor Musical, y que cuenta con canciones exitosas como “Si yo fuera rico”, “Tradición” y muchas más. El estreno estaba planificado para abril de 2020, sin embargo, la pandemia universal que todo lo detuvo, no lo hizo con esta compañía que siguió con la llama viva de montarla. Así es como a partir del 21 de abril de 2022, El violinista en el tejado se presenta en el Teatro Municipal de Las Condes con un montaje que no tiene nada que envidiar a los que se hacen en el primer mundo que cuenta con una industria desarrollada y con artistas especializados en el género. La versión nacional de El violinista en el tejado se presenta con 25 actores, cantantes y bailarines en escena y una orquesta de 19 músicos y narra una historia de comienzos del siglo XIX, en el año 1905, situada en el poblado judío ortodoxo de Anatevka, cerca de Kiev en Ucrania. Lugares hoy asediados por fuego enemigo y que nos permiten entender el flujo histórico y sus paradojas. El elenco lo encabeza el actor Daniel Muñoz, reconocido por su talento y pasión por la cueca brava, que representa a Tevye, un lechero y padre de tres hijas. Junto a su esposa Golde deberán enfrentar las decisiones de sus hijas que se contraponen a sus deseos de casarlas con hombres adinerados. Sin embargo, la violencia política que antecede a la Revolución Rusa y la xenofobia en contra de los judíos, son los detonantes de cambios sociales e históricos profundos que impactan a la familia de Tevye. La actriz, cantante y productora teatral María Pedrique fue quien empujó por hacer esta obra, a pesar de los muchos obstáculos que hubo en el camino. Desde la compra de los derechos de la obra, cuestión nada sencilla, como el contexto político y sanitario en Chile y el mundo, complotaban para que esta obra se estrenara. A pesar de todo eso, resonaba dentro de sí, la urgencia de llevarla a escena: “Esta obra tiene mucho de mi propia historia. Soy venezolana, pero mi familia emigró a Estados Unidos cuando era una niña. Y ya adolescente, llegamos a Chile. Lo que busco con esta obra es homenajear a los indocumentados de Estados Unidos, a los venezolanos que han llegado a Chile…”, explica. El director Ramón Gutiérrez, por su parte, optó por una traducción propia del texto y una propuesta muy chilena: “bañada en nuestro campo con nuestras referentes lingüísticos y visuales”. La periodista Vivian Lavín conversa con María Pedrique y Ramón Gutiérrez sobre El violinista en el tejado y una versión que marca el inicio de la temporada teatral chilena post pandemia.

Cuenta Ramón Gutiérrez que desde el año 2011, cuando participó en el montaje de una zarzuela, vio cómo este género musical de la tradición española “coqueteaba con el verso”. Pero fue el montaje de Los Miserables, en el año 2014, lo que le cambió el eje y lo llevó a tradición anglosajona, derribando sus prejuicios sobre los musicales. A partir de entonces, los montó con la participación de vecinos y artistas amateurs, y en el proceso formó la Compañía Darshan Teatro, con la que presenta una de las obras más importantes de la historia de este género en el mundo: El violinista en el tejado. Una obra que ha cosechado todos los aplausos desde su estreno en 1964 y ha ganado 10 premios Tony, incluyendo Mejor Musical, y que cuenta con canciones exitosas como “Si yo fuera rico”, “Tradición” y muchas más. El estreno estaba planificado para abril de 2020, sin embargo, la pandemia universal que todo lo detuvo, no lo hizo con esta compañía que siguió con la llama viva de montarla. Así es como a partir del 21 de abril de 2022, El violinista en el tejado se presenta en el Teatro Municipal de Las Condes con un montaje que no tiene nada que envidiar a los que se hacen en el primer mundo que cuenta con una industria desarrollada y con artistas especializados en el género. La versión nacional de El violinista en el tejado se presenta con 25 actores, cantantes y bailarines en escena y una orquesta de 19 músicos y narra una historia de comienzos del siglo XIX, en el año 1905, situada en el poblado judío ortodoxo de Anatevka, cerca de Kiev en Ucrania. Lugares hoy asediados por fuego enemigo y que nos permiten entender el flujo histórico y sus paradojas. El elenco lo encabeza el actor Daniel Muñoz, reconocido por su talento y pasión por la cueca brava, que representa a Tevye, un lechero y padre de tres hijas. Junto a su esposa Golde deberán enfrentar las decisiones de sus hijas que se contraponen a sus deseos de casarlas con hombres adinerados. Sin embargo, la violencia política que antecede a la Revolución Rusa y la xenofobia en contra de los judíos, son los detonantes de cambios sociales e históricos profundos que impactan a la familia de Tevye. La actriz, cantante y productora teatral María Pedrique fue quien empujó por hacer esta obra, a pesar de los muchos obstáculos que hubo en el camino. Desde la compra de los derechos de la obra, cuestión nada sencilla, como el contexto político y sanitario en Chile y el mundo, complotaban para que esta obra se estrenara. A pesar de todo eso, resonaba dentro de sí, la urgencia de llevarla a escena: “Esta obra tiene mucho de mi propia historia. Soy venezolana, pero mi familia emigró a Estados Unidos cuando era una niña. Y ya adolescente, llegamos a Chile. Lo que busco con esta obra es homenajear a los indocumentados de Estados Unidos, a los venezolanos que han llegado a Chile…”, explica. El director Ramón Gutiérrez, por su parte, optó por una traducción propia del texto y una propuesta muy chilena: “bañada en nuestro campo con nuestras referentes lingüísticos y visuales”. La periodista Vivian Lavín conversa con María Pedrique y Ramón Gutiérrez sobre El violinista en el tejado y una versión que marca el inicio de la temporada teatral chilena post pandemia.

The Passover miniseries concludes as Rachel and Anita explore what it means to be on the edge of what came before and what's coming next, bringing together Fiddler on the Roof's well-known finale 'Anatevka' and the story of the exodus from slavery in Egypt.Join the Verses Facebook group to continue the conversation:https://www.facebook.com/groups/941182063491276Visit Anita's website at https://www.anitasilvert.com/Visit the Jewish Living Lab at www.jewishlivinglab.com/podcasts

Soundtrack Producer Mike Matessino returns to talk more on his work for the 50th Anniversary Edition, with distinguished Broadway Music Director and Conductor Andy Einhorn joining as a special guest to discuss the first concert performance of John Williams' orchestrations and the legacy of the beloved musical.   Hosted by Maurizio Caschetto and Tim Burden   The Legacy of John Williams goes back to Anatevka for the long-awaited 2nd part of the discussion on Fiddler On The Roof 50th Anniversary Soundtrack Edition. The massive 3-disc set released by La-La Land Records was the subject of an in-depth talk and feature article published last December, and now Soundtrack Producer Mike Matessino returns to offer more eloquent thoughts and insights about the 1971 classic film by Norman Jewison, its Academy Award-winning adaptation score by John Williams, and the painstaking restoration work he went through to bring new life to the original soundtrack recordings. This second act of the Fiddler On The Roof podcast special is also enriched by the presence of a very welcome special guest. Leading Broadway Music Director and Conductor Andy Einhorn joins to talk about a truly unique and very special initative: the presentation of a lightly-staged production of Fiddler On The Roof featuring the world premiere concert performance of John Williams' Oscar-winning orchestrations, a project spearheaded by the UMS in collaboration with The Philadelphia Orchestra and the University of Michigan School of Music, Theatre & Dance/Department of Musical Theatre. During the conversation, Einhorn reflects on the various reasons why this project holds a special place in his career, the challenges he faced to put it together and the thrill of hearing Williams' sumptuous orchestrations performed live for the first time in 50 years, talking also about the details and nuances hidden in the score. He and Mike Matessino offer precious insight on the timelessness of Fiddler On The Roof and its relevance for today's audiences also in light of the tragic recent events happening in the same region in which the original story takes place, i.e. the small Ukraine village of Anatevka. Read more: https://thelegacyofjohnwilliams.com/2022/03/04/fiddler-on-the-roof-podcast-pt2/  

Wir sprechen mit Bariton Oliver Gries von Maybebop über ihr neues Album. Außerdem: "Anatevka" auf der Landesbühne Nord, Oper "Dead Man Walking" am Staatstheater Braunschweig und das Jahr der Chöre.

Siri Keil im Gespräch mit dem Musiker Daniel Kahn - über sein neues Album "word beggar", über jiddische Dichtung und Musik, das Überschreiten von Grenzen, über 1700-Jahre Jüdisches Leben in Deutschland und über den Schlamassel rund um Leonard Cohens "Hallelujah". Daniel Kahn, geboren in Detroit, studierte an der University of Michigan Theater und Lyrik, lebte in New Orleans und New York. Dort spielte er u.a. Anatevka und Tod eines Handelsreisenden auf Jiddisch und war Teil des All-Star Programms From the Shtetl to the Stage in der Carnegie Hall. 2005 zog er nach Berlin und produzierte dort mit seiner Band The Painted Bird fünf Alben. Weitere Musikprojekte sind The Unternationale, Semer Ensemble, The Brothers Nazaroff, Bulat Blues und The Disorientalists. Am Gorki Theater arbeitete er u. a. als Regisseur, Komponist, Lyriker, Musik-Kurator, Autor und Schauspieler.  Daniel Kahn wohnt mit seiner Frau und künstlerischen Partnerin Yeva Lapsker sowie ihrem gemeinsamen Sohn mittlerweile in Hamburg. "word beggar" ist das erste Album, das Daniel Kahn komplett alleine eingespielt hat. Am 03.12.2021 wird es bei Oriente Musik veröffentlicht.

Siri Keil im Gespräch mit dem Musiker Daniel Kahn - über sein neues Album "word beggar", über jiddische Dichtung und Musik, das Überschreiten von Grenzen, über 1700-Jahre Jüdisches Leben in Deutschland und über den Schlamassel rund um Leonard Cohens "Hallelujah". Daniel Kahn, geboren in Detroit, studierte an der University of Michigan Theater und Lyrik, lebte in New Orleans und New York. Dort spielte er u.a. Anatevka und Tod eines Handelsreisenden auf Jiddisch und war Teil des All-Star Programms From the Shtetl to the Stage in der Carnegie Hall. 2005 zog er nach Berlin und produzierte dort mit seiner Band The Painted Bird fünf Alben. Weitere Musikprojekte sind The Unternationale, Semer Ensemble, The Brothers Nazaroff, Bulat Blues und The Disorientalists. Am Gorki Theater arbeitete er u. a. als Regisseur, Komponist, Lyriker, Musik-Kurator, Autor und Schauspieler.  Daniel Kahn wohnt mit seiner Frau und künstlerischen Partnerin Yeva Lapsker sowie ihrem gemeinsamen Sohn mittlerweile in Hamburg. "word beggar" ist das erste Album, das Daniel Kahn komplett alleine eingespielt hat. Am 03.12.2021 wird es bei Oriente Musik veröffentlicht.

This week, the Bagels recap "Curb Your Enthusiasm's” Jewy season start; "The Nanny" as an anchor in the conversation about Jewish representation on TV; and the collective apology we all owe to Monica Lewinsky after watching "The Impeachment.” In honor of the 50th anniversary of movie-musical "Fiddler on the Roof,” Erin and Esther discuss the roots of Jewish geography Anatevka while they recast the classic for 2022 and beyond.   

Disciple Up #194 Tradition & Change By Louie Marsh, 1-13-2021   Intro. Tradition and me Let's begin with this…   We stay because Anatevka is our home... And how do we keep our balance? That I can tell you in one word... Tradition." (Chorus) Tradition, tradition... tradition (Tevye) "Because of our traditions, we've kept our balance for many, many years. Here in Anatevka we have traditions for everything... how to eat, how to sleep, even, how to wear clothes. For instance, we always keep our heads covered and always wear a little prayer shawl... This shows our constant devotion to God. You may ask, how did this tradition start? I'll tell you - I don't know. But it's a tradition... Because of our traditions, everyone knows who he is and what God expects him to do." By Joseph Stein   My history with Tradition: High School and College days, early ministry and gradual changes, probably brought about by finally winning some and making some progress.   Great Historical Example:   The year was 1492, a mere 37 years after Johannes Gutenberg invented movable type. Already, the new technology of printing books was threatening old ways. The Benedictine abbot Johannes Trithemius published a book entitled In Praise of Scribes, in which he defended the use of pen, ink, and vellum. "Printed books will never be the equivalent of handwritten codices," he argued. Ironically, Trithemius took his book to a printer in Mainz and had it published for wider distribution. Like Trithemius, evangelical Christians have been both media conservationists and media innovators. We love our leather-bound Bibles, yet eagerly use Biblegateway.com's full text-search capabilities to compare 20 English translations.   Positive Uses of Tradition in Scripture:   “2Now I commend you because you remember me in everything and maintain the traditions even as I delivered them to you.” (1 Corinthians 11:2, ESV)   “6Now we command you, brothers, in the name of our Lord Jesus Christ, that you keep away from any brother who is walking in idleness and not in accord with the tradition that you received from us.” (2 Thessalonians 3:6, ESV)   Negative Uses of Tradition in Scripture:   “13thus making void the word of God by your tradition that you have handed down. And many such things you do.”” (Mark 7:13, ESV)   “2“Why do your disciples break the tradition of the elders? For they do not wash their hands when they eat.” 3He answered them, “And why do you break the commandment of God for the sake of your tradition? 4For God commanded, ‘Honor your father and your mother,' and, ‘Whoever reviles father or mother must surely die.' 5But you say, ‘If anyone tells his father or his mother, “What you would have gained from me is given to God,” 6he need not honor his father.' So for the sake of your tradition you have made void the word of God.” (Matthew 15:2–6, ESV)   “14And I was advancing in Judaism beyond many of my own age among my people, so extremely zealous was I for the traditions of my fathers.” (Galatians 1:14, ESV)   “8See to it that no one takes you captive by philosophy and empty deceit, according to human tradition, according to the elemental spirits of the world, and not according to Christ.” (Colossians 2:8, ESV)   Biggest change in my life – I'm able today to view tradition from a much more balanced and mature and objective position.  

최근에 저는 지붕 위의 바이올린(Fiddler on the Roof)이 새로운 무대에서 이디시(Yiddish)어로 공연되는 것을 보았는데, 그것은 1905년 러시아의 아나테프카(Anatevka)에서 유대인들이 모여 살던 작은 마을인 슈테틀(shtetl) 사람들이 직면했던 민족적/종교적 긴장을 충분히 이해할 수 있게 해주었습니다. 주인공이자 다섯 딸의 아버지인 테비에(Tevye)는 자신의 전통에 깊이 뿌리를 두고 있지만, 시대적 변화를 마주하게 됩니다. 그는 “내가 그렇게까지 바뀌어야 한다면, 나는 참지 못하고 분출하게 될거야!”라고 말합니다. 저는 우리 중 많은 사람들이 신종 코로나 바이러스 감염증과 인종 차별이라는 똑같은 전염병의 시기에 이와 같이 느꼈다고 생각합니다.- - -This episode originally appeared in the October/September 2020 issue of response, the award winning magazine from United Methodist Women.Visit www.UnitedMethodistWomen.org to find out more.

Show Summary: I don't know anyone who doesn't love the movie Fiddler on the Roof. The story line, the characters, the music, it's simply a timeless treasure! There's a never to be forgotten scene that takes part in a bar involving Tevye and Lazar Wolf. Tevye had just given his blessing, his permission, allowing for the marriage between the financially well off Lazar Wolf and Tevye's oldest daughter Tzeitel. This was a time of great celebration (not for Tzeitel though, who loves someone else, the tailor and not so well off Motel). For the citizens of Anatevka, this was a break from the constant religious persecution the Jewish people experienced at the hands of their Russian overlords. The two men break out into a foot-stomping rendition of the song L'Chaim, a Hebrew word meaning "to life." The lyrics are telling though, for they portray what life really is actually made up of and not a picture of what we want it to be. It bears witness to the importance of an acceptance of this reality, forgiving life for the bruises we are sure to experience and an acknowledgment that actually, this is what leads to personal growth and freedom. Tevye and Lazar Wolf get it! Invest the next 11 minutes listening to this podcast and you will make progress in this important area as well! CHEERS! Resources:Alan's Email address: therabbi@thewalkbook.comShareable Link: https://www.buzzsprout.com/859273/4966019 Call to Action:Link to automatically receive newly released podcast episodes: http://eepurl.com/g1DSf9Support the show (https://www.paypal.com/mep/dashboard)

It's the premiere of season 2 so head to Anatevka and explore the musical 'Fiddler on the Roof'! Join Autumn and Mackenzie as they watch the sunrise and sunsets, raise glass to life, and dive deep into this musical. They breakdown the reason why this show has such universal appeal, what it means to stick with and go against tradition, why Tevye is one of the most complex characters in the musical theatre canon, and why the question of 'do you love me' is so difficult to answer. Enjoy! Do our Season 1 feedback survey and get your chance to win a prize! https://www.surveymonkey.com/r/HJBVN5F Don't forget to leave us a review and share your thoughts on this episode on our social media pages. Follow the links below to reach our pages. Facebook Instagram Twitter

After Anatevka by Alexandra Silber

In the latest segment of our series “Leitmotifs,” Fredrika Brillembourg talks with soprano Alma Sadé. Sadé has been with the Komische Oper ensemble since 2014 and is known for roles such as Maria in “West Side Story” and Hodel in “Anatevka,” among others.

Erik and Shannon voyage to Anatevka to discuss the opening number to end all opening numbers: "Tradition" from Fiddler on the Roof by Bock & Harnick. There is much love for sad dancing, Zero Mostel, and, well, tradition. All clips are from the Original Broadway Cast Recording and are used in accordance with the Fair Use Exemption for criticism and commentary. Listen on Spotify. Buy/Listen on Amazon. Follow the show on Twitter: @somuchstuffpod Email the show: somuchstufftosing@gmail.com

Der Schauspieler Gustav Peter Wöhler singt und tanzt in "Frau Luna", seufzt sich als Milchmann Tevje durch "Anatevka", tourt mit seiner Band und findet noch Zeit, Gäste zu bewirten. Gastgeber zu sein, das hat er in der Kneipe seiner Eltern in Eickum in Ost-Westfalen gelernt.

Oh what a beautiful morning! Maggie Herskowitz joins me in our little town of Anatevka to talk about writing on the game Monster Prom, the lovely fanbase that has sprouted around the game, and her upcoming project Witch of the Wilderness, a game that's sure to be Wicked! Meanwhile, Di Billick and Bill look at the sitcom classic(?) Friends for this week's Screenwatching! Screenwatching: Friends (1:09) Interview: Maggie Herskowitz (19:54) Bill's Magic Minute (53:45)

Experience "Fiddler on the Roof" in a new way – in Yiddish, the language of Tevye and his family! Directed by Oscar and Tony Award-winner Joel Grey and presented by National Yiddish Theatre Folksbiene, the rich Yiddish translation by Shraga Friedman, z”l, adds new depth and dimension to the most well-known Jewish musical in the world. Don’t miss the beloved story of a community and its struggle to balance traditions and desires in a changing world. The little town of Anatevka will bustle with the sounds of mame-loshn in the U.S. premiere of Fiddler in Yiddish. Director Grey and actor Steven Skybell discussed the new version of the classic musical.

We had the pleasure of sitting down with Andy Nyman (Tevye) before a show at London's Menier Chocolate Factory to talk about his journey to Anatevka, the setting of Fiddler on the Roof, the importance of the story (and not just to the Jewish population) and his personal emotional investment into this production. We were also joined by Paul Bogaev, the Emmy and Grammy winning musical director of Fiddler, who just happened to be walking through the foyer.

"Without our traditions, our lives would be as shaky as a fiddler on the roof", siger mælkemanden Tevye, der med mange udfordringer forsøger at holde sammen på tilværelsen i det lille jødiske samfund i landsbyen Anatevka.Musicalen "Fiddler on the roof" (1971) er instrueret af Norman Jewison med musik af Jerry Bock. Den er baseret på en række fortællinger udgivet i 1894 af den jiddische forfatter Sholem Aleichem. Det er den 27. film på Thomas og Mortens liste over de 100 bedste film.Mælkemanden Tevye (Chaim Topol) bor med sin kone Golde (Norma Crane) og deres fem døtre i landsbyen Anatevka, en typisk shtetl i Ukraine. Vi er i begyndelsen af 1900-tallet, hvor antisemitisme og pogromer florerer side om side med den gryende socialistiske revolutionære bevægelse. Tevyes største bekymringer er dog hans døtre, der gifter sig og forelsker sig uden hensyn til de jødiske traditioner.Thomas og Morten tager en snak om visdom, ægteskab og bruddet mellem det nye og det gamle.

Stewart Clarke stars in Trevor Nunn’s new production of Fiddler on the Roof, playing Perchik the student revolutionary who falls for Tevye’s second daughter Hodl. As the much-loved musical about the poor Jewish milkman, his wife and five daughters by Jerry Bock and Sheldon Harnick readies to open at London’s Menier Chocolate Factory*, Stewart sits down with JR’s arts editor Judi Herman. The pair discuss tradition and revolution, Anatevka and Siberia, and the resonance of the story of Tevye and his family that has touched hearts and minds worldwide.Fiddler On the Roof runs Friday 23 November – Saturday 9 March 2019. 8pm (Tue-Sat), 3.30pm (Sat & Sun). £45-£49.50, £39.50 concs. Menier Chocolate Factory, SE1 1RU. 020 7378 1713. www.menierchocolatefactory.com*Performances are currently sold out, but check the Menier website for returns and to register for news of extra performances or transfer plans. Returns on the day of performances are possible for those able to register in person at the box office (opens 6pm for evening performances and 1pm for matinees).

22.09.1964: Jerry Bocks Musical "Anatevka" feiert Premiere

Tradition, tradition! In honor of a new Yiddish production of Fiddler on the Roof, we're heading back to Anatevka. Our Jewish guest is Rachel Zatcoff, who plays Tzeitel in The National Yiddish Theatre Folksbiene Off-Broadway production, Fidler afn Dakh. Our Gentile of the week is James Monroe Števko, who plays Mendl, the rabbi's son. They tell us about learning Yiddish for the show and what it's like working with director Joel Grey and Jackie Hoffman, who plays Yenta. We also sit down with Alisa Solomon, author of Wonder of Wonders: A Cultural History of Fiddler on the Roof, to discuss the cultural significance of Fiddler on the Roof, which first opened on Broadway in 1965, as well as the Sholem Aleichem stories the play is based on. We love hearing from you! Email us at Unorthodox@tabletmag.com or leave a message at our listener line: 914-570-4869. We may share your note on the air. If you like listening, please consider leaving a review in iTunes. Follow us on Twitter and Instagram, and join our Facebook group to chat with the hosts and see what happens behind-the-scenes! Sign up for our weekly newsletter to get new episodes, photos, and more. Show your love for Unorthodox with our new T-shirts, sweatshirts, and baby onesies. Get yours at bit.ly/unorthoshirt This episode is sponsored by One Day University. Get 20% off your ticket to see Mark Oppenheimer's Oct. 14 lecture on religion in America by using the code MARK when you register at OneDayU.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

With another birthday passing into history, America marked this week by being hotter than any 242-year-old has any right to be. But as heat records are being smashed in California and around the nation, we're willing to concede that if climate change isn't to blame, maybe it's just so hot because so much shit has hit the fan that the fans just aren't working anymore. What was barely a deal with North Korea is falling apart, Scott Pruitt has returned to the private sector having decided he's done enough damage to the EPA, and campaigning for office and canvassing your constituents got added to the list of things you're bot allowed to do if you're Black. Sounds crazy, I know. But here in our little town of Anatevka... wait, no... in the luxurious studios of Radio Titans, Cognitive Dissidents Jim Coughlin, 'The Black Voice of Reason' Tymon Shipp, and Dr. David Robinson have gathered to shepherd you through the insanity with a consult from five-time Emmy Nominee Will Durst and this week's Burst of Durst! It's your weekly dose of newsy infotainment... Get Dosed!

The community of Anatevka near the Ukrainian capital Kiev has been created to especially welcome Jews from war-torn Eastern Ukraine. Construction started in 2015, and it was named after a hometown of Tevye the Dairyman, from the musical "Fiddler on the Roof". There is no requirement for the refugees who settle in Anatevka to be observant Jews. Many of them had no chance to practice their religion in what was then the atheistic Soviet Union. Olga Smirnova follows them as they observe Jewish religious festivities, attend the Torah lessons and prepare for the opening of the new religious school for boys. Olga speaks to the new arrivals and those who have already settled in Anatevka. She talks to the founder Rabbi Moshe Azman about the aims of the project and its benefits. What are the particular difficulties about building a new community? Olga explores how this community interact with other Ukrainian villages nearby. As we spend time with this unique project for a permanent Jewish home for those fleeing war, we hear stories of the refugees and learn about the military actions in Eastern Ukraine that forced many to leave their homes. Photo: Building the Cheder Credit: BBC

Fiddler on the Roof is the greatest musical of all time. In this episode, Josh and Stacy Leigh Hutchens share about once living in Anatevka, tell believers to stop playing hide-and-seek with God, and tell their story of God's call and guidance to serving in Malawi. Submit a question for an upcoming episode: gospellife.org/questions Become a prayer or giving partner at gospellife.org Follow us: www.facebook.com/GospelLifeGo/ www.twitter.com/GospelLifeGo www.instagram.com/gospellifego/ Subscribe to the Podcast Apple Podcasts: apple.co/2ERgw1K Google Play: bit.ly/2obo85Q Stitcher: bit.ly/2BDF1xo TuneIn: bit.ly/2GjRjLI Episode Website: https://gospellife.org/01-apologies-to-pleven-bulgaria-and-discerning-gods-call/

This Week: A Two-Parter! First Up, the FABULOUS Alexandra Silber share stories from her amazing career on Broadway (2015's "Fiddler on the Roof" and "Master Class") and The West End ("The Woman in White" and Fiddler on the Roof"). And she shares how her own life story prepared her to write the new novel "After Anatevka" which follows the character Hodel after the events of "Fiddler on the Roof." In the second part of the show, Tony winner Reed Birney talks "1984," the terrifying and thrilling new play based on George Orwell's best-selling novel.

The world is on the move, and often not by choice. Fight or flight? Should I stay or should I go? These are the questions asked by millions of people caught up in war zones.After the fall of the former Soviet Union, many Ukrainian Jews migrated to Israel. Many left for the U.S. and Canada. Others resettled in Germany.However, many Jews remained, building new lives and a thriving new community in an independent Ukraine. But Israel always remained an option, and this option took on a crucial importance when war broke out in eastern Ukraine in 2014.The war with Russian forces and Russian-backed bands ravaged many districts in the Donetsk and Luhansk regions. Much of the infrastructure collapsed. According to reports at least eight thousand people have been killed. Tens of thousands have been injured. Hundreds of thousands have fled.According to UN figures, at least 250 thousand internally displaced people flooded into Kyiv. Many more sought refuge in other cities and towns throughout central and western Ukraine. Among them are hundreds, if not thousands, of Jews.In the spring of 2014, as the crisis intensified, the Jewish Agency started a hotline for Ukrainian Jews who were interested in learning about Israel.Israel's Law of Return permits anyone with recent Jewish ancestry — even a single grandparent will do — to qualify for full Israeli citizenship. By some estimates, up to 200 thousand Ukrainians are eligible. Immigration offers concrete benefits paid for by the Israeli government. These include a free one-way flight to Tel Aviv, cash grants, tax cuts, and mortgage breaks.There are Ukrainians with Jewish roots who have not practiced Judaism for years, if ever. And they need evidence of their Jewish background to gain entry to Israel. The Shorashim program that opened with offices in the cities of Dnipro and Kyiv helps Ukrainians find archival evidence of their Jewishness. They are responsible for completing applicants’ files in Ukraine that show the applicant is Jewish through background research on their grandparents, and verifying and copying records.In light of the continuing dramatic situation, some 7,480 Ukrainians immigrated to Israel in 2015. This was up 22% compared to 2014, and 230% compared to 2013.But emigration overseas has not been the only avenue for Ukrainian Jewish refugees from the war to rebuild their shattered lives. The Jerusalem Post reported that in May 2015 the Israeli government increased funds to help Ukrainian Jewish refugees in Ukraine.The Israeli Diaspora Affairs Ministry signed an agreement with the American Jewish Joint Distribution Committee to create a common fund. Three-quarters of the fund was endowed by the government to resettle Jewish internally displaced persons within Ukraine. The money was used to subsidize food and rent costs for a period of two months for those fleeing the war.The social solidarity within the Ukrainian Jewish community can be seen in the work of the Jewish charitable organization Hesed in central Kyiv. The Jerusalem Report outlined how a continuing flow of previously self-sufficient Jews from eastern Ukraine arrived seeking help. They needed housing, food, clothes, medical care, and social support. Hesed, supported by the American-based Joint, does its best to help those most in need.There have been other bold initiatives. The Israeli and Ukrainian media have reported on the Kyiv-based Rabbi Moshe Azman and his announced multi-million dollar "Jewish refugee community" outside the capital.The community is called "Anatevka," named after the fictional village in the Tony Award-winning Broadway musical Fiddler on the Roof.It is a community in the making, spread out on a plot the size of three football fields. Anatevka features a wooden synagogue with two ritual bath... See acast.com/privacy for privacy and opt-out information.

Os musicais também tem um papel importante na história de Hollywood, por mais que eles sejam menos apreciados. E a Broadway sempre serviu de inspiração para os cineastas. Hoje, no nosso podcast, destrinchamos Um Violinista no Telhado (Fiddler on the Roof,1971, Dir Norman Jewison), com o talentoso Chaim Topol no elenco e que deu o primeiro Oscar a John Williams. Por quase duas horas – mal ae – Tiago Lira, o Tigre (@tiagoplira), Marcelo Zagnoli (@marcelozagnoli) e Matheus Des (@matheusdes) conversam sobre o que estava acontecendo no cinema em 1971, dos musicais de mais destaque, da direção, elenco, da fotografia de Oswald Morris, detalhes do figurino, e dessa história que é o retrato de uma época e de um povo. E falamos também quais são as nossas músicas preferidas do musical. Você sabe o que é um pogrom? E seria esse um filme machista ou uma crítica? Podcast com spoilers. Desculpem o atraso e Mazel Tov!

Os musicais também tem um papel importante na história de Hollywood, por mais que eles sejam menos apreciados. E a Broadway sempre serviu de inspiração para os cineastas. Hoje, no nosso podcast, destrinchamos Um Violinista no Telhado (Fiddler on the Roof,1971, Dir Norman Jewison), com o talentoso Chaim Topol no elenco e que deu o primeiro Oscar a John Williams. Por quase duas horas – mal ae – Tiago Lira, o Tigre (@tiagoplira), Marcelo Zagnoli (@marcelozagnoli) e Matheus Des (@matheusdes) conversam sobre o que estava acontecendo no cinema em 1971, dos musicais de mais destaque, da direção, elenco, da fotografia de Oswald Morris, detalhes do figurino, e dessa história que é o retrato de uma época e de um povo. E falamos também quais são as nossas músicas preferidas do musical. Você sabe o que é um pogrom? E seria esse um filme machista ou uma crítica? Podcast com spoilers. Desculpem o atraso e Mazel Tov!

Ashkenazi Jews whose grandparents or great-grandparents hail from the Pale of Settlement tend to hold certain received notions about Poland (“bad for the Jews”) and its people (“hated the Jews”). On the basis of such notions, many Ashkenazim see little or no reason to visit the place. Jonathan Groubert felt similarly. Nevertheless, in 1994 he tacked Poland on to the itinerary of a backpacking trip through Europe. The visit was intended to do little more than confirm what he already knew. Instead it left him confused and determined to dig deeper into his family’s past and into Konin, the town they left behind. Here he shares his story. Groubert is a radio host and producer based in the Netherlands. A version of this story first aired on his podcast, “